#i already have issues with how i worded things but

[archangeldyke-all]

Oh man I have ideas..

Sevika has a home back in Zaun but she has to have an apartment in Piltover because of councilor duties until she fully adjusts to topside and accepts the insistent offers of a manor. Imagine being her wife and just helping her relax after her first day, cuddling and all that whilst adjusting to the fancy apartment bigger than your old house.

Or..

Sevika taking her wife out for a walk in Piltover, admiring more of the garden as the plants grow upon new soil. A talk about the future whilst holding hands.

Or..

Them renewing their vows, having that damn fancy wedding of the dreams.

Toodles!!!

EEEEEEEEK okay lets do some councilor sevika (also isha and jinx are still alive in this story because i said so. she doesn't need to suffer so much to still be an incredible leader. give her her girls!!!)

men and minors dni

you were the first person approached about sevika representing zaun in piltover's new council post-war.

you were a little concerned to find councilwoman shoola and three members of her personal guard on your front stoop-- and for just a moment you had a flash of anxiety that she was here looking for jinx or isha.

"councilwoman. hello." you say, still surprised. you've met the woman a few times before, both of you attending various re-building efforts around the undercity. she holds up a hand.

"please, dear, we've built a bookshelf together, you've seen me at my lowest. you can call me shoola."

"h-how can i help you counc-- shoola?" you ask. she smiles.

"i'm here regarding your wife."

you frown. "...is she in some kind of trouble?" you ask, already mentally planning how to worm sevika out of her trouble. the councilwoman chuckles.

"quite the opposite, actually. i'd like her to join the council... as an ambassador to the free nation of zaun." she says.

you nearly shit yourself at her words-- sevika's life work casually mentioned like it's just a sidenote. "the-- free?" you ask.

she smiles. "while the deaths of the other councilmembers in the war was a horrible loss, there are some issues i could never get my late colleagues to agree on. now, though... i've been given full authority to reorient the power structure of the council to avoid anymore kirraman's taking over-- and i've always been of the belief that zaun should be free."

"and w-what... you want to arrest jinx in exchange for it?" you ask.

shoola chuckles. "no."

"y-you want isha?" you ask. shoola laughs again.

"what could i want with a child? no!"

"so... what do you want?" you ask, your voice shaking as the reality of the situation sinks in.

"i just want your help talking sevika into the job. i know she can be... stubbo--?"

"bullheaded?" you guess as shoola searches for a kind word to describe sevika's stubbornness. she chuckles at your description of your wife and nods.

"here." she hands you a stack of papers. "i've outlined the full responsibilities of the job. as well as the benefits she will receive for serving. please. look it over and talk to her, would you?"

you do.

it's an excellent proposal.

as the undercity figures out how it wants to self govern, piltover will fund zaun's public infrastructure as if it's their own-- meaning that the undercity will, practically overnight, have access to things like clean water. and schools. and welfare. they will provide these services for up to fifteen years as zaun finds it's footing.

the position outlined for sevika in piltover's council is a way to assure piltover doesn't back out of their promises-- that somebody is there to call them out when they try to cut corners in helping the young nation of zaun find it's footing.

and, while your wife might miss the more physical aspects of her old work, you can see her chewing out some stingy old councilors for their greed in your minds eye, and you can't help but smile.

"what're you smilin' about?" sevika asks.

you jump and slam the folder in front of you closed, blinking up at your wife.

she's back from her meeting with ran, scar and jericho. the four of them have grown close in these past few months as they coordinate rebuilding efforts for various neighborhoods across zaun. you have to gulp, trying not to get dizzy with the possibilities of what sevika's job offer means for them as a team. as team zaun.

"h-how was your meeting?" you ask. sevika raises an unimpressed eyebrow at you and you huff. she sinks across the table from you, easily pulling the folder out of your grasp.

"meeting was fine. the elementary school bein' built in firelight's territory is almost ready to open. first school in zaun." she says with a smile. "now, what were you smiling at?"

"i was approached by councilwoman shoola this afternoon."

sevika raises an eyebrow at you. "did you two try to build a chair this time?" she teases. you groan and kick her shin, before tapping the folder in her hands.

"no. i was asked to convince my stubborn-ass, incredibly loyal, strong, beautiful, hard-fucking-headed wife to join the fucking council."

sevika blinks. "what?"

"they want you in the new council. serving as an ambassador. to the free nation of zaun, sevika."

sevika blinks again, and then she rips the file open, her silver eyes flying across the confidential text. "the fr-- the free nation of zaun?" she asks, her eyes flying up to yours to confirm. you grin and nod.

sevika flies out of her seat and crawls across the dining room table to reach you, tears flowing down her cheeks as she kisses you like her life depends on it.

you're there when shoola and sevika finally sit down to discuss the opportunity. shoola's the first piltoverian to not turn her nose up at the messy state of your small home-- she even grins at the sound of jinx and isha bickering from their bedroom. "you two have made a lovely home for yourselves, here." she says, sitting down at the table and jumping a bit when a toy squeaks under her bum. "i can almost see the love leaking out of the wallpaper."

"could be black mold." you whisper. sevika and shoola both sputter surprised laughs.

"sevika. have you considered my proposal?" shoola asks.

sevika sighs and nods. "i have a few conditions before i agree." she says.

this surprises you. as if the prospect of representing a free zaun isn't tempting enough, you saw the salary sevika's being offered. it's the kind of money that could buy you a house big enough that all four of you could have your own bathrooms.

(secretly, though, you hope you live in a tiny house forever. you like tripping over your family-- being within reaching distance at all times.)

"first. i'd like you to assign me the budget to employ three of my trusted confidants as advisors. i can give you their identities if you'd like, but i give you my word that they're good peo--"

"done." shoola cuts sevika off, scribbling a quick note in her journal before looking back up at the pair of you with a smile. "what else?" she asks.

you smile a bit. sevika blinks, then gulps. "jinx and her little friend ekko get a full ride to the university up top. they're incredibly gifted, and with a little proper education they could advance zaun--"

"you don't have to convince me, i remember how the war went. without them, we'd all be dead. i can arrange that."

"i don't want to leave zaun. i can't represent these people if i'm not living here. i'll need a car to get--"

"would you like a personal vehicle or a driver each morning and evening?" shoola asks.

sevika blinks. "a-a driver." she says, a little shocked.

"anything else?" shoola asks.

sevika nods. "o-one last thing." she reaches over to grab your hand. you have no idea what she could possibly want beyond what she's asked for-- she's taken care of her friends, her family, and her transport.

"anything." shoola says. you think the woman might mean it.

sevika looks down at her lap and sighs. "we... we never really got married." she says. you blink, not at all understanding why she's telling the councilwoman this. "i mean... we had a party and we exchanged vows," she says, a smile tugging at her lips. you squeeze her hand and her eyes flick up to yours, before shyly darting away like you guys haven't been married for a decade now. like you guys don't have two kids together. "but we never... nobody gets married in zaun. 's expensive. the trip up to the justice is too far. and..." sevika gulps, her voice getting shaky as she looks back up at you. "and you're the reason i've fought so hard for our home in the first place." she whispers.

tears start to well up in your eyes and you let out a shaky laugh. "what, 're you proposing to me again?" you ask. sevika snorts and shakes her head before turning to shoola. the woman's drying her own tears.

"will you arrange to have us married? officially?"

