#i actually really love race

[batsplat]

Wait what’s the tea on Valentino’s sleep patterns 👀👀 (fellow insomniac / recent motogp fan always looking for more representation)

oh yeah, if you're looking for representation for poor sleeping habits you've very much come to the right place. his sleep patterns are pretty remarkable you have to say. way too nocturnal for a professional athlete, reliant on naps to get through the race weekend, all power to him for somehow making that work and winning all those titles. pretty sure I've read somewhere that he's still known for doing sim races at ungodly hours these days, just how he lives his life

tbh I can't remember off the top of my head where I'd actually read about his sleeping patterns, but I've cobbled together a decent selection of quotes from the usual sources. the most interesting stuff he's said on the topic is in his autobiography - where he goes into rather a lot of detail about his preference for the night. given that it's quite a lengthy passage, I've chucked it under the cut. he frames his nocturnal inclination as not only suiting his natural body clock better, but also as a way of escaping the rest of the world - of being able to move around in peace and silence and anonymity. plus, he liked to spend his nights in the garage to... *pinches bridge of nose* have some special personal time with his bike, when it was just the two of them. take that as you will

before that, let's just start with a few more general descriptions of his sleeping patterns. from early in his career, jerez 1998 (from oxley's vr files):

The camper only holds two people, but that's okay. I don't like my dad to sleep with me, because when it gets to ten o'clock he starts saying: "Vale, Vale, got to bed!", but I can't go to sleep before one or two. We did share a motorhome in '96 and it made life very, very difficult for me.

and about brno 1999 (from oxley's vr files):

On weekends when I'm not racing, I never go to bed before six or seven on Sunday morning. If it's a party, maybe even later, but going to bed at six in the morning is quite normal for me! Even when I was 14 I used to go to bed at 4am. Quite often I'd be riding around the local minimoto tracks until after midnight! If I go to sleep at 11 or 12 I just lie there, my eyes wide open. Maybe I would be good for 24-hour racing!

and then a few years into his premier class career, valentino says the following (x):

'I have a lot of energy after 2am,' Rossi agreed. 'I like to sleep in the morning. I have some problems at the start of the day.'

we've also got a description of crew chief jb's influence in terms of making sure valentino wasn't slacking off by sleeping in (from oxley's vr files):

Burgess' talents aren't restricted to getting the best out of a 500. The Aussie has been in GPs for decades and knows how to extract the best from riders as well. He expects 100 per cent commitment both on the track and in the pits, and when he doesn't get that, he gives 'em hell. Some other crew chiefs won't do that - they're too overawed by their riders' superstardom. JB laid down the law last summer when late-sleeper Rossi turned up late for practice. Rossi suggested that in future one of the crew should be despatched to his motorhome each morning to make sure he was out of bed. No way, said Burgess, I'll be there to give you your wake-up call. Rossi's not overslept since.

and from 2001, in valentino's own words:

Q: Tell us about your sleeping habits, JB has had to wake you a few times for practice... VR: I never go to bed before 1 o'clock, and there's no limit on when I go to bed, but even when I go to sleep very late I always wake up at 8.30, though when I do wake up I always have a big confusion for the first five minutes, then after that I remember: "Oh fuck, I'm at world grand prix!" So I have a shower and then I'm okay. I never get up too close to riding time because the 500 is a dangerous bike so it's necessary to be awake when you climb aboard. Back in the afternoon after practice at four or five o'clock I'll sleep for another hour.

only semi-related but valentino's also talked about... you know, this generational shift - where the sport has become more professionalised, which is reflected in certain lifestyle changes (from barker's rossi biography):

"The next generation is always stronger. They are more professional, they put more effort in, they make a perfect life, they eat in a good way, they don't drink, they go to sleep early, they train every day from the morning to the night... I come from an era where the riders drank beer and smoked cigarettes!"

also plenty of talk of jet lag obviously... doesn't struggle with it too much headed westwards because he says he basically lives on american time anyway. the other direction is tougher, but in his youth he decided that he might as well try to continue living on italian time. so he essentially went racing at 5 in the morning (about phillip island 1998, from oxley's vr files):

I don't have a problem with jet lag, I always sleep. Last year in Indonesia I stayed on Italian time for the whole grand prix - so I was racing at five in the morning! But the difference is too great to do that in Australia.

how on earth are you racing motorcycles like that. mind you, he won that 1997 indonesia race

so yeah. king of disordered sleeping. given the nature of motogp schedules and how they do kind of require you to actually get up in the mornings, congrats to him for being remotely functional during race weekends. crazy how he even won the odd race

and here's the autobiography passage:

