#i actually like it a lot. if only i could write stuff that actually makes sense instead sigh

[letskilltimetogether]

Omg I’m so sorry for leaving you hanging ;-; I can only offer the excuse of crippling school projects, but I’m back!

Dr. Stone Spoilers for most of the story

Okay so your point about him being a good leader actually opened up a can of worms in my brain. This is def kind of off topic? But I think it’s interesting so I want to write it down for my own sanity.

For a while know I’ve been coining Senkuu as a bad leader, or at least not ideal for personal writing purposes, but your comment made me rethink it. Looking at things with a fresh start, I realized Senkuu is a good leader, but not in the way I was originally imagining. (Doing my best to keep it as canon as possible) Senkuu 1. Cares deeply about people, not just his own 2. Is very strategic and thinks of the future 3. Does not want power. These 3 aspects make him a good leader, especially in the setting of Dr. Stone.

To use an analogy, He would be a very good science club leader, which is kind of what he is. He is dedicated to the craft, and can manage a small group of people with similar goals, and rather than excluding others, he encourages and fights for them to join his club of nerds.

However!

For the first part of Dr. Stone, that works fine. It’s just the Kingdom of Science and the Empire of Might. It’s like 140 people, who although need some coaxing, can work together. But once America hits and they have Zenos people how have very different ideas, and all sorts of other civilizations across the globe… people are going to have conflicting ideas. There’s always going to be Tsukasas, misguided people, and Hyogas and Homuras, people who don’t mean well and try to shape the world in their making. This is where I believe Senkuu is no longer the best choice, as I don’t think he could handle managing and keeping peace between all of these people, in addition to perusing and steam heading science projects. Obviously there’s people to help him do these things, but it’s a lot.

Many people instead make Ryusui the main leader, which is not a bad decision. He’s used to leadership and thrives in positions of power, and cares about the people around him, even if they don’t like him(most of this comes from his confidence/arrogance, but still). He is great at planning and managing people, and is decent at working with people who have different views than him. However he doesn’t really understand the differences between what people say/think they want, and what they need, and he could make bad decisions based on that misconception. In addition, Ryusui is pretty disconnected from the people around him as he had a very different upbringing, and can’t always relate to people. This makes him a caring leader, but unable to properly act this way.

Both he and Senkuu are decent leaders on their own, but still not great. In conclusion, I say the best solution is to have the 5 generals, so some other council, in charge. They balance each other’s faults, this sharing of power relieves the pressure of leading the entirety of humanity from 1 person’s shoulders.

Main tangent over lol.

I def agree about Senkuu trying to save everybody, including Tsukasa, with all of the stuff happening at the beginning of Treasure Island Arc being a lot to juggle. This means to me that his decision to give Hyoga and Homura to the “authorities”/legal system is weak evidence for him being lawful.

I feel like we’re running this thread dry, so I pose another question: How do you feel about the ending of the manga, and how would you change it? I have some strong thoughts about those last few arcs lol.

*offers microphone in one hand and a bag of chips in the other*

Also happy holidays!!

Your honor they're homosexuals

[miguel-ohara-lover]

Coming Undone

CW: feral, rapture side effects, I know rapture isn’t actually like this so maybe AU(?), no prep, GN reader, p*rn no plot, no dialogue

Note: HI?? Omg it’s been awhile since I’ve written well anything really. But I wanted to write something short and simple since it is a special time of year for a lot of people including me. I tried to make reader as non-descriptive as I could, like I didn’t even describe clothes or anything so I hope that worked? I got random struck with inspiration to write, maybe it’s all the love on my old stuff which by the way THANK YOU??? My love for Oscar Isaac was recently resparked so maybe that’s another reason lol. Anyway- I hope you like this merry Christmas and happy holidays, and if you don’t celebrate anything I hope you had a wonderful year and here’s to many more wonderful years to come.

You felt Miguel’s hot breath against your neck, his large, strong hangs pinning yours against the wall. His chest pressed into your back. God, he was feral…

He did briefly explain some side effects of Rapture when you first got together, but maybe you weren’t listening fully. You remember clearly now, exactly what he said. How it can make him feel, how dangerous he can truly get at times.

Miguel’s fangs grazed the skin of your neck. One bite and you’d be paralyzed. He was smarter than that. He had at least enough control to stop himself from causing real harm, though the temptation was there. He so badly wanted to sink his teeth into your flesh… perhaps another time he can ask if you’d like to try that.

You felt trapped, but not helpless. And trapped wasn’t necessary a bad thing. Feeling caged in by his large towering body was kind of hot. The way his frame made you feel small. His right hand moved off of yours and down to your waist. He shoved the fabric down until it bunched around your knees.

He could practically smell the arousal dripping from you, all his senses heightened and on overload. It was overwhelming. Miguel quickened his pace, letting his holographic suit dissolve away, leaving him bare behind you.

Miguel is very large, he’s aware, and you’re aware. And he’s impatient. The thought of prep does briefly cross his mind, but only that. No, he can’t wait, not anymore.

Taking barely any time to line up, he’s suddenly buried deep inside you. You cry out as he stretched your unpressed hole, but the pain quickly melts into pleasure as you feel his slow and deep movements.

