#i actually like the movie better than the show

[xclowniex]

Not many of the boycotts get under my skin and it may just be due to stress from moving and the recent events in Europe but holy fucking boycott batman, they're trying to boycott Mary (2024) which hasn't even releases yet.

I don't know much about it, however it follows Mary (the religious figure) after she gives birth to Jesus and has to flee.

Now let's lay some facts out first.

Both Jesus and Mary were jewish, not Palestinian. They lived in Judea, centuries before Palestine existed. Jesus and Mary also practiced and followed judaism.

There are a few reasons as to why people are boycotting, all equally silly and due to Mary being played by an Israeli Jewish actress.

Some people are ignoring fact and are claiming Mary was in fact Palestinian. To them, the movie is participating in a historical inaccuracy and erasing Palestinian history.

For anyone who actually knows the history more than reading an Instagram post, knows that, like we've established, Mary was a jew from Judea and not Palestinian. I also find it racist to think that Palestinians cannot have their own history and have to piggyback off of another culture. Palestinian history should be taught and represented in the media, without having another groups history rebranded as Palestinian to give legitimacy. Palestinian history should have legitimacy on its own.

The other reason for the boycott is the Israeli jewish actor playing her, Noa Cohen.

And to this I have a few thoughts.

Firstly, I thought (and still do) that the best representation in media is when a character is portrayed by someone of the same identity. Israel is the closest thing to modern day Judea. You aren't going to get any better rep than that.

Secondly, people need to understand that you are going to be uncomfortable at times!!! If an Israeli person being in a movie makes you uncomfortable, tough fucking titties just cope. Israeli citizens are not their government and it is bigoted to think so. So just learn to cope.

I have zero clue if she served in the IDF or not, but if she has and that's a factor in the boycott, I need people to also just cope. Most Israelis have served. By banning every Israeli who has served from being in movies and shows, you are banning the majority of Israelis from a whole profession.

[mellxncollie]

hiiii alex and now i have no choice but to drop all the process info and the outtakes :)

overall impression: very lovely and moody and spooky!! i kinda expected more blood-reds from devlin house but i should've known better, you wouldn't go for something that cliché. as always the shots you chose are SO good, love the combo of very dramatic shots with way more subtle ones!

aaaaa okay okay yes definitely not a lot of 'expected' shots in this one. couple reasons for this:

episode 3 is not one that i can watch very much, there's too many triggers in there for me. it's only very recently that i'm now able to rewatch it in its entirety, and i still have a hard time screencapping for it. so... not too many gifs from inside the devlin house

not a lot of shots in these episode work well for these palette sets. unlike all the other episodes, this one does not have many establishing shots or wide shots, which are the ones i like to use for these gifs. of the few establishing shots that are used, many are relatively static, so they don't look great as gifs. plus a lot of the devlin house shots have flashing lights and/or are very short. this made it really difficult to just find scenes that would work

so, this is a little less of a cohesive set than the other two, and i think the rest of the episodes will have more cohesive palette sets than this one as well. i love how this episode is shot, cheryl dunye's avoidance of 'filler' shots really reminds me of her film the watermelon woman, and while that movie does have more wide shots and more cohesive colors, the focus in on the characters as opposed to the backgrounds is what makes this episode feel so much like her work. it really drives home this episode as a standout in terms of writing, visuals, and direction.

it just also... breaks out of a form that i rely on to make these gifs work. so: less cohesive colors. i'm glad that this didn't exactly come across, and that we still have a kind of moody vibe :)

gif 1: cindy my beloved!! oh my god i need to see edwin laughing like that. i need CHARLES to see edwin laughing like that! and niko is so precious, i love her and her green coat. speaking of! love the way she moves past the colour blocks and almost adds contrast to them until she reaches the green and basically blends in?? SUCH a cool effect. and i love the colours themselves, the green + goldish vibe is everything. the green in the shot is so dramatic that it's like a fun little puzzle to find the rest of the colours! and then you realise, oh wait, that's the majority of the picture. ceiling, chairs, cabinet, niko and cindy's hair. and cindy being represented by the colour palette, drawing her undeniably into the picture because she can actually be seen by everyone around her, the opposite of ghostly, is SO cool. and then the contrast of the bright (blueish?) white?? the way it contrasts so much with niko's coat that at first i couldn't see where you got it from, only when niko moves back it blends perfectly into the window in the background?? olly you are a GENIUS

honestly i didn't really realize how this looks with niko's movement adjusting how the green and the blue all suddenly mix in with the rest of the gif!! but you're right, it's very cool!

this gif was a bit of a challenge, and with all those browns i initially thought it might be on the chopping block. but then i came around to liking it enough to make it the first gif in the set.

here's a before/after of the colors i put on it, and you can see that the blue is basically not even in the original shot, and it was only after i adjusted the blue channel to decrease that yellow tint that the blue really showed up.

gif 2: JENNY JENNY JENNY! this is a wild one because it's such a mundane part of the scene and yet i can't stop looking at the dramatic colouring. SHE!!! also the colours you chose feel very similar to the jenny gif from ep1, which, to be clear, i mean SO positively. i love that it ties them together! also something something jenny in her black clothes being surrounded by so much colour as symbolism to what crystal and niko bring to her life. brb crying

out of all the gifs in this set, this is definitely one of my favorites. mostly just cause the shot is really cool, nothing to do with the colors or anything. but speaking of the colors!! yes they're a lot like the ep 1 gif, and it's so fascinating to me how they pack so many hues into jenny's shop via the lighting.

gif 3: HI SPOOKY SHOT OF ALL TIME 😍😍😍 one of those dramatic ones i NEVER want to look away from. loveeeeeee the red-orange reflections on them, the purple of crystal's coat, the blue of edwin's shirt. also getting into the symbolism again but the way most of the colours are drawn from crystal and the background (even the blue is present in her grey shirt/jacket/whatever that is) and it makes the boys feel even more ghostly. ESPECIALLY CHARLES?? WHO ONLY RECEIVES RED BACKLIGHTING?? AND SPENDS THE EP GRAPPLING WITH HIS OWN HELPLESSNESS?? THE ONLY ONE UNTOUCHED BY BLUE (AKA SYMBOLIC OF HEAVEN)?? I'M MAKING MYSELF SICK WITH THIS OH GOD

yipeee!! one of my favorite shots of this episode, but one of my least favorite shots in the whole series to gif (that i've been making gifs of more and more to force myself to figure out how to do it best) and honestly because of that, i wasn't sure if this would make the final cut either.

here's two recent(ish) uses of this scene in various gifsets, both of which i don't really like how the final gif turned out.

this is because the original shot is....