"i'd be honored." shoola agrees.

the wedding is small and intimate, you and sevika, jinx and isha, vi, ran, scar, jericho, and shoola.

the councilwoman took you to a beautiful little garden a few blocks away from the council, and she married you, officially, as the sun set and your girls threw handfuls of confetti into the sky.

your whole party marches through the streets of piltover and back to zaun for the afterparty, councilwoman shoola laughing happily as you introduce her to the zaunite tradition of barcrawling.

each bar you enter, jericho happily announces that you and sevika have been freshly married. sevika, being the new spokeswoman of zaun, is quite the celebrity now. all of this is to say, you spend the night drinking many free drinks, hugging many drunk strangers, and kissing your wife on request about a thousand times.

it's the best night of your life.

taglist!

@fyeahnix @lavendersgirl @half-of-a-gay @thesevi0lentdelights @sexysapphicshopowner

@kissyslut @chuucanchuucan @badbye666 @femme-historian @lia-winther

@sevikaspillowprincess @emiliabby @sevikasbeloved @hellorai @my-taintedheart

@glass-apothecary @macaroni676 @artinvain @k3n-dyll @sevsdollette

@ellieslob @xayn-xd @keikuahh @maneskinwh0re @raphaellearp

@iamastar @sevikitty @mascdom @nhaaauyen @annesunshiner

@mirconreadzztuff22 @veoomvroom @lushh-s3vik4s @katyawooga @lesbodietcoke

@lavandasz @strawberrykidneystone @sevikasfan @fict1onallyobsessed

[harmonysanreads]

hi! i love the way you write aventurine, could you give me some tips on writing for him bc im struggling her to grasp his character :(

if you don’t have the time then that’s alright!

Hello, nonnie. Thank you so much :') Since you didn't mention whether this was in the Yandere context or not, I'll list some general tips. I hope you find these helpful!

— FOR BASIC CHARACTERIZATION

One of the most important aspects of Aventurine is that he's insanely smart, but they always sign it off with luck at the other side of the equation. This is intentional of course and whether or not luck really is the ultimate deciding factor isn't really the question we should be pondering about for a video game. Everything Aventurine does is through careful strategizing, scheming and calculating. What you need to remember is that ‘luck’ is more like a protective layer on top of it all. When deciding upon a plot, try your best to keep Aventurine's intelligence in mind. Then you can seal it off by using ‘luck’ in classic Aventurine style, or use dramatic irony with this point.

I think, for Aventurine, having a reader who surprises him is very convenient. It doesn't need to be a head-on challenge, sometimes the strongest impressions are made through silence and passivity. Remember, Aventurine is an incredibly observant character. For example : when he offers the Trailblazer ten thousand Credits after their first encounter, if you refuse politely, he becomes extremely pleased, as opposed to his somewhat miffed reaction if you pick the other option.

As you know, he's often partial to extremes. His ‘all or nothing’ motto can be useful to stir inner conflict.

Body language is very important for building his character. Instead of writing a whole paragraph about how beneath his bravado, he's always scared of losing, they conveyed much more through revealing the fact that he hides his left hand behind his back during all daring gambles. Aventurine isn't the type to be upfront about emotions that can make him vulnerable — that's detrimental to survival. So I think you can reveal those emotions through body language.

He's a very... unconventional gambler. His tendency to pose things as gambles and bets is more like a shield than anything. In any case, it makes for a great tool in adding drama.

— FOR DIALOGUE

Aventurine is a pretty complex character so I often forget certain things if I don't stay in practice, listening to his voicelines really helps me get a quick refresh in those cases. There's this channel on YouTube that compiles the characters' scenes individually, it's very helpful.

I think we all can agree one of Aventurine's greatest strengths is how he weaponizes words against others. There's more to this though. Be mindful to the upward and downward inflections in his sentences, the pauses between phrases and which words he's putting emphasis on.

He's also an interesting mix of straight-forward and roundabout. He says he prefers people to be direct and he often is direct himself. But with his ‘insults’ in particular, he's very roundabout. By the time you realize what he just said, it's already too late to shoot a comeback and he has you exactly where he wants.

— MISC. TIPS

Keep his backstory in mind and be respectful to it, but don't let it stop you from experimenting.

He has religious trauma, survivor's guilt, trust and commitment issues, as well as a complicated attachment style. Do you research on how these things affect people in relationships.

Aventurine's arc hasn't ended, which is why many things about him aren't definite. Consider how you might use it to your advantage.

[existential-crisis-of-the-mind]

Love Language (Jason Todd x Reader)

Prompt: Jason Todd with a gift giving love language

Jason Todd wasn’t the best good at- capable of expressing feelings of affection. Maybe it was just a byproduct of having skipped most of his adolescence, what with the interruption of being buried alive then resurrected in green goop. But whatever, maybe that was just speed running his character development.

What’s not so nice however, is that he’s missed out on those teen years of fumbling through relationship firsts. Sure, maybe they’d be awkward, and he’d look back and laugh at those memories today. But part of him feels like those adolescent years would be far more forgiving towards hesitant confessions and embarrassing slip ups.

Now he’s having to navigate it all as an adult. Unfortunately, it’s not all smooth sailing for Jason, what with his twin quest for revenge and justice blocking out most of his schedule.

The thing is, he has no issues knowing what affection should feel like. He’s experienced the butterflies in his stomach, his throat lodging up because he’s afraid he’ll say the wrong thing, sneaking glances and immediately averting his eyes when he gets caught admiring you.

He’s experienced the pre-date nerves, having to stare down the mirror to convince himself he’s got this (why is it so much easier to punch a bad guy then tell you that your hair looks nice??)

And he’s also experienced the post-date embarrassments, replaying moments where he felt like a total dunce cause of something he said without thinking (he swears up and down he was not being raunchy when he said he likes sleeping with you. He meant it in the literal sense! Your presence helps lull him to sleep)

No, he definitely has no issues in experiencing sentiments of love and affection. But man does he struggle expressing said feelings.

He’s not sure he’s the best at communicating his fondness towards you. At least not with words, given his tendency to put his foot in his mouth when it comes to matters of the heart.

He’s come to realize while he may not be the best with words, he’s a good listener with a keen eye for detail.

Er- okay, perhaps he could have a keener eye for detail, but hey a man’s gotta have his Achilles heel right?

And that is exactly why he’s stood in the living room right now, with three different pairs of vintage sunglasses neatly laid out on the coffee table in front of you.

His stiffens a bit at your questioning gaze before clearing his throat.

“So, do you remember last week, when you were helping me out with groceries and we passed that vintage charity shop on the way back to my place?”

You do have a vague recollection of passing by a well decorated store selling accessories and other Knick-knacks. You nod as you briefly recall pointing it out to him.

He takes your nod as a sign to continue, “Right so, you had pointed out the store, and I recall you admiring a pair of sunglasses at the window display… you said you’d buy it when you get your next pay cheque. But I thought I’d surprise you with it instead”.

Right, well you are surprised, so that bit was accomplished. Though you can’t help but note how he talks in terms of a singular pair, yet there are three (very stylish) pairs of sunglasses in front of you. So you were surprised and confused.

You look back at him, the question on your lips. But the slump of his shoulders and grumbled huff escaping him tells you he’s already figured out what you’re gonna ask.

“Now look, I remembered the shop… I just couldn’t recall which pair you were talking about. So I- uh, I bought all three of them”.

‘Great. Now she’s gonna think I’ve got the memory of a goldfish and make poor financial decisions’

Jason barely suppresses a groan at the thought, averting his gaze in embarrassment.

