#i also have huge opinions on redemption arcs!!!

[eosofspades]

i actually disagree that it would nullify the point of his character. redemption would be a very narratively and thematically satisfying ending for him.

the "point" of tai lung's character in the first movie wasn't that he was ontologically evil or had chosen, now and forever, that he wanted to be bad for the sake of being bad. the reason he turned to darkness was because he had been raised his whole life to believe that he was entitled to the dragon scroll, that he was MEANT to be the dragon warrior, and he felt personally betrayed by shifu (his mentor and father figure), because shifu did not try to defend his honor or worthiness (which, at this point in his life, he had based his entire identity upon). he acted out of anger and betrayal, and then got thrown into prison to stew in resentment for twenty years, and then FINALLY got out to learn that the status he had worked his whole life to attain was just being handed to someone else. tai lung acted out of resentment and he WAS a villain, but he wasn't inherently evil.

the entire message of the first movie was that you CAN be the dragon warrior with or without some mystical power from the scroll; that there IS no secret ingredient that makes you good or worthy, it is just you and what you choose to do. tai lung, at this current point, had just FINALLY confronted shifu (an extremely emotional scene), and the moment he finds that the scroll is blank and powerless, his entire worldview has been shattered. at THIS moment, of course he is unable to accept this or react rationally.

but now? four movies later, after having time to reflect in the spirit world (plus the sudden shock of whatever the chameleon has done to him), it might just be enough for him to choose differently. and choosing to be good on your own was the entire point of the first movie! (there were even specific points in the first movie that made it clear he WASN'T wholly bad, and could have stopped fighting - his face softens when shifu says that he's always been proud of him, before he gets angry about the scroll being blank, he just sounds afraid, etc.)

redemption wouldn't nullify his character; i even think that him becoming the next dragon warrior would be really fitting! in the first film, he turned to darkness because he had misunderstood and grown obsessive over the concept of being the dragon warrior and the power that would come with it. but the whole point of a redemption arc is choosing differently than what you did before, so him finally internalizing the message that there is no secret ingredient, it is just you - and finally understanding the message of the first movie that he failed to grasp the first time - would be a very fitting ending to his character.

“I can’t wait for Tai Lung’s redemption” y’all. Not every good character needs to be redeemed. Redeeming Tai Lung would make the point of his character in the first movie just… pointless. He’s cool as hell and you can like him but that doesn’t mean he should be or has to be redeemed. Why do people think he needs to be redeemed just because he is a sympathetic villain ???

[immaterial-pearl]

Dead boy detectives but it came out in 2009:

- Edwin and Niko romantic arc (Niko turns out to be a murderer);

- Niko has a made up name that sounds vaguely asian (racism);

- payneland gets the destiel treatment;

- Edwin constantly claims he is not interested in women because he is above it, hes also incredibly misogynistic;

- Esther is like this because she aborted a kid or something (the only character arc a woman can have apparently);

- Crystal is a cold-emotionless action girl (sorry for using tv tropes slang);

- you know exactly how Cat King would be written I don’t have to say it;

- Crystal’s ex David gets a badly done redemption arc and has a whole dedicated sub fandom;

- Charles is misogynistic #epic and there is so much discourse about wether he is or isn’t justified in his opinions;

- Charles is refered to as a “chick magnet”;

- huge rpf scandal in the fandom;

- Charles fanon would suck so bad I’m sorry people would have really dogshit takes;

- somehow the show gets 9 seasons;

- animatics to heathers songs, I don’t have to say more.

[writingwithcolor]

Romani character portrayals in fanfiction

Rroma Dick Grayson, batman fanfiction

endoftheworldhere asked:

I wanted to write a fanfiction about what Dick Grayson’s life would have been like if he wasn’t adopted by Batman. It was going to have him dealing with the bad parts of Gotham City and interacting with various criminals and rouges, But I was worried that could come off as stereotypical or racist since he’s been portrayed as at least part Romani and I wanted to include some connections to his heritage as a way he clings his parents after they died so traumatically. Any advice?

The thing about Dick Greyson is that he was retconned into being part Romani, and the writers did so in a very stereotypical way. A lot of Romani people have talked about this, especially on Tumblr, and opinions do vary about how he should be written. Many think it’s best to ignore his “heritage” and just write him as white, while others disagree and think that his heritage is important representation and should be written, but more respectfully.

I honestly don’t know my personal opinion on this, but I will say that there is a huge stereotype about Romani people being criminals. If you do plan to write him as part Romani, make sure to avoid these tropes. Otherwise, I would just nix his Romani heritage.

-Mod Tess

Romani woman, curses and Buffy the Vampire Slayer

Anonymous asked:

I'm struggling a bit with a piece of fan work right now, and I was hoping you could weigh in. In Buffy season two, there's a character named Jenny, who we first meet as a techno-pagan computer science teacher, who helps Buffy and co deal with fighting demons and stuff. Only the thing is, she's Rromani. She's there to make sure a family curse stays on a vampire who killed someone beloved to them a century ago (mostly to protect people from him if Angel/Angelus gets uncursed), which everyone gets mad at her for not telling them when he loses his soul and goes on rampage.  Ordinarily, it's not hard to write her, because until that arc, she's a fun character who happens to be a Rroma woman, and as other characters use magic, that doesn't stand out. But the whole curse thing, and the depiction of her family we're given, (and the way a canon redemption arc for Angelus I can't stand starts with him getting a soul as a punishment for killing a Rroma woman in 1898), and the everyone being mad about deception all just feels like many negative stereotypes.  What would be your thoughts on depicting Jenny, and on what to keep in mind trying to rewrite how she was shown in the show. [Ask redacted for length]

Let me just start out by saying that I am not very familiar with Buffy, so thank you for the context. I think your best bet here would be to drop the curse plot line altogether, as that’s a huge stereotype about Romani people. I think it’s ok to have her do magic, as long as other characters also do, and although I do think the vampire stuff is also a stereotype (a lot of vampire lore is supposedly taken from some Romani folklore, and Romani people are often associated with vampires in pop culture), I think it’s fine given the context of the show.

-Mod Tess

[rewritingcanon]

Gimme that opinion on Drastoria 🫰🫰🫰

as you wish pookinator 🫡

i know we have not a lot of information on astoria as a person, but the info we do have makes so much sense to me why draco fell so deeply in love with her. she was described as extremely kind, caring, and very open. she turned her back on pureblood traditions and beliefs— i don’ think yall get how big a deal that is. people make headcanons of the canon slytherin characters all the time but astoria is one of the only ones who genuinely fits the box of being a part of a noble pureblood family and rejecting their values (and she was probably in slytherin, which makes it ever rarer). she also seems extremely selfless— she wanted to have a baby just so draco wouldn’t be alone when she eventually died because she knew how hard it would be on him. draco had to turn against his own parents wishes and fight for their right to be married, which tells me astoria didn’t want to fight for herself and get in between draco’s relationship with his parents. considering draco’s character and all he sacrificed to honour his parents and have their approval, this was huge.

and then there’s that fucking letter bro. the one that draco writes to astoria on his birthday after she has passed away. HE STILL WRITES TO HER WHEN SHES GONE !!! this is like the equivalent of never deleting the number of someone who has died and letting the messages turn green because you know they wont respond but you’re doing it anyways because you miss them. ohhhhh im sick. draco loved her so so so much, she was his reason for redeeming himself and she gave him another reason to stay on that path once she was gone (scorpius).

i didnt mean for this to turn into such a rant in defense of drastoria but i’ve seen so many people complain about draco’s lack of a redemption arc and the fact that he gets with an unknown character instead of one of the main ones, but to me what we already have of drastoria is perfect. less ≠ bad ship.

tldr: draco and astoria make completeeeee sense.

[steeltwigz]

Ok I've been getting a lot more Taco II discourse on my timeline recently. NOW I see what you all mean.... I gotta be honest, a lot of the posts to me still read as fans making up things to be mad about fhdjf what do you MEAN "Taco is irredeemable and doesn't Want to be redeemed and forcing her down a traditional redemption arc is Impossible AND you're a misogynist for misinterpreting her character" OKAYYY. Sit down buddy, Cool IT. What in the WORLD are you talking about. Did you miss the last minute of the episode where she says "no more running" and decides to face her fears head on, with the support of MePad. Did you miss all those letters she sent to Pickle, or her reaching for the portal for "another chance" at season 1, so she could fix her mistakes and wouldn't have hurt her friend? "But she wanted to kill Balloon that one time!" ONE she wanted to taze him, relax. I mean like if he pops he pops, but that's pretty Par For The Course for an object show, ESPECIALLY when II2 was still developing its more serious, less hyper-violent slapstick tone. TWO part of her problem is that she doesn't change w the game, she's still running (at least partially) on season 1 rules and in season 1 killing people was pretty normal, sorryy. Like a HUUUUGE point of her narrative arc is how she's still making a lot of the same mistakes she made with Pickle, but she doesn't realize until it's too late bcuz she's still too focused on the game (until it all comes crashing down a second time and she hates herself about it, and tries to End The Whole Show (THROUGH NONVIOLENCE MIGHT I ADD)). The whole show, she's wanted nothing more than to be redeemed and to undo her mistakes becuz she REGRETS HURTING PEOPLE AND she doesn't fully believe she can or that she deserves to, until MePad begins to help her out. These two things can both be true!!

Also, come On man. Sooooo many characters in this show are "bad people" or can be mean or hurtful. (Honestly, Id argue that a huge theme of the show is realizing people are multi-faceted and that people aren't only their worst traits, or their stereotype personalities but are in fact just as complex and personable as anyone else. That the show and the game and the challenge bring out the worst in people for Drama or Views or Money, but that doesn't mean that's all there IS to the competitors, and even the hosts, and you can't judge them based solely on their worst traits, which are getting exacerbated and unnaturally worsened due to the harmful exploitative nature of reality TV). That doesn't make ANY of them "irredeemable". Taco can have a redemption arc just as much as MePhone or Knife or Nickel can, who IN MY OPINION have done similar, and also Way Worse Things than she did, that no one ever brings up in these conversations. And NO that doesn't make you a misogynist for misinterpreting Taco or for thinking Knife is fine and she isn't, it just makes you have poor plot comprehension skills and you're predisposed to hold bias against the antagonist character becuz she's the antagonist. It's Whatever.