My day, usually, begins in the afternoon. It’s as if I exist inside my own personal time zone. I live at night, because I love the night. Now, this might make you think I do goodness-knows-what in the wee hours, or that I don’t live the life of a professional athlete. It’s true, I don’t live the life of an athlete in the traditional sense — early to bed, early to rise and all that — but this does not mean that I’m not careful about what I eat and drink or that I don’t train. In fact, I train a lot, both in the gym and on the bike. It’s just that I go to the gym in the afternoon, rather than the morning. Equally, when I’m training on the bike, down at the quarry, I always go in the afternoon, never at nine o'clock in the morning. My body has a certain type of metabolism. It is used to living according to a different body clock. That’s why, even if I’m travelling all over the world, I don’t experience jet lag and I rarely go to bed before 3 a.m. It’s much more likely that I’m just tucking into bed as people are leaving for work. As I say, I have a special relationship with the night. I like moving in it, living in it, thinking in it, relaxing in it. The night fascinates me, because it’s the period of least confusion. The world calms down, it goes quiet. And, besides, I’m Valentino Rossi. I’m wanted... I'm a fugitive. Yes, I’m always running away from my _ beloved countrymen. The Italians. I’m proud to be Italian, I'm proud of our merits and I regret our shortcomings. Italians are exceptional people. In every way. Even when they start loving you. Because that’s actually when problems can arise — if it’s you that the Italian falls in love with. Italian people are warm, empathetic, spontaneous. But they can also be excessive, oppressive and disrespectful. I don’t know who said that Italians will forgive everything except for success. Whoever it was, they were right. Because it’s absolutely true. After the 1997 season, I could tell I was becoming popular. Year after year, that popularity turned into fully fledged love. They’re in love with me now and, as a result, since the 2004 season, I’ve been a man on the run. And there’s no escape, no end in sight, because wherever I go they find me. There are simple things, the little pleasures in life, which I simply can’t engage in when I’m back in Italy. I can’t go to the bar and have a cappuccino, because I would not be able to drink it. To be fair, I can do it in Tavullia, but that's the only place. If I go more than a few kilometres in any direction from the centre of town, that's it, everything changes and I become, once again, a hunted man. I can’t walk into a store, look at something and decide what I want to buy. In fact, I can’t stop anywhere, not even at a petrol station. If I stop, I’m screwed. Somebody will recognise me (Italians are exceptionally good at recognising people), make a lot of noise, call other people and then, before I know it, I’ve been swallowed up by the crowd. If I schedule a meeting with someone, we have to meet in a secret, out-of-the-way location and, even then, we can't linger. I can't go to a restaurant if there are too many people inside. And if I do go, I can't go at a normal time, say eight o'clock. I have to go later, much later, when people are leaving. And I can't sit where I like, I have to hide away in a corner, in the shadows. As for places like cinemas or the beach, forget about it. They are just always off-limits.

Having said that, I do mix with people. I do it because I like doing it. It’s just that I wish I could do it as a normal person, because, deep down, I am a normal human being. This is part of the reason why I have to live at night. It would be that much tougher during the day, with all those people about. Plus, I don’t like the traffic, the chaos, the noise, all those people running all over the place, stressed out and out of breath. The night is different. Everything is softer, there are fewer people around and you are much more free. It’s like a parallel dimension. The world is different at night. Everything is different. That’s why I’ve assimilated the lyrics of a song by the Italian artist Jovanotti, “Gente. della notte” (“People of the night”). It has become my personal anthem. Jovanotti is one of my favourite singers and I find myself agreeing with him on most things. I love his work. What else can I say? The night is my reality. And I don’t change just because Grands Prix are scheduled during the day. My way of being and living is reflected in what I do during races. I don’t really change. Obviously, I don’t go to bed at dawn, but let’s just say that when I do, finally, go to bed, there aren’t many people around. Everything is better at night in the paddock. There is silence, the people _ have disappeared and, with them, the chaos. I can wander around freely, most of all I can enjoy the empty pit area and my bike. Yes, my bike. Because at night I often slip into the team garage. At some races I do it every single night, because I love being with my bike. My night-time activities can be traced back to the years racing in 125cc, and are directly tied to my passion for aesthetics and the stickers, which would later become my obsession. I don’t leave anything to chance'when it comes to choosing the colour or the stickers for my bike. That’s why I’ve always been central to any and all discussions when we were deciding the aesthetics of my racing bikes. I’ve done it always, with every bike, at every level, with every team. And, naturally, I still do it today. Nobody has ever been allowed to attach a single sticker to my bike, unless it was the logo of a technical sponsor. Until a few years ago I was totally inflexible about this. Now, Roby takes care of the number: he attaches it because then he needs to cover it in transparent paint. But apart - from -this, which is primarily a technical procedure anyway, I take care of everything else to do with the stickers. And this takes time and planning, which is why I started going to the garage at night. During the day it is packed with people. There are mechanics, technicians and others around. I would just get in the way, if I wanted to get near the bike just to check the stickers. As I got older and progressed from 125 to 250 and then to 500 and on to MotoGP, I maintained that passion for aesthetics and stickers, as well as the habit of dropping in on the team garage at night. I enjoy the bike during the day _ obviously, but my relationship with the bike is so special that I can spend hours with it, just looking and admiring it, making sure that everything is in order. Those are very personal moments which I find difficult to describe. The Japanese guys, both the executives but also the engineers never knew this, not the guys at Honda, not the ones at Yamaha. I don’t think they would really understand. They would probably view it as a waste of time, since I don’t actually do anything concrete. I never touch anything to do with the bike itself, beyond, obviously, the stickers. And yet I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. It’s a complicated concept to explain: the risk is that people will think that you're crazy.

