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#i DESPERATELY want to make more posts about this episode
goshdangronpa · 2 days
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Where to begin in sharing my thoughts on Class of '09: The Flip Side ...
Well, how about the positives? Everything I've seen is so negative, and trust me, I have thoughts. But I enjoyed quite a lot of it, and I wanna do my part to balance out the discourse. So, here's a list.
Jecka makes for an interesting protagonist compared to Nicole. She's far more emotional - I swear, she breaks down crying in every route, which is genuinely disconcerting. She's also way less savvy. I'm not fond of how overwhelmingly negative these endings are (more on that in another post), but it at least makes sense. Nicole gets the upper hand in several endings from the previous two games because she's usually cunning enough to avoid potential problems, manipulate her way out of them, and/or get people in serious trouble. Jecka may be a bit of a bitch (and I love her for it!), but as she says in one ending, she kinda needs Nicole. Putting her in the protag role isn't just subbing her in for Nicole. Flip Side explores how things would go for someone with slightly more conscience and way less guile.
Jecka's so goddamn gay, oh my god. Wanting to look for a "goth work girlfriend" at Hot Topic. "I can afford holes, Imma buy me some hoes!" Kissing Ari! She says she only did the latter for attention, but girl ... girl. Someday she'll ask someone "Doesn't every girl think about sleeping with their gal pals?" and be shocked when that someone says no. (Tbh when I heard that one route would explore a previous game's route from Jecka's perspective, and when I saw the CG of the jeckari kiss on Tumblr, I created an entire plotline in my head that didn't come to fruition. Pity - it'd at least make for a good fanfic.)
"It's been seven seconds." The scenes based on this bit are some of the funniest in the whole series ("Why don't you magically gather some friends?"). Like something straight out of South Park. If the Co09 anime Kickstarter had reached the stretch goal of a full 25-minute episode, would this have been the script? I've heard people say that Flip Side doesn't feel like Class of '09, or that the dialogue isn't as good in this one, but this part, among others, works for me. "Can anyone do the math?" "... I thought this was health."
I'm a lifelong FYE patron who will drive 40-odd minutes to visit the only remaining store in my entire region. So for me especially, the entire FYE storyline was a ride. It reminded me of American Dad, where every episode turns something mundane into an elaborate conspiracy or wild adventure into its secret underbelly. It's awesome from beginning to ... well, not the end, but it's mostly awesome. And we get to hang out with Kelly! That's neat!
This is apparently my hottest take: the "foot whore" routes are not that bad. For starters, they're not presented in a way that fetishizes Jecka herself. You never see her feet, or see what she does with them. Yall can still find the suggestion of it gross if you want, but comparisons to Quentin Tarantino seem unwarranted! More importantly, the foot services enable the writers to explore topics of sex work while keeping the game light on actual sexual activity. It's rare to see such subject matter broached in a thing like this, yet we get to see how circumstances can pull desperate people into selling their bodies, and how swiftly and easily they can have their boundaries violated and their safety compromised by the customers they depend on. The increasing disruption of normal conversations by the text notifications of Jeffery's donations is a genuinely despairing plot device. Both endings are troubling for different reasons (again, that's for another post), but the game's got something to say in a way that, to me, is fairly mature yet distinctly Class of '09. (Credit to my partner for this observation, I'm so grateful I could play this with them.)
... Uh ... the music sting from the opening monologue bumps ... It sounds more Class of '17 than Class of '09, but it's still cool ...
Okay so I can't think of more, at least not right now. (EDIT: How did I forget the Hatman? That was cute!) Flip Side may be the most flawed game in the series, but it's still pretty good. At the very least, I don't think it's the shitshow other people are making it out to be ... though there is a smell. I'll go deeper on the negatives in other posts.
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marshmallowgoop · 1 year
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ShinRan Week 2023: Day 4 | Black Knight and Princess
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forbiddentaako · 2 months
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more monochrome practice I suppose
#tumblr getting this version of this drawing bc i dont want to get in trouble for drawing them nakey#so its date night vibes instead of like eden vibes#i have such complicated feelings about this ship in part bc we havent really met lilith so dont know what shes about yet#but i know in my heart there was a time they loved each other so much and so this is that#honestly would love so much to get backstory on the eden crew and the happenings there even just like a flashback in an episode or somethin#but lowkey im on the 'hoping they get divorced but deeply care about one another and are a part of each others lives' train#bc thats kind of more interesting to me than them getting back together bc i think the crux of it is how much theyve changed and a part of#their relationship getting to the point where lilith disappeared maybe being them both trying to desperately to salvage it and in doing so#making it worse bc they felt like they ruined their lives to be together and so what was the point of it all if they weren't anymore?? but#like theyre immortal so of course theyre going to change and of course theres a chance that the relationship doesnt work even if they deepl#love one another and always will and i just like the closure of that and admitting they arent right for each other in that way anymore but#they still love and care about each other and will never lose that#this is rambling and doesnt make as much sense as when i was typing it on a different post i am wondering now if theres a limit on how many#tags i can put here bc im just yapping at this point whoops#anyway i need to buck up and actually finish/post that draft i have about my very long and complicated hazbin ship opinions#lucilith#hazbin hotel#lilith morningstar#lilith hazbin hotel#hazbin hotel lilith#lucifer hazbin hotel#hazbin lucifer#hazbin hotel lucifer#lucifer morningstar#hazbin lilith
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coolauntlilith · 1 year
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Every now and then I replay the first episode of VLD and I wonder why I thought it be a good show lol
#mostly just the part where Allura is assigning pilots to lions#why lol. the first five people who show up are just perfect fits?? hate it lol#i have no au plot ideas but itd have made more sense to draw out the forming of voltron. like for a longer time. like its the s1 finale#and to be traveling looking for appropriate pilots#or the s2 finale? like what if the original gang somehow stayed in contact despite not being Voltron paladins and they proved being the best#team despite not piloting immediately. i feel like a stronger plot of their forming teamwork outside of being Voltron would have also made#their friendships seem more real too lmao#like what if Lance IS Blue's pilot bit hes the only one for a long time. the other lions couldn't actually *just be* located#*but. not bit. and what if Pidge runs off in a stolen vessel to find her dad and brother. what if Shiro isnt.. so flat as a character and is#desperate to find his old team and runs off with them to help out and free others#Keith could somehow get involved with The Blades a lot sooner#and Hunk finds his footing as a leader in rebellion organization. i hate that he was just the funny guy allll the way thru#also (still not a plot bc my brain is unorganized lol) Allura doesnt die. Shiro actually gets to be gay with a husband. and we either need#to not make Lotor a villain or just go all out on making him the worst. i personally dont want him to be a villain bc it was stupid lol#also PULEEEAASE Lance is bi. Lance “I'm just getting a feel for the stick” *obsessed with his rival who doesnt even know he exists* McClain#i want to see him get over his crush on Allura within like 6 episodes and then see him making out with the mermaids then Keith when everyone#starts reuniting lol. my bicon Lance deserves to kiss mermaids like we all do and then get on when the otp lol#now im nostalgic for s1 VLD vibes. ya know. before hell lol#it really just gets worse after ... s3? everyone feels different. i usually tolerate up to about the end of s3 before i feel like its donezo#aunt posting#vld#voltron: legendary defender
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darksvster · 2 months
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okay i was asked to post this on tumblr since i posted a mini essay about it on twitter so here it is, i added some more examples and elaborated on my points that i couldn't over twitter.
so, when i first watched episode 207 i thought it was weird how religious rhaenyra was, until ryan condal mentioned the cult imagery. now i think instead of the show making her paranoid and neurotic in the final arc, they're going to make her more of a cult leader figure.
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i think rather than leaning into her paranoia and the idea of a "hysterical paranoid mother" after she loses her sons, they're going to have her drink her own kool-aid more and more. it's interesting that this is what emma and ryan discuss in this scene with the dragonseeds in the inside the episode.
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i think it's interesting that instead of the show positioning her like "a leader amongst the smallfolk," this episode positions her in a darker light, like someone who is manipulating the people there for her own goals. and when vermithor turns on the bastards, she doesn't let them run, the guards keep them barricaded in.
she is literally enraptured by the fire in these scenes. now that she knows it's possible for others to claim the dragons, she has been vindicated and wants more. this is not a merciful queen who is reaching out a hand to the smallfolk, she's throwing stuff at the wall and seeing what sticks. after all, these are just smallfolk. bastards with no honor. ryan literally describes the scene as a ritual sacrifice.
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and who do you conduct sacrifice for? the gods. but in this case, the gods the seven or the old gods, they aren't even just dragons, but the fact that rhaenyra sees herself in the dragons. she says as much in the literal pilot of the episode when viserys asks her what she sees when she looks at the dragons. she understands the power they wield.
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she knows that their power lies in the dragons. but she doesn't reflect viserys' belief that they are a power that man never shouldn't have trifled with. she leans into the chaos and fire and blood of the dragons, we see that in the sowing, clearly.
rhaenyra inherited the worst of both viserys and daemon and that will lead to her madness. she's got viserys' strong belief in prophecy (one now exacerbated by her desperation).
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we see that faith in the prophecy falter but never truly fade. rhaenyra has always taken is seriously, to the point that everything she's done this season is in response to the prophecy. her pacifism isn't just due to avoiding bloodshed. she makes it clear to jace that before plunging the realm into war she had to know there was no other option because of the burden of the prophecy.
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even though daemon has never believed in prophecy or superstition. she's also got daemon's desire and lust for power and strength (something she confessed wanting specifically because daemon is a man when she was speaking to mysaria).
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it's a great deconstruction of the chosen one archetype to have her drink this koolaid and believe herself the chosen one only to have that belief corrupt her. emma d'arcy speaks on this in their interview with gq when discussing rhaenyra's growing fanaticism.
I think something that has been happening for Rhaenyra throughout the series is a growing religious fanaticism. After her father’s death, there is this desire to be connected to him in some way. And losing him happens at the same moment as having her throne usurped. And so that thing that would have been such a direct connection to him is also stolen. So in lieu of that, there’s that searching [through] the histories. I think imagining that at some point her name will feature next to her father’s is in some way comforting, and I find it very moving to see a person who in grief has committed themselves to the history books. As the series goes on, I think we see her more and more invested in her faith. She returns to the old gods. I think all of these actions are in search of her right; the thing that she thought she had received from her father, she is looking for evidence again and again. And part of it, I’m sure, is a choice. I think sometimes in times of loss, we can choose the anchors that we are going to cling to, and her faith becomes one. But I think there’s a narcissism in it. I think her connection with her religion is about wanting to reinforce a divine right. And I think, looking at [episode] seven when this miracle takes place, and this man claims Seasmoke, I think she feels that it’s a gift from the gods. I think it’s what allows her to ride roughshod over Jace’s very legitimate concerns about his own status. I think it’s what allows her to stage a massacre, essentially. She feels that she is riding on the wings of her faith. But her faith, and her belief that she is the ruler that is supposed to sit on that throne, are completely enmeshed.
They continue:
What is going through Rhaenyra’s mind as she watches the Targaryen bastards be devoured and torched alive? I think she feels like a god. I think she feels super proud. I mean, I think it’s uncomfortable. I think there’s something, actually, also that ties into the religiosity — even being back in proximity to dragons, to that fire, is to somehow be living her birthright. To be soaking up the divine, somehow. And do you think that she feels as though the decision to essentially stage a massacre, as you say, is vindicated when the two new bastard dragonriders are found? Totally. Without a shadow of a doubt. I mean, it’s horrendous, but I think she is now this sort of emboldened fanatic, [and] I think she’s experiencing events within a far bigger timeline. She’s imagining the history books. And you know, what’s happening right in front of her is awful. But in 300-400 years, what will be documented is possibly a very short war; a huge civil war that was averted, that this was the first ruling queen, that this ruling Targaryen queen expanded the Targaryen’s ability to have dragons within their armoury.
emma's read on this supports what we see on screen when it comes to rhaenyra's newly found zealousness. the religious aspect could lead her to do things that might have been seen as atrocities by her. it could lead to mysaria abandoning her, her riders turning on her, and we would see more of that targ madness.
gods are mentioned several times in 207. first by addam, who says that the gods are calling him to greater things. rhaenyra has never been the extremely religious sort but, in this scene, she looks like she's had a moment of clarity.
importantly, rhaenyra doesn't know who addam's father is, or hugh's or ulf's. this is simply the first time in history that a non-targaryen (at least in her eyes) has claimed dragons. it's something that she believed impossible. it can feel like destiny to the desperate and she's been extremely desperate after losing daemon, rhaenys, and continuous loss after loss with no hope of recourse.
