#i also don't want to post about it because there is a one in a millionth chance they could see it and that would be horrible
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patricia-taxxon · 2 days ago
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I want to set the record straight regarding a certain OST for a short film that should be coming out later this year, because one of its directors is making false and hurtful claims about me and my business ethic. After he made a prominent appearance on a drama stream about me & wrote a section of my callout doc, I told him that I wasn't interested in dragging him publicly, but that has felt more impossible as time goes on and I realize the extent of his misrepresentation. I had a vision of this film being able to release quietly in spite of everything, but I don't think that can happen, and I fully expect him to try and hurt my chances at further work.
In 2023, between techdogs 4 and 5, I worked on music for a then good friend's student film. It is by far the most technically difficult job I've ever had, and I did it for free. Now, before you get mad, this is partially (mostly) my fault. I never negotiated a price beforehand, and when I found out partway through that I was working for free, I let it slide for fear of being disruptive. If I was asked to quote a price today, it would have been approximately 900 USD. The work was a hellish and grueling experience, technical in ways I'd never been prepared for, and I sorely regret not putting my foot down, because I was hollowed out by the end of it.
A big portion of his callout against me is concerned with, bafflingly, my decision not to contribute my own money to the film, which at that point would have been a negative paycheck. I didn't pay the thirty dollars that I would've had to pitch in for the film to be screened, and I considered that a fine payment for the nine hundred dollars of work they got from me. He goes on to write that I'm rich anyways, I pay hundreds of dollars on album art (business expenses that I know I'll make back when the music is released) and "furry porn," because apparently if I am occasionally willing to drop a pretty penny on a pleasure purchase then I should simply be compelled to pay them randomly for things I hold no stake in and that I signed no contract for. He also mentions that I paid them later for the DCP file at another screening, of course by that point I had gotten the vibe that they were wanting for me to drop money on their project, so I did, giving the post-hoc justification that "i guess in this case I also care about the film sounding good." He writes "well I guess that was something she deemed worthy" without realizing the implication would then be that he did not see my own work as worthy.
Let me make this clear, this is like if a voice actor worked on my video game for free as a favor with no expectations of royalties, and then I asked them to help me pay to get the game on steam. This is presented along reheated second, third, fourthhand accounts of sexual misconduct.
And before we move on, to the claim that one album artist had to wait for years before receiving payment, this is true. I did forget to pay one artist, and only found out after their assistant contacted me years later, where I then paid six times the asking price as a late fee. I was commissioning over ten album arts every year, and as of now, this is the only time I have made this mistake.
It is impossible for me to refute his claims about the personal time we spent together in Omaha, as it would just be my word against his. I will just say that he should know the omitted reasons that I have grown to feel I was disposed, discarded, and taken for granted by him, and how he has nothing to do with why I hold those memories at that film festival so highly. He also does the classic thing where he positions allowing me to pick the movie in the evening as this favor he did, making me unknowingly rack up debt for a bargain I never consented to.
During all this, he has expressed an existential fear of being harassed for going public about me, and for this reason I want to say that I still hope that this film can be released without a fuss, but his continued participation in a harassment campaign against me has done far more to tarnish his reputation than I ever could. If you really cared about your image, pressure Crim to re-record that drama stream without your embarrassing petty grievances in it & delete your testimony from the callout doc. Thanks.
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seungcheorry · 3 days ago
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Ot13 reaction on how many kids SVT would have?
how many kids svt would have:
seungcheol probably wants to have two at least. i can picture him having a baby girl and then getting too excited once his partner is free from the whole post partum thing and getting them pregnant again right afterwards. he would really wish for a baby boy then.
jeonghan would love to have two as well, and i can see him having twins - i don't know why, something in him just screams FATHER OF TWINS to me. probably two girls? it's a lot of work though, he'll be done with having kids, would probably even do the surgery so he can't have any anymore.
joshua is very similar to seungcheol to me, would probably have a boy and then get too excited and have a girl because his dna is just good like that. the prettiest kids to ever exist actually, and he's so in love with them that it can be quite easy to talk him into having another one after a few years.
junhui screams boy dad to me, so yeah. i can see him having only one child, a really savage boy just like minghao was back in the day? weird but in a good, chomical way. he would be really good friends with his kid, like a partners in crime type of relationship.
soonyoung... oh, soonyoung. he says he wants to have lots and lots of kids because he loves having his house full but after the first one - a baby boy -, he gets so tired that he actually apologizes to his mom. might slip or be talked into having another one (he just wants his kid to have a relationship like the one he has with his sister); would really hope for a girl then, would probably get another boy though.
wonwoo is a definitely a girl dad too. he would really hope for a boy (i don't know why, i just feel like he would) but then it comes a baby girl and he turns into mush for her. such a goner, i can't even begin to describe - she can tell him to stay put for 20 whole minutes while she pretends to make tea and he won't move a muscle, just stay there and watch her because she told him to. would probably just want one.
jihoon is a girl dad and i will die on this hill. he's also a goner for his girl, he's very strict with things but also he doesn't like to be rough to her so he's just, i don't know, the perfect balance? most likely to be the favorite parent and learn about his daughter secrets before his partner because she just trusts him like that. would also just want one.
seokmin would love three - the first one (a boy) is probably planned; the second one (a girl) is probably an expected accident as he doesn't mind having sex without protection even though he knows the risks; the third one (another boy) is probably an unexpected accident that he cries in joy when he sees for the first time. he would definitely tell his partner "i'm so glad we got drunk that night" while seeing his two oldest children ganging up to change the new baby's diaper.
mingyu definitely wants two kids, he loves his sister too much and knows how a sibling relationship can literally save someone. most likely to have two girls, and his partner might ask him if he isn't sad that they didn't have a boy but he's too busy to answer as he's teaching the girls how to make ramyeon :(
minghao already said himself, he's not the one who gets to decide how many kids he and his partner will have, but he wants two - and can be bend into having a third one. i can see him having a boy and then a girl, and if he and his partner decides for another one, then it would be another girl, probably.
seungkwan would have two girls and his dramatic ass would say it's karma because what do you mean he grew up with his older sisters and now he has to take care of yet other two girls who will bicker and gang up on him just like his sisters did? behind that facade though he would love to take care of them and to see them grow together. most emotional dad, for sure.
vernon is a boy dad to me and he would say he only wants one kid but then he sees him growing up on his own and don't get me wrong, the kid is totally fine with it, but vernon can't stop thinking about how sofia changed his life and he would go "yeah, we might need another one" to his partner. makes a whole deal about it when he finds out his second child is gonna be a girl. "REALLY, WHAT ARE THE ODDS?"... but it's not that hard, vernon. i'm glad you're happy though, i know you love your kids.
chan is also a boy dad and he would probably want another kid but once he realizes how much work and effort it takes, he's sticking to just one. if his partner ever wants another one they would have to really talk him into it, might even need to ask seokmin for help, because chan would stand his ground and say no. but honestly? he's a loverboy, at the end he might just say yes and then meet his cute little daughter and be like "oh my god, why didn't we make her sooner?"
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notherpuppet · 2 days ago
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things i've learned about fandom ❇️
i got into fandom pretty recently. i mean i'm pushing 30, so i didn't really "grow up" in fandom and thus, had a lot to learn about being nice online lol. i've definitely been in fandoms b4, but never quite as immersed as i am now. like, last year was the first time i've been to a con! it was really fun. i feel like i've learned a lot this year and i think most folks navigate without malicious intentions, but there are some faux pas that i've observed (that i have done myself unfortunately😖 ) and idk who may be interested in hearing this, but just some of my observations; (anthropologist hat on) dead dove do not eat: in the realm of fiction and freedom from censorship (which is cool as hell imo), there are gonna be some stories that may seem quite taboo or distasteful to one's sensibilities. if you're not a fan, i recommend blocking/muting. usually folks are quite good about tagging ships or dynamics, in consideration of those who may want to find or avoid that content.
the etiquette seems to vary by region of the world (makes sense) if commenting on a post for someone who speaks a different language than you, it may be better to avoid idioms/expressions as they may translate literally and seem harsh to another culture. (e.g. "omg they are sickening" a compliment in america, an insult maybe everywhere else LOL) obviously u can do whatever u want, but being a hater (or anti?) is probably gonna lose you some charm points. so if coming across a certain way is important to you, then this is probably just something to consider. for example, there are things i observe in fandom that i don't really like, but i avoid dogging on it publicly because idk that's kinda mean spirited, right? but also because i have this unexpectedly big following and i'm not trying to start a dogpile or sic people after others. the internet can be scary 😳 when i make complaints, i try to keep it vague so that individuals are not attacked cuz that would suck pls don't be a fandom cop: this is the internet, pls dont be a self-appointed authority figure. it's natural that folks will have their critiques. why not write about it in your own space instead of trying to control others' actions? (especially with an air of entitlement and self imposed moral authority, like cmon) obvs folks are gonna do whatever they want on the internet, i just think this behavior is lame as hell ight that's all i got LOL. this is for any fandom newbies like i was (this is not meant to be rules or anything because that would be icky. but just wanted to share my experience with fandom since i've learned a lot from discussions with others more versed in fandom life)
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secondbeatsongs · 3 days ago
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Food Crime: Frosty the Slawman
so a while ago, I saw this photo going around on tumblr:
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at first, I thought this was photoshopped. I mean, "welcome new man in your life"? that feels like a translation error, or someone being silly on purpose.
but guess what! turns out, Frosty Slaw Man is real!
and soon...he will be mine. let's get cooking
(full disclosure: I crafted this snowman and took notes about it over a year ago. and then, like with many things in my life, I forgot about him, and let him drift into the ADHD void of Things I'm Not Currently Staring At, where object permanence is tentative and largely unrealized.
but here we are! and here he is: the slaw man. it's time to share him with you, so that you can suffer as I have suffered, and/or rejoice in my gelatin creation!)
so this recipe photo originally came from Mid-Century Menu (archive link), a blog that seems like one after my own heart, and which once tried to make the Slaw Man (with not much success; but we'll get back to that)! but it's not just that blog that has copies of this ad. I also found it on reddit, and in a few different places on ebay!
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lookit that guy! he's a real guy!
both the reddit post and some of the ebay listings say that this is from 1963 (though I haven't been able to figure out which magazines it was printed in, to confirm this for myself). but in looking this up, I discovered something else fun! there's another version of this ad!
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Best Foods is what Hellmann's stuff is called on the west coast, and the "this is no place for second best" thing makes a lot more sense when you consider that the ad was probably made for Best Foods first, and then just reused and rebranded for the east coast
the more you know!
anyway the benefit of finding this alternate ad is that the scan on this image is a lot clearer, and so the recipe is more readable! and in looking at it, I've realized something important:
when Mid-Century Menu tried this recipe, they got an ingredient amount wrong.
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when they made their beloved Slaw Man, they had the water amount written down as 1/4 cup, but looking at this scan up close, it is actually 3/4 cup of water! something that might make a significant difference, considering we're working with gelatin!
(there's also another change I want to make compared to what they did, when I do this recipe. but we'll get into that in a sec.)
for now: we begin
so. there's no way I'm making a Slaw Man this large. I am just one person, and considering the ingredients of this, I don't think I'm going to be able to consume that much Slaw.
two entire heads of cabbage? three pounds of cottage cheese, a thing that I don't even like to eat? no. that's a bad idea.
so I'm starting small here and making this 1/3 the size of the original:
2 packets of unflavored gelatin 1/4 cup cold water 1 cup mayo 1 tsp salt 1lb cottage cheese 4 cups shredded cabbage
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surely this will result in a reasonable amount of Man
...okay, I started chopping the cabbage thinking it would be easier, but I've given up and pulled out a grater. this is much better! and somehow more violent (affectionate)
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the recipe says to soften the gelatin in cold water, and then stir over hot water until it's dissolved. I'm going to assume "stir over hot water" means a double boiler, so let's do that
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hmmm, the gelatin is very foamy? it’s melted, but the bottom of the pot feels really....sticky
okay. after a couple minutes more and no change, I’m calling this good enough.
so one thing that others who have attempted this recipe have not taken into consideration is the cottage cheese. you see, the others used normal cottage cheese, but the recipe says to use "cottage cheese, cream style"
I’ll be real, I’m not 100% what that means, since we don’t have that here. but I can take an educated guess! so let’s blend the cottage cheese!
(with an immersion blender. I am not willing to wash an actual blender because of this)
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mmm, yes. very smooth
...actually. why isn't all cottage cheese like this? the thing I hate about cottage cheese is the texture, so why isn't it all smooth and creamy like this?? I could eat this!!
a new discovery is made every day in this house.
okay, time to start mixing things together.
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ah, frosty. I opened a whole new thing of mayo for you! do you feel special?
(I'd make a "pre-dinner snack?" joke, but sometimes I think I'm the only one that remembers Regular Ordinary Swedish Meal Time)
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okay, the mayo, cottage cheese, and salt have been added to the gelatin. but as this cools, the texture is getting...hmm. less than appealing.
lastly: the cabbage
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oh. oh this is not very nice
next it says to pack the "salad" into a one pound container, and two six-cup bowls, but since I made this recipe so much smaller, I'm going to uhhhh. uh. find some bowls that seem like they'd be correct...snowman? proportions?
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ah. this bowl is too big.
hey, these'll work!
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now I just have to let them chill for a while, and continue another day.
(edit from current!me: ahhh oh my god I forgot this was pretty soon after we adopted Jackie! look at these cat pics that I took while I was food crime-ing!
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look at them having their little interactions! Knuckles was trying so hard to be friends with her! I love them)
hello! two days later and we are ready to assemble the slawman. and my sibling has started referring to him as "frosty: attorney at slaw", so that's fun.
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I've done a thing where, as these set, I flipped them around in the bowl so that hopefully they'd be more round. we'll see if they actually stay like this.
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I have also made some decorations for him out of peppers, olives, and carrots!
let's build our boy
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oh he's so heavy. and wobbly
no no no he almost fell over!!
okay. he's fine. but more skewers were needed.
and...okay. he is complete.
behold!
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gaze upon my beautiful man!
(he is not structurally sound! he wobbles unsteadily as I rotate him! there are already cracks forming in the gelatin around where his arms are! don't worry about it!)
 now it's time to stab him
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and...to devour him
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this tastes like...a bland coleslaw? and not even that. it's just sort of a salty, cottage cheese-y cabbage. the ingredients don't combine to become something greater, they simply...sit there. like this.
and the texture is...mmm. it's not a jello kind of texture, but it is a bit squashy in a way that's mildly strange.
it's very creamy once it softens in your mouth.
