#i actually really like it for the characterization

[drawcupidsbow]

happy birthday isat :)

this took me Wayyyy longer than i thought it would so thats why its a bit late.. ehheh.... i really like how it turned out though !! extra stuff under the cut

okay. okay im gonna get a bit sappy here. bear (🐻) with me

isat has very quickly become my favorite game of all time which is not an exaggeration. never have i played a game that felt so real in its dialogue, characterization, and character interactions. it makes it so easy to relate to them all and so difficult to pick just One favorite. it cured my art block watered my crops fed my family etc etc. i had originally bought it nearly a year ago now. on christmas day to be specific! and for some reason i didnt actually Finish the damn thing until may. and whew did it consume my every waking thought. i havent had this much fun theorizing and being part of a fandom in general in so so long. thank you adrienne for making such a wonderful game and thank you isat fandom for being so kind and friendly! i actually feel like i can make an effort to have a presence here more than anywhere else and i hope i can become closer with all my mutuals and anyone else who wants to talk about isat with me for one million years

okay enough Heres the art you came here for

first time in like. actual years i did sketch then lineart instead of just cleaning up the sketch a bunch LOL so here is the sketch for this one

the dreaded lineart. this took the longest time and i never want to draw again (joke)

self explanatory. i had an idea to add loop but do Not have the energy to execute it currently. oh well!

if you read my big big paragraph of rambling thank you :3c That is all. Im gonna go take a break from drawing for a day or two and lay on the floor

[gravitytrips]

You are so right.

massive amount of tags below but have some good thoughts

We’ve all heard the “Scout gets too much attention” rants in the fandom but I also want to say: Scout gets too much hate.

Like, he’s decidedly NOT a coward. I have no idea where people get that from. His entire backstory is that he got fast to that he could run into danger before the fight ended. He’s got voice lines pleading for his life, but every character has voice lines where they’re weak or losing.

He’s also not that annoying to anyone but Spy (besides the people he’s killing). I’m easier on this though because it comes from gameplay habits.

Also, Scout is strong. Maybe not physically, and certainly not as much as the rest of the team, but he’s quick, acrobatic, and whip smart about surroundings. He did single handedly take on a Heavy. Sure, it was his meet-the and everyone is overpowered but still. He puts up a fight. (My favorite subversive moment of the ‘scout gets wreaked by everyone automatically’ is in Mann Swap where we see him use his skillset to match with heavy’s strength.)

It’s hilarious to punch the punching bag, ofc. But Scout is my least favorite of the main nine and it still kills me to see him in “serious” tf2 fan media with only his joke traits.

[coffeegnomee]

for the inevitable day I can be proven wrong, I just want to say just how many times I think Kab and Mane are secretly working together and I get really convinced it all makes sense and if she is as good of an actor as she insists then this is just not a crazy take at all.

But then I remember what she says on her streams and I remember I have zero belief that that could be true in the slightest.

But then something like Hannah conveniently being logged out right above the claymore and becoming the perfect scapegoat for how mane found it, or the signs that mane could have found it himself covers up the concept of a mole on the team. How much it reminds me of what spoke was like in the s3 finale. How much it's in the little moments that expose a liar regardless of what they say.

How zam literally gave her the example of working with mapicc to kill pangi and how that showed how dedicated he was to him getting the mapicc kill. How convenient it is for her if the claymore fails so she can be the one to kill mane. How easy it would be dm mane that. and mane can take care of covering for her by saying he found it. how i definitely believe he would be intrigued and pleased with the possibility of a story like that.

how much mane targets her and how easy of a justification that is for her to infiltrate the opposition. How incredibly offended she gets when anyone implies this isn't her kill, while she stays to the side making other's plans come to light.

How much she insists on knowing all of zam's plans. always asking questions.

how much she insists that she cares about zam but has also said multiple times she wants to do a crazy arc on zam. the two can be true because they do care about each other outside of the server.

how she picked mane's iron farm for the conversation with bacon way back when. How she flew off to mane's lag machine area when talking to woogie. How coincidental that of all the places it was two manepear locations in the same week. How much i believe that that is the kind of audacity that kab would love to write into a story.

I just can't shake the Jumper paranoia since s5. How convincing jumper was for being a part of the team. How there were clear points of her being a traitor that got so completely brushed under the rug with easy excuses from her. How easily Spoke s3 got in on zam's team without trying because zam was willing to trust him instantaneously because they once shared views. Zam did all the heavy lifting for making Spoke not look sus, spoke just had to go along for the ride and make tiny silly mistakes that implicated every other member of the server while systematically leading to clown finding the bases himself.

But then i remember Kab is simply always happy when something benefits her, and so not being upset in the slightest over mapicc's claymore not working is so much easier explained as her just being happy her plan can work. Rather than already knowing it was never going to work.

And then I remember how afraid she gets about doing a plan and how much she overthinks before doing it. How much it feels like she's a bad actor when she turns on the acting, so it feels like she's just not good at acting. But what if she isn't.

The possibility is so low and yet the examples are there.

Because she's either the worst manipulator in the world and cannot read people and has only succeeded due to the shortness of other servers, or she holds out for the long con and can handle lying over a very long period of time and covering it by talking about her random other plans as cover for the long term, and she's lying to chat as well in every moment she is streaming. Which is a mind fuck I was not prepared for.

Because you don't need to actually characterize people well in order to manipulate them. You just need to understand yourself. And you just need to craft a narrative that makes enough sense for others to fill in the gaps.

but that's just a conspiracy. one that blossoms in every zam stream and dies in every kab stream. Hopefully I'm wrong but either way we'll know at the end of the season.

