#i adjusted it a tiny bit
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salamispots · 6 months ago
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gift/commission for a relative, 15"x20"
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saphstories · 7 months ago
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Imagine an AU where the abuse and neglect Timmy suffers from his parents and Vicky gets so bad that Cosmo and Wanda are like "you know what he's ours now" and steal him away to Fairy World to raise and love him themselves
BUT the only way they can keep Timmy is if he renounces his humanness and agrees to become a fairy but the process takes like 1000 years bc that's how long it takes for fairy kids to grow up
And now enter Timmy learning to control his fairy magic and becoming like a tiny child again because fairy children are TEENY and good parents Cosmo and Wanda
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poorly-drawn-mdzs · 1 year ago
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Taking a snooze.
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bruhstation · 1 year ago
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updated casa tidmouth designs as of june 2023!!! yahooo!!! (claws the wall and rips out the drying paint pieces)
individual characters below the cut:
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horreurscopes · 5 months ago
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hello horreurscopesheads commissions are still closed for the foreseeable future but i have one (1) emergency slot for a sketch or simple color commission, minimum $60. send me an ask if interested!
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artsywitchling · 1 year ago
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You okay?
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robo-dino-puppy · 1 year ago
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horizon forbidden west | flight 21/?
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sunnibits · 6 months ago
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thinking about how young dimitri was when he was traumatized and throwing up (<< I am the one who decided his age and what pain to inflict)
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funfactory · 2 years ago
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FROMIS_9 2023 SEASON’S GREETINGS PREVIEW
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sheliesshattered · 9 months ago
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My last post about the progress on my Batuu vest left off with me contemplating exterior pockets, looking to Bix Caleen as an example of a fitted vest in the Star Wars universe. I ended up talking myself out of any visible exterior pockets, with or without flaps, after looking at all those pictures of Bix. I've got enough other bits of visual interest going on with my outfit that I felt like exterior pockets just cluttered up the look.
Once I had decided against adding additional pockets, I was able to move on to the next step: finishing all the edges and attaching the lining to the exterior in preparation for getting the zipper in place. I turned under the armscyes of the lining and the exterior separately, both using a blue lace hem tape that I originally bought to go with this fabric back in 2016. Eventually I'll top-stitch them together with the hem tape sandwiched invisibly between the exterior and the lining, but for now they're finished enough to allow me to try the vest on without fraying the armscyes.
It took me awhile to think through all the steps for attaching the zipper, with all the asymmetry and overlapping and exterior and lining, while also not wanting the zipper to show from the outside at all. Eventually I figured out that I would need the underlap (left front) to be completely sewn together with the edges finished before I could attach the zipper to that side -- but I would need the overlap (right front) to not be sewn together yet, so that I could attach the zipper just to the lining.
With that finally figured out, I put the lining and the exterior together with right/finished sides together, lined up all the seams and notches carefully, then pinned the edges together from the left (underlap side) shoulder, down the center front of the underlap, and around the lower edge of the vest all the way around to the bottom corner of the center front on the overlapping right side of the vest.
After a lot of ironing to get all of that to lay flat when right side out, I was able to trim the center front edge of the overlap to be nice and clean and straight again. When I drafted the center front panels, I modified that right side to have an additional ~2" of width past where I wanted the zipper to be, specifically so there would be a built-in flap to cover over the zipper. Remember: no visible zippers in Star Wars!
Once I had the overlap panels of both the lining and the exterior all trued up, I marked the center front line on the lining side (in the below pic, the angled line going from lower left to upper right), laid half of the separating zipper onto the fabric so that the teeth were lined up with where the center front line met the lower edge of the vest, then measured from the outside edge of the zipper ribbon to the cut edge of the overlap panel. It was just about 7cm away from that edge, so I measured that distance all the way up (past the dashed line that marked the underbust elevation) and drew a nice crisp line with my chalk pen.