[aprofessionalwithoutstandards]

what's your opinion on the people who complain about the tf2 fandom ''oversexualizing'' medic? i just saw a post like that and im interested to hear your thoughts because ur the most based person in this fandom lmao

I'm not One Hundred Percent on whether or not I've posted about this before but I've DEFINITELY talked about it with friends lmao uhh I think it's stupid. What Medic tf2 goes through via the gay fandom is Nothing compared to the oversexualization of women characters in games by the games themselves, for one thing, and for another thing I just think it's a total nonissue. Sex and horniness and sexual fan content are good, actually! Idk it's just very funny that I've seen this take from a. aheh. popularish Medic tf2 artist (who has me blocked so I'm allowed to vague) who ALSO posts about how they want Medic tf2 to have some kind of Redemption Arc. Like at this point if you don't like his huge boobs and you don't like his actual personality of loving violence you do not like Medic tf2, you like an oc who looks like Medic tf2. I kinda love Medic being a sex symbol, actually, the Burly Beast is such obvious gay fanservice on the part of its creator and it's cool when gay things are in games

[spghtrbry]

so i’ve been. THINKING lately.

you can find many similarities in both stories but there are also huge differences…

in cain and abel’s story cain murders his younger brother because of his jealousy and because god preferred abel over him, which is obviously similar to how chuck’s pride made him envious of jimmy because he’s more likeable and made their mom laugh etcetera etcetera..but i’d say abel was a pure guy, he didn’t do anything bad, he was like. basically the purest human being at that time (well it’s not really difficult to be the best person when there’s like 4 people in the whole world and two of them literally got kicked out of heaven but anyway). and cain murdered him. which is clearly not the case with jimmy and chuck because obviously in the legal point of view chuck is a better person than jimmy …

and we’ve got esau and jacob, which is i think a really underrated story. i mean i love cain and abel but i think people often forget about those two. esau, (technically) an older brother, always gets tricked by jacob. jacob buys his birthright and steals his father’s blessing that was meant for esau. and esau rages at him because. i mean. that’s not a nice thing to do. but in the end jacob becomes one of the Main Characters in the genesis… personally i think this story is more… idk, specific? there’s just something about the younger brother constantly tricking the older to get what he wants, even though the reasons not always are completely selfish. BUT! in the end esau and jacob made peace which is (spoiler alert😨) not the case with chuck and jimmy ………..and also jacob didn’t really have a redemption arc and esau just. idk. moved on with his life. got a family and all that. so he basically became a normie. but yeah ANYWAYS!

so yeah. i’d really love to hear ur thoughts and opinions on this one because i am a little bit insane about all this stuff as you probably noticed

(also if i messed something up or if im wrong anywhere please lmk lol it’s been a while since ive read the old testament…….)

[lemonhemlock]

Hi Lemon! It's always a pleasure to read your thoughts on hotd so I just want to share mine and ask for your opinion :)

First of all, I completely agree with one of the recent anons about helaemond and how it would have made the story better and more logical, the characters involved more engaging and human and ofc, the motivations more clear. And yes, it's ridiculous how my fellow greenies have been screeching about it making the greens look bad and hypocritical when in reality it would have only endeared them more to the GA (if done right, of course). Aemond would have been a multi layered character, Helaena would have had more relevance and Aegon and Aemond's fallout would have been more convincing. Oh well, a missed opportunity, unfortunately. But the greens are the ones who were damaged.

Second of all, Helaena is such a mystery to me and not in a good way. She has the same gift as Daenys the dreamer and yet she won't do anything with it? Why? To make her a constantly doomed and tragic figure who can't avoid her destiny? Because that's not the best explanation and just seems lazy. She is completely detached from the narrative. I thought at first that she couldn't interpret her dreams and visions, but after the balcony scene with Aemond it's obvious she can. Also, the way she apathetically talked to Aemond abut him dying and (sort of ) no one caring rubbed me the wrong way and I actually felt bad for him in that scene, not her, even though it obviously wasn't the writers' intention (and I agree with you, %his request wasn't unreasonable at all).

Finally, them using Helaena in Daemon's vision made my blood boil. Apparently, she can be Bran like toward her own brother because he "deserves" it, but it's OK to use her to "light the way" for Daemon in his "redemption" arc. It's unbelievable and straight up offensive . What is actually the point of her character and her ability then? Anyway, I would love to read your thoughts on this. Thanks.

first of all, anon, hello & thank you & i hope you enjoy your stay on my blog! 💚

PREFACING this by saying that the full helaena-aemond scenes might offer a bit more context than we already have, but, basically, here are my takes, as of now, the friday before the season finale. subject to change!

i guess my thesis statement is that this whole season kind of destroys helaena's character, as well.

let's look at her relationship with aegon:

from what i understand, she says she was "happy" before the war. a helaegon win perhaps? if she was "happy", then she must have been content enough with her position as aegon's wife, no? that doesn't seem like a huge logical leap to make. so, whatever aegon did or didn't do, it must just not have bothered her that much to impinge on her "happiness", even if perhaps she wouldn't necessarily rate him very highly as a husband either.

but, then again, she never mentions him. he just suffered a traumatic injury and is in constant pain. helaena is not besieged by grief this season, she is not catatonic with her own trauma, she is very lucid and calm and acting normally, yet she doesn't once ask about him or visit him or offer SOME kind of condolences or feel any kind of way about him being a cripple. he is still her brother, though? and apparently she has no particular beef with him? she shares a daughter with him, yet never even considers how it will be difficult for jaehaera to see her father like that. she just doesn't give a shit. and, i have to say, this makes her look rather sociopathic.

now let's look at her relationship with aemond. she is apparently so dismissive and gives zero fucks about the concept of aemond's death. like with aegon, there is a version in which helaena could have real grievances with aemond that could lead her to act like this. does she, though?

she doesn't give a shit that aemond burned aegon

she doesn't give a shit that aemond instigated the blacks into assassinating her son

she doesn't give a shit that aemond dismissed alicent from the council

what other reason could there possibly be? does she disagree with his war strategy? does she care that he burned a village? is she a secret rhaenyra stan? did he step on her favourite cockroach when they were kids and now it's payback time?

so, to be so indifferent and apathetic and downright heartless towards her brothers for no reason, again, paints her like a sociopath. what does she even care about? just her bugs? what in the seven hells? i'm not even sure that was the writers' intention anyway, they just truly have no idea what to do with her character. she is there so her interlocutor might exhibit some of their own character traits, but it's like talking to an android.

there are also ways in which one could show helaena's reluctance regarding flying dreamfyre to war, not just "lol i don't want to be bothered" when her family's lives are at stake. at the very least show her terrified of dying or squeamish about violence or something.

and her assisting daemon's redemption arc is downright nauseating. she gives zero fucks about her brothers, but DAEMON is the one she elects to help??

from a watsonian POV, she is not likeable or understandable at all, they are basically turning her into a selfish coward infantilising herself and not bothering to take the slightest initiative to change or influence the things she disagrees with, who just wants to sit on her arse all day waiting to die. but can she truly be analysed through a watsonian POV? was this the intention of the writers? (death of the author and all - what other in-universe characterisation could you give her based on her inaction on all fronts?)

like with alicent, i, for one, cannot apply watsonian analysis to helaena, because that's not how a human person would believably act in those situations. that's not how neuro-divergent people act! they cannot keep using this as an excuse. i don't want to hear the "everyone grieves in different ways" pretext. controversial opinion, but it's downright offensive to neuro-divergent people to claim they are so soulless and don't care about anything other than their hyper-fixations and would not blink if their family were in mortal danger or lift a finger to help in any kind of way

[bibibbon]

I don't know what I felt about Bakugo, like I see that I don't really hate him, I just find him annoying at times, there are times when I agree that there are times when the hate he receives is a bit exaggerated, like when you relate him to Endeavor, like you're relating him to someone who committed human trafficking. Like I think he has potential, but first he should face the consequences and then maybe he could start to improve as a person. I even like to see him being a good friend to Izuku, but I don't know. What do you think about the hate that Bakugou receives from a part of the fandom?

I can see where you're coming from, but honestly, it doesn't seem harsh to me to compare bakugo and enji depending on the circumstances.

Yes, bakugo and enji share characteristics. Whether those are good or bad is up to the reader to interpert.

I say this because when Canon points out the similarities between enji and bakugo, it paints it out as a good thing, so having people twist it around and interpret it in a different manner makes complete sense to me (as I have done it before).

However, I personally haven't said that bakugo did do the same things as enji or is just as bad as enji. I also haven't seen multiple posts say that as well. Most of the posts that talk about bakugo and enji point out the fact that if bakugo continues down the path he is going, he will end up like enji desperate to win and ultimately throw his life away.

I make my opinion clear on one of my other posts, and the asker themselves also acknowledges that it's people LIKE bakugo and enji that are shown to create abusive and rather fuel societies corruptions (in the end they are alone effected by it)

Yes, in the end, bakugo hasn't reached enji's level, and he has the chance to have a proper redemption arc, but Canon never gives him that. He has potential, yet it's never achieved.

The bakugo and enji comparisons are in a way crucial to bakugo's character to truly paint him as who he is, and then having bakugo and enji become contrasts would ultimately show bakugo's change, breaking the cycle and trying to become a better person. I think ignoring and trying not to point out these parallels within the series does more harm than good (as shown in Canon).

We share similar views when it comes to bakugo. I think that if he was written well and actually got proper consequences, he could have gone down a slow but steady road of redemption where he changes and becomes a better version of himself. I have talked about the wasted potential of bakugo 👇 and I still stand by these ideas. I just don't like the execution of his redemption arc in Canon at all

To answer your question, tumblr is literally the only site I actually see bakugo hate and criticism, which, to me, says a lot. Bakugo hate isn't something huge in other platforms such as Twitter, reddit, or tiktok maybe it is but honestly iam not exposed to bakugo hate it's mostly bakugo die hard stans I see which can get annoying sometimes as they deny certain things their favourite character has done.

While it is few, I have seen times in tumblr where I think the bakugo hate just got petty. This is usually when you have people misspell bakugo's name as "bakuhoe" or some other cringey variation, which ruins the point that the person had to say about bakugo. I think that wishing the character would die can also be a bit extreme (yet bakugo isn't a living, breathing human, so i dont find myself caring about such hate)

In the end, it is a vocal minority specifically seen here on tumblr that hates bakugo or actively points out his flaws, which is a shame because I think he is quite overrated and just has wasted potential.

[1218-814]

Twisted Wonderland Analysis (Tarot Card Offical Countdown Art)

Ace (23) and Duce (22)- No cards (in Major Arcana), The fool(s). Meaning new beginnings, having faith in the future, being inexperienced, not knowing what to expect, having beginner's luck, improvisation, and believing in the universe.

Normal:  Beginnings, Innocence, Leap of faith, Originality, Spontaneity

Upside down/reversed: Chaos, Folly, Lack of direction, Naivety, Poor judgment, Stupidity

I’m going to think Ace and Deuce are both the fool. I’m sure that they will the strongest card (the ace of spades). So the card confirms that they will be. In central Europe, the fool is the 22nd and the strongest card, which confirms this theory more.

They are both the first students MC interacts with (without Grimm), which is the “new beginnings” 

In the commercial of the Heartslabyul arc, you can see Cater and Trey on the edge of the screen showing most of their faces. But Ace and Duce show only show half of their Faces. This isn’t really about the card “The Fool” but it could mean they will be an odd card up the sleeve 

My card is in black, white, and red as well, so I think I used the right version, just because the cards’ color and the color of the Heartslabyul dorm are alike if not similar. (Ace=red and Deuce=black in my opinion)

In my version “the fool” has a crown in their hand. So I can conclude that the crown symbolizes “power”, I think he’s trying to communicate with someone who is higher than him (gods, rulers, etc.) using it. And the stick he’s holding represents fertility, which has a strong correlation to “trickster”, and the ends of the stick can also correlate to having two opposite ends (figuratively). Thus, it means that the person symbolizes being a fool, but they still have a side that calculates a plan. So it can also mean that the person, while not having a plan, still has a plan (Wikipedia, and yes, it's confusing sorry.)

Rook calls MC “Trickster Yuu-Kun”. The name does confirm this theory (fool=trickster). (”Trickster”- one who has two sides, the one who will change the story) And it is MC, Duce, and Ace that make a huge impact on the story. 