During the day everything happens so quickly, frenetically, neurotically. However, there is a sacrosanct moment when I need to step away and isolate myself. Once my commitment to the team is over, usually around 5.30 p.m., I retire to my motorhome, relax and take a nap. It usually lasts a couple hours and then I go out. There’s always something to do after dinner. Of course, the range of options depends on how many friends are around. I really start enjoying the paddock around ten o'clock at night. Before going to sleep I check on the bike again and then I go into the team motorhome, which serves as an office. Now that I’m at Yamaha, I have an office all to myself. That’s where I keep all my race gear. I do this for two reasons. My own personal motorhome is an absolute mess, nothing more fits in there and I probably couldn’t find anything amid all the junk. Plus, the office is where I change into my racing suit before going out on to the track. Thus, at night, after going to the pits to see the bike, I go to make sure that all my stuff is where it should be: gloves, suit, socks, boots . . . everything needs to be perfect, because I just don’t have time in the morning to hunt around for stuff. Thus, each morning I have to follow a very precise routine. I’m like a robot, everything is the same each day. Because the truth is that I need to be like clockwork. I just don’t have the time to think. Somebody generally comes to wake me up — usually it’s Jeremy, because he doesn’t trust my ability to wake up on my own! I then get up, wash my face (my eyes are still shut at this point) and try to stay awake as I ride the scooter from the motorhome to the pits. I then go up to the office and get dressed. There too everything is done mechanically. It takes the slightest hiccup to throw everything off, forcing me to be late to the testing.

"I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. it’s a complicated concept to explain: the risk is that people will think that you're crazy" well -

[simpingforcys]

I needed gifs of King Candy actually driving/racing for reasons. For 'the greatest racer ever', we don't get a lot of scenes of him actually racing aside from the final race.

[skitskatdacat63]

Vettonso complaining about each other not respecting schrondinger's track limits on the radio compilation + Seb's commentary that made me a bit feral

Must include these sexy ass pics okay, it makes me feral how hard they race each other.

Also SO upset that we got this vid and there's also pictures(and presumably a vid out there somewhere) of Fernando, back then, ALSO debriefing this race. And yet we never got them together?????? Evil. Fucked up.

Imagine seeing them complaining about each other but also having to (begrudgingly if you're Fernando) compliment each other IN FRONT of each other. Maybe its a good thing it doesn't exist, bcs then I'd have a heart attack.

[ywpd-translations]

Ride 795: The peak of their limits!!

Pag 1

2: Isn't there anything I can do?

3: Listen to him

4: You don't have to say anything back, you can just nod

5: Just listen to his nonsense

6: Like always

8: To... Toudou-san

Pag 2

1: He'll arrive soon

2: In just a few minutes he'll pass on this road right before our eyes

4: There's no need to stay back

5: Right now, he's fighting

6: He's running against his rival for “the last kilometer”....

His muscles are aflame, he's wiping away his sweat, and his body is screaming

Pag 3

1: His limbs are numb because the blood isn't flowing until his extremities

His heart rate is at its limit, his body feels like it's in danger and is trying to stop moving

2: He's fighting against his own body that's trying to stop, and against his rival who's moving forward

It's the “peak of their limits”

3: The peak of... their limits

4: That's the fight he wanted

5: Watch him closely

Call out to him with me and he'll be happy

6: Don't worry

Racers recognize even the quietest voice

And then

Pag 4

1: they can turn them into power!!

Pag 5

1: Sooreeeee

2: 700m left until the mountain line!!

They're lined up!! They're neck and neck!!

So close!

Pag 6

1: 600m left!!

2: The race passes through the intersections with Mt. Hiko's trailhead!!

Goo Hakogaku!!

Don't lose, Chiba!!

They're neck and neck!!

Pag 7

1: Neither of them is stopping!!

Pag 9

2: So much sweat is falling on the road!!

3: They're passing through the last intersection and then will face the final gate

4: They're entering a narrow road!!

Pag 10

1: 500m left!!

2: They're still pedaling!!

Pag 11

1: Since earlier my fingers in my right shoes

2: keep getting cramps

3: The blood isn't reaching their tips

4: It's not, but

6: I'll keep turning my legs!!

7: I'll tighten up my shoes to reduce the pain!!

Pag 12

1: Mountain King tightened his shoe's dial!!

Woah he's serious!!

2: What does it mean!?

Biking shoes have a dial

3: During a long race, cyclists' feet get thinner, so they turn their shoes' dial up to tighten and secure their feet in preparation for the final dash

Wire

Depending on the direction you turn the dial, it tighten or become loose

4: In the scene of European races, it's something cyclists do a lot to prepare for the race before the finish line!!

5: Is Mountain Kind going to attack here!?

But right now it looked like he was trying to avoid the pain in his leg

Pag 13

1: This is bad!!

It's not just my fingers

My arms have lost feeling too when I'm dancing

3: But it's okay, it's just right

My legs are moving

4: And you're next to me!!

We're still fighting!!

Pag 14

1: If my arms won't move then I can just swing my bike from my shoulders!!

Pag 15

1: Manami attacked again!!

Amazing!

He's going!!

2: In the hardest section!!

He's leaving Mountain King behind using his dancing!!

Pag 16

1: He's opening a gap between himself and Sohoku's Mountain King!!

3: Mountain King is in a tough spot!!

4: He instinctively dropped his head!!