For being so impatient just seconds ago, he is steady with his thrusts. He wants you to feel it deep within you, every curve, every vein. He is savoring the feeling of you around him, and for someone who is usually in control, he can already feel himself coming undone.

Miguel is big, so big you remember the first time doubting if he’d fit. Oh, he made it fit. He made sure you felt every last inch. You couldn’t walk straight for a week. Deja vu is hitting you like a stack of bricks, but it’s not a terrible feeling.

His other hand, that had been holding you against the wall, joined his right at your waist, using the control to bounce you along his length as he thrusted. Your moans grew louder as his pace quickened, the room filled with your noise and the sound of skin slapping against skin.

That combined with the smell, your smell, your touch, the sight of you… it drove him crazy. You felt his claws pricking at your skin, surely he wouldn’t actually pierce you with them, but man is he close to. The thought is there, he so badly wants to, the urge to sink his claws and teeth into you, use his webs to tie you up and just ravage you. He’s aware of how dangerous he is, and he does his best to keep it under control.

You know he’s close when his hips stutter, he gets more desperate in his movements, if that’s even possible right now. He also starts to pant, like a needy dog. This is the one stage in your… fun where he isn’t the dangerous leader of the spider society. Panting and even letting out little whines as he ruts into you.

It isn’t long before you feel the familiar warmth of his seed filling you up, and you soon join him. You let out a final moan and reaching back to tangle your fingers his hair. He remains buried in you for a moment while you both ride out your orgasms, panting as he nuzzles into your neck where his teeth were previously threatening to mark up.

He held you against his strong chest, keeping you up knowing you’d slip if he didn’t have a grip on you. He mumbled some quiet thanks against your skin, and you simply smiled as your fingers tangled in his slightly dampened hair. A shower sounds like a good idea, now that he isn’t overwhelmed by senses and feelings.

[na0koz]

hiii i was wondering if you could write about toxic vi from arcane? <3

cw: mention of sex, ghosting, alcohol, arguing, wall punching, gaslighting, vi is just mean

hell yeah

i don’t think vi would be toxic in the way that i write jinx, like she wouldn’t be completely psychotic and obsessed, like she just wouldn’t be the best girlfriend, y’know.

she’d be veryyyy possessive but still refuses to put a label on your relationship. i don’t think she likes committing like that. but if she catches wind of someone else flirting with you, or you flirting with someone else then she will be having words. beats up the other person and maybe yells at you too.

she is so so mean. uses personal stuff you’ve told her against you all the time, purposefully to hurt you. she knows how to get under your skin and make you cry and she uses that skill to her advantage.

if you argue then she’ll storm off and come back a couple days later, sweet talking you trying to get you back while you stare at her with your arms folded over your chest. “please princess, you’re the only person i wanna be with, i need you.” kinda shit.

she does ghost you a lot though. she’s not reallyyyy sure how to do relationships ‘properly’ so she thinks it’s fine to disappear for a days or weeks and come back like nothing happened just because she ‘wasn’t feeling like a relationship’.

really fucks with your head a lot. acts like she didn’t say stuff when she definitely did. called you a slut once for pretty much no reason and then when you brought it up in a later argument, where she said you were “being stupid, baby” and she’d never say that about you because she loves you.

like i said earlier, she’s different to jinx in how they’re toxic. i guess the way to describe it would be that vi is actively toxic, because she argues and ghosts you and all that bs, while jinx is like secretly obsessed and crazy about you.

she never tells you anything. you probably started seeing each other as a result of a one night stand, so there wasn’t any like talking stage beforehand. she picked you up from a club and thought she wouldn’t mind seeing you again after she’d fucked you. but you guys barely talk properly, if you do then it’s you talking and her half-listening. you don’t know anything about her family or anything like that, nothing about her past.

she’s not that physical when she’s angry, but she has been and will be if she gets worked up enough. punches walls for sure. her apartment is so messy from her punching shit and throwing stuff. in a particularly messy argument you said something that just really rubbed her the wrong way. she punched the wall by your head as a result and made you cry. cue the sickly sweet, yet empty, comforts and apologies.

once ran into someone she knew while you were on a ‘date’ (going to a bar, making out in an alleyway, then fucking at her apartment), and introduced you as her girlfriend. you asked her about it, a smile on your face as you thought she had finally decided she wanted to seal the deal with you. she then burst your bubble saying that she “kind of had to” call you her girlfriend because you’re definitely more than friends, but you are not her girlfriend. she makes that very clear.

she did try to do something for your birthday, (doesn’t give a fuck about anniversaries) not very well though. she missed it by a couple of days and probably only knew about it from hearing it from a friend of yours. showed up to your door with some kind of ugly wilted flowers and a bottle of whiskey. she may have already popped the cork of the bottle and had some on her way.

her answer to everything is just sex, unfortunately. her idea of making up after an argument is just fucking you to make to forget how horrible she is, rather than actually apologising and talking with you.

basically, she fucks with you so bad, your friends hate her, you hate her (sometimes), she acts like she hates you but truthfully she is just terrified but the feeling that you give her. she is evil.

