#i REALLY want to get those done and posted

[rebelfire]

Yeah, OP was confusing and conflating things. Like, part of female socialization is TRAUMA. Same for male socialization, it's just done differently to get different results. Not all trauma is socialization, and not all socialization is trauma. (Whether it results in trauma depends on what happened and how the person's brain processes it given the circumstances, their past experiences, and who they innately are.)

For example, female socialization can include things like always smiling so you are perceived as less of a threat. (Both cause you don't want to seem intimidating but also, your don't want them to make them feel bad cause they do NOT know how to process that.) Smiling in this case is meant to protect the one smiling, and that might be ingrained due to frequent reminders growing up that are uncomfortable (like saying they should be pretty because they present as a girl), but not necessarily something they'd say is traumatizing, but others may have been the subject of blatant abuse for not conforming to ensure that over time it sticks. BUT this isn't necessarily something that ONLY happens to those being socialized as female. In certain circumstances, this happens to those raised as male as well, just not stressed to be about being "pretty" so much as "don't show you're unhappy".

Not all trauma is socialization, and not all socialization is trauma, but there is a big overlap and the only person who can really identify if something is one or the other or both is the person in question.

But ALSO, female socialization does NOT stop at adulthood! I think that's the biggest flaw with OP's post. It continues so long as someone presents as female but I think they're under the impression that it's currently only applied to behaviors taught in childhood. That may be how some people incorrectly use it but that's simply wrong. It applies to any behavior reinforced by society. It can be as passive as getting a judgmental stare from someone on the train for not sitting with your legs closed while wearing a skirt. It doesn't have to be active and explicit, nor does it have to include a clear power imbalance. We're social creatures, so sometimes something as passive as not getting glared at in public IS socialization.

a lot of behaviors that get attributed to "female socialization" can be so much more easily and accurately understood as a person recognizing the power differential surrounding them and behaving sensibly in response to that.

like. does a woman politely listen to a man monologue at her because of some experience she had when she was twelve that magically cursed her to behave that way forever, or does she do it because the man has the power to hurt her and she knows it?

does a woman do all the dishes in her household because she is less capable of breaking out of a long-ago conditioned response than, like, your average trained dog, or is she doing that because she knows that all the men in the house will blame her if she doesnt and will make life worse for her if she speaks up?

maybe a lot of sexist patterns of behavior that are widely observed in society arent caused by women like, lacking willpower or backbone? maybe it is super fucking weird for supposedly feminist movements to imply this is the case when they talk about female socialization as the end all, be all of predicting human behavior?

isnt it both more useful and more respectful toward women to consider that they are perceiving their present circumstances accurately, and recognize when power is already being wielded against them, and take logical measures to deescalate and protect themselves because it works? is it not fucking clear to everybody that trans women in particular have to do this all the fucking time?

[bunny-jpeg]

burnin' tire

max verstappen

cw: smut/pwp, masturbation, fantasies, mad!max, post-dutch gp, mechanic!reader

love the fic? leave a comment! really love the fic? suggest your own!!

second.

second was first place for losers. that was what he had been told his entire life. second, seconde, secondo, however he could slice it, it still looked bad. so when he stomped back into the paddock with fire in his heart and a storm cloud over his head, the mechanics scattered.

they even went as far as to push you, their newest addition in front of max so they could get a head start away from mad max.

he looked down at you, something in his gaze left you a little shaky at the knees. this was your first race with the team, and you couldn't secure a win for max. it was almost embarrassing.

"i'm sorry, mister verstappen!" you pouted, "i'm really sorry! we tried to move as fast as possible, but i guess we couldn't keep up to mclaren." you worried about your job! you had just started, you were far from home and this was your dream to work for, "i'm so sorry!"

you almost had tears in your eyes, which deflated the anger from max's stance. he dropped his arms and looked at you. he replied, "there's nothing to be sorry about, it happens." as if he hadn't been on a losing streak for some time now.

your bottom lip quivered and your eyes grew watery, "this was your home race. and i'm just so sorry! i just wanted to do good, i wanted you to win!" a few tears fell and max was dumbfounded.

he was used to tearing into the mechanics and the engineers. he was used to snapping his words and letting rage consume him. instead he reached out for you, "hey, it's okay! don't cry. it's alright.'" he even wiped your tears away as your lip wobbled.

you got into his arms and gave him a bit hug. you looked at him and said, "i promise we'll win the next one! i promise!" even in those baggy coveralls you looked cute. if not beautiful.

max felt the anger disappear in his gut and he smiled at you, almost warm, "yes... yes we will." and when he patted you on the head and turned away and out of the paddock.

the other mechanics were in as much shock as you were. and while max would've loved to continue holding you, even reassuring you about the race in monza the following week. max was painfully hard from your brief interaction. it was like all the anger went to his cock and he needed to get out of there before he caused a scene.

back in the red bull motor home, max thought he was going to burst a blood vessel in his head. it was a pain to get into his jeans after he got out of his racing clothes. everything felt like a live wire, to go without masturbating for that long felt painful. especially when the source of his erection was playing in his read.

you smell like motor oil and warm vanilla, your touch was soft when you hugged him and that pretty face. even with the smear of grease on your face and the red bull cap on your head.

"mister verstappen." your voice rang in his head and he didn't even make it to the bed before his cock was in his hand. his palm covered in his spit as he sat on the couch and stroked himself still clothed.

he knew that the team had hired a new mechanic, but to see you in action made his brain feel almost rotten from the lust he felt. he barely paid attention to who was working on the car during the race but he knew you weren't working alone. and yet, you still carried all the responsibility for the team on your shoulders.

you poor thing. he continued to stroke his cock and he panted heavily at the feeling. thoughts of you were in his head as he pleasured himself. he wished you were there to do it for him. even if you wore you coveralls and covered in grease, if you were on your knees in front of him, your mouth on his cock as you pleasured him.

he wondered if you had even done that before. if you had any partners, or even one at the moment. he tried not to let the jealousy curl in his gut. he wasn't even sure, but he wouldn't have been surprised. you were beautiful, and who didn't love a gentle soul. you wanted max to win and max in turn felt towards you that he felt towards no other mechanic. he wanted you to work on his car, but also taking you out to dinner. to show you the finer things in life.

he wondered what colour panties you wore, and what cut. he knew you weren't wearing a thong, no when you were lifting heavy tires all day. he imagined something red, maybe a boy short. something that moved with the curves of your hips and thighs. he thought excited him, it really turned him on. made his face as red as he hoped that your panties would be.

how they'd curve to your ass, when you ran around the pit stop. how you would lift tools around. the strength to you. max liked models, but there was something about you the captivated him. and you didn't even know. you were just a humble mechanic, and you drove max wild.

he continued to stroke his cock heavily. he panted heavily as he felt his dark t-shirt cling to his back. his pace was quick up against his cock, he even spat on his hand once more to just to get the right friction. it was a head rush. he was not immune to masturbation, max did it almost daily if he had the time.

but to picture you in your bra and panties made him excited. hungry like a dog as he fucked his hand. he wished it was your pussy. he wished that he could bully the tip of his cock against you. he wished he could bend you in half and fuck you with a vigor that there were no other words for.

he wondered if you were loud, if he'd have to silence you with your panties. if he's have to cover your mouth or gag you, or would you just burst into tears like you did in the garage. the wet eyes,staring at him, promising that you'd do better next time. it made max want to fuck you even more. he wanted you every way he could have you.

"shit." he groaned through grit teeth as he continued to stroke his cock. he could feel his heart beat in his ears as he continued to masturbate. you were just a little thing, even with your skills as a mechanic, you were still so small. max felt he need to protect you.

he wanted to make sure you needed for nothing. he wondered if you'd have him as your lover. as your partner. the thought made him shudder as he continued to stroke his cock. he felt the head rush it all, he panted heavily as he stroked his cock.

his pace continued and he let himself get lost in the feeling. when it got overwhelming, he finished all over himself. your words rang in his mind, the promises you made. next time will be better. he'd win next time! and as cum dribbled all over his hand, he panted heavily with the head rush. he panted heavily and felt a shudder through climax. he wondered if you were touching yourself tonight, which made his cock twitch in his hand.

he was covered in cum at the waist and he felt hot all over. he rubbed his face with his free hand and for a moment felt in the post-orgasm shame. but it didn't last long.

with the after shivers of euphoria, he knew he had to do something. he couldn't be jerking off in private anytime he saw you. max was a man of action so after he cleaned himself off, he texted horner,

"i was wondering if i could properly meet with our new mechanic, show her the ropes. i think things will be promising with her." he tried to sound as professional as possible, but as thoughts of your watery eyes filled his mind. he knew he'd have to get himself off again soon. <3

[qwertyprophecy]

Mortholme Post-Mortem

The Dark Queen of Mortholme has been out for two weeks, and I've just been given an excellent excuse to write some more about its creation by a lenghty anonymous ask.

Under the cut, hindsight on the year spent making Mortholme and answers to questions about game dev, grouped under the following topics:

Time spent on development Programming Obstacles Godot Animation Pixel art Environment assets Writing Completion Release

Regarding time spent on development

Nope, I’ve got no idea anymore how long I spent on Mortholme. It took a year but during that time I worked on like two other games and whatever else. And although I started with the art, I worked on all parts simultaneously to avoid getting bored. This is what I can say:

Art took a ridiculous amount of time, but that was by choice (or compulsion, one might say). I get very excitable and particular about it. At most I was making about one or two Hero animations in a day (for a total of 8 + upgraded versions), but anything involving the Queen took multiple times longer. When I made the excecutive decision that her final form was going to have a bazillion tentacles I gave up on scheduling altogether.

Coding went quickly at the start when I was knocking out a feature after another, until it became the ultimate slow-burn hurdle at the end. Testing, bugfixing, and playing Jenga with increasingly unwieldy code kept oozing from one week to the next. For months, probably? My memory’s shot but I have a mark on my calendar on the 18th of August that says “Mortholme done”. Must’ve been some optimistic deadline before the ooze.

Writing happened in extremely productive week-long bursts followed by nothing but nitpicky editing while I focused on other stuff. Winner in the “changed most often” category, for sure.

Sound was straightforward, after finishing a new set of animations I spent a day or two to record and edit SFX for them. Music I originally scheduled two weeks for, but hubris and desire for more variants bumped it to like a month.

Regarding programming

The Hero AI is certainly the part that I spent most of my coding time on. The basic way the guaranteed dodging works is that all the Queen’s attacks send a signal to the Hero, who calculates a “danger zone” based on the type of attack and the Queen’s location. Then, if the Hero is able to dodge that particular attack (a probability based on how much it's been used & story progression), they run a function to dodge it.

Each attack has its own algorithm that produces the best safe target position to go to based on the Hero’s current position (and other necessary actions like jumping). Those algorithms needed a whole lot of testing to code counters for all the scenarios that might trip the Hero up.

The easiest or at least most fun parts for me to code are the extra bells and whistles that aren’t critical but add flair. Like in the Hero’s case, the little touches that make them seem more human: a reaction speed delay that increases over time, random motions and overcompensation that decrease as they gain focus, late-game Hero taking prioritising aggressive positiniong, a “wait for last second” function that lets the Hero calculate how long it’ll take them to move to safety and use the information to squeeze an extra attack in…

The hardest attack was the magic circle, as it introduced a problem in my code so far. The second flare can overlap with other attacks, meaning the Hero had to keep track of two danger zones at once. For a brief time I wanted to create a whole new system that would constantly update a map of all current danger zones—that would allow for any number of overlapping attacks, which would be really cool! Unfortunately it didn’t gel with my existing code, and I couldn’t figure out its multitudes of problems since, well…

Regarding obstacles

Thing is, I’m hot garbage as a programmer. My game dev’s all self-taught nonsense. So after a week of failing to get this cool system to work, I scrapped it and instead made a spaghetti code monstrosity that made magic circle run on a separate danger zone, and decided I’d make no more overlapping attacks. That’s easy; I just had to buffer the timing of the animation locks so that the Hero would always have time to move away. (I still wanted to keep the magic circle, since it’s fun for the player to try and trick the Hero with it.)

There’s my least pretty yet practical solo dev advice: if you get stuck because you can’t do something, you can certainly try to learn how to do it, but occasionally the only way to finish a project within a decade to work around those parts and let them be a bit crap.

I’m happy to use design trickery, writing and art to cover for my coding skills. Like, despite the anonymous asker’s description, the Hero’s dodging is actually far from perfect. I knew there was no way it was ever going to be, which is why I wrote special dialogue to account for a player finding an exploit that breaks the intended gameplay. (And indeed, when the game was launched, someone immediately found it!)

Regarding Godot

It’s lovely! I switched from Unity years ago and it’s so much simpler and more considerate of 2D games. The way its node system emphasises modularity has improved my coding a lot.

New users should be aware that a lot of tutorials and advice you find online may be for Godot 3. If something doesn’t work, search for what the Godot 4 equivalent is.

Regarding animation

I’m a professional animator, so my list of tips and techniques is a tad long… I’ll just give a few resource recommendations: read up on the classic 12 principles of animation (or the The Illusion of Life, if you’d like the whole book) and test each out for yourself. Not every animation needs all of these principles, but basically every time you’ll be looking at an animation and wondering how to make it better, the answer will be in paying attention to one or more of them.

Game animation is its own beast, and different genres have their own needs. I’d recommend studying animations that do what you’d like to do, frame by frame. If you’re unsure of how exactly to analyse animation for its techniques, youtube channel New Frame Plus shows an excellent example.

Oh, and film yourself some references! The Queen demanded so much pretend mace swinging that it broke my hoover.

Regarding pixel art

The pixel art style was picked for two reasons: 1. to evoke a retro game feel to emphasise the meta nature of the narrative, and 2. because it’s faster and more forgiving to animate in than any of my other options.

At the very start I was into the idea of doing a painterly style—Hollow Knight was my first soulslike—but quickly realised that I’d either have to spend hundreds of hours animating the characters, or design them in a simplistic way that I deemed too cutesy for this particular game. (Hollow Knight style, one day I’d love to emulate you…)

I don’t use a dedicated program, just Photoshop for everything like a chump. Pixel art doesn’t need anything fancy, although I’m sure specialist programs will keep it nice and simple.

Pixel art’s funny; its limitations make it dependent on symbolism, shortcuts and viewer interpretation. You could search for some tutorials on basic principles (like avoiding “jaggies” or the importance of contrast), but ultimately you’ll simply want to get a start in it to find your own confidence in it. I began dabbling years ago by asking for character requests on Tumblr and doodling them in pixels in whatever way I could think of.

Regarding environment assets

The Queen’s throne room consists of two main sprites—one background and one separate bit of the door for the Hero disappear behind—and then about fifty more for the lighting setup. There’s six different candle animations, there’s lines on the floor that need to go on top of character reflections, all the candle circles and lit objects are separated so that the candles can be extinguished asynchronously; and then there’s purple phase 2 versions of all of the above.

This is all rather dumb. There’s simpler ways in Godot to do 2D lighting with shaders and a built-in system (I use those too), but I wanted control over the exact colours so I just drew everything in Photoshop the way I wanted it. Still, it highlights how mostly you only need a single background asset and separated foreground objects; except if you need animated objects or stuff that needs to change while the game’s running, you’ll get a whole bunch more.