[cr4zy-cycl0n3]

Yo! I'm doing a Heroes of Olympus rewrite!

I'm not a huge fan of how some scenes go in canon and how the characters esp the gods are handled in Hoo, and after reading one too many rewrite/AU fics, I've decided fuck it, imma make my own.

I'm changing quite a few things, like:

- making Piper's memories not be tampered with and as a result be way closer to Leo (credit to Heroes of Juno by @queenjunothegreat for this idea!)

- MOTHERLY HERA/JUNO WHO PSEUDO-ADOPTS JASON FTW also parental Lupa but that'll be more apparent in a Jason prequel/sequel(depends on how I wanna format it) I’ll write after TLH is done

- slowburn valgrace instead of comphet jiper

- Leo and Piper QPR(+Jason when Piper stops being his #1 opp). Jasipereo ftw babyyy

- the whole series is just gonna have a good deal of focus on the Lost Trio. I'm not gonna shaft anyone ofc but my favorite punching bags characters are just gonna get extra love :3

- Jason's gonna be considerably more feral cuz CMON MAN WAS RAISED BY WOLVES(this is more prominent in the later books cuz in TLH he was alr feral, going at 2 giants with his BARE ASS HANDS)

- Jason has more bite cuz DAMMIT HE DESERVES TO BE ANGRY/BITTER AND CLAP BACK. HIS LIFE IS SHIT, LET MY BRO BE MAD

- more exploration into Jason's character cuz man was shafted so hard :(

- exploration of characters' powers in general, def buffing the Big Three kids to be as strong as Percy cuz holy cow he's OP. I love Percy and his OP-ness, but the other Big Three kids should be just as OP

- Zeus is the God of Justice, which we don't see much of in PJO's characterization of him, but Jupiter is Roman and hence is much more strict in the RRverse, so consequently I think his domain of law and order is more central to Jupiter than his greek counterpart, so I'd like to explore Jason having powers related to that and being an absolute powerhouse when it comes to debates and politics despite hating them

- characterizing the Gods differently from canon as I'm a Hellenist and writing them as they are in canon makes me like. Kinda uncomfortable. I will be using mythic literalism as that is what PJO/HoO's based on and I'm not rewriting the very foundations of the series, so they will still have committed the things they did in mythology, though I'm keeping them largely unaltered from the Og greek mythos and unsanitized as this isn't intended for a young audience like PJO is. Their behavior won't be exactly like their depictions in myths nor how they actually are irl, it's a mix of both(Ex: Zeus has still done heinous shit so he won't be as great as he is irl, but he isn't supremely petty and bitchy like he is in PJO.). This uhh. Will probably mean that PJO events would go differently which would influence HOO but if I think about that too much I'm gonna wanna do a PJO rewrite too and akbhdhd so just imagine that everything that goes on in PJO goes as canon (for now at least) for some reason or another.

- Octavian and Jason are were best friends cuz I said so. This change is inspired by To Storm and Fire(a Heroes of Olympus rewrite) which I am in LOVE with. The antagonistic side characters(like Drew and Octavian) got very little development or character exploration so l'm definitely giving them that in my rewrite!

- The Seven feel and are much closer together

- delving more into the sevens' trauma pre-camp, might also do a one/two shot for each of them. Jason’s a given cuz I’m writing a whole ass fic or even series dedicated to his past, Leo and Piper definitely, probably also Hazel and Annabeth, not sure on Percy and Frank cuz for Frank I’m def going into the trauma that comes with growing up in an Asian household but don’t have too many ideas on how to execute that, and for Percy I don’t have all that many ideas in general outside of the little we know in PJO(I used to think we knew a lot but honestly, we really don’t? Like we know Poseidon left, Sally had to work a lot, Gabe sucks, and he got kicked out of 6 six schools in 6 years and the reasons, but we don’t have any concrete details. There might be more in HoH, I haven’t read it yet so lmk if there is). Open to any ideas for this!

- camp is. Tense. It's been only a few months since the war, grief is still fresh, and Jason being tall, blonde, and blue-eyed with a scar ain't helping 💀 some people think Silena was a hero, others think she was a villain, some people sympathized with Luke, others despised him, there's a lotta differing views.

I have loads more ideas that I won't get into here cuz the post'll get way too long, but l'd love to hear what you guys think! What scenes/characterizations should I change? What topics would you like to see handled differently? What should I add? I'm open to any and all suggestions!

Currently outlining TLH, will start posting it on my ao3 once I have the first chapter and 4-5 buffer ones written so I'll prolly start posting it in a month or two? Idk, depends on my workload irl and if I get hit by writer’s block. Maybe less, maybe more, who knows. I'll be writing a bunch of shorter stories for specific moments, time between books, and namely a prequel/tih sequel focusing on Jason's past and who he was before Hera wiped his memory. Open to any suggestions for additional works too. Feel free to drop any questions and suggestions bout the rewrite here or in my ask box!

[rin-solo]

I love. LOVE. Get In the Water

It's one of the objectively best songs in the musical; I will die on this hill.

Poseidon was always, despite being pretty much the main antagonist of EPIC, a really underdeveloped character in my opinion. He just needed a little more nuance and the fact that one (+ kind of one more) song managed to add so much to his characterization pretty much exclusively through subtext and implications is incredibly impressive writing. Because it did!

At the start he's yet again playing games with Odysseus, the way he did in Ruthlessness. In both songs he could kill him easily at any point, yet he chooses not to for the sake of playing games. In Ruthlessness, this becomes his own hubris as it leads to Odysseus escaping.