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mysaria says that rhaenyra is lucky addam chose to bend the knee to her rather than himself. and her reply is that it is ordained. this religious vocabulary being used is intentional!
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her complaint against the lowborn is that there is an ancient fealty from highborn houses. she essentially implies that bastards do not have honor. mysaria corrects her by pointing out that her legitimate half-brothers aegon and aemond aren't exactly delights, but that doesn't make rhaenyra see the light. instead she recognizes that there's fealty to be had from lowborn people too. the order of things have changed, as mysaria says, so she realizes that she can lift up people who have been historically stepped on and give power to the powerless, calling them her army of bastards.
but when jace calls this out, predicting that someone (perhaps hugh?) could lay claim to her throne if she legitimizes these bastards if not by name then by offering them the power of gods. obviously, jace's concern is real, his entire legitimacy lies on both viserys' past support and also the fact that he has a dragon of his own. if any bastard can claim one, what does that make him? but rhaenyra's response isn't logical. she believes that the throne is part of her and her son's destiny. their right.
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for years, on some level, rhaenyra has believed that even though people have insulted her sons, they are full-blooded targaryens. she says herself that if she was a man she could father a dozen bastards, and as heir, she gives birth to three without hesitation. these aren't strongs or velaryons to her, her sons are targaryens.
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but even when jace essentially begs his mother not to give commoners dragons, bringing up her past sins and pointing out his own struggle knowing that he's harwin strong's son, her response is somewhat cold. she says now that the gods have laid this in front of her and she has no choice.
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the dragonkeepers call what she's doing blasphemy and note that it isn't the gods who brought the dragonseeds to her, but she herself has done that.
Dragonkeeper Elder: This is an abomination. You sent an Andal before a dragon. The judgment was delivered. Now you would send more. Rhaenyra: Ser Steffon Darklyn was the blood of the dragon. Dragonkeeper Elder: It was a blasphemy. He was no dragonlord. Neither are these. Rhaenyra: And yet the gods have set them before us. Dragonkeeper Elder: You have set them before yourself! The dragons are sacred; they are the last magic of Old Valyria in this sad world. They are not pieces on a board for the games of men. Our order will take no part in this.
to the dragonkeepers, she's using these bastards and dragons like chess pieces in her war. but to rhaenyra, who has seen addam claim seasmoke, it seems like this is a divine right — a sign from the gods. and that's proven again when hugh claims vermithor.
addam claiming seasmoke changed everything for her. she talks about claiming a dragon as a transformation, and, in many ways, this claiming has transformed her as well. she tells the dragonseeds that their purpose now is the end the hardships of war.
she paints a lovely image promising them peace at the end, but it is a wholly false image. with vermithor and silverwing now in her arsenal, there will be more suffering, more bloodshed. there are no promises of peace now that the war has been given to the dragons, not until everyone is dead. and if that happens, well, the gods willed it, not her.
in this moment, when she says "may the gods bless you" i have to wonder, is she talking about the seven? or the valyrian gods? or the dragons? i don't think she's fully in deep, but i can see the set up for a much darker storyline for rhaenyra rather than the book plot. every time her beliefs are proven or something impossible happens, that could reinforce her zealousness.
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i have always said that rhaenyra is a combination of viserys and daemon, and i think that still. i think that she has both of their madnesses within her. as she loses more, the only thing she'll have to hold onto is that prophecy and the divine right she believes in now.
even this scene from the finale promo has over-the-top messiah, chosen apostles, last supper vibes. her saying "i have entrusted you with a power only few have known" as if she wasn't desperate for them and had no say in who the dragons chose. i love it!
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honestly i'm totally here for it, i think it's an exciting direction to take. i don't think rhaenyra was always like this, she might have had the proclivity for it growing up under viserys' wing, but it's the war that's pushed her to this point. desperate people will turn to things like faith in order to guide them when the real world disappoints. i think it's a far more nuanced look at a sort of "madness".
and i'm here for the conflict that will happen with daemon as a result. i think daemon will be in direct opposition to this. he's NOT the type to follow cult leaders. this will be their conflict on top of the existing power struggles. this, to me, is far more interesting of a struggle as opposed to nettles causing romantic tension. this show has a tendency to lean away from harmful stereotypes about women. pitting woman against woman is one of them, as is the hysterical woman.
daemon dying for her could be a form of devotion, or perhaps even a command from a delusional rhaenyra who believes he will survive it. daemon could end up drinking the kool-aid too after the devastations of the war or simply realize that this is the last thing he can offer to someone who is too far gone to be saved.
THIS IS THE FIRE I WANT FOR RHAENYRA. this is the mad queen setup that we could have had! targ exceptionalism and completely going off the deep end as a way of coping with an unwinnable conflict. without viserys, without rhaenys, no one is there to temper the fire within her.
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Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?
I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.
The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!
Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:
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[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]
A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)
This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.
This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.
If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:
Sticks to a lighthearted tone where nothing is ever super serious
Keeps Gabriel entirely unsympathetic
Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed
Allows characters other than Marinette to shine while keeping Marinette as the clear main character
Makes Adrien narratively important
MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT
Understands that Lila and Chloe can't coexist as antagonists
Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.
I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.
I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:
I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.
If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!
Spoilers below:
I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.
While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.
The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.
That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.
That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.
I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.
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inkspiredwriting · 1 month
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The Diner of Destiny
Five Hargreeves x reader
A/N: I hope it won't be long before I can post proper Five x Y/n stories again. Before the whole mess with season 4, I wanted to post a story of y/n having a girls day with Alisson, Sloane and Lila, and then five picking her up later and seeing what a mess they made. But now I'm honest, I don't want Lila and Five together in a story anymore xD I know it's stupid but I can't change it
Warnings: spoilers for season 4 episode 5-6, angst
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Five stepped out of the shadows, his sharp eyes scanning the familiar surroundings. He had been here before, but something felt different this time. The station seemed to pulse with an energy he couldn’t quite place, pulling him toward a small, unassuming diner that he had never noticed before.
As he pushed open the door, a small bell chimed, and the dimly lit interior came into view. Its walls adorned with old photographs and clocks that tick out of sync. But what caught his attention most were the people inside.
It wasn’t just any group of people. They were him—Fives, from various timelines and realities. Each of them wore a different expression, ranging from annoyance to outright anger.
One of them, stepped forward, his eyes narrowing at Five. “You finally made it,” he said, his voice laced with bitterness.
Five frowned, his mind racing to understand what was happening. “What is this? Why are we all here?”
“You tell us,” The other Five shot back. “We’ve been waiting for you to show up and face the mess you’ve made.”
“The mess I’ve made?” Five repeated, confusion giving way to irritation. “What are you talking about?”
Another Five, one with a more disheveled appearance, chimed in, “You had one job—find y/n. She was supposed to be your anchor, the one to keep all of us stable across the Timelines. But instead, you got distracted.”
Five’s heart skipped a beat at the mention of y/n. He had never heard that name, and yet it felt like a punch to the gut. “What do you mean, ‘distracted’?”
The other Five crossed his arms, his glare intensifying. “Lila. You got involved with Lila, and that was never supposed to happen. You were supposed to fall in love with y/n in the greenhouse. She was the one meant for you, for all of us.”
Five’s breath caught in his throat. The greenhouse. He remembered it clearly—throwing strawberries, the laughter, the kisses. But it wasn’t y/n he was with. It was Lila. And suddenly, it all made sense.
The other Fives began to murmur, their voices filled with resentment. “We all felt it,” one of them said. “The moment you chose Lila over Y/n, we all felt the shift. She started to fade from our lives.”
Brisket Five added, “And without her, everything is falling apart. Our timelines are unraveling because you didn’t stick to what was meant to be.”
Five’s mind reeled. He had always prided himself on making the hard choices, on doing what needed to be done to keep the timeline intact. But now, he realized he had made a grave mistake. Y/n was supposed to be his anchor, the one constant in the chaotic sea of timelines. But by choosing Lila, he had erased her from existence, not just in his life, but in every Five’s life.
“Why isn’t she here?” Five demanded, his voice trembling with a mix of anger and desperation. “Why can’t we find her?”
The other Five’s expression softened, though the anger was still there, simmering beneath the surface. “Because you erased her, you idiot. The moment you chose Lila, you erased y/n from all of our lives. The woman who was supposed to keep us grounded, to hold us together—gone. And now, we’re all suffering for it.”
Five felt a cold sweat break out on his skin. He had made a choice that he couldn’t take back, and now it was costing him—and every version of himself—everything. The weight of his actions pressed down on him, suffocating him with guilt.
“What do I do?” he whispered, almost to himself. “How do I fix this?”
The Five opposite from him sighed, his anger giving way to something more like pity. “That’s the problem. We don’t know if it can be fixed. Y/n was our everything, the one person who could make us feel human, no matter what timeline we were in. Without her… we’re lost.”
The room fell into a heavy silence, each Five contemplating the enormity of the situation. Five’s mind raced, trying to think of a solution, a way to bring y/n back. But every thought was met with the same bleak realization: he had broken something that might never be repaired.
Finally, Brisket Five spoke again, his voice low and resigned. “You can try to find her. But the truth is, we don’t even know where to start. You’ve changed the course of all our lives, and now… now we’re all paying the price.”
Five swallowed hard, his chest tightening with the weight of his guilt. He had always been the one to take control, to find a way out of impossible situations. But this time, he wasn’t sure if there was a way out. The woman who was supposed to be his guiding light, his North Star, was gone. And it was his fault.
The diner fell into a heavy silence, the weight of what had been lost hanging in the air like a shroud. The other Fives watched him, their anger slowly turning to resignation. They knew, as well as he did, that there was no fixing this. Y/n was gone, and with her, the stability and hope they had all desperately needed.
And as he left the diner, the weight of his actions bore down on him like a heavy burden, one that he wasn’t sure he could ever shake.
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queers-gambit · 9 months
Text
Opening Night and Open Hearts
prompt: opening night - a mother's fear, a locked walk-in freezer, confessions through a thick metal door, questioning what's deserved, and a proposal at The Bear after hours.
pairing: Carmen 'Carmy' Berzatto x female!reader
fandom masterlist: FX's The Bear
word count: 9.8k+
note: i think i give enough background for you guys to feel as if you don't need to read any other relating works, but i linked the fics that could be read as a small series (maybe?) also let author be lonely in peace
warnings: reader nicknamed Peach, established relationship, cursing, spoilers, fluff, angst, relationship angst, hurt and comfort, Carmy still (desperately) needs a nap, depiction of physical illness, boys are dumb and emotions are hard, reader-insert, depiction of toxic family, OC Carmy that grovels a lot, not edited!
⚠️ season two, episode ten spoilers
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not necessary to read, but other relating works with Peach:
Dinner at the Homesick Restaurant
God's Plan part two: Two to Tango
Neon Sticky Notes
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"Hi, yes, I can hear you - sorry about that, I was just making note of your reservation," you spoke smoothly into the phone, trying not to ogle your boyfriend wrapped in only a clean blue towel. "So, that's a party of four for Monsieur Claude Badeaux - all right, that's so lovely. I'm obligated to remind everyone that tonight's opening is a fine dining experience and the proper, corresponding dress code is being asked for. Are there any allergies I should make note of for your party?"