so aggressively blue/green on their faces and that it is very difficult to make this look good.

i wanted the final gif for this set to be a bit more orange and a bit less red, but i'm glad i kept the more red toned backlight, since that allowed gif 8 to feel different enough. and i'm actually pretty okay with how this one turned out, espeically because you get the purple and the blues in their costumes.

also, just for fun, here's what this gif would look like if i did some normal brightening and coloring, but didn't do anything to fix their skintones 🫠

and yeah. god. thinking about charles 'untouched by blue.' fuck.

gif 4: SUCH a lovely little shot! the blues from edwin's outfit, the greenish-gray i'm guessing from the stripes (very nice and subtle, love the choice to emphasise them!), the white from his shirt. and then BAM, gold for the bracelet of homosexuality. but even then it's a very subtle colour choice for it, i can see some of the background is the same colour, even the darker parts of edwin's shirt cuffs. it's like you, via the palette, are helping him hide the bracelet and. i'm just in love

one of my favorite gifs in this set! it is really fun, and you got all the color sources right! i did want to include another color from the bracelet, but most of the colors i was sampling just didn't look too good with the blues, so i used the white from his shirt and i think that really worked.

gif 5: monty!! the return of niko's green coat!! love the cool (ha!) colours, mixed in with the warmer browns. the blue is so subtle in monty's plaid shirt (and the port townsend sign if i'm not mistaken?) the brown/burgundy in monty's scarf and shirt and the trees in the background really draws it all together! plus the green in both niko's coat and the trees' leaves! also interesting to see here the colours you didn't choose for the palette, like the white of niko's hair and monty's books. not to get too deep into it but it feels like a sign that it's not niko monty's trying to connect to, even though edwin isn't even in the frame! and the darker brown feels sort of similar to edwin's coat but that might just be grasping at straws lmao

the blue is from monty's shirt, yeah! this one was hard to pick colors for, and you totally got it with all the colors i'm leaving out. also because of the 540px x 500px frame size, we're also leaving out edwin from this shot. so maybe there's something there too about leaving out colors. (and now that i'm looking at it again, i do think that off-white would have been a great way to tie this palette together)

gif 6: OH DEVLIN HOUSE WE'RE REALLY IN IT NOW. obsessed with the way you subverted expectations with the devlin house being so blue and monotone, vs how we tend to read it as this dramatic high-stakes situation with so much blood spilled. again with the symbolism but it feels like it speaks so much more to the nature of the thirty-year (!!!) loop and how to the victims of it it's not dramatic but just the same cycle they can't get out of. over and over and over. and crystal and charles' expressions in this one OUGH. crystal trying immediately to find a way to help, to free these women, and charles is seeing his worst nightmare and trying desperately to suppress it. again, charles' helplessness represented by none of his colours making it onto the palette, even though his shirt is still pretty red. his hero colour is represented only as its worst in this house

i wanted at least one mostly monotone gif in this set, and the devlin house is predominantly teal and yellow, so it's such a strong contender for a monotone shot. problem with the yellows is that they're hard to make look good if there's a person in frame, so blues it was! i had a lot of blue shots to choose from, because every time the loop resets the power cuts and they're plunged into darkness. and i think there's something really symbolic there for charles (oh and now i'm thinking about the way that he drops into the water in the next episode when the night nurse forces the flashback)

and yeah, the first two colors are sampled from crystal's clothes, and the final three are from the wall. and now that i think of it, none of these palettes use colors sampled from charles/his clothes, despite this being really his episode. makes me think about what you said for the tube gif in the ep 1 set, how not sampling from them makes them more of a ghost in their own gif. anywayyyysssssssss

gif 7: can i just say. obsessed with the parallels of the last two gifs, showing the pre- and post-devlin house feelings? at first i thought this one was from the end of ep3, after gif 8, but just from seeing charles and crystal's interaction it's obviously not OUGH. love the wide shot of them (and the cinematography lessons!! the focus falloff at the top. i am Looking), the greens of the trees and the brown of the leaves and the purple of crystal's coat (ooh and the sign!). some of the purple even seems to come across in charles' jacket! and the blue of the statue also being in edwin and charles' socks and crystal's shirt. it ties them all together in a way that contrasts so much with the effect devlin house has in breaking them apart. forever emotional about ittttt

so this one is actually post-devlin house. it's right as charles says he's fine and right before niko shows up. it's the last gif in this set chronologically, but i don't really go by chonological order in these sets, since i want the first and last gifs to be strong, and i don't want any two palettes side-by-side to feel too similar.

i am now thinking about how charles and crystal's interaction in here realllllyyyyy doesn't feel like post-devlin house.

anyway. colors. yeah. that purple being the same in crystal's coat and the sign was such a blessing. and every time i throw a surprise blue in to these palettes i think of you. it definitely is the bit that pulls this palette together.

(yes i was also thinking about the focus falloff here, it is soooo wildly intense in this shot)

gif 8: AND FINAL SHOT. devlin house is over (or is it??) the colours nearly blending in with the background and then contrasted against charles' coat. i'd say SYMBOLISM but i'm sure you're sick of hearing it by now lmaooo. the bright lights in the background are SO striking. and the green??? the way it reflects so dramatically against the orange specifically on edwin's face??? i know that's not death's light shining on them but it sure is interesting how often edwin is the one bathed in that colour of light.......... also this might be a reach but the way crystal's jacket/hoodie/whatever seems to be a similar shade of green-grey, tying her and edwin together as having found common ground in the devlin house, vs charles again being the least represented by the colour palette -- devlin house might be over but he still feels helpless. i'm sure nothing bad will come of that!

the first 10ish frames of this gif are some of my favorites in this entire episode. i just love how this shot looks, and if it was a bit longer, i wouldn't have even had them running into frame. but that little bit of the trio that we do get is so interesting to get to hear you talk about. because i was not paying attention to how they blend in (or don't) to the palette.

--

so. what about the outtakes? first we have this one:

really like this shot. couldn't figure out the palette. i wanted some of that green from the interior wall of the attic space, but it doesn't sample as very green (yay for color theory!) and the few pixels that do sample as green do not look very good next to the rest of the colors.

here's the other outtake gif:

now that i'm looking back at the whole set, i think this one would have been a really good addition to make the whole set feel more cohesive, but i'm not sure which gif i would have cut instead to keep it at 8, so that's probably why i cut it in the first place. this one is kind of fun since the green is not from niko at all, but from the grass below. i initially made this gif with a monochrome palette, but right before i exported it, i noticed just how much green is in there, and decided to use some of it. glad i did, and i am really happy with this gif.

i'd say i can never be normal about this but you already know that. love this, love you, thank you forever for blessing us with your gorgeous gifs!!!

i'm so glad that you can't be normal about these because i also can't be normal about making gifs and i love that i get the opportunity to do this kind of breakdown for them. thank you thank you thank you alex. you're wonderful!!