...I don't like this!
and look! taking just that one chunk from him was enough to destabilize him entirely :(
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RIP frosty. now I just have to see if I can eat all of you before you go bad.
(note from current!me: I could not.
 I ate maybe half of him over the course of many days, often adding other stuff to him to try to add some flavor: bacon, frozen peas, cheese, etc. but even with that, I just couldn't stomach him.
after a while I stuck what was left of him in the freezer, hoping that maybe I'd find the will to consume the rest of him some other day.
do you know what a frozen-and-then-thawed mixture of cabbage, cottage cheese, mayo, and gelatin looks and tastes like?
bad. the answer is: bad.
I threw him out pretty quickly after thawing him.
do not try this recipe at home)
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traveler-at-heart · 20 hours ago
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Doctor's In - Part 13
Summary: Your life in Boston after Wanda.
The air is cold, and just your luck, today you left the car outside of the building’s parking lot.
Maybe it’s not such a bad thing after all, as a cute woman is inspecting the black Corvette, in awe of the elegant and expensive car.
“Want a ride?”
“This yours?” she says, genuinenly fascinated.
“Yeap” you nod. “She’s a beauty, 490-hp 6.2-liter V-8 engine”
Do you know what those words mean? Not at all.
“My father and I used to fix cars. I need to send him a picture. Can I?”
“Sure, go ahead” you smile. “I’ll even take one of you standing next to it”
You pull out your phone.
“Oh, wait, I should have given you mine” the woman says, and you smile.
“Or you could give me your number and I’ll send the pics” you smile at her, offering your phone.
“Very smooth” she blushes, taking it.
“If you wanna talk about smooth, the leather seats are just…”
“Ugh, it’s too cold to take my motorcycle, can you give me a ride to the hospital?” Yelena interrupts, coming out of nowhere as usual.
“Shh, go away” you push her behind you.
“God, we’re gonna be late. Just skip to the part where you lie about texting the girl and get on with it” she mumbles, and luckily only you can hear her.
“Sorry, she’s being annoying” you elbow Yelena’s side. “I’ll send you the pictures, and my offer for a ride still stands”
“Well, alright then. Have fun babysitting” the woman comments, which earns her a glare from the blonde.
“Get in the fucking car” you mutter. “Why can’t you ask your mother for a damn car? She has lots of them”
“Like the one you borrow and use to get phone numbers? I don’t understand why you do it, you never call them”
“It’s not about having a date. It’s just fun to talk to girls. I never really did it outside of college” you shrug your shoulders.
You never call them because the thought of being with someone who isn’t Wanda is simply absurd.
But you don’t expect Yelena to understand it.
“I never ask for a car because then she’d be like See, I was right, a motorcycle was a bad idea”
“Get both, like your sister”
“No, because then she’ll say I’m copying her, like when she went to school with a green backpack and I got one that was similar the next day. But green has always been my favorite color” she rambles.
“Are all the Romanoffs this complicated?”
"Is your music taste always this random?" Yelena points at the screen. "Yesterday it was ABBA and now it's Metallica"
"Don't even think about changing it" you say, slapping her hand away.
You finally get to the hospital, parking in your spot, which is one of the best ones in the entire facility.
Melina is trying to convince you to stay beyond your three month contract, and she’s not shying away from providing a life of luxury, with a penthouse and a fancy car included.
If it wasn’t because you’re busting your ass in the ER, you’d feel like a sugar baby.
“Go and check on the people waiting, I have to sign discharges and look at some post ops” you tell Yelena as soon as you walk in, and she nods.
“Morning, everyone” you greet the front desk. “Is Patrick ready for his recital today?”
“Yes, he’s very excited” Nurse Roman says.
“Well, as a doctor I don’t feel comfortable saying break a leg, so let’s just leave it at good luck”
“That sounds perfect to me, Doctor Y/L/N, thank you” the woman says. You’re smiling until you notice the frown on Peña’s face.
“Don’t look at me like that. Not my fault you keep betting on Shelton when he’s literally playing against Alcaraz”
“Shelton is the future of American tennis”
“I’m sorry, I can’t hear you over the resounding noise of your debt” you say, going back to the charts but keeping your palm open. You don’t look up until he gives up, putting a 20 in your hand. “Pleasure doing business with you, Peña. I’m so looking forward to Indian Wells and Miami back to back”
You don’t realise that Natasha is also at the front desk, signing a couple of discharge forms.
It’s been a month and you’re already friends with half the people who work here. Natasha’s glad, because it can be miserable to be isolated while you’re away from home.
The other side of her can’t help but feel really stupid too, because all this time she thought you were flirting and in reality, this is who you are with most people.
Now that’s a fast way to humble someone.
“Hi, Doctor Romanoff” you say, finally noticing her. “Ending your shift?”
“Yeah. How about you?”
“Starting a 48”
“Didn’t you just do one 12 hours ago?” she says.
“Yeah, but my brother and sister are coming over so I need the weekend off” you smile, actually excited. Natasha is probably one of the only people who could understand how good it is to reconnect with your siblings, but she’s been distant with you ever since you came to Boston.
So, you wish her a good day, and walk to the madness of the ER.
“Fuck my life, fuck it hard” you mutter when you notice who’s there. Ed Lorne, aka clown nurse. He’s a young one, practically fresh out of college and with an unhealthy obsession to behave like Patch Adams in that movie that always puts you to sleep (No disrespect to Robin Williams).
“Please tell me his shift is almost over” you plead to Yelena.
“Don’t be mean. He’s trying to make an impression”
“He already did and it’s a fucking awful one”
The fact that there’s no swear jar around has turned you into a sailor on leave. Not that you keep track, but if the twins could hear you, they’d be set for an Ivy League education.
Stop thinking about this, you mentally scold yourself, trying to breathe to settle that uncomfortable feeling at the pit of your stomach.
Yelena mistakes your frustrated sigh with a protest as Ed approaches you. Truthfully, it’s a bit of both.
“Top of the morning to you, Doctor Y/L/N” he says, removing an imaginary hat.
God, you’re gonna strangle him with a stethoscope.
“Guy in bed six has problems with urinating and I’m like well, more like ur-out of my bladder!”
“Boy, you’re really bringing the theater kid energy today, aren’t ya” you complain, ignoring Yelena’s smack on your arm.
“Why, thank you for noticing”
“No, that wasn’t a compliment. Check all of my post ops and medication, then fill out the medical records in the computer”
That should keep him busy for the next two hours and away from you.
“Evil” Yelena mumbles, but she’s laughing along.
You take care of a few people, ordering lab tests and other stuff that is quickly taken care of by the staff. It’s nice to have an ER that is never short on medical personnel.
You finish your exam on a patient just in time to get your daily call.
“Hello, Judas”
“Darcy!” you say, always with the same enthusiasm.
“I hate you” she repeats, every day since you left. Well, minus the first week. You didn’t have a phone at all. “Carol hates you too and you’re no longer invited to her wedding”
You can faintly hear Carol’s voice in the background, shouting that what Darcy’s saying is not true.
“I’m trying to get her to come back” Darcy explains. “Look pal, it’s either the good way or the bad way aka getting you in the Psych ward until you go back to your senses”
“I don’t suppose you could get my stuff and send it over?”
“No, for two reasons. One, if I see Wanda I’m going to kill her and dos, you belong here. So it would be stupid to send stuff that you’ll need when you’re back. Besides, how do you know Wanda didn’t throw them away?”
“I just do. Ok, it was nice being emotionally manipulated by you, but I gotta scrub in. Same time on Monday? Remember I’m seeing Zach and Jenny this weekend”
“Yes, get me all the deets on the gossip and yes, same time”
“Love you, pal”
“Screw you”
Darcy hangs up, but stares at her phone for a moment longer. She does miss you and even if she’s giving you shit for it, she understands where you’re coming from.
“Are these the CVs for Chief Fury?”
“Yes” his secretary says, carrying a couple of files. “He doesn’t like to read on the computer”
“Oh, here, I’ll take those”
And Darcy does take them. Straight to the trash can.
Gotta make sure the job’s open when you come back.
You’re out of shape. It’s been 27 hours and the work keeps on coming. It doesn’t help that Boston is so much bigger than Westview.
As you sit in one of the front desks, looking over paperwork and lab results, Ed comes in, holding a deck of cards.
“Pick a card”
“Did you get the lab results for Mrs. Pattmore?” you say, resisting the urge to slap the deck to the floor.
“No, they said it would take another hour…”
“Can you check again? Thank you”
Fortunately, he leaves and you sigh.
“He’s quite the character” a man shows up next to you, and you nod.
“He is very useful when I need urgent results from the lab. The technicians can’t stand him so they rather not see him around” you laugh.
 “I haven’t seen you before. I’m doctor Stephen Strange. Yes, that is my last name” he adds when you frown.
“Oh, nice to meet you. Yeah, I’m the interim Head of Trauma. Just until they find someone new”
“Huh. Not what I heard”
Well, there’s no way Melina will convince you to stay. But then again… you never thought you’d take the job in Boston.
“That’s definitely my plan” you assure him. “Were you on break?”
“Honeymoon. We just got back” he nods towards another woman who joins you, her smile wide. “Doctor Christine Palmer, meet… sorry, I didn’t get your name”
“Y/L Y/L/N. Congratulations to the both of you” you shake her hand.
“Thank you, how are you liking it here so far?”
“Everyone’s great” you say, but Christine catches your exhaustion.
“Lorne was just here asking to do a magic trick”
“Ah. That” she nods.
“Yeah” you get paged, and then wave at them. “See you around, and welcome back”
There’s a man coming in with a stab wound. Another shift from your work in Stark Hospital; the frequency of people who come in as a result of fights is a lot higher.
It was very rare to treat these kind of things in Westview.
“BP 130/70, no external bleeding or fractures” Yelena says and you nod, encouraging her to continue. “I want a chest X-Ray, transthoracic echocardiogram and blood work”
“The patient’s yours, Doctor Belova”
You’re honestly impressed. Yelena has been putting the work, and she’s very talented, especially while working under pressure.
“She has a good teacher” Melina speaks. The woman has a talent for knowing what people are thinking.
“Well, it’s in her blood, isn’t it? The whole Romanoff dinasty”
“Yes. By the way, this is your last patient. You’re not to be on call for so many hours in a week. The workload is very different here. And we will talk about a bonus so you can buy something to that girlfriend of yours to thank her for letting you be here”
About that.
Nobody knows Wanda kicked you out.
Except Yelena, but that’s because she kept asking about what Wanda said when you decided to come to Boston. The only way to shut her up was by telling her the truth.
It’s impressive that she’s kept the secret for so long.
“No need for a bonus, I’m doing my job as usual”
While you wait for the results of Yelena’s patient, the man begins to complain about pain between the shoulder blades.
“Lorne, book an OR and page Yelena” you say, knowing that’s a bad sign.
The blonde scrubs in as you begin the laparoscopy.
“What’s wrong? I’m still waiting on the results” she says, standing next to you.
“Pain between the shoulder blades is not a good sign for this type of injury. I’m seeing blood cloths in the anterior surface of the stomach and the liver. We’re switching to a laparotomy”
You find three lacerations in the liver and one in the stomach. Well, Melina’s plan didn’t work; you’re staying here for a bit longer.
As you move to inspect the pericardium, you look at Yelena, asking if she sees anything.
“No, it’s fine. Aside from the diaphragmatic perforation”
“And how are we closing that?”
“Ethibond suture with pledget” she answers after a slight hesitation.
“You’ll do it and I’ll be watching” you nod, moving aside. Truth is, your shoulder is hurting. It’s the old injury combined with the extra workload.
“Need any help?” Natasha walks in, and you shake your head no.
“I thought your shift ended”
“Came to do some post ops, and Doctor Romanoff asked me to help so you could go home”
“I’m fine” you lie. But Natasha stays in the OR, looking over Yelena’s shoulder.
“You’re making me nervous”
“Good. You could use some pressure. Y/N’s going soft on you” the redhead teases.
“I’m not!” you say, laughing. “I’ve been told I’m a great teacher”
“I’ve heard” Natasha nods.
Though Yelena takes a little bit longer than you would have, her work is excellent. Once you check everything’s done, you give the team instructions and scrub out.
“What are you doing with your siblings?” Natasha asks, joining you.
“Well, Jenny’s looking at NYU to apply. So I’ll meet them in New York, take them to a Broadway show. I was hoping they’d wanna go to the Met but not holding my breath for two teenagers to choose a museum”
“That’s fair. Have fun with your family” she smiles.
It’s weird to think about them as your family. They are, of course.
But to you, family is an entirely different group of people. One that you’ll never see again.
“Thanks. See you around” you nod, hoping to get some rest.
You never thought you’d be eager to see your family, but here you are, waiting in the airport, looking for Jenny.
As soon as she spots you, she runs towards you.
“Hey, kiddo”
“Make room for me” Zach says, jumping right in and making sure his sister has no room to breathe.
“You’re so annoying!” Jenny complains. Even if she’s three years older, Zach is a lot taller, being in that awkward teenage phase. “This trip was supposed to be just me”
“Y/N invited me” he says.
Well, kinda. He inserted himself in your conversations with Jenny, and as soon as he heard the words weekend in New York, he was ready to go.
“Well, I didn’t alter my girls weekend schedule for you, Zach. So just so you know, you’re getting a manicure and we’re plucking your eyebrows” you tease, walking them to where you parked. Of course they argue over who gets to ride in the front. “Alright, this is a rental. So, rule number one, no eating in the car. No throwing stuff at each other. No feet on the dashboard. And no one changes the music”
“Fine” they agree.
“First stop, the penthouse, then NYU”
Melina had heard about your trip and went out of her way to offer you everything at her disposal. Exclusive tickets, the Romanoff penthouse (apparently they have one in every major city), a reservation in a very nice restaurant.
You took most things happily. In a way, this is your compensation for emotional damages.
“So, what happened between you and Wanda?” Jenny says.
“Wow, can we at least have lunch first?” you accidentally hit the brake, making Zach hit his head against the headrest of your seat.
“I’m blind!”
“You’re fine” Jenny shushes him, turning to you. “I’ll tell you about our parent’s divorce”
“Ugh, deal. But you go first”
So, as you get food, Jenny tells you everything, with the occasional intervention from Zach. It’s nothing exciting, not technically. Their father finally realising your mother is an evil witch and taking their children away from her. It would have been ideal to do it when they were younger, but whatever.
“And you guys are doing good?” you ask, making sure things are better.
“Yeah… I just feel bad for her sometimes” Jenny admits. “Like what if she’s lonely or sad, you know?”