"Jean Paul has a tree nut allergy," you were told.
"All right, that's noted and highlighted: Jean Paul has a tree nut allergy. If there's anything else I could help you with?"
"Non," he chuckled. "I was surprised to see your invitation to this evening, though, mon cher. It's been so long, yes?"
"Well, it was my pleasure to extend the offer, we're ecstatic by your reservation," you chuckled. "We'll see you tonight, Monsieur, and should you need anything before then, you may call this number again."
You said your parting words in French, smiling at Carmy when you hung up and dropped your work phone. "Did I hear that correct?" Your lover asked with a broad grin, "Was that...?"
"Senior marketing advisor at The Washington Post?" You filled in for him. "Uh, yeah, I think it was, but you know me - I could be wrong."
"You invited someone from The Washington Post to the opening tonight?"
"Is that okay?" You asked, standing from the bed after making note in your datebook. "You look kinda - I don't know, shocked?"
"I-I am," he blinked at you, watching you gather his pristine clothing to hang on the closet door. "But in a good way - I can't believe you did this," he chuckled, wiping his mouth. "I mean - holy shit, Peaches."
You offered a toothy grin, "Figured I could pull a few of my own strings to help get the word out about your love-child."
This made Carmy snicker, "Hey, now. Tonight's important, don't make fun."
"I know," you nodded, leading him back into the bathroom to view your hair products. "Which is why I invited some important people and some not-so important people. I know this is serious, Carmy," you smiled at him, hoping to convey your support, "and I wanted to help in whatever way I could."
"You being there tonight is more than I could ask for," he chuckled, helping you onto the small bathroom counter. You squirted a bit of hair product in your hand, watching him flinch back a little, "Uh, I just don't want my hair greasy, Peach, you know? Not a good look and I'll sweat it out in the kitchen."
"I feel like I should be offended by you having no trust in me," you teased, insisting, "I know whatcha need, baby, lemme help."
Carmy smiled softly and held still, letting you run your hands through his curls to push everything back and away from his forehead in a stylish but manageable "do". There was a silent, serene moment as you and Carmy just existed together in a mundane space, his big, sad eyes watching your face as you worked. He wondered, "Think tonight's gonna be okay?"
"I think tonight's gonna be more than okay," you assured softly. "I think tonight's gonna go better than you're anticipating."
He sighed and planted his hands on either side of you, suddenly dropping his gaze. "I, uh... Sugar invited Mom t'tonight..."
"Yeah, I know."
"You know?"
"Sugar and I are still friends outside of us dating, Carmy," you smiled patiently, slowing your hands so you more toyed with his curls; pushing some strands behind his ears. "She needs someone as much as you do and I don't mind."
"But isn't that what Pete's for?"
"Yes, but you know, Pete's Pete."
Carmy snorted, "Yeah, yeah, good point."
"I don't know if she'll show up tonight, Bear, but whether she does or doesn't, it won't matter - you're not doing this for her. This is for you, Carmy, tonight's about The Bear opening - it's about you and this incredible, amazing thing you've done. Okay?" You caressed both his cheeks in your hands so he could only look at you directly. "If she shows, that's great," you whispered with a soft smile as your thumbs swept the apples of his cheeks, "and if she doesn't, it won't make tonight any less special. That, I can promise."
Carmy's forehead met yours, both pausing to breathe together; peace always a fleeting feeling as of late and being something you both capitalized on. You brought him in closer for an embrace, his face burying in your neck as your arms snaked around his to keep him as close as possible. His arms were tight around your waist, legs spread to accommodate him; both needing the feel of being close before that night's inevitable stressful event.
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"Wow, well, don't you look all pretty! Wow, Peach," Pete greeted you when you scurried to the table with your friend in tow. "Oh, hi there!"
"Pete, this is my best friend, Danielle, and Dani, this is Pete, Sugar's husband."
"Hi, it's really nice to meet you," your friend greeted, the two instantly chattering as they both just blew past their introductions to instantly compliment one another's clothes. You smirked, knowing they'd get along famously, and looked around the brand new, packed restaurant.
"Hey, there she is, my pretty girl," Richie greeted smoothly, approaching your standing form to slide his hand around your shoulders.
"Hi, Cousin," you beamed, offering him a hug in greeting. "The place looks fantastic - it's so - I mean - just wow, Richie," you complimented. "You guys did such an amazing job. I need to tell Fak, too, this is - you guys should be so proud, it looks incredible. Hardly can believe what it was before this."
"It really is something, huh?" He grinned. "Hey, Pete," he nodded.
"Hey, Richie."
"And you must be the famous, the fabulous Miss Danielle?"
"That's me," your friend grinned. "You're Richie, right? Carmy's cousin who's not really a cousin but is as good as blood?"
"Yes, ma'am, the very same," he nodded with pride. "We've some drinks coming your way in just a moment, but I need to borrow Peach for just one second."
"Why do they call her Peach?" Dani asked, but Richie was leading you away as Pete was heard answering,
"Oh, because she mastered this peach cobbler with Carmy's mom, Donna, and she started the nickname..."
"What's wrong?" You asked softly with a smile as to not give the illusion to others that you were worried. "What can I do to help?"
"No, no, nothing too bad, you were just requested by the Frenchie-French guy."
"Oh, right, that's right, yeah, I can help with that," you sighed gently, smiling as you approached the table. Greeting the two men and women was easy, Richie impressed by your connections in the professional world. Tonight, The Washington Post didn't just dine with them - no, it was also the director of social media for three luxury, designer brands: Jean-Paul.
Yes, the man was so elusive that he just went by Jean-Paul. Fuck a last name!
Either way, it impressed Richie to hear the introductions. The two women were executives in their own companies, names Richie didn't catch because he was busy taking note of the way Mr. Frenchie-French was basically eye fucking you in front of them all.
"Well," Richie smiled stiffly, "tonight's incredibly special for us. In fact, uh, Y/N's boyfriend is the owner and head chef."
"Really?" Frenchie-French perked his brows, shifting his gaze over to you. "You always had a soft spots for chefs, non? For those who were versed in the culinary arts?"
"Well, mostly I appreciated a man in the kitchen simply because I burn water and would probably unintentionally starve myself," you teased easily, deflecting the man's subtle dig. "I'm actually here with family tonight, so, please, ladies and gentlemen, enjoy tonight - I know I'm biased when I say the food is exceptional, but I look forward to your own opinions."
"We will talk later, mon cher, I am sure there will be plenty to discuss," the Frenchman promised, kissing the back of your hand as you let Richie lead you away by your free hand.
You released a long sigh, muttering, "Bring them a bottle of real champagne, please, Richie, I had a few bottles imported just for them. Listen closely," you lowered your voice as you both paused on the side of the dining room, "bring them a bowl of thin sliced strawberries sprinkled in sugar and pop the cork at their table - it's impressive for whatever reason."
Richie pecked your temple and gave you a tight squeeze, "I got it all covered, girly. You all right? Look like you're gonna be sick?"
"Just men being men grosses me out, I guess," you sighed with a small shrug. "He's always had a thing for me, I figured I'd use that to get him here tonight - Carmy's work speaks for itself, but maybe he'd be inclined to publish an article or two for us if I play nice."
Richie paused you a few feet from your table, complimenting, "I hope Carmy knows he doesn't deserve you, Peach."
"You said years ago neither of us did," you smirked gently. "Said I wasn't relationship material, right? Remember?"
"I was wrong," he nodded. "I even said y'all would never be serious, but..." He scoffed to himself, "I've never seen that boy so crazy about anyone in his life. You've really changed him, Peach. I don't really know how to thank you."
"You can start by buttering up those flirty Frenchmen," you teased, giving his cheek a peck.
"On it," he winked, parting from your side.
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Inside the kitchen some twenty minutes later, Richie approached Carmy, directing his attention, "Cousin?"
"Yo."
"Peach is on 17 with Pete."
"Okay."
"Go say hi."
"Yeah, eventually," Carmy nodded absently, never halting his work.
"Eventually?" Richie repeated with distain, something in his stomach twisting.
"Where the fuck is Josh!?" Carmy called into the kitchen, another chef echoing his concerns.
"Yo!" Richie barked as calmly as he could, "Just go say hi to your girl, Cousin."
"Yo, I'll go when I have a minute," Carmy deflected strongly. "I'm in the fuckin' shit, leave me the fuck alone."
"What? I'm saying - "
"I'll get there when I can get there!"
"I'm saying!"
"What?" Carmy barked.
"She's got important fucking people in that dining room, man," Richie scoffed, hands held up in defense. "Just for your ungrateful ass! Maybe the least you can do is go say fuckin' hi - even if you're fuckin' busy. She knows that, it'd be a nice gesture - or whatever fuckin' shit - I don't know! She's your girl!"
"Yeah! Exactly!" Carmy barked. "She's my fuckin' girl, she knows the fuckin' drill, I'll go say fuckin' hi when I get the fuckin' chance, Richie! Fuck's sake! Always tryna meddle and shit!"
"Jesus, fuck," Richie sighed, turning out of the kitchen with his hands waving Carmy off in defeat.
You were none the wiser, entertained by Pete and Dani's gabbing as Sugar was in-and-out, dealing with all the little things going wrong. These little things came to her in the form of notes left at the table subtly for her to go solve, you wanting to help but being shot down every time. Eventually, Carmy was approaching your table with a tray of food, shocking you slightly.
"Hey, Peach," He greeted softly, lowering the tray to balance on the table and lean over to kiss your cheek. "You look gorgeous, baby, wow," he complimented in a whisper, offering another quick kiss.
"Thank you, Chef," you smiled brightly, touching his forearm in a sign of affection. "What's all this you've got for us?"
He hummed and explained what he set on the table in front of you guys; eyes alight and cheeks flushed from the heat of the kitchen. He poured whatever sauce came with the main dish, smiling at Dani, nodding to Pete, then looking to you.
"I'll check on you later, all right, baby?" He mumbled, watching you nod. "I gotta get back," he whispered, "but thank you for being here, my pretty girl."
"No where else I'd rather be, Cream," you rushed, letting his lips find yours briefly.
"Stick around after, would you? When we close, just... Don't leave yet."
"Yes, Chef," you whispered against his lips with a grin. He gave one single more kiss before pulling away to stand upright.
"Enjoy," he bid the table before walking away.
"So, like," Dani trailed after making sure Carmy was out of earshot, "when's the wedding? 'Cause that might've been the cutest thing I've seen. I mean, opening night, he's cooking, but paused to come serve us? Serve you? And he's so soft with you, kissin' you, bein' all cute," she pouted dramatically. "I want a reason to wear a maid of honor dress, please."
"Hey, hey, chill on us. There's no wedding," you sighed with a small laugh, trying to play off how the subject made your stomach twist. "We haven't really talked about it, you know? No biggie."
"What?" She sputtered. "Wait, hang on. Y'all have been together - like - a stupid, ridiculous amount of time. The fuck you mean you haven't talked about it? What are y'all doing, just ignoring the elephant in the room?"
You shrugged lightly, "I don't know, we know if we ever got married, it'd be to each other, but that's really it. We know we want to be together, we know we want to marry each other, but there's been no serious conversation about it."
"Uh, does that sound right to you?" Dani asked Pete.
He shook his head as you all took dainty bites of food to savor the flavors (and save Sugar some). "When I knew with Natalie, I didn't hesitate."
"Well, Carmy isn't like you, Pete," you defended. "He's got a lot on his plate, too, you know?"
"You've said that since Mikey," Dani frowned, her voice quiet.
"With good reason, don't you think? Carmy's just - he's just going through a lot right now and it's a challenge, you know?"
"No, it's more like Carmy's got the emotional intelligence of a fucking teaspoon!"
"Hey," you snapped, "that's not his fault, he doesn't know much better, so watch your mouth."