Cater Diamond (21)-  The World Za Warudo; represents an ending to a cycle of life, a pause in life before the next big cycle beginning with the fool. It is an indicator of a major and inexorable change, of tectonic breadth.

Normal: Achievement, Perfection, Fulfillment, Possibilities, Successful conclusions

Upside down/reversed: Delayed success, Failed plans, Lack of completion, Stagnation

Cater's last name is “Diamond”. Diamonds are the hardest jewel and are called the “king of all gemstones”, but they are also very brittle.

Cater is a very optimistic character, but he is also secretly very insecure about himself, so he hides his true self and acting the “perfect and strong diamond” to public

Trey Clover (20)-  Judgement; time of resurrection and awakening, a time when a period of our life comes to an absolute end making way for dynamic new beginnings.

Normal:  Awakening, Decision making, Redemption, Reincarnation, Renewal, Transition

Upside down/reversed: Poor logic, Poor or hasty judgment, Self-doubt, Stagnation

Trey didn’t stop Riddle when he was making unreasonable rules (poor judgment), which caused riddle to overblot, and this makes him have stagnation with his judgment.

But, the card means “renewal” which could represent his unique magic (Doodle Suit overwrites with what one imagines)

Riddle Rosehearts(19): The Sun; The card portends good fortune, happiness, joy and harmony. It represents the universe coming together and agreeing with your path and aiding forward movement into something greater.

Normal: Enlightenment, Joy, Marriage, Material happiness, Success, Vitality

Upside down/reversed:  False impressions, Lack of clarity, Low Vitality, Sadness

When people first think of the sun, they tend to think of Kalim. But in this case with the Marseille cards, Riddle is the perfect fit for it. 

In the Marseille card of the tower, it looks like the “sun” is spewing out what looks like flames to the tower removing the crown-like top, which may be a reference for Riddle’s unique magic, “Off with your head.”

 In the Savannaclaw arc, Riddle managed to stop Leona from overblotting too soon. Also, Leona’s overblot form uses nature, While 2 of the dorm SSR cards are fire-based, which makes him have an advantage over Leona

In his past, he was raised very strictly, which may also make him symbolize “sadness”

Jack Howl(18): The Moon; the card of illusion and deception, and therefore often suggests a time when something is not as it appears to be. Perhaps a misunderstanding on your part, or a truth you cannot admit to yourself.

Normal: Deception, Difficult period, Fear, Hidden things, Insecurity, Mental confusion

Upside down/reversed: Insomnia, Mysteries unveiled, Release of fear, Unhappiness, Unusual

In the Savannaclaw arc, he was disappointed in Leona, whom he thought he was above doing those things (difficult period and hidden things).

After he and Ruggie were able to respect Leona again after the overblot and Leona can try his best. (Release of Fear)

His unique magic and hair do have some elements of “The Moon (a transformation like a werewolf (unusual) 

At night, he (the moon) and “the stars” are the only ones near the height of “The Tower”

Ruggie Bucchi(17): The Star; you are likely to find yourself feeling inspired. It brings renewed hope and faith and a sense that you are truly blessed by the universe at this time.

Normal: Astronomy, Good health, Hope, Inspiration, Opportunities, Spirituality

Upside down/reversed: Despair, Disappointments, Illness, Missed opportunities

In the Savanna Claw arc, said something about opposing people's thoughts but he was disappointed when Leona said they could never be first.

After the overblot he has hope that he and Leona, the king he chose, can win the Magical shift tournament next year

Ruggie is the star, so he will not leave “The Tower’s” side (Leona)

Leona Kingscholar(16): The Tower; commonly interpreted as meaning danger, crisis, destruction, and liberation. It is associated with sudden unforeseen change.

Normal:  Accident or damage, Catastrophe, Destruction, Renovation, Unexpected

Upside down/reversed: Illness, Losses, Obstacles, Volatile situation

I don’t know if you’ve heard about this theory, but there is a theory that Leona is an important person in the ‘infinite loop theory’, and that's why he is repeating the grade, to break the loop.

In the opening, you see him standing in a very high place, which could represent the tower. 

Floyd Leech(15)- The Devil;  being seduced by the material world and physical pleasures. Also living in fear, domination and bondage, being caged by an overabundance of luxury, discretion should be used in personal and business matters.

Normal: Bondage, Enslavement, Fear, Feeling trapped, Materialism, Temptation, Unhealthy relationships

Upside down/reversed: Breaking from addictions, Divorce, Freedom from restraints

Bondage, enslavement, feeling trapped... Floyd hates shackles, which I assume is “bondage”

Floyd is usually hard to read like the card, as well as being a free-minded character.

Jade Leech (14)- Temperance; indicates that you should learn to bring about balance, patience, and moderation in your life. You should take the middle road, avoid extremes and maintain a sense of calm.

Normal:  Alchemy, Balance, Connecting with your guides, Harmony, Looking for divine intervention, Moderation

Upside down/reversed: Disharmony, Imbalance, Lack of patience, Onset of illness

Jade seems like a patient man, but the card says differently. If we see the ceremonial robes SSR cards, you can see that Riddle would agree that Jade is not what meets the eye. Yeah, Trey you need new glasses

Jade is probably holding back his true self; In the card, there’s an angel-like figure who has wings. Maybe, it’s suggesting the idea that Jade seems like an angel, but he’s just a demon in disguise. 

Azul Ashengrotto (13)-Death; Unlikely that this card actually represents a physical death. Typically it implies an end, possibly of a relationship or interest, and therefore implies an increased sense of self-awareness.

Normal: Endings, Failure, Letting go of attachments, Mortality, Profound change, Severe illness

Upside down/reversed: Delayed endings, Depression, Living unaware, Long terminal illness, Resistance to change

In the Octavinelle arc it goes: Letting of his past (attachments and depression)> Taking away other’s power because of his unfair deals (endings)> his contracts become sand> Overblot. Then after the overblot he has restarted his career  (Profound change)

In a wider sense, he literally symbolizes death. In the Scarabia arc, because he came, Jamil overblotted (Ending, Bad in this case).

Jamil Viper (12)-  The Hanged Man; the card that suggests ultimate surrender, sacrifice, or being suspended in time.

Normal:  Breaking old patterns, Circumspection, Letting go, Metamorphosis, Suspension

Upside down/reversed: Egotism, Inability to change, Missing an opportunity

Jamil sacrificed so much. He killed his own feelings and was suspended in time (in some sense), incapable to change, and wanted to be king, but in the end it all went to waste (missed an opportunity)

Kalim Al-Asim (11): Strength; predicts the triumphant conclusion to a major life problem, situation or temptation through the strength of character. It is a very happy card if you are fighting illness or recovering from injury.

Normal: Confidence, Enjoying power, Inner strength, Potency, Self-belief, Virility, Vitality

Upside down/reversed: Hedonism, Lack of self-control, Lacking courage, Self-doubt, Vanity

In this case, I would say that this is most likely, represented by, Kalim’s unique magic. Oasis maker requires him little effort while being very powerful. Depending on how he uses it, it could end up even killing people.

His personality says most of the reversed card, he holds many parties (hendonism) and he get’s Jamil to do most of his dorm leader work.

Epel Felmier (10)- Wheel of Fortune; common aspect to most interpretations of this card within a reading is to introduce an element of change in the querent's life, such change being in station, position or fortune: such as the rich becoming poor, or the poor becoming rich.

Normal: Chance, Changes, Destiny, Luck, Opportunity, Winning 

Upside down/reversed: Bad luck, Disappointment, Misfortune, Mishap, Unforeseen setback

In the game he has an achievement (?) called “the pretty boy with thin luck”, I think fate will work for him this time, and he gets to challenge Vil (Change and chance)

His fate with MC and the others will change in the future is what I also think.

Rook Hunt (9)- The Hermit; suggests that you are in a phase of introspection where you are drawing your attention inwards and looking for answers within. You are in need of a period of inner reflection, away from the current demands of your position.

Normal: Introspection, Meditation, Self-reflection, Solitude, Soul-searching, Withdrawal from society, Helper

  Upside down/reversed: Exile, Loneliness, Misfit, Sadness, Withdrawing from loved ones

The normal ones are basically his personality

Rook is a character to help understand Vil, such as in the Lab Coat story.

Literally, his unique magic is called "I see you"

He did not help Vil, being the one who was always loyal to him in the Pomfiore arc.

Vil Schoenheit (8)- Justice; indicates that the fairest decision will be made. Justice is the sword that cuts through a situation, and will not be swayed by outer beauty when deciding what is fair and just.

Normal: Balance and equilibrium, Cause and effect, Fairness, Justice, Responsibilty

Upside down/reversed: Dishonesty, Imbalance, Lack of accountability, Legal flaws, Unfair treatment

Vil is very unfair to people, such as Epel,

He also does acept other’s opinion if they are actually trying, such as Jack in his Gym Uniform story.

He does judge people all the same (but he doesn’t like people that don’t put effort)

Other than the “fair” in the card it can also mean “fair” as in beauty; His counterpart is known for using the word in that meaning

“Mirror, mirror, on the wall who is the fairest of them all?”

Ortho Shroud (7)- The Chariot; card about overcoming conflicts and moving forward in a positive direction. One needs to keep going on and through sheer hard work and commitment he will be victorious.

Normal: A journey, Ambition, Confidence, Drive, Overcoming obstacles, Will power

  Upside down/reversed: Lack of direction, Scattered energy, Self-doubt, Going out of control, Selfish

Othro is the only one in the whole countdown who is upside down, hence making all the meanings reversed.

If you pay close attention to his personality he is some what selfish, such as him unleashing his beam.

Idia Should (6)- The Lovers; represent relationships and choices. Its appearance in a spread indicates some decision about an existing relationship, a temptation of the heart, or a choice of potential partners. Often an aspect of the querent's life will have to be sacrificed; a bachelor(ette)'s lifestyle may be sacrificed and a relationship gained (or vice versa), or one potential partner may be chosen while another is turned down. Whatever the choice, it should not be made lightly, as the ramifications will be lasting.

Normal: Being at a crossroads, Choices, Commitment, Falling in love, Partnerships

Upside down/reversed: A broken relationship, Infidelity, Relationship issues, Separation

The relationship is his relationship with Ortho.

He made a choice in the past that he should have not made lightly. aka the one that lead to his brother's death

Sebek Zigvolt (5)- The Hierophant/Pope; seen seated on a throne between two pillars symbolizing law and liberty or obedience and disobedience. He wears a triple crown, and the keys to Heaven are at his feet. 

Normal: Education, Learning, Marriage, Religion, Seeking counsel or advice, Spiritual guidance, Tradition, Trust

Upside down/reversed: Abuse of position, Breakdown, Poor counsel, Rejection of family values

He may as well breakdown because of his loyalty to Malleus

He holds the stick like the card in the left hand.

He worships Malleus (religion) and he trusts him too much

Silver (4)- The Emperor;suggestive of stability and security in life. You are on top of things and everything in under your control. It is your hard work, discipline and self control that have bought you this far. It means that you are in charge of your life now setting up your own rules and boundaries.