Pag 17

1: Try to have fun, Onoda

4: Races are hard

5: When your opponent accelerates in an unexpected moment, when the attack is stronger than you had imagined

6: Remember

Pag 18

1: You can't win a race without going through tough times

2: Teshma-san....

3: “Just before” means that there are many options

Like, will my opponent get exhausted? Could he make a mistake? You'll be thinking like that

4: Surprisingly, victory or defeat depend on these little things

Pag 19

1: Well, that's just my advice though

I actually always end up slowing down at critical moments, and so I lose

2: That's not true at all!! At this year's Inter High it was Teshima-san who won the mountain prize!! Thank you so much for that!!

I get it, I get it

3: Well, you're an earnest person and won two times already, so it's like I'm preaching to the choir

4: But there are times when you're weak

5: I've seen that many times too

9: During a race, when it's “just before”, just remember this

10: When there is both a hard road and an easy road

Pag 20

1: Don't hesitate to take the hard road!!

2: Right now for a moment, I was thinking “why am I going now” and “when it's hard to breathe”!!

Pag 21

2: My chest hurts!!

3: My legs hurt!!

4: But still!!

6: I'll choose what to chase!!

Pag 22

1: Mountain King is accelerating and chasing!!

Aaaaaagh

4: Sangaku!!

5: I'm ready!!

[utilitycaster]

I really do dunk on villain stans a lot but the thing is like. I genuinely do not care on any sort of moral level if you love a villain, or villains generally. They are pretend. The murder and the war crimes aren't real. Do whatever.

The issue is that like, this is a person the narrative is telling you to root against, and that it's okay because they are pretend. That doesn't mean they can't have sympathetic qualities but it does mean that as a rule the story is telling you "hey, here are the heroes who oppose this person, cheer for them" and also "you should boo and hiss when this motherfucker comes on stage" and a lot of people who like villains will look at everyone else and go "why the FUCK are you booing and hissing don't you see they have TRAUMA" instead of acknowledging the big "TIME TO BOO AND HISS" signs being thrown out by the story and saying "bring it on."

And I suppose you can argue that this is an overly simplistic way of looking at it, but if we're dealing with a story with at least some reasonably clearly delineated heroes and villains you're not intelligent for trying to pretend it's more complicated than it is. I'm not talking about the gray areas of antagonist who could be persuaded otherwise, nor antihero but straight up "this is the bad guy, we all but have arrows pointing at them saying it". Like, really, a lot of people who stan villains don't seem to do it for the love of the game, which I would respect, but because of a sour grapes situation with the heroes, or because they're in their edgy "subversion automatically means you're the smarter one" phase.

Anyway my point is I don't care if you woobify a villain for any sort of moral reasons but I do think that if you do so, you're a coward and not terribly good at understanding stories. I also don't care from any sort of moral standpoint if you enthusiastically cheer on the villain, but if you act confused or mad that most people aren't with you on that, I think you're an idiot and not terribly good at understanding stories.

[hozaloza]

GUYS

RARE MOMENT

IM FIXATING ON THE KIDS

SPECIFICALLY, A SHIP

WHAT SHIP??

ASHLER...

WITH

Not Another Song About Love • Hollywood Ending (spotify.com)

THIS SONG ^^^^^^^^^^^^^^^^^

LIKE

OMG

IT'S THEM CODED

IDC WHAT ANYONE SAYS

I CAN SEE IT

AND YOU SHOULD TOO 🫵🫵‼️‼️

[butwhatifidothis]

I LOVED To Be a Creature, and it genuinely creeped me out to see the things Edelgard and Hubert said to Byleth (though it's the same as the game, stripped out of its voice acting and background music, the dialogue is so much more horrifying). Really makes me wonder if Edelgard's love for Byleth is genuine in any way. Do you think there's any real love there or is it just obsession?

Thank you!!! I had a feeling that placing Edelgard and Hubert's words in a context that isn't meant to make them look flattering would really let their casual racism shine, and I'm glad it's seeming like that is in fact the impression people are getting lol. SO sorry for the late answer btw 😭😭😭

As for whether Edelgard's love is genuine... I got opinions lmao.

got a bit long lmao under the cut it goes

If Edelgard felt the way she does for Byleth on exclusively SS and CF, I could maybe see how this is a "genuine" love (insofar as a love steeped in "I may hate your race but you're special and Not Like The Other Ones because I think you're special to me" can, uh, ever be genuine, in any case). But because Edelgard still feels as strongly towards Byleth on AM and VW where she quite literally never talks to them directly in any meaningful way, it becomes waaaaay more like she's just weirdly obsessed with this person who saved her one singular time ever five years ago from an attack Edelgard set up. It makes the "love" way more forced and contrived and obviously trying to squeeze tears out of the player for standing up against the cute girly trying to murder them. Or, alternatively, it makes Edelgard come off as manipulative, saying that she just wanted to walk with Byleth and it makes her so sad to HAVE to fight Byleth because BYLETH wouldn't stand by HER - and she's saying this on AM/VW to a person she's talked to in conversation a cumulative, what? Hour? Two? Maybe a few days, being nice? Over the course of, being as absolutely generous as physically possible and not counting the five years Byleth was missing... two fucking years? She's shitting herself over fighting this stranger she doesn't fucking know? Yeah, sure buddy, whatever you say - you see what I mean?