“That’s because you’re a good kid” you smile at her. “Let’s go get changed, we have to be ready for your college tour soon”
“What about your part of the deal?”
“Later” you say, trying to avoid talking about it.
By the time you reach the penthouse, you can’t help but admire the view to Central Park. It’s even bigger than the one they gave to you back in Boston.
“I want the biggest room” Zach says as soon as they drop their bags.
Of course, they’re engaging in a fight that involves some name calling and a lot of finger flicks on the forehead.
“You guys are worse than…”
They turn to look at you and you smile, trying to keep it together.
“Worse than…” Zach says but you shake your head.
“Nothing. Come on, better change fast”
Worse than Wanda and Pietro.
Will you ever stop thinking about her?
Earning the title of cool sister only takes a borrowed penthouse, Broadway tickets and exclusive seats at Yankees Stadium.
It’s day two and though you haven’t been able to convince them to go to the Met, you’re still enjoying yourself.
Kind of.
“So how long do these last?” you ask again, even if Zach explained the rules a dozen times already. “Ok, next time we’re going to the US Open because at least I’ll understand the game”
“So, you’re planning on staying here?” Jenny asks and you shrug your shoulders.
“There’s no plan for anything, really. I have two months left on my contract”
Zach goes to get more food and you keep watching the game in silence.
“Are you ok?” Jenny asks. Truthfully, though you’ve enjoyed spending time with them, Wanda’s been in the back of your mind more frequently than when you’re busy with work.
You can’t help but think about all the trips you never took with her, or wonder what she’d think about the city.
“Want the grown up answer or the big sister being brave answer?”
“I’d like the truth”
“Well…” you take a deep breath. “I’m not ok. I fucked up big time. I had everything I wanted within reach and just… I don’t know. Maybe it was never meant for me. It was too good”
“You are good enough for it, come on. Don’t say that”
“It’s hard to believe it when I hurt her so much. And the kids. But, it is what it is I guess”
“I’m sorry. If you wanna talk…”
“I know, sis. Thanks” you smile at her. All of the sudden you hear the crowd roaring and look up to see a ball that’s coming straight your way. You catch it, thinking nothing of it, while some people around you begin to speak to you. “What? Do I have to throw it back?”
“Are you insane?” Zach comes out of nowhere, taking it from you. “This is the coolest thing!”
“It’s a ball” you say, looking at the field.
“Nu-uh. It’s Camarena’s 50th home run. You know, the most promising baseball player of the season”
“Ok, if you say so”
Turns out it is a very big deal, as the player wants the ball back and is offering to meet you in exchange for it. You let Zach decide for the two of you, and his answer is an excited yes.
So, you take a couple of pictures and thank him when he hands you a signed baseball bat.
“Thanks, Carme…”
“Camarena” Zach elbows you. “I’m your biggest fan”
Yeah, you definitely earned the award to coolest sister, and it had nothing to do with all the money you spent. It came down to your ability to catch a freakin ball, like a competition with a golden retriever.
“We still have some time before we have to take the plane. What do you wanna do? You’ve been doing everything we want to” Jenny says, and you think about it.
“Let’s have a picnic in Central Park”
“Sounds fun” she agrees, while Zach keeps taking a million pictures of the bat.
As you walk around the park, you find something that unlocks a memory that was totally lost on you.
“Balto!” you point at a statue of the sleigh dog. They both look at you with blank expressions. “You’ve never seen Balto? Seriously?”
“I don’t know. Mom wouldn’t let us watch some stuff. She said it was silly to have a movie with speaking animals”
“That and Ghostbusters. But we never learned why”
“Oh, that’s because she and dad watched that movie on the day I was born” you explain while you pull out your phone to take a picture of the statue.
“Mom is such a bitch” Zach mutters and it makes you laugh.
“Come on, kid. Screw the picnic, I’m buying you the biggest burger we can find”
“See? I’m her favorite already” he teases Jenny and they begin to argue again. You hug them, staying in the middle to prevent a fight.
“Love ya both, kiddos”
Coming back to an empty house stings a bit more when you spent the weekend surrounded by playful banter and pleasant company.
The silence is unbearable and you know that at moments like this there’s only one thing that can make you forget.
So, even if you have to go to work tomorrow, you get changed and head for the usual club.
“Thought you found a better spot” Laura greets you as you approach the bar.
“Work was crazy” is all you say. No one knows your name, or what you do for a living. You just get drinks and dance to loud music.
“The usual?” you nod, accepting the glass of scotch. You enjoy it slowly for a bit, watching as some people dance and party. The outfits and the music are different from your time in college; plus Darcy and you used to go to shitty bars.
Either way, what hasn’t changed is how drunk people act; messy, unaware. You love it. No one’s asking if you’re ok, or why you're there.
“I was gonna buy you a drink, but you’re not done with that one yet” a woman offers with a flirty smile.
You finish what’s left of the scotch in one swift motion, and wink at her.
“There”
“Are you that thirsty, huh?” she teases, and you laugh, sipping from the new glass. “I’m Eve. You?”
“I’m… really thankful for my drink, Eve” you say, because you’re never gonna share your name with anyone else. “Wanna dance?”
The woman rolls her eyes, but follows you to the dance floor. It’s the perfect place to get lost, and avoid any conversation. The music’s loud, there’s people everywhere and you can simply disappear when you’re done.
It’s what you do best, isn’t it?
As you go out for another drink, there’s an impulse to talk to Laura.
“That was the name of a friend”
“What?”
“Laura. Well, not my friend. My ex girlfriend’s friend”
That’s about everything they have in common. This woman is covered in tattoos and has dark hair, styled in a mullet. Very Joan Jett, which is every girl’s type.
But my type is Wanda.
“Is that why you drink until I have to call you a cab?” Laura says, and you nod, taking a shot of tequila and asking for another one.
“Yeah. Come on, just one more” you plea when she’s doubting about giving you a third one. You pout and Laura rolls her eyes. “Thank you. Ah, I love this song!”
You blow her a kiss, running back to the dance floor. Wait, no, you don’t even know this song but it’s cool anyway.
And then the next one is good enough, until you’re a bit too drunk and have no idea what’s playing.
“Can I buy you a drink?”
To your disappointment, it’s a man.
“I’m fine!”
“Yes, you are” he says, putting his arm around your waist.
“I’m gay, dude. Stop it!” you push him away.
“Come on, you just need a good di…”
He doesn’t get to finish his sentence, not when your fist crashes against his nose.
Stupid move, as he’s tumbling to the floor, creating a commotion. You can tell he’s pissed when he stands up, but he never even gets to yell at you, because someone is pulling you back until you’re out of sight.
“You really are trouble” Laura tsks and you try not to laugh.
“He was an asshole”
“Yeah, he is. If it were up to me he wouldn’t go in at all. I have to get back to the bar. Stay here, drink some water. Then I’ll call you a cab”
“I’m sorry” you say, reaching for her when she walks past you.
“That girl did a number on you, huh?”
“I only have myself to blame” you smile sadly. “Thanks for the help”
Following the woman’s advice, you walk around the room, drinking some water and breathing to gather yourself. You’re vaguely aware of the pain in your hand, and remember that it was stupid to risk yourself that way.
If you can’t operate, Melina’s kicking your ass.
After a while, Laura comes back.
“Car’s waiting”
“Thanks… I owe you...”
“A cup of coffee”
You’re about to protest when she rolls her eyes.
“Not as a date. You have too many issues for me to handle. But I’d rather we stop meeting like this, with you starting a bar fight”
“Yeah, that’s fair” you smile, looking back before leaving the room. “My name’s Y/N, by the way”
“Nice to meet you, Y/N”
Stupid, stupid, stupid.
That’s all you can think about as you get ready for a 24 hour shift, sporting a massive headache and hangover.
You’re leaning against the elevator when the doors open, and you speak without opening your eyes, handing the keys of the car to Yelena.
“You’re gonna have to drive me today”
“Yelena already left”
You look up a little too fast, eyes meeting Natasha’s.
“Ah, jeez” you complain, feeling your head pound with the sudden movement.
“Rough night?” she says with a mocking tone, but then pays attention to your bruised knuckles, taking your hand. “What the hell? Are you ok?”
“Dude thought he could touch me and get away with it. It’s fine” you promise, though she doesn’t let go of your hand.
“You know mom’s gonna freak out when she sees this?”
“Don’t be a snitch, Romanoff” you say, stepping out of the elevator. “What are you doing?”
“Get in my car” she says, rolling her eyes. “You’re in no condition to drive”
“This is nice” you look around the Mercedes-Benz, reaching to touch the controls in the dashboard. Natasha slaps your hand away.
“Nicer than the Corvette?”
“Nah, let’s not get crazy”
“Did you have a nice weekend with the family?” she asks, rolling into conversation naturally.
“Yeah, we went to see Wicked because Jenny wanted to, then to a Yankees game where I caught the ball, which is apparently a big deal”
“It is, congrats”
“They made me buy some clothes that are not scrubs or…”
“Mini skirts? Like the one you wore last night”
“How did you…”
“My penthouse is in the same building, remember? Same as Yelena’s. Mom was smart enough to get a house away from everyone”
“Right”
“Doesn’t Wanda mind?”
That shuts you up real fast. And honestly? You don’t feel like lying. But as you’re about to answer her, she stops in the parking lot.
“Sorry, it’s none of my business” she mistakes your silence with annoyance.
“No, that’s not it” you explain, but then your phone pings. It’s a message from Jenny, sending you the Instagram post she made for the weekend in New York.
J: You made it to the gram!
Youths. You don’t even have instagram but click the link nonetheless. Yeah, those are nice pictures.
“Oh, you two came together?” Melina greets when she meets you in the hallway.
“Y/N can explain why” Natasha smirks and you glare at her.
“I was just feeling tired after the family trip”
“Natalia, who will be your plus one to the gala?” Melina changes the subject abruptly.
“I’m not taking anyone”
You direct your attention back to your phone, knowing they’re about to argue.
As you swipe through the pictures, a name catches your eye.
w.maximoff
What?
Does Wanda follow your sister?
She saw the pictures and liked them? Even if you were in them?
Don’t be an idiot, don’t think this means anything, she hates you, she’s better off without you.
The sudden urge to throw up has nothing to do with your hangover. You look around the hallway, and feel the desire to turn around and beg her to take you back.
You miss her too much, you can’t do this without Wanda.
Who are you kidding?
“Take Y/N” you hear all of the sudden.
“What?”
“Take Y/N to the gala with you” Melina decides, making Natasha roll her eyes.
“She doesn’t want to…”
“Yes. I’ll go” you interrupt Natasha.
Anything, anything at all to stop thinking about the one person who made your life worth living.
“Then it’s settled” your boss nods, pleased.
“Excuse me” you walk away, hoping there’s a ton of work that can keep your mind off everything else.
There is, and you’re grateful for the distraction it provides.
“I’m exhausted. How are you managing with a hangover?” Yelena complains after a few hours.
“Get some rest,” you mutter, looking at the lab results. “The OR won’t be ready for another hour anyway”
Unfortunately, it gets very slow as the day progresses. Everyone in the hospital is focused on a kidney transplant that is happening next week.
You see a woman walk in with her son to the ER and approach them.
“Hello, I’m Doctor Y/L/N. How can I help you?”
“Hi, yes. My son fell and I’m not sure, I think he might have hurt his wrist”
You turn to look at the kid, who is probably ten or eleven, and he looks back at you scared.
“I understand. What’s your name?”
“Kyle”
“Hi, Kyle. I’m Y/L. Can I take a look at your wrist?”
It takes him a moment to nod, but once he does you take him to one of the hospital beds where he sits. As you put on a pair of gloves, he looks around, clearly nervous.
“Cool shirt” you make conversation, noticing his Yoshi shirt. “My favorite is Rainbow Road, but the best time I ever did was on Vanilla Lake”
“Really? My favorite is Koopa Troopa Beach”
“That’s a good one” you agree, applying pressure on his wrist. “Ok, I don’t think anything’s broken but we need an X-ray to confirm. I’ll walk you there, it will take a minute”
Thankfully, it’s just a sprain.
“You’ll just wear a brace for a week, I’m also sending some medication for pain. Now, you’re gonna have to hold up on playing Mario Kart for a bit, as the movement isn’t good for your hand. Take it easy and if there’s any more discomfort or pain, come back to the hospital”
“Thank you” the woman nods, relieved that it’s nothing major. You’re about to say goodbye when her son hugs you.
“Take care, kid”
As you watch them walk away, your mind goes back to Billy and Tommy.
You miss them so much.
“Everything ok?” Yelena asks when you leave in a rush, walking towards the stairs.
Instead of answering her, you go down the steps, until you push the emergency exit, breathing heavily.
Don’t cry at work, don’t cry at work.
It’s not working. You squeeze your eyes shot, pinching the bridge of your nose.
A sob leaves your lips the minute Yelena catches up with you.
“It’s ok. I’m here” she says, hugging you.
“I miss them”
“I know. I’m sorry” is all she says, allowing you to cry as you lean your head on her shoulder.
“I’m sorry, I shouldn’t be…” you finally gather yourself, wiping away the tears. Your face is hot with the embarrassment of being so emotional in front of Yelena.
“I understand. There’s nothing to be sorry about. Come on, you should get some sleep. I’ll cover the ER for a bit”
“Ok” you nod. But she still follows you to the break room, and as you lay in bed, Yelena makes small talk, asking about your trip and telling you some funny things that used to happen to her and Natasha when their mother would leave them to roam the city while she had board meetings.
As she tells you about her favorite things from the Met, your eyes feel heavy and you fall asleep, exhausted.
The younger woman looks at you, feeling a bit guilty. She understands that everyone in this situation is an adult, and sometimes relationships don’t work.
But it’s still hard to see you so heartbroken and lonely.
“Hey” Natasha walks in the room, and Yelena shushes her, leaning her head towards you. “Is she ok?”
“I don’t know” the blonde admits, closing the door behind her.  “What’s up?”
“Mom told me you’re bringing a plus one to the gala! I thought we agreed no dates for this one”
“Oh, yeah…” Yelena blushes, and Natasha tilts her head.
“Who is it?”
“So, what are you doing? Should we find you a date?” Yelena rushes to change the subject, walking with her sister to the cafeteria.
“No, Y/N volunteered. Or, my mother kinda forced her to”
“Maybe it will be good to have a distraction. She’s having a rough time”
Natasha stays silent as they get some food. To be honest, she has been distant with you. It was hard to get close again after all the hard words you exchanged.
Natasha was just trying to protect herself.