Normal: Authority, Father figure, Law and order, Leadership, Power, Promotion

Upside down/reversed: Control freak, Immaturity, Lack of discipline, Loss of authority, Manipulative friends

Silver is based on a non-villan character and protects Malleus. His non-elemental magic is light

He is going to be the axis of the story; he said “I think I have met you before”

The card resembles the picture very much

In his lab coat story, he holds a book that is the exact opposite color of what others have.

He does bring order within the Diasomnia arc

Lilia Vanrouge (3)- The Empress; traditionally associated with maternal influence, is the card if you are hoping to start a family. She can represent the creation of life, romance, art, or new business.

Normal: A new opportunity, Abundance, Maternal care, Nurturing, Pregnancy, Stability, futility 

Upside down/reversed: Domestic problems, Financial issues, Stagnation, Unwanted pregnancy

Lilia is the father figure of Malleus and Silver

His talent is lullabies (nurturing)

It also can mean fertility, unknown, and time (apparently idk)> symbolizing his long life. Unknown> What we see is an altered appearance? fertility> He literally hatched Malleus

Malleus Draconia (2)- The High Priestess; a card of mystery, stillness, and passivity. This card suggests that it is time to retreat and reflect upon the situation and trust your inner instincts to guide you through it. Things around you are not what they appear to be right now.

Normal: Hidden talents, Intuition, Mystery, Spiritual insight, Things yet to be revealed

Upside down/reversed:  information withheld, Lack of personal harmony, Secrets

Literally Maleficent. nothing else 

Might hold some of the keys?

What I can say now is that he needs to retreat and reflect because what he did in chapter 7 is not nice.

Dire Crowley (1)- The Magician; it points to the talents, capabilities and resources at the querent's disposal to succeed. The message is to tap into one's full potential rather than holding back, especially when there is a need to transform something.

Normal: Determined, Dexterity, Resourceful, Skilled, Strong powerful man

Upside down/reversed: Communication blocks, Confusion, Deceit, Ill intentions, Lack of energy

By looking at the card and characters, then the most reasonable to think that will betray us is him