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That gave me an easy line to follow when sewing the zipper to the inside/lining of the overlapping flap. Since I hadn't sewn the edge of that panel together yet, I was able to move the exterior layer out of the way and sew the zipper only to the lining, for now. I sewed one line of stitching just slightly in from the outside edge of the zipper ribbon, then did a second pass about halfway between the edge and the zipper teeth. It's on there nice and secure, but has a bit of room to separate from the fabric while it's being zipped, so it doesn't get fiddly.
After that, it was just a matter of pinning the other side of the zipper to the lower front corner of the underlap (this time on the exterior side of the fabric, where it faces the lining of the overlap), then try it on with the rest of my Batuu Bounding outfit and pin the underlap side of the zipper until I had the fit I wanted.
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I sewed down that side to match the overlap panel side of the zipper, then tried everything on again to double-check the fit. It was a bit weird with the exterior of the overlap flap still unattached, but it fit well enough that I decided to sew the edges of that overlap flap from the lower corner up to the shoulder seam. The back of the neckline is still open, and the armscyes have been turned under but not attached to each other yet, so I can turn the whole thing right side out by pulling it through the back of the neck. With all that ironed and the zipper zipped up, the vest looks like this currently:
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Folding back the outer edge of the overlap reveals the zipper. Because of all the overlapping and underlapping, the zipper is just top-stitched in place. It was way more mind-bending to figure out where everything needed to be placed to get this look, but way easier to actually sew on than, say, an invisible zipper set into a seam.
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At this point I was able to try on the vest (with my Jyn Erso sweatshirt) and get a pretty good idea of the overall look. I still want to do a bunch of top-stitching both for accent and to help everything lay flat, but even with that I think I'm going to need something to keep the flap over the zipper from coming open.
I looked at a bunch of options for Star Wars-y looking buckles, settled on one I liked the best, then cut the basic size of them out of paper and taped five of them to the outside of the overlap just to get a basic idea of how it would look. I got Jack to weigh in on it too, and we both felt that the buckles were reducing the sleekness of the vest, and weirdly pushing it more towards an Imperial/First Order sort of look. My character isn't an out-and-out rebel, but she doesn't side with the First Order either. I pulled the taped on paper off again, and both Jack and I felt that that was the significantly better look.
But since I knew I still wanted some sort of closures to keep the flap down -- including one at the top left shoulder, that will hang open most of the time, along the lines of Han Solo's and Cassian Andor's shirts (and a bunch of others, this sort of overlap detail shows up frequently all throughout the franchise) and thus be visible where it hangs open.
I ended up finding these slightly unusual looking hooks-and-eyes that I think will provide a nice, nearly invisible look through the torso of the vest, but not look totally out of place on the flap edge that's hanging open. Bix's fitted coat has a similar closure of just barely visible, just slightly odd hooks and eyes, so I feel like I'm in good company there. They should arrive tomorrow, giving me enough time to hopefully get some of the top-stitching done before then.
That top-stitching is the next step, and one of the last things I need to do for this vest project. I want to top-stitch just inside all the finished edges, including the armscyes, and on each side of each of the seams, probably 2-3mm away from the edge and the seamline. That's going to involve getting everything lined up correctly and all the seam allowances lying flat inside the space between the exterior and the lining, but I think the effect will be totally worth it, both for the smoother fit and the subtle visual interest.
After that, I'll have some handsewing to do to invisibly anchor the zipper to the exterior of the overlap panel and to attach the hooks and eyes, once they arrive. The very last thing I'll do on this project is decide if I want a little stand-up half collar that ends somewhere on top of the shoulder, a bit like the one on Jyn Erso's vest.
I'm pretty sure I want a collar like that, the question is just if I need to lower the neckline in the back first, and then how far forward on the shoulder I should bring the collar. Once I've decided on that, I'll cut it out in two layers, lining and exterior, and sew the outside edges together. Then I'll be able to sew the lower edge of the exterior to the back of the neckline, and hand-sew the lining lower edge to fully encase all the raw edges. I did something similar with the Moment vest, and it comes together pretty quickly. I think I should be able to have the vest completely done by this time next week without much trouble. Hopefully.