“Look I think you’d look good in all of them, so yeah… I mean at the very least you like one of them right?” He asks, his voice faltering towards the end as he begins to doubt whether this was a good idea to begin with.

You barely suppress a laugh at his predicament. Of course he’d do this. Instead of just asking you, he’d rather just buy all three pairs to surprise you.

Your mind flashes back to all the times he’s voiced concern that he’s not expressive enough of his feelings towards you, worried that it would drive a rift between the two of you.

But you know that’s not true at all. He does care, he cares a lot. He’s just got a different love language, one that fits him all too well.

You shake your head with a smile as you rise up from the sofa, walking over to engulf him in a tight embrace.

“You’re such a goof you know that?” You mumble against his shirt. Jason mutters in protest though he wraps his arms around you without missing a beat.

You lean back to see his face, a bright smile adorning your features, “Thank you I love them, all of them. And I love you” you declare before pecking his cheek.

A short laugh escapes him at your actions. He takes a moment to drink in your happy smile before proceeding to flick your forehead.

“Ow! What was that for?”

“I’m no goof”

“Oh you’re not? Is that why you technically bought one pair of sunnies for the price of three?”

He rolls his eyes at your teasing, deciding not to respond lest he implicates himself further.

So maybe words of affirmation aren’t his thing, and maybe it will take him a bit longer to respond back with ‘I love you too’.

But that’s not to say that Jason Todd isn’t completely and hopelessly smitten with you.

—————————————————————————

God he’s so fun to write, a total deer in the headlights when he’s in love.

Should I try this with other love language prompts? Lmk if you have any suggestions!

[warblogs17282]

Have some more reasons why I think Moxxie and Stolas have the potential to become friends at some point.

Daddy Issues - Having your life already be decided for you.

Moxxie was the child of the leader of the mob family, Crimson.

From when Moxxie was young, Crimson made sure to show Moxxie that if he ever disobeyed him, that he would kill Moxxie, effectively forcing Moxxie into the mob life, forcing Moxxie into the life he has planned out for him.

And well, the episode makes it pretty clear for multiple reasons why Moxxie hated being forced into the mob life, but I think the moment in the prison is the best example I can show you all. The scene where Moxxie is happy and grateful towards Blitz because Blitz is saving him from Crimson, because Blitz is saving him from being thrown right back into the mob life once again.

"Once I got out, I never looked back."

Moxxie never looked back in the direction of the mob life.

As for Stolas, he's the son of the king Paimon, born into the Goetia family as a prince.

"it is finally your day of becoming a true part of the Goetia family."

"Would that distract you enough from your non-negotiable future marriage?"

"Also, son, you are destined to sire a precautionary addition to the Goetia family. So, you are now engaged."

Paimon's usage of the word destined can tell us that this was planned out in advance, and the usage of 'true part of the Goetia family' makes me feel like Stolas wouldn't be considered a 'true part of the Goetia family' if he refused to marry Stella, if he refused to sire a precautionary addition to the Goetia family. We don't exactly know what consequences that would entail for Stolas, but I can only imagine that the consequences would be quite bad.

Which in turn, effectively puts Stolas under metaphorical gunpoint to do his duties, marry Stella and sire a precautionary addition to the Goetia family. Therefore, having his life already decided for him, and his father forcing him into this life he's planned out as well, especially considering Paimon literally says that the future marriage is non-negotiable.

And well, it's very clear that Stolas doesn't want to marry Stella, just look at how Stolas reacts to seeing the picture of Stella.

Which gets me nicely onto my next section,

Daddy Issues part 2 - Arranged/Forced Marriages.

Now sure while the forced marriage to Chaz ended up falling through big time, and that Moxxie is married to the person he loves, Moxxie still had a brush with an arranged/forced marriage in s2 e3.

Crimson is quite literally physically forcing Moxxie to marry Chaz here, because at this point, Crimson still thinks the marriage will benefit him and the mob he runs.

And well, I just explained that Paimon put Stolas under a metaphorical gunpoint to marry Stella, aka, forcing Stolas to marry Stella, to go through with the arranged marriage to be a 'true part of the Goetia family'. With the benefit to the Goetia family and Paimon being the birth of a precautionary heir.

Again, this line from Paimon.

"Would that distract you enough from your non-negotiable future marriage?"

Daddy Issues Part 3 - Physical Abuse

It's pretty clear that Moxxie was most likely physically abused by Crimson, mainly because as both a child and an adult, Crimson just straight up grabs Moxxie's face to force Moxxie to look at him while he's speaking, there's other things that point to Moxxie likely being a victim of physical abuse, but this and the thing I'm about to show you are the bests examples I have.

There's also Crimson threatening to kill Moxxie if he disobeys him, but that's something I've already talked about in this post, so let's head to my next example.

In the flashback, we see Crimson literally committing domestic violence against Moxxie's mother, and Moxxie also witnesses this as well. With this further showing that Crimson is very much willing to commit physical abuse in order to make people stay in line.

While we don't exactly know how present Paimon was in Stolas' life (although everything points to him being almost never present in Stolas' life so far), what we do know is that Paimon is also quick to hit Stolas to keep him in line, with Paimon hitting Stolas on his head because he bowed to an imp, someone much lower than him in the hierarchy.

Plus, it's been made quite clear to us that Stolas was also the victim of domestic violence at the hands of Stella for years upon years, with Stella's reaction to Stolas catching her hand during this scene being all the proof we need of that claim.

Generally Absent Mothers.

Moxxie used to have his mother in his life as a child, but other than a few flashbacks and a painting, the show makes no mention of her, and I believe this is because she was murdered by Crimson.

I want you to look at her shoes during this scene.

And at a later point of the flashback sequence, a shoe floats up that appears to match (although the black lines on the bowtie of the shoe are different between these two scenes, but that's probably just an animation thing) pretty much perfectly, making the theory that Crimson killed Moxxie's mother pretty likely to me.

As for Stolas, we don't exactly know anything about Stolas' mother yet, but she hasn't been seen or been mentioned at all, so at this point in time I'm guessing she was just never in Stolas' life.

Finally, we have,

Gaining the courage to stand up to their abusers.

So in conclusion, while Moxxie and Stolas have had very different lives and upbringings, I do believe that there's quite a few common points between Moxxie and Stolas that I've just mentioned they could relate to each other about, which could be a factor in Moxxie and Stolas becoming friends at some point down the line, if the show chooses to go down that route.

Of course there's also the fact that Moxxie likes musicals and Stolas would be likely to also enjoy musicals as well, giving them an activity they could both enjoy together, but I've mentioned that plenty of times before so I'm not mentioning it here.

[green28go]

Butterflies.

What an unpleasant day, Magnus thought as he sat in his apothecary and stared at vast nothingness despite having demonology books on the study table. Alexander was not back yet. No, the whole truth is that Alexander, who was angry with him, had left in the morning at nine past and was still not back. It’s 4 pm now, and since his boyfriend left their home, his mind constantly circled back to the fight they had in the morning. It was awful and really loud—the argument. It had been about the immortality issue once again and this was their first big argument after they got back together since the Camille debacle. This time he had really pushed Alec’s buttons which he’d never willingly do. And Alec, by the look on his face, could understand that his boyfriend’s resolve broke and was seconds away from slamming the door, right on his face. From then, up until now, he sat worrying about him. He’d wanted to do nothing more than to look into the bright blue eyes and tell how sorry he was and that he did not mean a single syllable that he had uttered at that moment, he knew that Alec required space and he respected that, but now, his mind starts to worry and he glances at his phone if he’d received any text from Alec but feels dejected as there is no sign of what he is looking for.