I wholeheartedly applaud having a go at making your own game art, even if you don’t have any art background! The potential for cohesion in all aspects of design—art, game, narrative, sound—is at the heart of why video games are such an exciting medium!

Regarding writing

Finding the voices of the Queen and the Hero was the quick part of the process. They figured that out they are almost as soon as writing started. I’d been mulling this game over in my mind for so long, I had already a specific idea in mind of what the two of them stood for, conceptually and thematically. When they started bantering, I felt like all I really had to do was to guide it along the storyline, and then polish.

What ended up taking so long was that there was too much for them to say for how short the game needed to be to not feel overstretched. Since I’d decided to go with two dialogue options on my linear story, it at least gave me twice the amount of dialogue that I got to write, but it wasn’t enough!

The first large-scale rewrite was me going over the first draft and squeezing in more interesting things for the Queen and the Hero to discuss, more branching paths and booleans. There was this whole thing where the player’s their dialogue choices over multiple conversations would lead them to about four alternate interpretations of why the Queen is the way she is. This was around the time I happened to finally play Disco Elysium, so of course I also decided to also add a ton of microreactivity (ie. small changes in dialogue that acknowledge earlier player choices) to cram in even more alternate dialogue. I spent ages tinkering with the exact nuances till I was real proud of it.

Right until the playtesters of this convoluted contraption found the story to be unclear and confusing. For some reason. So for my final rewrite, I picked out my favourite bits and cut everything else. With the extra branching gone, there was more room to improve the pacing so the core of the story could breathe. The microreactivity got to stay, at least!

A sample of old dialogue from the overcomplicated version:

Regarding completion

The question was “what kept me going to actually finish the game, since that is a point many games never even get to meet?” and it’s a great one because I forgot that’s a thing. Difficulties finishing projects, that is—I used to think it was hard, but not for many years. Maybe I’ve completed so many small-scale games already that it hardly seems that unreasonable of an expectation? (Game jams. You should do game jams.)

I honestly never had any doubt I was going to finish Mortholme. When I started in late autumn last year, I was honestly expecting the concept to be too clunky to properly function; but I wished to indulge in silliness and make it exist anyways. That vision would’ve been easy to finish, a month or two of low stakes messing around, no biggie. (Like a game jam!)

Those months ran out quickly as I had too much fun making the art to stop. It must’ve been around the time I made this recording that it occurred to me that even if the game was going to be clunky, it could still genuinely work on the back of good enough storytelling technique—not just writing, but also the animation and the Hero’s evolving behaviour during the gameplay segments which I’d been worried about. The reaction to my early blogging was also heartening. Other people could also imagine how this narrative could be interesting!

A few weeks after that I started planning out the narrative beats I wanted the dialogue to reach, and came to the conclusion that I really, really wanted it to work. Other people had to see this shit, I thought. There’s got to be freaks out there who’d love to experience this tragedy, and I’m eager to deliver.

That’s why I was fine with the project’s timeline stretching out. If attention to detail and artistry was going to make this weird little story actually come to life, then great, because that’s exactly the part of development I love doing most. Projects taking longer than expected can be frustrating, but accepting that as a common part of game dev is what allows confidence in eventual their completion regardless.

Regarding release

Dear anonymous’s questions didn’t involve post-release concerns, but it seems fitting to wrap up the post-mortem by talking about the two things about Mortholme's launch that were firsts for me, and thus I was unprepared for.

1. This was the first action game I've coded. Well, sort of—I consider Mortholme to be a story first and foremost, with gameplay so purposefully obnoxious it benefits from not being thought of as a “normal” game. Still, the action elements are there. For someone who usually sticks to making puzzle games since they’re easier to code, this was my most mechanically fragile game yet. So despite all my attempts at playtesting and failsafes, it had a whole bunch of bugs on release.

Game-breaking bugs, really obvious bugs, weird and confusing bugs. It took me over a week to fix all that was reported (and I’m only hoping they indeed are fully fixed). That feels slow; I should’ve expected it was going to break so I could’ve been faster to respond. Ah well, next time I know what I’ll be booking my post-release week for.

2. This was my first game that I let players give me money for. Sure, it’s pay-what-you-want, but for someone as allergic to business decisions as I am, it was a big step. I guess I was worried of being shown that nobody would consider my art worth financial compensation. Well, uh, that fear has gone out of the window now. I’m blown away by how kind and generous the players of Mortholme have been with their donations.

I can’t imagine it's likely to earn a living wage from pouring hundreds of hours into pay-what-you-want passion projects, but the support has me heartened to seek out a future where I could make these weird stories and a living both.

Those were the unexpected parts. The part I must admit I was expecting—but still infinitely grateful for—was that Mortholme did in fact reach them freaks who’d find it interesting. The responses, comments, analyses, fan works (there’s fic and art!! the dream!!), inspiration, and questions (like the ones prompting me to write this post-mortem) people have shared with me thanks to Mortholme… They’ve all truly been what I was hoping for back when I first gave myself emotions thinking about a mean megalomaniac and stubborn dipshit.

Thank you for reading, thank you for playing, and thank you for being around.

[im-gonna-sing-the-doom-song-blog]

Jason Todd NSFW A-Z

Warnings 18+:

Adult language and themes

*sorry in advance for any spelling/grammar errors

A = Aftercare (what they’re like after sex) 

Jason would hold you, grip firm, but comforting, almost as if grounding himself in this moment.  He would mummer to you in that rough Bowery accent. “Fucking shit, hon..” while kissing your neck. It takes a little for him to clean up and to let you do the same (he's very lazy at this point), but when he does, he spoils you. He runs you a warm bath and brings you your favorite snack, along with the softest pjs ever. The best part is the deep tissue massage he gives you to release the rest of that tension they may linger. “I said I would get all of the knots out, didn’t I?” 

B = Body part (their favorite body part of theirs and also their partner’s) 

Jason really doesn’t have a favorite part of his own body. His hands maybe. They can bring on destruction, but also build and mend things he thought he was only capable of destroying. He loves using them to squeeze your thighs. That’s his favorite part, if he had to choose. He loves all of you.  

C = Cum (anything to do with cum, basically) 

I fully believe he's into facials and cumming in your mouth. Something about holding your face with one hand, thumb and index finger squishing your cheeks as he rubs his leaking cock against your lips, glossing them with precum. When he cums, his smacking your face with it. Extra points if you stick out your tongue. 

D = Dirty secret (pretty self explanatory, a dirty secret of theirs) 

Secret recordings and photos. He gets off on rewatching the filthy things he does to you. He’s not much of a porn guy, since he only wants you. Other people don’t really interest him in that aspect. So, when he goes on those long missions and can’t see you for a while, he has something to keep him motivated. 

E = Experience (how experienced are they? do they know what they’re doing?) 

He’s had a few partners, but nothing really special. Not like you. Just basic sex after he came back from the pit, but his body was still settling in itself. Growing pains and all that he had to endure all at once. He has the know-how and some top tier equipment, so what he lacks in experience he makes up in that. Either way, you're a soaking mess when he’s done. The longer you're with him, the better and better it gets 

F = Favorite position (this goes without saying) 

Doggy style. Hands down, He loves watching your pussy take his full length to the base “You like that? Get that ass up. You can take it” .  He also enjoys cowgirl when you both in the mood, but doesn’t wanna move around too much. Perfect for those sore post patrol nights and he wants to get you off.  

G = Goofy (are they more serious in the moment? are they humorous? etc.) 

Neither goofy or serious. A complete bastard. Jason gets that shit eating grin on his face when he’s slamming into you and you making you whimper in pleasure. “All that talk and you can barely take it.” He chuckles. “And you think I was gonna let you off easy?”  

H = Hair (how well groomed are they? does the carpet match the drapes? etc.) 

Definitely trimmed. He doesn’t really care as long as it's neat down there. Dark trail of hair. Not really much to say. 

Always clean. 

I = Intimacy (how are they during the moment? the romantic aspect) 

Kind of a prick. Jason is naturally an aggressive guy, so I can’t really see him being gentle in bed unless you ask him to. He won’t hurt you in anyway, but he fucks in the mattress until you’re unable to walk properly.  

J = Jack off (masturbation headcanon) 

Not really into it. Jason would rather wait to have the real thing than bore himself with a porno. Why waste time with that? However mutual masturbation can get him going. Intense making out while he jerks off and you touch yourself drives him feral. “Those goddamn noises you make, doll. Gonna make me lose my shit” 

K = Kink (one or more of their kinks) 

Lingerie. Especially his color.  Lace makes him rock hard. He likes to choke you too. Pull your hair. His major kink is definitely edging..teasing and teasing..and teasing some more until he feels like letting you cum. “Too much? Look at you. You’re squirming and soak already. I haven’t even put my cock in you yet.”  

L = Location (favorite places to do the do) 

Home. Anywhere in his apartment is game. He has security measures up the ass there and I don’t see him being a public sex kinda man. Too many risks. The exception is the Batcave.. he’ll hack the security there, fuck you on the training mat and then leave your assprint on the hood of the Batmobile. Wouldn’t even bother deleting the footage either. This asshole would make eye contact with the camera and flip it off on the way out.  

M = Motivation (what turns them on, gets them going) 

Arguments with you get him going. Especially when it's really heated. He’ll fuck the attitude right out of you. “Babe, curb the ‘tude before I fuck it out of ya” In contrast, his desire is also awakened when you're...just....talking. Your voice puts him in a state. “Just keep talking, please..” He breathes as he palms himself. Stress relief after patrol is another motivator. He’ll wash up the blood and carry you to the bed. “I need you like crazy, c’mere” 

*Bonus. Not really a turn on...but he’ll demolish you out of jealousy. Say, if he felt like someone like Dick was trying something (Dick would never but Jason can be a delusional baby sometimes, let’s face it). It's a self-esteem thing for him. “Everyone wants the pretty golden boy. What, don’t I fuck you good enough.” Oh, he certainly does. 

N = No (something they wouldn’t do, turn offs) 

Consent is key. Jason Todd is a mean prick during sex and can sometimes get carried away, but the moment you show the slightest display of unwillingness in your eyes, he’ll stop immediately. He’ll go soft and it may take a while to get him hard again. He could never hurt you and if ever accidently did, he wouldn’t forgive himself.  

O = Oral (preference in giving or receiving, skill, etc.) 

Loves giving as much as receiving. Jason will eat you out like he's starving, your legs pushed up and everything. He’ll make you scream his name as he traces it with his tongue.  “Hold still and stop squirming, will you? I’m trying to fuckin’eat.” Then when he's leaning back against the couch, muscular arms resting up and you're on your knees on the floor in front of him, he’ll forgive you a little if you can’t go down all the day. “Too big? Poor you” He’ll coo almost mockingly. I don’t really feel choking my pretty girl out. Take a deep breath and take it slow” The sounds that come out of him though? Goddamn. 

P = Pace (are they fast and rough? slow and sensual? etc.) 

Normally rough and medium paced. Not fast or slow. He’s not gentle. I don't care what anyone says. When I say he’ll fuck you into oblivion, I mean it. That doesn’t translate that he doesn't enjoy slow and sensual love making, he does. It's just  that sex is a stress reliever for him, so he wants to release it as much as possible. “You can take it, huh? Look at me, sweetheart. Look at me. I can always fuck you harder, you know”  

Q = Quickie (their opinions on quickies, how often, etc.) 

Jason likes to take his time. He would only want a quickie if he was on patrol and its quiet. He’ll sneak into your window. And after briefly scolding (lovingly) you for your cheap ass, shit locks. He’ll fuck you into the mattress, leaving a puddle. Then he’ll kiss you as he’s leaving before getting caught by Bruce.  

R = Risk (are they game to experiment? do they take risks? etc.) 

I feel like he's pretty open. I think the one main thing he wouldn't do would be those gas station enhancement pills or things like ecstasy etc.. After his mom and being on the streets, he’s not really eager to put anything like that in his body. Also, anything that could cause harm or injury. I really don’t see him being into thing like gunplay, even if you are. “These are for work, not play, baby girl. Though I like your enthusiasm, let's keep those separate.” 

S = Stamina (how many rounds can they go for? how long do they last?) 

Nonstop. The Lazarus pit gave him an endurance boost. An extra perk if you will. Useful for knocking out his enemies and for going round after round in more ways than one. He can last as long as he wants. “Don’t tap out now, love. I’m only getting started.”  

T = Toys (do they own toys? do they use them? on a partner or themselves?) 

I have a personal fantasy of using a vibrating cock ring on Jason. He would like that cause it gives both you and him pleasure. His cock would be twitching like hell. Make him stutter his words. “Fuck..you’re killing me..and I’ve been dead. Keep this on me and it might actually do the job this time.” 

U = Unfair (how much they like to tease) 

Bastard. That is all.  

V = Volume (how loud they are, what sounds they make, etc.) 

Jason is a breathy swearer. This man cusses a lot when shit gets hot and heavy. No surprise there. “Fuck..fuck..just like that. Fuck yes. Such a good fucking girl. Make me cum, sweetheart. Fuck” 

W = Wild card (a random headcanon for the character) 

He doesn’t watch porn to get off. He watches them for the corny plots and laughs at them. You’ll catch him and you think he would have his hand down his pants. Nope. He’s eating chips and laughing. 

X = X-ray (let’s see what’s going on under those clothes) 

Under his black Under Armor boxers, the man is packing. Long and a little thick with that vein that runs on the underside. Eye candy when he’s in sweatpants. “Keep staring with you mouth open like that and I’ll put it to use” hell joke. 

Y = Yearning (how high is their sex drive?) 

Very high, but not uncontrollable. Jason is a patient man and has no problem waiting for you to be in the mood. 

Z = Zzz (how quickly they fall asleep afterwards) 

Doesn’t fall asleep quickly. He’s the type to smoke a cigarette with you (if you smoke) on the balcony as he holds you. He’s used to being up all night, so he would only nap post sex if if the afternoon so it doesn’t mess with the sleep schedule. “Come here and cuddle babe. We can order something for take out” 

[redtail-lol]

Also about the comments, OP is clearly not talking about abusers just claiming to forgive themselves but not having any remorse. They're clearly addressing this post to people who feel intensely guilty for what they've done and have trouble with forgiving themselves. They are the people who want to change and not the people who will just continue to abuse.

It's also very much anti "well I forgave myself (or in some, religious cases, "I repented and asked Jesus to forgive me") so you have to forgive me too!" which sometimes happens, but OP literally says you can't make people forgive you. No one else is obligated to forgive you, but the only path forward is to recognize what you did was wrong, change yourself for the better, and make peace with who you were then and who you are now. It is unproductive to view yourself as unchangeably evil. You do the least harm when you can reform yourself. Even if in the eyes of the people you hurt, you'll always be the one who hurt them, and they won't want to forgive that.