Alongside working on my vest, I've been continuing to hand-sew the pleated panels onto Jack's jacket. In the tags on my last sewing update, I mentioned that I had about 5" still to go on the first panel. I was in the really annoying section in the middle of the sleeve where I really had to put my whole arm into the sleeve just to pass the needle through, and it was slow-going. I had to make myself push through that annoying section, rather than continue to put it off.
Eventually I worked my way all the way down to the cuff, cut off the excess from the pleated panel, turn under the edges of the lowest pleat, and hand-sew that into place. I am so pleased with how it turned out, but to keep Jack from making jokes about only having one sleeve done (and so that I wouldn't find myself with time to hand-sew and nothing ready to sew), I quickly pushed on to getting the second pleated strip started. I took a bunch of measurements from the finished sleeve and transferred them to the second sleeve, pinned the pleated panel into place, and had Jack try it on just to double-check the placement.
I was able to tear through the upper section of that second panel, between my increased speed and confidence in my method of hand-sewing this, the easy access through the neck side of the jacket, and a couple of long-ass work meetings where I was basically just there to listen in and take notes every now and then. As of posting this, I'm about halfway through with the second panel, and starting to get into that annoying section of the sleeve again.
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The effect of the pleated panels on both sleeves is just so cool that I will definitely be getting photos of the jacket on Jack at some point, either on our Disneyland day or during a try-on before that. He's somewhat allergic to photos, but damn it I'm proud of how this looks, and I want to show it off. I've been calling it a 'sewist flex' from the very beginning -- look at what I can do, look at how cool and Star Wars-y it is -- and I'm really looking forward to sending this beauty out into the world in all its epicness.
And I think Jack feels similarly, based on how he's been talking about wearing this jacket all the time once it's done. His whole outfit together (this jacket, cream colored henley shirt with the buttons and bottonholes removed, mustard-y tan moto jeans, hiking boots) looks wonderfully casual Batuu Bound. The effect of the whole thing is Star Wars, but none of the individual pieces feel weird or costume-y. He might not wear those pieces together for anything other than going to Batuu, but each piece paired with something else looks pretty normal. So if Jack is able to get a lot of wear out of this modified jacket, all the better. I know I'll get that burst of sewist pride every time I see him wear it, lol.
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bmpmp3 · 3 months ago
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IA 2.0 voisona test with a short version of drag on dragoon's ending B song tsukiru/exhausted :) now i can hear Lia's beautiful dulcet tones sing scary scary songs
#vocal synth wip#maybe i'll finish it. not sure if im fully happy with the base file yet. ive been working on it + the growing wings ver for a thousand year#the timing is super tricky. why did i decide to make an svp of the most intentionally muffled smothering whispering song on earth#as my first attempt at making an svp by myself. why did i do this myself#also the instrumental probably needs work since its just a basic like software remove vocal situation LOL#there is no official instrumental rip..... i think someone had made a nice piano instrumental like five years ago but the videos down so#this is all we got LOL#the base file was an svp because i started this whole project in sv because..... its easier for me LOL BUt also i didnt feel like dealing#with the whispering in the bg of the original so i was like. just gonna make a flat track and maybe output the aspiration separate#and like fuck around with that until it sounds weird enough. but voisona and cevio dont have that function so i just stopped at the main#vocal + the chorus double. which also i have been so spoiled by sv scripts. randomize timing my beloved. i had to manually randomize it her#it took.... a thousand years 😔😔😔😔 although i guess thats fine since the tuning is like mostly default with just some tiny adjustments#i was more interested in messing with the different voice expressions and stuff in voisona <3 IA 2.0 has like this awesome exhale expressio#that im in love with because like. okay the one thing i think UTAU banks always have on any other synth is the end breath situation#no other software has given me as expressive end breaths as ur average utau bank. but IA's exhale is getting there!!!#also hopefully this isnt too loud. this is a very loud song. drakengard is a very loud game#edit: i mixed this like deliriously melting from a lack of AC and a bajillion percent humidity and listening back i now realize how#fucked up the volume levels are LOL ia's a BIT too loud and that double should be messed with a lot#but it works for demo purposes i think at least. kinda
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princess-ibri · 2 years ago
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So how do you think Aurora adjusted to life as a royal after living like a peasant, roaming the woods, and playing with animals for so many years?