“So you’re not gonna tell me who it is?” Natasha insists after a moment of silence. Yelena laughs, shaking her head.
“You’ll find out soon enough”
You open your eyes to the sound of your pager. The OR was busy for longer than anticipated and you’re about to go and check if everyone’s ready.
While you yawn, you dial Yelena’s number.
“Hello?” you hear Natasha’s voice.
“Why are you answering Yelena’s phone?” you say, doble checking that you indeed called her sister.
“Oh, crap. I took her phone by accident”
“Hey” you step out of the room, and find none other than Natasha, ready to leave for the day. “Guess your mother bought these phones in bulk”
You show her the mobile Melina gave you, though you insisted in keeping your number. It’s identical to Yelena’s and Natasha’s and every head of department has one as well.
“Heads up, she might be tracking your location”
“What? Can she do that?” you say, shaking the phone. Natasha smiles at that.
She forgets not everyone is expecting the worst from Melina.
“I better go and exchange phones with Yelena” the redhead says.
“Sure, can you tell her that the OR’s ready? Thanks”
You leave, but then Natasha’s voice stops you.
“Do you wanna do something tomorrow?”
There’s a hint of shock in your face, but you nod and smile.
“Yeah, sure. Wanna come over to watch a movie?”
“Sounds good” she agrees.
“Alright. See ya then” you wave goodbye.
Between this and the gala, Natasha doesn’t know if it’s a good idea to spend so much time together.
She’s about to find out.
Natasha is questioning her choices as she knocks on your door, thinking it might be unwise to spend alone time with you.
She had felt like you both got some closure after the emergency surgery on that woman. And then, one week later you had shown up at her hospital, as if you hadn’t refused the offer a number of times.
As if the thought of leaving your precious girlfriend behind wasn’t the craziest thing in the world.
“Hey, come on in” you greet, opening for her.
“Love what you’ve done with the place” she teases, watching as the only real decoration is a Polaroid picture of you and Yelena that is taped to the fridge.
“I’m happy this thing came with furniture or we’d be having dinner on the floor”
“Martha Stewart would be proud” she says and you roll your eyes.
“Come on, food will be ready in a bit” you say, asking her to open the bottle of wine.
“Where’d you get it from?”  she asks as she hands you a glass.
“Uh, the grocery store?” you look back from the stove.
“Wait, you’re making it? From scratch?” she puts her glass down, looking over your shoulder.
“Well, not from scratch, it’s not like I made the pasta”
“I thought you didn’t cook”
“I didn’t” you smile, offering her a taste of the sauce. “But I got used to the finer things in life, like a good old homemade meal, and had to figure out how to get something done”
“This is actually really good” she says, surprised.
“I will give you a pass because I am also surprised that my cooking’s not so bad”
It must have been because you used to watch Wanda cooking all the time.
Ah, shit.
Maybe eventually you’ll go a day without thinking about her. Or not, and that’s your karma for being an idiot.
Once everything’s ready, you pull out two plates, and serve the food.
“What do you wanna watch?”
“Not sure, could we eat first?”
“Why, want to check that I won’t give you food poisoning?” you joke, but Natasha doesn’t laugh. “Oh, come on! I’ve never gotten sick and it’s been a month!”
“Let’s just eat”
“Fine, are you sure you’re gonna be ok talking to me? You’ve been avoiding me since I arrived in Boston” you comment, though you can’t be mad at her.
It was easier to blame her for your screw up that own up to it. You’re not particularly proud of it.
“I wasn’t sure if your girlfriend would give you shit for talking to me”
“We’re not together anymore” you blurt out, making Natasha stop chewing.
“You’re shitting me”
“She broke up with me” you shrug your shoulders. “So I quit my job and ran away like the asshole I am”
There’s a beat of silence, and you keep eating. You’re not expecting anything from Natasha, like pity or words of comfort. It’s just the way things are.
“I had no idea… I’m sorry. I feel responsible”
“Nat, don’t. Honestly, you weren’t wrong. I am attracted to you, and I didn’t set boundaries. If anything, I’m sorry for being a jerk and ruining our friendship”
She keeps eating quietly, and you know that she accepted the apology without making a fuss about it.
“Crazy, stupid love” you mumble after a couple of minutes.
“Yeah, I guess it can be”
“No” you snort out a laugh. “I mean that’s the movie I wanna watch!”
“Oh, I don’t know it” Natasha rolls her eyes.
“Of course not, it’s not a Bond movie. Come on, now that you’ve seen my food won’t take you to the ER, let’s get everything ready” you say, picking up the dishes. Maybe you’ll make popcorn, even though you are full.
“Wait a minute” Natasha says, and when you turn around, she’s got you cornered against the kitchen counter.
“Huh?”
“You said you are attracted to me. Not were. So you still are” she smirks, eyeing you up and down.
“Well, yeah. Have you seen yourself?” you stutter. It’s not helping that you’ve gotten used to physical intimacy and you’ve been craving it for the past weeks.
But that makes you think of Wanda again.
“I just… you deserve more than being a rebound, Natasha. And I am serious when I say I’m not staying beyond my contract”
You know you can’t be someone who isn’t heartbroken and in love with Wanda. But you can at least be honest about it.
“I know. It’s just fun to watch you get all flustered” she says with a sultry voice.
“Not funny” you say, pushing her away.
“Let’s watch that silly, corny movie now” Natasha rolls her eyes.
“You’re gonna love it”
“Doubt it”
As you suspect, she’s critizing Cal at every possible turn, calling him a loser. She’s also constantly texting about the hospital in between complaints.
“Hey!” she protests when you snatch her phone.
“I know we’re both workaholics, but you’re missing the parts with Emma Stone which are arguably the best ones. And this big reveal will blow your mind”
So, you put both of your phones down in the coffee table and take it as a win when she’s laughing at some of the moments in the film.
“Hannah is Cal’s daughter?” Natasha screams when you get to that scene.
“See?”
“Damn!”
“Bathroom break” you announce a while later, leaving the movie playing as you know the dialogues.
Natasha is actually interested in the movie when her phone rings and she picks up without looking away from the screen.
“Hello?”
She’s met with silence, which makes her actually pay attention to whoever called her.
Shit.
Wanda.
She took your phone.
But before she can explain or tell the other woman to wait, the call disconnects.
“What’s wrong?” you say when you return, sitting next to Natasha. “I know it’s sad, but I promise it has a happy ending”
“Y/N, I’m so sorry”
“Nat, you’re scaring me”
“I thought it was my phone, I picked it up. Wanda called you” Natasha says, handing over the phone to you.
“Oh” you tilt your head, shocked. “What did she say?”
“Nothing. She hung up. I’m so sorry”
“Well, maybe she just wanted me to get my stuff. That’s the only reason she’d call me, honestly” you say, returning to the movie.
“Why aren’t you freaking out?” Natasha insists.
“I don’t know” you confess. Maybe you’re in shock. It feels surreal to have Wanda call you, after everything she said to you.
You left your old phone at Darcy’s house before jumping on a plane. You only got your old number back after Melina gave you one of those fancy phones.
Now you wonder if she ever tried to call you.
“I should go”
“And leave me to drown in obsessive thoughts?” you say dramatically. “Look, what’s the harm here? That she’ll think the worst of me, and then what? We broke up. She kicked me out, I’m gone like Wanda asked me to. I’ll just text Pietro and ask if the kids are ok”
That was your real concern. You had a feeling that it could be a mistake or something very serious. And you’d always put your pride aside for the sake of the kids.
“We’re watching a horror movie now” Natasha snatches the remote as soon as the credits roll, looking for Insidious. “That will distract you for sure”
“You’re evil” you say when Natasha walks out, laughing.
“And you’re a baby”
“There was a demon! Sewing while that creepy song played. You’re sick, Romanoff”
“Sweet dreams, Y/N” she says, whistling the song as she closes the door.
Now you won’t be able to sleep.
But there’s also another thing in the back of your mind.
Pietro hasn’t answered which can mean that it Wanda's call was a mistake and he’s choosing to ignore you.
Or something so monumentally horrible happened that he doesn’t even have his phone on him.
“Fuck it” you say, trying to control your breathing as you dial back.
You begin to feel like an idiot, especially when it’s pretty obvious Wanda won’t pick up the phone.
Hands squeeze the device as you deal with the disappointment. You are about to hang up when you hear it.
Wanda, saying your name.
And for a moment, you feel like everything’s ok again.
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nitvir-my · 2 days ago
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Grew up on a dairy farm soooo I have lots of thoughts about this. I totally agree that bees and sheep can and should be taken care of by beekeepers and farmers. Other common livestock also have their uses in specific cases. I live in an area where the soil quality isn't good enough to produce food crops that are fit for human consumption, so having cows around who can turn gras into useful proteins is great!
But on most farmland, directly eating the crops ourselves would be a lot more efficient and feed a lot more people (it takes around 3-10kg of grain to produce 1 kg of meat, not to mention all the water and energy an animal needs throughout its lifetime). Re: the point of the post about farm animals having it so much better in captivity: yup, our cows do like their stable. They love frolicking around on their pasture and snacking on gras, but as soon as they get really hungry they want to be let back inside and munch on hay and silage. That being said, that doesn't mean we are the good guys for giving them a nice place to live, because they only exist in the first place because we want them to. It's not like that our 20 billion hens, pigs, and cows are just naturally here and "well if there are there already we might as well eat them and we don't have to feel bad about killing them because we are giving them a comfortable (if short) life".
On our dairy farm, we have 100 cows because we forcibly impregnate them every year (taxing experience which leads to a relatively short life span), keep the female calves and kill the male ones (+ the cows who are sick too often or don't produce enough milk to be profitable).
So the question isn't should we release all farm animals into the wild (of course not, they would die miserably) but should we breed that many.
(The answer is no because the floor is made of lava and I would rather eat less dairy and meat products than live through an apocalypse)
I just think that 'animals are living intelligent creatures that have feelings and deserve to be respected' and 'when done properly farming is beneficial to both people and animals and there's nothing wrong with raising and killing animals for food, clothing, and other products' are concepts that very much can and should coexist
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ablobwhowrites · 2 days ago
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I have been hooked on your poppy playtime new home sweet home posts and I love them, they are great!! and I was thinking, maybe one where y/n repairs some toys in very bad condition? Like when you mentioned Miss Delight's face! Only if you want and can of course. <3
(also sorry if this is not very well written, English is not my first language and I am using Google translator)
(glad you liked them and plus it helps me kinda try and write my next fic and hopefully I'm cooking with it)
Y/n has repaired the toys and even had to learn how to stitch because most are fabric but bougie bot, miss delight, doey and mommy long legs are kinda hard to repair, so y/n has to look up how to repair the certain material needed for each toy. Miss delight is a bit more patient with being repaired as this goes for mommy and doey but boogie bot, bunzo, huggy, yarnaby are kinda impatient as they move around a lot and don’t really like sitting on one play and bubba is a kinda like smartass when y/n tries to do stitching to repair his arm and he’s like “you shouldn’t use that stitch, use this one instead” and y/n is like half way done with it when he says that but y/n just finishes it and moves on.
Plus I do imagine y/n going to their grandma to ask if she could make some blankets for the toys as they don't have a lot of spare blankets. Especially when crafty corn, hoppy hopscotch took most of the blankets to make their fort. Y/n's grandma agrees and makes huge blankets like ones that doey could basically be laying down and there would still be a lot of blanket left over kinda huge and of course the smiling critters get one and hoppy uses it for the pillow fort and yarnaby as well.
Y/n's bed does not belong to y/n anymore cause everytime they get home, yarnaby is sleeping on it and take up all the bed and even when there's some there's very little because like yarnaby is fucking huge. But the blanket is bigger than him somehow.
And sometimes the toys have nightmares about killing y/n. Like in when they were in playtime co and how violent they were to y/n and basically almost killing them in brutal ways. Like the dream goes as this, they chase y/n and when getting their hands on y/n killing but the bloodlust settles as they look at the corpse of y/n and realizing what they did try to fix it. Or think it's a prank but it continues until the you jolts awake seeing the room they are in and see y/n alive. All it was a nightmare, they are safe here. Except for Sawyer, he has dreams of being a regular human so yeah. But poor doey was scared that the nightmare was real and poor guy needed a hug after cause he feels guilty even though it was just a dream.
(Anyways that's it for me yapping. If you guys like this and want more please don't feel shy and request any ideas for stories or y/n's, but for now please stay safe and drink water!)
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ventique18 · 1 day ago
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Warning: a bit of a rant and more twst worship lol
Me: *glazes twst*
Someone: "well your point is invalid because this one specific character from an obscure game dresses in socially defined feminine clothes. Therefore joseimuke games in general are just as good as twst." (<- Referring to a game where there's literally just one crossdressing character)
Well good for him! 👍 Doesn't take away from the fact that Twisted Wonderland is one of the better games out there though, considering the majority of mainstream joseimuke and otome games out there that majority of the population plays-- ARE rigid when it comes to fashion expression.
Representation is important, yes, so it's very much appreciated for one such character to be present. But the thing is, twst takes it one step further by normalizing that most men in their universe don't assign gender to clothes and just wear whatever the fuck they want. I think that's more important than having one character as "unique" while everyone else is made from the same socially conforming mold.
Not that there's anything wrong with that, of course. There are plenty of characters in twst that prefer to be traditional most of the time. But the good thing about that is that they will wear something outside of their usual preference when they need to. They don't find that weird.
And of course, there are also a lot of games out there as explorative as twst and that's great! Posts appreciating a game for doing something right while criticizing the genre in general just means that there're not enough titles that empower this idea. I think games are a good way to normalize the message that everyone should be allowed to wear what they want, and it's up to them, not society, to define beauty.
Men can be handsome and powerful while wearing makeup everyday; Vil and Malleus show us this. At the same time, you can be a woman who likes dresses but is stronger than anyone else, like how Maleanor presents herself. But that doesn't mean that women are required to pretty herself up; you can be a cool woman in a male dominated field, like Dylla Spade is.
Tldr while twst is not perfect, it's surprisingly excellent at breaking social norms and presenting how beautiful individual preferences are. There are other games good at this too, of course, but one look at popular games makes it obvious that we still have a long way to go. Twst being so open about this topic is a great step forward for the industry in general.
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ramp-it-up · 2 days ago
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Peach VI
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Peach V | Peach VII
Summary: Steven Grant Rogers is a mob boss trying to get clean. It’s definitely because he’s in love. With you. He's got you on his turf in NYC. You two FINALLY admit your feelings for one another and seal the deal. But how far are you willing to go for this love?