If you listen closely, at the start of GITW he already sounds slightly different. He's still trying to keep up this "God of Ruthlessness" front that he's so proud of, but he's no longer more or less carefree the way he was in Ruthlessness. He's been obsessing over this feud for ten years, and even if he would never admit it, it's actually clear just from his voice that he really is tired of it too. Not in the sense of it emotionally draining him the way it probably does Odysseus, but in the sense that it's a bother, a loose end in his life, a book that he finally wants to slam shut.

But he still has a reputation to uphold, and he still cannot close this book until Odysseus is dead, so he keeps up the game. Instead of just killing him, he's taunting him to kill himself. He might associate the idea of just striking him down with a sort of loss, like then he'd have to his hands dirty. Then he's rambling about killing his people, his family. He's provoking Odysseus on purpose, likely trying to get him to snap back, to hate him and fear him the way that Poseidon would think any mortal who has consumed this much of his time should. In his eyes, Odysseus deserves nothing less than to curse him with his last breath as his "darkest moment", the god who became the bane of his life.

And Odysseus replies, of all things, with ... sympathy.

Honestly, I don't blame Poseidon for being speechless for three full seconds. He literally just threatened to gauge Telemachus' eyes out the way Odysseus did with Polyphemus, and this absolute madlad of a man replies with an acknowledgement that he (might have) caused Poseidon pain too.

Now, I don't really think Poseidon was particularly hurt over Polyphemus' loss or hurting in any way in that moment. But just the fact that Odysseus acknowledges that he might be hurting too is probably something Poseidon hasn't heard in ... who knows how long? His family is the Olympians. I don't think I have to say more.

It's actually more of a genuine apology than Odysseus' explanation in Ruthlessness ... Now he doesn't say "sorry" because he's still not sorry for hurting Polyphemus, since he still needed to do that in order to escape. But he expresses regret over the pain he caused in a more genuine way than ever.

I am convinced that Poseidon is utterly unfamiliar with sympathy or mercy. He's lived by his "Ruthlessness is mercy" motto for centuries, and he doesn't know anything else. No one would try to teach him something different. The other gods all live by this logic, even if he's the most vocal about it considering he seems to have made it his whole personality. Mortals wouldn't dare to question Poseidon in the first place. And barely anyone would be willing to treat someone with kindness who is in turn treating everyone around them with ruthlessness.

It's very likely that Poseidon hasn't encountered anyone like this until Odysseus. Ruthlessness is simply how he treats people, and also how he expects to be treated back. The fact that Odysseus doesn't, the fact that instead of hating or fearing or cursing him he acknowledges that they have both hurt each other and that it doesn't lead anywhere to still pursue vengeance must have triggered Poseidon in an unprecedented way.

To him, this was probably the most outrageous thing Odysseus could have said in that moment. And it throws him off so much that he is genuinely speechless, and then simply replies, "I can't." ... his most genuine-sounding line in the whole musical.

I cannot stress enough how much it threw me off to hear this line; in the best way imaginable, it doesn't sound like Poseidon. It sounds almost vulnerable. Almost human. Because he is genuinely at a loss so much that he forgets to put up his "wrathful god" facade for just one second. Standing ovation to Steven Rodriguez for his whole performance, but especially this part.

And then Odysseus goes all out, to say something even more outrageous: "Maybe you could learn to forgive?"

... Which is when Poseidon snaps.

Kind of understandable, honestly. There's this mortal whom he has likely fantasized about seeing pleading, hate-filled, and terrified, cowering before him, for ten years now ... telling him that he ought to learn something. Even hijacking his own motif and his instrument in order to turn it on its head, "defile" it if you will.

This f*cking mortal pr*ck took his own "Ruthlessness is mercy upon ourselves" catchphrase and turned it into forgiveness ... Of course, Poseidon is no longer hesitating, of course he is no longer concerned with getting his hands dirty or not. He yells "DIE!" and unleashes his ultimate move (which is really overkill for simply killing a mortal if you think about it) ... But he does it anyway because this time he genuinely means it.

This simple exchange (my favorite moment in the whole musical, actually) tells us so much about both of these characters that it makes me want to skitter and squeal in excitement.

Here is Odysseus—the very same one whom Poseidon specifically tried to teach ruthlessness—becoming the first person in a long time to offer him sympathy despite how Poseidon himself showed him nothing but ruthlessness. And then one song later, here is Odysseus showing him the consequences of not accepting said sympathy.

Six Hundred Strike and what Odysseus does to Poseidon would've not hit the same, in my opinion, if he hadn't made this offer, if he hadn't given Poseidon this way out, even if no one watching genuinely expected it to work (probably not even Odysseus himself.)

Six Hundred Strike is not Odysseus exacting vengeance. If GITW proved anything about Odysseus it's that he does not want vengeance. He wants all of the hatred and pain to be over, to the point where he is willing to let go of, and I am inclined to say forgive, Poseidon for what he's done to him. Six Hundred Strike is simply Odysseus teaching him this lesson that Poseidon couldn't have learned in any other way, because he has proven in GITW that he genuinely does not speak any language besides that of ruthlessness.

It's just the perfect representation of how Odysseus has now finally learned the balance between mercy and ruthlessness, which seems to be the core theme of the musical: Both have their time and place, one simply has to be willing to act in both ways and know when to use either. No one extreme is the solution. I am genuinely exhilarated that Odysseus finally seemed to have figured out that it's been both all along.