Dead Boy Detectives (2024) 1.03 — The Case of the Devlin House (insp)

[justin-chapmanswers]

hi Justin! just want to say I ADORE ii and it's one of my favourite shows out there; actually inspired me to start my own!

which is a lame segue into my question- do you have any advice for someone wanting to make their own show?

That's so exciting!! Art makes art!

Oh golly uhhhh. There's so so much to say in so many different departments. So. I'll keep it broad and of course anyone can ask more specific questions haha.

My go-to advice tends to be for creators to start as small as possible early on. Even if you aspire to create projects that are huge-in-scale down the line. So much about becoming a great artist involves moving through the stages of your art (whatever type it may be!) from start-to-finish, every step of the process, over and over and over again. So say in show creation, idk if you plan to be hands-on in every department or if you have a lot of help, but that could mean breaking down stories and outlining, writing, recording, constructing audio scenes and boarding, character and prop and background design, animating, music assembly, mixing, finalizing and editing, etc, over and over again. Obviously not every step may be involved in your project depending on what your goal is, but whatever it is that you do, do it sooooooooo many times.

While there's nothing inherently wrong with jumping in and making your first project something say, movie-length, or something immensely complex in scope, I do find it can, for many (not all) be limiting when it comes to learning a lot of fundamental building-blocks in craft. As well, I see a lot of people get lost in an overwhelming project, trying to focus on quality>quantity right out of the gate. But spending the majority of your time just on adding some extra polish as opposed to running through the whole process again and again can only do so much for you. Obviously, a mentality of quality>quantity is great once you have a strong baseline understanding of production. But again, I think it's a huge plus to work on shorts and teeny-projects to start.

Since the above is pretty dry, I'll add an additional fun one. I've found that a lot of newer artists will toss away the concepts that make them joyous in hopes that they can instead create something that fits an objective perception of "professional." Nothing wrong with that, but I strongly advise artists of all levels of experience to toss everything they've love about the world and other media into their work. Their favorite genres and tropes, the stupid inside jokes that make them light up with their friends that they can invite the audience in-on, adaptations of stories that have made them cry. Create the things YOU love to experience. It's fine to let go of what you think the audience wants. Cause that's not easily guessable. But what YOU enjoy is something certain to you. It's sorta like how they say, it's better to go to the gym and do an suboptimal-but-fun workout that keeps you coming every day than a perfect workout that leads you to quitting. Share your joy with the world, and someone will resonate!

Be silly, be cringe, have fun!

[julymusings]

Jason Todd x South Asian!Reader HCs

requested | reader is fem, i tried to keep it non-specific so it applies to the whole region, not just india, hopefully i succeeded😬 read dick's hcs here !

i looooved writing this it was so much fun. drop an ask with anything else you want to see!!

When you show him Bollywood movies, at first he’s like “Why are these so damn long?” But watches them anyway because you’re so excited to show him

He obviously sobs at K3G (because he has daddy AND big brother issues)

But his favorite is probably 3 Idiots or Bhaag Milkha Bhaag (he just seems like the type to looove an underdog story am I right)

Since Jason likes cooking, he’s learning how to make all your favorite foods. He’s eaten a lot of Indian food before (duh, it’s New Jersey), so he’s familiar with the flavors and spices, but some dishes are easier than others. He tries to make dosa after you mentioned liking it but it does not go well

He’s trying so hard to impress you but they all keep breaking😭 and the ones that don’t break come out burnt. When he finally relents and lets you help him, you hold his hand and guide him to make the proper movements; pouring the batter, spreading it into a circle, and gently flipping it so it doesn’t break

He loves chai, and is always experimenting with different recipes and flavors and asking you to test them

You're taking him to the Indian market so often, by the end of the month he knows the names for all the vegetables and spices in your language and where to find them

He thinks you with mehendi/henna is the most attractive thing ever

Your friend’s getting married? Of course he’ll feed you while your mehendi’s drying, you don't even have to ask

When it's still fresh and at its darkest color he's actually going batshit insane (pun intended); he loves interlacing your fingers together and seeing the contrast of your dark, decorated fingers against his large, strong ones. His phone background is a selfie of you guys where your faces are squished side-by-side and one of your mehendi'd hands is cupping his cheek

And when you're on top of him, the sight of your adorned hands pressed flat against his bare chest, flushed and heaving...he thinks it belongs in a museum

He just loves doing little acts of service; one day you’re complaining offhandedly to him about how the price of eyebrow threading keeps going up, a week later you’ve forgotten all about it but he’s like “I learned how to thread your eyebrows”

He figured it would be easy enough, and as someone who’s life often depends on steady, surgical aim and precision, it is

Roy’s walking around looking messed up as fuck for a couple weeks but that’s beside the point because he’s got the hang of it now 

When it comes to putting on a sari, he'll put the pins in the hard to reach places if you ask, but for the most part he just loves watching you put it on. he thinks it's so cute the way you scrunch your face in focus as you make the folds and tuck in the fabric with such concentration (Jason Todd domesticity agenda)

One night you're getting dressed up for some party, but no matter what you do and how many times you take it off and try to re-drape it, it just won't come out good and you get so frustrated and teary-eyed that he has to intervene

He makes you take a break, brings you a snack, and kisses you until you feel better, and then he pulls up a youtube video to do it for you— but he can't do it either😭

So you both decide to give up and you wear a lehenga instead

It’s a fairly modest one, and even though he's seen you wearing more-revealing clothes (and none at all), he's going crazy over that one inch sliver of exposed skin on your midriff

He already loves seeing you dressed up in traditional wear but if you put jasmine flowers in your hair with it??? The fragrance coming from you makes him feral. It lingers in your hair for a couple days and he can’t stop following you around and sniffing you LMAO

The first time you get a kurta for him, it’s actually impossible to find one that fits because he’s so big and buff (drool) so you just end up buying the fabric and getting it custom stitched

There's only a few scraps of the fabric left and you get the wonderful idea of braiding the scraps into a bracelet so you have something to match with him and it makes him go crazy

Early on in your relationship, you’re a little afraid to have oil in your hair in front of him because you’re worried he’ll think the smell is too strong

Jason is probably familiar with the practice of hair oiling from his time with Talia (but you don’t know that yet)

He actually LOVES when you oil your hair around him. Just something about him being the only one who gets to see you when you’re comfy and unready is so intimate to him and makes him feel so special and trusted and loved🥹