He may be the person who made the world of Twisted Wonderland. (There was a black magician named Crowley in Britain)

~~~

These are from their respective sources, mainly for personal reference

Also, I wrote this like 2 years ago and touched up. So Im sorry if I'm wrong

Likes, reblogs, and follows are always appreciated :)

[sledge-in-space]

John Seed is a comfort character for some people. Folks like to ship him with their deputies or craft redemption arcs for him.

There's nothing wrong with that, obviously.

But I just can't wrap my head around it.

There's nothing comforting about the way John Seed treated Joey Hudson. I don't understand why the ordeal she went through doesn't seem to matter to fans of his.

She was bait for the rookie deputy and nothing more, because she wasn't going to give in and join the cult.

He terrorized Joey and the rest of Fall's End, stooping to the lowest, most inhumane levels to get his way. Some even theorize that he hurt the "sinners" in his care just because he wanted to, for malicious, sadistic reasons that didn't have anything to do with the cult. At worst, some people go as far as to speculate that he raped Joey.

It's easy to see why someone might come to that conclusion. The way he acts is deplorable and he makes everything feel extremely personal, sometimes in ways that can be interpreted as sexually charged. He'll do anything in order to get his way because "no" is antithetical to him. He regularly flies off the handle, so much so that Joseph is threatening to cast him out. All the touching and getting right up in the player's face is so uncomfortable and obsessive (which is the point, but I digress).

So why does he get to be redeemed and venerated by fans? Don't his actions warrant consequences?

Are people willing to let him off the hook because he's attractive? Because he had a horrible, abusive childhood? Obviously he's got a lot more lore than most of the cast. Is that something people are interested in exploring for him over other characters?

I'm not trying to come after anyone personally. There's nothing wrong with liking villains and Jacob, Faith, and Joseph have also done terrible things to innocent people.

Which is like, fine. It's a video game.

And I know that John, like Joey, is a victim of Ubisoft's choppy, inconsistent writing and storytelling. Things got changed and swapped and cut during development that got us to where we are, with the story we have. Flaws and all, not like it was ever going to be perfect.

But in my opinion, I feel like the adoration for John does a huge disservice to Joey. People make thirsty edits of him while she's literally tied up behind him. It's tasteless and makes the optics of her situation look even creepier.

Her pain has largely been ignored for as long as the game has existed. I can't for the life of me figure out why.

[demigod-shenanigans]

"I can go into why i dislike ToA (especially Tyrant's Tomb is. a book that exists) but box of pandora. Once open good luck shutting me up" (source: your tags)

Now that you said that, i'm geniunely curious. Open the box. I dare you

This should be obvious but @ the people who really enjoyed ToA, this post is not for you. I’m not sure I’ll even tag it because this is mostly me venting into the void because two people asked and not me wanting to ruin other people’s fun. These are just my personal opinions.

I also apologize if I get any details wrong, I did recheck a lot of the things mentioned but it’s been a minute since I read ToA and might not remember everything 100% correctly. Also, obvious spoiler warning.

*claps hands together* Okay, you asked for this but heads up, it’s going to be long. Maybe grab a snack and a glass of water beforehand.

My beef with ToA can be summarized into a few key points that I’ll elaborate on below but basically:

-It tries to wrap up character arcs for some of the seven (and Reyna) but does this through the eyes of someone with zero context and also treats these characters arcs as unimportant footnotes in the larger story

-Jason’s death and everything surrounding it was handled extremely poorly.

-I cannot remember any demigods staying mad at Apollo. Redemption arcs should not mean everyone has to forgive this character for all the shit they’ve done in the past.

-The death toll. This is not helped by the fact that a lot of the deaths feel like they exist solely for the purpose of making Apollo learn death sucks over and over again (Jason is the worst example of this, but there are others)

More grievances I have but don’t have enough to say about to justify a longer explanation:

-There are a whole bunch of new minor characters on top of the old ones already struggling for screen time. I don’t remember much about any of them, which is a shame because the idea behind some of them is really compelling.

-The story is centered around the Triumvirate as antagonists, with Python as a final boss, but book four just dumps an additional antagonist on you out of nowhere? Why?

-Reyna rejecting Apollo is nice and all but I still had to put up with him crushing on her and was very uncomfortable the whole time.

-Chiron sends a bunch of new demigods into what’s potentially a death battle and tells them it’s a fun field trip (what the fuck)

-This is a personal grievance more than anything but it took me ages (book five) until I really got attached to Meg. I feel like that could have been fixed if she at least got a few POV chapters.

-Dishonorable mention to the punch line joke. Two whole camps of people lining up to hit the canonically abused kid that saved them is not funny.

Details under the cut (Pandora’s box, I did warn you)

Character arcs:

The books really do try to tell meaningful stories for people whose arcs weren’t finished in Heroes of Olympus. With some of them, you can even tell the ideas behind wrapping up those arcs were solid. But the books also tells those stories through the eyes of a character who doesn’t know these people’s pasts and quite frankly doesn’t care a lot of the time. People will voice/do something that is huge for their character and instead of going into that it’s followed up with some random Apollo anecdote that’s only tangentially related at best.

Taking Leo as an example: Apollo has no idea why Leo settling down and finding a home somewhere after everything he’s been through is meaningful. That’s a story that could have been the focus of an entire book of its own, but instead it’s just a side plot to a completely different story. And that story really should have been told through Leo’s eyes, or at least through the eyes of someone like Jason or Piper who realize why this is huge for him.

Apollo also does not care why Leo and Calypso are fighting, so it’s not something that’s properly explored. Leo’s fights with Calypso are mainly mentioned/witnessed. You get some guesses as to how they started but they never mention the exact reasons. They both say they care about each other, but only to Apollo, when the other person isn’t present. When they sort things out it happens largely off-screen. I was also not a fan of the way many of their issues ended up being pinned on Leo being sexist when it was actually way more than that.

ToA does this a lot. It gives arcs to characters who honestly deserved to be explored more, but those arcs are barely footnotes in a larger story where these characters just cameo for a hundred or so pages.

The cameo stuff works okay for Percy and Solangelo because the books are very aware they’re cameos and they get to have fun but this is not their story. But the characters the series tries to give proper plots to are all over the place.

It’s said that Jason and Thalia are really close but they never interact in the books. Jason had a bit of a chance at a normal life finally but that’s barely gone into. (More on Jason later because my god did how the books handled him piss me off massively)

Piper’s struggles with her queerness get the random Apollo anecdote treatment. There’s some stuff about her reconnecting with her dad and her heritage but that’s not explored a ton either.

Frank’s firewood burns up and he’s fine, which is just sort of hand-waved and doesn’t feel meaningful, especially because I think the fireproof pouch was already a fine solution? Congrats on being free of this, now you can get stabbed to death like all the other characters, I guess.

Reyna gets a sort of arc but it feels really weird because it happens almost entirely off-screen. She spends a large fraction of the book chiding Lavinia for leaving her post, then gets her leg broken, is off-screen for a while and then just DIPS with the Hunters after her home suffered huge casualties.

I also think her joining the Hunters is a super lame way to resolve her arc in general (she just lays down one responsibility to sign up for the next, and a character not wanting romance/not wanting romance right now should be allowed to exist without having to join the eternal maiden’s club, but that problem isn’t isolated to Reyna and could honestly be a whole post of its own)

This also comes down to the fact that I’m here mainly for the demigods. I care about these kids having good arcs and good lives. I care significantly less about Apollo having to learn really obvious shit like “murdering my pregnant girlfriend was perhaps a little messed up”

Jason’s death and everything surrounding it

Killing off a major character (especially one whose arc isn’t finished) can be a plot twist that works at times. But it has to be handled well. Doing it to a character that’s suffered horrifically and is starting to heal is also a hugely shitty move, but I understand you want meaningful deaths for the plot sometimes.

But you cannot do it the way Rick did it with Jason’s death. If he was going to kill off one of the seven, he should have done it in Heroes of Olympus, with that character narrating and their friends getting to deal with the aftermath and grieve.

Instead, Jason dies in a book that he appears in for like. A hundred pages iirc? Two-hundred at most? You get Apollo narration on it, and sure, he’s big sad about it, but he also knew this guy for two days.

Piper gets a few pages to deal with his death, then disappears from the book and comes back for a heroic rescue later. Leo gets like two pages to deal with the fact that his best friend is dead. They then proceed to fuck off to Oklahoma instead of going to the funeral. For what reason? No idea. The book doesn’t bother to explain it.

Jason gets a Camp Jupiter funeral, with none of his Camp Half-Blood friends present, because fuck the fact that him belonging to both camps was a huge part of his arc, right?

Piper and Leo know Jason is dead but they cannot be there because they’d already used up their time as ToA side characters, I guess. Percy and Annabeth can’t come, they don’t find out due to demigod communication issues until the end of the series. Thalia also doesn’t get to go to her brother’s funeral. She doesn’t find out until the funeral is already over. We don’t even really get to see her grieving, her finding out Jason died happens off-screen too.

Because this is the Apollo show, Apollo is the guy who leads the funeral procession instead of, like, Reyna, who knew Jason for years.

Also, for some reason, the person avenging Jason is Frank? Absolutely no offense to Frank, he’s a great guy and I’m sure he cared about Jason, but that choice still feels deeply comedic considering I can remember exactly one meaningful interaction him and Jason had in HoO (Jason giving Frank praetor position at the end of HoH) and not a single conversation they had beyond that. If Rick had to write Leo and Piper out of the plot, why not at least have Reyna avenge him?

Jason dies specifically because Apollo broke a stupid oath he made on the River Styx. We’re told that people around him will keep dying because of this. He dies as a chess piece in a stupid game between gods, for the sake of Apollo’s character development. He dies so he can be brought up every hundred pages for Apollo to waffle about how sad his death was but how he’d also definitely not want to be brought back (I get it, we cannot revive people constantly, but having Apollo make this point when, again, he knew the guy for two days, is still really stupid. Nico also gets to make the same point at the end just in case the reader didn’t understand before that we’re not bringing Jason back)

Apollo is forgiven by everyone

Related to the above point. Like I said, we’re outright told that Jason dying is a direct consequence of Apollo’s oath. Apollo also knew taking them along on the mission would get Jason or Piper killed and he did it anyway.

Piper gets to be mad at him very briefly, but when he tries to apologize at the end of the book, she interrupts him and tells him “it’s fine” (her voice is described as “no anger, just natural heat”)

Thalia doesn’t get to be mad at him at all. Her baby brother died and she just pats Apollo on the back and tells him “it’s fine, Jason made his own choices. That’s what heroes do.” And then it’s made about how Artemis lost Apollo when he got transformed into a human instead of. Like. The fact that Thalia just lost her baby brother for the second time in her life.

IT’S FINE?? THAT’S ALL ANYONE HAS TO SAY ABOUT THIS??

Hell, Apollo even has a sort of dream hallucination of Jason’s ghost so that ghost can forgive him too.

Was that really necessary? Why do people think that a character learning to be better means absolutely everyone has to forgive them? Wouldn’t it have been a better sticking point for a god to learn people are allowed to stay mad at you?

The death toll

A lot of people die in these books. People dying in pjo books has always been a thing, but it’s never felt this pointless or this much like it was solely happening for a single person’s character development.

Jason is the most pointed example of this, but there are more. Starting with the fact that two of Apollo’s kids almost get torched in front of his face in the first book (Austin and Kayla) and somehow that is not a sticking point. I don’t think it’s ever brought up again afterwards.

Other characters that die so Apollo can learn death sucks:

-Several Dryads die saving the grove of Dodonna

-Heloise the Griffin

-One random unnamed demigod in Dark Prophecy (mentioning them because that’s where it occurs to Apollo demigod deaths also suck)

-Money Maker (Dryad)

-Crest

-Harpocrates and the Sybil of Cumae

The death toll in Tyrant’s Tomb is completely ridiculous. Like, “feels worse than Last Olympian despite not even being the final battle”-ridiculous. And unlike how Percy at least gets to use that tragic battle to change things in a fundamental way, the Camp Jupiter demigods don’t win anything significant. Their home is only almost completely destroyed. Some of them aren’t dead. That’s it.

If you remember the name of any side character Camp Jupiter demigod from HoO, there’s a very high chance they die in this book.

We don’t get exact numbers for how many people die. The book actually explicitly refuses to give numbers, stating “We didn’t count the dead. They weren’t numbers. They were people we had know, friends we had fought with.” (Which gets even more ironic due to the fact that, again, we barely have any named CJ demigods to begin with)

The closest thing we get to numbers are that 25 demigod members of the legion died in the battle before the book started, and towards the end there are fourteen total demigods still standing of the first to third cohort combined. Even if half the missing demigods are “just” so severely wounded that they can’t fight anymore, that’s still 60 dead kids! The pre-book battle was mentioned to have been hardest on the civilians. We don’t know how many of them died, and losses among the fourth and fifth cohort are also unknown, but that is a ridiculous amount of losses. Why are there so many dead kids in this book and why are we all just supposed to be okay with this?

Jupiter explicitly forbids the other gods to intervene. The only one who does is Diana, after an offering, and she takes her sweet time to get there. That camp is named after the guy! That’s people’s kids down there! I know the gods not helping their kids isn’t exactly new, but this is on a whole other level.

There are funerals but those are largely skipped over, and Frank announces that they’ll resolve this by asking Lupa to bring in more demigods so they’ll come back stronger, which. Baffling statement. Let’s just fix the dead people by replacing them.

