#i already had that one sorted out

[coffee-and-cryptids]

alright it's official, i'm going to have to revamp my tag system so uh. i'm gonna be doing that today

[angermango]

Re: MEMENTO MORI

a few weeks back i suddenly had a lil kick and remembered I haven't tried making something for Madness Day or really done Madness stuff for a long time even though i still love these violent jellybeans dearly and figured I could redo a concept I did for the last Madness Day i did something for back in 2021.

so naturally i left it until last night to actually do most of the drawing. Jeb, Hank and Tricky have all died a stupid amount of times.

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[surreal-duck]

live drama adaptations part 2 (prev)

cast reveal and girls movie night 🔥

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[greatgoddyke]

time to make your choice only you can be the one

[dykedvonte]

I was rewatching mouthwashing, and I ended up thinking of the different reactions that Curly and Jimmy had in doing their tasks. How during the scene of Anya evaluating Jimmy and showing dread towards the idea of doing his evaluation, Curly was the one that offered to take it off her hands. He had no issue with adding more to his plate, because he knew - or well, thought, he knew that Jimmy wasn't going to "bullshit" with him since he's known him for a long time. When Anya hands Curly a note from Swansea, Curly goes to check out what the issue is and he takes care of it without a complaint, the only "complaint" he has is how this incident could have damaged the pods. Which is reasonable, those pods are their only way to be saved if anything tragic happens on the ship. However, in comparison to Jimmy being asked to do things, he's passive-aggressive about it. When Anya asks Jimmy if he could help her out with Curly's painkillers, he tells her that people should be worth their titles, specifically using her title as a nurse when she asked him for help and then when she says forget it, since he made her feel insecure, he still goes "Oh no, I'LL take care of it" as if he was doing a chore, a favor for her. Then, there's that part where he blows up at her for things that she didn't even ask him to do - more so the others asked him about it, like the code scanner, him deciding he needed to find the axe for the foam, and then, there's the medicine part (which when she does ask, and she reconsiders - going to do it herself, he takes that away from her). Jimmy complains about the tasks he has to do and he treats it like a big issue, a "woes me" that he has to do this and that - wanting the praise of the capital without actually doing any work. While Curly doesn't complain about it, in fact, he even mentions that he's aware of how well he is doing at his job as a Captain during that cockpit scene with him and Jimmy. If Jimmy only had to do a small amount of tasks to get irritated and annoyed at being captain, while Curly didn't which I feel like encapsulates their personalities. Curly understands what he's doing is a job, it's a responsibility, why would he complain at any point for doing what he's suppose too? Why would he be upset at people asking him to do tasks? While Jimmy on the other hand, isn't used to it at all and it's different to what he's had before and he's realizing that he doesn't actually like doing the work he has too. I just wanted to ramble about it even if it seemed kind of obvious xd

It’s obvious but it is a thing people miss or understate when trying to find parallels in Curly’s and Jimmy’s relationship/personalities.

Like the way people portray it as neither taking responsibility when it is almost split down the middle of Curly taking responsibilities and faults that shouldn’t be his and making himself unequipped to handle the ones that are while Jimmy refuses to handle the responsibilities he has because he wasn’t expecting the work that comes with them.

Not a lot to say but people forget that another thing the game comments on is prioritization of issues and responsibilities and how the guys fail at it in one way or another in the situation.

[yuttikkele]

oh my gosh zuko and aang have mirroring scars too. they’re gonna make me feel things guys

the BACK SCAR and CHEST SCAR from azula??? and aang’s scar on his foot and zuko’s on his face??

did the creators give up ANY chance to have them mirror each other?! goodness…

[reineydraws]

wanted: marine hunter takanome mihawk

[antianakin]

Happy fix-it AU where Padme leaves Anakin anyway because she realizes how bad he is for her, and she ends up retiring because she REALLY doesn't want to be a Senator anymore (it was also maybe encouraged by her Queen after her secret marriage to a Jedi was discovered) and she goes back to Naboo to be with her family. She's left behind her responsibilities but she doesn't know what to do now, she's just... adrift, sort-of in limbo and mourning her relationship with Anakin. She has to keep convincing herself not to go back to him because she KNOWS she doesn't want that anymore, she KNOWS she doesn't want to be the person she was with him again, but the thrill of the secret marriage to someone who was so passionate about being with her is also sort-of like a drug.