[trans-axolotl]

Do you know of DIY psych meds or any writings/info on it, DIY meds in a similar way to DIY HRT, cause I noticed you can buy some psych meds on some of the same shops you source diy hrt, I haven't found any thing on it but I figured its just not a very popular topic because being forced on meds is usually a more pressing issue, the legal grey-ness of buying "prescriptions" with out an offical prescription, and the if-y effectiveness of a lot of psych meds but I feel like I can't be the only one who's ever thought about it

so i don't really have anything I can link to because most of what i know about this is what i've learned from my experiences with DIY HRT distro. and so there's a lot of stuff that I only feel comfortable talking about vaguely on tumblr or other public facing social media.

long story short: there are already some DIY HRT collectives out there that are also distributing psych meds in a similar way. not going to name specific names for obvious reasons, but there's around 3 or 4 DIY hrt collectives i could name in the northeast US who are already doing this. there are some challenges with distributing psych meds that are slightly different than distro for DIY HRT. part of it is due to the need to be able to keep up an ongoing supply of psych meds that might cause withdrawal. if people are relying on you as a supplier for psych meds that can cause life-threatening withdrawal if you're off of them, that is a much more severe consequence then temporarily being unable to supply someone with hrt. and so that might impact the resources needed to be able to offer a consistent supply. i think another challenge is the lack of easily accessible information about psych drugs and how they actually work in our bodies.

and like--i think about psych drugs the way i think about all drugs. they're substances that are going to have both desired and undesired effects. that is going to vary from person to person. and everyone has the right and autonomy to make those decisions for themselves, regardless of their diagnosis or whether they are seeking "treatment" or "healing" or whether it's just for fun or connection for any fucking reason. so i think it is really good and important to find ways for people to access psych drugs outside of psychiatry.

and at the same time, i also think that in the current climate, where so many people are forced on psych drugs against their will, where so much misinformation is purposefully spread by psychiatry, where so many of the undesired effects of psych drugs are hid from people, it also feels important to be able to share accurate and helpful information about how psych drugs work and what to expect, as well as information about dosages, withdrawal, tapering, etc. so i think that anyplace that is sourcing and supplying psych drugs does have a responsibility to make sure that they do know that information and can help their community find and share that kind of information.

in terms of practical information, it sounds like you're already probably familiar with how to find sources online. all i'll say on tumblr is that if you're familiar with how to use tails and tor for browsing that it's not super hard.

it's not the exact same focus, but Four Thieves Vinegar Collective has a lot of projects for different types of autonomous healthcare.

Inner Compass Initiative is not a perfect website but does have a lot of info on psych med dosages, tapering, effects, etc.

there's some other zines i'll try to find in my room and take photos of at some point if i'm able to.

biggest takeaways for me is that it always comes back to autonomy and informed consent, and figuring out ways to make that possible in our communities outside of psych authority is something that feels important and possible to me!

[joudama]

And that’s that for Veilguard. Got all the achievements and got the four main possible endings (didn’t bother with the bad ending where you do none of the side quests, everyone dies, and you end up trapped in the Fade forever with Solas).

My four Rooks:

Female Shadow Dragon elf mage - saved Minrathous - romanced Harding - punched Solas in the face

Female Antivan Crow human rogue - saved Treviso - romanced Lucanis - tricked Solas into using the fake dagger

Male Grey Warden dwarf warrior (this was originally going be a Qunari, but I couldn’t get over the yassified look of all the qunari I tried to make and I gave up) - saved Treviso - romanced Davrin (meant to romance Bellara and lol welp, that didn’t happen) - big softie who sent Solas into the Fade with the Inquisitor

Male Mourn Watch elf mage - saved Minrathous - romanced Emmrich (meant to romance Bellara or Neve and lol welp, that didn’t happen) - told the Inquisitor she could do better and made Solas go off into the Fade alone.

My Mourn Watch one is probably going to be my “canon” run, since I liked it the best (that’s not saying much) of my runs. I went with a life leeching run for him, including using the unique items that made health potions/companion heals not work, and beefed up leeching. Literally the only time I died was when my controller ran out of juice in the middle of a dragon fight. The Elgar’nan fight was over so fast I was like, “Wait, is that it?” It was like the curb stomp fight in Inquisition with Corypheus before they let you have enemies scale up with you.

And now for my thoughts. And oh boy, do I have a lot of them. Hoo.

I have…so many issues with this game. It is a very good…whatever the gaming equivalent of a popcorn flick is. It’s great if you go in with your brain turned off and enjoy all the shiny. But that’s not what I want in a Dragon Age game. I’ve been replaying DA2 - the game that DATV is basically trying to channel - while playing these, and the difference in writing quality and intricacy of plot and world building could not be more sharp. The first time I played DATV, I thought it was fine. Almost aggressively fine. I had fun with streaming the game and seeing where it went. I loved the reveals with the wolf statues. I had some major issues with the writing being as subtle as a brick to the face at times (more on my thoughts about the dialogue LATER, because oh boy), but it was serviceable. And I genuinely thought Veilguard had been robbed by not being nominated for Art Direction at the Game Awards, because say what you will, the areas are fucking gorgeous. But, even then, I was like, “Yeah, this would not have deserved a GOTY nomination had it gotten one,” and placed it at a 7 or 8 out of 10. A good enough, enjoyable game that ran well, but was not by any means GOTY material.