"He does with you, like... He knows better when he's with you, when it comes to you, Peach," Pete offered softly. "Look, maybe Danielle has a point - it is a little weird. I mean, you guys have been together, what? Six, almost seven years? Creeping up on a decade of just dating - that's a long time. And didn't you guys do that weird little half-dating thing for two years before making it official? Don't you think that's enough time to know if you want to marry someone, and then, you know? Actually marry them? Or at least ask them?"
"Sure, maybe to other people, but Carmy and I have never been conventional, so, I don't see why we need to start now."
Danielle scoffed, "Look, God love Carmy and everything, but you're just wasting time now. He needs to either commit or let you find someone who can actually love you like you deserve."
"Oh, and Carmy doesn't?"
"Wasn't all that long ago that you two took a break 'cause he called you clingy - and some other unsavory terms," Danielle shrugged. "Doesn't really sound like someone who loves you unconditionally - the way you should be loved."
You sighed and sat back in your chair, "I appreciate the insight, but Carm and I are fine. Okay? We've got years under our belts, we don't want to fuck up what obviously works for us so chill out on the questions, okay? I don't have answers to them."
Danielle and Pete shared a look before the man got up to excuse himself to the restroom. You and Dani finished your meals before sipping your wine, waiting for Pete, but Dani sighed, "This lady's been staring in here for, like, ten minutes already. It's freezing, doesn't she want to come in?"
"Hmm? What're you - ?"
"This lady on the street," your friend pointed over her shoulder towards the window her back was now turned to.
When you peaked out, you gasped lightly when you saw Donna Berzatto smoking a cigarette. "Oh, shit!" You stood from your seat, rushing, "Okay, so, uh, yeah - just - can you just sit here for a second? I have to go handle that."
"Who is it?" Dani wondered earnestly.
"I got it, Peach," Pete told you, passing by the table swiftly with a hand patting your shoulder to keep you at your table.
"What the hell's happening?" Dani asked. "Who is that?"
"Nothing, no one, it's okay, I think that's someone we know, just, uh, hang on a second? We'll be right back."
"Sure," she nodded in confusion, watching you get from your seat and follow Pete out the door onto the blistering cold sidewalk.
"Hey, Mama Donna," you greeted happily, arms crossing over your chest to protect from the wind. "Have you been inside yet? We saved you a seat and all, but isn't this - just wow?" You grinned, trying to encourage her to say anything about her children's hard work.
"Oh, no, no, not you, too, Peach, why are you here?" She groaned lightly, looking upset and close to tears.
"I'm here 'cause of Carmy? I-It's opening night, yeah?" You offered in confusion. "Why? What's wrong, Mama D?" You worried, glancing at an emotional Pete.
"No, it's just, I can't come in, I can't, just no," she backed away, only now making you notice the way Pete cried. "I'm so sorry, Peach, honey, but I was never here. Okay? I-I'll call them later, I swear, I promise, I'll call them - but I-I-I wasn't here. Okay? You can't tell them I was here. I'm so sorry."
"Donna, don't do this," you begged, head shaking. "Don't, please. Just come in with Pete and I - just sit there for a bit. Just come in and see what your kids have done - Donna, it's so beautiful. You'd be so proud, but you should really see it for yourself - "
"I'm sorry, I'm so sorry, I can't, I'm sorry, I'm sorry, not tonight, no, I'm sorry, I can't," she deflected in a rambling mumble, turning and hustling down the sidewalk with her head shaking like a Etch-A-Sketch.
You rounded on Pete, "What the hell was that? Pete, what just happened?"
"Um, I-I don't - I didn't mean to."
"Pete? What didn't you mean?"
"She didn't tell her mom about the baby," he rushed, tears falling. "Nat didn't tell Donna, Peach, and I think I just did - I think I just fucked up and told her."
"Oh, no... No, Pete, you didn't."
"I didn't mean to! I swear it was an accident!"
"No, I know you didn't mean to, honey," you rushed, opening your arms to bring him in for a tight hug. "Oh, you poor boy, I'm sorry. I'm so sorry, Pete."
He sighed, "I'm sorry, too, Peach."
"For what?"
"That... We fell in love with Berzattos and this is our new normal now, right?" He sniffled.
You half-smiled, "Yeah, something like that. But it's okay. See, where Donna's afraid to give her love, neither of us are. Sugar and Carm deserve that from us, right? To be authentic and just love them?"
He nodded, "Yeah, you're right."
"And that's all we gotta do... Is love them, Pete."
"God knows where else they'd get it," he huffed, wiping his face. "Hey, um, I'll be in, in a second - I just need a minute alone, I think, in the cold."
"Take all the time you need," you agreed.
"We're not - we're not telling them about this, right?"
You sighed, "No, I don't think so - at least right now. It might hurt them more, you know? To know Donna was here, but never came in. That she ran away... Again. It'll hurt, they deserve to be happy about tonight."
Pete nodded rapidly, looking like he was gonna burst into tears. Instead of going back inside, you just moved to Pete's side and stood there; producing a cigarette, lighting it, offering Pete a drag that he turned down, and the both of you just standing silently; one smoking, one crying, both processing.
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"Wow, look at these gorgeous ladies! By far the baddest in the whole place! Yeah, man!" Fak teased as he approached you and Danielle after closing the The Bear officially. "What a privilege to have you both dine with us this evening! Ugh, truly an honor to see you both here," he praised comically, evening giving a small bow that his brother mimicked.
Your eyes rolled, "You're laying it on really thick when I already tipped you." He snickered with Theo. "Hey, seriously, though, tonight was incredible. I mean, it was all so beautiful, you should all be so proud."
"Oh, we are," Neil giggled, his brother hanging off his shoulders.
"Good," you teased. "Uh, is now an okay time to go back and see him? Kinda wanna offer my compliments to the chef directly, you know?"
"No," Fak answered instantly, "uh, well, probably not the best time."
"Yeah, probably not," Theodore echoed.
"I can sense you two ramping up to something," you sighed, "so, I'm gonna ask you skip all that and tell me what's wrong. Why can't I go see my boyfriend? He just had an incredibly successful opening night, I kinda wanna kiss him if you don't mind."
"Um, well, h-he didn't want you to worry, so, he said not t'tell you, but, uh... Yeah, no, Carmy's, like, locked in the walk-in freezer. Han Solo style."
"What?"
"Locked in the walk-in," Fak nodded rapidly, "yeah, no, the handle - like, the whole handle came off. He's locked in, Peach..."
"Oh, my fucking God," you breathed. "Are you saying he - he missed opening night? Neil!"
"Yeah, kinda... Well, sorta - I mean, technically, but - "
"Oh, Jesus," you breezed past them all.
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"Mmm-mmm, the fridge guy's name is Terry," Tina corrected Carmy, flinching a little when he slapped the other side of the metal door he was locked behind.
"See, th-tha-that's what I'm talking about!" Carmy raged. "I'm so fucking distracted, and for what? For fucking what? 'Cause of a girl?" He chuckled ruefully to himself.
"Nuh-uh, don't do that, Carmy," Tina scolded. "That's not no girl, that's your girl, that's Peach - you don't lash out at her, baby."
"Yo, maybe - maybe I'm just not built for this. Right? Maybe that's okay! Maybe that just is. She'd be better off, Tina... I'm just - I'm not built for this."
But what Carmy didn't hear was Sydney asking Tina to cover her at the front because she needed to step out the back, get some air; Tina accepting and telling Carm to hang on a moment. Something he missed. While Tina took Syd's spot, Syd rushed outside, and you slipped in the kitchen door; Carmy being surrounded by shitty ripped tape and an entire side full of the flowers he had brought in for tonight - for you. It was a haunting reminder; something suffocating.
When you got to the walk-in, you were prepared to call out for Carmy, but he started speaking from within, halting any word on your tongue.
"I wasn't here b-because I was looking a-a-at fucking engagement rings when the fridge guy fuckin' called," Carmy ranted, your heart stalling in your chest. "Right? Like, what the fuck was I thinking? Like I was gonna get married? Commit to this relationship? Be h-her fucking husband or some shit? Have a fucking wife? I'm a fucking - I'm a fuckin' psycho!" He laughed a little, the tears springing to your eyes as his words disarmed your heart and emotional dam. "That's why! That's why I'm good at what I do! That's how I operate! I am the best because I didn't have any of this fuckin' bullshit, right? I could - I could focus and I could concentrate and I had a routine and I - and I had fuckin' cell reception, and Peach and I just had our own routine! We didn't need this extra bullshit, and now..."
You just listened, leaning on the freezer's door, tears silently leaking down your cheeks as you had the horrendous realization that you were what now slowed Carmy down. You were what currently stood in his way, when this whole time, you thought you were helping; making things easier; supporting him. No... No, his words rattled your heart to accept that you were now the bane; the object of his ire. You and your relationship was what was wrong and was causing Carmy hurt and professional complications.
Something you never wanted to contribute towards. You both always said if this relationship got to be too hard, you'd walk away. Better to feel anger than resentment; and now, you knew you had to walk away else risk that resentment fester.
Carmy started up again, "I don't need to provide amusement or enjoyment, I don't need to be someone's 'to have and to hold'. I don't need to receive any amusement or enjoyment, nor for someone to have and hold me... And I'm completely fine with that. Because no amount of good is worth how terrible this fucking feels." You were ready to open your mouth, but he finished by nailing the final nail in the coffin of your relationship, "It's just a complete waste of fuckin' time - entertaining what I know I shouldn't. Being in this relationship, trying to give what I don't have, wasting everyone's time."
You took your chance, speaking through your tears, "I'm really sorry you feel that way, Carmen."
"Peach?" Carmy rasped from behind the door, sounding more alert than he had before. "Baby? Hey, hey, Peaches? That you? Peach - hey. Hey," he sounded desperate as you backed away from the door, a fist pounding into the metal, "hey, no, Y/N? Y/N!" The seriousness settled over you both, Carmen understanding you heard a lot more than ever intended and once those words are out there, there's no getting them back. "Y/N, baby? Hey, no, no, Y/N - listen to me - hey, no, no! I-I didn't know you were there, baby, okay? No, Y/N, please - tell me you're there now, let me explain." He paused. "Let me explain! Please! C'mon, baby, please, let me fucking explain - tell me you're still there! Y/N? Y/N!"
You sniffled and walked away, feeling smaller than you ever had in your life. You barely noticed when the kitchen door opened, not until a figured dressed in black stopped you. "Peach? Hey, hey," Richie halted you - taking note of the tears. "What's wrong? What happened? Are you okay - who fuckin' did it?"
You just stared at Richie for a long moment, opening your mouth twice before sighing and smiling sadly. "I never wanted to be what got in his way," you whispered sadly. "I'm sorry, Richie."
"Peaches, hey, what's - "
But you reached up to kiss his cheek, "Tonight was so beautiful, Cousin, and I'm so fucking proud of you all. Thank you for everything - not just tonight, Richie, but everything you do." You smiled again, whispering, "Take care of him. Okay? He'll need you."
"What're you talking about? What's going on? Where are you going? Hey, where are you going, Peach, please?"
"Have a good night, Richie, I love you," you whispered, leaving out the kitchen door as quickly as you could. "Hey," you sniffled, approaching Dani with the Fak Brothers, "can we go now, please?"
"Are you okay?" Dani worried in shock.
"I'd really like to go, Dani, please," you rushed, throwing your coat on and smiling at the Brothers as if your heart wasn't in pieces. "Thanks again for tonight, you guys, it was magical."
"Peach? Wait, hey, are you okay, baby? What just happened?" Neil worried, watching you snatch Dani's hand, but pause when screaming was heard from the kitchen. Everyone stared at the door, Neil muttering, "The fuck are they...?"
"Now, Dani, please," you whimpered to your friend, who wasted no time in escorting you out of The Bear. The moment you were outside, you burst into sobs, Dani grunting a little as she lead you down a side alley to lean you on a brick wall and beg you to breathe normally.