I've encountered this situation thrice. Once, myself. I was bigoted. I was also 11 years old and under influences of right wing internet, somehow. I don't hold it against myself forever because I was only a kid and had bad influences. Second, my sister. She was also bigoted when she was with her trumper boyfriend because she had sacrificed a lot of herself and brainwashed herself into his beliefs out of a fear of rejection. The only stuff she felt she could watch that he wouldn't make fun of her for was Brett Cooper, Ben Shapiro, and Matt Walsh. She very quickly changed after the breakup and I have forgiven her as she has forgiven herself. The third, was a guy who blackmailed my sister when she was in a really bad situation. I do not want to disclose details but he's recently been trying to get back in her life and it's clear he feels remorseful, and I fully believe he is a changed man, but for both of us, our perception of him is stained by what he did all those years ago. We cannot fully forgive him, and we don't have to, but we do wish him the best and don't believe he would ever do something like that again. He was also a young teen when it happened and was hanging around the same bad influence we were, at the time. He should forgive himself, even if we cannot.

the thing is, if your younger self was a bigot or an abuser, u can't make people forgive you. but you still gotta forgive yourself, like that's non-negotiable, dude. that happens before u can even ask the question of earning forgiveness from anyone lese

[theunsinkableship1]

DENIAL IS NOT A RIVER IN LUKOLALAND

⚠️DISCLAIMER: This is Lukolaland only. Skip if you don't believe.

Denial is a river in LUKOLALAND?

This has to be a joke, right? Some responses that I have received on my latest posts on TT and Tumblr leave me perplexed. Let me make something clear: I’m not here to convince anyone of anything. You have the right to believe whatever you want, that’s your prerogative. However, this is a Lukola space. It’s a space that exists to celebrate their connection, to nurture it from afar, because it shines brightly and is uniquely beautiful.

I don’t know them personally. I can only judge from what I’ve seen and heard, and I fully acknowledge that my perception is biased. My interpretations come from the way I read into their actions, their words, and their patterns. What I share here isn’t fact, it’s speculation based on observation. The only thing I know for sure is that I don’t know what’s really going on.

First and foremost, they are colleagues and FRIENDS. They’ve said that multiple times, and I believe them. For those who doubt their friendship, I don’t know what to tell you. That’s the foundation here. If you don’t even believe in their bond as friends, this probably isn’t the space for you.

But here’s where it gets complicated: they’re not just platonic friends. You may have missed it, but the signs are there, publicly available. You just need to pay attention. I’m not talking about outlandish theories; I’m talking about what’s right there if you’re willing to see it.

I believe they’re in love with each other. As for their current situation? I’m not certain. But the level of plausible deniability in their story doesn’t make sense to me. Maybe it does to you, but for someone who thinks in layers, patterns, double entendres, and undertones, someone who loves words and has studied communication and PR, this whole narrative is anything but straightforward.

Leaving this much space for misinterpretation is a choice. If they wanted to shut this down entirely, they could’ve done so with clarity and finality. It’s not that they can’t make themselves understood without being misconstrued, they absolutely can. But they haven’t.

It’s wise to keep a level of doubt, it maintains objectivity and prevents overreach. However, when coincidences stack up and patterns emerge, it becomes increasingly unlikely that they’re all mere misunderstandings or products of plausible deniability.

The more coincidences there are, the less likely they are to be unrelated.

On their own, one or two could easily be explained away, “just friends,” “PR,” or “fans reading too much into it.”

When similar themes arise repeatedly over months or years (e.g., their timing, shared themes, subtle nods to one another), the likelihood of them being mere coincidence diminishes.

The concept of plausible deniability hinges on actions that could be explained in multiple ways. However, the more layers of ambiguity and deniability built into their interactions, the more intentional it feels.

The subtleties of their public dynamic suggest a shared awareness of fan interpretations. They know how their actions are perceived. To repeatedly engage in behaviors that could be "misunderstood" suggests either: a) Intentional messaging within safe boundaries. b) A significant lack of care, which doesn’t align with how thoughtful and calculated they seem to be.

Take Nicola’s recent Times interview as an example. She could have ended all speculation right there,

“A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?”

but she didn’t. Why? There must be a reason. And no, it’s not just PR. PR campaigns don’t operate on layers of plausible deniability that stretch across years, interweave with personal moments, and rely on such specific timing.

Isn’t it strange that for two people who have been so close, their social interactions have significantly decreased compared to before? Over the past two years, especially after the world tour, they appeared to have solidified a deep friendship. If the intent is to disengage fans from the idea that they might be secretly in love, wouldn’t it be wiser to interact more naturally and perhaps even acknowledge each other’s perceived partners?

From a strategic perspective, a like, a follow, or a simple interaction on social media could have gone a long way in dismantling the Lukola narrative. Such actions would feel natural for close friends, especially ones under public scrutiny. Their reluctance to adopt this approach only adds to the curiosity. Why not lean into a strategy that would be less detrimental and more effective at quelling speculation?

Perhaps they are more active on private social media accounts, but publicly, the absence of these gestures stands out. If the goal truly is to clarify their relationship and put fan theories to rest, this perceived distance feels counterproductive. The choice to refrain from such actions, at least for now, is, at the very least, curious. Could it be that there’s a reason they haven’t done so yet?

Both Luke and Nicola have had ample opportunities to firmly address and deny the Lukola narrative. While they’ve made passing comments about being friends, these have lacked the clarity and directness that would fully quash the speculation. Why leave the door ajar if they truly wanted to shut it?

Their reduced interactions seem to have coincided with the conclusion of the promotional period for Bridgerton. During promotions, they were actively engaging with each other and the fandom, fostering the image of a close bond. The sudden change afterward could indicate a deliberate decision to recalibrate public perceptions of their relationship.

The decrease in public interactions after the “papgate” could be their way of managing fallout from the incident, yet it raises questions: Why would two close friends need to distance themselves so noticeably? It suggests a calculated retreat to reduce speculation. However, this strategy seems counterproductive, as the abruptness of the change has drawn more attention. A gradual shift, paired with natural acknowledgments of their respective supposed personal lives, might have been more effective.

It’s possible they’re still VERY close privately but have chosen to limit their public interactions to avoid misinterpretation, or for privacy reasons. If so, this deliberate choice to create distance publicly could point to a deeper connection they’re trying to shield.

This brings us back to patterns. If you observe their public interactions, their timing, their word choices, the double meanings, they’re not random. These coincidences pile up to the point where it’s hard to believe they’re all meaningless. Their bond transcends the boundaries of PR, platonic friendship, or even ordinary relationships.

If you reason in layers, you’ll see it too. The amount of room they leave for interpretation is extraordinary. It’s not just about what they say, it’s about what they don’t say. It’s about the undertones, the pauses, the way they navigate questions, and even the things they choose to share (or not share) on social media. All of this seems to be deliberate. The picture is larger and more intricate than it seems on the surface.

For example: Am I truly supposed to believe that Nicola, who has a higher degree in English and a major grasp of language, would post a Scrabble board with so many elements that could be interpreted through a Lukola lens purely by coincidence? Yes, she’s an avid player of word games, but let’s examine the board itself. It reflects competent but not advanced gameplay, logical and adhering to Scrabble rules, yes, but lacking the level of complexity, strategy, and nuanced word choice you’d expect from someone of her linguistic caliber or from a player displaying their skill.

For me, this was never just about showing off her love of Scrabble. It felt intentional, like an intended message rather than a casual post. If the goal was simply to share her hobbies or an aesthetic moment, she could’ve easily posted a picture of herself playing Scrabble, perhaps with a pint of Guinness in hand. Or she could’ve showcased a more advanced board to reflect her skills or creativity. Instead, she chose this specific board with these specific words, words that align so conveniently with a narrative many of us have come to associate with Lukola.

And let’s not forget her self-awareness. Why would someone who knows how deeply her posts are analyzed by fans continue to share things that are repeatedly misconstrued? If she didn’t want the association, why add layers of ambiguity, such as the now infamous “the very demure, very mindful” quote? What was the reason?

Just two days ago, she posted a photo in her best of 2024 the phrase "if you know, you know." Let’s be honest, how many Lukola edits have we seen that riff of "when you know, you know"? If this wasn’t related to that, what exactly was the point of the “random” quote?  Is it public knowledge or is it something only some know? Nicola is anything but random on social media. She’s chronically online, she’s clever, and she’s incredibly aware of the narratives circulating around her.

These patterns, Scrabble boards, cryptic quotes, wordplay, and selective ambiguity, don’t feel accidental. They feel curated. For someone so skilled with words and communication, there’s intention behind these choices. If it were just for fun, she could have chosen countless other ways to express herself that wouldn’t leave so much room for interpretation. But she didn’t. And for me, that’s speaks volumes.

I’m mainly talking about Nicola here because there’s simply more material to analyze, her posts, interviews, and public interactions offer more clues and layers to unpack. However, Luke’s activity, or rather, his noticeable lack of activity, is equally intriguing and worth examining.

Luke has always been more reserved on social media compared to Nicola, but his recent silence or carefully curated posts stand out. He’s not just absent; he’s selectively absent. There’s a difference between being inactive and deliberately staying under the radar. For someone who previously shared glimpses of his personal life and participated more openly in fandom engagement, his current approach feels intentional.

When he does post, the content often seems neutral, leaning into professional promotion or generic life updates. Yet, the timing or lack of acknowledgment of certain things, whether related to Nicola or even his supposed personal relationships, leaves room for speculation. It’s almost as if he’s consciously avoiding feeding into narratives while simultaneously not shutting them down.

For instance, why hasn’t he addressed certain rumors head-on, as he has done in the past with other relationships? Luke has historically been upfront about his. It’s a choice.

Considering that Luke has been involved in other projects and worked with other co-stars since the end of the Bridgerton world tour, the ratio of content related to Nicola remains strikingly high. Among the limited glimpses he does share, Nicola accounts for the largest percentage of reposts and interactions. What’s even more telling is that the majority of this content is Lukola-focused, centered on his dynamic with Nicola as individuals, rather than strictly Polin-related, which would be tied to their characters and professional pairing. Yes, she is his MAIN co-star within the Bridgerton universe, but this level of engagement is noteworthy.

This isn’t to say he doesn’t appreciate or acknowledge his other co-stars; it’s just that the weight of attention, however subtle, consistently gravitates toward Nicola. Whether it’s the choice of what he reposts or the absence of comparable attention toward other colleagues, the pattern emerges loud and clear.

If we analyze this through a lens of probability and statistics, the numbers paint an even more intriguing picture. Let’s say Luke has worked with five to seven notable co-stars in other projects and in Bridgerton, if he has been tagged in or had the opportunity to engage with 100 pieces of social media content since the world tour. If Nicola accounts for, say, 60% of the interactions and reposts, despite being one of many co-stars, it defies the expectation of a more even distribution.

For context, if he were equally invested in all professional relationships, the engagement with Nicola might hover closer to 15-20%, proportional to the size of his broader network. The fact that this number is so much higher, let’s conservatively estimate at least three to four times greater raises questions. Is this simply because of their shared Bridgerton fame? Perhaps. But then why focus on individual Lukola moments, bypassing more neutral or inclusive Polin or broader cast content?

From a mathematical standpoint, the odds of this being purely coincidental diminish significantly when you layer in the context:

Nicola has the highest percentage of reposts across Luke's social media activity.

The type of content intimate, personal, or Lukola-specific reflects a curated choice, not random selection.

Even in a professional context, where Polin content would be the obvious promotional focus, the Lukola-centric moments shine through.

Given the numbers and probabilities, it seems less likely that this pattern is accidental or merely reflective of professional obligations. Instead, it suggests an intentionality that aligns with the depth and uniqueness of their connection.

Promotion for Bridgerton Season 3 has come to a halt, creating a quiet period where we can observe and compare how Luke approaches the promotion of his other projects.it could highlight how unique his dynamic with Nicola truly is.

The nature of the content he shares for other projects will be equally telling

By comparing these promotional efforts both in terms of frequency and tone to the patterns established during the Bridgerton promotional cycle, we could gain insight into whether his approach to Nicola was truly unique or simply part of his broader professional routine.

When coincidences pile up, their probability of being just coincidences shrinks dramatically. A single instance might be random, but repeated instances with similar themes, timing, and emotional undertones suggest a deeper meaning. While maintaining doubt is reasonable, the sheer volume of these moments suggests that there’s more at play than mere misunderstanding. It’s not about overreaching, it’s about acknowledging that where there’s consistent smoke, there’s likely some fire. What type of fire is there currently? I’m not sure. Are you? Probably an Eternal flame.

[eliza-and-her-monsters]

the tortured poets department

a story told in multiple parts

vi x reader

Info Post

Moodboards

Contains: college au, dark/light academia, writer reader, singer reader, neurodivergent/autistic reader (i’m autistic so i’m writing from my own experiences), sporty vi, hockey player vi, big sister caitlyn, best friend ellie williams, roommate ellie williams, will contain other familiar characters you know and love as well as some potential ocs. no use of y/n, reader does have a name because it’s just easier for me to write that way 🖤 ALSO- Jayce is aged down because I want him to be 😌

WC: 4.5k

TW: talk of severe mental illness and brief mention of psychiatric facilities

A/N: chapter one is officially live! if you’re just stumbling across this and haven’t checked the main info post yet please do for more info! hope you enjoy! 🖤

part I

you’re on your own, kid

Whenever most people got acceptance letters to Oxford they were ecstatic, elated, overjoyed. Somehow whenever I got mine all I felt was a sense that I had failed. It was a juxtaposition of course, it was always expected from my family that I attend the same university they had and every other generation before them had. So in a way I had done the opposite, just maybe not in the right order, and a hefty amount of rejection letters in my midst. Including the one currently being held in my shaky hand right now.

Ms. Kiramman,

Thank you for submitting your manuscript to our publication house. Unfortunately right now we are unable to offer you an opportunity for further publication.

“Please, they wouldn’t know good literature if it hit them in the face.” Caitlyn scoffed from her spot next to me as the student shuttle jostled us in our row of seats.

“Is every other publication house that denied me unable to recognize good literature as well?” I whispered from where my cheek stayed pressed to her shoulder.

I know what a lot of you were probably thinking at first glance, but Caitlyn was a good big sister. She was harsh, severely left brained, exactly everything our parents wanted in a child, and quite possibly the polar opposite of me. But in all honesty she was my best friend. My biggest supporter whenever my parents weren’t. It was her who had harassed all of those literary agents to even get me the chance to submit my works to publication houses in the first place because I was too scared to do it. And it was I who failed every single time.

“Yeah actually, they are. Honestly Mills, there’s so much trash in modern day poetry right now you might be better off.” She sighed, reaching a hand over to click my phone off slowly as the shuttle rumbled to a stop. “This is you!” She tried to plaster on a fake cheery voice with a pat on my back as if to get me to finally lift my head where my cheek was already an irritated red for being hid in her sweater.

“I still don’t get why you couldn’t just let Ellie and I take the extra room in that big student house you just moved into.” I huffed, lifting a hand to readjust my glasses before rising up to my feet and reaching for one of the suitcases carelessly tossed on one of the adjacent rows of seats.

“Because lovey, you need to make some of your own friends. This is uni, Millie, we’re both in completely different colleges and I just- I don’t want you to get too lonely.” She frowned, glancing back at me as she rolled the other suitcase behind her. “You guys don’t wanna room with a bunch of upperclassmen anyways.”

“I do have my own friends, I have Ellie.”

“As much as she is a great roommate, friends besides Ellie, it’s good to have more than just two whole people on campus to talk to.” Caitlyn pressed on just before striding towards the entrance, leaving me feeling like I needed to speed walk just to keep up given the fact she was nearly a foot taller as well.