He gets an idea that he deems fitting as an apology to the Archer for the way things ended between them in the morning. So, he summons a small stack of Clairefontaine Triomphe writing papers and, writes a short and sweet letter for Alec.

Dear Alexander,

                            I apologize for my suboptimal behavior earlier this day and would want nothing more than to tell you by holding your hand that I did not mean an ounce of what I said in the moment of heat. Believe me, love, when I say that you are indeed the best thing that happened to me in decades. Now, if you will come home, to me, I would gladly curl up with you on the couch and kiss you till the daybreak.

Love, Magnus.

He perfumed the letter with sandalwood, of course, what else would he use, and performed his little trick that sent the letter, converted into a fire message, flying out of the room to his Alec, in the form of a butterfly. He watched as it left the room swiftly and started waiting patiently for Alec to reply.

He waited and waited. Ten minutes turned into thirty and that turned into an hour and a half.

No reply, not a single word through any means from Alec. He was not on a mission or on patrol as Alec would always ensure he informed him beforehand. So, he must either be in the Institute or with the Alliance. Magnus has a half mind to track him but he resorts to calling Isabelle instead.

“Hello, my favorite compatriot from Brooklyn!”  

“You don’t really know many people in Brooklyn,” he replied.

“Of course, I do, like your boyfriend who lives with you,” he is amused at Isabelle’s reply.

“And pray tell, why is your brother not your favorite?” he asked.

“Because he is in a grumpy mode and had already snapped at me once and twice at Jace,” she answered.

He is indisputably aware of the grumpiness in his boyfriend and it is his job to make it go away. Just when he was about to inquire about what Alec was doing, Isabelle pondered a question towards him.

“Magnus, does it have to be something to do with you?” she asked.

His reply was easy. Silence.

“By the angel, should’ve already known it was you, I thought it had something to do with mindless Shadowhunters who are refusing to cooperate with the Alliance,” she said again, more like realized.

“Is he in your line of sight, dear Isabelle?” he asked her.

“Yes, we are in the training room and he is staring at a piece of paper with his signature “I’m unimpressed,” look,” she said.

What Isabelle said only meant one thing. Alec is nonchalant about his apology, not impressive enough, so he’ll just strengthen his strategy to woo Alec through his cher-courrier.

“Thank you, Isabelle, now I have to make it up to your brother,” he said with determination.

“I know you will, Magnus,” she said leaving the call.

Now, he took the writing paper and started expressing his love for Alec, molded into an apology in the form of words.

Dear Alexander,

                         I once again stand here to tell you how sorry I am for what happened in the morning. Darling, you are exqui………………….

He filled the entire letter with his adoration for his loving Shadowhunter and, transformed it into a butterfly, scented it, and sent it flying towards the Institute.

He waited for forty-five minutes and when nothing came his way from his beloved, he took the feather into his hand and started writing again. Maybe the letter was quite a bit. So, he tried again.

My Dearest Alec…………….

No answer. He tried again.

I truly am remorseful……….

Nothing from his boyfriend. He wrote afresh with a different ink.

I want to hold you……………

None. No reply. He was reluctant to give up. He sprinkled glitter in the letter and sent it Alec’s way.

Sweetheart, I love you………

Nope, not a singular word from Alec. So, he dipped the feather in the black ink and started.

Alexander, talk to me……....

He was exhausted, not because of expressing his affection and fondness for Alec but because of having his beloved not give an expression for what he was saying. The silence was absolute torture and now it turned into anger.

Come on, this is not fair………

He wrote, and waited. The answer became obvious when he held the feather again.

He was feeling what was a huge amount of sadness, hurt, and a bit of anger and decided that this was his last letter and he was going to the Institute, once the reply from Alec resembled his previous replies.

Come home, Alexander, I’m sorry………

He sent it and waited. It was almost 10 ‘o'clock and he seriously questioned his boyfriend’s stubbornness in not wanting to speak with him and ghosting him. Was this how Alec felt during the time of their break up? He remembered how sorry Alec was and how frustrated he got in a certain voicemail. He had listened to all of them, a part of him at that time hoped that he’d preserve those voicemails if Alec never wanted to get back together with him. But that was an obstacle that they had overcome, together.

He didn’t make an effort to dress himself ever-so-enticingly as far as his fashion sense goes. He was worn out and missed having Alec by his side. The only energy he has is required to open up a portal directly to the Institute and he did that.

He was at the back of the Institute and walked, without a single thought on his mind, into the place, as he no longer required anybody to escort him. He found Jace in the corridors and Jace, who must’ve either sensed it or found it from Isabelle, had simply mouthed at him that said training room.

He strode towards the place with quietude, careful not to show his wretched worry.

There was his Alexander, his back facing him and his position upright. He was holding the bow and arrow, aiming towards the target with the proficiency that can only be achieved by vigorous training. He cleared his throat to draw the attention of his boyfriend.

Alec didn’t turn toward him and just spoke in a tone that indicated detachment and coldness. If he was surprised by his presence, he did very well not showing it.

“What do you want?”

Oh no. That angered him. After all those apologies and letters and his obvious efforts, Alec just did not do that.

“What do I want? What exactly do you want Alec?” He said with a clear indication of how furious he was.

“Nothing,” Alec stated, not moving an inch.

“Why are you being so uncompromising?” He said, his voice weary.

“You mean difficult,” Alec answered, finally turning towards him.

“No, I didn’t say that,” He immediately responded. Alec looked like someone who hadn’t been sleeping for two days and he could notice the bruises on the archer’s hands.

“But you meant it,” Alec quietly voiced his opinion.

“You’re never difficult to be with, Alexander,” He uttered in a soft voice.

Alec didn’t respond to that, he was just standing there, with his eyes looking anywhere except at the person in front of him.

“I’ve apologized so many times, Alec, and I-” he started but was cut short.

“Wait, when did you apologize?” Alec asked him, clearly confused.

“Seriously Alexander,” He said, looking every bit unimpressed.

“Magnus, You didn’t apologize at all, today,” Alec finished.

“I did,”

“In your dreams, I suppose,” Alec muttered.

“Alexander,” he retorted.

“I seriously have no idea what you’re talking about,”

“What did you even read in those letters, Alec?”

“What letters?”

“The letters that I sent you,” he exclaimed.

“I did not receive a single letter from anybody today, the Institute mailbox is empty,” Alec declined.

“Are you sure?”

“Oh, now you don’t think I am telling the truth, fantastic, what else is new?” The bitterness in his voice was evidently clear.

“Alec, will you just stop, I am trying to make things right between us,”

“So, you think I am not?”

“For Lilith’s sake, I don’t see you doing that,” He said, frustrated.

“Magnus, if you are really here to pick fights with me I-”

“My purpose of being here is not that, but I highly suppose you are the one who is trying to do it,”

Just when Alec was about to remark, they were interrupted by footsteps making their way toward the Institute. So, they naturally fell quiet. It was Clary, and she was carrying a strange cage in her hand.

“Hey, are you guys okay?” she inquired.

They nodded.

“Magnus, I’m here to ask if these belong to you,” she pointed to the box she was holding. Now, it became distinct to him what was in it—his letters—all of them. Their wings were fluttering, and those butterfly-shaped letters were trying to get out of the cage.