And honestly even outside of those two routes, I think it's more that she sees Byleth as being hers rather than actually liking them for who they are. A body to stand next to her and tell her how right she is and comfort her - who doesn't have the background of "I was literally raised to think this is my only purpose in life" muddying the sincerity of the brown-nosing - who also happens to also act as The Perfect Fighter and The Perfect Strategist to actively help her get what she wants. That view of Byleth being a tool doesn't really go away unless they marry her, seen by how they quite literally get nothing for all they've done for Edelgard should they go unmarried to a noble (guess they just weren't meritable enough once their use to her was done).

As well as how much more Edelgard doesn't like Byleth disagreeing with her or otherwise going against her flow than pretty much anyone else in the game - you lose supports points if you don't think the Black Eagle Strike Force name she made is good, she quickly denies the notion that Byleth is detached from others/emotions and insists they are just like she is, she gives them the same callous and thoughtless words she was apparently given once in her life while they are in the midst of mourning their recently murdered father so that they get over it already and get back to being useful to her (directly saying she will only reach out her hand when it's time for HER to move forward, not when BYLETH heals from WATCHING THEIR DAD DIE IN THEIR FUCKING ARMS MAYBE A WEEK AGO). She never treats Byleth kindly unless they do everything she wants, which like. Isn't love???? At all????

There's just this... weirdly possessive air Edelgard has around Byleth that always threw me off, especially with how easily she admits to have been willing to kill them so far into CF and how readily she cuts ties with them the second the fighting's done (which is particular because how just how clingy she was to Byleth everywhere else - you know during all that time Byleth had a use to her). Incorporating that into being an intentional part of her character is certainly interesting, but not in a way that's flattering to the idea of Edelgard genuinely being in love with Byleth lmao.

Personally tho, even disregarding almost everything else, the simple explanation is that I don't think you can really sit there and say you love someone while openly hating part of their racial heritage. Wild thought, I know lmao

[httpiastri]

hands, crashes, neck, last race together, even more hands, swedish lessons??, haNDS!!!!

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[hanasinbloom]

also!! request part two: the goths uwu <3

Behold: the healthiest and most stable relationship in Total Drama history.

[batsplat]

Oh im obses whit your blog like you are such a great historian on vale and love the way you analys stuff admire the way of writing all of your toughs in such a corent way 🩷🩷🐹

this is so nice, thank you!! okay so this ask was initially sent in response to this post about how marc knew what a dick valentino was to his rivals and appreciated/wished to emulate that side of him, in particular in the context of copying the jerez pass. and... well, there is one more follow-up post to that I did want to make. it didn't really work within that post because it's pretty speculative, but I think it's fun! here goes

so you know argentina 2018, right, big drama, reconciliation over, bla bla (I promise this is going in a more fun direction, stick with me here). there's a bit of marc's post-race media scrum that I am a wee bit obsessed with. or well, two specific lines, one in english (0:00) and one in spanish (1:02) - I've included the full responses for context, but in this post I'm really only interested in those two lines

in english:

But he was in the past also 25 years old, and will remember, everybody.

and in spanish:

He has also been 25 years old and, well, I hope that people also remember.

... 25 years old, did you say?

okay, look, fair warning. the rest of this post is going to be reading too much into what was probably an off-handed comment - even if, I'd just like to point out, it is something he felt the need to say twice. but let's just have some fun here, and read too much into it. as a treat

so obviously the most generic way to read this is him saying 'well valentino used to be really aggressive on-track too, so people shouldn't be criticising me more than they did him'. thing is, I wouldn't say there was that much of a noticeable decline in how aggressive valentino was being, and 2017 did still feature some major scraps where valentino very much got his elbows out (cf assen and phillip island, I included a bit more detail on this in the marc race rec post). sure, valentino did increasingly have his reservations about some of the behaviour of younger riders, so maybe he was less aggressive now relative to the field... but I just don't feel like that's quite what this line is implying. it's also not about valentino making 'mistakes' in general, because there would have been no reason to refer back to past-valentino in that regard... the 25 year old version of valentino was considerably more error-free than the 39 year old

so then, my theory is that it's about valentino's controversies! that's what people "will remember", right - it's not the general style of riding, not just innocent mistakes, it's the times when valentino caused a bit of a stir on and off the race track. now, again, you could go the generic route here and say 'ah well maybe marc is just thinking of all the mess valentino got himself involved in when he was younger, from getting into a fist fight with max biaggi at age 22 to pissing off casey stoner through his aggressive riding at laguna at age 29'. but let's say for a moment that marc was thinking a bit more specifically than that... after all, if we're just talking about valentino controversies in general, surely marc should be able to think of a rather more recent example where valentino, like marc at argentina 2018, caused another rider to crash and was subsequently penalised for his riding? of course, marc probably didn't want to bring up that particular controversy - but it's still interesting he feels the need to refer back to a younger version of valentino at all, the fact that this crossed his mind in the first place to make him bring it up unprompted while making his case. so maybe when marc, who is after all a known valentino rossi fan, refers twice to what valentino was like at "25 years old"... he is in fact thinking of what valentino was like when he was 25 years old. and in what year would that be? well, here's the thing. it would be 2004