Her parents both offer to let her come help them in their respective jobs, but she doesn't really have the energy for that right now. She DOES like helping Sola with her nieces because their energy and innocence seems to be a balm for her heart. One day, Sola asks if Padme can take the kids to a local festival in Theed one day while she and her husband go do something else, and Padme agrees. The girls are old enough and Theed is safe enough that they can wander off on their own away from Padme as long as they know not to go TOO far and come back to her after a little while. As she peruses the different artwork on her own, one artist's work stands to her more than anyone else's, it just hits at the core of her and she's not even sure why. She stands in front of a painting of a bird in flight for what seems like hours, though it can't be more than a minute or two, before the artist himself comes over to speak to her.

He addresses her as Senator Amidala, and she quickly tells him that she's not a Senator anymore and she doesn't really want to go by the name Amidala either, she prefers just Padme these days. He agrees, and something about him, maybe his eyes, seems familiar but she can't quite put her finger on it. They talk about his art for a while and everything he says about his inspiration feels like it's speaking directly to her. Eventually, Pooja and Ryoo come up to her and start pulling at her hands, demanding that she come see something with them. Before she leaves, she finally realizes she didn't even know his name and asks him.

It's Palo. The first boy she'd ever loved. The last time she'd seen him she'd been twelve in the Legislative Youth Program. She knew he'd left politics to become an artist instead, but she'd never actually seen any of his art before or ever tried to get back in contact with him. Now she wishes she had. Pooja and Ryoo are still pulling her away so she doesn't have time to really get over her shock at this revelation before she has to leave him behind and someone else comes up to ask him a question in her place.

He shows up at her parents' door the next day with the painting of the bird she'd so adored, and offers it to her as a gift. He refuses to accept any payment for it no matter how much she insists, but asks if she'd be willing to take a walk with him instead. She agrees. They end up spending the whole day together, just talking. For the first time, Padme doesn't feel like she's drowning in her own feelings or floating with no direction. She feels a lot like she's finally come home.

[zylphiacrowley]

Memories in Ruins

<previous - next>

[coffeeastronaut]

Everything Everywhere All At Once (2022) Dir. Daniels | Witches Abroad, GNU Sir Terry Pratchett | Severance, 1x01 - Good News About Hell / 1x09 - The We We Are | Good Omens, GNU Sir Terry Pratchett and Neil Gaiman | We Are Lady Parts, 1x06 - Sparta

Self-determinism baby!!

[krispiecake]

tell me why i can hear another tenants fucking music from my flat. HE DOESNT EVEN LIVE IN MY BUILDING. HE LIVES IN A COMPLETELY SEPARATE BUILDING ON THE SECOND FLOOR AND I CAN HEAR HIS MUSIC FROM MY FLAT. MY FLAT WHICH IS IN A DIFFERENT SEPARATE BUILDING.

[batsight]

Star Flower, loner, Medic of SkyClan

She/Her, cis bisexual

Mother: Turnip

Father: One Eye

Adoptive Father: Skystar

Siblings: Unnamed, all deceased.

Design notes:

-She is styled after the Pokemon, Ogerpon

-The plants are a physical part of her body. They grow out of her.

-She is the physical embodiment of The Blazing Star.