“They’re sparkling and have a natural glimmer of your magic, so I brought them to you,” she said, holding them out.

“Yes, they belong to me, and how did you get them? " He said, taking the cage into his hands.

“Oh, the new group of Shadowhunters from Geneva caught them, they are still waiting for more in the entrance,” she answered.

He’d take care of them tomorrow but for now, his priority is Alec and giving him these letters.

 “Thank you, biscuit. You truly helped me a lot today,” he said with a breath of relief and gratitude toward the redhead.

“You’re welcome and good night, the both of you,” she left with a smile on her face.

He looked at Alec, who was looking at the cage in his hand. There was no anger, only mild irritation mostly masked by curiosity.

“All right, brace yourself, Alexander,” he said, hoping Alec would like what he had done.

He opened the cage and the letters went flying toward Alec, landing on Alec, forming a half-silhouette of the Shadowhunter.

“Magnus, what are these?” Alec asked not moving an inch and holding still so as not to disturb those little inanimate letters.

“Pick one and read,” he instructed his boyfriend gently.

Alec did as he was told. He watched as his eyes skimmed over the letter swiftly, the expression on his face changing, his gaze softening and a small smile forming on his angelic face.

Alec looked at him and asked.

“Are all these letters, apologies?”

“Yes, they are,”

“Why so many?”

“You were not responding so I-”

“I forgive you,” Alec didn’t blurt it out but had said it calmly.

“You didn’t read all of them,” he said.

“I will but to forgive you, you are enough,”

Alec uttered those words with such sincerity that it made him want to reach out to the Archer and wrap him in the warmest hug. But he didn’t.

“I do not mean anything I’ve said this morning, I’m sorry-” he started instead.

“Magnus, I know,” Alec told him gently.

“So, you already forgave me?”

“Of course, I did,”

“But, you didn’t say so,” he said in a quiet tone.

“Because I wanted to know,” Alec hesitated. “I wanted to know if you’d reach out to me before I’d do it,” Alec whispered.

He moved towards Alec.

“Oh, Alexander,” He cupped Alec’s face in his hands and gently tugged at his face so that the Shadowhunter would look at him. The butterflies on Alec's body stayed where they were, only fluttering a little.

“Of course, I would reach out to you,”

“I know, it’s a stupid doubt to have-” Alec mumbled but he cut him off in the middle.

“Of course it’s not sweetheart, I’m sorry that I gave you the implication that I’d never come to you first and that you had to doubt me about it,” he softly said those words, meaning every monosyllable.

Alec looked at him with adoration and in a heartbeat, kissed him. The butterflies came to life when their lips touched and then again settled on Alec.

The kiss was soft, nothing passionate but rather it was a slow one, one that is full of love and familiarity. Their hands wrapped themselves around each other.

When they finally broke the kiss but, didn’t break away from the embrace, Magnus bent his head forward and a bit downward, his forehead touched Alec’s.

“I’ll try to do better,” he said gently. A soft smile spread across Alec’s face.

“So will I,” Alec uttered with reverence.

It was a promise from both of them. They smiled into their kiss once again.

[yannisdesk]

Issues With Act 3: A Tier List

I couldn't find the gif of teen Vi making her angry face, but this will suffice. Anyways I have some bones to pick with act 3.

Tier 1: "Oh, the misery!" - Major Problems

I'll be fuming about these decisions for the foreseeable future.

Jinx death/the implications of her being dead (I personally believe a lot of evidence points to her being alive, but for the sake of this post and intentions - we'll talk strictly about what's on screen). Stop killing off mentally ill characters like this, please. To say it's deserved because she's committed acts of violence is stupid. Every character, with the exception of Ekko, has committed acts of violence that had brutal, unfair, or unwanted outcomes - and Jinx is among the ones where her violence is more understandable.

Caitlyn never apologizing for what she did in act 1. Vi calls her out on it and I thought we'd get somewhere, but no. Everyone else just kind of glosses over that she gassed people in act 1 which definitely led to some deaths. No apology to Vi either for gun-butting her. You can argue that it happened off screen, but seeing that ON screen, especially when Vi & Jinx having to verbally voice theirs, is just shitty. What's the point of having her scene in the opening credits be so stressful and guilt-ridden if she's not allowed to express that guilt beyond a word and expression or two? It also cheapens the theme of forgiveness this season because they first step to receiving forgiveness is apologizing. Act 2 understood this better than Act 3, given that in Vander's letter to Silco, the first thing he does is apologize.

Do we need to go over the implications/optics of the wealthy, privileged girl who gets to act out not really facing any consequences for her actions and getting to redeem herself in defending her city, but Jinx, disenfranchised and poor, needs to be fatally punished? Here's a hint IT'S BAD.

The whole Zaun and Piltover plot being dropped in general. We see Sevika join the council in the end, but that's it? Was independence off the table now? WHAT CONVERSATIONS HAPPENED OFF SCREEN THAT LED TO THIS BEING THE SOLUTION? Is anything worth a damn actually going to come from this arrangement? Also Piltover getting all of them councilors while Zaun gets one representative? *deep sigh*

Corruption with the enforcers being dropped like a hot potato. I guess that just stopped being something people cared about despite it being thoroughly critiqued by the narrative from the beginning of season 1 until now.

WHAT HAPPENED TO THE FIRELIGHTS TREE???? No one talks about it anymore. Did it die while Ekko and Heimerdinger were in the alt-timeline, did it hold out, was it healed once the hexcore was destroyed????????????? WE NEED ANSWERS.

Tier 2: "Spare the sympathy" - Middle-of-the-Road

These problems aren't necessarily deal-breakers, but irked me none the less.

No one can no longer call Viktor "Zaunite Jesus" because that was clearly 15 year-old Vi lol. What do you mean in an alternate universe she dies during the heist in S1E1 and then all of a sudden there's peace between Zaun and Piltover??????? All I can think of, is that after seeing how this poor kid was killed while trying to provide that set off some sort of chain reaction where Piltover and Zaun agreed to make peace to stop this sort of thing. I could actually buy that, however, just, why????? Vi already blames herself for everything so why validate that?! Also, I'm not saying it's impossible for alt-timeline Jinx to turn out healthy and well-adjusted, but, she had to cradle her older sister's corpse in her hands...there's a fair chance she'd still become Jinx.

No one finding out that they were all within centimeters of each other during the day of the heist. Arcane loves to do full-circle moments and endings, but somehow in the midst of stuffing the season with everything they could, they somehow couldn't do this which was on a damn platter sitting for them.

Tier 3: "I'll never be a saint" - Minor Problems

Had only these problems existed in act 3, I would've considered it perfect.

Not seeing the conversation that led to Ekko convincing Jinx to join the battle. Kind of minor because we see him convincing her out of ending her life, and we can gather that conversation from episode 7, but still, I feel like, given how down we see Jinx, that's something that should've been shown.

Having Caitvi bone in a prison cell. I'm split 50/50 on this, because on one hand - that's a place rife with Vi's trauma. On the other, it's symbolic for other things (no, I'm not talking about the fact that it's where they first met) that I kind of give it a pass.

[extremely-judgemental]

This is the last time I talk about Elain (hopefully!). I honestly don’t understand where you’re getting the idea that she is sweet. Elain is polite, like ‘my neighbour is nice to me’ sort of way. That doesn’t warrant how everyone puts her on a pedestal.