I feel like there was definitely an adjustment period, likely very similar to the one Rapunzel had to go through in Tangled the Series (definitely had some overprotective parent issues there too)
Of course the difference is that Aurora had actually loving and supportive gaurdians, who for all their lack of baking skills I'm sure gave her lessons and training to help her ease into court as she grew up, even if she didn't know what they were really for.
Her parents were also aware that their daughter was in kind hands even if they didn't get to see her, so they won't be as traumatized as Rapunzel’s were and thus less prone to be as overprotective, though im sure they're definitely clinging at first and who could blame them.
Overall I think she'll end up adjusting well. I do think that she has her family and friends call her Rose for a daily name though hough, and they just use Aurora for like, royal functions and such.
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aroace-poly-show · 5 months ago
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FINALLY HAVE MY BLOGS REORGANIZED HOLY SHIT
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antirepurp · 7 months ago
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did a test bake of the shoe textures because they had the most obvious things going on and wough. yay. no seams :) very crusty fabric but no seams yippie
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transpanda-1 · 2 years ago
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🎩ON THAT NOTE THOUGH
Apollo Justice has extremely likeable characters, but plot wise is not nearly as good as people remember.
AJ is the DGS1 of the original series, it’s meant to lead into other things and set up plot points for later. But doing that leaves you with a kind of shallow experience when it’s on it’s lonesome.
And because AA team A basically abandoned any chance of a sequel for Ghost Trick, then professor layton, there is no follow up like DGS got with DGS2.
There’s many examples but “Trucy hides her real personality behind multiple masks” is the example we tend to point to because... why does that matter? That doesn’t really change anything narratively. It’s so unimportant to the story that team B FORGOT it’s her character.
So we have a bunch of interesting likeable characters interacting in a story where a lot of those traits don’t really matter and have no real impact to the plot.
It’s a game about moving on, that never fully embraces what it has now, for a hypothetical future entry that never was going to come anyway.
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gibbearish · 1 year ago
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hey @humans saw yall responded to a post making fun of you for updating the pixel alignment of a dash icon rather than fixing anything important saying "changes like this feel small but can make a big difference for some people" which is a bullshit cop out if ive ever heard one so im here to tell you directly in a way you cant wiggle out: you know what would actually make a big difference for a LOT of people? not being transphobic assholes
#that response was so deeply annoying to me like they couldve been like 'yeah its not big but it was technically an update#so we had to include it in the update report' but they tried to frame it as 'well ackshully everyone was BEGGING us to perfecltly#align this pixel so youre WELCOME' and its like. man fuck off you dont get to throw a fit that your userbase is pissed off about#repeated blatent bigotry and then try to act like youre doing us a favor moving an icon a smidge#yall know exactly what the users want you to do to improve this site and are ignoring it because you dont actually give a shit#but you cant say that bit out loud so you have to keep talking circles around it because you know the dirty queers are the main people#keeping your site the tiny bit afloat it still is but are unwilling to actually treat us well so you have to#talk in circles and pretend you give a shit and hype up minor updates like theyre godsend while fucking over trans people anyway#anyways i hope the transphobe on staff is the one who opens this tag notification#just kidding thats all of them because if youre willing to keep a transphobe on your team and allow them to make changes#that directly target lgbt people then you are all transphobes#whats that saying thats like 'if you have 3 nazis and 9 regular men at a table you have 12 nazis'? that#i dont actually expect them to respond to this post bc like. theyre obviously already aware people are mad about this and have just been#avoiding the subject especially if PIXEL ADJUSTMENT is something theyre responding to instead but#w/e#also moving an icon slightly does not make a big difference for anyone sorry not sorry i guarantee if it hadnt been#included in the updates post not a single person would have noticed or cared#they just need something to pad their uodates post out with so people hopefully eont notice the glaring lack#of 'fired the transphobe' 'unblocked queer tags' 'turned off the image filter that targets trans women a lot for some weird reason'
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