Time for some of my physical touch x touch starved!Jason propaganda

After a particularly difficult night of patrolling, he comes to you stressed and anxious and unsure what to do with himself. So you make him sit on the floor in front of your bed, warm up some of the oil, and seat yourself on the edge of the mattress. He leans back against your legs and you massage the warm oil into his scalp. It feels heavenly. You’re using the perfect amount of pressure, hitting all the right spots, and it feels so good he wants to cry. Later, when you pull him into the shower to shampoo it out, he actually does cry, hoping the water falling from the shower head hides the tears (it doesn’t, and it breaks your heart)

(If you were raised Hindu) I think he'd be very interested in the belief in reincarnation, past & future lives, oneness with the universe, etc...it might help him make some sense of his coming back

You bring mediation into his life, and that also really helps him

You wear Kajal/kohl/surma on your eyes, and whenever he’s looking especially good, or before he goes out as red hood, you smudge some onto your finger and put a mark behind his ear, just to be safe (it’s believed to deflect jealousy/bad intentions from others) (yes I’m superstitious sue me)

Or you just tie a black thread around his ankle

When you first explain to him that you want him to wear a black thread around his ankle because of a superstition, he thinks you’re joking. He can’t believe you actually believe in that 

But he can’t say no to you and he secretly likes that you also have one so it feels like you’re matching 

He considers it a good luck charm, not because he believes the superstition but because it’s from you

[1toreyouapart]

The Lies We Tell

***FANFIC THAT INVOLVES REAL PEOPLE. 18+ ONLY. MDNI. DO NOT READ IF YOU DON’T LIKE FANFIC THAT INVOLVES REAL PEOPLE***

Summary that tells you nothing: Sometimes everything you ever wanted has been right there, within reach, all along.

CW/TW: Angst, fluff, swearing, friends to lovers, jealousy, smut, fingering, PinV, pet names, friends with benefits, more to come as I actually get things written out.

Masterlist

First Encounter

Life had a funny way of happening sometimes. One moment you're crying in your best friend's arms, the next his lips are on yours and you're kissing him back like your life depends on it. And then everything comes to a standstill, and a week later neither of you can even look at each other. Over a stupid kiss. And your roommates and friends can feel the tension. See it. So much so that they all have mentioned it.

Quinn sighed, reaching across her bed for her phone. A week of sleeping, or rather not, in her own bed. Just a solid week of staring at the ceiling every night for hours on end. One week of Noah hiding in his room, not answering the door for her. Seven days of his bedroom door staying locked. Of hearing it creak open as she lay in her bed, wide awake, listening as he crept downstairs. An entire week of him avoiding her at all costs. Unanswered texts. Calls going straight to voicemail. No answering her knock on his door. Nobody joining her in the bathroom while she showered. He was just gone. And how was that fair? He had kissed her!

Her text from four hours ago had been read. No response. Just read. All that talk about how she deserved better and one stupid fucking kiss had him completely ghosting her? While she actively lived with him?! The fucking bastard.

Everything in her went cold. Leaving her phone on her bed she carefully climbed out of bed, avoiding the spots on her floor that creaked. He wanted to be a dick? Well, he could deal with the consequences instead of hiding.

With bated breath she tiptoed out of her room and across the hall. Slowly, carefully, she pressed her ear against his bedroom door, listening for signs of life. The faint sound of a movie starting reached her ears and she smiled. Caught him. With no hesitation she knocked, calling his name softly. No answer.

Frustrated she knocked and called his name louder. Still no answer. She knew it would be locked but she had to try anyway. The knob didn't turn. She wished she could blame rage for what she was about to do, but it was just hurt. He was the one person who never left. Never abandoned her. Always reminded her that life was worth living. And now he was acting like she didn't exist? After something he had initiated? That hurt more than anything.

"Noah!" She yelled, banging on his door. "I can fucking hear you! Answer me or I'm kicking the goddamn door down! You don't get to do this, too!"

Nicholas's door creaked open at the end of the hall, followed quickly by Noah yanking his bedroom door open and hauling her inside before he slammed it closed and locked it again. One look at him and she felt somewhat guilty. He looked like he'd barely slept, if at all.

"What the fuck, Quinn?!"

"You're seriously acting like I'm wrong here?! YOU kissed ME. And yes, I kissed you back! What the fuck of it?! It was a kiss, Noah!"

His large hand covered her mouth as he drug her over to his bed. Why in the fuck was he acting so paranoid? Quinn pushed him away, making a show of keeping her mouth shut as she sat on the edge of his bed. He wanted to play? She could play.

"Quinn. People are fucking sleeping. What the fuck?"

Noah dropped to his knees in front of her, his eyes pleading with her. For what she didn't know. But she watched as he repeatedly started to reach for her, then draw back. Noah had never been scared of touching her before. This was weird. Even for him.

"Seriously, Noah? You kiss me and then act like I don't exist? After telling me I deserve better? And then you go and act just like them? The fucking audacity!" She was yelling again. She didn't care.

Quinn watched as he drug his on hand down his face, rubbing his mouth. He was frustrated. Good. He deserved to be frustrated after this shit. Who did this over a stupid kiss? It wasn't like it had gone any further and crossed major friendship lines. Was she that fucked up that even a kiss was too much?

"Noah," she begged, her resolve breaking. "You're my best friend. It was just a fucking kiss. Please." Her voice shook, breath coming in short spurts. "I'm sorry I kissed you back? I'm sorry for whatever I did that made you this mad at me. I'm fucking sorry, Noah."

She completely dissolved. Clearly she had done something wrong. But what the fuck had she done?

"Quinn..."

"What did I do, Noah?!"

"Exist."

And then his lips crashed into hers, desperate. Pleading. She couldn't help but respond in kind, her fingers threading through his hair. Pulling him closer and closer still. They were all desperation and teeth and tongues, fighting for dominance. Just two people finally acting on the feelings they had always known were there. Desperate to be as close as possible, yet desperate to just consume each other.

Noah fisted his hand in her hair, the other gently caressing her cheek, his thumb resting just on the corner of her lips as he tugged, tipping her head back, gaining more access as her lips parted on a soft gasp. His tongue delved into her mouth, hungry, but gentle. Tasting every part of her. Memorizing every movement that made her moan. His free hand traveled slowly south, fingertips tracing over her throat, over her collarbone, hesitating at the swell of her breast.

Quinn tore her mouth from his, frustrated. Here he was, finally touching her, and he was stopping?

"Noah. I swear to fucking God," she pleaded.

"What do you want, baby?"

His eyes locked on hers and she saw everything there. Everything he had been fighting the last week. All the things he had been avoiding. This moment here. He wanted her. And he wanted her desperately. Just as much as she wanted him.