Her actions are mostly glossed over as self-preservation, but that doesn’t seem right to describe her behaviour either. At least, not in a sympathetic way. I'm sure there’s going to be an overload of trauma to justify this, because how can SJM’s heroines have mere mediocre problems when they can be abused or have lost a loved one?

I digress. Ever since Nesta’s grooming came to light, the same is assumed about Elain—that she’s groomed to be ‘nice’. That’s not entirely true. Their mother and grandmother focus on Nesta because getting the eldest married well will bring more prospects for the other two. In their mother’s words, Elain needn’t worry because she is a born beauty, and so she is not trained in courtliness or politics. And, Feyre has enough liberty to lock herself in their father’s office. As a middle child, Elain chooses the ‘nice’ mask because it’s what gets her attention in a family full of stubborn heads—her mother, her grandmother, her sisters.

During their poverty years, even if she could do chores, it’s hard to believe Nesta let her given how much she coddles Elain. And, Feyre treats her like a fragile doll. Elain essentially enjoys the best of both worlds like her father without contributing much to the family. She benefits heavily from her sisters’ animosity against each other—she’s the kind one while the other is the bitch. She’s also quick to secure a marriage alliance right after they regain their wealth. This isn’t to say it wasn’t out of love, but the plot is set in somewhat medieval times, where the order in which the sisters marry is crucial—Elain already wed before the eldest leaves a mark on Nesta’s reputation, making it difficult for her to find suitors.

Elain goes her entire life without being blamed or hated by her family, or even the IC. To have gone through all those struggles, having done literally nothing, and still cherished by everyone? Kindness doesn’t buy you that kind of a pass. It’s not her fault that everyone puts her first, but it’s the result of the image she actively cultivates to achieve her means.

This is why the paintbrushes don’t hold much value either. She doesn’t make Feyre’s life easier or take away some of the burdens, but gives her presents and everything is okay between them? This comes off like love-bombing to me—making Feyre feel special so that Elain isn’t the villain. Which worked, as Nesta is the one called ungrateful. When you’re struggling and someone offers you a bit of joy and relief, it is impactful, and Elain’s gesture could have been that if she had contributed to the family. But now, it comes off as manipulation.

And here’s my issue with her betrayal in Silver Flames. No one gives two fucks about what she thinks is best for Nesta. The IC won’t sit around and wait till she’s convinced. If she decides to lock herself in her room and cry again, only Feyre might care a little. Until then, she’s never included in any major decisions and she’s too perceptive to not notice this. She doesn’t even have to side with Nesta, but to pack her things to send her away?

She even goes on to throw in a ‘you don’t have to be miserable’ when Nesta is being imprisoned with a man. Imagine Elain trapped with Lucien to get her out of her funk. Feyre violated Lucien’s mind when he asked for a few minutes alone with her. They were chaperoned by the entire family for one simple tea. Clearly, Elain is not so stupid as to not know what she’s implying. She lets Nesta suffer not out of self-preservation but because she, like Feyre, believes Nesta is hopeless.

Later, she manipulates Nesta into scrying and insults her in front of everyone who hates her. She blames her ‘invisibility’—she crafted for herself—on others. It isn’t about her owning her life, because she could have done the scrying right away without that conversation with Nesta. And it’s not about protecting herself from the IC. Her outburst felt more like her resentment, that she couldn’t handle losing her shield.

There are many who want Elain to stand up to the IC, but the thing is, she has no reason to. When none of her actions are held against her, what would she fight for? The IC’s behaviour is borderline psychotic with Nesta to prove she wouldn’t be welcomed into the family unless she becomes reputable enough to be Feyre’s sister and Cassian’s mate. In Elain’s case, she is already forgiven and accepted.

Though it still falls under the broad term, her self-preservation carries heavy undertones of selfishness and manipulation. It is not even a survival response triggered under pressure. Most of her life, Elain never has to make big choices. She always gets what she wants without lifting a finger. No responsibility at home, more attention from family, the only one to receive her father’s love, her engagement to Graysen, going to Graysen for help, being left alone during the battles, having her own gardens in Velaris, learning to cook, leading a simple life, to be away from Lucien, pursuing Azriel. When exactly is she ever denied in the first place to preserve her happiness?

Also, Elain is definitely not a helpless doe. She is an opportunist. Her ‘kindness’ is a mask to escape scrutiny from others when she neglects her responsibilities. It serves her too since ‘Elain is Elain’.

And that’s fine because these flaws add layers to her character and there’s room for growth. But when the narrative ignores them and paints her as an angel because it supports the glorified hero, that is wrong. We see it happen with Feyre, Rhysand, and the Inner Circle. Elain is underdeveloped, yet she shows prominent traits at major plot points and still is considered ‘sweet’. At this rate, she’s just going to be another bland cutout who can never do anything wrong and is universally loved (like Feyre).

On the other hand, all this masking, the cunning, and the pettiness are great agents for her obvious future bonding with Rhysand who is quite similar. But her true nature has to be acknowledged first, which is clearly not happening in the narrative or the fandom.

There are obvious issues to be resolved in Elain’s character—shedding these traits and loving others without exploitation—but the focus will be on what SJM deems worthy for her plot. Elain went from being content to staying in the background, tending to her gardens, and creating beauty to wanting to step out of her sisters’ shadows. Though she never gave that vibe, it will be shoved down our throats because these leads need to be badasses. At this point, she has more chances of turning into another Feyre with her ‘coming out of the shell’ journey because that’s the only way women can grow in this series. I don’t like Elain the way I don’t like Feyre, Rhysand, or Cassian. She is, and will likely never be, held accountable for anything she does. Nesta has self-awareness, her flaws are portrayed as such, and she makes amends for her mistakes because that allows Feyre to be right again. But what reason does Elain have to be better when she hasn’t done anything wrong until now?

[wcnderlnds]

something about you | draco malfoy

Summary: After a rough week, you have one two many butterbeers and get help from the last person you’d expect. Warnings: being tipsy?? Word Count: 1.4k Authors Note: this is a repost from my old account. i wrote it in 2020 so its not the best but i wanted it on this account to keep all my best fics in one place <3

Weekends meant Hogsmeade trips which were your favourite part of the week. There was nothing like getting out of the school grounds for a bit after a hectic week of classes. As much as you loved Hogwarts, it was nice to get away from the chaos of the castle sometimes even if it was only for a few hours. It was even nicer after a stressful week and to say this week had been stressful was an understatement. Right from the get go everything had seemed to be going wrong. You’d managed to forget your potions homework which had resulted in detention then, because of that, you’d missed your date with Seamus. It hadn’t been that big of a deal — it wasn’t like your relationship was serious but you had liked him. It wasn’t enough for you to be upset when he asked if you could just stay friends instead but it did put you in a foul mood. It seemed that every time you had something good planned the world tried it’s best to disrupt it. So, the trip to Hogsmeade was needed. Very needed.

Usually, you tagged along with the golden trio but you decided to go solo today telling them that you’d meet them for a drink later on before you all headed back to the castle. As you walked through the main road, you spotted Draco Malfoy and his goons harassing some third year. You and Draco hadn’t really interacted much other than the casual ‘hello’ here and there but he’d always been rather polite around you so why couldn’t he be like that with everyone else? You knew your friends had an issue with him and couldn’t blame them but you had nothing against him. So far he’d done nothing to you but it did annoy you to see him bullying a poor, defenceless boy just trying to enjoy a day out.