[oriley42]

Serious question but no need to answer if you don’t want to

I see a lot of talk about Amber’s portrayal being sexist in the show, but I’m not quite sure why? To me her motives always seemed really well-defined (high pressure = “I’m only worthy when I’m successful”) so she puts on this sharky mask with a feminine facade so she is feminine enough to get a certain amount of approval but never shows how much she cares (which could be used against her but also could be used to undermine her “oh you’re too soft”). I thought the show did an excellent job of showing a mask for her

But a lot of people talk about 00s sexism and how it impacts her characterization. The sexism… Is it that she gets called a cutthroat bitch? Or how her story revolves around a man after she leaves House’s team? Is it the fridging?

Any of those could be it I guess but it just sounds like you and others are talking about something a little more fundamental to her personhood so I thought I’d ask if I’m missing anything.

Very interesting question! I think you're getting at exactly the trickiness of the issue, which is that sexism always operates systemically. It's not that any key aspect of Amber's character "is" misogynist, it's that every aspect of her character is automatically filtered through a lens of sexism.

In today's world where "bitch" has been very de-clawed, turned into a more casual and way less gendered insult that's used without cruel intention in queer slang, I think it's hard to understand just how violent the term was--and was meant to be--in the aughts. House in canon is not calling Amber a bitch in a cute, almost self-deprecating, friendly way (though I think it's valid to re-write it that way in fic to defuse the term!). He is calling her a bitch to contain and belittle and dehumanize her. We see the term mobilized this way against Cuddy in 5 to 9 as well: calling a woman a bitch was an extremely powerful rhetorical tool to turn any dangerously competent, brilliant, threateningly accomplished woman back into a harmless, debased, controllable object. So, "CB" reflects how easily the fact that Amber is the "female House" gets turned against her--it doesn't mean she's an eccentric genius like him, it means she's an evil copycat who needs to be put down. And this kind of structural logic applies to her whole characterization--it doesn't matter that House does it all more frequently and worse, if she does it, it's unacceptable because she's a woman. (There are parallels here with how racism means that when Foreman acts like House, he also gets the axe instead of the narrative bending over backwards to make what he did alright.) That's why she was fired, after all!

And her death. Woof. Classic case of killing a woman for man-pain. Everything supposedly about her death is actually about how her violent destruction can be used to fuel Wilson and House's character arcs. The narrative is occasionally conscious of this, for example, Wilson saying "none of you even liked Amber" is an almost metatextual reminder of how cruelly she was disenfranchised in every way (including the sexism of her trying to "defect" to the men's team early on, having no female friends, because unlike House who has so many people orbiting him, she is truly alone). Comparing her death to Kutner's is instructive: Kutner gets a whole episode that's about characters desperately trying to know him better. They trace their relationships towards him. Amber, on the other hand, is nearly absent from her own death. The characters trace away from her and towards the way male characters feel (Wilson's loss, House's guilt). Amber becomes just an imagined figure of House's guilt. Even her ghost is not her own. (Though I think many fans do a more feminist read and reclaim the way she haunts the narrative--but imho that would be a negotiated if not fully oppositional reading, to use Stuart Hall's decoding/encoding terms.)

One easy way to see that gendered difference is in how the show refers to these characters after death. Kutner is always "Kutner," never just "House's dead fellow" or rarely "our dead colleague." Amber is often referred to as "Wilson's dead girlfriend." Kutner is his own person, Amber rhetorically gets reduced to an object belonging to a man.

In conclusion: sexism operates structurally, which can make it hard to identify! And one of the funny effects of contemporary fandom doing so much good work to un-fridge women and give marginalized female characters richer personalities and more chances to grow is that canon's intended message of sexism gets obscured. Which, is awesome? Keep up the good work! Let's make misogyny unintelligible 🎉

[ninja-confession-go]

Long rant about Jay (not a hate rant quite the opposite actually)

I hate that they got rid of Jay's mechanic/inventor traits as time went on. And instead of just bringing those traits back they keep introducing characters to fill In that role.

Like Im sorry but why are 3 of the 4 gals apart of the main group into mechanics or deals with tech in someway??? Why is Wyldfyre the only gal who doesn't have an interest In tech????

Nya, Sora and Pixal all fulfill essentially the same tech role and while that's fine as they can easily fulfill different aspects, my issue is WHY NOT BRING JAY'S SKILLS BACK THEN?

They r clearly not afraid of multiple characters fulfilling similar roles so why was Jay the only one who's mechanic skills were stripped away?

Like his skills were so important in the earlier seasons he helped out so much and even got the bounty for fuckin fly?? Like his skills in machinery was also a reason why wu chose him too so to strip that away just makes no sense?

Like I'll forever be salty about this, his intelligence in machinery was so interesting to see especially when u consider the comedic kinda of character he's supposed to be. They could easily made him the mad scientist type of inventor/mechanic but they just hate fun and whimsy and would rather he be just comedic relief and nothing else I guess.

THATS ANOTHER THING

I hate how they treated Jay like he was stupid in later seasons too. They really dumbed him down instead of being the smart comedic relief he's the dumb comedic relief and I HATE it. bro literally deals with mechanics and made shit from scraps if there is one thing he ISNT, is stupid.

Like if they had just made him, let's say not emotionally intelligent i could understand. This is my own personal headcanons coming through, but i don't think he was around many other humans aside from his parents and occasional mail man growing up, and while i dont think he means to come off as a jerk, he tends to say shit without thinking it through as we have seen ALOT and that could be chalked up to him dealing more with machines than people. So If they had just focues on his lack of emotional intelligence, THAT I could understand and would have been fine with. Obviously this is more my own headcanon coming through but u get the idea

But they just made him more all around stupid and I just find that so hard to believe.