The student apartments were definitely nicer than the usual underclassman dorms. In all honesty I really should’ve been grateful, it was just another luxury of being a Kiramman. Whenever your parents paid for half of the buildings on campus you usually got better accommodations. Not that either of them originally liked the idea of me even rooming with Ellie. A loudmouthed foreign exchange student from America I met during another one of those incredibly expensive wellness retreats my parents sent me on to see if they could find a ‘cure’ for what was actually just a heavy amount of autism and severe ADHD.

The only person who really seemed to understand that there wasn’t one and it was just simply who I was was Caitlyn. To a degree as much as she could at least. Sometimes though I could tell she forgot.

“I think Ellie said she beat us a while ago.” She chimed in as we approached the door decorated with a slightly chipped gold number.

“She got here early because of hockey stuff.” I answered, already bouncing on the balls of my feet to see how she had managed to make the flat into a sea of chaos already. She wasn’t exactly the cleanest person, luckily her energy seemed to mesh with mine easily enough though.

“Oh! You never mentioned she made the hockey team! I know a few girls on the team you could probably talk to.” She shot a hopeful smile back at me before lifting a fist to knock on the door.

It swung open before she could even make a second tap to reveal a frazzled looking Ellie haphazardly clutching a hockey stick. “Thank God you’re here! I was trying to practice my swing and- fuck, we are so not getting that deposit back, Millie.”

“Oh dear god.” Caitlyn cursed, already wincing in dread before stepping through the door into the messy flat. “I’m sure our dad can- do something. What did you manage to break and why on earth did you decide practicing your swing indoors was a good idea?”

“For your information I didn’t break anything! There’s just a- tiny dent in the wall.”

I hummed a bit to myself as I stepped over the plethora of unpacked bags currently covering the floor. “It’s definitely more than tiny.” I chimed in as I poked at the noticeable dent in the drywall.

Caitlyn released a long and heavy breath and shook her head, as if to try and keep herself from making her own dent in the wall. “It’s totally fine. I’ll just- say that it was there whenever you guys moved in!” She shrugged with another anxious clear of her throat as she pulled my luggage in behind her. “Which room is free, Els?”

“Oh, I gave her the room in the front. I know she likes it dark and the lighting in there sucks.” Ellie answered as she shuffled off behind us. “There is one window in there that can get pretty killer in the mornings.”

I tensed a bit at the sight of the double window facing towards the bed. Yet another one of the aggravating little quirks that came with my neurodivergency, light sensitivity. As far as I could remember I always preferred the darkest of places. And now Caitlyn was cursing again, rushing towards me to take my hands into her own as if I was already on the verge of panic.

“It’s okay- I can get you a pair of a blackout curtains asap and you know how dreary it is in Oxford anyways-“

“Caity- it’s fine. I’m not going to have a meltdown over a window.” I interrupted her ramble with a shake of my head. Sometimes I felt like she still thought I was that same teenage girl that didn’t have a handle on her emotions. Not that I was far from it exactly. Now I was just an almost 20 year old girl who had a slight hold on her emotions. That’s what the writing was for.

Her eyes still held the same amount of concern though, getting that same little crinkle in between her brows as she nodded. “Okay, I’m still getting you blackout curtains though.”

“They’ll definitely be appreciated.” I said with a forced tiny smile.

“Well, I really wish I could stay and help you unpack but I have a meeting with the Brooks Society and everything but… I really do hope I’ll see you both tonight at the pub for fresher’s week?” She grinned hopefully once more as she squeezed the life out of my hands.

“Oh, I-I don’t know. We’ve barely settled in and-”

“I’m down.” Ellie chimed in from behind me as she trotted back into the door frame. “I’m gonna be relishing in the fact I finally don’t need a fake.”

“Ellie…” I groaned as I shot her a glare over my shoulder.

“What? Mills, it’s the first day of fresher’s week, we might as well be committing a crime by not going out tonight!” She exclaimed with a dramatic throw of her hands in the air.

“It’s true, and as much as I would love to keep you away from my degenerate friends, well, it might be good for you.” Caitlyn agreed with another casual shrug.

“You’re not gonna give me a choice, are you?” I questioned causing her to shoot a knowing look towards Ellie over my shoulder.

“Probably not.” She answered before stealing a look down at the expensive watch wrapped around her wrist. “Well, I’ve gotta go but… you’ll text me if you need anything, right? I don’t want you to feel like you can’t because of what I said earlier because you always can I just-“

“Caity- it’s fine. I’m fine, I promise. I- I’ll see you tonight.” I stammered in hesitation, and I’d definitely be hearing about it later. But luckily right now she seemed willing to just let things go.

“Okay, good… great. Now- get in here, pipsqueak!” She exclaimed, the familiar nickname she had been calling me since she hit her growth spurt and I yet to do so making me roll my eyes as she pulled me into a tight hug. One of those sisterly hugs I always clung onto a bit longer. Ever since I was younger no place had felt safer than Caitlyn. And in so many ways sometimes I looked at her as being more than a mom than our actual mom. I knew I needed to find other safe places though. “I love you, you know that right? I promise. This is going to be a good thing.”

“I love you too, Caity.” I sighed softly as I felt her lips press to the top of my head before the two of us pulled away.

“Els, take care of my baby sister or else I’ll have your head on a stick? Got it?”

“Crystal?” Ellie finally spoke up again with wide eyes as her hand made the ‘okay’ symbol.

“Good.” Caitlyn spoke before trotting back off towards the front door, “I’ll see you both tonight and send you the details.” And with a charming smile she was headed out.

Ellie instantly let out a shiver the moment the door closed. “Has anyone ever told you that your sister’s scary as fuck?”

“Many times.” I answered simply just in time to see Ellie’s face fall ever so slightly.

“So, I’m guessing it was a no from the latest publication house?”

“How could you guess?” I frowned as I slumped against the wall like I was going to resign myself to the floor.

“You had that aire of discouraged defeatism whenever you walked in.” She explained as she sidled up to me. “Cheer up, Mills, modern poetry is so cringeworthy nowadays you might be better off going for songwriting anyways.” She added as she gently rubbed at my clothed arms.

“If I can’t even get a publication house to take me seriously then what makes you think I can actually get a songwriting deal?” I spoke as I finally pushed myself off of the wall.

“One of the most popular songs out right now literally has the lyrics, ‘that’s that me, espresso’ in it.” She rolled her eyes a bit to herself as she finally knelt down to grab the bags she had still yet to unpack.

“No Sabrina Carpenter slander in this apartment, Williams. You know I’m an OG. And I can relate to desperation.” I frowned in embarrassment as I crossed my arms across my chest.

“Yeah yeah yeah, come and help me unpack, will you? Maybe we can find you something to wear tonight.”

“What’s wrong with what I have on?” I exclaimed almost in mild offense as I gestured towards the outfit that definitely had been hastily picked out. But it wasn’t like it wasn’t cute- ish at least.

“Nothing, but care bear sweaters and leggings seems more like a comfy day outfit than a ‘going out to the pub’ outfit.”

“I thought it was going to be a comfy day until you completely blew my cover!”

“Sorry babe, but I agree with your scary as fuck sister on this one. You need to get out more. Experience the pleasures of fresher’s week and you can take that in any way you want!” She shot a wink over her shoulder as she made her way down the skinny hallway to kick open her own door where a brutal floor to ceiling window already angrily cast its light on the room causing me to flinch.

“We could always pretend to be girlfriends again if you want people to leave you alone in a, you know, romantic way.” Ellie added as she rushed across the room to pull the curtains shut and pat the empty space on her bed. Probably the only time it’d actually be made all semester.

“Nah, if we do that too many times people will know we’re lying so best not to even start.” I answered as I took a seat on the side of her bed.

“Well if that’s the case, how does this shirt look with… this flannel? What do you think? Chick magnet?” She grinned before whipping out a red and black checkered flannel from the mostly empty closet and pulling it on over the basic black band tee she already wore with a flourish.

“Maybe if they’re emo?” I said with a little shrug as I scanned the band logo on her t-shirt causing her to groan in defeat.

“Still… somehow… always chronically bitchless.” She voiced before plopping down on the squeaky university issued beds. Though we were at least lucky enough to have double beds, it definitely wouldn’t leave anything to the imagination if either of us decided to do any nsfw activities in them. Somehow I didn’t feel like we’d have that problem though.

“Shush, you’re not chronically bitchless. You have me!” I teased as I gave her shoulder a playful shove where she dramatically flopped onto her back.

“So bitchless then?” She reiterated with a lifted brow as she glanced over at me.

“At least you’ve actually managed to kiss a girl once or twice.” I scowled as I inched over onto my side. Already catching myself pulling closer towards her.

“Just so we’re clear, I did offer.”

“Yeah, only to get your first kiss out of the way.” I scoffed, though I curled up to her either way. Closing my eyes as I placed my head on her chest I hadn’t realized how tired I had felt in the past 24 hours. They had been rough, a sea of anxiety and those exact meltdowns that Caitlyn was afraid of me having and her not being there to talk me down from.

“And? The offer never stopped standing.” She spoke just before I could feel her arms wrapping around me.

“Good to know, Els, I’ll let you know if I ever need to get a pity kiss from my best friend.”

“Oh shut up, it’s not a pity kiss. It’s me doing you a solid.” She remarked, as she nudged my foot with her leg. “You manage to get any sleep last night?” She wondered just before letting her hands trace soothing circles on my back. I only shook my head as I felt the sting behind my eyes before I could even take any steps to stop it. The way you felt whenever you were already on the verge all day and someone finally asks if you’re okay. Curling my fingers into her flannel the annoying tears already soaked into the fabric of her shirt. “Do you wanna talk about it?”

A shake of my head only followed, I didn’t know how to put anything into words really. How to explain to people that just wouldn’t understand no matter how much they meant well and wanted to. How was someone even supposed to explain the fact that you were one of the most celebrated families of the most prestigious university in England yet somehow you still felt like the only person who didn’t belong here sat on top of a mountain of rejection letters? Perhaps you could rather easily. But to actually say the words ‘I’m pretty sure I only got in because I’m a Kiramman’ were a whole different story. It’s why I took all those years off in the first place. I wanted to delay the inevitable of my dad paying off the admissions directors again while staring at me with the level of disappointment he never had to with Caitlyn.

I hadn’t even realized the simple tears had turned into full out sobs until I heard Ellie’s gentle shush from above me and her arms holding me even tighter to her chest as she did so. “You’re gonna be okay, Mills. I promise. We’re gonna be just fine.”

~

I hadn’t even noticed I had dozed off until my eyes cracked open again, noticeably faced away from the window and tucked underneath Ellie’s covers. My glasses sat propped up on her bedside dresser already casting a noticeable blur of the world around me. Meanwhile hushed voices seemed to speak from out in the hallway, walls much too thin to hide the noise.

Fighting back a yawn I shoved myself up onto my elbow to wipe at my dysfunctional eyes before stretching a hand out to pluck my glasses from the nearby table. Though I only jumped as the door was pushed open and Caitlyn’s tall figure popped up into view. “Hey pipsqueak, Ellie told me you weren’t feeling the best after I left.” She said carefully as she grabbed my glasses to hand them over.

“I wished she wouldn’t have.” I grumbled as I slid them onto my face only to hug my knees to my chest and glue my eyes to the bedsheets below.

“Why not? Isn’t that exactly what I told you to do? Mills, I would’ve stayed-”

“But- I-I don’t wanna keep you from your responsibilities anymore, Caity!” I exclaimed with a frustrated groan, already digging at my eyes again while my head only throbbed from the aftermath. “I don’t want you to have to tell this really important college society that you can’t be there for your obligations because your mentally ill sister needs you to rescue her again!”

“You are my responsibility, Amelia!” She snapped, the use of my rarely spoken full name making me wince as she pointed a stern finger at me. “You will always be my number one priority because I’m your big sister and it’s my job to protect you, no matter what. And I don’t care what kind of deep shit I get into with the criminology department, okay? Because you come first, always!”

I tried to gulp back the same pathetic tears, but it turns out after you cry yourself to sleep for the millionth time maybe there really is a limit. “I didn’t miss anything, did I?” I spoke up after a moment of silence, feeling Caitlyn’s arm stretch around my shoulder as she took the spot next to me.

“No, but I did do some thinking and if you really don’t wanna go then I don’t wanna pressure you.” She frowned, almost looking down in mild guilt until I leaned my head against her shoulder.

“No… I do. I wanna go and make friends and new experiences and- t-try to be normal.”

“Lovey, you are normal. It’s the world that isn’t.” Caitlyn frowned as she leaned her head against mine. Thankfully she only hesitated a moment though before she cleared her throat and spoke again, “If you wanna go though we should probably start getting ready. If you want me to help you?”

“Maybe you can help me figure out what to wear? And do my hair in those little braids with the clips? And help me with my eyeliner?”

Caitlyn snickered a bit as I lifted my head from her shoulder. “The eyeliner might be a little tricky but I can certainly try. Are you forgetting the prom incident where I quite literally gave you an eye infection?”

“That was definitely just because of the glitter.” I shrugged before swinging my legs over the side of the bed and finally pushing myself up to my feet.

“The eyeliner pen straight to the cornea certainly didn’t help.” She reiterated.

Despite the various complications of having two not at all femme lesbians help me get ready though, I don’t think I looked too terrible afterwards. I had settled on a simple black dress that fell just above the knee with little bows sat atop the straps. English autumns could either be comfortable or frigid though and the current temperature definitely wasn’t comfortable so Ellie tossed me one of her blue flannels to wear over top. Of course claiming it’d be a calling card for all of the hot lesbians, if they didn’t assume we were together first.

Calling the pub a ‘pub’ in an of itself was definitely generous. Besides the one or two older people having their relaxing evening out ruined by the loudmouthed 18+ filling the joint it felt more like a club than anything. Music blasted from the speakers as we stepped inside, Caitlyn on one side with a protective arm around my shoulders and Ellie on the other who looked more and more like she was never returning to America by the second.

Caitlyn immediately dragged us downstairs where most of the students had taken over. It wasn’t hard to figure out which group of friends were hers. It was the largest one, who had currently swallowed the entire center of the room it seemed filling up leather stools and couches with red decorative pillows. “Oi! Cait! Over here!” A familiar voice echoed from the large group, popping his head over everyone and waving the lot of us over.

“Jayce? I thought he finished his masters last year.” I tried to speak over the noise where Caitlyn wrinkled her nose in response.

“He did, guess the old man just can’t get enough of us.” She answered, giving my arm a comforting squeeze as she pulled me along beside her.

The group was probably the most eccentric lot I had ever seen as we approached the cluttered table. Covered in empty and full beer bottles and other fruity drinks along with half burnt out cigarettes. A spread of tarot cards belonging to a skinny girl with the longest and brightest blue hair I had ever seen was currently being scooped up as well causing my eyes to widen in curiosity. A chorus of Caitlyn’s name followed as usual, the usual life of the party whenever I wasn’t there and she didn’t have to babysit. I had almost managed to successfully tune most of the chaotic noise out though until I heard my name followed by the tightening of Caitlyn’s arm around my shoulders once more.

“Lads, this is my baby sister, Amelia. Treat her well or else I’ll kill you slowly and painfully.” She said with a little grin just as a stool was pulled out from where a pink haired individual sat manspreading on the plush couch.

“Have a seat, cupcake, we don’t bite.” The girl smirked as she sat forward almost curiously. Also an American.