Pairing: Art Dealer/Artist/Philanthopist (Mob Boss) Steve Rogers x Reader (Peach)
A/N: This is it! I hope the smut is up to par. When I tell you I’ve agonized about this. But thank you to all who were in my inbox and dms giving me encouragement this week. Love you bunches! ❤️
This fic is connected to the Bucky Barnes Knock You Down AU, and DIRECTLY AFTER the events in Peach V. Your interaction keeps me writing, so let me know if you like it by commenting and reblogging.
Warnings: 18+ Only, Minors DNI. SMUT. Read at your own risk. Angst. Slow burn, Mutual pining, idiots in love, eye fucking, Steve Rogers is an artist, y'all!, sending (almost) nudes, phone sex, possessive Steve, references to shibari, mutual masturbation, pining, references to sex in a car, the "L" word, oral (f recieving), fingering, overstimulation, nipple play, size kink, pleasurable pain with sex, definite breeding kink, raw p in v, Lil bit of Dom Steve if you squint, references to murder. Something big may or may not happen after the last line.
Not Beta'd. All errors my own.
I don't have a taglist. Please follow @rampitupandread and turn on notifications to learn when I post! 😘
I Do NOT Consent to my work being reposted, translated or presented on any other blog or site other than by myself.
-------
Steve Rogers left you in your hotel room, a quivering, emotional, mess.
He’d made you cum, hard, but you felt that he was holding back, that if you’d told him how you felt it would have been so much better.
Or maybe that was all in your mind. Steven Grant Rogers was on your mind a lot since you met him as Grant Stevens in Atlanta.
A lot happened in a short amount of time that caused you to deny your feelings for him. And now you were no longer trying to keep him out. 
He was definitely a distraction, but now you couldn’t deny your feelings for him any longer. You just needed to be a woman about it and tell him.
What’s the worst that could happen? You weren’t going to marry the guy, you just want to explore these mutual feelings. It shouldn’t be complicated.
Right?
You still had the rest of the week in New York to stress out about it, so that was a plus. The afternoon was ahead of you and the next day was the Summitt.
After that, you had your one on one with Steve.
Bucky told you about Steve being an artist himself during your meeting with him. So, for your meeting with Steve, you requested that you see some of his artwork, and he agreed.
You were curious to see what he could create, and you were anxious and turned on at the thought of him as a creator.
You were so into Steve Rogers.
And you didn’t know what you were going to do about that.
—--
Steve had to stop himself from going back up to your room three times after he left. He finally exited the hotel and stalked down the street back to the Rebirth building to his car and pulled out his phone, dialing Bucky and pulling out of the garage.
He needed a drive and a little alone time to clear his head and come down from you, but he also needed his friend’s help.
“Wassssaaaap! Did you get the–”
Steve cut Bucky off.
“Remember that shopping trip we took a few weeks ago? For the ring?”
“Oh shit.”
“Yeah. Meet me on 47th street.”
—-
That afternoon, you just kept your distance from Sharon and ignored her, focusing on the task at hand and all business. You didn’t want to waste energy on her.
Your energy was spent on thinking about Steve and wondering if he was thinking of you too. You wanted to text him, but you were chilling. You didn’t want to seem to eager.
You were successful in your self control until 11 pm as you tossed and turned in your hotel king bed. Doubts, but mostly need and desire, coursed through you. 
You were going to find out exactly what Steve was doing right now and who he might be with. You shook your head at how much you cared; it was definitely not something you regularly did. You weren’t used to feening for someone.
You were choosing violence as you posed on the bed in front of the mirror. You sat on the bed, crossed your legs and snapped a picture.
You weren’t naked, but your panties were skin tone and your sleep bra was sheer and you were feeling needy.
Before you thought too hard, you sent it to Steve, then jumped in bed and pulled the covers over your head with that feeling of dread and panic when you don’t know if you’ve done something supremely reckless or not.
Steve was ready for the Summit, but he couldn’t stop thinking of you. Sleep was elusive, so he was self medicating, sketching your body from memory of mostly touch.
His phone vibrated and he almost didn’t pick it up, but when he saw your name, his heart sped up.
He clicked through to your message and his heart started hammering in his chest. 
Sorry, wrong thread.
The picture you sent along threatened to give him a heart attack. He zoomed in a couple of times and then read the message again. What the fuck?
——-
In less than a minute your phone was ringing. You picked up immediately.
“Don’t fucking play with me, Peach.”
Steve’s growl got you wet, but you instantly regretted your horny decisions.
“It was a mistake.”
“It absofuckinlutely was. You’re joking about it being the wrong thread, right? That is mine, correct?”
You shivered at his double meaning and at his possessiveness.
“Yes, Mr. Rogers.”
Your voice was needy and that awakened a hunger in Steve. He was beyond frustrated that he wasn’t there to spank your ass raw, but he remained quiet.
You sensed his mood.
“If I were there, I’d make it up to you…”
You were testing the waters, experimenting to see if he would give you what you wanted despite his annoyance.
If he would give you what you needed.
“What would you do?” 
Steve’s baritone was silk in your ear.
“What?” 
You suddenly found that you couldn’t breathe.
“What would you do if you were here?”
“I’d kiss you,” you rushed out in a whisper.
Steve paused, letting your sentence hang in the air.
“And?” 
There was an edge to the question. 
“And… My lips. All over you.” 
Fuck, he was hard. Just a few words in your husky voice, and Steve delirious, imagining his hands in your hair as you kissed him.
“Where?” he asked mercilessly, his voice broken with lust.
“Everywhere…your face, your neck, your nipples, your abs. Your cock.” 
You were definitely not a virgin, but you were blushing through the phone although your hand was rubbing the skin at the edge of your underwear.
“Want you in my throat.” 
Steve had to concentrate to stay hard. 
“Oh? What if I want more than that?” 
“You can have whatever you want...” 
A sense of power flooded Steve’s body, both heady and intoxicating at your admission.
“You should be very careful when you make that offer, Peach,” he said softly. 
“I trust you.” 
Holy fuck. Why did that mean everything to him?  He cleared his throat.
“Touch yourself,” he ordered.
“Okay.” 
You complied so readily, it made Steve even harder.
Your clit was so hard as you circled it.
“Are you wet, Sweetheart?” 
You moaned and Steve reached into his sweats and curled his fingers around his aching cock.
“My pussy is so messy for you, Mr. Rogers,” you whispered, thrilled and afraid of how much you wanted him. 
Steve rolled his eyes as his cocked jerked for you.
“Such a good little slut.” 
“Fuck…” 
You realized the breath you’d been holding as you listened for his voice.
“Your pussy is so beautiful Peach. And god, you taste so good. Just like a sweet peach.”
Steve knew he had you in the palm of his hand. But fuck, you had him in yours too. 
“But your cunt is so tiny. I’m gonna needs to get you ready for me, Baby.”
“Is it going to hurt me?” you whined. 
Steve was about to explode at your little innocent voice asking the most nasty question.
“Yes, Peach. It is,” he growled as your anticipation reached 100.
Your breath sped up and so did your fingers. Steve grunted, his fist moving faster, thumb swiping the copious dribbles of precum dripping from his slit.
He should have known it was over as soon as he opened your message.
Hot sex was happening.
Electronically.
As the coil in your belly wind tighter, you realized with both joy and dismay that you were addicted.
“Steve, “m so close…” 
“Of course you are.” 
Steve soaked up your cute little sex sounds, thirsty for more. 
“You know what I’m thinking about, Doll?” 
A shaky breath was your only response. Steve continued.
“I think I want to tie you up. Silk ropes all over you, pretty little knots. I’d tie your arms behind your back, so those tits would sit up pretty for me to slap, lick and suck. That ass would be tied up so sweet and open so I could eat it.”
Your eyes rolled at the sensations his words and your fingers were sending to your clit. 
“I’d fuck your throat and cum all over that soft, sweet body. Over and over, while I tease your greedy little cunt. I want to see it drip down your delicious nipples, your belly, your hungry pussy, your pretty face. I need to see all of you covered in my cum. Everywhere, marking you as mine…Mine.” 
You gasped, and then moaned and your entire body tightened up then released.
Your mouth hinged open as you came. 
“Mine,” Steve hissed, tightening the knots around you both and jerking his cock until cum spurted out. He listened to your breathing and knew that you’d just cum as well. 
Suddenly, he missed you.
“You good, Peach?”
You hesitated.You heard the yearning in his voice and you wanted to be in his arms, but you lied to him anyway.
“Yeah.”
Steve smiled at you. He shook his head even though you couldn’t see.
“Sweet dreams. See you tomorrow.”
“Night Steve.”
—---
You needed a distraction.
Steve looked so delicious this morning, sitting on stage and serving art intellectual in a dark turtleneck and brown corduroy suit. A suit that was tailored to the detriment of everyone who looked at him. 
Holy shit.
This man was wearing a corduroy suit and he made it look damn good.  
And he made you feral.
You decided to give your cousin a hard time to prevent yourself from becoming a simp.
“You look like that damn heart eyes emoji, ya know.”
She didn’t look at you as you yanked her chain. She just continued to follow Bucky’s every move and lit up when he glanced her way. She was gone, girl.
You teased her some more until you saw Steve. You sighed and gazed at him, straightening your spine as you remembered how he made you cum twice yesterday. And he’d hardly touched you. 
As if sensing your gaze, Steve’s head turned. Those mesmerizing blue eyes locked with yours, and the rest of the world disappeared in an instant. For a moment, you were frozen. Pinned in your seat by his magnetism.
This feeling was so heady.
When you realized you’d been caught staring Steve down, you tried to change the unspoken subject.
“Bucky is pretty much the man.”
“Fucking-A.” 
Her chuckle was all-knowing. Then she read you.
“Steve is the shit too.”
You couldn’t front anymore.
“He’s amazing. I had no idea about everything that he does. Have to say, I’m impressed.”
She was speechless and so were you. You both continued enjoying the forum when your phone buzzed.
You look beautiful today. You’re my favorite thing to study. Can’t wait for today’s art experience. Meet me at the Laguardia Place entrance immediately after the talk. Sunlight is precious.
You were his favorite thing to study!
You waited on the edge of your seat until the end of the summit. Then you were up and walking out toward the entrance post haste.
The hair on the back of your neck raised when you saw Steve watching you from the door of Rosenthal Pavilion.
His smile when you made eye contact knocked the breath out of your lungs.
In that moment, you realized that you were in love with Steven Grant Rogers. 
Holy hell.
His deep voice greeted you as you arrived.
“I’m anxious to get started.”
Steve searched your face and found a different look from the partially closed off expression you’d showed him since Thanksgiving.
Your face was open and trusting. His heart did a funny thing in his chest. It was almost too good to be true.
Could you love him, too?
He tempered his mood with sensible words, filling the space that he wanted to fill with romantic declarations.
“I’m going to take you to my favorite artistic landmark in the city. I’ve loved it since I was a boy.”
You smiled up at him and took his hand.
“Let’s not waste any more time.”
—--
The driver that was taking you and Steve to your meeting place was the same one who picked you up from the airport. The one that your cousin knew so well. 
You stared at the back of his head and then glanced over at Steve. He raised his eyebrow at you because of the look on your face. You grinned back, then leaned forward to tap the driver on the shoulder.
“So… Nico…” 
Your eyes cut over to Steve with a mischievous look. His heart beat out of his chest at the joy you were serving him along with your chaos. 
“You ever drive my cousin and Bucky around the city?”
Nico stole a look at you and smiled.
“Yes ma’am. All the time.”
“Do they ever do the nasty back here…?”
Nico laughed heartily as Steve shook his head.
“Peach…”
You shushed Steve.
“Hush, I’m trying to get the dirt. Now Nico, tell the truth…”
Steve sat back and listened to your unhinged behavior on the drive over to the Brooklyn Botanical Garden. Your spirit and your laugh made him warm inside, despite the cold day.
—-
Nico stopped the car at the Washington Avenue entrance to the Brooklyn Botanic Garden. Steve got out, shouldered his backpack, and then reached for your gloved hand with his own.
For some reason, you felt like a princess as you stepped on the path. The air was crisp, and there were traces of snow lingering on the ground.
You came out of the car chattering and laughing, making Steve’s heart light.
“I know Nico wouldn’t crack, but I could tell from the way he went red. Those whores….”
“Literal Freaks,” replied Steve. “Bunny is an appropriate nickname for him, because he and your cousin…” 
Steve shook his head and rolled his eyes, although he fantasized about christening the backseat of the Lincoln for you and him.
The wrought-iron gate creaked softly behind you as you entered the Garden, and you looked around in wonder as the gravel path crunched beneath your boots. A magnificent metal and glass structure was in front of you.
“This is the Steinhardt Conservatory. Wait until you see the inside.”
Steve smiled and took your hand as you stepped through the glass doors into sudden warmth shaking your head at him. 
There was a heavy scent of flowers and a haze of the waning rays of sunlight beaming through the glass panels overhead. It gave everything golden highlights, including you and Steve. 
You squeezed his hand as you looked around in awe. 
“Beautiful,” you murmured.
And then you noticed that he was looking at you. 
“Yes…”
You grew warm as you looked into his gorgeous blue eyes.
“It’s like a completely different world in here.”
“It’s our world for the moment. Just you and me.”
He wanted to add the word Forever, but he didn’t. You felt it though.
You started on an indoor path and Steve pointed out the unique flowers and plants in his warm baritone. You were impressed, again, with how much he knew.
Steve Rogers was not a stereotypical mobster. This was a man who followed a path in life that landed him where he didn’t want to be and was trying to make up for it. 
As he spoke, Steve drew you into his enthusiasm, and you found yourself smiling and relaxing, asking questions and marveling at the vast indoor space. 
When you came to a small alcove furnished with a wooden bench and beneath a sprawling magnolia tree, Steve stopped and took his backpack off his shoulder, and then taking off his coat and draping it over the bench as you did the same.
"Please, sit." 
His voice was quiet, but there was no mistaking the subtle command.
You hesitated. 
"Why?"
"So I can sketch you."
Your stomach did an odd little flip. 
"Here? Now? I wanted to see your sketches, not be your sketches."
You performed on stage in front of hundreds with barely no clothes on and you were so nervous to let Steve Rogers sketch you with winter layers of clothes on. What was wrong with you?
Steve raised his eyebrow and his gaze swept up your body slowly, making you shiver. Clothes couldn’t stop the intimacy of that look.
“Too late for that.”
You raised your eyebrow at him and you felt irrationally happy. Steve had drawn you.
“Do you not trust me?”
You regarded him, guardian your reaction because you didn’t want to seem too eager.