I hate how none of Jay's backstory has been explored too.

They introduced a mind shattering revelation that Jay's adopted and proceeded to do...nothing with it.

WHYYYYY???

It would have been so cool to explore that but no, it gets no mention or focus at all aside from that random coversation betwen Unagami and Jay in the season that absolutely should have been a Jay season but for some reason wasn't. Like why bring it up then lol

I also hate that all of Jay's conflicts tend to involve Nya. Like I know they yin/yang but cmon bro, not every conflict Jay goes through has to focus on his relationship with Nya. Let this man get SOME interesting characterization that isn't based around Nya CMON

I saw a few posts on here talking about Jay's characterization and I just had to jump In with my two cents cuz it's crazy how they brutalized him in later seasons. The Fandom tries their hardest to keep the mechanic aspect of Jay alive and I appreciate that so much cuz it's a crime they got rid(or forgot or whatever) of it later on

If u can't tell I'm a Jay fan who's mad their fav was done SO dirty LOL

.

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[curiouspupsicle]

Good Omens Fan Fic Friday Recommendations (11/22/24)

When I first started reading Good Omens fan fics, I strongly resisted reading Human AUs. For me, the joy of the Good Omens universe was its exploration of issues of morality and philosophy through the interactions of a certain angel and demon. And their relationships with their respective bureaucracies. What could I possible get from stories about human versions of Aziraphale and Crowley that I couldn't get from other literature? Boy, was I stupid. Over time, I came to appreciate writers who use the shorthand of Crowley's and Aziraphale's characterizations in a new, human setting. And opened myself to a delightful world of surprising stories. So here are a few Human AU recommendations that totally surprised me. And gave me a new appreciation for this segment of fan fic. The first Human AU that sucked me in was Postcards from Paris (G) by ghostrat. Crowley is drawn into the postcards that arrive in his apartment for a previous resident. He ends up striking up his own correspondence with Aziraphale in response. I love epistolary fics. And I actually do write notes and postcards. So how could I not be charmed? The next (and most impressive) Human AU I read was The False and the Fair (E) by Princip1914. It kept turning up in recommendations. I avoided it until it was the choice for a Tumblr fan fic reading group. Aziraphale is the son of a mine owner in Appalachia; Crowley is a mine worker. Terrible mistakes made and atoned for. Very realistic for the setting and time period (1980s). In the Reptile House (T) by waywarder features Aziraphale trying to get over his fear of snakes by visiting the reptile house at the zoo. Crowley is the zookeeper who helps him. What makes it stand out is the writer directly addressing the reader in their own voice to encourage. "Rosie doesn’t owe any of us a damn thing. No animal does. They’re not here to entertain us. They’re just here. And maybe you don’t owe anyone anything either. You’re just here, too, and that’s enough, I promise." Fluff. Lovely, lovely fluff. Why would I ever want to read a fan fic about Formula 1 racing? I'm not a fan. I don't even own a car. The only mode of transport I own is a sailboat with a top speed of 6 mph/9.6 kph). But Sit Tight, Take Hold (E) by nieded sucked me into a multipart story about international car racing. The deep level of research and accompanying fan artwork made this world very compelling. Totally surprised at how it lured me in and kept me interested.

If you told me 6 months ago I'd rave about an explicit fan fic about a sex worker falling in love with a client, I'd have thought you were crazy. But GayDemonicDisaster really surprised me with Hired Heart (E). Somehow, they manage to avoid the worst abuses of this kind of story. And created a positive depiction of empowerment, self-care, safe boundaries, disabled sex, the rights of sex workers, etc. All of this hangs on a sweet story about Aziraphale, closeted to the age of 50, hiring sex worker Crowley to help him gain confidence and experience before entering the dating world. I'd call it sex positive education in a narrative framework. And finally, some fics surprise you just by being terribly, terribly sweet. That's the case for Our Homeward Steps Were Just as Light (T) by On1OccasionFork. Crowley is a mischievous resident of a senior care home who could use a friend. He finds one when Aziraphale is assigned the room next door. I plan to suggest fics every Friday linked by an idiosyncratic theme of my own devising. Follow if you like what you see and want to see more.

[iandoubt]

thisss a million times this! The thing that people forget about the secret soulmates ordeal is that Grian chose BigB, but he did not choose to be paired with Scar. He made it clear from the beginning how he didn’t want to be with Scar. (Interjection: this is all c!s, and not hating on scarian also a valid ship just me rambling about how I like to interpret it and also it’s very grammatically incorrect and probably pretty repetitive because I didn’t really read through it lol) He was forced to team with him by their shared health, but the term “cheating” implies that Grian chose to be with Scar and then later went back on that. Secret Soulmates, meanwhile, was purely for Grian’s emotional benefit. They gave each other hearts and cookies and there was nothing in particular about the two of them that screamed alliance made for practical reasons. They were just kind of keeping each other company, BigB needing it because his soulmate was away so often that the guy had joined a singles support group, and Grian needing it because well if I write all my thoughts on why in this one sentence it’ll go on forever. Even from third life, Grian shows bias toward Bigb, commenting that if it comes down to it he doesn’t think he’ll be able to kill him even though Bigb is on the opposite side.