"Touch me," she begged, her voice barely above a whisper.

He broke then, his mouth attacking her throat, biting and licking and sucking. And she was helpless against him. They tumbled back on the bed together, pressure already building deep within her. His free hand quickly slid down, much further down than she anticipated or needed, resting on her bare inner thigh. His fingertips danced across her skin, tracing lazy patterns.

"Noah," she begged, pressing her body against his, feeling herself grow impossibly wetter by the second.

He didn't make her beg anymore. Deft fingers shoved her panties aside, a single digit rubbing lazy circles on her clit. The pressure deep inside her quickly turned into a tight band, ready to snap. She was so close already that she nearly panicked. It had never been this intense before, and he wasn't even inside her yet.

"Fuck," he groaned, slipping a single finger inside her. "You're so fucking wet. Jesus Christ, Quinn."

Everything was on fire. Her skin. Her lungs. One of those long fingers she'd admired for years was deep inside her, stroking her in just the right spot as it pumped in and out of her. And just when she thought it couldn't get any better he slipped another finger inside her, and she swore she blacked out for a second as he curled his fingers inside of her, applying more pressure to that spot deep inside her, his palm rubbing against her clit as he worked her with his fingers.

"You're close, aren't you?"

All she could do was moan desperately in response, her hips writhing against his hand. That band was growing tighter and tighter, and she was desperate for release from the pressure low in her belly. His forehead dropped to hers, holding her gaze, his pupils blown so wide with lust his eyes almost appeared black.

"Noah!" she called out his name as that band snapped, her hips stuttering as she clamped down around his fingers, her orgasm tearing through her.

"That's it, baby. There you go. That's my girl," he praised as her orgasm peaked, talking her through it, his fingers still pumping in and out of her, massaging her through it.

Dazed she watched as he pulled his fingers out of her, bringing them up to his lips. She watched, her heart leaping out of her chest as he sucked every drop of her off his fingers, eyes never leaving hers.

"Goddamn it, Quinn. You taste even better than I imagined."

Tag: @collisionofyourkissmakesitsohard

[theoneandonlysourcandy]

Henry hotline x reader headcanons (but this time there’s a WHOLE BUNCH)

So I feel like the last Henry headcanons have been too short, I want to feed y’all (and myself) a three course meal, so, I’m just gonna be putting anything about Henry hotline I can think of here and hope for the best!! Enjoy my cringe slop

☎️- Alright, first off, he LOVES giving you any sort of affection, and will constantly hold your hand whenever he’s with you. When sitting next to each other, he’ll put his arm behind you on your chair. Any sort of touch or affection he can get.

☎️- Will tease you sometimes, but never actually be mean to you, he’ll just poke some fun at you, like if your short he’ll say “How’s the weather down there” or something.

☎️- Speaking of being short, if you were, he’d lean on you with his arm, like putting it on your head or shoulder. Unless you don’t want him too, though. Otherwise your permanently his wall to lean on.

☎️- SHOWERS you in gifts, I under exaggerated how much he gives you gifts in my first post. Anywhere he goes, he’s getting you a gift. It’s honestly insane just how much stuff you have from this guy, and most of it is pretty fancy.

☎️- He’s definitely rich as fuck. No doubt. If you want something, your getting it. A necklace? It’s already on your neck. A new phone? Of course, just don’t call him too often with it. Even if you feel bad about spending so much of his money, he’ll just reassure you that he’s got plenty. More than plenty, actually.

☎️- He’d get jealous often, not like super annoyingly often where if you talk to someone other than him he’d be mad, he’ll just get a little jealous often when your talking to Frankie or deputy duck-actually, HUGE emphasis on deputy duck. He hates that bitch, if he sees you talking to him he’s immediately coming up and joining the conversation, while giving deputy duck a VERY obvious glare.

☎️- Cuddles you all the time. He loves having your head on his chest while you two watch some corny movie together, or just having you in his arms. He never wants to let go once he’s got you cuddled up in a bunch of warm blankets together.

☎️- Brags about you 24/7, will not shut the fuck up about you when your not around, he’s practically driving Frankie insane.

☎️- Never ever in a million years will he ever want kids, but, he’ll happily marry you without a second thought! Just. . No kids. His headaches are already terrible enough, he doesn’t need anymore screaming kids around him, he’s got enough of them to deal with at the park. And they CONSTANTLY call him!

☎️- Loves to take you out on fancy dates, if you couldn’t tell already, he absolutely loves spoiling you.

☎️- Someone’s making you uncomfortable? He is absolutely livid. He’s immediately coming over and putting an arm around your waist before they can try anything else, and gives them the most passive aggressive smile you’ve seen from him, and you’ve seen those smiles before from his bad temper.

☎️- Speaking of his temper, sometimes he’ll snap at you thinking your someone working on his show or something, but as soon as he realizes it’s you, he apologizes profusely. He feels so bad about it, he didn’t mean to upset you, he’d never want to.

☎️- He’s both a cat and a dog person, he just can’t really choose. Cats are nice, calm and cuddly, but he also loves the energy from dogs and playing with them. If you want to get a cat or a dog, he’s all for it, he doesn’t care which one you want either. If your happy, he’s happy.

☎️- He can start arguments pretty easily with his constant headache, but each time he feels really bad about it, muttering apologies and finding a really nice gift to make you feel better. He’s usually a really good with words and an absolute flirt, but after an argument, he can’t even say a single sentence correctly.

☎️- Speaking of flirting, he does it constantly. Flirts, loving teases, the whole nine yards. His ultimate goal is to make you blush like a tomato. Of course, if your mad or being serious he won’t, but otherwise, he’s cooking tomatoes.

I was in a online class Making This and the teacher randomly called my name and I panicked and scared my cat, hope you guys I was giggling and kicking my feet making this hes LITERALLY my husband Im literally Henry hotlines number 1 fan (btw, if anyone’s been looking for some Henry hotline bots on character ai, I can give y’all my account name so y’all can check out mine, there’s like NO finding Frankie bots and I wanna change that)

[tangledbea]

How do you think the events of the movie would have gone if Lance and Eugene were still partners, and Lance took the place of the Stabbington Brothers?

Oh my god, this is such a good question! It immediately set my mind awhirl with possibilities! It couldn't have come at a better time, because I just finished editing the next chapter of BtK last night, and my head's in the Eugene and Lance feels!

Okay, so, first, would this mean that Eugene would double-cross Lance and take the satchel/crown for himself? Or would he be a good friend and help Lance out of that dead end?