“I do Steve. I trust you.”
It was true.
Steve smiled. 
“Then please, sit down.”
You gave in with a sigh and lowered yourself onto the bench. 
"Fine," you muttered. "But no weird artistic liberties. I better have a nose."
Steve chuckled, flipping open the sketchbook. 
"I make no promises."
You watched as he proceeded to balance the sketchbook against his bended knee. Then he looked at you seriously, holding your gaze for a moment before his attention returned to the page, and his pencil began gliding effortlessly across the paper. 
His thick fingers were surprisingly agile, moving with long, sure strokes. But then again, you shouldn’t have been surprised, with the way his fingers had previously made you feel…
For a few moments, the only sound was the soft scratch of his pencil against paper. 
You attempted to sit still, staring at the plants around you. You also tried to pretend that you weren’t aware of the way he studied you with that relentless focus, switching his gaze between you and the sketchbook.
After a few minutes, Steve made a soft noise, something between a hum and a chuckle.
“What?” you asked, turning your head and narrowing your eyes at him.
“Nothing.” 
He didn’t look up. But he spoke.
“It’s just... you’re trying so hard not to move, but you’re fidgeting anyway.”
You caught the hint of humor in his tone and it made you a little too happy again, so you decided to cause problems. 
"Well, maybe if you didn’t look at me like that.”
"Like what?" 
His lips curled into a knowing smirk, looking up at you quickly, then back down.
You fidgeted again.
"You know…"
Steve chuckled, deep and low and shook his head.
"Oh. Am I ‘sparkling my eyes at you again?’”
You scowled at him and he laughed.
“I'm an artist, Peach. I study form." 
His eyes traced up and down your body, lighting you on fire again.
You clenched your thighs together to fight the flow of arousal threatening your thighs. This was dangerous. Steve was dangerous.
"You're insufferable, Steven."
“Well, can you suffer on a little longer, so I can capture more detail?”
You cocked your head in that adorable way.
“What details do you need?”
“I need…” 
Steve looked at you like he needed all of you. 
And he did. 
“I want to capture the way your nose crinkles when you're annoyed, or how you're gripping the bench like you're about to get up and run.”
You unclenched your hands and sat back.
“You’re making me nervous.”
He tapped his pencil against the sketchbook. Then he looked down again to continue drawing.
"Interesting."
"What is?"
He licked those red lips of his and your eyes tracked the movement.
"The fact that I make you nervous."
The way he was looking at you made butterflies riot in your stomach. That special electricity was buzzing around you both. 
Suddenly, his pencil stopped. Then, without warning, he reached out, brushing his fingers beneath your chin, tilting your face slightly.
You stiffened.
"Hold still," he murmured. 
His thumb ghosted over the curve of your jaw and settled at the edge of your throat.
Your breath hitched.
Steve’s eyes were dark now and his voice was softer when he spoke again, but there was an edge to it now, hinting at something rough beneath the surface.
“You always do this?” he asked.
“Do what?”
“React like this when someone touches you.”
You pursed your lips together and shook your head. 
Just you.
"You’re doing it again," he mused as he stroked the side of your throat with his thumb.
"What, Mr. Rogers?"
You were about to combust. He clenched his jaw and increased the pressure of his fingers on your neck.
"Fighting it."
"I- I don’t know what you’re talking about."
"You do," he intoned, his voice stern.
"Don’t hide from me, Peach." 
Your pulse beat beneath his fingertips.
"You think I don’t notice how you react to me?" 
Steve’s hand grasped your throat, pressing more firmly before he let go.
"Hold. Still," he murmured, those blue, blue eyes stormy.
His fingers tilted your face up with authority now. You froze for a moment as his thumb came up to pull your chin down to open your mouth.
“Breathe.”
He slowly pulled his hand away and you had to stop yourself from chasing his touch. 
Steve clenched his jaw, trying to restrain himself. If he had to guess, you were wet and ready for him to do whatever he wanted to you right now. But he willed himself to be patient. 
He picked up his pencil again, rolling it between his fingers, like nothing had happened. 
"Good girl," he offered to the page as he returned to his sketch.
Steve knew what he was doing. Knew exactly how much he affected you. You waited impatiently, clenching your thighs together desperately as his pencil continued to scratch on the paper. 
"Done," he said, as he lifted the sketchbook toward you.
You gasped as you looked at the page. 
The drawing was stunning. Steve had captured you with uncanny accuracy, from the curve of your parted lips to the shading of the different colors in your eyes. The hollow of your throat seemed to pulse, and you could almost see the indentations of his fingers. 
The portrait was beautiful. And it told you everything you needed to know about how he felt.
“This is… how can I thank you?”
Steve’s heart flipped in his chest as he reached out and grabbed your waist, pulling you toward him on the bench.
"Steve…"
His eyes went to your mouth.
"Say that again," he murmured, barely above a whisper.
Your whole body was burning, but you stayed quiet. You were paralyzed with the possibilities.
"No? Too shy now?"
His voice made you impossibly wet. If you gave in, you were about to get everything you didn’t know that you wanted. And that scared you.
You let out a shaky breath. 
"Steve."
Something flickered behind his eyes. Something hot.
“Have I told you that I love the way you say my name?”
His hand came up again against your side, slowly, more deliberate. His fingers moved over the curve of your side, and slid against your breast, his thumb ghosting over your nipple.
He continued, tracing over your cleavage and finally landing against your throat again, pressing against your pulse and driving you crazy.
"You're shaking," he murmured, voice low, thick with need.
Then, without breaking eye contact, he leaned in and gave you a kiss against your throat. And he lingered, lips warm against your skin, before pulling back just enough to smile against your skin.
Your whimper told him so much. 
"You act so tough, but you’re so easy to ruin."
You raised your arms and pulled him close, fingers playing at the nape clutching the hair spilling over his collar.
“You made me this way, Steve. And I don’t want you to stop.”
His now dark blue eyes searched yours as his fingers tightened on your waist. 
“What does that mean, Peach?”
He’d pulled you closer, his eyes on your face as he waited for your answer. The anticipation was so much. He huffed and then dove into the curve of your neck, inhaling and tasting you there, as if he couldn’t help himself. His large hands palmed your breasts, pressing your nipples insistently.
“Oh…my….Steve!”
You squirmed in his grip.
“I asked you a question. Do I need to stop touching you so you can answer?”
“Please, no, Steve. Need you...”
You were the queen of changing the subject.
“Is that what you wanted to tell me?”
His lips were on the curve of your jaw, so close to your lips. You whined. He cocked his eyebrow, the question not so silent.
You huffed, making your decision to go for it as your hands came to the side of his face so that he knew your intentionality. You wanted to look into his eyes when you said it.
“Moment of honesty? I want you Steve. I feel…I want to be yours. Really been yours since you put your hands on me in Atlanta. I can’t categorize or control this feeling. So I’m giving in. Are you ready for the chaos that is me being yours?”
Steve’s eyes lit up and he reached for you, pulling you into his lap as his lips crashed into yours. His hands were everywhere. He tugged you closer as he kissed you and both hands came down to grab your ass and pull you onto his erection. His desire for you was apparent.
When you broke apart, you chased his lips and then kissed him again, greedy.
“I’ve been ready. Been yours for a while, now Peach. Since the day I saw you…”
His voice was gentle and he was looking at you like you were fine porcelain. You felt so safe in his arms. He pulled back to look you in the eye.
“And this feeling? This is exactly how it should feel when it's meant to be.”
He kissed you again and his mouth took possession of yours in a way that was tender, yet full of promise. 
“I gotta let you know that if you’re mine, I’m gonna give you what you need. When you need it. Do you want that? Do you trust me with that?”
This was the important question.
“Yes, please. I want that, Mr. Rogers, sir. And I trust you.” 
"That’s so fucking hot… but I’m trying to behave. Even though I reserved the pavilion just for us, we’re still in a public place,” he murmured. 
His voice was calm, controlled. But those sea blue eyes told a different story.
"You call this behaving?"
You rolled your hips against his cock. Steve kissed you again and let out a sexy chuckle, then stood you both up, leaning down to whisper in your ear.
"If I wasn’t," he murmured, "you’d already be begging me for more." 
You linked your arms around his neck and looked up at him as the cutest woman on earth.
“What if I don’t want you to behave? Like you said, you have the pavilion reserved. You can bend me over the bench and fuck me raw. Right here.”
Steve’s pupils took over his eyes and his jaw clenched. Your stomach dropped as he looked as if he was about to do just as you suggested. But he took a deep breath and smiled.
“We’ll explore that kink later. Our first time needs to be in private.”
Steve reached for your coat and helped you with it before putting his own on and gathering his things. He took your hand and led you out and across the grounds. He pointed to a familiar building. 
“Your hotel is right there. Or do you want me to call Nico to take us to my place?”
You looked up at Steve as your breath vaporized in the cold air.
“We need my hotel. I’m ready. Right now.”
—--
You were in your room again, not entirely sure how you arrived, the journey through the park hurried and full of anticipation. You weren’t thinking too hard, you just knew you needed Steve. Immediately.
You were pushing his coat and blazer off his body and feeling his chest. The steady thrum of his pulse tapped a staccato in your palm.
“Your heart's beating so fast,” you whispered. 
“You do that to me, Peach.” 
“Really?” you questioned, suddenly unsure of yourself.
“You have no idea how much power you have, do you?” 
“Me?” you asked in a small voice. 
Steve nodded.
“You drive me crazy. I’ve never wanted anyone the way I want you.” 
It was confession time.
“It’s you that has the power, Steve. I can't stop thinking about you. Your voice gets me there.” 
You felt tongue tied as you told him your raw feelings, all the while taking off your and his clothes. 
“Sometimes I — I think I'm going to cum just from hearing you speak. Today, at NYU, I could hardly sit still. You're like a drug, pulling all my attention.” 
Steve’s shirt was off now and you were in your bra; he pulled you near him to get his mouth on you.
“When I'm near you, I'm so hard it aches.”
 “Really?” you whispered. “Are you aching right now?” 
Steve groaned as you pulled back to unzip your skirt and take off your boots. He leaned back against the wall and palmed his crotch over his pants. 
“Like you wouldn't believe.” 
Steve couldn’t believe that he had you here like this, giving yourself to him. He had to tell you the truth.
“Look at me, Peach.”
You looked into his eyes.
“I’m In love with you.”
His rough voice pulled an involuntary sound from you. 
“You're mine, Peach You always have been.
Your breath caught in your throat and your heart thudded against yor ribs.
“Oh god, Steve. I- I love you too.”
Your smile blinded him. If he blinked it was because of that. Not that he was going to cry. 
Not at all. 
He laughed as an expression of joy and then your lips met.
The kiss wasn't soft or sweet. This was feral, sharp, and intense. You moaned into his mouth, sucking his bottom lip into yours as he unhooked your bra.
“I fucking want you,” you whimpered into his mouth. 
Steve smiled against your lips.
“Good, cause I fucking need you, my sweet Peach.”
Steve stood, looming over you, all big and fucking magnificent. The vision of him, all lithe muscles covered in smooth skin, and light feathering of hair making its way down his torso, between the defined planes of his abs and into his waistband, was… Good Lord.
You licked your lips, mouth instantly dry. 
Steve’s mouth hooked up on one side as his fingers worked his belt and fly. His pants fell in a matter of seconds, and there he was, wearing nothing but black boxer briefs.
Steve was all thick thighs, and long, powerful legs, his hand slowly stroking himself over the sizable bulge in his underwear. 
You gaped at him. 
Then, he pulled his underwear down, eyes on your face for your reaction. It was classic, your mouth hinged open and your eyes were like saucers. There was no way anyone could be that perfect.
His dick was long and wide, at least eight or nine inches, and curved eloquently (if a dick could do that) against his abs. It was so pretty and your mouth watered for it at the same time your pussy clenched, as you were thinking he was correct. You would struggle to take him.
His smirked deepened as he reached for you and pulled your panties down slowly, his short fingernails scratching your legs and making you shiver.
For a moment he just stared, drinking in the sight of you spread before him
“Fucking sublime,” Steve breathed, the words filled with reverence. 
“I’m gonna ruin you for anyone else, baby.” 
He leaned over you and set about doing just that, kissing you deep and filthy, tongue diving to claim every inch of your mouth. You cried out, scratching at his broad shoulders as he suckled and nipped, worshiping your breasts until you were mindless with sensation. 
Steve took his time tracing your torso with his lips, teeth and tongue, learning your body and  paying attention to every sigh of pleasure as he climbed down your body.
The press of his mouth to your pussy made your back arch, and a ragged moan escape your mouth. Steve growled into you, the vibrations running through your soaked cunt.
He parted your pussy lips with his thumbs, and dove to lick your clit with the hot velvet of his tongue. 
Slow, thorough licks made you writhe beneath him. 
“That’s it,” he whispered, swirling his tongue around the sensitive bundle of nerves. 
“Ride my face, Sweetheart. Fuck my mouth ‘til you cum all over it.” 
You arched like a bow as he latched on to your clit and sucked, two thick fingers thrusting deep to stroke along your inner wall. His practiced fingers found your g-spot and massaged it ruthlessly, curling and scissoring until you sobbed his name.
“Love when you call my name, Peach.”
He looked at you like you were something to be worshipped, and then continued what he was doing. When Steve bit down gently on your clit, your orgasm crashed over you in a burst of white light. 
You shuddered through the aftershocks, trembling as Steve lapped at your folds. Each lick sent a jolt of electricity through you, on the edge of too much. 
Rising to his knees, the thick, heavy length of him rose up again, even more swollen and glistening at the tip. 
Steve notched the thick head of his cock at your entrance and his eyes crossed as he slowly sank into your tight, dripping heat. 
“Fuck, you feel so good.”
Inch after thick inch, he claimed you, stretched you, with a delicious push/pull of pleasure/pain. His length was one thing, but his girth was everything.
When he bottomed out, you both groaned at the intensity of the connection. He looked you in your eyes as your hearts pounded in sync, your breaths mingling as you got used to his size.
“I’ve never felt so full, Stevie…”
You quivered in his arms. And he knew that he was utterly possessed by you. It was more than just physical; it was an overwhelming sense of rightness. 
“Perfect,” Steve rasped.
“So fuckin’ perfect, sweetheart. Like you were made for me.”
He dropped his head and trailed open-mouthed kisses along the column of your throat, pausing to suck hard at your pulse point. 
“Please,” you whimpered, the ache between your thighs growing unbearable. “Move.”
“As you wish.” he whispered, brows knitted together. 