Then I made the mistake of playing it again, and the cracks began to show. By the time I hit the middle of Act 2 of my third run, I was just so done. I hated every time certain companions had anything to say at all. I hated that you couldn’t call people out for being a jerk but had to be the supportive nursery school teacher at all times to them. And for the first time playing any BioWare game at all, I found myself wishing I could either not recruit certain people or kick them out of camp. The cracks were beyond showing at that point, and I no longer thought the writing was even “serviceable.” Things that hadn’t seemed so bad on that first popcorn flick run suddenly became a problem - not being able to actually talk to your companions to get to know them went from “it feels more natural to have them saying this stuff while out in the field” to “what is even the point of going around the Lighthouse if all it gets me is a line spoken at me or overhearing bits of them having ACTUAL conversations?” It legitimately hurt replayability. I missed being able to actually talk to my companions, and I realized I cared more about Manfred and Assan than most of my companions because Manfred and Assan actually seemed to like interacting with me. I will take Manfred’s rock-paper-scissors game over a “hey Rook” and dead-eyed stare.

By the time I hit late act 2, I couldn’t wait for it to be over so I could delete the damn game off my hard drive…only for the last achievement I had yet to get to NOT pop when I finished the game. I looked it up and discovered it wasn��t set by triggering a certain end state, but was tied to picking some flowers in Act 2, and wanted to cry. I don’t usually 100% games, especially if I feel like some of the achievements are bullshit I don’t want to do (‘sup, MELE needing you to do some Armax Arena Spectre-level fight - I would sooner chew off my own arm than do that, as anyone who watched me stream Veilguard would have guessed watching me kvetching the whole time I was doing that Hall of Valor shit), but that was just frustrating. I decided to try to get it on a fresh run as a Mourn Watcher, since I’d heard that was one of the surprisingly good faction backgrounds, and that was a good choice. Mourn Watch became my favorite faction, when it had been Shadow Dragons until then. It added so much to a lot more conversations than I would have thought, and made it so I actually enjoyed the sadly few times you get to actually have conversations instead of eavesdropping/being talked at. I’m glad I decided to slog through one more time for that achievement, because if I’d ended it on that third run, I know I would have never played it again. It turned back into a popcorn movie again, aided by me knowing when to put on a YouTube video and watch or scroll through Bluesky instead of listening to a certain character be the fucking worst. If I ever play again, it’ll be a Mourn Watcher (I already know the Veil Jumpers and Lords of Fortune are considered, shall we say, lackluster background factions.)

Which brings me to some of the big, fundamental problems this game had.

This is not a CRPG. It’s just not. It’s an action RPG now, with the focus on “action” not “RPG.” It’s part of the whole Mass Effect-ification of Dragon Age. And I say this as a huge Mass Effect fan:

Dragon Age should not be like Mass Effect. And vice versa.

When Andromeda came out, they decided to ditch the Paragon/Renegade system, and instead went for DAI-style emotion-based options. Which seems great! More speech choices to make a more nuanced Ryder instead of picking up or down! Great! Only no! A lot of people hated it because it didn’t feel like Mass Effect. They had taken away something that had seemed like a major part of how you roll played in the series, and replaced it something very different. It was the first time they took a mechanic from one game and ported it into another, and it didn’t really go over well with a lot of ME fans because it didn’t feel like a Mass Effect mechanic.

And now with Veilguard, they basically made a Mass Effect game with a Dragon Age skin on it. And it just doesn’t work.

Combat: They copied the combat wheel from Mass Effect, but did it kind of badly. I honestly hated it because I tried to play like I do in Mass Effect - pull it up, use it to look around and get a handle on my environment, then pick an enemy or a safe space to bolt to - and the camera snapping the enemies meant I couldn’t. It drove me crazy because it was like the Mass Effect wheel but fundamentally not, and the camera drove me mad because I’d pull it up trying to find where the nearest blight boil was, and it would snap on enemies instead of just letting me look. It’s like they wanted to get rid of every little bit of tactical game play and replace with smashy smashy bang bang instead. Don’t think, don’t plan, just attack…which fits in with the popcorn flick-ness of DATV. Don’t think, just do. Turn your brain off and look at the particle effects.

Another Mass Effect-ification with regards to combat is dropping from taking 3 companions to 2. Which you need to do to have that Mass Effect style combat wheel, and the Mass Effect 3/Andromeda style primer/detonation style interaction of companion powers. It was very satisfying, but not very Dragon Age-y, and requires throwing out some of that DA lore to make it work, because now everyone uses magic-based abilities even if they aren’t mages. Assan attacks deal fire damage. You can spec a warrior who calls up a giant lightning hammer to twirl around, and…how? That’s not enchantment, that’s plain ol’ magic, and how?! Warriors didn’t deal magic-based attacks uncles their weapons where enchanted before, but now, everyone is just tossing magic attacks at everything. That’s not how the world of Thedas has worked until now, but you can’t have those flashy explosions or particle effects otherwise, so shhh, turn off your brain and don’t think, shhh. Look at the screen light up and the pretty lights. It worked in Mass Effect because they had already set up tech and biotic attacks, but there’s no way to make hitting something hard with a sword cause it to blow up and damage all the other baddies around them, so now everyone has magic. OK.