In the first scenario, I see it falling back to "No Time Like the Past" rules, where if you fall behind, you get left behind. Lance would understand this, at least on the surface. But the stakes would be much higher, since theft of the crown was a much bigger deal. Also, if Eugene and Lance were still partners, the bounty on Lance's head would match Eugene's. I don't think Lance would give himself up to the guards without a fight, but I don't think he'd want revenge on Eugene, either. This may lead to a second act reunion, at the campsite, rather than Gothel joining forces with him. I can see Lance showing back up as a third wheel after Rapunzel and Eugene's talk about his past and why she stays in the tower, etc. In other words, they just opened up to each other, got vulnerable with each other, she showed him her magic hair, then here comes Lance, putting a jovial divider between them.

Oh! Oh! Okay, so what if Gothel doesn't recruit Lance, but she does tell him about the girl with the magic hair, and then sends him to the campsite with his own assumptions about what's going on? So now Lance thinks this is a ploy to keep Rapunzel chill until it's time to take/use the hair or whatever else. He thinks Flynn is still working a ruse and doesn't realize he's falling for Rapunzel and becoming more and more Eugene as time goes on. He might feel put out if he thought Flynn was trying to keep the big prize for himself, especially after also taking the crown. And if Eugene starts to explain the situation, Lance would think it's the long game to get the satchel back, and Eugene wouldn't yet have the strength of character to admit that he was falling and was starting to reconsider being a thief.

So now we've got Lance third wheeling it and Eugene trying not to show how much he likes Rapunzel while they're in the kingdom. (Bonus: that's twice the wanted thieves in the party now, while Punz is just trying to have a good time on her birthday!) We get to just before "I See the Light", and wouldn't you know it, the only boat left would be cramped if all three of them took it out! Lance, can you please stay here or take another boat or something? Again, Lance suspects that Flynn intends to make off with the crown without him for a second time, because they made no plans to meet up after this whole charade is over, and he's getting really irritated. Instead of enjoying the lights, he makes his way to the far bank, signals Eugene with the lantern, etc. Now when Eugene goes over there, he and Lance argue about the next step in the game. Think Miguel and Tulio towards the climax of Road to El Dorado. Eugene is just like, "Fine! Take the crown! I don't even want it anymore!" And Lance is like, "You mean you don't want to be partners anymore. You think I'm blind? You think I can't tell what's going on with you and the girl Eugene?" I don't think they'd get into an actual fistfight over this, but here comes Gothel with the steel chair a tree branch and knocks them both out, trusses them up and sends them back to the kingdom in a dinghy, then goes back to Rapunzel and shows her how, in the end, Flynn chose his life of crime over her.

In prison, Eugene and Lance are able to have a real heart-to-heart, clearing the air between them. Lance is able to see that Eugene was never out to betray him, and that he just wants a new life, a clean slate, with Rapunzel. He talks about the old lady who told him about her hair, and Eugene puts two and two together. Now it's Eugene and Lance who get broken out of prison by the Pub Thugs, but Lance stays with the Thugs to hold off the guards, urging Eugene to go save Rapunzel. Climax of the movie is the same as it is in canon.

For the second scenario, this means that Lance would be third wheeling it from the very start! They'd both find and climb the tower, Rapunzel would knock them both out and hide them both and interrogate them both. Lance and Flynn would be on the same page at the start, just trying to get the satchel/crown back from the girl, who is being a royal pain in the tuchus about this whole thing. But the thing is, with a second friendly presence who's also influencing Eugene the whole time, there's a lot less wiggle room for romance. I think there'd have to be some notable changes in order to keep New Dream on track in this version. It's hard to brew romance unless you can get the intended couple alone. I guess I'm saying it would need to be more like El Dorado in this version, where the (previously) Eugene perspective is now turned into a buddy flick, and that would need to be harmonious with Rapunzel's POV. Good for her that she makes two friends, but the impact of that means that she and Eugene are less likely to find time to fall.

Ooh, perhaps Lance doesn't get stuck in the cave with them, though? Yeah! Rapunzel and Eugene get stuck in the cave, Lance does not, they all get separated. Now Rapunzel and Eugene can have their opening up to each other stuff, Gothel can still set the suggestion to Lance that Eugene's trying to get Rapunzel's magical hair for herself, and we can pick up from the campsite scene in the first scenario! Yeah! But now, Lance is aware of the chemistry between Eugene and Rapunzel, and he's a bit more... reserved in the kingdom. Now he's playing the long game, waiting for the opportune moment to confront Flynn about Rapunzel and the crown and the hair and all that stuff. They fight after "I See the Light," continue on as in first scenario!

And this, my friends, has been a stream-of-consciousness brainstorming session by Bex!

[rey-jake-therapist]

I have talked a couple of times about the huge parallels that exist between Hannigram (Hannibal Lecter and Will Graham, from the NBC show not the movie) and Haladriel (Galadriel and Sauron, The Rings of Power), and for me there are still the fictional relationships that are the closest in terms of narrative, despite the first being m/m and the second m/f. I have been told : Penny Dreadful, Vanessa and Dracula, but to be honest I found this relationship way too rushed, and totally ruined by the shitty ending of the show.

Besides, Dracula lied so much to Vanessa it was actually hard to say if his feelings for her were genuine or not. He had a nice speech though. Maybe on a second rewatch I'd have a different opinion, but it didn't really work for me. I didn't give a damn about this Dracula guy, while I do feel a lot for Hannibal and Sauron despite their undeniable evilness.

No, it's still Hannigram and Haladriel to me. The ships's names even both start with a H, isn't it a sign lol

Hannibal, Will, Galadriel, and Sauron are all very complex characters. Anyone who attempts to put these characters in a box and just see them as "entirely good" and "entirely evil" are, sorry, wrong.

Hannibal and Sauron get nowhere near to be redeemed in their story because they always commit to evil and feel unapologetic about it (Hannibal especially, while Sauron has a short "repentance phase". But since it's more motivated by the fear of the Valar's judgements than by a real, genuine desire to atone, he's easily drawn back to his old evil ways). They're both considered to be personifications of evil, for that matter.

Hannibal and Sauron are both capable of seeming extremely charming and deceive everybody who meets them into believing that they're "normal". I would say that Hannibal's an even better deceiver than Sauron is. They're also both control freaks who play 5D chess in real time. The rare times they lose control, it's almost always related to Will/Galadriel.

Hannibal and Sauron don't care about anybody and have no issues killing anyone who's in their way, except for Will/Galadriel.

Will and Galadriel are supposedly on "the good side", but in Hannibal and Sauron, respectively, they find the reflection of their own inner darkness.

Will and Galadriel are different from everybody else. They're respected in their respective field, but their differences make them loners, and seen as potentially dangerous by their peers.