You whimpered and your hands grasped the sheets as he started to move. He bent and sucked your nipple hard, causing a jolt of electricity through your body. Your brain was cloudy and you scratched his back as your eyes shuttered closed.
“Open your eyes, Peach,” Steve ordered darkly. 
As he looked you in your beautiful eyes, Steve couldn’t hold back any longer. He started increasing his pace until he was fucking you roughly, pushing your knees to your chest. 
“Yes.. feels so good Steve. Oh my godddddd, fuck me!”
Steve’s eyes roamed your body as he did as you asked. Your beautiful breasts bounced. The bed knocked against the wall and you gasped for breath, your face transfixed on the eye contact between you and Steve.
He was lost, one hand gripped your hair, and the other braced on the headboard. He fucked you hard, grinding against your clit with every stroke. 
You were whimpering, on the verge of screaming as you two made noise up and down the hotel hallway.
He leaned up and grasped your throat, gritting his teeth as he asked a question.
“You want me to cum inside you? You trying to have my baby?”
“Unnnnnnghhhh! Maybe….” 
You opened your eyes and pouted up at him.
“Paint my walls, Steve...”
Steve choked on air as he spurted hot cum into your welcoming pussy, but he pulled out, shooting the last jet of cum on your clit and pussy lips. Then, like a heathen, he bent between your thighs and started licking. 
You sobbed, writhing as he devoured you. 
“Need to eat you more than anything, my sweet, sweet Peach. 
“Steve, Stevie… oh my god!” 
You clutched his hair, tugging sharply. It was too much.
“Oh my God. Please Steveeeee!” 
He raised his head, grinning as you fully collapsed, limp and spent. Your pussy was tender, your face flushed, your eyes gleaming. 
You were beautiful.
You looked at him and shook your head as he took you in his arms. 
“Are you mine?” 
“Yes,” you whimpered out. 
“I would die for you, Y/N L/N,” Steve murmured against your temple, panting. He held you tight, carding his fingers in your hair.
“I promise to keep you safe, and give you everything you need, I promise you that.”
“I believe you, Steve. I trust that.”
You and Steve stayed up late, ordered room service and talked about a lot of things, music, your parents, his friendship with Bucky, Nat, and Steve, everything.
You laughed and cried, and then settled back in his arms in the dark to sleep, his hand rubbing your hip as his breathing began to slow.
“Steve, can I ask you a question?”
It had been nagging at you for a while.
His sleepy voice answered you.
“Shoot.”
You chuckled.
“That’s just it. Have you ever… have you ever killed someone?”
Steve stirred, pulling you closer to him and moving his mouth next to your ear.
“Hmmmmm. I’d have to marry you before I answered that question.”
Your heart slammed against your chest and your eyes went wide in the dark.
“What?”
You tried to keep your voice even. You didn’t know what this feeling was that came over you. Steve continued, seemingly calm and not spiraling like you were.
“You can’t be compelled to testify against your spouse. It was a joke, Peach.”
You were silent for a good while.
“Oh.”
Steve stirred, leaning up against his elbow.
“Do you… are you saying that you want to get married?”
Steve thought about the ring that he had at his penthouse.
You laughed.
“Nah… what we looking like just up and getting married like that? We hardly know each other.”
“True. But when you know, you know.”
Steve kissed you and the small amount of logic in your brain was rapidly dissipating.
“Would it make us look crazy…?”
You could sense Steve’s smile in the dark.
“…Or would it be so beautiful?” He replied.
Steve wrapped you up in his arms and settled down again. Your mind spun as his breathing slowed to a steady rhythm and you spoke again. 
He was probably asleep, but you had to get it out.
“If you ask me, I’m ready…”
The light switched on and you were staring into the beautiful blue eyes of Steve Rogers.
——
I’m so anxious about this one! Please let me know how you feel? Reblog, comment, like. TIA!
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rafesbuzzcutseason · 2 days ago
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chasing city lights
chapter 11 - flatline
synopsis: you move to new york to start fresh, hoping to find comfort in the city’s atmosphere. that’s when you meet sarah cameron, where she takes you to a concert and you catch sight of the lead band member, rafe cameron. it only takes a moment for you to realize you’re captivated by him. as sarah helps you navigate your new life in the city, you start to get pulled deeper into rafe's world—the music, the fame, the chaos. the more you get to know him, the more you realise that rafe is not just the rock star he seems to be. he’s wrestling with his own demons, and the last thing he needs is someone like you getting close.
masterlist
cw: language
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after your day with rafe yesterday, the girls had so many questions and you told them everything, down to the song he wrote for you. what you didn't expect however, was that the song was going to be released in a few days time.
"i genuinely can't believe this," sarah started, "i mean him opening up to you? the commincation? the song? where is rafe and what have you done with him." she giggled.
"no y/n i don't think you understand the extent of this. like we've all been friends with rafe for a good 6 years, and i have never seen a girl have this affect on him before."
"guys stop you're making me think i'm some kind of miracle." you laughed with them.
"that's because you are a miracle." cleo joined in.
"so do you think you'll become official soon...?" sarah questioned.
"i don't know, the fans already think we are." you stated.
"the fans are fucking crazy. you'll get used to that i promise. when me and pope started dating everyone went bonkers over it." cleo reassured you.
"i guess so, it's okay i don't mind it, it's just getting used to seeing my face whenever i open twitter." you said. "whatever, we've got a flight to catch." you all finished your last minute packing and made your way into the car that was waiting for you outside the hotel.
part of you was sad to be leaving the state you had made so many memories in, but you knew heading back to new york all together was just the beginning for this new chapter for you and rafe.
once you made it to the airport, you found the rest of the boys who had left earlier as they all entered 'dad mode' and were getting stressed, john b to blame for that.
"finally you're here!" john b began as he saw you walk through the door.
"yeah thought we were gonna have to leave without you." pope said sarcastically.
"enough. we're here now aren't we?" cleo said rhetorically.
"yes ma'am" jj joined in, everyone was in agreement that cleo was the boss of the group.
you made your way to say hi to topper, who was slowly starting to become his usual self again, you assumed him and rafe had a conversation to try and clear the air.
but you eventually made it to rafe, who looked like his was patiently waiting his turn to get your attention, "hey you" he said.
"hey" you replied with a slight blush, "i didn't know you were actually going to release the song." you rushed out.
a look of concern took over him, "do you mind?" he asked worriedly.
"no! no i'm happy" you started, "but the fans are a little crazy."
"yeah i know they are and i should've warned you about that, but the best ones mean no harm and all you can try and do is ignore them." he replied.
"hard to ignore them when they're commenting on everything i post." you quietly said.
"i can say something if it really bothers you, okay?" he softly reached out to give your hand a squeeze.
"okay" you smiled at him, always putting you at ease.
"ok love birds pack it in," jj hollered "i don't think this plane is going to wait for us."
"whatever dude" rafe grinned, "ready?" he turned to you.
"ready."
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a/n: sorry guys i made this chapter a lot more smau, just as i had the idea to do the thread (which took me ages LAWD) and also wanted to get the song mentioned ! 5 points to anyone who knows the actual song and band🙈
taglist: @hoefordrewstarkey @marleymarleymarleymarley @bee-43 @cherryhoneybabe @skye-44 @drewrry @drewrry  @yesterdaysproblemm @pogueprincesa @dylsdaily @rafeysworldim19 @valyrianflower @kaiparkerwifes @judesgfirl @4urvalidation @chillgal135 @drewstarkeyslover @yesshewrites1@amterasuu@babykhloutofthisworld @blushmimi  @moonywhisp3rs @rafeysworldim19 @marleymarleymarleymarley@sabrina-carpenter-stan-account@vcnillafairy @bambii1i @sammyrenae68 @popou61
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essektheylyss · 3 days ago
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idk I kind of feel like I'm an idiot bc I actually enjoyed cr 3 from the jump to the end but like the blogs who follow bc I feel they are definitely more articulate and insightful than me are like "the whole thing was meaningless and pointless! matt fumbled everything!" so maybe I'm wrong to have liked it all? I'm not really sure where I'm going with this sorry
I think one thing to keep in mind is that many (and in fact, I would argue, most!) people who are critiquing the story and construction have also generally enjoyed the campaign as a whole! Certainly I don't know anyone who stuck it out through the end who did not overall enjoy watching it, for various reasons; I know there are people who hate watch, which I think is an absurd and honestly really stupid waste of time, but from my experience they are normally making snide and vicious tweet-length posts rather than long considerations of what isn't working for them.
There are also a lot of levels of critique—I've greatly enjoyed a lot of moments in isolation that I simultaneously felt weakened, contradicted, or even actively undermined the structure of the story as a whole, but those moments were still really fun and interesting beats. The Arch Heart's cameo comes to mind, as does, in hindsight, some of the construction of the post-Solstice split, but there are plenty of others of higher or lower impact on the story. In the finale the Raise Dead falls into this place very strongly, so I'm going to talk about it at length for a moment, since it was an absolutely stellar moment for me personally and as such I do think it serves as very illustrative of an example where I simultaneously fucking love a moment while finding it worth significant critique. I think it also touches on the critiques you're referring to, which I would summarize overall as the idea that many of the outcomes feel influenced negatively by pulled punches on the part of the DM rather than a flaw of one player or another. (Also, I want to talk about it cuz I love it. :3) This got very long but I think that to your point, it is worth examining in this amount of depth.
First, the good: it is an absolutely phenomenal culminating point of an arc that was only really concluded in summary; I have, as noted earlier this week, written at length about how Essek is never situated as a protagonist, which is functionally fine and even good. He ends up tied very strongly to Caleb's arc, and moves in the narrative in such a way after 2x97 that allows Caleb to reach a concluding note, and strengthens that narrative. So we only really hear about the outcome of Essek's choices, his inevitable leave from the Dynasty, in the summarization of the campaign 2 epilogue. This is not inherently a problem, because he is not a protagonist. But this moment does functionally create a material representation of that denouement, and in particular the tension between the outcomes of his poor choices and the better—potentially even good!—person he is trying to be as a result of the Nein's influence, which does strengthen his arc in its own right.
This moment also, hilariously, bears out my argument from this post. That the resurrection should only work with this intervention, particularly while the Nein are involved, does follow through on the Nein's general positioning within Exandria. Essek's leave happening without a fight (and, frankly, with only one attempted Counterspell) both makes for a very well-paced moment and also maintains the overall sense of story that the Nein impart when they are on screen; I'm thinking again of how their Ruidus episodes feel, much like their campaign and their post-campaign one-shots, like an intrigue action thriller series, and this fits well in that framing.
So overall, it is a fantastic moment... for the Nein. The Nein are not the protagonists of this story. They exist in the world, and are such active agents that they do continue to develop and exert motion on the narrative into this campaign, and frankly, I think this would have been fine if the party given ownership of this story and campaign did not abdicate their responsibility for it with unfortunate frequency. They do not exert a strong control over their story, which is at odds with the fact that the Nein do, and are present and also involved by the nature of their ending. It completely overshadows Ashton's heroic moment, in that the culminating action beat of this sequence is Essek getting away, which kind of takes the wind out of the sails of the Hells' involvement in the gods' outcome. It doesn't negate it, certainly, but it does refocus the story from them to, for some reason, Essek. So in this sense, it occurs at the expense of the Hells.
I find that while the handwaving of using dunamantic intervention to push Raise Dead beyond its limits (if indeed the reason it didn't originally work was because Ashton's brain was essentially gone) fits fine and even well within the framework of the Nein's story, and an NPC being able to do so without a roll is fine, since NPCs are vehicles the DM uses to guide the story, this is a significant divergence from the overall mechanics of the world at large; even the Nein had to do a full ritual for the resurrection of their tiefling. Matt put those mechanics in place specifically to create narrative meaning behind resurrections, which can feel very unmotivated and like a get out of jail free card in D&D, and while it's been noted that this would've really strained the runtime beyond its existing length, prioritizing it at the cost of, for instance, more truncated end notes for the Nein and Vox would've bolstered the Hells' presence in an ending to their own story that even many of their fans felt was ultimately lacking.
Giving the resurrection full weight would've also given Ashton's sacrifice and the Hells' involvement more narrative weight; the reason the other parties are involved at all is because the Hells were truly running on fumes by that point, but any lack of involvement this created could've been alleviated by having them directly involved through pre-established ritual elements that are not contingent on them having any mechanical offerings. So this moment sits within the context of critique that I agree with: that it felt like a pulled punch that ultimately also served to decenter the Hells within their own narrative, when it could've been used with more deliberate narrative force.
At the same time, I fucking love it, and watched it four times in a row yesterday, because it is so good—and it is, as I described, narratively and thematically coherent in one sense! And I think that is one issue of the campaign: many, many great moments are excellent and coherent in a certain framework but are weaker to varying degrees when considered as one piece of a larger whole. There are so many frameworks at play in this narrative, and not enough direct intervention to manage those as frameworks rather than as a single story, but at the same time, I think those frameworks are far more apparent if you're really looking for them, and that's much more difficult, if not impossible, when you're in the midst of them and telling the story.
I also don't think this means one cannot critique this; in fact, I would say this is more an issue of being a serialized narrative than an improvised one, which is often how critique of it has been pushed back against within the fandom. I was thinking about this as I'm currently in a course on, quite literally, how to critique comics, and we discussed this week how Marjane Satrapi said in an interview after making the film adaptation of Persepolis, which was first a serialized comic, that she ended up preferring the film, and I speculated that was because with a film, one has the ability to make a more cohesive narrative purely by virtue of the fact that with a serialized form, you cannot go back and make retroactive edits when new developments come to light. This is something that long-running comics must constantly navigate (as do many long TV shows), and in extreme circumstances such as decades-old comic franchises, ends up resulting in infinite timelines and hand-waving, which becomes so ridiculous that at this point it's a meme. In that scenario, though, it is not presented as a non-contradictory story, let alone a cohesive one.
Many of the critiques of campaign 3 are operating within the idea that this is presented as one overarching narrative. (And honestly, comics and other narratives that don't utilize that presentation are also still critiqued on that merit by people who greatly enjoy the texts they're critiquing anyway.) Within that context, I feel that the framing of the Raise Dead, as well as much of what would be my critique of the other pieces I referenced (the Arch Heart's cameo and some of the party-split sections) if I was to do the same kind of rundown of those, actively undermine this presentation by introducing and forefronting too many conflicting frameworks that are not interwoven well enough to create a single, cohesive overarching narrative.