“I especially mean that towards you, Vi.” Caitlyn’s expression morphed into a glare as she watched me cautiously lower myself onto the seat like it was going to give out below me any second. “Oh, and this is Ellie- Ellie Williams. Also a fresher. Ellie, Mills, this is… Jinx, Ekko, Jesse, Dina, you obviously know Jayce, Abby-”

“Bitch.” Ellie mumbled underneath her breath causing my eyes to widen for the thousandth time as she took the open seat next to me. “She totally knocked my lights out during practice today.”

“You have to have at least one light on to have them knocked out, Williams.” The muscular woman stated as she brought a glass of amber liquid up towards her mouth.

“Wow, didn’t realize hockey rivalries on the same team were a thing.” Caitlyn fought back a laugh as she went to take an empty seat of her own.

“Oh you have no idea.” Ellie grumbled a bit to herself as she crossed her arms over her chest.

“Williams? She yours?” Vi cleared her throat as she nodded in my direction.

“Who? Amelia? I-I mean I wouldn’t complain but we’re just friends.” She answered immediately causing Vi’s eyebrows to lift.

“So- no intense feelings you guys are harboring or anything?” She questioned again as she stole glances between the two of us.

“Unless there’s something she’s not telling me?” Ellie wondered with a lifted brow as she looked towards me as if in confirmation. And it was then I realized how tightly I was clutching onto her hand below the table.

It wasn’t as if the two of us hadn’t thought about it. It wasn’t as if I had spent a solid number of nights in her bed whenever things got really tough. Ultimately though we had decided what we had as best friends was far too intense or precious to fuck up over a relationship. And also just the sheer fact that dating somebody you met in a psychiatric facility disguised as a ‘wellness retreat’ was probably a bad idea.

“No, just best friends.” I answered in a small voice with a simple shrug.

“Okay, so you won’t mind if I buy her a drink then?”

“Careful Vi.” Caitlyn growled from her spot on the couch across from her.

“Ummm, can you buy me a song on the jukebox instead?” I asked, and to my surprise a series of impressed sentiments filled the table. My eyes only furrowed in confusion however as I peered towards Ellie or Caitlyn for help, “What?”

“Because Millie, that was smooth as fuck.“ Ellie answered almost drawing a little laugh from my end.

“Lucky for you, doll, I can buy you both.” Vi spoke as she held a bruised hand out for me to take.

I’d be lying if I said I didn’t feel any butterflies blooming in my chest at her words. The feeling of my heart kickstarting as I placed my hand in hers and let her lead me towards the bar. Her hand was warm and rough in my own, calloused but not in the way Ellie’s were from the constant plucking on her guitar. They were calloused in a far more aggressive way. I should’ve known I was heading towards my own demise in that moment. Falling down a hole I’d lose myself entirely in. An electric pull on my heartstrings that kept me close to her.

Fuck, I should’ve known it was only the start.

A/N: I AM SOOOOO EXCITED TO GET THIS UP!!!! I wanna know all your thoughts!! Tell me everything!! I’m so so SO beyond excited to write more of this I’m screaming!!

Also- psa I know a ton of characters don’t talk/aren’t really in this one. I promise they will be further on! Just need to get an establishing shot first! 🖤

[afinestoutlove]

TL;DR Joe Locke is a really good actor

I accidentally came across a couple people saying Joe Locke isn't a good actor and like... what tf were you all watching?? Cos it wasn't what I was watching, he's so fucking good!! (I can only talk about Heartstopper here cos I haven't seen much of him in other things, but given these posts were related to Heartstopper...) I think this is firstly straight up (ha!) homophobia, with a side helping of shitty masculine beauty standards. I think it also comes down to the story Joe Locke is acting being something people are super uncomfortable seeing, and his success at telling it makes them uncomfortable in a way they don't want to deal with.

Homophobia first. These are almost always people who like Nick/Kit Connor, and that's not a coincidence. Nick/Kit fits very neatly into normative masculinity (although you know I have things to say about that around Nick's character), so people who haven't done the work to recognise their homophobia don't feel so weird about him. (He IS a great actor, but not "better" than Joe, or any of the other actors in the show. He just has a different story to tell that some people find easier to digest.) But Charlie/Joe Locke reads as more "stereotypically" gay, and no matter what BS reasons people come up with for not liking him, it almost always comes down to "he makes me uncomfortable because GAY".

Masculine beauty standards are so related to homophobia, because what we construct as an attractive man is so linked to heteronormative masculinity - tall, muscular, strong etc (let's not forget white, although that's less relevant to this discussion). Charlie/Joe not only falls outside these standards, but he's shown in the story as still being desirable. I love that about this story, because people who fall outside the very narrow beauty standards in Hollywood are still desirable to a lot of people - including people like Nick who meet those beauty standards. We see this happen in public couples all the time, tons of people suggesting that the partner who is further from conventional beauty standards is somehow a bad person, or is "tricking" the more conventionally attractive one. (See all the years of people trying to suggest Hugh Jackman is secretly gay because they thought his wife wasn't pretty enough and therefore must be a beard, it's so fucking gross.)

Finally the whole "character makes me uncomfortable" thing. Charlie Spring's story is super important and it makes people feel things that, if they haven't done their own work, are going to be super uncomfortable. Again, this is tied to homophobia, because Charlie's story challenges masculine norms about what counts as strength, what men "should" be like, etc. He has an ED, he has anxiety, he requires and seeks help, he forms affectionate and strong relationships and needs them to be healthy, etc. These are things men "aren't supposed to do" (and Nick only gets away with it bEcAuSe He'S hOt, that's it, that's the whole reason). People read Charlie as manipulative or selfish or whatever because he's not acting the way they think men "should" act. It's not based in Charlie's character - he is none of those things. But they want to read it that way because to actually recognise what makes them uncomfortable about Charlie would require them to unpack their own homophobia and bullshit masculinity standards.

Anyway, the short version is: I think people need to stop confusing "character that makes me feel uncomfortable feelings" or "person who is unconventionally attractive" with "can't act" cos y'all are very confused.

[oldmanyaoi-jpeg]

EVERYONE LOVES MY POKEMON QUIZ !!

anyways i meant to do this ages ago so here is the conclusion/explaination of my horrible quiz:

yeah im sorry non-johto fans. lol no i'm not

To be Totally fair, these genuinely were selected from mons my friends and I frequently mixed up. It's just that Johto has the most unfortunate pokedex ever and like all of the cool mons AND most of the lamest ones are 1% encounters and/or lategame, like post-E4 late game. For no reason. There was no reason to do this. They kneecapped these poor games and for what

Responding to some comments:

"#op was this just an excuse to show off Johto mons" it was actually genuine curiosity as to how common it was to mix these mons up with other gens, since they're featured everywhere else more than they are their debut gen

"#hey op what’s your favorite pokemon region out of curiosity?" Unova. Johto and Kanto are both close seconds. I will die on the hill that gen 1 was basically early access and gen 2 were the real first games though. I WILL fight for johto's honor.

"#if you wanted to REALLY fuck with people unown ! and ? specifically are gen 3#in FRLG only#at a 1% encounter rate#in a postgame area" that's fucked up. it's beautiful. i should have done that for sure i just didn't think about those two

"#There was a distinct lack of Unova Pokemon and I'm taking that personally." Unova has the exact inverse of what made Johto's dex so bad- There are NO other pokemon from other gens until the postgame/national dex. Unova mons also just have a very consistent and specific language imo. I've never mistaken a Unova mon for being from another gen. Gulpin did make it in though as another friend mistook it for being from Unova

Fair point, but I'd probably count Munchlax as gen 3 if I did it that way. They're part of the Johto dex, so they're Johto mons, even though they appear in Kanto.

"#they are almost all from the same gen i think this is trying to trip up the zoomers"

sorry chief. I am the zoomers. i started with gen 3 (though it was Leaf Green) and was too stupid to get anywhere close to beating it

"#kind of misleading in a frustrating way sorry op lmao" totally fair criticism, but i couldn't exactly be like "hey can YOU identify the johto pokemon?" bc everyone would spam johto and win. I probably could have added more mons and used like, the home sprites, but those are mid as fuck and no pre-3d gen has this issue to the extent Johto does

"#The quiz gives you the % and number of takers in the end so why make a poll" engagement. you can see the result and fall into my evil trap because you think it can't be THAT hard. >:3

you will take my pokemon quiz and attempt to identify pokemon by generation. Now,

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

If you are online a lot, especially in spaces or bubbles where people often share their experiences „for awareness“, you may feel like it’s your obligation to share your own life experiences as well. 

This can be a subconscious thing. You would likely never sign your name on „Every gay person who had a traumatic encounter with a homophobic person needs to make a TikTok about it or else they fail their community“ or „If you’re disabled and trans you need to post about your specific struggles or else you don’t even care about visibility for your own communities“. But you may come across people who did make a video or post about their struggles - and feel some guilt or shame when you realize you experienced the same but don’t talk about it. You may feel like they’re using their voice to do something and you just sit around. Or alternatively, you may see those things and feel „inspired“ to share your own story, so you rush to do it.. and later on you realize you actually didn’t feel inspired, you just felt uncomfortable. You didn’t actually want to share your story with strangers and you kinda feel worse now, but you had to do it for awareness, right?

If you relate to any of that, here’s some things I want you to know: 

You don’t owe anyone a list of all labels you identify with. You don’t owe anybody a list of your medical diagnoses. You don’t owe anyone a list of all traumatic events in your life. Asking you for that would be considered wildly inappropriate in almost all circumstances offline… so it definitely can’t be the measure for how „good“ or „brave“ you are online, either. 

Most people who share their stories online don’t really only do it for awareness. They also do it because they want to receive sympathy, comfort, praise, the feeling of community, the unbiased confirmation that what happened to them was wrong etc… or even just the relief of getting it out of their system. And there’s nothing wrong with that! We are all human beings who need each other. But it may take some pressure of you to remember that those posts are not always some selfless, heroic deed purely done for activism. 

Sharing your story online doesn’t necessarily do that much. Don’t get me wrong, it can be really brave and it can definitely start conversations! I don’t mean to discredit anyone who decides to share something deeply personal. But: not every post gets viral or reaches anyone besides the people who already agree with it. So if you don’t really want to talk about being bullied in school, you certainly don’t need to feel like you have to. Who says that it would be YOUR post, out of all the posts about bullying, that’d end up super viral and start some big conversation about bullying and end up in the news? Maybe it’d just get 15 likes and two bot comments. No need to feel guilty on missing out on that. 

Talking about a traumatic experience can bring relief and that’s valid.. but it can also be counterproductive to your healing process. Sharing it „for awareness“ will not be worth it if it makes you feel overwhelmed, unlocks memories you’re not ready to confront in detail, comes with the risk of putting you into a depression spiral, re-traumatizes you by bringing back feelings you felt in that situation etc. Put your healing first. 

People can be real mean, especially when they can hide behind the anonymity the internet offers. Sharing something vulnerable can spread awareness but it can also make you a target of hate, ridicule, disbelief and bullying. This is especially important to consider if it’s something you’re still struggling with or healing from. Not wanting to get mean comments is a valid reason to not share something. Again: Put your healing first. 

You know all that and still want to share your story? All the more power to you! My point here is not to silence your voice. If you WANT to share your story, it can be a really great thing to do. 

I just want to remind you that you should only do it if you truly want to. Never do it out of pressure or obligation - there is none. Your story is yours. You have the right and power to keep it or share it as you wish. 

With all my love, 

Your Tumblr Dad 

[mysecretlittlelibrary]

Second Lesson

Pairing: Steve Rogers x Reader

Word Count: 3.1k

Warnings: edging and overstimulation

Genre: smut

Summary: Some things are not self explanatory, and Steve has decided he's going to fill in the gaps by coming to you to ask his questions about sex and some of those questions have more involved answers than you'd expect

***

You hear a knock at your door while you're looking for something in your closet.

"Coming!" You call, taking a moment to contain the hurricane that you've created in there. You open the door to find Steve in the hall.

"Are you busy?" He asks.

"Not particularly, what's up?"

"I have another question."

"Shoot." You say, gesturing for him to walk into your room.

"Edging. What it is?"

"It is pleasuring yourself or someone else until the brink of orgasm without letting them actually have an orgasm."

"That sounds like torture." Steve frowns.

"Sometimes it is. It can be used as a punishment, some people enjoy it though, it can also be about increasing endurance- you know- training to last longer in bed, it also usually makes the orgasm more intense when you do eventually get to that point."

"Huh, have you done it before?"

"Been on both sides." You shrug. "Oh also I should mention that like most kink terms there is an equal yet opposite complementary term. For edging its complementary term is overstimulation."

"And that is?"

"If edging is about restraint when it comes to pleasure then overstimulation is a hedonistic indulgence in it. Orgasming again and again and again, sometimes to the point of pain this is where a safe word can be useful because you may say things like stop or I can't take it especially because post orgasm sensitivity can be a bitch but the whole point is to keep going and if you've already talked about exploring either edging or overstim, your partner will probably ignore you saying stop because again the point is to keep going even if you are sensitive, but if they're going to ignore you saying it's too much, you need to be able to stop them if it actually is too much."

"Are all aspects of sex so- severe?" He asks.

"No. Sex can be incredibly soft and gentle and sweet, it can be slow and tender in many ways. I mean, you saw some of that last time. You just- happen to have coincidentally questions about the other end of the spectrum today." You shrug.

"It just seems very, intense. Like maybe too intense? I don't get why you would want to put someone through that. It seems like a slippery slope, sex should be about love not some form of- torture."

"Well calm down, you sound panicked and it's not like I'm going to strap you down and force you to experience it. It's not for everyone Steve, different people have different preferences, this is why it's good to have those conversations before you sleep with someone so nobody gets put in a stressful situation they didn't sign up for. Plus there are a lot of ways to express love you know. If your person wants you to do these things then that absolutely shows that you love them, especially if you do them with the care you're meant to."

"I just don't understand it I guess." He shakes his head.

"That's fine Stevie, no one can force you to do it or enjoy it or even comprehend it really. Like I said, it's a personal preference. Just- be honest with your partner when the time comes." You shrug.

"What about you?"

"What about me?"

"Do you... like this stuff?" Steve asks.

"I do. With the right person."

"Really?"

"You have your ideas about sex, I have mine." You shrug.

"What's that mean?"

"You said sex is about showing love and I agree with that to a point but to me it's also about pleasure. It's about exploring yourself, sometimes through someone else. It's about learning and adventure. The heat and intensity, passion that is borderline all consuming, sex can be many things. I like to experience all of them."

"Oh." He breathes.

"Of course that's just me. I'm not here to change your mind about anything." You hum.

"I have to try this edging thing."

"You don't. The hands on lessons are an option not an obligation, you don't seem interested in that and that's fine! You can just take the verbal explanation and proceed with your day as long as it makes sense to you, there's no reason to force yourself to try something that don't appeal to you." You shake your head.

"Well, it's hard to understand something if you're not open to experiencing it right?"

"I mean, I guess sometimes."

"So I want to experience it. That way I can understand it." He insists.

"As long as you're sure about this."

"I'm sure. Let's do it." He nods.

"What? Now?"

"Do you have time?"

"Depends on what time it is now."

"Three seventeen."

"I've got til six, I have another engagement later this evening."

"Is that enough time?"