TL;DR: Good on Apollo for learning to be better, but I really didn’t like how it was done. There were a handful of things I liked in almost all the books, not including Tyrant’s Tomb which wins the award for rrverse book I most wanted to chuck out of a window. Some of the ideas were good. I think the first and last books are mostly solid (largely due to the fact that those don’t try to shove in entire side character arcs). But the things I did enjoy just get very heavily outweighed by everything that annoyed and upset me.

I really wish ToA had been mostly new characters with maybe some minor cameos, and other people’s arcs had been saved for different books. I also think splitting the perspective between Apollo, Meg and maybe the character who was trying to have an arc in that specific book would have helped.

[cosmics-beings]

I wanted to make a post like this for a while, but since i was asked the question i can make it here!

i'm also speaking as an actual black person....so if you don't like these conversations where black people speak on black issues and how we feel, then just ignore this.

So in the past, yeah I agreed with this but my opinion has kinda changed with TF One.

However, I am still extremely uncomfortable seeing depictions of Black human formers Megatron because most of it, especially in ship art is extremely racist and relies on racist stereotypes of black men being abusive, violent, and problematic when his partners are drawn white or lightskinned (i see this all the time in megastar and megaop art. megatron is portrayed as the huge brutal black man and starscream/optimus are the small white twinks who are being beaten by him - it's gross and racist but for some reason it's common).

In general, I think it can be harmful to make a slave character, who inevtibly turns into a genocidal war lord and a generally awful person, a black person (even with his redemption arcs). it also racializes slavery, when we know that slavery doesn't have a race, and Megatron himself is a gladiator. Gladiators are slaves, and one of the most famous gladiators was from Thracia. This again is mostly a fan issue, because I at least have always seen Megatron coded as white in the comics and in the shows. In many depictions, he has a European accent, voiced by white European people (posh english lmao, or in ES Scottish).

That said, in TF One, I'm willing to let it slide. That's because Megatron isn't the only slave. Optimus, who is voiced by a white man, is also a slave, as is Elita, and Bumblebee. I think you know, not racializing slavery and having this notion that slave = black by default, is what makes it okay.

I still wouldn't feel super comfortable seeing Black megatron fanart because again, none of the depictions have been good in my opinion, as a Black person. And i mean none of them, and I do wonder where the thought in this fandom came from that making a person who canonically is violent and aggressive, was okay, just because he happened to be a slave. It is a far too common trope that I see in fanfic and fanfart, especially again...in a shipping sphere.

But I think TF One is able to balance it out, and since this is D-16, he is. a lot calmer, kinder, etc. I think things can get in muddy area when he eventually does turn into Megatron and he becomes the genocidal tyrant we all know and love....especially when you make the black one of the group the one who chooses violence whereas the white voices ones don't.

but who knows? My opinions are ever changing depending on how things are handled.

if you disagree with this, that's fine just do so respectfully and i mean at least be black

[willymontana]

[REVIEW FOR DEADPOOL & WOLVERINE, SPOILER ALERT FOR THE CAMEOS BUT NOT THE PLOT]

Okay, I wanna start this out by saying that I am NEITHER a professional movie critic NOR a huge movie geek NOR a comic book geek. I'm just someone with some thoughts about a movie I enjoyed recently and wish to share. My opinion doesn't reflect the general consensus and y'all can agree or disagree all you want, just be nice about it, please🥲

I've anticipated this movie for a long time as a casual Deadpool fan. When Disney acquired the rights to the character, I, like many, was worried that Mr. Bob was gonna try to family-friendly-ify Deadpool. There was also the fact that the quality of many Marvel projects since Endgame has gone downhill, which made me stop keeping up with them for a while. But Ryan Reynolds is passionate about Deadpool, he said it himself (I believe), and I quite enjoyed the first 2 movies despite not having seen them in a while. So I, with a couple of friends, walked into the cinema last Monday with a pretty high expectation. And oh boy did I come out feeling so goddamn high.

First of all, the CHARACTERS. The man of the hour, Deadpool, still has all of his charms. The jokes, narration, fourth-wall breaking, violence, dirty-ass innuendos, etc. are all very much still present. His growth from the previous movies carried on in this showing. Of course, he's still your good ol' merc with a mouth but now rather than acting out for selfish reasons, he always puts his found family and friends first, even if it means stop being Deadpool or losing them and never seeing them again (this growth might have been present already in Deadpool 2 but hey, like I've said, it's been a while). Another thing I'm utmost joyful about his characteristic this time around is that Deadpool is finally fruitier🤭. For those who don't know, Deadpool is canonically pansexual (don't believe me, look up the Deadpool/spiderman 2016 comic run, the girlies in dying of a new otp; you'll thank me later). And seeing such a big part of his character unapologetically being represented on a big screen is truly fulfilling. Ryan really pulled off one heck of a performance here and it really shows his passion and dedication for the character.

Next up is Wolverine. I've got to be honest with y'all: I wasn't a big Wolverine or X-men fan, not for any particular reason besides many fans and critics alike weren't too fond of the live-action movies. So I've passed out on the X-men franchise, even the highly-regarded Logan from 2017. This movie is actually my first introduction to Hugh Jackman as Wolverine and I must say, he REALLY did the damn thing. The gestures, his accent, the aggressiveness, they told me exactly who this character is. And I really was just blown away by Hugh's performance. I've only seen him through The Greatest Showman and some interviews, he seems like a pretty nice guy. So, to see him pull off the whole aggressive act and do it so well and flawlessly, I was speechless. I also love the redemption arc the writers gave to 'The Worst Wolverine'; it might not have been as epic as Logan from what I've heard, but it was solid.

The plot, what is there to say about it except EVERYTHING. Ryan Reynolds really gets the audience and also pop culture in general. I understand and hollered at most of the jokes and references. The soundtrack is absolutely FIRE. We have the mesmerizing BYE BYE BYE by NSYNC dance sequence at the beginning, the suit-up scene with GLAMOROUS by Fergie in the background, a road-trip montage with I'M WITH YOU by Avril Lavigne playing on the radio. Heck, there's also a lovey-dovey-stabby-bloody scene featuring YOU'RE THE ONE THAT I WANT from Grease for all the goldies out there. As a US-UK pop music enthusiast, I was like a kid in a candy store. And also, how can I forget about the EPIC battle near the end that used LIKE A PRAYER by Madonna?😩 All I have to say is 'fantastic, glorious, EXTRAORDINARY'. Ryan went through one hell of a journey just to get the license to the song and he sure did make the most out of it. I'm not kidding when I say that that montage is probably one of the best I've ever seen (I might be a little biased 'cause I love that song but the scene, overall, is truly incredible). And while we're on the topic of action and montages here, everything was beautifully filmed. The fighting sequences were such a treat to watch, nothing ever felt too busy to the point of not being able to focus on anything. Also, Ryan and the Mouse did not spare any expenses when it came to cameos. My gosh, like I've mentioned above, I was in the dark when it came to everything mutants-related, but even I was able to recognize a few familiar faces that fans online would go crazy over. And in addition, when Blake Lively came out as Ladypool, I literally lost my shit. She looked so good, her body was SNATCHED, like HELLO MOTHER???💅 But all these amazing cameos and jokes brought out what I considered the downside to the movie. I felt that the plot was outshined by them. To be clear, the plot was not bad but it wasn't that spectacular either. And when the credit started rolling, it was the thing I remembered the least.

Overall, I really enjoyed this movie. I had a great time at the cinema and laughed out loud with friends. Sure, there might be a few flaws, but the product, in general, is truly outstanding and worth checking out. I, your casual movie enjoyer, rate this movie 9/10❤️

[pyjamaart]

I never needed such help / This is my SOS

(Content warning: self harm) (If you don't have a problem with that, huge Drillman essay under the read more lol)

When I said that I wanted to draw Drillman some more, this really wasn't what I had in mind.

This week, I've been shopping for music on various second hand sites, which made me realize I don't physically own one of my all time favorite albums: "Squaring The Circle" by Sneaker Pimps. I had to change that immediately. (As well as buying like 15 other CDs and vinyls, lol.) As I was listening to it once again, I realized just how much the song "SOS" reminded me of Drillman and his struggles.

If you don't want to look it up, here are some of the lyrics:

"I look much smaller seen from inside out/Far too small to see myself/Down on reflection, cast in hate and in doubt/Flawed and flaws I add myself"

"Oh mirror mirror hanging on the wall/Please just show me someone else/My hopes were low and I got so much so less/Nothing left to save myself"

Listen, this dude got some major problems with his self esteem. He feels like an embarrassment because he was forced into a life he never wanted by his father. Now he seeks revenge on the company that bought his families business, along with him and apparently his bodily autonomy. Think about that for a minute. How fucked would it be if your parents wanted you to be a doctor, but a requirement for that would be to have your hand surgically removed and replaced with a scalpel. That's the exact situation Drillman found himself in.

Now a lot of people probably think "Well why doesn't he just ask Dr. Light to give him a new pair of hands then, if he's this miserable?" This is where we get to one of Drillmans biggest problems: the refusal to ask for help in any way. And even after the finale of the season, why would he go to the Lights for help in the first place? Wasn't it Aki who thought the best way to help him through his problems was hypnotism? And in the process embarrassing him in front of the whole city, ruining the last bit of reputation he may have had? (For real though, that episode is so hard for me to watch. I just feel so so bad for him, since I really struggle with social anxiety myself.)

As the guys from the Youtube channel "The D-Pad" (who reviewed all of the MMFC episodes) fittingly commented: "This would be like fucking Vietnam for him." And they were right. Obviously, Drillman is horrified that Aki would humiliate him like this and lashes out, solidifying his opinion that asking for help is a bad idea.

In that episode, there's this one moment that really stuck with me. At around the 8 minute mark, while Drillman is having a breakdown over the terrible "music" Aki made him perform, there's this one shot where he takes a moment to look at the drills that replaced his hands in frustration. The camera perspective makes it seem as if we are experiencing this brief scene through his eyes. It's actually quite upsetting. (A link to the moment I'm talking about: youtu.be/OC_jdhoeTrE?si=ZPzAXu…)

This is also a perfect moment for me to gush over the voice acting for this scene. Andrew McNee did such a fantastic job of conveying Drillmans distress and anger through his voice. That reminds me, giving him a British accent was honestly such a good decision.

The reason he doesn't talk at all throughout most of his first appearance is probably because the writers wanted to surprise their audience a little. As in, you see this big, imposing construction robot and think "Oh man, what a brute. He probably has a pretty deep voice." And then he actually starts to speak and it's this sophisticated, well-articulated British voice instead. Quite the whiplash.

To get back to the original topic, I'm honestly still upset that they didn't give Drillman a redemption arc at the end of the show. This probably would have happened in season 2, as Mega Man even says at some point "I know deep down your inner bits are good", proving to me that the writers definitely had something in mind regarding Drillmans character arc.

And now that all of that is out of the way, we can finally get into headcanon territory.

You might have seen this image while browsing the tags and asked yourself, "Why is this Mega Man Fully Charged artwork littered with content warnings?" And well, now that you're here and reading this, you probably know why. I can't say I've ever made myself sick with a drawing before. That's a first for me.

My headcanon is, that after the finale of the show, Drillman is just utterly lost. Lord Obsidian, who sought him out specifically because he knew of Drillmans problems and offered him a place to stay and a way to get revenge on the people he thought responsible for his predicament, turned out to be a horribly racist human who was just using him to achieve his own devious goals. After getting his ass kicked by the Lights, the same people who had not only humiliated him in front of the whole city, but who had also left him stuck to his abusive father for an entire day (I bet that ride to the police station was horrible for all the people involved, most of all the police bots who had to hear the Drillmen yell at each other the whole time), Sgt. Night is detained by the police. We don't actually see what happens after that, because that's where the show ends.

I'd like to think that the Lights actually try to talk to the robot masters once everything is over, telling them all the horrible things their so-called "leader" has said and done. And most importantly, what he thinks of robots: That they're nothing but tools to him. That once they had gotten him his Mega key, he would have wiped their minds and turned them into mindless machines.  

I'm guessing none of the robot masters would take these news well, but most of all Drillman. I think that after he ran away from Skyraisers Inc. and fought Mega Man for the first time, he was really relieved to have some place to stay and a new goal, maybe even a robot to look up to. That being Lord Obsidian of course. Who knows what lies he told Drillman and the others? Kinda sad that we never really got to see what the robot masters who stayed with Lord Obsidian did the entire day. When they weren't causing havoc in the city, that is.

None of them seemed really friendly with each other in the finale, now that I think about it. I guess "Obsidians robot sanctuary" wasn't really a great place to stay at after all. But still better than being homeless, like that one maniac living in the forest all by himself. Speaking of Woodman, in my AU, he and Drillman already knew each other at this point. This also reminds me of something I forgot to mention in my last post. While I'd love to see them interact in any way, because they're both my favorite characters, I don't ship them in any way whatsoever. I'd also like to think that Woodman and Drillmans father were schoolmates back in the day, maybe even friends? (I'm still holding onto those 30 years).

Anyway, after all the former robot comrades part ways, now without a leader, what was Drillman supposed to do? Once again betrayed by a trusted figure, feeling useless and without purpose, still with these stupid drills mounted to his body... Still too ashamed to ask for help. After all that has happened in the past few hours he begins spiraling, which ultimately leads him to make a very unfortunate decision. Trying to get at least some of the freedom in his life back, he attempts to get rid of the drills making up his body on his own, using the same tools that have haunted him all this time to finally rid himself of this burden.