"What the hell just happened? Hey, honey, you need to breathe," she smoothed hair off your face - but it was like you were drowning in the air with the way you gasped and gaped and panted and whimpered and choked yourself.
"I-I-I-I think - I think w-we're done, I think we're done, I think - oh, fuck - I think we just broke up," you sobbed, hands on your knees. "Oh, my God, Dani," you whimpered, "I-I think - I think we're done, Danielle, oh, my fucking God. I-I heard things tonight that I just - I can't not know, anymore! He said - fuck! He was just so candid, he didn't know I was there so h-he was sayin' things I have t-to now confront - and I really didn't fucking want to! He just - he doesn't want to really marry me, D, and-and-and he was apparently looking a-a-a-at rings - fucking engagement rings! But then he said that w-was the issue - he missed the fridge guy's call 'cause he was looking at fucking rings for me and this is why he missed opening night - 'cause the fucking fridge broke! Oh, my God, Danielle, i-i-it's my fault, it's my fucking fault, he missed the most important night of his life and it's my fault - "
You were cut off by your stomach lurching, emptying your insides onto the pavement. The delicious appetizer, the tantalizing main course, Marcus' fresh baked bread that was delightfully soft on the inside yet baked crisp on the outside, and every bit of the sweetened dessert - all wasted on Chicago bricks.
"Okay, okay, ah, shit, just get it out, babe, there you go," Danielle held your hair, catching you in a suffocating hug once you were done puking. "I've got you, babe, I've got you. You're okay, no, hey, this isn't your fault. I've got you, come on. I think we need pints of ice cream and the saltiest pretzels we can find," she pushed some hair from your sticky forehead, pouting dramatically, "maybe some Pepto? Few Saltines and ginger ale? C'mon, we're going back to mine, there's a good girl," she coaxed you from the ground and away from the wall, "c'mon, you're stronger than this. There's my girl, here we go, just one foot in front of the other - together, with me, just like that."
You sobbed, not knowing that Sydney and her father stood listening just a few feet away behind a set of dumpsters.
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The moment the freezer's door was open and Carmy was free, he was sprinting around the kitchen to grab his coat, leave Neil in charge of closing, and racing out the door as the Fak Brothers yelled at him for hurting your feelings.
"Hey, hey, hey, Chef! Carmy, wait!" Sydney chased him outside.
"No time!"
"Wait! She went with her friend!"
Carmy came to a tripping halt, catching himself before he hit the pavement before whirling around to approach her, "What?"
"Her friend? She was with some girl tonight?"
"Yeah - yeah, yeah, yeah, uh, um, that's - yeah, that's Danielle," Carmy nodded. "Her best friend, yeah, they were here tonight, sitting with Pete and Sugar."
"Listen, Carmy, I heard them when they left the restaurant... Peach was really upset, like, more upset than I've ever heard, saying you two broke up? Or something? She cried so hard, Carm, she actually threw up, it sounded like she was in genuine distress. I-I didn't know if I should've intervened, but her friend was with her and helping."
"Shit - fuck - Goddamnit," he seethed. "All right, thank you - "
"I doubt they went to your place, I think I heard her friend saying they were going to her apartment."
"Yeah, yeah, yeah, great, I know where Dani lives, thanks Syd!" Carmy bid, sprinting in the other direction - never bothering with the public bus system, just running into the night. Sydney was left to sigh on the sidewalk, Neil and Theo joining her before Richie followed - all watching Carmy disappear down the sidewalk.
"He's a fucking idiot," Richie shook his head.
"What the hell even happened?" Syd asked.
"Carmy mouthed off in the walk-in, Peach heard it all," Richie supplied. "You know the dumbass was gonna propose tonight?"
"What?" Syd blinked in shock.
"Yeah," Neil tacked on, "we had a whole plan and everything. Candles, soft music, flowers - there's a bunch of flower bouquets in the walk-in."
"I'm sure that was hard for Carm to look at," Syd sympathized.
"Doesn't excuse whatever he said," Richie snapped. "She looked devastated."
"She cried so hard, she threw up in the alley," Syd frowned.
"How do you know?" Neil asked.
"I heard her," the other chef frowned. "My dad and I - we actually both heard her."
"Jesus fuck," Richie seethed.
"I mean... Should we still set up?" Theo wondered to his brother. "What if they kiss and make up, like always? Carmy might still wanna go through with the proposal, right? You know?"
"Maybe," Neil trailed, looking at Richie.
"I don't fucking know," he sighed, hands on his hips.
"She thinks they broke up, I imagine whatever she heard was pretty nasty," Sydney frowned. "Think they'll really make up tonight?"
"Let's hope," Richie sighed. "That fuckin' idiot isn't gonna find anyone better than Peach. Fuck," he looked around the city street. "All right, fuck it, fine, let's fucking set up. Not like the jackass deserves it, but let's do it for Peach."
Neil and his brother grinned at each other, turning to hustle back into The Bear - leaving Sydney and Richie on the street. No words were exchanged, just silent shakes of their heads before they followed the Faks with the intention to help set up for a proposal nobody even knew if would still happen.
The cold night burned Carmy's lungs, but it was nothing compared to the feeling of suffocation he felt earlier when listening to one of your voicemails while trapped.
Your words were sweet as pie, as they usually were; a voicemail left when you were still at work, but feeling so excited to see him that night that you just had to call him. You reminded him of the adoration and love you held for him, relaying how proud you felt - and that you knew Mikey would be, too. You were always doing that, reassuring Carmy; and maybe that's why he felt so freaked out, he wasn't used to it. Even after almost 7 years together, he just wasn't used to what he didn't know he deserved.
Because Carmy didn't think he deserved anything remotely close to love, understanding, compassion, patience, and / or reassurance.
He had sobbed out loud as he locked his phone, not having the heart to delete your message. He often never did - he liked listening to your voice on long, hard nights; it brought him peace when the world felt too loud. He also kept whatever little notes you left for him, even going as far as to get a few of your hand-drawn hearts tattooed on his forearm. One for each anniversary you've shared together. He realized he never wanted to be without you and all his doubts and fear was him projecting his own incompetence towards this relationship; so, he locked his phone, he didn't delete your message.
The moment the fridge door had been opened, Carmy was out of there, shot off like a Roman Candle - your words of love and understanding still ringing in his ears as he was freed. He needed to apologize, and he needed to apologize right fucking now.
The whole run to Danielle's apartment, Carmy wasn't sure what to say to you; mulling over different ideas in his head. He tried to plan his speech, but the only thing he could think of was how much he loved you and that the ring in his pocket weighed a hundred pounds.
He pounded at Danielle's door. Carmy paced slightly as he waited, knocking frantically, and surely waking the neighbors - but that didn't matter. All that mattered was talking to you, something he was desperate to accomplish. When the door opened, your friend offered a stale look and shook her head, "Nope."
"Dani, please," he halted the closing door, "it's all a misunderstanding, I swear to God, please, just - let me try to fix this. Please, okay? I-I need her - I fucking need her and I have to fix this 'cause she's all that matters, okay? So, let me talk to her - please. Please, Danielle!"
"Yeah? The only thing?"
"More than anyone, more than anything - more than The fucking Bear, I swear to fucking God, Danielle! Just - Just one chance, please. I-I don't know how it all got so fucked, but please, I have to try - "
"Whatever you said in that freezer, Carmen, fucking gutted her, you hear me?" Dani stood in her doorway protectively. "Should've had your ass frozen for the hurt you caused her. How the fuck do you intend on making this right? Huh? It's been almost a fucking decade, dude, if you're seriously still afraid of commitment, just fuck off and leave her alone. Let her walk away 'cause I promise, there's a line of dudes who would love to put a ring on her loyal-ass finger - "
"Please, let me fix this," Carmy begged, sounding close to tears. "I need her, Danielle, please."
"It's okay, D," a voice whispered from behind Danielle, and when she turned, you were revealed - jacket and purse in hand, looking completely exhausted, drained, and disheveled. "I'm just tired, Dani, but we have to talk about this... So, I'll go home with him and call you tomorrow, okay?"
"You sure?"
"It's a decent walk, gives us too much time to talk," you shrugged, refusing to meet Carmy's bloodshot eyes. "Thanks for tonight, sorry I was such a mess," you whispered, hugging your best friend since pre-school.
"Girl, don't you ever apologize to me. But hey, look, I don't know, you were just drowning in your tears, like, five minutes ago. Sure you really wanna go? You can stay here as long as you'd like, girl, fuck him."
"Better to work it out now than later, I guess," you whispered, letting her kiss your cheek and see you guys out.
"She calls me cryin', Carmen, I'll kick your ass," She threatened as you moved down the apartment's hall. You might've snickered just a little, but the amusement was wiped clean when you rounded the corner and came up to the elevators.
Now that it was just you two, it was dreadfully awkward.
"Baby - "
"Just - don't talk for right now, Carmen," you sighed, shaking your head. "I'm still digesting all you said."
He frowned when you walked onto the elevator without a single emotion on your face, following you, and when on the ground floor, moved out to head home. It was quiet, it was awkward; only the sounds of traffic filling the space between you as you walked.
"Listen," he started with a long sigh, "you came in at the worst time, Peach, heard some shit you shouldn't have that I-I didn't even mean. I was just," he paused, sighing, "really angry and frustrated, fucking running my mouth 'cause I didn't know what else to do."
"Sounded like I came in at the best time since you're not very forthcoming with emotions. So, hearing your confession put a lot in perspective for me, Carm."
"I was just angry, Peach," he frowned, hands deep in his pockets. "Felt like I was self sabotaging myself, I wasn't sure what else to feel. So, I just lashed out. I didn't mean it, but I just felt like being angry... So fucking angry, baby, I just - I didn't know what else to feel."
"I don't know if I can be with someone like that," you whispered. "Someone who throws our relationship under the bus when he's angry, someone who's first line of defense is apparently to blame the relationship he's been in for over half a decade with the same girl. Someone you've known your whole life..."
"Peach - "
"If it's that easy for you to just disregard us, I don't think we should continue this."
Carmy took a breath and reached out to pull you to a stop. He dug in his pocket for a moment, then showed you the black velvet jewelry box. "I was gonna propose tonight, when everyone was gone," he explained when you took the box to open gingerly. "I think because that was on my mind already, something I was more than nervous to actually do, you're right, it did become my first line of defense to blame us - not just you, baby, but us. You and me... Mostly me, though," he chuckled sadly. "You're this perfect, sweet angel who just loves me out loud when I don't deserve it, and I'm... I'm just me," he sighed, eyes reddening. "And I know I'm never gonna be enough for you, I think I started to get in my head about if you said no. How I missed the call from Terry about the fridge 'cause I was picking out an engagement ring that you didn't even want, that you rejected - rejected me; and in turn, I missed opening night, and it all just - it got to a boiling point. Look, Peach, it's never been a secret that I don't think I deserve you... But I wanted to be the man that could at least give you an honest try of my best. You've stuck by me the past seven years when you should've ran for the hills, and I knew I wanted us for life years ago - but everything was still so up in the air. So confusing. So fucked up. I figured, after opening tonight, if things went t'plan, I could propose - prove to you that we're on our feet and there weren't any rugs to be pulled."
"What if things didn't go to plan?" You whispered.
"We're kinda living it now," he admitted, hand rubbing the back of his neck. "But even if tonight was all a total failure, I know I might've still done it because it's you, Peach. It's you... I've known for years you're who I want, I just never knew how to do this - to move us forward. You're my first relationship, hopefully my only relationship, and I just didn't know how to advance us. I think when things got real for me, my insecurities crept in, and I just reacted - I didn't think."
"We always said when this wasn't healthy or when this wasn't good for us anymore, we'd walk away," you reminded. "That we'd rather be sad or angry about a breakup instead of letting resentment fester from being together."