“Hey, come on. Leave him alone,” you said walking up to where the incident was happening. Goyle was the first to hear you, turning to face you with the ugliest sneer on his face.

“Back off. This is none of your business,” he said gruffly.

“What exactly has he done to deserve you bothering him? Just leave him alone. You’re a sixth year and he’s a third. Pick on someone your own size.”

“I said back off.”

“Goyle! That’s no way to talk to a lady.” Draco had finally spoken up, glaring at his friend. “Since you asked so kindly, we’ll let little Roger here be on his way.”

“Thank you,” you gave Draco the tiniest of smiles as little Roger ran past mouthing a ‘thanks’ to you.

With that all sorted out, you went on your way not noticing the youngest Malfoy watching you as you did. He’d always found you intriguing. Honestly, he’d always wanted to strike up a conversation with you but since you were in two completely different houses and he had a reputation to maintain, he opted for mostly ignoring you and trying to be civil. Part of him really hated the fact that he couldn’t just do the things he wanted to but he couldn’t take any chances of his father hearing about him doing such things. Befriending someone outside of Slytherin house was frowned upon so keeping his distance was his only option but little did he know that was about to change.

“Barkeep, another!” You yelled out earning funny looks from Harry, Ron and Hermione as you slammed your glass down on the table. You’d been sat with them for half an hour now and had already thrown back about four butterbeers. They didn’t even know how many you’d had before they’d arrived but it was safe to say that with the way you were acting, you were pretty darn tipsy.

“Maybe you should make this your last one,” Hermione suggested, reaching out to place her hand on yours in a comforting manner. “I know you’ve had a tough week but if you want to talk then I’m here.”

All you did was shoot her a big, toothy grin in thanks as your new drink was placed in front of you. “It’s not like I’m sad or anything. I just… need to blow off some steam, you know? When have you known me to get tipsy off butter beer anyway? It’s just one time. It’s fine.”

After another half an hour, Harry declared that he wanted to go back to the castle — Hermione and Ron agreed. They tried to get you to go with them but you refused telling them you’d make your own way back. Harry had tried to pull you up and drag you with them knowing you weren’t exactly sober but you were too stubborn to budge. Ron had somehow convinced them you were smart enough to know what you were doing and with that they left.

It was one drink later when you’d finally decided you’d had enough, getting up out of your seat. But, you’d stood up too fast and with the butterbeer in your system it didn’t help one bit, the whole room spinning. You gripped the chair with one hand to steady yourself.

“You doing okay?” A familiar voice asked you. Your eyes glanced up to meet none other than Draco’s.

“I’ll be honest, blondie, I might have drank a little too much,” you said and couldn’t help but grin at him.

“I can tell.” He pondered for a moment almost having an internal battle with himself before he decided he had to be a decent human being and help you out. “Here,” he said, grabbing your jacket nd helping you put it on. He held his arm out for you. You didn’t even argue lacing your arm through it so he could help you back up to the castle.

The first few moments were silent until you spoke up curious as to why Draco Malfoy of all people was helping you out. “Got a feeling you don’t really do this much especially when I caught you bullying a poor innocent boy earlier.”

“You’d be right but contrary to popular belief, I’m actually a decent guy. I have manners and know when to not leave a lady alone in your state,” he mumbled.

“I’m not that drunk, you know. Just tipsy.”

“Tipsy enough for me to be concerned and it takes a lot to concern me. Why’d you even drink that much anyway? It takes a lot of butterbeers to get anyone drunk. Rough day?”

“Try rough week.”

“Is this about that imbecile Seamus? You can do much better,” Draco pulled a disgusted face at the mere sound of his name coming out of his mouth. At your confused look, he went on to explain. “I was walking past when you two were having a chat. Complete idiot he is if you ask me.”

A little laugh passed by your lips. “Don’t hide how you really feel. But, yeah and no. He and I weren’t even really together. It was just an culmination of things coming together all week. I’m fine, though.”

He looked at you to examine your face for any signs that you were lying but he couldn’t find any. You really did seem okay which was a relief to him. The last thing he wanted was to have some deep hearted conversation. It was a shock to him and you that he was even talking to you as much as he was.

Silence took over again as you reached the castle. Although, you didn’t want to admit it being in his company felt nice. Natural, even. You felt comfortable even when it was silent. There wasn’t any awkwardness. If you didn’t know any better you’d think you actually liked being in Draco’s company. He liked being in yours too but he was nowhere near comfortable enough to admit that.

“Thanks for walking me back. You’re alright, Malfoy,” you gave him a playful nudge with your shoulder causing a slight grin to form on his face. Funny, you’d never really seen him smile before. It looked good on him.

“You too. I meant it, by the way. You can do much better than most of the boys in this retched school.”

“Are you about to make some overly dramatic speech and ask me out?”

This time a large, hearty chuckle came from him and you couldn’t help but feel a little hint of butterflies start up that you’d been the one to get that out of him. Draco shook his head. “You wish but who knows what the future holds, eh? See you around.

With a wink, he headed on into the castle. Well, now you couldn’t wait to bump into your new favourite Slytherin more often.

[thetepes]

Not to play devils advocate, but I feel like lilys opinion on the usage of the n word is valid. Regardless of someone’s race, I think it’s a little backwards to dictate what someone has to say about another races cultures just because they’re white (or not of that culture), differing opinions aren’t the end of the world and hers wasn’t inherently racist I fear the same goes for the anime thing too, I’m sorry but Japan DOES have of a loli problem, even if her wording was extreme

I’m not white myself (to be fair, not black/japanese either), not that I think it matters to what I can and can’t say about this but I don’t want you to assume I am white because I somewhat defended lily, which is someone I did NOT want to run defense to but maybe I’m too conservative for this space but I mean this in the most respectful way possible, it feels like some of you are reaching on some things just to paint her in a worse light, as if she wasn’t already famously bad 😭

(Feel free to correct me, I’m not trying to be intentionally ignorant for the sake of it I’m just tired of hearing of a lot of echo chambers about the issue without getting to WHY what she says is racist when I think like pretty reasonable??)

Anon, my friend, I do not know how to break this to you, but that is racist. I know you do not mean to be. I know you're trying your best to be as inoffensive as possible. I'm going to do my very best to answer you genuinely because you seem genuine.

Saying Japan has a Loli problem is like saying America has a child pageant problem. It's there. It's a problem, but it's not something floating on the surface everyone in Japan is aware of the magnitude of. It's a niche genre of ero fiction that comes up about as much to your every day Japanese person as child pageants in America.

In the 80's there was this loli boom that took place where it split off from your more typical bishōjo into lolicon. You would find stuff like Future Boy under that genre long before you'd find any ero.

It wasn't until an otaku named Tsutomu Miyazaki was arrested in the late 80s that the darker side of loli came to the awareness of your every day Japanese person. It was a popular genre so there was a LOT of hentai of it. He killed and murdered several little girls between the ages of I think 3 to 6 and it started a panic very similar to the Satanic Panic that happened in USAmerica. He had a massive collection of anime and hentai. I mean massive. From normal things you'd see in Walmart to stuff you could only buy from very specific websites online no normal person would even know about. It wasn't just Loli that was effected though it was all anime.