As an aside, it was also a really bad idea of get rid of how aggro worked. Dragon Age had always worked by warriors drawing aggro because they had the heavier armor (or could use taunt on enemies targeting squishy mages or rogues). Rogues had lower aggro because they had lighter armor, and could sneak. Mages had even lower aggro because they had the lightest armor and were distance fighters. DATV threw that out the window, and Rook draws all aggro because they are the only ones with a health bar. Your squad is immortal in fights, which means there’s no reason for enemies to ever target them. Which means god help you early game when mages and rogues have no real skills yet. Enjoy dodging while your companions hit the enemies with what seems like attacks as powerful as spitballs. It also means that there are times what the game tells you and the fight you just seem are completely at odds. Remember that fight with the Wrath of the Stone in Harding’s companion quest? That thing is on your ass the entire time, but then at the end of it, Rook says something along the lines of “It really hates Harding,” and…are you gaslighting me, game? That thing ignored Harding the whole damn time in favor of trying to stomp me like a cockroach. Harding did not exist to it during my fight. It had a hate boner for Rook and Rook alone, no matter what the game tried to insist on after.

Now, imagine how that would have felt if Harding actually could have been killed/knocked out during the fight, and it was only going after her? What if you couldn’t damage it if it took her down, so you had to make sure she stayed alive? Imagine how different that fight would have hit then? But no, that would mean the devs have to think about how to rez characters and how healing would work, and would mean players have to be tactical, and shh, no, no more of that, no thinking, just dodge and hit things and look at the particle effects. Shh. Have some more popcorn.

Story: DATV wants so badly to be ME2. It wants to recall the big suicide mission where you have to have everyone ready or you’ll all die. But you can’t copy what you did before and get the same flowers and results. You just can’t. You can try, and all you’ll get is diminishing returns. They tried to do the big cosmic horror of ME1, complete with a Virmire choice, then have the big final stakes of ME2, and no. You can’t follow a template and get the same greatness. That’s not how it works.

And speaking of following templates…

Romances: The romances in Veilguard are just dismal. And I think it’s because they decided to follow the Mass Effect pacing formula instead of the Dragon Age one.

Dragon Age: You start flirting in Act 1. You usually flirt with everyone because hey, why not? Some time in Act 2, things start getting serious, and you have to settle on who you want to go for. Things start to get serious, you get together, and then you get happy fun adult time with your new LI. You get the option to break it off or commit to them fully. By Act 3, you’re in a committed relationship. People comment about it. You can go to them and spend time with them - nothing major, maybe just a kiss. There might also be a special scene that’s just with them and unique to the romance. And by the end, after the lengthy amount of time that’s passed, you are Together.

Mass Effect: You start flirting in Act 1. You usually flirt with everyone because hey, why not? In Act 2, you keep on flirting with everyone. By the end, you might have to make a choice if you’re flirting too hard with everyone and the two LI options tell you to pick someone already, but you’re just picking who you’re interested in. Early in Act 3, there might be an almost kiss, but it’s mostly just the occasional anticipation of eventually boning and nothing really happens until right before the final big fight, when your LI shows up to your cabin for “oh shit, we might die in a few hours, so let’s go out with a high note” happy fun adult time. The only time you get that “committed relationship” vibes is in ME3 if you’re romanced the same character for at least one other game, and you choose to continue the relationship.

The Mass Effect pacing works in the Mass Effect trilogy because each game is only 20-40 hours long. Veilguard is a good 80 hours long. That means using that same amount of romance you use in ME is going to mean you’ve got too little butter to spread over too much bread. It’s why you have a good start for the romances in Act 1, then act 2 is a such a desert of nothing after you commit that I genuinely wondered if I’d hit the wrong option at said no at several points during the very long third act. There’s not just enough content for that long of an Act 2. Near the end everyone starts commenting on you being with them, but it’s not actually happening in the game. There’s no flirting, there are no extra scenes, and even the scene when you commit to them is based on a scene that happens with everyone, just with a romance option tacked on. The only person (of the ones I romanced, so I can’t speak to the others) who really get unique scenes was Emmerich. He actually takes you out on a unique date. It helped a lot to make Emmerich’s romance feel more fleshed out than the others. And Davrin had so many little jaunts out in the woods that those turned into romantic trips out, which added a lot to his. But Lucanis’ and Hardings? With both of them, like I said before, I genuinely wondered if I had accidentally opted out. Their romances most used the Mass Effect format, and it just doesn’t work for a game this long. BioWare knew that once, long ago, because Andromeda did not use the ME trilogy format for romances and was closer to one they used in DA. But DATV is trying to be ME2, so they used ME2’s very thin romances as a guide.

And we can all see how well that turned out.

The Executors: Fuck me, they feel like Cerberus reskinned, and I absolutely hated when Mass Effect shifted from sci-fi/Lovecraftian horror to space opera with Cerberus as the main bad guys you have to fight with the Reapers functionally falling to the background. The Executors are a secret, shadowy organization pulling strings from behind the scenes like the Shadow Broker codexes in ME2 retconned Cerberus into having been doing in ME. Ugh.