readers of the sete post can probably guess where I'm going with this, but let's just take a moment to review what specific on-track incidents marc could be thinking of here. let's give him a little bit of extra leeway in terms of the age, even though I trust marc to be more on top of the exact age gap than valentino was in times past. let's throw in one year either way, so 2003 to 2005, and draw up a list of any particularly controversial races valentino was involved in. here's what I've got:

assen 2004 - valentino executed a hard overtake for the win on the last lap on sete gibernau. he's not in complete control and almost loses the front at the next corner, which would have taken them both out

qatar 2004 - after his team rubber up his grid slot the night before, valentino gets slapped with a back-of-the-grid penalty. he ends up crashing out of the race and burns his relationship with sete in the aftermath

jerez 2005 - at a time when their relationship is already very chilly, valentino and sete engage in another duel. valentino executes a block pass with contact at the final corner and is booed by the crowd

motegi 2005 - the first chance to seal that year's title, and one valentino would very much have liked to take to spite honda. an unwise overtaking attempt on melandri leaves both on the ground

so, my guess is that neither assen nor motegi were really big enough controversies to fit the bill, though maybe they stuck in marc's mind as instances of 'reckless riding' that he includes in a more generic internal understanding of young valentino rossi. we do of course know for a fact that marc was more than aware of what happened at jerez 2005, not least because he, you know, directly copied that move twelve years later (again, link to the relevant post). like marc in argentina 2018, valentino barged into a rival in rather controversial fashion, and obviously it also made the relationship between him and said rival deteriorate still further. sure, you can't really argue the move was 'as bad' as argentina 2018, but as far as I'm concerned it has the same general vibe

you know what else has the same general vibe? here's a race description for you:

a 25 year old rider is sent to the back of the grid for a reason they consider unfair

they proceed to deliver a phenomenal performance even by their lofty standards, quickly working their way up to a position that seemed unattainable to them

they barge a rival out of the way in their impatience, reaching back to apologise for the move

the race ends poorly for them and they fail to score any points

afterwards, their relationship with a rival is ruined as a result of the events of the race, and the whole thing remains a lingering controversy for years to come

one race that fits this description is, of course, argentina 2018. the other is qatar 2004. there's obviously plenty of details that are significantly different - valentino's move on barros is less egregious and far less controversial, and his race ends in the gravel rather than with a post-race time penalty. still, that start of valentino's? the impatience? the post-race fury? the repercussions this race had? come on, look at the race footage I included in the qatar post and tell me there's not a little bit of a shadow of that qatar fury to the argentina recklessness

this is a point I snuck into the marc race recs post, where I included this excerpt from a post-argentina 2018 write-up:

phillip island 2003, hm? as it happens, in the qatar post, I did include a bit of the autobiography that compares those two specific races:

so, phillip island 2003: a performance that made everyone wonder just how much valentino had left in reserve to draw on whenever he needed it. what valentino is saying here is that this performance wasn't a result of him holding back in all the other races that year - this was speed that was accessible to him only in that moment because he was so angry. so yes, maybe it's a valid question to wonder what would have happened at phillip island 2003 if it hadn't just been the ghost of his bike that had to pick its way through the stragglers. then again, valentino says it's not just rage that does the trick for him - it's controlled rage... which is all well and good, except when you lose control

and see also:

that's what argentina 2018 is all about, isn't it? it's a performance that's rooted in impatience, in restlessness, in frustration - where marc tuns his "rage into pure speed", as valentino would put it, in a hubristic dismissal of the rest of the field. ideally, the two of them channel those emotions to spur themselves on to special, signature performances... but sometimes, it gets the better of them. it got the better of marc that day in argentina and cost him the tentative peace with valentino. at qatar, it could have cost valentino the title

(also shades of this in jerez 2020 - an error sets the stage for some extraordinary pace before it all goes wrong) (catalunya 2003 is a fun more compact nephew to that race without the unhappy ending)

now, look, am I saying that marc was really referring back to qatar 2004 specifically, a race that had happened fourteen years earlier, when making an off-hand remark in a post-race media scrum as he tried to do some damage control in the wake of one of the most controversial races of his career? well, no. he could have been! but it's unlikely. maybe he's shit at maths and was actually thinking about laguna 2008 after all. still, I would like to once again point out that he felt the need to mention valentino's behaviour at age twenty five not once but twice. he's telling us that he wants people to remember what valentino was like at that age, and in the most literal sense I am doing what he's asking for. surely it's worth at least noting that there just happens to be a race where valentino was at that exact age and his temper overcame his rationality, leading to him making a costly error... surely it's worth acknowledging this...

even if marc wasn't actually obliquely referring back to that race or indeed any of the races I mentioned above, of course the parallels between valentino's foibles and marc's are in any case interesting. it speaks to how they get those special performances out of themselves, the similarities in how they operate in that regard... but of course also in how they both sometimes stray rather close to the limit, how they repeatedly flirt with crossing the line. a stubbornness and a hubris and a rage that can sometimes lead to disaster for the both of them. and another thing - who knows if marc was thinking about qatar 2004, but he must have been thinking about something. that's the point of that jerez post, right... marc is valentino's successor in so many ways, he has fashioned himself in valentino's image - and he keenly grasps and remains aware of all the different aspects of that legacy. he's the most accomplished of valentino's students and he felt strongly that what he did in that race in argentina was in some way comparable to what valentino himself had been doing at his age, part of the same tradition even. yes, to some extent marc is obviously accusing valentino of hypocrisy here: how can you judge me when you were once young and foolish too? his tone isn't exactly filled with remorse either, is it, he's pretty feisty in that media scrum! still, there's something more to it... something almost poetic to the whole thing, wouldn't you say? valentino had just accused marc of ruining the sport - and in response marc wants people to remember that they are just the same

[north-wilkesboro-moonshine-cave]

congratulations to Mme. Pascale Leclerc, who has surely just experienced both the funniest and most unhinged weekend a mother could ever have. Dear fucking christ, I hope your middlest son brought you a bottle of champagne for yourself, ma'am.