"Plenty. Get comfortable, I would recommend getting naked, you do need to at least take off your pants or you'll likely stain them but it'll probably be more comfortable to take off everything because there's a chance you'll get hot. I know you run pretty warm already but I don't know how much you'd enjoy your shirt sticking to your back after twenty minutes." You say.

"Right, yeah." Steve hesitantly shuffles out of his pants and underwear and then, after seemingly debating in his head, he also pulls his shirt over his head and places all of them on your desk chair before sitting on the bed.

"Alright, I'm going to treat this like I would a real situation. Of course, the expectations are different, I know so don't worry about performing a certain way. Just like last time if at any point you have a question or something makes you feel uncomfortable you can simply say so assuming you can focus. If you can't focus use your stoplight. Yellow, or red, just like we discussed before." You tell him as you pull open the drawer by your bed and grab the bottle of lube.

"What's that for?" Steve asks when you squirt a generous amount into your hand.

"It's a lubricant. It might be a little cold at first, but I'm sure you'll appreciate it, especially the longer this goes." You say sitting beside him. "I'm going to touch you now, is that alright?" You ask.

"Yes." Steve nods with more conviction than you'd expect. You wrap your fingers around the base of his dick and he takes in a large breath. His exhale is shaky as you drag your hand up his length with a pressured grip. You circle his tip, slowly massaging it, watching his reactions, enjoying the way his abdomen seems to flex sporadically. His breathing is coming out harsher now and you begin to pump him. Last time you made a point not to stare at him since he was clearly rather nervous about the whole thing but not looking is rather impossible with this 'lesson' so you take the time to really get a look at his dick as you stroke him. The tip is a reddish pink and there are a couple veins running very noticeably along it. You already knew he was big, he's been inside you for fuck's sake, but looking at it unobstructed, boy was he... endowed.

"So how this works Stevie, usually, is that you'll tell me when you're close, ask me, beg me if I tell you to, ask me to cum and I'll tell you if you've earned it. Of course I won't demand all that from you, I'm rather good at reading people's bodies." You explain to him, stroking faster, holding a little bit tighter.

"W-what do you mean usually?" He asks wearily.

"When I do this with partners. There's a bit of power play that comes with this, if you hadn't noticed, having control of how much pleasure your person receives at any given moment. It's a very powerful feeling. But this is more about teaching you than my own enjoyment, so it's a bit different, I'm just offering you more details about the appeal of it all." You explain.

"A-and you- you like that? The p-power play?" He asks. You can tell he's really starting to struggle with his focus, his body is twitching, and he's gripping the sheets, blinking rapidly as he speaks. You watch his whole body tense up and take that as your cue to ease up. You slow your wrist to almost a stop, relishing in the groan Steve lets out.

"I find it can be intoxicating." You smirk.

"So that's how this works?" He pants.

"Pretty much." You nod, picking up speed again. Steve moans as his body jolts again. You can't help but imagine how nice he'd look with a couple of hickeys. You won't be giving him any of course but the idea does captivate you for a brief moment. It's clear that Steve is trying to control his reactions, but the shaky breaths and strained grunts give him away.

"My god." He whispers, tipping his head back. If it was anybody but Steve saying those words, you'd affirm that you are their god and they should worship you as such but it's not somebody else, it's Steve and you'd best keep it simple. When his body tenses up again, you slow your hand accordingly, and Steve lets out a strained groan.

"You know Stevie, you don't have to try so hard to keep quiet. I like your little noises. They're hot." You say.

"I'm not- r-really used to... making n-noises like that." He pants out.

"Well, a bit of advice, most girls like to hear that you're enjoying yourself."

"Really?"

"Yep." You say, stroking him faster, again. You continue your game with him, slowing down when his body tenses up and speeding up when his shuddering breaths quiet. With each denied orgasm his restraint on his vocalizations seems to slip, by the fith time you're slowing down he's an unending string of moans and grunts and even a few whimpers when you squeeze in just the right place.

"This is torture." Steve grits out. His entire body is flushed and his skin is glistening.

"I know but you're doing so well. Just a little longer and I promise I'll reward you. Don't you want that?" You ask with a mocking sweetness in your tone.

"Please." He says breathlessly.

"Oh that sounded nice." You smile. You're not even trying to break him like you would under usual circumstances but the sound him whimpering please to you almost makes you want to.

"Y/n- I feel, like I'm on fire. Please I need to cum." Steve huffs through clenched teeth and you start to wonder if he's reaching his limit. Gripping his chin you gently tilt his head to look at you.

"Checking in Stevie, gimme a color please." You say softly.

"G-green, this is insane." He says shakily.

"You haven't tapped out yet." You smile slightly.

"Is that the goal?"

"Not today." You wink at him. You decide it's probably best to stop here, so you pick up your speed again watching for the telltale signs of his orgasm but this time you finally let him peak and you can't decide if the sound or sight is more dazzling. Either way, you work him through it as evidence of his release spurts over your hand and his thighs in thick ropes. There's an impressive amount of it and you wonder if this is a super soldier thing or if he's just really pent up. When nothing else comes out and he hisses against your touch you let him go. "I'm gonna get a wash cloth, hang tight." You tell him standing from the bed and walking into your bathroom. You rinse your hand first and then soak a washcloth with room temperature water. When you pop back out his arm is draped over his eyes but he otherwise hasn't moved. You start with his neck, wiping the sweat that's probably made his skin sticky. You do a quick swipe across his chest too before moving on to cleaning the remenants of his orgasm from his thighs and recovering dick. "How are we feeling?" You ask him once he's clean. You toss the washcloth in your hamper and grab a water from your mini fridge before sitting beside him on the bed.

"That was- intense." He says.

"Yes but you knew that going in."

"I mean- when you finally let me, you know. It was intense- probably more so than I've ever felt." He says and you giggle at his avoidance of saying orgasm.

"We should really work on your comfortablilty with some of these terms. But yes that intensity is a high some people crave."

"Wow."

"Was it worth it?" You ask.

"What?"

"You said it was the most intense orgasm you've ever had, would you say the payoff was worth the buildup? After all you called it torture."

"You're not even nice about it."

"I was actually very nice, I didn't wait til you were crying to get you off which- is usually what I'll do."

"You make people cry?" He blinks surprised.

"Sometimes." You shrug.

"That's- further than I-"

"I know, that's why I didn't make you cry. Although crying is way more likely with overstimultion anyhow." You shrug.

"Is it?"

"Wanna see for yourself?" You ask opening your bedside drawer again.

"Well I'm not sure I can hand-"

"Here." You drop one of your toys in his hand.

"What's this?"

"A vibrator. I figure it's not fair if every lesson is just me doing things to you like some sort of lab rat so I thought you might want to try overstimulating me. The only other way for that to happen is for you to learn my body but who has time for that? This is efficient and pretty much idiot proof it'll get the job done regardless of your personal experience." You shrug.

"You- want me to use this on you?" He asks wide eyes watching you quickly take off your clothes.

"Yes I do. It's simple, I promise. It does most of the work for you. If you have the energy for it that is." You say.

"Depends on just how simple it is." He says. You sit on the bed next to him and grab his wrist, placing the vibrator in his hand against your clit. It's not on but your insides still clench in anticipation when it touches you.

"Put it here, small circles or wiggling it up and down is fine but keep it in this general area, start with light pressure and press harder as we go. I'll be using the same stoplight system, so here's a couple of preliminary warnings, if I squirm away follow me or hold me down, if I cry that's fine, if I scream let me, ignore me if I ask you to stop or say it's too much. In fact, no matter what, you keep this against me until I call red and I will call red. Sound simple enough?"

"You might cry and that's a good thing?" He frowns.

"It's not a bad thing. It probably won't happen anyway I'm just covering my bases no need to look so terrified." You chuckle.

"How do I turn this on?" He asks after a moment.

"The last button."

"What are the other two?"

"One controls the rhythym and the other controls the power, don't mess with those buttons. For the sake of this lesson they are off limits."

"Last one turns it on?"

"Yes." You nod. Steve stares at the buttons for a moment before a sharp click fills the silence and you jolt from the sudden stimulation. He moves the toy in tight circles, his face pinched in focus. Your hips grind against the vibrator and it doesn't take long for your first orgasm to hit you with a soft moan.

"Oh." Steve says, as if he's surprised.

"Keep going, add pressure." You huff out. Shuddering pants indicate that Steve's done what you asked, your muscles tensing from the continued pleasure post orgasm. The thing with this particular vibrator is that it works quick and you hardly manage to calm down before your second orgasm sneaks up on you. Steve trades the circles for little up and down motions that draw a couple sharp moans from you. 

"Are you okay?" He asks.

"Fine Stevie, I'm fine." You say shakily. Your third orgasm comes with a cry through your closed mouth. You know it's impractical to be so mindful of your sounds but you've got to remain at least semi-composed to be of any help to Steve. More and more your body spasms as the stimulation continues, practically twitching from the pleasure. Small whimpers begin to escape with more frequency as you quickly approach orgasm four. On this one your eyes roll back and you allow an obscene sounding high pitched moan to fall from your lips. Steve makes a sound somewhere in his throat which you barely hear. You're starting to feel that bite of overstimulation layering under the pleasure and it makes you squirm. You jerk against the toy, hoping for a reprieve from the buzzing and Steve, the dilligent student that he is, places a hand across your stomach, holding you in place and all you can do is cry out as he presses the vibrator firmly against your clit. You grip the sheets tightly as he starts to make little circles around your too sensitive bundle of nerves, your whole body is shaking as another orgasm quickly creeps up on you with a squealing noise and string of curses. You can feel your brain getting fuzzy, that familiar hedonistic haze threatens to blanket your thoughts, you know if you don't stop Steve soon you'll be far too blissed out to do so and Steve is not equipped to handle that sort of headspace.

"Okay, red. That's enough Stevie." You say breathlessly but firm. Steve quickly moves the toy but struggles to turn it off so you take it from him and turn it off yourself. You take a couple of moments to recompose yourself, ignoring the phantom buzzing and overwhelming wetness between your legs when you sit up and pull your knees to your chest.

"Are you alright? Do you need water? Can I get you something?"

"I'm fine Stevie. How are you feeling?"

"Me? I wasn't the one-"

"The whole point of this was to see if you enjoyed either edging or overstim- having tried both, do you feel like you at least have a better understanding of them like you wanted?"

"I- guess I have a better understanding."

"Well what're you thinking?"

"I thought I would- hate the edging thing but, as... intense as it was there was something, freeing about it? Like getting on a ride at Coney Island and the ending was, worth the build up."

"And overstimulation?"

"It's incredible watching the way your body reacts to such an onslaught. Plus the idea of bringing your lover imense pleasure like that is undeniably delicious, I can see how that kind of thing can be so thrilling."

"Well there you go. Questions answered. You're free to leave." You say.

"Are you sure you don't need anything?"

"I'm fine Steve I'm just going to hop in the shower you've got nothing to worry about really. I've got other things on my schedule of today remember?"

"Alright- if you're sure. I'll see you around. Enjoy your evening."

"Thanks. See ya." You say. Steve seems hesitant to leave but without a reason to stay, he has to shuffle his way out. You let out a sigh after your door closes. You've got a couple hours before your evening plans, good thing, you'll need it. Hopefully one of these days Steve will ask a simple question with a simple answer that doesn't a demonstration.

***

Tagged Users: @chososg1rl

[felassan]

Some more DA:TV and related snippets from Sylvia Feketekuty, Part 2. rest of post under a cut due to length and spoilers. [Post One, Post Three]

The dev team really wanted to deliver on Emmrich's romance [source]

Sylvia Feketekuty has now left BioWare so there are likely some things she can't answer now "just because I can't look them up with certainty anymore" [source]

When Emmrich is first introduced, he has a skull helmet. Why does it never ever appear for the next 40-100 hours? "The helmet does indeed look wicked! I believe it actually shows up on his shelf in the Lighthouse eventually. (If I had been a smarter writer I would've asked if we could have it appear again, that one's on me.)" [source]

User: "In another post you mentioned shops in Nevarra City near the Necropolis. How far IS Nevarra City itself is from the Necropolis? Do only senior MWs get to go?" / Sylvia: "I'm reluctant to say what the distance is since I never defined it in game so it's Unknown™. But I imagine they can either walk or take a carriage, depending. Also I never imagined junior MWers are forbidden from going into town or such. It could be they have set hours and times where they're allowed. But got to get all those chores done first..." [source, two]

On the DA:I goat scene ([link]) - "The GOAT! God bless them, that was a delight." [source]

Brian J. Audette, on [this thread] - ""Better late than never" addendum to this thread. I just noticed that Isle of the Gods' writer Sylvia is on here now and I'd be remiss not to tag her in this thread. I can't say enough wonderful things about having worked with Sylvia on this mission." [source] / Sylvia: "Thanks Brian! You tackled an absolutely jam-packed mission with aplomb." [source]

Jo Berry: "Thank you for everything and everything else, on both Veilguard and Inquisition. Sunlight on your road, wherever it goes." [source] / Sylvia: "Thank YOU for all your writing Jo. Seriously, you were a godsend on Veilguard and DAI both." [source]

Trick Weekes: "It's been fantastic working with you, Sylvia, and I know you're going to crush it with whatever you do next. Thank you for finally letting me make you "the person who has to do journals so Trick doesn't" on one of our projects." [source] / Sylvia: "Thank you Trick! I'll miss working with you. It was an honour to finally be given the awesome responsibility of the journal system that still haunts my dreams." [source]

John Epler: "sylvia did you see i told the world Emmrich sleeps standing up like a horse" [source] / Sylvia: "It's days later but: yes. Yes I did." [source]

User: "As someone who also has a truly debilitating fear of death, Emmrich is so special to me. It’s the first time I’ve ever seen it represented in such a clear and concise way." / Sylvia: "Thanks, definitely felt that fear myself. I really wanted to express it clearly and was hoping would resonate with others." [source]

User: "Do you have any thoughts or opinions on what nickname Emmrich might have gotten from Varric if he'd ever gotten one?" / Sylvia: "Oh man that's a good question, but ultimately since I didn't write Varric, that must remain a mystery. Nicknames can only be bestowed. ("Bones" like someone suggested below is funny though.)" [source]

User: "If Emmrich's hobby is alchemy/plants, Vorgoth's is art, and Audric's is architecture... what's Myrna's? (Next to Emmrich, she's my favorite Watcher - sorry Vorgoth!)" / Sylvia: "Myrna has a one off line, you may not have heard it yet, where she talks to Vorgoth about getting tickets to the Sword of Drakon.* She enjoys a night out at the theater, whether it's a play or an opera. *(I think that's the play I named, I hope I'm recalling my own line haha.) It's a bit indulgent of me, but I chose Sword of Drakon because it was one of the plays I made up for a series of codices in DAI about Orlesian theater. I had a lot of fun with these and wanted to give them life once more. [link]" [source, two]

User: "During Rook’s disappearance in the prison, how did Emmrich react? Considering their intense romance, did he fall into depression, or did he show a more vulnerable side? Could his fear of death have influenced the situation? In the immortal romance💀, Emmrich promises that nothing will separate them, not in this world or any other. How likely is that? Would he go to great lengths for Rook, even crossing boundaries? Or, at some point, would he accept Rook's death?" / Sylvia: "1) Very strongly! I think it's a bit more interesting if I leave details to your imaginations, but Emmrich feels things deeply and probably had some sleepless nights. 2) So this I can't say much on even though it's a juicy topic. The truth is, I wouldn't even know unless I was actually sitting down to write it. Again, Emmrich feels things very passionately, but this is the kind of scenario where I might want the player's choices to have an effect." [source, two]