But back to my point about why I think Grian is lonely: in double life, Scar behaves with Grian the same way that he behaves with him in third life, where he was reckless and Grian just had to go along with whatever scar said because he was indebted. This in contrast to double life, where the soul bound puts each partner on equal standing, but Scar, probably without realizing, takes the lead, but Grian is no longer content to follow. Scar takes for granted that Grian will always follow him, hence the reason he seems more inclined towards petty vengeance than actual anger or even worry when he finds out about BigB. He is confident that Grian will always come back to him, which, when Grian doesn’t want to, makes things. Complicated. Really, he builds himself a panda reserve, Grian made it very clear that he’s not super fond of the pandas, but Scar is operating on how he knew Grian in third life, before Grian joined the south lands where equality (sometimes rather than equity even when thats not really good, but that’s it whole own shebang) was like their whole shtick, so he thinks that everything he builds for him is for both of them, because in the past he was in charge and had to take the lead. So Grian seeks out someone he wanted from the beginning of both that season and of the series who is, as prev stated, very calm. Scar wanders off to go do something dangerous expecting Grian to follow because that’s what he would have done in third life, but Grian is like okay, you go do that, and goes over to go do arts n’ crafts with BigB. BigB, also, has been constantly on the outside of groups and rarely having an alliance of his own because other people find him creepy or scary or unnerving, which is something he encourages, and even seems to enjoy, but Grian is usually the only one to not be scared off by BigB’s bigbness, like in secret life when he was like this base is scary but it’s also cool, hey is that your initial in the roof and he is literally the only one to notice that and Bigb is just so excited that someone noticed something about his base that wasn’t hey this place is terrifying. They just genuinely enjoy each other company. They can just be silly and definitely not bossy together and have fun! They, for all their fanon characterization, and actually probably one of the healthiest c!relationships in the whole series, because they actually like each other, chose each others company out of their own free will and for no other reason than their affection for the other, and are not toxicly codependent. Idk this is a pretty long and probably incoherent ramble, but I felt compelled because please for the love of all that is sculk someone put some biggri on ao3 that is literally anything other than cheating in scarian angst fics. Thank you prev for reminding me how much I love this pairing.

I know that Grian said “Bigb treated me right” just to get a rise out of Scar but I feel like this is a good opportunity to talk about how much (in my opinion) Grian and Bigb as a pairing are slept on

They both have this chaotic energy that feels complimentary, Grian’s pesky bird-ness and BigB’s whimsy. They both have this quiet rebellion or discontent against the games. BigB knows that it’s all for nothing and doesn’t play into the Watchers’ emotional manipulation, whereas Grian (up until wild life) tries to escape and fight the Watchers’ hold on him.

I feel like BigB’s calm energy is a sigh of relief for Grian. That he can trust someone, and be trusted, without it being another game. That he doesn’t need to constantly worry about survival, and can just enjoy existing. They just want to frolic in a meadow and have a nice picnic your honor

I feel like there’s so much more to this pairing beyond the secret soulmates thing and that their chemistry is actually reall nice! And have a lot of potential for AUs and fanfics!

[kurishiri]

Jude chapter 3 silly but kinda detailed summary

꒰ ִ ֺ ⊹ @ notice ⊹ ֺ ִ ꒱ any pretty translation you may see in here may not be 100% accurate or contain creative liberties due to characterization or narrative flow purposes. this is a sort of summary as well. if you enjoy, though, please consider reblogging, but please don’t repost these or claim these as your own!

kate successfully completes sortin out letters so she heads to the port where jude is talking with the foreman. its there she sort of thinks back on her time at raven co and the long and short of it is that jude, as the ceo, is actually really outstanding, and he acknowledges the efforts of those who work hard, produce results and whatnot, and rewards them in turn.

(that said he could work on his wording ,,)

time skip to night after judes done and they all walkin back tgt where kates like “i think i’ll be able to have a good dinner today” and jude scoffs at her callin her a twit. and shes all defensive like hey whats wrong with wanting to eat good food and judes like when did i say that was wrong?

all of a sudden they stop in their tracks and jude tells kate “on the count o’ three, crouch” and kates all panicked like tf is going on but jude already starts counting down so she crouches anw (in a panic!)

some guy in a suits out to kill jude. god knows who too bc apparently jude don’t know him either 💀

Jude: Who are ya? Can’t say ya look familiar.

[ insert some lines im lazy to tl ]

Jude kicked up at the man’s chin, causing the man’s body to do one smooth flip before collapsing onto the ground.

Man in a suit: Jude… Jazza——!

Jude: N’ like I was sayin’, who the hell are ya?

ok turns out jude does remember him in the end, its just another dude who broke his contract with jude and was selling up some illegal drugs and whatnot.

Jude: I told ya, didn’t I? That if ya breach your contract I’d show ya so much o’ hell you’d wish you kicked the bucket?

J: I fulfilled that promise for ya. Havin’ a grand old time in hell, aren’t’cha?

omg he pried open the wound on the mans face and he let out a cry to the night sky that could shake anyone’s soul silly.

kate then thinks or foreshadows (yk how like ikevil stories r kinda told like kate is recalling the past? like “i didn’t realize it then, but xyz” kinda like one of those moments) that what she witnessed that night was but a prologue of what’s to come bc they get attacked over and over again.

kate and jude get into another argument like “i feel im gonna die every time! im at my limit!” and judes like “well ur in the way loiterin round like that” then jude just yeets off w/o listenin to another word.

she does feel something bothering her tho

(For someone like Jude, he should be able to avoid these grudges…)

When I thought this, I came up with a theory that relieved me of this unsettling feeling.

(…Could it be he’s making himself an enemy of many on purpose?)

‘Yeah, right,’ was what I thought, but also, somewhere in my heart, I felt such a theory may also be true.

shes like there’s not enough info rn but if i do know anything its that

Kate: At this rate, if I stay with Jude any longer…a hundred lives would not be enough!

and so shes like i gotta learn self defense! so she goes knocking on a certain someone’s door like pls teach me le jutsu of self defense!