Season 1 of both shows starts with exactly the same concept : Hannibal murders people and eats them, but for the world, including Will, he's just a respected psychiatrist. He befriends Will because he feels what Will would have probably always denied if he hadn't met him : that Will likes to kill, because it makes him feel powerful. Unlike Hannibal, he needs to feel that his victim "deserved" it, he won't just kill indifferently. Sauron pretends to be Halbrand, a regular mortal man, befriends Galadriel, and is drawn to her light but also to the darkness he can feel in her.

Hannibal is supposed to help Will find a murderer who's no other than himself. Halbrand is supposed to help Galadriel find Sauron, who's also no other than himself.

Both Hannigram and Haladriel have a clear push and pull dynamics through the seasons.

Will ends up realizing that Hannibal is the Chesapeake ripper, the murderer he was chasing, just like Galadriel finds out that Halbrand is Sauron at the end of season 1.

Will and Galadriel have an intense desire to kill Hannibal/Sauron, while being irresistibly drawn to him.

When he realizes that Will's close to find who he really is, Hannibal gets Will thrown in jail for the crimes he himself committed thanks to planted evidence and manipulation. Sauron somehow manages to instill the doubt in Elrond's head that Galadriel is not free of his influence, while manipulating Celebrimbor into believing that he was cast aside by her (and Gil-Galad) once they didn't need him anymore.

Hannibal acts all innocent when Will openly accuses him of being the Chesapeake ripper, just like Sauron plays innocent when referring to the fact that Galadriel cast him out once she found out who he was (the main difference is that Galadriel never accused Halbrand of being Sauron in front of Celebrimbor).

Talking of Elrond, I can see a parallel between him telling Galadriel "he (Sauron) never left" when she tells him she can't let him in again, and Bedelia du Maurier telling Will "Can't live with him, can't live without him, is that what this is?"

At the end of season 2, Hannibal stabs Will when he realizes he conspired with Jack Crawford to have him arrested (= he realizes he can't have Will even if Will is tempted). What do we get at the end of TROP S2 ? same thing, basically : Galadriel keeps on resisting him, so Sauron stabs her, literally leaving his mark (the wound) on her. In both cases, there's a clear erotic subtext.

In season 3, Hannibal tries to start a new life with a new partner, Bedelia du Maurier, but it doesn't work. He's visibly miserable and thinks about Will all the time. Sauron in season 2 does the same with Celebrimbor and a bit with Mirdania, who's basically a Galadriel stand-in. The partnership with Celebrimbor doesn't work as well as it did with Galadriel, and he's dead-eyed, most of the time.

Hannibal finally gets himself arrested so Will always knows where he is (in reaction to Will's claim that he never wants to think of him again, and doesn't want to know where he is). The parallel to that could be the bond that Sauron may have created between him and Galadriel, when he stabbed her with Morgoth's crown. Hannibal and Sauron both want to make sure that Will/Galadriel will never get rid of them.

Will finds himself a nice albeit quite bland wife, who's got a kid that Will treats as his own. I can't *not* see Molly as Will's Celeborn ;)

While being supposedly "happy" with his new quiet life, Will can't resist the temptation to leave this life to organize Hannibal's escape from jail, arguing that he can help him find another killer, the Red Dragon. It's quite obvious that at this point, Will just wants an excuse to spend time with Hannibal, as he has now fully embraced his "dark side". Season 3 ends with Will jumping off a cliff and dragging Hannibal with him in a desperate attempt to have them both killed.

I wouldn't be very surprised if we got a similar scenario in season 3 of TROP, especially if the theory that Galadriel and Sauron are now bound is revealed accurate... Maybe it's just wishful thinking, but it doesn't seem that far-fetched to me that Galadriel would still be attracted to Sauron in season 3.

[robolvrr]

galaxy girl ༚⁠˖⁠♡ 💻

lost light first contact au. mild nsfw. fem!human reader.

long way from home? you must be awfully lonely. don't worry. i can make it feel allll better. [ donations : open! ]

18+ below!

it's an accident.

ultra magnus had pretty much declared no "contraband" allowed aboard, unless it was bought ethically and consumed ethically. whatever that meant.

"it's in the guidelines", he'd said. "and we can't just abandon the rules. it's what prevents this place from caving into vicious decline."

in short? "don't have fun guys. i'm a giant pole in the mud."

so it wasn't all that surprising when that got thrown out the window. it was usually little things. some other-planetary historical junk. doo-dads and whatchamacallits. brainstorm had a terrible habit of smuggling shit that no doubt would actually blow up the place.

when swerve started suggesting smuggling entertainment, in efforts to of course make the bar a little more interesting, not many disagreed. granted he has to keep it a total secret (though we all know the ships gossip can only keep his mouth shut a cycle a time.)

from the sound of it? he's found something good.

"now listen. i paid an arm and a servo for this so i better not hear any complaints. don't ask me how i got to work - because i don't know!"

a groan cuts through his speech. whirl chitters in his seat, banging the table.

"get on with it! i don't have all night to hear you toot your own pipes."

swerve doesn't even crinkle his smile.

"oh cmon, don't be like that pal. you guys don't even know what i have!" he turns around, bent behind the bar top as he rummages through belongings.

he's gotten a mildly entertained "first viewership party" consisting of whirl, rewind, aaaaaand...

well. the others weren't too interested in one on one time, all making up great excuses to just "wait until it's ready."

a thin, screened device is plopped onto bar top.

rewind stares.

"... a geriatric electronic. swerve wow you've.. you've really outdone yourself there."

his frown turns to a pout and he moves it away before whirl has a chance to crush it.

"hey. don't say that. it's not the device, it's what's on the device. i'm talking connections outside the species. full, galactic communication. for free!"

rewind looks a little dubious. "i don't know. you've been scammed before. what if it doesn't work-"

"rewind, buddy, i love you, really, i do. but that last time doesn't count because i was totally given some very misleading information---"

whirls servos jolt forward with frustrated ease. he almost yanks the poor thing wide open.

"will ya both stop yapping my processor off! just show the damn thing! i am missing out on prime wrecker --"

the screen finally lights up. the trio quiet down, and it's funny, because they have to crowd around the smaller screen and there's some shoving and grumbling before they can actually see. it opens up to a "browser" - that's what the broker called it.

a used "laptop" but working functionally and much less sophisticated than any of the other tech they frequently used. wasn't a surprise they were so advanced compared to their spacial neighbors.

the browser had a chat pinned at the right. some of the language was understandable but most was not. either way it was moving too fast and that wasn't what was catching attention either.

it was you.

you look to be in a room. berthroom?

it's pale and pink and soft. lacking metal, or hard surfaces. it's so painfully.. soft looking. and you are too. your hair is pinned up and there's something small and cylinder strapped to the inside of your thigh. the wire is taped. your face is partially hidden under a thin mask, though your nose and lips are visible. lace and sheer mesh plaster your frame.