User: "Any chance that color scheme [of Emmrich's coat] was based off the corpse flower?" / Sylvia: "I couldn't find anything on the colour scheme and the corpse flower. Afraid this one's a mystery to me." [source]

User: "I'm really curious if there's a Nevarrese language? We have Orlesian, Antivan, Tevene, Qunlat..." / Sylvia: "I wondered that myself, especially given its ancient ties with Tevinter and also Orlais which would certainly have affected the languages of power and influence. Could also have roots with the Planasene. We never talked about one though, as far as I know, so the answer remains...unknown. 💀 (I did introduce tomb-script, the language you see etched into stone in the Necropolis, but I thought of it as more of a specialist's language for occult and magical things specifically.) (If we did define a Nevarran language in some corner of the lore, now I'm going to feel embarrassed, but I don't BELIEVE we did.)" [source, two, three]

User: "I wanted to ask if you have anything you can share about MW grave dowry jewellery - is it the sort of thing they keep on at all times? Also, would Emmrich like jewellery gifts or give them to Rook?" / Sylvia: "I figured it would be something they wear most of the time, or at least in public. You don't want to be without your grave-gold if you pass away! Emmrich would love to get jewellery, especially if it marked a special occasion like his other pieces do! He'd also probably like to gift Rook a piece of grave gold himself, though he knows a non-MW Rook might look at that part askance." [source, two]

User: "Question: how much if anything can you tell us about the circumstances surrounding the emergence of Emmrich's magic and him going to the Mourn Watch? In my mind, his parents' death could certainly be a catalyst for the emergence of mage powers, but I'm so curious why the butcher's boy goes to what seems the equivalent of Nevarran Harvard instead of a regular Circle unless he immediately demonstrated outstanding ability?" / Sylvia: So timeline wise, I think his magic manifested after he was taken in. This part isn't canon, so much as a background thought I had that maybe the spirits of the Necropolis nudged the MW to scoop up this future corpse-whisperer. It seems like a kind of place ripe for that sort of omen. That said, it could've also been a kindhearted Watcher who saw how shattered and alone this young boy was, and thought an upbringing in the Grand Necropolis would be the better place to deal with his grief. It's the kind of thing I want to leave open unless someone goes back one day to fill it out!" [source, two]

User: "what’s the overall Mourn Watch opinion on the whole Weekend at King Markus’s the other Mortalitasi are pulling? I can’t blame Emmrich for not wanting to be involved with that political mess!" / Sylvia: "No clue what you're talking about. King Markus is in the finest of health!!!!! ahahahahaha (To my mind Emmrich's response indicates a tension between the orders, but that they're going along with the polite fiction to avoid a mess. I can't say what the future holds though.)" [source]

User: "Ah, one last note: whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]

User: "I'm an ICU nurse, and that is imagined to confer a comfort with mortality. Suffice to say Emmrich has been a huge comfort to see." / Sylvia: "Thanks so much. I really wanted him to struggle with it while also engaging with it, because it's something I find hard as well. And I hoped it would find purchase with players." [source]

User: "If you’re willing, can you share a bit about the other orders within the Mortalitasi? Is there a rivalry with the Tevinter Imperium?" / Sylvia: I'm afraid I don't have much, sorry. I left the other Mortalitasi orders a big open canvas in case we wanted to invent more some day. (We've mentioned the palace Mortalitasi are separate from the Mourn Watch, so there's one. As you probably caught, Emmrich's not a fan of theirs.) Is there a rivalry with the Tevinter Imperium? I can't really point to anything in the game talking about that, so I hesitate to call it canon. But to my mind it would be very natural and also very funny. So if that ever manifests, I approve." [source, two]

User: "was any of Emmrich's design or personality modeled on British actor David Niven? I think there is resemblance just wondering if that was intentional." / Sylvia: "Oh I love David Niven. But the more direct actor influence for me was Peter Cushing in a few old Hammer Horror films." [source]

User: "just wanted to say thank you for creating the character of Josephine in Inq!! Helped me learn some stuff about myself when I was younger and meant a lot." / Sylvia: "Thank you so much on all counts! I'm glad the lovely Lady Montilyet was there for you (and enormous credit to her actor, Allegra Clark. She absolutely nailed Josephine, straight away.)" [source]

User, on Emmrich: "He mentions he thought he would marry - is that permitted for Mortalitasi when it wasn't for regular Circle mages? Can they now raise their own children?" / Sylvia: Mortalitasi have a lot of power. I imagine the Nevarran Chantry might grant them permission to marry outside the Circle more regularly than in places where mages are given less respect. (Mages can also marry within Circles, so no permission needed in those cases.) The same might be true for mages raising mage-born children in Nevarra, but I say that with less certainty. I think that's a topic I would've wanted to discuss with the rest of the narrative team." [source, two]

User: "is there a particular reason why emmrich is always wearing a glove on one hand?" / Sylvia: "I like to think it's mostly because he works a lot with his hands. The glove seems useful if he has to, say, grip a rough outcrop of rock when traversing the Necropolis, or deal with a bitey corpse." [source]

User, on Emmrich: "On my 1st run I played a trans Rook and romanced him. It felt incredible how he was so accepting of Rook's identity, and in return she could support him as he did a transition of his own as well. Beautiful mirroring!" / Sylvia: "Thanks very much! If those scenes worked, it's thanks to some people at work who kindly gave feedback that helped get the tone right." [source]

User: "I've been wanting to thank you for writing Luck in the Gardens for 4 years. Hollix was the first time I ever saw a non-binary character given a real voice." / Sylvia: "I loved writing Hollix in that story, they were a treat, and I'm glad they meant a lot to you. (And a shout out to a nb friend who gave me some good feedback on the character, I don't think the story would've been as clear without their help.)" [source]

User: "I was curious about Audric from TN, and if he originally was planned to have an appearance in veilguard, and what he's up to now" / Sylvia: "Love Audric, but I never planned to bring him into VG. I'm not AGAINST it, but I didn't want the short stories to feel like required reading for the game, and I liked where his arc ended in DatDM. That said, I dropped in a few references to Audric to let people know he's around and well. And I imagine he's doing what he loves: being a force of order, in the library. (And reading books during the more quiet hours below.)" [source, two]

User: "As a consumer of (and probably future creator of) so called "erotic" fanficfion, I'm wondering how you feel about the fact that fans make it about a character you created?" / Sylvia: "No issues with it whatsoever. We put sex and romance into the game itself, after all. I think people use fan art and fanfiction to extend their time with a story they've grown fond of, or to figure things out. So it feels like a natural extension of that." [source]

User: "Maybe one day my rook will join the mw!" / Sylvia: "Well, the Grand Necropolis is always eager for more company...🪦👻" [source]

User: "did the flame eternal (short story) come first or the flame eternal (quest)? i’ve been wondering if the quest was named after the story or vice versa" / Sylvia: "I wrote the scene first, the short story came after. But I named the quest AFTER the short story had come out, so I'd say the quest is named for the story because I liked the callback." [source]

User: "1.I know John answered already that Emmrich sleeps like a horse but is there really no bed for this man? 2.How would he react to a bouquet made for him?" / Sylvia: "1. Unknown. Perhaps he brings out pillows and a blanket for the slab in his room (after scrubbing it, of course!) Perhaps he goes home to an elaborate silk-covered bed in his Necropolis apartments. Or the horse thing. (TBH: I never decided myself, so I've leaned into impish mystery). 2. Emmrich would be absolutely delighted and flattered by being presented with a flower bouquet." [source, two]

User: "I hope it's okay to pop here but it might interest you to know a lot of us have been headcanoning that he has a secret bedroom behind one of his bookshelves! It seemed to line up with his sensibilities somewhat." / Sylvia: "That would honestly be great. Pull out the right book and snooze time." [source]

User, on the cemetery date: "This makes me feel like Mourn Watchers include the dead in important personal milestones/events and, if so, I love that so much. Like they want to share these events and the joy/love/excitement/etc. with those who have passed (and perhaps linger.)" / Sylvia: "That's absolutely how I thought of it too." [source]

User: "was there any game/book/show/film that inspired the Mourn Watch and Emmrich? When I saw them in the preview content, I got reminded of the Locked Tomb series by Tamsyn Muir and playing through the game cemented those vibes." / Sylvia: "I hadn't read any Locked Tomb when writing Emmrich, I think we must both just have impeccable taste. (I actually tried to stay away from contemporary stuff on necromancy when writing him, out of a superstitious fear I'd be unduly influenced. I do want to talk about influences later though!)" [source]

User, on Josie: "Do you think she’s open to having kids/adopting with the Inquisitor? Lord Ontranto and Yvette are so ahead!" / Sylvia: "I think that falls firmly within the category of what you imagine she and your Inquisitor's romance looks like, which means: absolutely, if that's where you imagine life would take them." [source]

User: "Emmrich, his story & everything surrounding him absolutely played a huge part in helping to lift me up & connecting me with new friends online" / Sylvia: "Thank you! And I'm very glad to hear Emmrich and his fellow Watchers helped you out when you needed it. He'd be pleased to know so himself." [source]

User: "Was it ever considered for him to appear in the game?" / Sylvia: "(short answer is no, but I wanted to let people know Audric's doing well.)" [source]

User: "I enjoyed your short stories in Tevinter Nights. Emmrich mentioned working out in the morning. What does his morning routine look like, and what kind of exercise does he do?" / Sylvia: "Thanks so much! Those stories have a special place in my heart, so that's especially nice to hear. On exercise: He likes a brisk stroll, and does morning stretches, and for something more strenuous, he likes to go swimming. Why? It's a workout where you don't have to worry about sweating. That just seemed to align with his fastidiousness in a funny way to me. (I also imagine exploring the Necropolis keeps him active, climbing all those stairs and crumbling ledges and the outsized walls of hallowed tombs, etc.)" [source, two]

User: "Harding will turn to a MW Rook who's been talking nerdy necro shop with Emmrich, and goes (paraphrasing), "You're so different when you're talking about this stuff than you are when you hang out with us!" and I loved that" / Sylvia: "Yes indeed! And thanks. I really wanted a beat where you realize MW Rook has learned to swap between being a fancy nerd and talking a bit more like "regular" people in Thedas. It seemed like a fun trait for that background." [source]

Sylvia, on how she came to BioWare: "No formal training. The closest to practice I had was running tabletop RPGs for friends, which actually helped me a lot with understanding the different kind of RPG players out there and what people want out of a story. And honestly: I just kept applying, over and over. That was my main virtue. I was rejected the first couple times I applied to BW. And rightly, I think, I wasn't ready and practicing in between really helped me become a stronger writer." [source, two]

Some more on this topic ^ from Sylvia: "To be honest: mostly luck, some perseverance, and then writing skills, in that order. I was rejected at least twice from BW before I got in, and I think they were right to do so. I wasn't ready yet. The third round someone I knew passed on my sample to a writer there, I did two more rounds of samples while taking feedback and revising over the next month. And then I was lucky enough they liked it enough to interview me. I wish I had better advice than perseverance. I think having a small, completed game, even something text based or a mod, isn't bad either. Even if it's short, it shows you finished it. But: my entry was over 15 years ago now, and to be honest I'm not sure what BW's applicant process are anymore. I don't want to be discouraging though. I would say keep applying, and make friends with like minded people who also want to make games, and best of luck." [source, two, three, four]

User: "I've been wondering something about Mourn Watch Rook's background - their bio says they were found as a baby + raised by the MW, and they reference it in-game, but then they also say they were a street kid and left their old life behind to join the MW to Taash. I'm just curious how one - being raised by the MW - lead to the other - street kid era. I just hc'd it as a euphemism for my Rook's party girl phase lol but it did leave me a little confused." / Sylvia: "This is a case of the background changing slightly over time, and me not squaring it in time with dialogue. In my mind: MW IS found by the Mourn Watch, raised by them, and work for them. But MW Rook also had period(s?) growing up where they explored Nevarra city, to explain why they're more. street savvy and worldly than your typical Watchers who never leave the city. I've seen people noting some discrepancies, and in a perfect world I would've caught those lines in time to smooth them out to encompass the whole story. But perhaps your Rook gives slightly different answers to different people for their own, mysterious reasons! (Or, in reality, it's writer error.)" [source, two, three] "Anyhow, I encourage any head canons that help square these discrepancies" [source]

User: "I romanced him on a Rook that I perceived as about 42ish and my running interpretation of the lines acknowledging her being young were either Emmrich not realizing how old she is, a running bit between them, or some cute form of flattery to not remind her of her own age haha" / Sylvia: "That's adorable, I love it" [source]

User: "1. What would Josie's ideal date be? 2. Could adopted kids be heir of the Montilyet estate or would it go to Yvette? 3. What does Josie think of the Crows?" / Sylvia: "1. I think she'd try to structure something, but the Inquisitor taking her away from her strictly scheduled routine to relax would actually be better for her. A picnic in a garden, a stroll around a lake followed by a meal in a quiet little restaurant. Something with a soft evening. 2. I don't think I ever said so in the game, but to my mind Josephine had some nieces and nephews in line to be heir. If she adopted a child and thought they'd be a better candidate, they could absolutely inherit the estate. (And of course, she could bequeath money or personal effects as she liked.) 3. She thinks of them as a necessity in Antiva, and that it's important to appease them. There's probably highly placed Crows she would get along with. But she'd never be comfortable with them. At the end of the day they're contract killers, and she's no lover of violence. (If I actually DID mention who Josephine had lined up to inherit the estate after her, but just forgot, I will ask for mercy because the game came out over 10 years ago.)" [source, two, three, four]

User: "Would you ever consider making a playlist on spotify of the sort of music you could picture Emmerich listening to? Or perhaps sharing any of the music you listened to while writing Emmrich?" / Sylvia: "I actually have an itunes playlist of what I listened to when writing Emmrich on my old computer. If I dig it out, I'll post a screenshot! (A lot of ambient stuff, probably unsurprisingly)" [source]

User: "I utterly, completely adore the way Josephine was written, she's such a wonderful and complex character. Her history as a bard, her ruthlessness, her kindness and sweet nature and how CUTE her romance is." / Sylvia: "Lady Montilyet herself would be flattered to hear you liked it." [source]

User, on Sylvia's comment about Peter Cushing being a go-to for what Emmrich would be like: "This makes me so unbelievably happy given my love for Peter Cushing 😭 my love for Emmrich was inevitable." / Sylvia: "I want to talk a little more about it later but Cushing was such a wonderful actor. Wish we'd had him around even longer." [source]

User, on death and working in death care: "In the end, it’s always about memory." / Sylvia: "That's so true. We want to be remembered, or to have something that lets people know even a little about who we are. (It's why I'm glad newspapers still print obituaries, you can read about the most amazing lives.)" [source]

User: "I was starting to think the game was reading my mind and tailoring to me once he said his favorite color was lilac, and I was given the option to say darker purple." / Sylvia: "I'm glad you enjoyed Emmrich and his romance. And that the bit about colours worked for you, I was trying to think of what would be something fun there, and purple is one of my favorites too. (Fine taste!)" [source]