Story notes: [Abuse CW]

-She was born as a normal kitten to a traveling band of rogues who loved to trade and spread their music. Unfortunately, this band died out to a plague, one that nearly took her own life. Desperate to save his family, her father Carrot traveled to a set of tunnels in Sanctuary Lake rumored to house a reality-bending god. He asked the god for a cure, and the god asked for his eye in return. They made the exchange, and he retrieved a glowing, golden, five pointed flower. However, he was too late to save most of his family, so the entire cure went to his surviving kit. He wasn't expecting her to survive the night given her fragile state and the dubiousness of the exchange...

-But the next morning, she was perfectly fine- great, even. If a little... odd... were those buds growing on her paws...?

-It only got stranger from there. When Carrot ended up finding more cats suffering from the plague, just a few calming purrs from his kit seemed to have them ripe and ready to go the next morning. Carrot understood then what had happened- his kit had become the cure herself. And cats were starting to look towards them more, started begging for her healing, for anything. And Carrot had lost everything... wasn't it time to start winning stuff back?

-And so, the pair became One Eye and Star Flower, for recognition's sake. The two formed their own small group, filled with cats Star Flower had healed. Star Flower loved to spread her magic where she went, to save cats from the brink of death and be showered with their love and appreciation. They felt like they owed a great debt to her, and she enjoyed that.

-She was very close with her father, even if their relationship could be strained. One Eye loved her, but to an extent, he also used her. He grew arrogant in his success, believing he had become the accomplice to a god, and began to hold that over cats who fell sick. He grew desperate for control and Star Flower was his key to that.

-One day, however, her father's group encountered the early clans. They were just beginning to settle down, work out their new rules, and declare borders. But what caught the group's attention was the near murder of a young kittypet, almost mauled to death by proto-SkyClan's leader, Skystar. Unable to heal wounds with her magic, Star Flower managed to bring the cat to a twoleg, who took her away.

-Appalled by the cruelty, Star Flower took a great interest in Skystar's group, and witnessed several of his other crimes against his cats and the other groups. As did One Eye, who, seeing the early signs of a plague, had an idea to put this cat and the other leaders in their place.

-One Eye and Star Flower joined the group, with One Eye acting as a curious loner, flattering Skystar with praise. Skystar enjoyed his company, and so One Eye grew in the rank rather quickly. He also took a great interest in Star Flower and her abilities. After murdering Tom, who insulted the cats and attempted to attack them, One Eye took the chance to take control over the group, overpowering Skystar and using Star Flower's power to keep the remaining cats in line- everything is going to be okay, you'll get your cure... if you stay in line and do as One Eye says.

-This went on for a moon, of Star Flower holding her magic over the heads of her clients to keep their loyalty towards One Eye. She would be lying if she said she didn't feel pride at it all at helping her father.

-Ultimately, One Eye was overthrown and killed when Skystar came back with reinforcements from the other clans. The rest of the rogues they'd accumulated ran off, and suddenly, Star Flower was alone. She'd never been without her father, and running would mean abandoning his grave, which she didn't want. But... this place had been a home to her for some time now, and she needed a place to stay. SkyClan had taken all of the available territory in the area, anyways, and she was in no shape to brave the other territories or twolegplace. So she offered her power to SkyClan as a peace offering and asked for shelter in return.

-Skystar was still sore from the event, but he couldn't deny that having Star Flower as an asset would be beneficial to him in the long run. And around this point, his son Thunderstar had disowned him and split off ThunderClan from SkyClan. He felt that he was losing allies, losing family, and he latched on to desperate Star Flower very quickly- as a cat who would never disobey him.

-Skystar takes Star Flower under his wing as his new child, her new ward, instating her as a medic. And because she is loyal to a fault, she won't disobey a new leader so similar to her father. And so, he pushes her to do humiliating things in front of the camp, ranging from general chores like tick baths, to forcing her to run laps around camp with an injury if she took too long to work her magic. He would take out his frustration from gatherings on her and berate her over the most menial things. He would make her withhold her power to help anyone in the clan who had displeased him. And if Star Flower ever tried to stick up for herself, all he had to do was remind her of what she did, how she helped torment his cats by holding a cure over their heads to help out her father.