"bedroom", swerve corrected rewind quietly. what? he's seen enough movies.

"... is that a fragging fleshie."

swerve bites his servo. oh primus, what did he buy?!?

"uh. it appears it is."

whirl squints. his golden optic trains on the movement you provide. how your fingers trail up your waist. when you tap back to your viewers on the keyboard, giving cheeky laughs and little looks down your cleavage.

"... she's tiny. could probably squeeze her and she'd yelp like a turbo fox."

rewind shifts uncomfortable. leave it to whirl to make things weird.

"that's what you're focusing on? not the fact that swerve just smuggled on. organic porn onto the ship?!"

swerve shushes them both, loud. he feels admittedly a little hot under his visor. you're not looking at them, it's not how the camera works - you are broadcasting yourself. but it certainly feels like you've got that coquette, impish gaze all for him, sighing soft and starting to move your hips. he's not a prude.

he's seen plenty of those human movies and some of them had the species interfacing thrown in. it's all acting, though.

this feels raw. feels like he's being a little pervert voyeur.

suddenly, he has the urge to go back to his habsuite and loosen his modesty panels some. they feel tight.

"you like that, sunshines?"

amidst the baffled bickering, your voice coyly whispers and tugs their attention, forces their heads to turn. you got closer to your camera, turning around until your knees rest on the pillow.

neither of them can even describe what they're looking at. you don't have a spike, and your valve looks nothing like any cybertronian. but it's wet and pink and messy. there's something pink plugging up the other hole too. it's got that same, soft fluff as your nightgown at the end. whirl's knee hits the table hard.

"you guys have all been so good for me. i think it's high time you get your rewards. i love when i can make you all happy. mmn.."

several dings blast the speakers. the device on your thigh buzzes. you sing the prettiest note of pleasure any of them have ever had the millions of years to experience.

your face goes into the pillow. every donation is met with whimpers and thank yous and whiny support.

"primus. oh my.. geez. frag. she's so... it's so flexible. you're recording this right? rewind, tell me you are."

"i am, swerve, shush!"

you look so cute. they can't explain why.

maybe it's because you know most of the viewers aren't your kind, but your smaller frame is still just as enticing. your skin glistens as you kick your legs, overwhelmed. stockings peel down and it's about the sexiest thing since wireplay.

"yoooo, swerve!"

the three mechs almost yell in unison. the laptop is shut hard. swerve is the first to turn around. his smile looks dopey and he sucks at lying.

"heyyyyyyy. heyyyyyy. do what do i owe the pleasure, captain? didn't ya hear? opening hours changed for today!"

rodimus quirked a brow-ridge. weird. "uh-huh. did you? sorry, didn't know." didn't remember. he probably wasn't listening. "hoo, anyways. i need you to look into hosting an event. you see, there's been some in-fighting with the crew."

"how awful!" swerves dentae grits. his smile is bordering painful. rodimus pats his shoulder and the last thing he wants is to be touched by anyone when his spike is threatening to chub.

"yeah, i know. lack of camaraderie just won't do. makes a spark hurt, you know? so, i had a brilliant idea. you are gonna host a party. a big one! one that not even ultra magnus can question, because he'll be invited. unfortunately."

"super!" by the stars above, strike him down now!

"see, i knew you were the minibot for the job. i dunno why they always complain about you."

"shucks, thanks -- wait what?"

rodimus continues. whirl has long stalked off but from the sound of crunching metal on his exit, he's just as pissed that he's gotten a bit of a spike kill. or maybe he's just mad a flesh bag has gotten him riled up. probably both.

but one thing is painfully clear. this?

best purchase of his life.

[serendipitous-mage]

it looks like a conscious post decision unfortunately, i got that screenshot to look so much better from two seconds of tweaking color settings just on my phone, actual editing software could do even better Especially with raw footage

this has been such a big thing in movies/shows recently i feel like:((( it makes me sad, same blandification vibes as the whole minimalist with everything white and off-white accents thing that rich people do to their houses, shit sucks. wheres the whimsy, wheres the fun, im going to a big building to sit ina room in the dark with a bunch of strangers to stare up at a flat wall with flashing light pictures on it. its gona be loud enough to break the sound barrier. wHy is hollywood still tryna force the Gritty, Too Dark To See Shit, Desaturated Realistic TM garbage on everything😭 god forbid adults have any joy in their lives whatsoever

(obviously the set is a lot less colorful as well, the buildings are pretty bland other than the flowers it seems, but the editing choice makes it *really* in-your-face unmissable, which is extra ridiculous to do for something in a world as nonsensical as this, it Should be over the top)

hmmm finally watched a trailer for wicked

sorry im such a huge snob but it looks Bad

[horror-aesthete]

Dark Shadows, 2012, dir. Tim Burton

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[hyohaehyuk]

Immortal_AMC: Vampires and scary movies go together like blood and.. well, vampires. #InterviewWithTheVampire #FearFest

[luck-of-the-drawings]

!!! FLASHING LIGHTS WARNING!!! [IM NOT FUCKIN AROUND!!]

REACHED THE CUSP OF 'THIS MAY NEVER BE ABSOLUTELY FINISHED N IF I DONT SHOW IT NOW, IT WILL NEVER SEE THE LIGHT OF DAY.' SO HERE, A PROJECT IVE BEEN ORBITING AROUND UHH SINCE 2021 OR SO.

[sheisntyouspam]

please reblog with or comment tv show recommendations 🙏🙏

tagging mutuals (from both accounts x):

@aaronskenjii@catapparently@secretlysolitaire@swiftreader1989@emreads294

@thebombofficial @bewitchingkisses@seeitallinmymind@ily-beyond-measure-carstairs@

@two-braincells-in-total@nonerrata-myarchives@slarxsa@joja-galaxy@his-littlefox

@cherie-luvv@seewead-brian@kit4strophe@shattermelyhfmlblog@theprincessofhearts

@ch4rliespringg@no1bookgirl@bookish-phile@eugenia-lightwood@balladofareader

@mariarosemary2003@av-a-fletcruel@xyzmeh@g-in-love@lil-luvxo

@blackdaleblr-sp@whatsamongus@arias-archive@miawastaken@mialicassi

@thiefofthecrowns@elysianwayy77@hxress23@ria-lina @apollosmusee

@lilyflower52 @loveinalocket @inmyheaddd @lyra-kane @thecircularlibrary

+anyone else with recs

[counting-stars-gayly]

Lord, give me strength. The PJO discourse has begun, and no one starting it has read the books in the last five years.