"It's still good for me, Peach, we're still good," he whispered, stepping closer. "Is it still good for you? Or did I lose you completely tonight?"
"I don't know, Carmy, you've been lashing out a lot lately. At me specifically."
"And with The Bear now open, I-I should be okay. You know? Back to normal?"
You chuckled dryly, "I see, back to your high walls? Emotional constipation?"
"Then maybe not normal," he corrected, "because I just needed to get us here, to tonight, to opening, and then show you that it's over. Show you that part of our lives is over and we only have more adventures to look forward to. Not ones like this, though," he gestured up the street, your eyes cutting over and realizing you were back at The Bear.
"Do you really think you're a psycho?"
He chuckled, "After tonight? Yeah, pretty convinced... Plus, I, uh, I saw in the freezer the way we're labeling things - and got angry about it. Angry about the way we were tearing tape and labeling things. It was so fucking stupid, but I just - I felt so crazy. I still do, I still feel like my head doesn't make sense and I'm a bit, you know... Crazy."
You nodded slowly, "Then how can you promise me this kinda shit won't happen again?"
"I don't think I can, but I can make you the promise that I am working on it; trying to identify when I feel reactive, trying to calm that down. I'm trying, Peach, I really am - it's just... Taking a lot of time," he sighed sadly. "And I know you don't have any more left to give me."
"I've already given you this many years," you reminded softly, "I think I could spare another or two if it meant you getting your shit together, that you get better, stop feeling so crazy."
"I don't deserve anymore time - "
"I think you need to step back and reevaluate what it means to be deserving because you always say that. That you don't deserve something - even as simple as time. Everyone deserves time and opportunity to figure shit out, Carmy, and you're no exception."
He nodded, "I'm... Trying." He took a long, deep breath, "I'm, uh... Going to meetings, you know, like, uh, Al-Anon and whatever."
"That's good, they're there to help," you nodded, stepping closer to take his hands in yours after closing the ring box and stuffing it back in his pocket. "Now, I think you need to do something."
"Anything, Peach."
"Take my hand, bring me back to The Bear, and go about your plan."
He froze in shock, blinking at you in earnest, "You really mean that?"
"Do I look like I'm joking?"
"No, ma'am, and I think that scares me more."
"You'd rather break up? 'Cause at this point, Carm, we either move forward with this engagement and fucking work our shit out, or we break up. It's been almost a decade. It's your choice, you're the one who was saying he couldn't be someone's husband, that he didn't need to provide anyone nor have them provide you with anything. So, you tell me what you want to do - because all I know is that I love you, I want you for life, but not if you're going to resent me and regret moving our relationship forward. I don't need to get married, Carmy, but you can't keep jerking me around like you have been. So... Make a decision based on what you want - based on what's best for you. Not what's best for us, but put yourself first right now, Carmy, and make a decision about what you want."
With a nod of his head, Carmy cleared his throat and offered you his hand. When he felt you lock your fingers with his, he glanced up and down the street, then lead you across it. Up the sidewalk and to the front door of The illuminating Bear, he paused to produce his keys and then lead you inside.
The lights were dim, but a flip of the switch brightly lit up the newly constructed restaurant. He seemed nervous at your cool demeanor, watching you shed your coat and set your purse down; but his hand took yours again and lead you further into the place. He seemed nervous, but once in the kitchen, it was almost like Carmy's stress melted away.
"I was... I had this plan," he explained softly, leaning on one of the work stations with both hands in yours to keep you in front of him. "I have all these candles, right? Was gonna distract you in here," he looked around the fluorescent lighting, "while Richie, Fak, Tina, and the others set everything up. We'd hang in here after the place was closed down, you know, show you around the completed kitchen. And really casually, I'd ask if you were ready to go, so, we'd go out the front, and we'd walk right into the candlelight..."
"Yeah?" He nodded, thumbs running over your hands as he pushed off the counter. "Don't deviate from your plan now..."
Carmy smirked, "Wanna hear the boring kitchen stuff?"
"Of course, I do."
So, he lead you around in a tour of the kitchen; showing off the new office space that he invited you to take advantage of whenever you wanted. The sleek appliances were shown off, the vast fridges, freezers, new cutlery, state-of-the-art dishwashers. Everything, he showed you, knowing you helped him pick a lot of it out - it was still nice to see it all come together finally.
And then, slowly, he lead you out of the kitchen, but to your honest shock, the dining room was covered in lit candles and different bouquets of thick, gorgeous floral arrangements. "Oh, holy shit," you breathed, Carmy hiding his confusion much better than you.
You came to a slow halt in the middle of the room, the lights out and only leaving the candles to provide an ambiance. "I had this whole speech planned, too," Carmy told you softly. "Remind you of the day we met, how you saved me from those jackass bullies - remember?"
You smiled softly, emotions swirling in your chest, "First day of first grade, you had a Buzz Lightyear backpack and some kids were picking on you 'cause of it."
"And what did you do?"
You felt bashful remembering, but humored him by answering, "Pushed their faces in the mud at recess and made them apologize."
"You've been my best friend since that day," he nodded, bringing you in a few steps closer. "And when we got to high school, my feelings changed. You weren't just my best friend, but the girl I was madly in love with... Took me a couple years to buck up the courage to ask you out officially, though."
"Sure took your sweet time," you whispered with a smile, "but all good things to those who wait, right?"
"And I think you've waited long enough for a man to be who you deserve," he frowned. "All these years - it's been you at my side. You even - fuck - you even came over to Amsterdam for a bit because I was feeling overwhelmed and lonely. Sad, maybe even a little homesick. But you just - you just showed up like it was the most common thing in the world."
You chuckled through your tears, "Yeah, we had some good times on that boat, didn't we?"
He nodded with a softening smile, pushing hair from your face and behind your ear; pausing to hold your cheek carefully. "And when we came back stateside... You were still the only constant presence in my life. You were my family without blood, and I knew after that Christmas that you'd forever be my other half, and I'd spend my life conveying how grateful I am for you. I just - I never knew how to put it into words until now."
"What changed?"
"Realizing that I wanted to marry you years ago - and I should've. I know I shouldn't have drug my feet with us, delay our inevitable, because honestly? I couldn't see my life without you in it and I knew I needed you with me forever. Peach," he frowned, reaching for your other cheek, "we agreed when this wasn't healthy, we'd walk away - I remember that. But I need you to know, I'll never fucking regret you. I'll never resent you. You've been unwaveringly supportive and loving and... And I've been the luckiest man to experience it all. But now," he pushed himself a step closer so he was hovered over your lips, "I know that you deserve someone just as present in this relationship as you are. I knew once The Bear was done, I was done - I was done beating this bush around and wasting time. I knew what I needed to do because the idea of you not being in my life anymore terrifies me more than anything. I don't remember life without you, Peach, and I don't ever want to know what it's like. So," he cleared his throat, "here, in the restaurant I so desperately wanted to give up on so many times, but you always stopped me, I wanted to make this official. I wanted it to be here to show you that the past year of our turmoil - it's fucking over, Peach. We did it," he whispered, "and now, the next and only thing I want to focus on is us."
Carmy readjusted you both for a little bit of space, holding your left hand tightly as he lowered himself to a single knee; looking up at you with those big, wide, sad blue eyes that were growing redder by the passing second. The candlelight created a romantic atmosphere that cocooned you both in a warm embrace, the flowers around you projecting their floral scent.
"So, I need to ask you something real important, baby," he whispered, his throat bobbing to restrain his emotion that clawed up his throat, "because if I don't, I don't think I could breathe again." He cleared his throat, pulling the ring box from his pocket and opening it to present to you officially. "Y/F/N Y/M/N Y/L/N... My sweetest Peach, I've loved you almost my entire life, you're my best friend, my most loyal and sweetest confidant. You make me want to be a man better than I was yesterday and never before have I ever seriously considered marriage - until you. Now? Now, I can't get the idea out of my head, so, my sweet girl," he took another breath, the tears in his eyes swelling and slowly dripping down his cheeks as you slowly got on your knees in front of him, "I need to ask you... W-Would you do me the honor? Of being my wife?"
"Carmen."
He grinned at you, both with tears down your cheeks. "Will you marry me, Y/N? I can't see my life without you in it, so... I want this, I want you for life. Y/N, will you marry me?" He paused, adding a meek little, "Please?" at the end.
With a deep breath, you slowly reached for his cheeks in a soft caress to wipe his tears; both just staring at one another for a good few moments before a face-splitting grin nearly cracked your lips. "Yes," you finally answered, "yeah, yes, yes, of course, I'll marry you, Carmen, yes!"
"Oh, thank fuckin' God," he laughed, letting you lunge forward to knock him backward in a hug - missing the candles arranged in a small circle for you two to stand in. Carmy laughed loudly, happily, giving you a tight squeeze as he mused, "Had my heart beatin' outta my chest for a second there, Peach."
"Oh, please," you laughed, "after all this time, you really thought I'd say no?"
He shrugged meekly, "Thought my most recent fuck-ups would've added to any reasons you might have to say no."
"Oh, spare me - you're my best friend, Carmy, you know I couldn't ever say no to you. Not without puking in nervousness."
"Can we maybe not talk about puke when we just got engaged?"
You laughed and nodded, "Fine, fine, fine, then put the ring on, please."
You presented your left manicured hand, watching Carmy almost giddily removed the band from the box, took a slow, deep breath, and then, the most beautiful ring was being slid onto your finger in an official show of your engagement. Of your undying love. Of your commitment, promises, and future together.
"YEAH!" An array of varying cheers and hollers of support and excitement rang out around you; startling both you and Carmy to look up. Richie, Sydney, Tina, Neil, Theo, Pete, and Sugar all hung in the bathroom's alcove - watching with splitting grins and cheering in celebration.
There was no time to question them as Richie lead the charge over; helping you to your feet for a giant, bear hug before gushing over your engagement ring. Neil and Theo popped one of the authentic bottles of champagne, pouring different flutes for those present.
"Calm down," Natalie scolded Richie lightly, "and move out the way, I want to hug my engaged bestie!"
You squealed with Sugar when her arms wrapped around you tightly, Rich moving on to congratulate Carmy - who apologized for his angry words earlier and thanked them for still setting things up. Richie promised it was for you, not Carmy, but still hugged the little shit with a laugh - indicating he was just joking.
"Let me see!" Natalie grinned, examining the ring Carmy chose and squealing again. "Oh, my God! Oh, it's so pretty! Oh, shit - sisters!" She gasped, holding your hands tightly, "We're going to be sisters - like, officially!"
"Sisters in law, but yeah, cupcake," you beamed at her, wiping your tears and giggling. "I can't - this just doesn't feel real," you told her softly, looking the few feet over to see Carmy with the lads as Sydney stood with you and Sugar. "Him proposing? I genuinely thought it wouldn't happen," you tried to laugh your nerves off, looking at your ring and fiddling with it.
"Yeah, right," Sydney laughed. "I haven't been around that long and even I knew this was gonna happen."
"Oh, please, she's right," Natalie grinned when you went to retaliate, "he first started talking about how he wanted to marry you when he was, like, 15. This has been the longest thing coming."
"Thank you guys for helping," you whispered with a smile. "It's all so beautiful."
"Happy to help for a good cause," Syd smiled, complimenting your ring as Neil called for a toast. Everyone was given flutes of champagne, Carmy's arm wrapping around your waist as each friend gave their own little speech, congratulating you both before the alcohol was being drained.
"Uh, and where are you two going?" Sugar asked about an hour later with a small giggle when Carmy wrapped an arm around your neck after helping you into your coat again.
"Gotta celebrate alone with my fiancé," he smirked, "later, guys! Don't forget to lock up!"
"Carmen!" You scolded with a small laugh, gaping at him.
"What? They got this," Carmy chuckled. "Thanks, you guys, see you tomorrow!"
"We can help clean," you told him as he lead you out of the restaurant.