He regrets this just seconds after, when he's left with an unresponsive limb, metal and wires exposed and oil splattered all over his orange plating. All he can do is stare at the stained drill in front of him in horror.

"I never needed such help/This is my SOS"

Jesus Christ that got dark. Sorry. I mentioned in my last post that Drillman possibly has really bad body dysmorphia, which I'm also trying to convey here. Don't worry, he really gets his hands back after this. Maybe the Lights find him after that and the good Doctor offers to fix him up. By which I mean not only his arm. Because apparently, Dr. Light also doubles as robot psychologist. I just really need Drillman to get his happy ending. He really really deserves it after everything he had to go trough over the course of the show. 

I also need him to have a DJing redemption, besides the normal redemption. I've seen people headcanon that he exclusively likes classical music, but I personally don't believe that. He'd be the kind of music nerd who would say stuff like "I listen to everything" and then you look at his playlists and he actually listens to everything. Maybe not experimental noise rock, though. I can just imagine Aki and Suna helping him put on an actual show, this time without any hypnotizing bullshit, as a way for Aki to apologize for the dread he's caused Drillman during that incident. Drillman would be highly suspicious at first, but actually goes along with it in the end. Maybe they'd also take Fireman along, who Dr. Light also blessed with a brand new pair of hands. The punchline at the end would be that Drillman would have so much anxiety about embarrassing himself again, that he forgets to make an actual set list for the gig. In the end, he exclusively plays Lady Gaga songs, which no one complains about.

Alright then, enough yapping from me. I've really been writing this essay since 8pm. And now it's 2am. My god. I just have a lot of feelings about Drillman.

But now I really gotta go to bed. Stay safe peeps. I hope you actually read the content warnings. Jenny out.

[kaythefloppa]

How would you rewrite The Lion Guard?

Ooh, good question.

Will pre-face this by saying that I enjoy The Lion Guard and am far more forgiving towards it than others (primarily because I was in the show's target demographic when it came out nearly 10 years ago, so I had a closer attachment to/attraction towards it than, people who were old enough to see the original film drop in theaters). That being said, it has a lot of flaws, some commonly pointed out by the fandom, others not so much (and around 70% of them stem around the finale, which.. we'll get to). So here are some major things I'd rewrite about the show itself (not like, every individual episode because that would be hell lmao)

Word vomit ahead because I have too many opinions on this children's show.

Season 1:

I'd definitely include more of Nala in the pilot episode, maybe showing her personal thoughts on the matter, perhaps even teaching Kion how to fight, or a throwaway line implying that. Also, I would definitely provide explanation on how Scar got away with killing his Lion Guard, and on why Kiara became so obsessed with becoming Queen. Additionally, I'd show some background lions (i.e. non-characters because we can't let them overshadow the mains), just so that we can actually buy Simba's point on there being other lions for the guard (but like, at the end of the day, we know Kion's team will prove themselves/be better). And lastly, I'd fix the climax to where Simba would try to rescue Kiara and then somehow get injured/stuck, so the Guard would have to save both of them from the stampede. I think those main things left a bad impression towards fans outside of the target demo, even as they got better on so, I think re-tooling them a bit would save a lot of that dissonance.

This was something I really wanted to see in the show as a kid; Episodes where the main characters meet "good" animals in the same species as their villains. Jasiri's introductory episode made me think they were going to have this as a recurring theme, where each member of the guard meets an animal who they initially judge for being the same species as their counterpart villain, only to realize that they're pretty great. For example, Beshte meeting a friendly crocodile (this was before S2) Bunga protecting a cobra (or alternatively, rescuing Ushari from the hyenas), Fuli meeting a jackal that's actually honest, or Ono even working together with a friendly vulture (that part specifically I fixated on, because I had this whole story in my head about the unnamed 'third vulture' in Mzingo's flock who goes through this whole character redemption arc, but I digress). This I believe would've fixed the issue that some people had about the portrayal of predatory animals in the series. Because yeah, on a Watsonian level, these villains are in every way amoral, the Lion Guard stops them from over-hunting, not hunting in general. On a Doylist level, the ratio of evil predators to good predators is way imbalanced, and I think this approach that 9 year old me thought this show would go, would've been a huge-lifesaver for the series in that department.

The Kupatana Celebration: The jackals would attempt to steal from the Pride Landers whilst they're all distracted, leading up to the Pride Landers fighting them. I'd also change some dialouge so that Kion and the Guard wouldn't come across as though they are right for hating jackals, and so that Janja wouldn't be proven right in his attempted murder of a child by the narrative.

The Trouble with Galagoes: Makucha and Mapigano would be streamlined into one character. Not only would it save a lot of time, money, and budget just using one model, but it would show the true menace Makucha is, because he was badly nerfed in the show when he became the new Big Bad.

Lions of the Outlands: I have so many mixed opinions on this episode. On one hand, the moral is actually pretty great, a perfect mirror to Never Judge a Hyena By Its Spots. And on that note, we see more of Jasiri and her clan. On the other hand, the Outsiders are in it, for no other reason than to both tie into TLK 2, and build up to the finale, (and they fail entirely on those two merits). The one thing I'd change is make it a two-parter in the middle of the season. The first part would explain the mystery behind the Outsiders, maybe even filling in some of the legit plot-holes the second movie had with them. The second part would be where the real action and conflict begins, with Kion choosing the hyenas over lions and blasting them away to the termite mounds (and I'd easily cut the "Our New Home" to "Our Old Home.)" Vitani would also have more of a presence in this episode, mainly so that it'll be less jarring when we see her again as the successor to the main cast.

And on another note, I would have Janja team up with Kion and Jasiri against Zira as a temporary alliance. It would just seem like an interesting idea. The point of the episode is Kion's views being turned on their head as he realizes that the lions he's meeting aren't as open-minded or kind as him. Having him come to the defense of his most hated rival, even temporarily, would've added to that juxtaposition, and maybe foreshadow his redemption.

I'd definitely rewrite Bunga to make his personality better. Don't get me wrong, it does get better in the show, but in early S1, they try too hard to recapture the magic of Timon and Pumbaa's comedy from the original. It'd be much better to allow him to serve as a comic relief on his own scale to allow a better first impression of him as one of the main characters.

Allow an introduction episode for Ushari. For someone who is supposed to be the hidden secondary antagonist of the series, he gets no introduction episode, and no revelance beyond just cameos and running gags; So unlike Makuu, you don't resonate with him enough to accept him as a key player later on down the line. There was an episode plotline involving a cobra harassing some songbirds that was never greenlit because it was inaccurate t o cobra behavior, but I think Artistic License aside, it would've made okay groundwork for Ushari to appear.

More non-lion characters. In a show where the overall message is "different animals can do just as well as, if not better than lions," and featuring the different animals that contribute to the Circle of Life, they did pretty well, but I would've loved them do more. Episodes with painted dogs, and the values of communication. Episodes with caracal cats where the heroes learn not to underestimate, episodes with that one African Rock Python that encourages boundaries, episodes with secratarybirds where you can stomp the shit out of grumpy bastards who want to kill children. Cool shit.

I'd tone down Kion's roar a lot. I don't mind it in a fantasy setting, but I think a lot of tension, conflicts, and character arcs are undermined by it. I would've preferred it if we had episodes in Season 1 where Kion slowly learns how to use the Roar's powers, akin to Elena of Avalor's Scepter of Light/Night story arcs. Tie that in with him speaking with Mufasa. The more he controls the power of the spirits, the more he is able to speak to them. In the meantime, I'd allow some villains' defeats to be accreddited to the characters themselves, for example, Cheezi and Chungu defeat Nne and Tano themselves, Anga, Ono, and Hadithi being able to chase off the vultures, or Hodari and Makuu both working together to drive off Kiburi.

I'd change the episode arrangement. Mainly to allow future seasons to actually start with the episodes that begin their respective seasons' arcs. The first 5 episodes of Season 2 would be placed near the end of Season 1 to establish a mini-arc about the dry season coming up soon, with the last of these 5 episodes being the Savannah Summit, showing Makuu's redemption and signifying that there's gonna be a change in tune. Then we'd get Trail to Udugu as the Season 1 finale, which would wrap up Kion and Kiara's sibling rivalry from the pilot and show Simba firsthand how well Kion's team is structured through its diversity. It would register as a perfect season finale without there being a heavy ongoing arc for it to cap off.

Season 2

The Rise of Scar would serve as the Season 2 premiere (which it originally was supposed to be, until it was pushed up 5 episodes). And while kicks off the best portion of the show, (S2) it does ultimately also cap itself off in the worst portion of the show (S3), so some stuff I would change:

Ushari's heel-face-turn. It sucks. Even ignoring the messy implications of having the only snake character become a generic bad guy because "evil venomous snake," it's bad character writing. Not only do we have no proper introduction to his character, not only was his prior relevance relegated to background appearances, but his motivation is extremely hollow, so much so that it's forgotten entirely by the time the episode is over and replaced with a new one (that also comes up out of nowhere and has fuck all to do with anything). More than once in future episodes is it implied that Ushari wants reptiles to rule the Pride Lands, and honestly, I think that would've/should've been his motivation for his betrayal. Maybe he sees how other reptiles struggle during the dry season and the Lion Guard is so pre-occupied with the other animals and disasters that he winds up feeling neglected and angry. This is what turns him to villainy.

I would have Mzingo in on the Scar ressurection plotline. One beef I have with S2 is that Mzingo, who was the duel antaognist of the pilot, gets sidelined entirely. Ushari essentially replaces him as the hyenas' spy, with several scenes clearly resembling that of the pilot (right down to the song, which is essentially diet Tonight we Strike). It wouldn't have done much to add Mzingo in, but it would've made sense, and allow for interesting interactions between Ushari and Mzingo.

Instead of Janja, it's Ushari who causes Kion to roar by revealing his betrayal and threatening his family. This does water down Janja a bit, but again, with the idea that he'll be redeemed in due time, you have to put some limit on how far his villainous actions go.

Rescue in the Outlands. Good. God. On its own, it's perfectly fine, but Season 3 manages to make it retroactively worse. If they wanted to give hints that Janja was redeemable, redeem him at all, and imply a ship-tease between him and Jasiri, they should've dialed back some of the shit he does to allow him come across as less iredeemable. The writers didn't have to have him try to incinerate Jasiri and the cubs, and they didn't have to have him openly mock them as they're about to explode, but because they did, it shoots his rushed redemption arc right in the bloody foot. The episode would've worked fine with some workaround.

The workaround I would have for that? Well, I would have it be where Janja chases Jasiri's clan out of the Outlands so they're forced to hide in the Pride Lands until the Lion Guard helps them take it back. We'd see that Janja is content with Jasiri making it out alive under the assumption that she wouldn't come back. Still technically evil, but not anything way over the line. This would also allow Simba and Nala to be introduced to Jasiri, overcoming their own prejudice and bias about hyenas like Kion did, which would make for a far more entertaining subplot than... ugh... Thurston. And in the end, Simba and Nala help Jasiri and the Lion Guard flush out Janja.

The Bite of Kenge: I would include Makuu, just for the awesome factor, and the biology reference: Because crocodiles and monitor lizards are mortal enemies due to how the latter preys on the hatchlings of the former. Makuu absolutely rocking Kenge's shit would be so awesome. And also we'd get Makini and Makuu sharing dialouge (which I swear to god, does not happen at all in the show, FUCK!)

The first half of Season 2 would have Ushari as a red-herring, with several attacks from Outlanders accreddited to him. It isn't until the midseason finale where the Guard discovers that Scar is alive and realizes that he's the real threat they need to take out.

Speaking of the midseason, I would cut out Sumu entirely. He's a cool character and all, but I find it hilarious how not once does Scar consider sending Ushari, a cobra, in to bite the enemy team. Especially since the species of scorpion that Sumu is happens to be non-lethal (whoops!). Anyways, I'd have it be where Ushari takes Sumu's role of poisoning the king, biting him on the tail. This would invoke fear into the other Pride Landers, who deem him to be the big threat to the Pride Lands (i.e. red herring). Ushari's betrayal would be a secondary conflict in the episode, as they still struggle with the idea that one of their own could turn on their home. Ultimately, Scar's return is revealed, and that Ushari's betrayal was in the means of bringing forward a worse threat to the Pride Lands, which sets the tone for the remainder of the season.

Speaking of which, I would keep Kenge in. According to the writers, he left the army off-screen to avoid getting blasted by Kion's Roar, which to me, seems like a clever way of saying "We couldn't get the royalties to re-hire our Game of Thrones guest-star onto our preschooler show as a series regular." But like, I think having him stay on the army would just add more man-power, because why introduce him if he's not gonna play a role in the final battle.

An episode where Scar attempts to contact Zira to be in his army, but the Guard thwards him. Again, just a minor change. Also, once again, we'd see Vitani, possibly her facing off against Kion, to further the idea that she strongly rivals Kion in ferocity, which sets up the finale in a more natural light.

The Hyena Resistance would show both Kion and Jasiri rescuing Janja. That way, his redemption would come across as less of him crushing on Jasiri and more of him having his worldview legitmately changed. Additionally, we would have Kion or Jasiri mention the true cause of Scar's death to Janja, who would deny it at first, listing it as lies.

Pride Landers Unite and Fire From the Sky are meshed into one plotline, so Anga is introduced earlier on. I find it stupid that even though Mzingo is clearly on Scar's side, they don't at all consider him a suspect for the fire sticks. Plus having all of the Outlanders face off against the Pride Landers would be more thematic this way. Additionally, I'd have more members on the team, such as Big Baboon, Thurston, and even some of the giraffes.