Ellis: Okay. （╹◡╹）♡

turns out ellis was also thinking of teaching her some stuff abt self defense soon.

so ellis takes kate to the lobby and kates like why the lobby and ellis goes to a bookshelf to take out a book which actually reveals vics weapon collection and takes out a gun, telling kate to try and hold it.

idk if this is a real gun or not (as in it exists irl), apparently its made of silver with a wooden grip.

ellis thinks its well suited for kate. like its lightweight yk. hes like you may need to use it jic. and then hes like

Ellis: But, it’s kind of refreshing.

E: Other than me, Jude seems pretty adverse to putting people by his side.

E: So, maybe he wants to get along with you?

kates like mmm doubt but at the same time she has this question in her mind w/o an answer of why he went and wrote a whole contract and let her stay by his side then? shes abt to cook up a theory in her head when…

just then jude comes in.

Ellis: Ah——Jude.

Jude: We got a job to do.

so they head off to some noble mansion.

Jude: How do ya do, we’ll be here a while.

Nobleman: Ah, Mister Jude?

apparently this nobleman is connected with the guy in the suit jude beat up in the beginning of the chptr. he made him spit out info.

Jude: If ya just were sellin’ somethin’ shady I’d let that off the hook. Illegal drug’s some child’s play.

J: However.

Jude raised one leg and rested it atop the long table.

Jude: I seem to recall the contract prohibitin’ the sellin’ and buyin’ of humans, or am I wrong?

ko-fi☕️ ┊ comms🤍

[saxandviolins77]

I have a feeling most people don't actually care for Bonecrusher's character, so I made a little post talking about what I find interesting about him.

Enjoy 😙.

I know for a fact that Hook, Mixmaster, and Scavenger are the most popular out of the Constructicons and that's fine, but I feel most people don't really KNOW what makes Bonecrusher interesting as a character.

OK, I'll be fair here and say that most of his substantial character traits come from obscure stuff or are not developed, but his most obscure bio is used on his TFwiki description... so... Not that hidden.

Take his Sunbow writer's guide page, for instance. It establishes that he is destructive and brutish, but more importantly than that, his job is a performance to him, an art form if we can put it this way. That already paints a whole different picture of him. Yes, he is violent, but he's also a self-proclaimed artist.

Even in the cartoon, Bonecrusher doesn't act like a thug (I hate this word), as most people and IDW2019 portray him. He's surprisingly stoic (yeah, I didn't take it from nowhere). He's violent, sure, but he's also dedicated to the task at hand. Take G1's "The Autobot Run", an episode that feels like the writer was faithful to the guides. In said episode, while Long Haul is the one wanting to fight directly, Bonecrusher comes and admonishes him, talking about how the device they are building will "wreck those Autobots good," as he puts it. (Bonecrusher has sparingly appearances and lines in G1, but most of those lines are of him being violent or him just going about his work day.)

This for me is the cream of the crumb of Bonecrusher's canonical characterizations, directly from Transformers: The Ultimate Guide by Simon Furman himself. Aside from that, this book has some pretty innovative things for the Constructicons; the fact that this was written by the same person who wrote the Dreamwave bios makes it feel like a natural expansion of what's already established. Though, for whatever reason, Furman focuses a lot on the "survival of the fittest" part of Boner, like, I know... '86 Movie! But C'mon!

(The Dreamwave bio was omitted due to redundancy.)

Now, in my personal opinion, you can see a pretty interesting base for a character. A perfectionist who expresses his desire for perfection by violently destroying everything he considers flawed. A performance artist in his own right.

The only thing I outright reject from Canon is the fact that he has a 3 in intelligence and a meager 6 in skill. Well, color me fucking surprised! He must be a very shitty DEMOLITIONS SPECIALIST. I sound petty, but I simply feel he shouldn't be dumb as bricks ( I also don't need him to be Hook levels of smart.) Keep him a brute, but a competent brute who actually does his job well. (take this with a grain of salt; I have a very weak suspension of disbelief when it comes to jobs not being portrayed accurately.)

Either way, I just wanted to shine a light on what I like about the Boner guy. Have a fine day/evening/night. 🥱

[atruemoomoon]

Misfits and Magic is so special to me. Like, being so for real, I named myself after a fuckin HP character, it was a HUGE influence in my life. I actually named myself Remus before it was really well known that JKR is a terf, and have gone through learning all that while being a walking representation of the parts of her books that fans interpreted in ways she hated. I am a trans dude named Remus, who is flaming gay, and frankly fit most of the characterizations of fanon!Lupin.

Getting to see people take the basis of the world I spent so much time engrossed in as a child, and call out the problems with it and actually talk about what it would look like to make it better? Heals wounds I didn’t really know were there.

Not to mention that being a kid who grew up undiagnosed autistic, and was so often the weird kid who got judged, seeing a character like Evan Kelmp have friends who truly love him with all his eccentricities included makes me feel all warm and fuzzy. The Pilot Program are so human to me, but all Try. They fuck up but still love each other.

TBH its also just so happened that both seasons have come out at important parts of my life. First season came out right before I started my freshman year of college, 500 miles away from home and everyone I knew. Second season is coming out as I am almost done with college but am grappling with Actual Adult Life and Problems.