"Nah, we've got bigger plans," he smirked at you. "Got plenty t'celebrate, yeah? Ever fucked as fiancés before?"
"No - but I hear it's some crazy sex," you whispered, locking your arms around his waist to stay close. Neither of you cared about the bus at this hour, opting to walk home in the cold - not that you felt it. Your love burned brighter than the cold biting your skin.
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requesting rules and masterlist
The Bear masterlist
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genericpuff · 5 months
Text
Lore Olympus just pulled off the biggest whiff in webtoon history.
I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.
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(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)
Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)
CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!
Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.
But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.
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Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.
Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.
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They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.
First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.
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Did you really think I was joking about that 5 panels thing?
That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.
And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.
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Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.
Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.
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We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??
Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-
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Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-
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-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.
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I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-
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-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?
This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.
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HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.
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Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?
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Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?
"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?
Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-
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So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."
It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.
Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.
But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-
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Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.
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I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.
This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"
This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?
Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.
And even outside of this episode, when have these two ever sacrificed anything?
I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.
Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.
sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-
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MMMMMM
FUNNYYYYYYYYYYYYYYYYYYYY JOKE
For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.
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There is... so much wrong in these three panels.
First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.
It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.
And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?
This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.
And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.
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There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.
So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?
Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?
How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?
Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?
You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?
"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!
Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?
"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?
TGOEM disbanded? Why? What about the women who were genuinely a part of it?
Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-
"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???
And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-
Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.
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There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.
Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.
And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.
We do get one line from Hades acknowledging Persephone's part in the relationship-
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-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.
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Yep, and that's it. That's the end.
Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.
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To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.
This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.
There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.
With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.
Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.
Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.
But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?
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So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.
What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?
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Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.
And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj
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Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.
So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.
As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.
I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.
Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.
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stevie-petey · 6 months
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episode one: suzie, do you copy?
Steve sighs. “Those kids are manipulating your power over me to get what they want.” “You call it manipulation, I call it bonding.”  Another sigh escapes Steve. “You’re going to be the death of me.” “And yet you stay.” You tease. “And yet I stay.”
Summary: you help nancy sneak through jonathans window, the party uses you for your "in" with steve, and you sorta become the reason dustin almost blinds lucas. meanwhile, steve tries, and fails, to make you his girlfriend (this will happen all summer), but have no fear ! dustin intercepts a russian code and makes everything even harder for everyone. what a sweet brother <3
Rating: general, swearing
Warnings: allusions to violence, swearing, fem!reader, use of y/n
Words: 9.6k
Before you swing in: shes here !!! season 3 of come home <333 im so excited for yall to read what i have planned, and thank you so much for being so patient as i planned the season out and started the chapters :) season 3 is pure chaos and i hope yall love what ive created, im proud of the changes i made <3333 we get some more insight into bug this season, which i also hope yall love !
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June 27th, 1985.
A summer breeze gently creeps into Jonathan’s room, bringing the scent of dandelions and your childhood with it. It’s early evening and Jonathan hums to himself quietly, laying in his bed as he lazily skims through a comic he stole from you last week. You’re next to him as you carefully cut pieces of construction paper to glue onto the posterboard. Dustin comes home from camp in a few days and you want his welcome home banner to be perfect.
In the other room you hear the floorboards creak, followed by the sound of Joyce and Will laughing at whatever movie they’ve put on in the living room. Hearing their laughs makes you smile; it’s been so long since you’ve heard them laugh.
The tune that Jonathan hums now becomes a familiar one, and absent mindedly you begin to hum along with him. The cool summer night’s air encases the two of you, as if it senses that you want to freeze this moment forever. You’re in the Byers home, pressed against Jonathan’s side as you hum together an old song from when you were both fourteen and thought you had the world all figured out,
It’s nice, having this moment all to yourself with him. Moments alone with him have become few and far between, and it saddens you to think about.
There’s a new mall in town, Starcourt, and within a few months of it opening, Bookstrordinary has slowly been edging out of business. The entire town of Hawkins quickly fell in love with the mall, but with this love came the abandonment of downtown Hawkins.
Mrs. Waters can barely afford to have you work more than a few hours a day, so you’ve been spending your days visiting Nancy and Jonathan at their internship at the Hawkins Post or hanging at Scoops Ahoy to see Steve and Robin. While your friends have been lovely, you can’t swallow down the fear that you’ll lose your job by the end of summer.
As if somehow reading your thoughts, Jonathan puts down his comic and pokes your cheek. “Hey, I’ve been meaning to ask if you and Nance thought of anything else to try and save Bookstrordinary.”
You glue down a letter and try to distract yourself with the miniscule task. Nancy has been brainstorming a million ideas to try and help Mrs. Water, and while you appreciate her effort, it’s no use. Swallowing down even more dread, you shake your head at Jonathan. “No, nothing. Nancy offered to help organize a book drive to get more customers, but…”
“It wouldn’t be enough.” Jonathan finishes for you.
“Not nearly enough,” you sigh, desperately wanting to change the topic now. “But besides me possibly losing my job soon, how has yours been at the Hawkins Post?”
Now it’s Jonathan’s turn to sigh. “It’s… okay? I guess. I–I mean, definitely not what I expected it to be. The hours suck and the men are awful, but…” he shifts uncomfortably and looks away from you, embarrassed. “A job is a job.”
You rub his arm, understanding what he means. The Byers have always struggled with money, but ever since Will went missing two years ago and Jonathan lost his last job at the Hawk movie theater, it’s only gotten worse. They’ve tried hiding it, but last week you sneakily paid for Will’s ice cream at Scoops Ahoy while no one else was looking.
“I get it, bee.” You reassure him, hating that he even feels embarrassed in the first place.
Jonathan smiles and leans into your touch, appreciative of the fact that you know his family well enough by now to understand all he’s too ashamed to say. The two of you sit quietly for a few moments before he tries to lighten the mood with something else. “You excited for your birthday, bug?”
“Ugh,” you shake your head in disgust, which Jonathan laughs at. He knows you’ve never really liked your birthday. “Don’t remind me.”
“It’s in a few days, so you gotta suck it up.” Jonathan flicks your forehead and you swat your hand at him. “Besides, I bet $5 that Steve has some grand proposal planned for your birthday this year. He’s spent the entire summer drooling over you.”
His words make you blush furiously. “He has not–”
“He definitely has,” Jonathan tries to flick you again but you dodge, giggling. “I’m surprised he hasn’t publicly declared your love for you yet. I think there’s a betting pool going around the party.”
You gasp. “You’re lying!”
“Nope. Lucas and Max both lost last week, they bet mid June. Now it’s only me, Nancy, Will, and Dustin in the running.”
“What about Mike and El?”
“Mike didn’t want to encourage you dating Steve and the party agreed it felt unfair to have El gamble seeing as how she’s, ya know, still getting used to being in society.”
Despite yourself, you laugh. The idea is so bizarre and lovely, knowing how invested everyone is in your alleged love life, and it makes the worry you’ve been feeling fade away. “Can I join the pool? If I actually lose my job, I’ll need the money.”
Jonathan scoffs at you. “That goes against every gambling rule–”
“Please? I could be poor soon!”
“No, it’s not going to happen–”
“But–”
A knock on the window cuts you off. The two of you look up at the sound and find Nancy standing outside, waving and smiling. You hurry over to let her in, happy as always to see her. She’s been spending more and more nights at Jonathan’s, always sneaking in through the window.
It’s disgusting, and you couldn’t be happier for them.
Jonathan helps the girl climb through the window and greets her with a kiss to the forehead. “Hey, Nance.”
She smiles up at him with a shine in her eyes, and you know it’s time to leave. It’s getting late, anyways. You start to gather your banner supplies as you greet Nancy yourself. “Welcome back, Wheeler.”
“Hello to you too, Henderson.”
You wink at the girl and quickly ruffle Jonathan’s hair. “I’m going home, bee. My mom wants me to help prep Dustin’s room and I wanna have his banner done by tomorrow.”
“Bike home safe, please.” He says with a stern finger pointed at you.
Rolling your eyes, you give a mocking salute to Nancy and Jonathan. “Use protection, kids. I’m too young to be an aunt.”
Nancy gasps while Jonathan practically trips over his own two feet at your words, and you laugh. You leave them alone to compose themselves, closing the door to Jonathan shouting, “That wasn’t funny!”
You’re still giggling to yourself when you walk into the living room and see Joyce and Will sprawled on the couch. Their movie has just finished, the credits are rolling as you stand next to the TV and wave goodbye to them.
“You leaving so soon?” Joyce asks, surprised to even see you leave Jonathan’s room in the first place.
“Yeah, gotta finish up Dustin’s welcome home banner,” you hold up your supplies. Then, through the house’s thin walls, you all hear Nancy’s soft giggle. At the sound, you lean in close to Joyce and Will and dramatically whisper, “Plus, between the three of us, company came, so…”
Will’s eyes widen. “Yuck!”
Joyce chuckles, remembering how in love she was at Jonathan’s age back then. “Would I be a bad parent if I told Nancy she could just use the front door?”
“I don’t think so, but it’s fun watching them think they’re getting away with it.” You steal a piece of candy from the bowl Will had been eating out of, and he holds it up higher so that you can grab more. “Thanks, little bee.”
“You think it’s fun teasing Nancy and Jonathan now, Y/N, but when you’re the one sneaking in through a boy’s window one day…” Joyce shrugs, a twinkle in her eye. “You’ll understand.”
Will looks up at you with his own evil glint in his eyes, and before you can stop him, he turns to his mom and says, “I wonder how high Steve Harrington’s window is.”
You pretend to attack Will and he giggles as he flees his seat and runs to the other side of the living room. “Will Byers I will spit in your cookies–”
Joyce covers her mouth and gasps. “Y/N, are you hiding a boyfriend from me?”
Quickly you stop chasing after Will, terrified of the idea of the woman thinking you’d hide anything from her. “What? No! I’m not dating Steve–”
“Yet!” Will exclaims from across the room, but his retaliation is followed by a shriek as you chase after the kid again.
“If you keep this up, I’m telling Steve to stop letting y’all sneak into the movies!” You threaten as you chase the boy around the room.
Joyce watches in amusement, she’s never been able to take her eyes off of you when you’re with her boys. Will dodges a grab and you stumble, giving him just enough time to hide behind his mom’s armchair.
He pokes his head out at your threat, his eyes now uncertain. “You wouldn’t really tell Steve that, right?”
Catching your breath, you collapse onto the couch and shake your head at him. “No, little bee. I wouldn’t.”
You’d never do that to Will. He’s been so keen on spending as much time as possible with the party this summer, spending each and every moment planning DnD campaigns and biking all over Hawkins to spend mere seconds together. Will has spent all summer trying as hard as possible to be a kid again because so much of his childhood was stolen by Upside Down.
Will slowly gets up from behind the armchair and sits next to you, relieved. “Okay, good. We wanna see a movie tomorrow night and I already promised everyone you’d get Steve to let us in. That would’ve sucked.”
You and Joyce laugh at the boy’s response, and it feels so good to have this moment with the two of them. You allow it to wash over you for a second, the Byers home has always had such a comforting effect on you, before getting up and gathering your things once more. “I really should go, though. My mom is waiting.”
Joyce and Will say goodbye and tell you to be safe on your way home, and it warms something within you. As you bike down their driveway home, you inhale the summer night’s air and wonder, days before you turn seventeen, how much longer you have left of just this: being a little kid going home after a long day.
When you get home, Tews greets you with an angry meow.
The cat had been a Christmas gift for your mom from you and Dustin, seeing as how you accidentally killed Mews. Your mom had cried seeing the little kitten, and had cried even harder when your brother suggested the stupid name “Tews.”
But it stuck, and now Tews glares at you as you take your time feeding her.
In Dustin’s room you can hear your mom rustling around, frantically cleaning the place as if it currently isn’t the cleanest it’s ever been since the kid has been gone all month. After you feed Tews, you make your way over to your brother’s room to help with cleaning.