Much like with S1, I would change the episode ordering around a lot, mainly because I think some events and interactions do not make sense when viewed by airing order. For example, the Hyena Resistance builds up to the idea that Janja would redeem himself, and the skinks also report Janja's hesitation to Scar, but that apparently means nothing when Janja is working with Scar two episodes after this one. And I feel like Kion gathering forces to help him defeat Scar would be the inciting incident for the end of the final battle.

The order I would arrange S2b in: The Scorpion's Sting -> The Wisdom of Kongwe -> The Kilio Valley Fire -> Undercover Kinyonga -> The Zebra Mastermind -> The Underground Adventure -> Beshte and the Beast -> The Queen's Visit -> The Hyena Resistance -> Pride Landers Unite/Fire From the Sky -> Cave of Secrets -> The Fall of Mizimu Grove

The Fall of Mizimu Grove would serve as the Season 2 finale (as it serves as a climax of the ongoing conflict, but not in a way that ends it). We'd show Jasiri and her clan, Ushari and his skinks, as well as Anga and the birds taking part in the battle before Scar himself is revealed. Otherwise, the episode is mainly unchanged, and once again, the finale of the second season.

Season 3:

I posted a rewrite of S3 onto the Lion King subreddit, but in the context of a rewrite of the grand series, things go differently.

Battle for the Pride Lands would be expanded into a 6-episode story arc, in which the older characters make their final stand in the fight against Scar. I take issue with the fact that for years, they built up Scar as a force to be wreckoned with, dragged the arc into S3, only to end it entirely there. I've entertained the idea of the special being the finale to S2, but I think this approach also works, just to allow the audience to get settled in with the new 'norm' just as a way to fix some of the pacing and writing issues I found in what was otherwise, the best episode of the series.

In this 6-episode story arc, I would allow a redemption arc for Janja in the premiere episode, so that he could have more time to atone for his mistakes. Janja would redeem himself in the premiere after realizing the truth behind Scar's death and that Jasiri and Kion were telling the truth. Janja would immediately leave Scar's army and encounter Jasiri. "A New Way to Go" would be a duet between them. Eventually, let's say Scar traps Janja's clan and Kion's Guard in the lair, and as they're all swimming away, Kion gets stuck and Janja is able to rescue him from drowning. This allows a heart-to-heart between them which also extends to the rest of his clan, Jasiri's clan, and even some of the Pride Landers. The episode ends with Janja joining forces with the Pride Lands, giving them the info they need to beat Scar once and for all.

In the second episode of this arc, we focus on the Outlanders, specifically their reaction to having almost killed Janja. One other beef I have with the special is how the Outlanders besides Janja are all given a backseat, and are eventually just hand-woven redemptions and written off entirely. So my rewrite allows more character development at the end of their story arc. We'd see scenes with Mzingo, him feeling regretful over having almost killed his partner (either accidentally or purposefully). And we'd focus on Dogo and his siblings, who took a backseat in S2, but would now be older. We'd see what Dogo was up to in S2, maybe watching in fear as his parents and siblings would get into more dangerous situations. He'd be old enough to fight, but he's completely burnt out and disillusioned. Essentially we'd see him get the redemption arc he was robbed of. The episode would end with him leaving, and Kijana staying (to show the idea that some people can change, but others can't). The episode ends with Scar threatening the remainder of his army with death if they turned against him, which is what gets them to join his team, but internally, they know that Janja was right for turning on them. Meanwhile, Ushari is still as evil as ever.

Episode 3 of this arc would focus on Kion enlisting help from the other kingdoms; The Theluji Mountains and the Backlands, in order for the impending battle ahead. This would allow some old characters like Sokwe, the Gorilla Princes, Dhahabu, and Badilli to return, and we'd learn more about their history and origins. Meanwhile, we see Scar recruit Makucha on his army to replace Janja.

Episode 4 of this arc would follow through on the redemption arcs. Specifically involving a moral in which not everyone will forgive you, but that shouldn't stop you from trying to be a better person. I think this episode would involve Janja and Dogo helping Ma Tembo and the elephants and hippos take back Kilio Valley and Big Springs, which puts a huge dent in Scar's plans. Perhaps Zito and Johari are those who choose not to forgive Janja and Dogo, but Ma Tembo and Basi do. Plus Janja and Dogo would make a really funny duo.

Episode 5 delves into Scar's past. I think the biggest problem with the backstory in the show is that it is entirely tacked on and is only there for plot contrivance. An entire episode would've been more serviceable, especially with the direction they were headed with. I'd change the backstory entirely. Here, I'd have it be where a rouge lion clawed Scar, and then having the cobra spit at him before he roars them away. He is hailed as a hero throughout the Pride Lands, feeding into his ego until it becomes too big for him, so he plots to overthrow Mufasa. When they refuse, he teams up with the hyenas to get rid of them. He lures them into the Outlands where he roars at them, and the hyenas hide what's left. The hyena clan take the fall, and Scar is left off the hook, but powerless. This is what Scar decides to use as inspiration to defeat Kion once and for all. Meanwhile, Kion and the Lion Guard search through the paintings of Scar's past and see what the audience sees in the flashbacks. At the end, they discover a cave painting of Askari putting out a fire at the Tree of Life, which re-inforces their belief that the Roar can and will stop Scar.

Episode 6 is the big special that caps everything off. The Lion Guard take their battle with Scar into the Outlands. A large majority of the battle portion of the original special would take up this episode. We'd see everyone join in, including Kinyonga, Badilli, the baboons and zebras, we'd see Ushari, Kenge, and the skinks facing off against the reptiles, Simba and his lionesses fighting jackals, Timon and Pumbaa causing mayhem, it's this whole big fucking thing. Eventually the Lion Guard is able to defeat them, but Ushari and Makucha double back. Ushari bites Kion, but it's established that it's only a small dosage of venom that will affect his mind, then Makucha scratches him, giving him a scar.

The big thing I'd change here is that I'd actually have Kion roar at the volcano to make it erupt. Jasiri and Kiara help lead the Pridelanders and Outlanders away from the lava flow. This would allow a set-up for Jasiri eventually ruling the Outlanders, and establish future events of the second movie where Kiara is willing to unite opposing sides in order for a brighter future for all. Meanwhile, the Lion Guard find themselves trapped as the lava surrounds them. Scar taunts them in their final hour, but that is when Kion decides that instead of destroying his enemies for injuring him, he offers them forgiveness, using the Roar to summon the Lions of the Past to destroy Scar. Makucha runs off in anger, and we get the same moment of Ushari's death, which would give off the idea that whilst offering forgiveness is good, some people are too far gone.

I'd make the Mark of Evil more well-defined by stating that Kion will lose control of the Roar and act out more with the small amount of venom within him. Not the whole "you will forget the difference between right and wrong" bullshit. The journey to the Tree of Life begins.

I'd rewrite the villains: A lot. This post did a far better rewrite of the S3 villains than I ever could, especially keeping in the theme of each villain being a 'counterpart' of the main heroes, so I'll link ya there. But yeah, I would allow Makucha to remain the intense threat he is, and give the villains' squad more numbers. I'd also probably switch out Chuluun and Varya's species. A tiger would be absolutely terrifying as a villain, and Varya and her cubs being attacked would be a lot less stupid if she were a smaller cat. I'd also have Mama Binturong be paired against Ono, as they are both the "brains" of their respective teams. Maybe Ono is able to use his knowledge on porcupines/binturongs to guide Bunga over to the Tuliza stash, and Mama Binturong targets him. I would also objectively have Mpishi in the army, she was robbed of a re-appearance.

I'd probably change the animation and voice-direction on Azaad to look younger, because he strikes as way too old for Fuli. And I'd probably keep their dynamic platonic.

Friends to the End is rehauled entirely. The episode assassinated Bunga's character development, and was low-stakes overall in ways that just do the main characters a disservice. Have him actually be worried as to what would happen to Kion, have his friends disagree with him thinking he's wrong. Have Bunga be the one to challenge Kion when he mouths off at Beshte, and have the titular song actually be sung to Kion.

Change the Night Pride. The Tree of Life is meant to be a congregation of biodiversity, so it would only make sense that its protectors be a mixed group of animals and not just more bland-looking lions (Asiatic lion portrayal is appreciated, but I think this was the wrong way to go at it). Once again, saw someone else do a far better rewrite of this, with the royal family as tigers, and with Nirmala and Surak as a dhole and buffalo, respectively.

I'd change Rani's character. A LOT. I think part of the reason why Rani has become such a divisive and controversial character in the fandom is because of her lack of accountability. She doesn't apologize to Kion and the Guard for her part in the misunderstanding, she doesn't apologize them for accusing them of leading Makucha and co. there, and even when Kion and Rani have seemingly come eye-to-eye in Long Live the Queen, the next episode continues to have Rani talk down to Kion, saying he has "potential" and not apologizing. I like when characters have flaws, but it's not satisfying when they don't acknowledge those flaws, apologize, and grow. Having Rani and Baliyo apologize towards the Guard, like say, at the end of Little Old Ginterbong, and gradually learning from their impulsive mistakes would be good character development, and it would allow audiences to get more used to Rani.

More episodes at the Tree of Life. One big issue with the show's ending is that it up and puts so much limelight on the Tree of Life in the finale when it's only been present for over 9 episodes. That's not enough time to get us to care, especially if your main character(s) will be moving in there by the finale. We should've had more episodes at the tree to learn about its history, how it's structured as a kingdom, the biodiversity there. Maybe even tie in with the other hanging threads of lore such as the Evil Lions of the Past, Askari's connection to the Tree of Life, his discovery of the Roar of the Elders, and the prophecy on the Roar returning to the Tree of Life. One of the writers themselves even said that they had a vision for the Night Pride's backstory including the disappearance of Rani and Baliyo's parents and the origin of Rani's scar, that, because of the limited episodes they had planned for the final season never actually made it into the series. If Season 2 can have nearly 30 episodes, then Season 3 can come close to that mark, especially when it's the end of the story and you need to put your all into it.

I would change Binga into a sloth-bear. This is actually a key detail of canon divergence in my fanfic, Roar Towards the Future, but to re-iterate, I HATE canon Binga with a passion. Lazy, unoriginal, and reeks of a lot of tired, worn out tropes from the 2000's. And yeah, it's an interspecies relationship, but in a world where the animals can talk sing, and communicate with each other, would it have hurt to change the species at least? Also, we get an Ono solo song because we were fucking robbed.

I'd change the specifics of Kion's healing, where he is cured of the venom, but still is unable to control the Roar, so Nirmala continues the healing, to which Kion realizes is not physical anymore, it's emotional, and that him mastering the Roar represents him finally having both his body and mind at peace. I really didn't like how S3a built up the venom to be Kion's problem that he needed fixing, only for S3b to say, "nope, it's just trauma," and have his healing focus around that. It's a good idea on paper, especially if you view the venom as a metaphor, but in reality, the way it's executed just gives off the idea that mental/physical health issues are one in the same thing in a box, and that treating one will inherently and unoequivically treat the other, which uhm... is a terrible message to have in a kids' show. They should've not brought up the venom at all and have that be the message from the start, or resolve the venom plot-line and point out how that's not where the healing journey ends, because the end-result makes it seem like the writers just forced the venom in there as an excuse to write Kion out of the Pride Lands in time for TLK 2, with no thought forbeyond plot contrivance.

I'd have the Lion Guard age from teenagers to young adults in S3, starting with the episode Long Live the Queen, to give off the idea that the Guard has stayed at the Tree of Life for a while to the point where defending it from the villains/Kion's healing has become the new norm. According to the writers, they wanted them to remain teenagers until the end, as a contrast to Kiara being an adult, but I think that shoots their story in the foot when it's somewhat a coming of age story, as well as the marriage thing in the finale, so I would personally have them shown to be grown up starting in the episode of Janna's death. I'd also have the origin of Rani's scar be explained. And I'd also establish closure for Sarabi by having Kion say he never met any of his grandparents. I think Sarabi deserved at least some closure in the series.

The Lake of Reflection flashback confuses me so much, because like, Janja is a teen, presumably an older teen when Kion is a cub, I highly doubt he'd be this tiny ass cub when Kion was a toddler. I would just have the flashback include everyone's S1 models pre-Return of the Roar.

I would probably have the final battle at the Tree of Life be a mirror to Pride Landers Unite, where the animals of the Tree of Life help the Lion Guard and Night Pride defeat Makucha and his gang. I'd also have the Rani/Kion romance be a separate episode on its own, which would then end with the cliffhanger of Kion being asked to stay.

Oh boy, the finale. Basically, the main thing I'd change is that it'd be an extended episode, possibly a double-length episode, or even triple-length like the Elena of Avalor finale, just to wrap everything up. Vitani's Guard is made of a mixture of different species on the Lion Guard. You can even keep the all female aspect, just have them be different animals than lions. You'd expand more on the TLK 2 callbacks (i.e. mentioning Nuka, suckers!), wrap up more character arcs, have Vitani and her team actually earn her moment (like say, defeating a new enemy, or maybe Makucha's army comes back and Vitani saves the day). I'd cut the entire bullshit contest, it is so stupid. And by the end, Kion chooses to give up the Roar and stay at the Tree of Life with Rani, BUT the rest of his friends stay at the Pride Lands, (including Makini, because she deserved to stay). The ending isn't focused around Kion and Rani's teenage wedding (because for one, they wouldn't be teens) but it would focus on the animals of the Pride Lands and Tree of Life commemorating Kion's former Lion Guard for all of their years of defending the Circle of Life, ending on a reworked version of "Here Comes the Lion Guard" from the soundtrack.

And lastly, (this is just wish-bait). An epilouge scene showing a reunion between Kion's former Guard in the Pride Lands, depicting the new lives they lead years into the future. As the sun begins to rise, they all head to Pride Rock just in time for a royal celebration; The presentation of Queen Kiara's second-born cub, who will lead the Lion Guard of the next generation. Roll the credits!