User: "“Down Among the Dead Men” is one of my favorite chapters from Tevinter Nights. I loved Audric and I was so happy when Myrna mentioned him in Veilguard! Was there any chance he might’ve appeared in game?" / Sylvia: "basically I didn't plan it, but I wanted to let TN readers know Audric is living well" [source]

User: "If Hezenkoss was also you ALL of that was a sheer stroke of brilliance!" / Sylvia: "Thank you! Hezenkoss was me, so glad you liked her. She was a blast to write. Oh my god, I meant to write Hezenkoss was one of my favorites not "me". (I think I snipped out something and consequentially sound like a maniac in that post above. SORRY. She is not me, I wish I had that kind of confidence.)" [source, two]

User, on behalf of their friend: "Well, spontaneously I'd be interested if she can say any more about Emmrich's past romances. Was there someone really serious among them, or all just fun and casual? I'm also curious how the whole mage training works in Nevarra. Are some trained from the start by the Mourn Watch or does everyone go to the Mortalitasi equivalent of a Circle first?" / Sylvia: "1. I think there was probably a mix of more serious romances and more casual ones over Emmrich's life. The serious ones just never panned out. (Until Rook, if you're romancing him.) 2. I pictured the MW taking in promising members from other circles, but I left their selection criteria vague on purpose, in case we needed to define it later. Of course, there's also exceptions. We've seen they take in some orphans or foundlings (MW Rook and Emmrich, for example) when fate, chance, or pity allows it. (I had an idea spirits might sometimes nudge MWers to take in someone, but that's not in the game, so it remains, I suppose now, my own head canon.)" [source, two, three, four]

User: "Emmrich is every bit the warm and kind academic that I looked up to in my undergrad/postgrad days, and I have taken time in the game just to wander the Grand Necropolis and take everything in." / Sylvia: "My pleasure, and thanks very much for saying so. (Props to all my teammates, it took a lot of people to bring those characters and places to life, and they were all so enthusiastic about our weird gothy corner of Thedas.)" [source]

User, on Emmrich's dream: "One of few cases where writers don't go for "actually immortality is lame" lesson to appease the audience for whom immortality is unattainable. Refreshing to have a character who wants to live forever, can do it, and it isn't treated as a mistake. One of the boldest bits of writing in the game." / Sylvia: "Thanks Mary - that was one of my aims, because so many times in stories, immortality is a fool's errand. I wanted it to have its rules, and its price, but not something disastrous or out of reach." [source]

User: "The MW as a whole was beautifully done and the way they handle life and death was deeply healing and aided tremendously in my own personal journey with grief." / Sylvia: "I'm very glad meeting Emmrich and the Watchers helped even a little, that means a lot to hear." [source]

User: "Amazing work in veilguard and inquisition honestly and the flame eternal was such a fun read! Unless it’s been answered before my query is where do the Mourn watchers live/sleep? Is it a case of they live in the higher parts of the Necropolis or do they live in the city and commute?" / Sylvia: "Flame Eternal was a fun one, hadn't written a story that short before but I enjoyed introducing Johanna and Emmrich's dynamic back in their good old days... As to your question, there's one line of banter between Emmrich and Neve that talks about this (so, very easy to miss.) The Mourn Watchers live and sleep in the upper (safer) levels of the Necropolis." [source, two]

User: "does mortal!Emmrich return to the Necropolis or spend more time in the world first? He plays detective with Neve & camps in Ferelden with Harding feels like he’d want to experience more of the world before returning home." / Sylvia: "Impossible for me to say what the future will hold with certainty, but I think Emmrich's enjoying exploring the world too much to go back to living in the Necropolis full time just yet. He'd certainly want to keep visiting regularly, but there's so much more to see." [source]

Sylvia: "The Watchers have a special place in my heart." [source]

User: "I just wanted to say how much I love Emmrich" / Sylvia: "Thank you very much! I'm so glad to hear you enjoyed getting to know him." [source]

at this point tumblr stopped letting me add to this post !

[jarl-deathwolf]

I figured that was exactly the case - no matter the language, one does not simply call oneself Bardic Truth by itself! Although she is supposed to be one of (if not the) greatest bard of her generation, she has too much respect for the craft to just name herself "The Muse." I ended up giving her a place name attached afterwards, which also serves to tie her closer to the very legend she will be living. A nice reference and five second foreshadowing.

Its the exactly that trend of non-Welsh people making her almost a cryptid type being that stopped me from using her in the first draft. I intended for her to be more of a jovial trickster spirit, but even so I wanted to be sure I wasn't furthering a bad trend before I put the scene in.

Honestly I really love the idea of multiple Mari Lwyds with only one as the real one - probably the one that is actually really good at the competition. She's slowly drinking the village dry of booze when our bardic hero steps up and bests her through wit.

Ooo, very interesting with the seasonal names. It'll be a trick to work them in since the convention I'm working with is that everyone is speaking Fellish (Fantasy Welsh) by default in this story, and I specifically note when people switch to other languages. It is still good to know, though, and having the option available gives me more to work with. Naturally the English over there trying to get out of paying their rain dues. I might need to look up some of those bridge faerie stories (presumably there'd be some in the ebook you sent me), if only to give Llywela another opportunity to prove her cleverness.

That's a very good point with the instrument crafting! Llywela's crwth is locally made, of course, but I could see Fellish harps and lyres and flutes being prized beyond its borders. The waterfall tradition especially grabs me - its got a mystical quality to it that gels well with the magic system of the story. I'm familiar with the river fuckery. Straightening out the Mississippi has done pretty much the exact same thing over here, especially lately. There was a pretty good sized town that was half wiped off the map not too far from me - a decade later and they are *still* recovering. I'm noticing that the natural disasters seem to mostly stem from land (and river) mismanagement, which brings me to the next question. A major antagonist faction in the story are the Marcher Lords (or just Marchers) - foreign nobles that were awarded land in the Fells for their role in the Conquest.

They tend to see their authority over their part of the Fells as a means to gain power and wealth in more "important" lands. As a consequence, they are doing all they can to rip what wealth they can out of their slice of the Fells to fuel these gambles.

This is intended to be contrasted to local rule - especially by the reborn Arthur - which is centered more on proper care of the land.

So the question is - What does that look like? What are some traditional and effective means of land management (woods, rivers, hills, etc)? What would it look like on a local level (villages), and on a higher level (kings and chiefs)? You mentioned the moorland controlled burning of heather as one such thing

As for the Marcher (mis)management... unfortunately that is pretty easy to imagine. Chopped down swathes of woods, emphasis on deep mining, Highland Clearances style evictions and overgrazing (admittedly, more of a Scotland thing).

As a heads up, I'll probably send any more questions I have through an ask since this post is getting pretty long even with the read mores. I believe I saw someone in the notes call this the 'Do you Like the Color of the Trees' post

Hi hello! I'm writing a story in my original world, set in a Fantasy Wales. A King Arthur Returns type story, if that matters.

I was wondering if I could ask you some questions about Welsh ecology? And possibly also some cultural details?

Thanks ahead of time! And I understand if you decline or don't respond!

YES OH MY GOD YES HELLO

[trainnster]

A Message for our Dearest Friends ✨

[[ Before anything, I do give a TRIGGER WARNING for those who may not want to read about anymore of Nirmal's escapades, and also who may not want to look into discussions of z!on!sm, harrassment of children, and just general nasty ass behavior from Karen Supreme over here. If you do read though, I very much thank you! ]]

So y'know unfortunately I was not added to The List™. Really sad, might just piss and die from it all. HOWEVER, I care about this fandom and I'm always for being petty, so I guess I'll take the bait and send a nice little message to our dearest friend @gordontheengineswifenirmal and her little bestie boo @drackara for trying to fuck with MY friends!! 😁

FIRST OFF, I am not nor will I ever take shit from some bitch who named herself after that fugly ass grey cat from Garfield, so no I am not scared of you and actually I'm SO happy you chose a fandom I happen to be in to try and be a little prick to so I can go into some of the shit you've done!! Like omg thank you SO much for this opportunity, girl! 😊✨

SECOND, you are old enough to be the parent to about 60% of this fandom yet lack the simple maturity basics that even a 5 year old has, so like idk but maybe you should look into going back to school and doing something with your life, since it's obvious you're just rotting in your friend's basement and don't have any sort of diploma or certificate to your name teehee!! 😘

THIRD, going on with how grossly uneducated you are at your crusty dusty ass age, let me remind you that nobody, I mean NOBODY- Actually, here, lemme add the definition so you can get it:

NOBODY [pronoun] / ˈnoʊ.bɑː.di / : not anyone

(SOURCE: Cambridge Dictionary)

Yeah, so that? Yeah, nobody owes you shit over actual families who are going through one of the worst mass humanitarian disasters we've seen in modern history! There's this other thing called "independence", yeah, and THAT means that we ALLL get to choose where our money goes! Isn't that so great? Yeah so that means… People get to choose if they want to monetarily support you!!! 🥳 Isn't that just so lovely?

And y'know, maybe it's just me, but I dunno if people would want to use their independence over their money to send it to a random 42 year old over helping people escape literal genocide. Doesn't sound so great does it? Yeah, maybe it's kinda like people have hearts and understand that genocide is far worse than some random 42 year old who spews z!onist rhetoric, disrespects sex work, and demands monetary gain from literal kids who she not only calls slurs but also actively exposes to NSFW content on her little confessions blog!

Y'know… maybe THAAAT'S why people don't send you money! Yeahhh it's cuz you're a basement-dwelling prehistoric z!onist toad who actively threatens the safety of literal children in online spaces!! I got it figured out!! And y'know, I got you figured all out too, darlin', because I sure as hell know this ain't your first rodeo and this post sure as hell ain't mine!

And y'know I could just keep going on and on, but considering you're probably red in the face and sobbing like the infant-minded subhuman creature you are over lil ol me simply going over just one single little atrocity you've committed on this fandom, I think I'll spare you from holding you to the mirror for ALL that!

Anyways, I do hope this all finds you just SO well, and maybe you can understand just a teensy bit why people y'know… Don't like you! Yeah, so uh hope your holidays go great, hope the new year treats you better than how you've treated ANY of us, and I do hope that poor single braincell gets some friends in the incoming year because he sure is real lonely in that hollow head of your's! Anyways buh-bye hon, hope you have a fantastic day 🥰

[genderqueerdykes]

hi um. i’d like to ask you for some advice, since it seems like a lot of people come to you when they need it. i’m a trans girl who’s been taking estrogen for 2.5 years but. i’m just so disappointed and unhappy with what hrt has done for me. i feel like i’ve been completely taken over by doomerism from me constantly comparing myself to other transfems both online and irl, and from spending too much time on trans reddit (i’m sending you this ask instead of writing another vent post on r/mtf). through this i’ve convinced myself that i will never be happy with my body, or that i’ll never have real boobs or a feminine body at all. i really really don’t want to give up hope, but it just seems so far out of reach, and i’m stuck down here in this inky abyss. what do you do in dark times when you need to regain hope, but you can’t do it yourself?

first of all, i wanted to say i'm sorry that you're feeling this way. medical transition is a very finicky thing. there is no way to predict what will happen and when, so it's okay to feel just. completely bummed the hell out when you're not seeing the changes you hoped for yet. i definitely see how it can be crushing, especially when you know your body needs to look a different way for you to be happy. it's important to consider people look a lot different irl than they do in photos and videos. camera lenses can only capture so much. pictures and videos can be edited. it's hard to compare yourself to something like that

& i did want to say that you're definitely not alone! there are a lot of girls in your exact situation. with everyone responding to HRT differently, you'll see girls who get changes right away, and girls where it takes a long time. changes with HRT generally happen very slowly, way slower than the eye can perceive, so it's okay if you feel like nothing is happening. your body just may need more time to adjust

have you ever increased your dose? if not, that is totally an option! you may also want to look into progesterone if you find that you're not happy with your breast growth after some time. it's best to look into progesterone first to make sure it's right for you, as it will affect more than just breast growth, but i wanted to throw it out there as an option! if you're not on an androgen blocker, this could also potentially help you

for both estrogen and testosterone HRT, it can take a minimum of 5 years for people to begin seeing the effects they were desiring. 5 years, minimum! that's a very long time, comparatively, you are very early on in your journey. the effects you want to see may just come along further on down the road. i know it's easy to fall into the trap of comparing yourself to others. it's good to remind yourself that they are not you, they do not share your genetics. they look like them. you look like you. it's okay that you don't look like those people- they're not you.

it doesn't make you any less of a woman just because you haven't seen these changes yet. there are plenty of women who look just like you, cis, intersex, trans, genderqueer, and otherwise. there are many cis and intersex women who don't "pass", and it doesn't make them any less of a woman: the same applies to you, and every trans girl. dysphoria can be a real pain in the ass and make things harder than it needs to be. it's okay to not be content with where you're at now. it's okay to be frustrated that you're not seeing the changes you want to right now. many, many trans people feel just the same way you do.

you may feel awkward and uncomfortable right now because you're literally in a transitional phase. think about when teenagers go through puberty, about how awkward they look and feel. cracking voices, bodies that are "in the middle" and not fully developed. that's what you're going through at the moment, and its okay. it just takes time for things to fully settle in.

what i would suggest is trying to find ways to do some self care that affirm your gender that don't involve your appearance. validating yourself in other ways is extremely important. building yourself up takes time. if you feel insecure about how you look, it's okay. you can start building your confidence in your identity and gender in other areas of yourself, first, then move on to your appearance. try to spend time with people who respect you for who you are, no matter how you look. try to surround yourself with people and things that affirm you

i hope you start seeing those changes you want to see soon. if you need more advice, feel free to ask! if any other trans girls on E have any advice for the asker, or relate to the experience, please feel free to chip in with some feedback on this ask, or by sending an ask! due to being intersex, i was taking estrogen and progesterone despite not wanting to, so i was not cataloguing what was changing or anything like that, so i can't speak from personal experience there despite having been on E HRT in the past.

take care of yourself for now. try to go easy on yourself, you're still in your coocoon. the day where you emerge as a butterfly is on its way, it just takes a little time. please feel free to come back any time. i hope we can get some good insight for you

[m4rs-ex3]

actually gonna take a mini break..... which could mean i won't go on tumblr at all or it just means i'll only be making simple posts and not reblogging, and it could be for the rest of the day or it could be for a number of days (this is significant i promise usually i would be yapping like CRAZY rn)

i don't like disliking my show. i don't need to hear about everything they did wrong when i want to be celebrating everything they've done right for 7 seasons. i can't expect everyone to decide that positivity is the only way and i can't expect people to not want to share their opinions when i can't seem to stop talking about my opinion on that. i don't want to do what i did when season 4 came out and i tried to forget tdp existed for months because i couldn't stand being a fan of something others didn't like. tdp is everything to me. i'm not letting this part of my life go because i care too much about what everyone else thinks. and i know that's nobody's fault but my own, but still. i'm hoping it dies down, but even if it doesn't, i just need to step back and remind myself why i love this show, and that that is all that matters.

i know it is NOT that deep but the finals week stress + mourning-in-advance + insane adrenaline rush and joy while watching followed by + immediate feeling of dread and incredible sadness and confusion and anger after i've already had a rough couple and months and tdp was the sole thing keeping me going, it has all just been a lot, as i'm sure you can imagine. it sounds so excessive and sensitive and it probably is those things, but it's how i feel. mainly i just really needed to get this off my chest lol