[catbountry]

Look, I know the Deltarune fandom has collectively decided that pre-Big Shot era Spamton is called "Addispam," but for interpersonal characterization reasons, I write the Addisons calling Spamton "Spamison." By putting the "Spam" in his name right up front as a prefix, it serves to further alienate Spamton from them. They want to remind him that he is not like them; he is a short, janky prototype, an old guy using tactics from a pre-commercial Internet that are much slower and easier to get around than banner ads and pop-ups. He is an inferior version of themselves and they make sure that he isn't allowed to forget it. His tactics are so disliked by internet users that his unsolicited emails are labeled "spam" by a bunch of nerdy users that think quoting Monty Python is peak humor (this was very common in nerd circles in the 90's and early 2000's; trust me, I was there and I was doing it). Perhaps "Spamison" suggests that he be called "Addispam" just to feel a little bit more included, to feel like he could be one of the Addisons, only for the Addisons to ignore this suggestion unless they want favors from him.

Spamton hoarding money to make Pipis nests or just straight-up eating it comes from him having experienced a time where, for years, he did his job and making money wasn't a thing he even thought about until he was forced to flee from a decommissioned ARPANET to NSFNET, which was still a government program but with more private interests involved, and then flee AGAIN to the increasingly commercialized World Wide Web. Having money means that his home won't be abandoned or destroyed. It means he won't go hungry or sleep out in the cold alone. He was never cut out to be a salesman. He actually really sucks at it, no matter how much he tries, and has to resort to outright, blatant scams, preying on the most gullible users out there and barely scraping by as spam filters become more and more common for email clients. Being a Big Shot provided stability, safety, and having so much money meant that he could indulge in its excesses and the power it brought, going completely go to his head and giving him a massive ego because now he is important and famous and people want to be around him. And then when the phone calls stopped, he was rudderless, unable to pick up on anything useful to keep from going bankrupt almost immediately. Money allowed him to thrive, and he needs money in order to barely survive.

There's definitely a lot more of this I'd like to properly explore that I haven't even mentioned. But the idea of him having had to uproot his entire existence, twice, just to be able to find a home that wouldn't be destroyed, is something I haven't seen anybody else expand upon. He's in his 40's and didn't have an actual childhood, instead just being created fully formed as The Email Guy, and going from that, to Spamison, to Big Shot Spamton, to the glitchy, dumpster-dwelling Spamton G. Spamton we've all come to know and love.

Also I like the idea of him always having been short to really give him that short man syndrome that later goes into a full-blown Napoleon complex and serves as yet another reason for him to resent the Addisons. They treat him like a young, exploitable intern despite the fact that Spamton is nearly two decades their senior based on the fact that he's so much shorter than them, he has eight fingers instead of ten, and he's inexperienced in sales, the thing that the Addisons were created for. Indignity upon indignity.

TL;DR:

[noegrets]

I love him, and I love to hate him! Gin is a really wonderful villain. He's extremely skilled, extremely perceptive, and able to hold in that he knows something until the right moment — unlike a certain protagonist we know who just has to blurt out his deduction the moment he has it.

Example: Gin knew when Sherry was hiding in the fireplace — because he could hear her breathing! — but let her think she had escaped so that he could learn more about the situation and better confront her later. How many other times has Gin actually known more than he's let on? When Conan was hiding in the locker, did Gin really just coincidentally decide to stop looking right then — even with Conan breathing heavily right there?

Does Gin really forget the names and faces of the people he's killed? If yes, that's kinda cool in its own evil-zen way (and lol at the tag: #go ruthless guy with face blindness and shitty memory <3). But I also wonder if he really was being 100% serious when he said that, or if this is just another example of him being more aware of the situation than he's led us to believe.

Gin is also so so so horny to be an assassin. He's absolutely found his calling in life. He's got the classic car and the black trenchcoat and the long hair draped over the black trenchcoat because he doesn't even need to be subtle. And he's got the gun and the cigarettes and the cigarette lighter from his classic car and the cigarette smoke in the noir shadows... And he's gotten ever more impatient and homoerotic as the series has gone on. Which on the one hand is awesome, but on the other hand makes me a little bit worried that such a cool character as Gin is in danger of becoming flanderized for the sake of senselessly hot violence. He can maybe have a bit of senselessly hot violence sometimes, as a treat. Or as a character flaw, ooo, that would be awesome. But I think Gin would generally be much more into sensibly hot violence.

Example: Gin caught an FBI agent, stuffed his gun into the FBI agent's mouth, and asked the FBI agent if he'd be willing to spill the secret location? The FBI agent unintelligibly went murfmumrmah with the gun in his mouth. And Gin goes, hm? not willing to talk huh? And then Gin shoots the FBI agent dead.

Either: 1) it's a plotpoint that, actually, Gin doesn't need the secret location and this was all a ruse just for some sadistic fun! (hot and sensible, very good, yes). Or 2) Gin really does need the secret location but he got too horny to hold himself in check (hot but not very sensible and might veer into out-of-character territory if he does this sort of thing too often without it being addressed in some way!)

Like, this easily could be a flaw, and he has made other mistakes in the past that could be attributed to horny impatience (example: he made extremely predictable choices when ensuring the death of someone he really wanted to see dead). But if Gin keeps messing things up by being too horny, it's a bit weird that Vodka never comments on it (hey Aniki, are you sure that was a good idea?), it's never an issue for him, etc etc.

Gin messing up due to horniness is at odds with his other characterization of being so extremely perceptive and competent. He's also sadistic, yes, but you can't just throw his other characterization away for the sake of a sadistic scene. Unless you are writing it that way very much on purpose!! If written well, this would make Gin more complex and probably hint at the mode of his future downfall. But if written poorly, it could make Gin lose the cool characterization he had before.

So, ultimately, Gin is a character I love enough to worry that he might get flanderized! :X

[itsnotmystic]

Horrifying snapchat memory