-This went on for years, Star Flower becoming more and more despondent. One night, there was a particularly stressful gathering, in which Skystar got into a territorial dispute with Thunderstar over a pack of dogs ravaging the territories. He lost the dispute, came home, and immediately took it out on Star Flower, shouting at and attacking the molly for "taking too much food she didn't deserve". And something in Star Flower finally snapped, and for the first time, she didn't save a life- she took one. And another. And another. As many as what remained in Skystar's soul. She was discovered taking his very last life in his nest, while she was wondering if she could pin it on the dogs. She escaped the camp, and wandered the territory for the rest of her life.

-Unfortunately, while she finally won against Skystar in the moment, it was history who decided the victor. Sparrowstar declared that they couldn't let a tragedy like this happen ever again, and doubled down on banishing rogues. Every rogue-born cat was looked at with suspicion from then on, and as the decades began to pass, Star Flower's story became twisted and bent. As the story is told, a rogue had infiltrated SkyClan's camp asking for help, but had manipulated and charmed the leader with her prowess and rose in the ranks just high enough to take him out and attempt to claim his spot. Her story was used as a cautionary tale against rogues, warning cats against those who would infiltrate the camp and rot it from the inside. Eventually, even her true name was lost to time...

Rotten Flower, Warrior of The Dark Forest

Skystar didn't hesitate to throw her in the depth of the Dark Forest when she died. She wears her mask constantly, trying to keep away from the sickness of the muck. She's embraced the false myth made about her, claiming to have killed a founder for power and prestige. But in reality, it's been so long that she's forgotten her family, her power, her name. She barely even remembers Skystar himself. Though she's admired in the Dark Forest for her achievements, she doesn't hang around anyone, and acts hostile to those who approach her.

Perhaps someone can help her remember who she truly is...?

[ladyaster]

After Isa's redemption in KH3, I'll never find it not funny as a huge fan of FFVIII that the fanon consensus is that the new "nemesis" of the Seasalt Trio or at least Roxas and Xion is Seifer.

I dunno how much of the KH fandom has played FFVIII, and in-universe it makes sense given Seifer is the "neighborhood bully" of Twilight Town. However, given what VIII players know about him, it's hilarious and cathartic to see these two kids either bonk him with copied claymores in response to him trying to intimidate them into giving him their ice cream money, curbstomp him at Struggle right after calling them "lamers" or "chicken wusses", or accidentally drop half-eaten popsicles on his face when, in his universe of origin, Seifer was a major war criminal who, among other things, dropped all sorts of horrible endgame monsters including actual malboros onto a hugely populated city (which like any VIII fan can tell you, malboros are already nope on a stick in general, but in VIII in particular they're excessively brutal).

Roxas and Xion are just delivering Seifer some belated karma from 1999 is all and I'm loving every second of it.

[dykedvonte]

I think the most baffling thing about the Tulpar as a vessel to me is the fact that the ship really did only have a one way communication system.

I know it was cheap but even the most basic of vessels regarding major transport would have some way, shape or form for outside communication. Not only that but there was absolutely no form of innate emergency signal to show they may have been offline or in trouble despite clearly having a system to dock credits if they went off course. It's another factor that really shows that bad situations are made to get worse by design. One person who is required to relay all information to the crew and make all the choices without feedback. No way to update or call for help in case of a dire situation. No way to inform of inner personal conflicts and acquire procedures accordingly.

It really is like they are all in some sort of fucked up solitary confinement. They have their own world with strict roles that are meaningless in the end, as long as the cargo makes it, it doesn't matter what happens on that ship to the company. They don't want to hear anything and will come to conclusions on what happened based on how much pay they can withhold from the workers. Even what they do send is short, sterile and corporate to the extent it was likely written and sent out with a command by some random unmanned computer in an office.

There's something to be said about how unfair it is to force absolute power and control onto one person when you as an entity could do so much more to offload it but I've said it many times before so I won't again.