The Andromeda-ification of dialogue: Remember Peebee? Remember how she talked? Give her long hair and pointy ears, and she’s Bellara. Down even to the techno-babble. It’s like they’re trying to change magic to just “sufficiently advanced technology.” Everyone speaks in that modern, quippy style that was annoying in a game set hundreds of years in the future because it felt dated by the time the game came out (Ryder makes a Frozen joke, y’all). And it feels completely out of place in a game set in an early modern setting (I don’t think DA is medieval, honestly - it’s more a pre-industrialization/early scientific revoltution setting, so more 1500-1700s, and I’m gonna stop now). It was jarring. You can only let one quirky character break the rules about how people talk (Alistair in DAO, Varric in DA2, Cole in DAI) but when everyone does, it’s jarring. You can be anachronistic, but you have to know what you’re doing and how to do it when you do, and I’m sorry, but the current crop of BioWare writers don’t. They wrote the dialogue like it was a modern day YA novel, not a Dragon Age game. It would have been fine for a modern day urban fantasy game. It was not fine for a DA game set in the same time period as people using the four humours for “modern” medicine (remember the surgeon in DAI? Talked about the four humours? Yeah.)

OK, I did not intend to go on for this long, and I haven’t even gotten to what the game did to how religion is handled or the sociopolitical aspects of Thedas, and how they threw out so much that made Dragon Age unique in their urge to do a soft reboot, so I’m just going to end it here. I wanted to love this game, and I can only do that if I turn my brain off, and that’s not what Dragon Age should be.

[thetriggeredhappy]

Hey hey, 48-hour moratorium's over! In light of that --

It's been a good 72ish hours and I'm still beside myself (in a good way) about how everything panned out -- like, woah; this might be the most upbeat conclusion I've ever seen a Valve game get. And the fandom's (largely) positive/joyful reaction to the comic has been delightful to witness. Three cheers for the comics team... wasn't expecting to see issue #7 this year, but it was a fantastic holiday gift.

Really looking forward to seeing what people make of post-canon and the seven-year timeskip (Scout's post-canon life being the most fleshed out out of all the mercs is fascinating to me... leaves a lot of room to interpret what the others have been getting up to, which is fun!). Very curious to know more about all the cut content Jay Pinkerton was talking about in that one email -- but I'm also (somewhat uncharacteristically) content with not knowing? What we got was pretty golden.

Pointing and nodding at the subtle little things (Heavy & Medic, Patton being dressed up like a mini-Demo)... likewise reckoned that semi-implicit stuff's probably the most we could've gotten from a Valve IP, so I'm glad to have it.

On a Scout-related note: overjoyed to see him living his best sitcom life, with his four kids and his Venture Bros haircut (and his seemingly-better relationship with Spy). Figured for a while that he might retire post-canon, but actually seeing that pan out was wild. In a nice way. Very happy for him.

i’m honestly really surprised to see so many people being taken aback at how lighthearted the ending of the comic series is. the tone of the comics in TF2 have pretty much universally been silly and goofy and fun and campy, this seemed perfectly in line in my opinion—the only thing i find at all unusual is the lack of sarcasm. that’s the thing, is that it’s extremely easy to write something over-earnest and for it to come across as kind of… shiny-eyed and nauseating. to be frank, a ton of what we did get was toeing the line, but they put enough effort in over the previous comics to make it all feel pretty deserved. all things considered, after what they’ve all been through, pyro deserves a puppy. of course medic would keep the baboon. of course soldier and zhanna would have kids. more shocking to me is the slightly smaller heartwarming moments—it would be so easy to make saxton hale just kick olivia out because we cut ahead 11 years and oops, she’s 18 now, scram! it would be so easy for miss pauling to have just been bowled over by the plane instead of having spy leap to help her in an incredibly selfless moment, considering his character. it would be so easy to make pyro wave to the engineer on the balcony instead of running, visibly cheering, completely estatic.

it would’ve been so easy to make the “our team were never even considered a real team—the other demomen don’t need to make their own explosives, the tech is handed to them on a silver platter. our demo is forced to do it himself because Mann Co does not care.” reveal so cruel and direct and cutting, but instead, demo is having it entirely on his own, quietly, subtly. the choice to make it something you have to really think about to notice speaks to a level of… maturity, from the writing staff.

the reason we get this happy ending is, to a degree, because at this point the writing is done with the assumption that the readers can be trusted to read and marinade and interpret.

frankly, i’ve known for many years that the only happy ending that any of them could truly get - i mean this from the bottom of my heart - is for several of them to stop being mercenaries entirely. Mann Co and the teams and the desert and miss pauling burying these bodies and negotiating for weapons have always been backlit in the subtext as that the thing they are doing is hurting them and preventing them from living real lives and growing as human beings. any ending where they didn’t break free of that cycle is grimdark and edgy in a way that the writers have made very clear they like to mock and cartoonify, and the choice to instead take itself fairly seriously and to commit to things being okay is a much more daring decision, from a writing perspective. a few issues ago medic was pouring blood back into them in buckets.

fantastic comic, my favorite thing in the world is stories and writing that trust you to engage with them earnestly, and this probably takes the cake. the administrator’s storyline is fucking haunting. and, unfortunately, would.