It's why Otaku culture was so repressed and shameful for a long time and it even killed the Loli boom because the style was associated with the killings. It wasn't until very recently that Otaku culture made a come back, but still Loli isn't making that come back because of the online opinion on Lolicon. It's gone from an art style to something a lot darker and I think that's where the communication sort of faulters? Because if you say to a Japanese person "you have a loli problem" they're going to think you're having a Satanic Panic moment at them.

At least that's been my experience.

This whole thing is why there was the Moe boom in the 2000's, it was an over correction on the part of artists. Trying desperately to get away from that label and people taking advantage of that as well to make slop.

The rise of the Lolita in Harajuku also muddied the water on this because there's an entire beautiful subculture there that branches into a thousand different expressions. "You have a loli problem!" What's the problem with girls in frilly dresses?

You as someone online, who is adept at being online, in critical spaces and animation/anime spaces have so much more exposure to this stuff than anyone on the daily in Japan.

The entire world has a porn problem. The entire world has a sexualizing little girls problem. To point at Japan and specifically repeatedly deem the entire country as having an issue with pedophilia is racist. To go out of your way to bring it up when you're not even discussing anime or Japan is racist. When your hate and ignorance for a place and it's people bleeds into everything you do

That is racism.

[i-am-a-l0st-gh0st]

Reader freezes terribly everytime they're asked/taken to dance. It's like their body refuses to move. They just get frozen in some sort of stage fright anytime someone pulls them on the dance floor, as they look down on the ground with their blood going cold, anxiety in their face expression.

I've got this problem- Scaramouche x gn!reader

And I tried to tell you

Warnings- Forced dancing, comfort, scaramouche being protective

Summary- A man trys to approach and dance with you, but starts to pull you to the middle of dance. Scaramouche will have none of that.

Notes- guys bear with me trying something, also gave up on flufftober, exams, sickness. The whole thing @keeyisbored lmk if you wanted one of these for lyney 🙏

The floor was crowded, which already made it awful. What was worse is a total stranger had made his way over to you and asked you to dance.

"Come on, darling. Just one dance."

"No. I dont like dancing." You stiffened with the weight of the mans glare.

Without a word, he grabbed your hand and took you onto the floor. The lights were warm on your skin, but you couldn't help but freeze. You could see the small triumphant smirk of the man. Even when he tried to make you move, you couldn't.

"Oh, come on." He snarled.

Before you could speak or even look at him, someone was standing right next to the both of you.

"I suggest you get your hands off them, or I may do something i regret." Scaramouche glared at the man.

However, you hardly heard his words. Everything felt too much, the light's , the other people. You felt so small, like you couldn't do anything. Despite wanting to be off this floor, it was like the cryo archon themselves had frozen you on the spot.

Your vision became blurry, and you could just make out the man leaving.

"Y/n?"

You snapped out of everything and turned to the blue haired man next to you. "Yeah."

His eyes softened with your tone. He could see how heightened you were. Scaramouch had asked you to dance back when you first started dating. You had freaked out a bit, so he noted that and never asked again. But seeing someone ignore your no, that really pissed him off.

"Let's get you out of here."

He clutched your hand, making sure he didn't lose you in the waves of dancers. As soon as you were off the floor, you started to breathe normally again. Something about a familiar hand in yours always made you calm.

"That bastard. He's lucky i didn't kill him."

"Scara-"

"I'm serious."

"That's the issue, i know."

He placed kisses over your forehead, as his hands crept up to cup both of your cheeks.

"I'm sorry i wasn't there."

"Still, you helped."

"Mm, but i could've prevented it."

There wasn't a moment where you didn't feel safe in his arms. Despite his temper, you weren't scared of him. He never aimed his anger at you but at the people who hurt you.

[blueberri-blu]

Hi hi! Can I request Rise Donnie seeing his s/o wearing a "I <3 nerds" shirt?

Hiii!! Of course! I love it when y'all send requests! At first, I was thinking of making headcanons... But then my mind came up with a much funnier idea, so I present to you this Oneshot (⁠ʘ⁠ᴗ⁠ʘ⁠✿⁠)

I <3 Nerds ✯

[Rise]Donnie x gn!reader

Slightly Suggestive

It had been sitting in the back of your closet, waiting for a good use for it. You were always teasing him, whether it was moving some of his things only a couple centimeters, or sitting in his lap while he's working.

✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯

April gifted you the shirt as a gag gift, a white shirt with black writing that said "I <3 Nerds"

So, you wore the t shirt and some comfy pants and went down to the lair.

You randomly remembered the shirt while getting dressed and thought, why not?, you didn't think you'd actually get a reaction from him.

You said hi to Mikey and Leo who were in the living room, and waved to Raph who was training, and made a beeline to the lab

When you opened the door and walked in, you noticed Donnie was standing and working on his jetpack. You walked over to him and tapped him on the shoulder

He turned to you, giving you his full attention, "Oh, hello dearest, I don't remember you notifying me of your visit?" "Sorry Don, it's just my schedule cleared up, so I thought I'd come see you!" Your happy grin made him relax a bit. "Well in that case, allow me to finish up here, and I will accompany you to the kitchen for some pizza" "aaaaaalrighty don" he quirked an eyebrow at you elongated word, a clear sign you were up to something

While he was working, he kept shooting you suspicious glances, almost as if to tell you to feed up what it was you were up to

But you stayed quiet, albeit, grinning like the Cheshire cat, but quiet. Once he finished, Donnie walked over to you, and gave you a hug, allowing his head to fall onto your shoulder.

"Doooooniiiieeeee" oh no he thought, what did you do... "Yes, my love" "Did you see my shirt?" He looked at you curiously, then looking down, reading it, taking a second to process it, and saying "Oh, well now, so you love Nerds, hm?" "It's what the shirt says" "hmph well, it's totally inaccurate"

You had seen Donnie jealous a couple times, he'd normally end up with his hand on your waist, and him telling you about all the amazing things hes done, but this was a feeling you couldn't quite place

Donnie grabbed your waist, hoisted you up into his desk, standing between your legs. He reached over you, your face all too close to his plastron, grabbing a black permanent marker. He proceeded to scratch out the "Nerds" part of your shirt while saying "I am not a nerd, I am a genius, there is quite the difference dear"

After scratching out "nerd" he wrote "My Genius, Donnie" on it , only in purple marker instead. And since he already had you here, he might as well take advantage.

You were blushing, definitely not thinking he'd react this way. Donnie closed the distance between you two. He kissed you until your lips were red and puffy, then started to trail kisses down your neck. Once he reached the base of your neck, he stopped, and he whispered "Do you want to be mine?" you were putty in his hands, too lost in how much affection he was giving you, you just nodded. He proceeded to leave little bite marks on your shoulder, and then licking and kissing them better.

Once your shoulder was covered in Donnie's bites, he pulled away, satisfied with his work. "I suggest we hurry if you still want pizza, surely Leo will have no issue finishing a box by himself, so let's go My Love" you were still a bit hazed from his onslaught, but followed anyway.

You will be getting more of these shirts for him to "correct"

✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯✯

I loved this idea! Maybe I went a little overboard, but... I regret nothing. I really hope you enjoyed it! I love y'all <3

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[fumifooms]

Dungeon lord Chilchuck

What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.

When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.

Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).

— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.

— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".

What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.

— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.

— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.

On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.

Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).

Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.

You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…

The actual headcanons finally

I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.

Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.

The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…

But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.

A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…

I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…

Other dunlord Chil takes I’ve seen that are fun and good:

@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!

And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~

In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3

A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.

… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end

[icewindandboringhorror]

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