This is a very long-winded way to illustrate my point, which is that I would really encourage reading critique not as a lack of enjoyment of the campaign, let alone a suggestion that no one should've enjoyed it (and if you did, then you're not smart enough to know better), but as a way to engage with the text(s) as presented within one framework or another. I think this is sometimes obscured in online fandom spaces, where we're not engaging in critique in as formal of a sense as one would in, say, an academic setting, where the norms generally dictate the framework one is using is explicitly stated if not fully delineated within the critique, but it is, more often than not, still implicitly present within the critique.
And as a final note, I would also really urge everyone reading others' opinions on something they enjoy to resist the urge to elide their own opinions from the conversation, even if you don't feel as articulate or as well-versed in critique. Critique is a trained skill, so it is certainly something one can pick up if they are inclined, and at the same time, someone doing it does not mean they are inherently right—and in fact, with all argumentative writing, it is up to the reader to consider the argument and decide whether or not they agree with it. (You can decide that you disagree with me about the Raise Dead! Just because I wrote a thousand words on it does not inherently make my interpretation truth; it's just an interpretation. You get to say whether or not you think my interpretation makes sense based on the evidence presented.) Even here I'm using the framework of some critique that others have made, but I don't delineate in full myself. In doing do I'm not presuming that you agree, but I am presuming that you've read it and know what I'm referring to. Strictly speaking it's also not even saying that I take that critique as true; it's saying that I feel the conclusions drawn are applicable as a basis for my argument. If you wanted, you could even say that you feel that my argument is irrelevant to you because you don't feel those critiques are true! But you ultimately do have to be the one to decide any of that, which does involve a balance between a confidence in the formation of your own opinions on the text and an openness to entertaining others'.
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genderqueerdykes · 3 days ago
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This feels almost stupid to say but it feels useless for me to try and be taken seriously as a non-binary person in my day to day life. Everyone sees me as a girl. I will always be a girl to them. And even in the queer community I feel scared because I was a girl in my childhood and I feel like that makes me less valid, like my existence makes a laughing stock of people who deserve better. I tried to be a girl and I felt wrong, I tried to be a boy and it felt wrong...
I also. This feels really selfish to say but I get sort of...lonely? Sad? When I see things about trans men and trans women that don't include non-binary people, or when trans men/transmascs and non-binary people are lumped together. Makes me feel invisible, but at the same time makes me want to just...stop trying. It feels bad. So bad.
i'm sorry that you've been made to feel that way, it really sucks and i get it. people really do just only focus on trans women and trans men if they do acknowledge both binary genders and not focus on one or the other. i understand that theres a lot arguing going on between trans men and women right now but people are just totally forgetting about other genders, or like you said, lumping everything together
i can relate in that i never see mentions of genderqueer people in positivity posts at all unless myself or another genderqueer person wrote them. i feel there's the same going on with nonbinary as well. even though it's more well known, i feel like people don't treat nonbinary people any better. for whatever reason people assume nonbinary means quirky cis girl and it's like why are we still doing this. why are we still hurting people. why are we still misgendering people. why are we still willing to be misogynistic as hell to people we interpret as women, anyways? how is that okay? even if you were a girl why would it be okay to treat you like that?
people are just very open about how they don't see nonbinary people as real queer people and its exhausting. i'm sorry you're going through that. i know i don't talk about the broader gender spectrum enough and i really need to. it's like other genders are being pointedly left out for the sake of having something to argue about. it's not okay. i hope things improve soon. you're nonbinary no matter who you are or how you identify. nobody has the right to tell you who you "really" are or how you identify. take care of yourself
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cometconmain · 2 days ago
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Wired is paid subscription only but I found someone on Reddit who posted the full text for everyone. (Sorry to anyone with screen readers, this is A LOT to type on my phone. I'll come back later to add it in when I have access to my computer.)
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Here are some other articles I've found talking about it as well.
https://www.reuters.com/world/us/young-techies-underpin-musks-drive-slash-size-us-government-2025-02-05/
“I’ve been furloughed, I guess?” said one contractor with 15 years of experience for the bureau for humanitarian assistance, where she had helped coordinate urgent responses in Ukraine, Gaza, Somalia and Latin America. “I don’t know what my status is but I don’t think I work here right now.” By Monday, Kliger wrote an email to all staff at 12.42am to tell them not to bother coming into the building that day.
The incident has illustrated how Doge employees with Musk’s backing were able to override USAid leadership and bypass government procedures for accessing restricted areas with classified materials, fueling criticism that his agency is a national security risk.
“Did Secretary Rubio allow this kind of access by Musk’s employees?” asked Kim. “It worries me about USAid but if it’s happening here, I’m guessing it’s probably happening at all these other national security agencies.”
Formally, Rubio has delegated responsibility to Marocco, who has been pressed by congressional staffers to give details of the changes affecting USAid and the $40bn in foreign aid it manages each year. “The question at hand is: who’s in charge of the state department?” Senator Brian Schatz told the Guardian. “So far the answer has been Pete Marocco.”
Doge did not respond to questions about what security clearances, if any, the engineers held. “No classified material was accessed without proper security clearances,” wrote Katie Miller, a Doge spokesperson, on social media. But Scifs are regulated by a strict protocol and it is unclear who could have verified the Doge employees’ credentials and filed the necessary paperwork to allow them to enter.
Inside the building, staffers said that Doge cultivated a culture of fear. “It’s an extreme version of ‘who do you trust, when and how?’” said Kristina Drye, a speechwriter at the agency, who watched dozens of senior colleagues escorted out of the building by security. “It felt like the Soviet stories that one day someone is beside you and the next day they’re not.” People started meeting for coffee blocks away because “they didn’t feel safe in the coffee shops here to even talk about what’s going on”, she added. “I was in the elevator one morning and there was an older lady standing beside me and she had glasses on and I could see tears coming down under her glasses and before she got off her elevator she took her glasses off, wiped her eyes, and walked out,” she said. “Because if they see you crying, they know where you stand.”
(Btw I want to make it very clear I'm reblogging this because it's just their names and I'm not aware of or intending to support any address sharing because that would be doxxing which is unacceptable behaviour, especially when we want to make a world where collecting, sharing and using someone's personal data without their consent at all let alone to harm them is unacceptable behaviour. Their names are apparently easily seen on their own social media profiles as of this date, so it looks like their names are not currently private information. Their families also don't deserve to be harassed or attacked for these peoples' behaviour, so I don't support that either.)
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These men just stole the personal information of everyone in America AND control the Treasury. Link to article.
Akash Bobba
Edward Coristine
Luke Farritor
Gautier Cole Killian
Gavin Kliger
Ethan Shaotran
Spread their names!
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beedreamscape · 2 days ago
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This has to be the last thing I say on C3 finale because otherwise, I will not stop, it simply baffles me in its mediocrity. And obviously, this will be negative, if you loved it, good for you, this is my takeaway as someone who loved this campaign and was severely let down.
This finale changes everything that came before and not for good, better yet, it emphasizes all the faults in the structure of what c3 tried to be, it made most of the campaign feel like a true exercise in futility — How far can we go in a campaign that is meandering and unsatisfying? How long can we have the same discussion over and over and over again despite everyone knowing how this will end? How long can we drag out characters that don't change without anyone noticing? (spoiler everyone noticed)
Can't say I was emotionally invested in the finale because I tapped out back in the 70s, came back for Aeor/Downfall shenanigans, and left again. But in experiencing the finale something became clear to me:
THIS STORY NEEDED TO BE SHORTER.
WITH ANOTHER PARTY AT THE HELM.
If the objective from the very conception of C3 was to wipe out the gods, that had to be clear from the very start. And it wasn't clear, at all — not in the characters, not in the starting city, not in theme. This was a completely different campaign at the start! That clarity was what made Calamity so great, it was short and precise, and every pc SERVICED THE THEME, filled with hubris and contempt, not to mention the setting.
Even Ludinus went in circles for convenience of the campaign length and became a weaker opponent for it, more of a nuisance than a villain. The threat he posed at episode 50 was much stronger than now at 120 something. The battle against Otohan was more nail-biting and emotionally engaging than fighting Ludinus and Predathos, a god eater!!!!
This campaign would've benefited from three to four acts instead of one overarching objective like the past campaigns because urgency is the name of the game and we can't carry urgency for 70 episodes straight (and they didn't).
The constant inclusion of the other parties made it clear how easy it was to detach BH from the story, how easy and fun it was for them to tell it through another party's eyes (one of the main reasons why I walked away back when I did, but that's more of a personal preference).
Which is not to say Bells Hell's didn't deserve a long story! They could very well have existed in a more intimate campaign which these characters were clearly built for! Their premises begged for closer looks in slow moments, something tragicomical, exploration of the inner world while developing MARQUET and its microcosm of injustice and politics which was left in the dust mid-campaign (pun intended).
And I'm not suggesting this just for our enjoyment, I know it's them playing and their enjoyment comes first blah blah, though this is a multi-million company therefore their jobs but this would contribute to their enjoyment! You could see several moments in the campaign how tapped out they felt and acted. I doubt it was "fun" discussing the gods situation ad naseaum, trudging through landscapes they barely cared about, with empty arcs.
I could nitpick every fault I see in the finale but it would be pointless, these issues have been dragged from ages ago and poor character matching, and now this is a culmination of everything and it barely fazes me anymore.
(And yeah it's their game and it's "free", but that doesn't undermine its weight as a story, stories were made be analyzed, and it was a poorly structured one no matter how much I still like and admire them as people.)
WHICH is not to say I had no fun at all ever, I did! several times! and that's what makes me upset, it could've been great instead is just meh.
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copperbadge · 2 days ago
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as a youngin, following ur blog has eased a lot of my worries about getting older, participating in fandoms, and other things like that. plus there's cute cats and good food, what's not to love? :D thank u for sharing a bit of ur life with us!!
I'm so glad to hear it! We're in this kind of odd place where fandom is incredibly accessible, much more so than it ever has been previously, but that also means certain things get lost. When you're a young person in a small community that mostly exists in brickspace, you get to SEE your elders and interact with them -- the way you joined fandom prior to the internet was often tagging along with a parent, or an older person you met at a fandom event you happened to stumble across. I wouldn't go back to that for anything but I do think the sense of "I have elders, and someday I can be an elder" gets a little lost.
And also, you know...it's okay to drift a little from fandom too. When I was younger I struggled when I lost interest in one fandom and joined another because I was worried I'd lose the community I'd built, but now I know that within fandom even if you don't share a canon anymore, there are usually people who will stick with you, people you stick with too. I haven't actually had a fandom or posted fanfic in a couple of years but I think it's still very evident that it's my community, even if I'm not as active in many parts of it as I was. I'm still kind of adjusting to that, as well, but I'm a lot easier about it in my forties because of the learning I did about community in my twenties.
I want fandom to be a good place for you so I'm happy I can be a part of that! And your only job is, when you get to be my age, to do the same :)
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theconstitutionisgayculture · 17 hours ago
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It's Time to Put Hitler to Bed
Over the last 20 years it's become increasingly common when talking about western politics to try and tie the political opposition to Hitler. It goes beyond Godwin's Law at this point, because it's no longer just in internet phenomenon. It happens in real life. In real conversations and real debates. All sides do it. No issue is safe. And it's beyond ridiculous at this point. It needs to stop.
So let's just stop talking about Hitler altogether when it comes to western politics.
He's dead. He's gone. His ideology died with him. Yes, you read that right. National Socialism is dead. It was a very specific ideology with goals and aims beyond being racist and hating Jews. Nowhere on Earth is there a serious National Socialist party with any political power or any chance at gaining any. Modern day neo-nazis are nothing more than edgelord racists desperately trying to grab some of the "shine" Hitler has with other idiots for themselves. They're awful. They're racist. They should grow the fuck up. But they aren't nazis. They aren't storming government buildings and they aren't winning political office. Most of them aren't even committing crimes. They're just sitting online or in a basement somewhere snort-laughing like Bevis and Butthead while they whisper "k*ke" and "n*gger" to each other and post pictures of ovens with captions like "where the Jews go". How basic and boring. They are beyond lame, and it's long past time we stop bigging these people up like they're some huge existential threat to humanity itself. They're not. They're just pathetic losers who have no power over anyone, not even themselves.
Does this mean we should forget the Holocaust? No. Of course not. We should always remember what Hitler did. But if we don't take the right lessons from that dark era in human history, then we might as well forget it because misremembering, on purpose or by accident, is just as bad as forgetting.
Hitler was an evil man who did evil things. He is a cautionary tale to never let rhetoric overwhelm your better nature. He is a warning of what happens when you give into hate out of fear or anger. But that's it. He does not influence anyone with power. Not in the west. No one in the west is actually trying to be like Hitler. And as evil as Hitler was, not everything he did was automatically evil just because he did it. And that right there is the main problem with the modern trend of accusing everyone you don't like of being Hitler. Hitler did a lot of things. He woke up. He ate breakfast. He fell in love. He breathed air. He got dressed. He gave speeches. He liked art. He was a human being. I don't say this to downplay the evil things he did or to try and create sympathy for him. But surely you can easily see how literally every single person on Earth has something in common with Hitler just by virtue of also being a human being, yes?
Hitler was also a politician. Which means that, yeah, every politician is going to have a position that's at least similar to something Hitler proposed or enacted in his political career. His views and platforms ranged far and contain things that are both left and right wing. Things which, in the hands of someone other than Hitler, most likely would not have led to the Holocaust. Because the Holocaust is an evil that was unique to Hitler. He baked genocide into his ideology, then codified and streamlined it after gaining power. His was a cold and inhumane calculation that only the Aryan race as he defined it was worthy of life. That every other race, everyone who didn't fit his idea of purity, must be killed to preserve his Master Race. There have been other genocides before and since, but none quite as industrialized and far reaching. And, in the west at least, there is no one with any power who wants to reenact anything that even comes close to the Holocaust. Not even that politician you really hate. Not even that activist group that promotes that awful ideology.
All accusations of being Hitler, or like Hitler, do is muddy the already opaque waters of modern western political discourse. And people are so bored with Hitler comparisons. He doesn't evoke the same emotional reaction he did even 20 years ago because, by this point, everyone even remotely active in western politics or political commentary knows someone who has been accused of being Hitler or a nazi, if they aren't that person themselves. It's become little more than the (supposedly) adult version of "I know you are but what am I?" It's meaningless, it's dumb, and everyone needs to stop doing it.
Stop making posts about how so and so is just like Hitler. Stop re-tweeting/blogging/posting them. Stop bringing Hitler's name into discourse at all. Stop arguing about whether or not National Socialism is right or left wing. Stop pretending that superficial similarities to Hitler or one of Hitler's policies is absolute proof that an ideological opponent is evil.
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