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[jade-len]

i think it'd be funny if someone transmigrated as xin mo. the goddamn evil sword. instead of taking it seriously, they just really fucked around with bingge. and, somehow, ended up having the opposite effect of what it's supposedly rumored to do.

picture this: bingge, on the quest for revenge and power, comes across the almighty xin mo. this demonic sword killed everyone that dared to even try wielding it. and, the few who were lucky enough to have it by their side, eventually succumbed to the swords' will.

it is said that the sword is unlike any other, that it etches into your head and eats away your brain, until eventually it consumes you whole. it whispers, speaking in lust, greed, and hatred. it slowly beckons the wielder into giving in to the worst part of themselves and feeds off of pure sin. but to him, it is no matter; luo bingge will surely tame it.

and then he gets to the sword.

demonic qi practically oozes from xin mo. the aura surrounding it makes every part of luo bingge scream, "run; get away, away from that monster." his gut prods at him, begging bingge that this is probably a really bad idea. it's a little terrifying, how even luo bingge, the determined, vengeful demon, is now getting second thoughts about wielding xin mo from just being in its presence alone.

but luo bingge is too, a monster. so he ignores the screams of plea; pushing every thought of doubt in the back of his head, and tightly grips onto the handle. the world around him seems to spin and shake, tumble and crack, from the amount of force bingge needs to use in order to pull the sword of sin out of its place.

when bingge finally has it perfectly fit into the palms of his calloused hands, he hears whispering. he knows that the sword has accepted him as its new host.

the sword's language crawls up to him, as if it were feeling around his body and mind. checking every nook and cranny for it to settle into bingge's form, truly becoming one with the embodiment of sin. the words flow through his brain like a tragically broken guqin, a melody that holds him in a frighteningly familiar trance - all while simultaneously eating away at his brain in the worst ways possible, akin to a child and their favorite snack. it seems to beckon something, but even with luo bingge's impressive hearing, he cannot make out any words from the tone-deaf musical notes xin mo sings.

and then, it is clear. the land around him settles, and everything is still. xin mo itself seems to be.. content. at least, that is what luo bingge believes.

the language of this wretched sword reflects the state around these two monsters.

luo bingge expects it to demand for bloodshed, for the erotic ecstasy of multiple women, for bingge to steal the last of the finest gems of these horrible, vast lands.

instead, he hears this:

"yoooo damn that shit was crazy. did you see what i did there? man, you know, it feels so fucking good to get out of the dirt. hey, do you know if people can like, feed their swords or something? i'm kinda craving something spicy. we never know, in this wack world! wait, don't hold me like that, buddy. it'll make things real awkward."

but luo bingge is determined to get his revenge, so he puts up with the swords' constant rambling about.. whatever the hell it's thinking.

"wait, dude, did you seriously fuck a dying girl? that's wild. yeah, like i know she was dying but it doesn't sound like you wanted it. yo, listen to me, consent is very sexy."

"HAHA hey, dude, sir, man. you wanna play some 'i spy'? we don't have anything else to do. no? too bad, we're playing it. i spy a loser who doesn't wanna play i spy. hint: he's holding me right now."

"okay i know i'm supposed to be this super evil sword and beg to be used - woah that sounded real wrong - but can you at least clean me when you're done killing shit? if you don't, i'm gonna refuse to respond to you and you'll look like a dumbass trying to wield me."

"i can't hear you lalalalalalala you're not being very it girl right now lallalalaalalalla-"

somehow, this is worse than if xin mo was actually eating away at his brain.

weirdly enough though, as luo bingge starts spending more time with this weird ass, seemingly possessed sword, it starts to become more of a.. comfort to have it by his side than pure annoyance. he finds himself responding to it more, like, actually having full on conversations with it. it puts him at ease, wielding xin mo. the hatred doesn't consume him, instead, it seems to soothe the burning rage (and, admittedly, just replace it with small irritation) that holds onto his darkened heart.

xin mo is actually quite kind and caring, for a sword that's supposed represent and be the literal embodiment of sin. sure, it is a hassle to have it cooperate with him sometimes, and it does just ramble on and on about the most random things ever, not giving a single shit if bingge was in the middle of sleeping with maidens and slaying those who get in his way. for the first time, bingge feels so comfortable around something.

it's.. odd. what was supposed to be the turning point in his life, a big step in his plan for revenge, is now something akin to an... acquaintance. not like mobei-jun, or any of the women he's come across, but an actual, dare he say, friend.

sometimes, he finds himself thinking all of this delusional. is this what people were driven mad by? perhaps they simply could not handle dealing with a talking sword. he understands that xin mo was undoubtedly unbearable to be around at the beginning of their alliance, but it has never actually beckoned for blood, power, and sex. if anything, it does the opposite.

maybe he's the delusional one. maybe this is xin mo's way of getting to him.

maybe, xin mo should be considered a thing. the thought feels terribly laughable, as if he were witnessing a person horribly explain themselves. it also makes his teeth grind together in pure agitation.