[skitskatdacat63]

Happy One Year Anniversary to Boy King AU!!!! 🎉

Okay wait before I start talking, look at these close ups and the process!! Aren't they so beautiful aaaahhhh

Wow, can you believe it’s really been a whole entire year since my very first post about this AU? Well technically I first started talking about the statuette a day earlier, but the very first sketch was exactly a year ago!! Let us not forget the incredibly prophetic tag on that post: “also in the sense of this au i think the only ship that would work(historically accurate wise) is Vettonso.” Who knew that after that my entire life would devolve into vettonso, this specific period of history, and the lovely combo which is Boy King AU. Also wow this means it’s taken me almost a whole entire year to actually draw a joint portrait of them hahaha. I drew this sketch around the beginning of the AU, but never finished it. It’s fine though because this one is a lot better, and I’m in love with it. Took me a year to draw a couple portrait, and took me almost a whole entire month to finish said piece. 

Okay let me explain this piece, which I am very obsessed with!!! I dragged the process out more than I usually would, but I’m glad, because it was so enjoyable. But also look at that fucking crown, no wonder this took almost a month. Usually I’d write like 50 paragraphs detailing the characterization. HOWEVER! I’ve spent over a month writing little bits of characterization, mostly for fun, but also in preparation for this very post. A lot of the earlier ones, I had this drawing in mind, thinking on how I could expand on the ideas I was drawing. Though there’s definitely some things I could still write about. I’ll probably continue to write more Lore a Days, but yeah, they basically amounted to this drawing where you can actually see the characterization I was talking about displayed. Anyways, here are the explanations of bits in the drawing:

First of all, this is some part of the long process of their wedding. Look at the married couple!! Look at their rings!!!

Okay, but why are there two, almost identical looking pieces?? Because look at their hands!! I talked a lot about how Fernando is the one to give out affection more easily, especially in public, where he knows he can easily fluster Seb. He’s acting all grumpy and out of it, I mean to be fair, it’s probably been such a long ceremony across weeks. But he notices Seb is out of it too, just better at keeping his smile (let’s be honest, even if he’s distracted, he’s super smug.) So Fernando catches him off guard by squeezing his hand. Before that, as you can see, Fernando is just resting his hand on Seb’s outstretched palm, like that one scene from Succession. Very: yes I’m getting married, but I’m not happy about it. The combination of Fernando refusing to even touch him more than lightly beforehand but now going full force, them being in public, and Seb already being distracted catches Seb so off guard he has to try to cover his blush with his fan. He thought Fernando was being super impolite, but now he’s the impolite one!! Getting all blushy and giggly over a simple display of affection, perhaps even ha-

So. Their crowns. Seb’s wearing the crown of Austria, because he is in fact only a king still! Also, because I really wanted to try drawing it after I wimped out of it before in this drawing. Fernando’s a king as well by the point, but the fact he’s wearing only a tiara-like hairpiece is to represent how much of an outsider he still is. At this moment, he’s just Seb’s wi- ,I mean husband, to all these guests. Of course this bitch wears a black veil instead of a white one, to signal that he’s mourning the loss of his autonomy and personhood. Don’t worry too much about his mental state though, considering he’s not depressed enough to be able to resist teasing Seb. 

The fan, oh my god. Back in this era, people would gift/make fans for basically any occasion. To symbolize an event, to celebrate something, to show a story, etc etc. I wish I could have drawn something more narrative, but I think the bull vs. horse is good enough. Also you can see those same symbols on the pendants they’re wearing!! I’m so happy when I can fit irl, modern stuff like that into these drawings, it feels so clever!!

It’s so funny, I wrote a lore a day from a prompt about what they’d be like when doing a joint portrait, while I was already almost through painting a dual portrait of my own! So I got to explain some stuff like their clothing colors and poses before I even posted this. I feel very coy about that still honestly. 

Hmmm what else? It feels so weird to not expand on the characterization, considering I already did it for myself weeks in advance. I can’t imagine what it’s like opening this read more, and seeing more than 10 in-text citations. Happy reading!!!

 Happy anniversary to  this wonderful, crazy AU that makes me download 500pg German papers about 18th century etiquette. I drew a couple pieces of fanart before this AU, but I definitely think it jumpstarted my insanity about drawing/making AUs, and literally is what made me insane about Vettonso in the first place. Remember, if I hadn’t learned about Joseph I/Charles VI, most of my blog probably wouldn’t exist in it's current form. Thank you if you’ve stuck around since the beginning, or if you’re even just learning about it now!! It’s so incredibly niche but I’ve had so much fun researching and building this world and these characterizations, and I hope you’ve enjoyed what I’ve made in the process. I hope I can draw/write many more things in the future. I think next, I’m gonna maybe open up requests. I’d like to try to either write ficlets or draw chibi comics about specific Lore a Day posts on request. I think that’d be a lot of fun, but also will probably kill me. We’ll see!! Anyways. PPlease enjoy this absolute labor of love, which is a result of a year’s worth of work.