"hey, you know, you didn't deserve any of the things they did. it wasn't your fault, binghe. the fact that you're half heavenly demon doesn't make you a monster, or any of that wild stuff.. uh, i'm here for you, okay? i know you don't really like talking about all of this or opening up, but i just want you to know that you can.. talk about it. it's not like i can tell anyone else, anyways.

hey- shit i didn't mean to make you cry! wait, wait it's okay to cry! you need to let it out anyways, i promise it doesn't make you weak. there, there. i don't have any hands, so me patting you on the head with my handle will have to do. there, there.. everything will be alright, you'll be okay. i'll be here every step of the way, even if you want to get rid of me."

xin mo, the demonic sword, is more of a person - a good person - than anyone he'd ever come across.

...and then bingge and the xin mo transmigrator become besties or he falls for the damn sword. knowing him, he probably doesn't even know the difference between platonic and romantic attraction anyways. maybe bingge gets a plant body for xin mo using airplane's wack writing. idk i typed all of this down in one sitting.

(plot twist: it's not that the transmigrator xin mo had the opposite effect, it was literally just a placebo effect. luo bingge thought that, and thus it actually did help him lmao)

[aroaceleovaldez]

full on feel like pjo tv s2 is not gonna hold up so they need to drag as much attention to the series as they can by using nico as a sock puppet w tsats2

im fully expecting the show to go the way of the movies. it doesnt help Sea of Monsters is almost unanimously the least favorite book of the first series. People frequently forget it even exists or what happens in it, especially more casual fans.

Heck, just look at how little fanfare the second season has gotten so far as compared to the build up to s1. I wouldn't be surprised if s2 totally flops. It would be a little funny.

[fallloverfic]

I love singNsong again reminding people in Side Story that Dokja wanted other people to read TWSA (he wrote reviews and comments! It was his first wish), and he only stopped bothering because people harassed him for it. He didn't gate-keep the story. When he's avoiding talking to Sangah about it at the beginning of ORV, it's because he knows what happens when he tells people about the story, not because he's gate-keeping it from her. He notes he's not proud of his hobby (likely because he's been bullied all through his life, including for reading the thing he loves): he finds it embarrassing to talk about, and better respects her studying Spanish in her free time (learning another language is a generally accepted thing in society). He assumes she won't care or will look at him funny (or worse) for when she learns about the novel he's into.

Basically anyone writing "let's gatekeep ORV" posts because of the anime announcement or because they dislike the manhwa or some other weirdness, y'all are the villains in the scenario.

The literal climax of the story is about sharing ORV with as many people as possible. What story were y'all reading?

[hauntingblue]

The king and queen are visiting Paiporta and they receive them with mud xd two men have spoken to the king and told him to do something, but we all know that he is going to go to his palace and cross his arms because It's literally the only thing he can do. Is this what had to happen for people to realize that asking the king for help is nonsense? He has no power, he is only there to parade around. They have kicked out volunteers from the site to let the king and his escorts (police and military) pass, which is the first time they have touched that ground and they are going to do NOTHING. The president is doing the same. The president of Valencia is doing the same.

[deoidesign]

just to inquire, what’s your favorite thing you sell in your shop?

i love your comic!

Oh thank you!

And my favorite thing... That's hard to answer haha

I like selling prints because I get to use my nice printer (which I love to do) and I especially love selling custom panel prints, because then I get to see people's favorite panels from my comic, which is double nice...

The most fun items to pack are the merch bundles which are themed with my books, I LOVE coming up with packaging design like this so much...

But my favorite design has gotta be one of these... Probably the patch, there.

It's really hard for me to pick!

I actually genuinely just am really passionate about product design and merch themeing, it's not only extremely fun for me but it also just really engages my brain. I love coming up with items that fit a theme, and there's no theme I love more than my own comics haha

So there's not much I could enjoy more! That's why I chose to do a merch club on patreon, it lets me get out my merch-y feelings but without overloading my storefront... Plus it's just really fun for me! I get to experiment, make little packages, and enjoy making new things.

Thank you for asking!

[astronomodome]

kept trying to write something coherent but instead i just wrote a bunch of vaguely religious gibberish about my own interpretation of the watchers and their whole deal. does anyone want to read it

[rocktis]

fanon my beloved vs. fanon my beloathed

beloved - zack's nicknames for cloud (spikey, sunshine, cloudy, etc) - kunsel has hacked into shinra's database and could cause massive damage to the company on a whim by tapping a few keys beloathed - "zack's so stupid lol he's such a himbo" - "cloud's just a cocky asshole who doesn't care about anything but money and himself"

[almostvermin]

rewatching alien stage after round 7 heres my thoughts on a prsk version:

sua -> haruka mizu -> an till -> akito ivan -> toya luka -> mafyu hyuna -> shiho

[no1ryomafan]

i was thinking about besides devo getting a anime the most controversial getter anime they could make is a remake of Armageddon cause despite the fact it could absolutely fix the issues the show has it be one of those things that wouldn’t be necessary and people would be sick of more arma content.

But then I thought about “okay but then they could make Kei actually trans if they had the fucking balls” and I know this would NEVER happen but that would make people seethe more then arms being remade and I found that so funny. (And yes this is very much related to my last post)