[ywpd-translations]

Ride 769: Danchiku's “escape”

Pag 1

1: Sohoku's number 5 jumped ahead! And he kept attacking!!

2: Number 4, Kaburagi, caught up to Doubashi who has been left behind!!

4: This is bad!! Pedal!!

Let's raise our pace!!

Pag 2

2: I won't let you get away, Chicken!!

Pag 3

2: No.... they're so fast!!

It's no use anymore, senpai!!

3: Get away Danchikuu!!

Pag 4

1: Yeah, Issa!!

Pag 5

1: 4km left until the sprint line!!

2: Don't underestimate him, San-na*!!

(*NdT.: Kaburagi is calling him that because when earlier he called him “Doubashi” with no honorifics, Doubashi corrected him saying “it's san, na” the 'na' is just and ending particle, but I decided to leave it in the nickname Kabu is using now)

3: Danchiku is strong!!

He's the kind of guy who once he makes a decision, he sticks to it!!

4: Buah!!

I'm not underestimating him

5: With that attack earlier I got that his “running” is no chicken!!

6: Haha, I told you from the start!! I told you “that's not true”!!

Pag 6

1: But “mentality” is another story!!

3: “Running” and “mentality”are different things, but two sides of the same coin!!

4: I'm chasing him like this!! I'm getting closer!!

That's the reality!! The situation!!

I'll swallow him

5: And even if I don't do anything, he'll make a mistake!!

6: Tch, this guy hit a nerve

7: Look

8: My pressure

Pag 7

1: Is rising!!

3: What's this

From behind me

4: It's the feeling of something dark and hug approaching!!

This is that guy's....!!

Seriously!?

Pag 8

1: But!!

Gaa

2: But I also came here fully prepared!!

ruaaagh

3: “Take care of that idiot”

4: Bamboo

6: Hop Shot!!

Pag 9

1: I'll leave him behind!!

2: Switch to a

3: higher gear!!

6: Dammit, instead of switching to a higher gear I switched to a lower!?

Such a stupid mistake!! In a moment like this!!

I'll switch to a higher gear now!!

8: Stupid mistake...? That's not it

Pag 10

1: Is my body reacting to Doubashi's pressure!?

Pag 11

1: Dammit!!

Don't turn around

2: San-na is going to move to pin Nagoya down, you go with him

This is the chance that

And then keep going like that!!

3: Issa managed to get for me!!

4: Don't turn around

He's getting closer, I can feel it on my skin!!

5: If I turn around his pressure will swallow me!!

Gaaagh

6: Dammit... so this is the Inter High?

Pag 12

1: This is Hakone Academy's Doubashi Masakiyo!!

2: Chicken.... your pedaling got all messy

Pag 13

1: He's coming closer!!

2: I'm gonna get swallowed!!

4: It's over

After all you really are a chicken

Pag 15

2: A white pressure... Issa!!

3: Danchiku, since it's you, you can do it!!

I'm sure of it, so run without hesitation

4: After all you're

Pag 16

1: Team SS..... Special Strong!!

Higaruaaagh!!

Pag 17

1: I'll take it, Issa!!

2: Higaruaagh!!

Dammit, what happened, he came back to life!!

3: What did you do, Orange

4: I raised it too

Pag 18

1: My pressure, to tell him “if it's you, you can do it”!!

2: I am “team SS”!!

3: I can do it!!

Garuaagh!!

4: Hahaha, if you don't hurry he'll get away, San-na!!

That's called Panda Shout!! That acceleration is terrific!!

5: Talking like that is your strategy to get me to use up my legs, Orange!!

Hahaha of course, you've finally noticed!!

Pag 19

2: I've noticed from the start, though

Is-is that so!?

Well, can't be helped. My plan to defeat him by using pressure alone was a failure

This time I'll use my legs

3: I'll show you my running that I've tempered thoroughly this past year!!

4: The sprint is now down to us three

As expected, there's no one who can catch up to us from there!!

Pag 20

1: In that group behind us!!

2: Pedal more

Let's catch up to them before they get out of sight!!

Gallop!!

Mokkosu!!

4: From behind us, another.... two people!?

Are catching up!?

5: It's two guys from the selected team!!

Pag 21

1: I'm so glad, we caught up with the lead!!

We were pulled by Doubashi-san but we got tore off a little later

You worked hard, you two!

Yeah, somehow!!

2: The leader of our team, Sugimoto-san, negotiated with Doubashi-san fro us

3: Our number has increased so we still have a chance!!

We'll chase Sohoku and Hakogaku that are ahead

Yeah!!

And we'll fight for the green number bib!!

4: Alright, senpai, I'll pull

“Two people” who caught up?

No

5: There's one more person!!

[sunny-sainz]

MY MAN HAS A JOB EVERYONE!!!

[nullbutler]

something something identity something something culture