A few hours later, you’re laying in bed, exhausted from your long day. Dustin’s banner sits on your desk, right next to the phone that resides in the corner. Yawning, you glance at the clock, but when you see the time, you smile.
The phone rings.
“Right on time, honey.”
“Aren’t I always, angel?” Steve’s voice soothes your aching bones, his words like honey, the very thing you’ve come to associate with him.
Phone calls have become more and more common between you and Steve. You’re not sure when this tradition formed, but when you aren’t at Scoops and he isn’t at your house infiltrating your family, you’re on the phone with one another.
Hearing Steve’s voice puts you at ease, and it wasn’t long before you started calling each other before bed every night.
“How was your day?” You ask him, spinning the phone’s cable around your finger as you lay in bed.
Steve lets out a dramatic groan. “I swear, after you left today, Robin intentionally amped up her taunts. It’s like you’re her buffer or something. The second you leave,” you hear him snap his fingers, “she turns against me!”
“Robin would never do that.” Your voice is monotone as you say this, which only makes Steve groan dramatically once more. Robin would most definitely do that; you both know this.
“You two are the worst together.”
“Yeah, well,” you pull your blankets up to your chin and readjust into a comfier position. Your eyes feel heavy and Steve’s voice settles over your body. “Prepare for more pain tomorrow night. Will and the party have grand plans to sneak into yet another movie.”
Steve sighs. “Those kids are manipulating your power over me to get what they want.”
“You call it manipulation, I call it bonding.”
Another sigh escapes Steve. “You’re going to be the death of me.”
“And yet you stay.” You tease.
“And yet I stay.”
You bite back a smile; you can almost perfectly envision Steve laying in his own bed, phone pressed to his ear with his hair messy and eyes half lidded as he talks to you. You wish, more than anything, that you could be there with him right now; instead, you fall asleep to the sound of Steve’s voice, slightly raspy from his own exhaustion.
The next day you wake up to an empty house. Your mom has been spending her summer at Hawkin’s pool, like all the moms in town now do, to admire Billy at his new job.
It grosses you out to no end, and when your mom comes home some days swearing that Billy winked at her, you have to swallow down the phantom pain of his fingers wrapping around your windpipe.
By the time you get to work, Downtown Hawkins, as always, is a ghost town.
It’s been this way ever since Starcourt opened, and as you park your bike and lock it up, you can’t help but be unnerved by how quiet everything is. It was only a few years ago that you had to scream at a crowd of onlookers when Jonathan and Joyce had had that fight when they had found Will’s body in the quarry.
Now, walking slowly towards the front doors of Bookstrordinary, all you hear is silence in the once lively area. There are posters scattered throughout the old town, but they’re worn from the sunlight and torn from the weather. It’s a depressing sight.
Mrs. Waters greets you kindly when you walk in. “Hello, dear.”
“Hi, Mrs. Waters.” You give her a quick peck on the cheek as you quickly swipe your card to clock in. The bookstore is empty. “Any new shipments today?”
The old woman shakes her head forelonly. “Afraid not. We still haven’t sold last month’s shipment.”
You duck your head down and curse. This is the second shipment you weren’t able to sell. “I’m sorry, Mrs. Waters.”
“Oh, don’t be!” She walks over to you, her wrist shakes as she uses her cane. She has aged so much these last few years. “I’ve owned this store for thirty years, dear. I’m just happy that I can give you and Alex a job before you kids go off to college. Besides, it’s given me something to do these last few years without my husband…”
The woman’s eyes glaze over, something that has started to happen more and more now, and you grab her arm gently and give her a little shake. “Hey, Mrs. Waters. You still with me?”
She blinks, looks around in a confused daze, before breaking into her old smile once more. “Of course I am! Now, sort some books while I ward off those debt collectors with this cane.”
Despite the gravity of the situation, you can’t help but laugh at Mrs. Waters as she waves her cane around madly and gives you a wink. She hobbles back to her office and leaves you alone with the books and the ghost of Downtown Hawkins.
Only two customers come in during your four hour shift, and by midday Mrs. Waters releases you so that she can give Alex a few hours of work as well. She’s trying her best to keep you both hired for as long as she can, so she splits your hours. What she doesn’t know is that Alex now has a job at Hawkins’ pool and only comes into work because he just can’t bear to quit, and neither can you.
You bike to the mall, sad and needing a pick me up. Jonathan’s teasing from last night echoes in your head. How could you possibly think about your birthday when your boss is slowly losing both her mind and her business?
At the mall, your feet unconsciously take you to Scoops as they always do. This has become your favorite part of your dreary days: going to Scoops after work. The smell of ice cream greets you as you walk into the shop.
Robin sees you first and waves excitedly from the register. “Y/N!”
“It’s me!” You run up to the counter and lean over it to squeeze the girl into a tight hug.
There’s a loud crash from the backroom and just as you’ve pulled away from Robin, Steve bursts through the doors and leaps over the counter to join in on the hug. “Thank God you’re here, Robin was about to make me clean the tables.”
You giggle while Robin scoffs, pulling away. “It’s your turn, dingus.”
Steve, still hugging you from behind, hums. He begins to rock you back and forth in his arms, which only makes you giggle more, while he pretends to think about what the girl has said. “Nope, don’t remember it being my turn.”
Robin gives you a pleading look to back her up, and you reluctantly slide your arms over Steve’s and release his grip. He groans in complaint at the loss of your touch, and you roll your eyes at him as you turn around to now face him. “C’mon, let’s go wipe the tables so dear Robin can man the register in peace.”
Steve groans even louder now as Robin cheers, and you snatch the rag from his pocket and begin to wipe down the tables. He follows eventually, moaning and groaning as he cleans next to you, and you hit your hip against his. “Hey, at least you’re getting paid for this.”
“I give you free ice cream!” He argues, pieces of his hair falling out of his adorably dorky sailor’s hat that he has to wear for this job. It’s incredibly endearing, and as he hunches over to scrub at a particularly dirty table, his thighs strain against his probably too short shorts and you can’t help but stare at them. As you admire this spectacular show, Steve catches you and flicks your nose. “Quit ogling me and get back to your free labor, angel.”
“I wasn’t ogling, I was simply admiring.”
Robin gags from behind the register. “I can hear you guys, you know!”
You and Steve both stick your tongues out at her before going back to work.
The hours pass by quickly after that. The midday rush of tweens and teens alike infiltrate Scoops, so Steve helps Robin fling ice cream while you get comfortable in your designated booth in the corner. You’ve hidden a supply of comics underneath one of the booth’s cushions and you spend your time catching up on the latest Spider-Man arc.
You’re so engrossed in what you’re reading that you don’t notice a body slide into the booth next to you until the person speaks.
“Spider-Man, huh? Heard he’s a pretty cool guy.”
Startled by the stranger’s voice, you almost drop your comic in alarm. When you see that it’s just Jason Carver sitting next to you, you place a hand to your chest and inhale quickly, trying to settle your rapid heartbeat. “Christ, you scared me.”
“Sorry!” He genuinely looks apologetic, so you wearily set down your comic and straighten up.
You’ve never spoken to Jason before, even though you’ve been in the same classes ever since eighth grade. He’s always ran with the popular crowd, being a jock and all, and you’ve always ran with Jonathan. However, despite being on the basketball team, Jason has never been mean to either of you, so you figure it’s safe to offer him your attention.
“Can I ask why you’re here?” You cock your head at him, feeling your hair fall over your shoulders.
Jason smiles at you, in a sort of cute and charming way. “Stopped by to get my little sister some ice cream,” he points to a little girl next to him, who waves at you, and you wave back. “Then I saw you sitting here all alone reading one of my favorite comics, so I figured it wouldn’t hurt to say hi to such a pretty girl.”
You blush at his bold words. You’ve never received such attention from anyone before, at least not anyone normal thanks to Billy, and you’re not really sure why Jason seems to be paying attention to you now. He’s had years to do this.
Jason sees your sudden shyness and chuckles. He stands up and offers you his hand. “Why don’t I buy you some ice cream, maybe you could help me show my sister around the mall–” Steve’s shoulder collides roughly into the teen’s, causing him to stumble into his sister’s ice cream cone and get chocolate ice cream all over the front of his pants. Jason looks up at Steve and balls his fists in anger. “What the fuck, Harrington?”
You quickly cover the little girl’s ears, though she giggles.
Steve shrugs as he looks at Jason. “Sorry, man. Didn’t see you there.” Then, he turns to you, and offers his own hand. “Anyways, I think it’s time for your daily free ice cream, angel.”
Jason’s eyes narrow as you accept Steve’s hand and spare him an apologetic glance. Before you leave, you dig some cash out of your overalls and hand them to him. “For your sister’s new ice cream cone.”
He sighs and accepts the money. Jason knows that Steve is still holding your hand as he stands behind you, but he has nothing else to lose at this point. He takes a deep breath and shakes his head. “I didn’t stand a chance, did I?”
Steve twirls you with your interlocked hands, causing you to giggle, and guides you to the ice cream counter. As he leaves, shouts behind him, “Not at all, buddy!”
You know you should feel bad, but Steve twirls you again and all you can do is giggle breathlessly as Jason Carver walks out of Scoops with his sister in tow.
Later that night the mall is busier than ever, and as you’re gossiping with Robin about Steve ruining Jason’s pants, you’re interrupted by Mike’s grubby little hand repeatedly hitting the bell.
Seems it’s time for their movie.
You flick the kid’s head, which Lucas, Max, and Will snicker at. “Enough!”
“Ow, Y/N!”
“Thanks,” Robin sends you an appreciative smile before she calls towards the backroom, “Dingus, your children are here!”
Within seconds, Steve opens the sliding windows and sighs when he sees Mike and the party. “Again? Seriously?”
“I warned you.” You say, shrugging at his annoyance. “Let the kids have some fun.”
Mike rings the bell again. “Do what Y/N says.”
Steve sighs in defeat and motions for the kids to follow him behind the counter. “Fine, but only because I’m nice, not because Y/N said so.”
“Right.” Everyone says, not at all believing him, which Steve chooses to ignore.
You all follow him through the back entrance of the mall. Checking to make sure the coast is clear, Steve waves the kids inside. “I swear, if anybody hears about this–”
“We’re dead.” The kids all respond, voices monotone with annoyance after hearing this threat a million times.
However, before they all leave, Will gently tugs at your hand to get your attention. “Are you coming with?”
You want to say yes, but then you catch Steve’s eyes and he silently pleads with you to stay, and you know you can’t tell him no. Squeezing Will’s hand, you shake your head. “Sorry, little bee. I promise I will next time, though.”
Mike scoffs in disgust, disappointed in you. Your relationship with Steve has always confused him, and you’ve only gotten closer to the teen since Dustin left for camp. He pities what the boy will think when he comes back to his sister all lovey-dovey with an idiot like Steve Harrington.
Once the kids leave, you go back into Scoops with Steve and settle into your booth once more. Grabbing your comic, you flip to where you left off before looking up at the teen and saying, “you have me for another hour. I can’t be out late tonight, Dustin comes home tomorrow and I promised Mike I’d be up at like seven to let everyone in.”
Steve salutes you and hops back behind his counter to help Robin with some customers. You smile at his antics and go back to reading. A few minutes pass, Spider-Man has just kissed MJ, before the lights above you start to flicker and then go out completely.
Everyone in the mall gasps and murmurs in a slight panic as they’re thrown into darkness. The hair on your arms stands up; you no longer trust lights that flicker. Robin catches your eye and gives you an odd look when she sees the fear on your face.
“Scared of the dark, Y/N?” She teases, not understanding what you really fear: what lies below Hawkins.
“That’s weird,” Steve mumbles to himself as he goes over to the light switch. He starts to flip the switch repeatedly, and you roll your eyes at him. He’s an idiot sometimes.
“That isn’t gonna work, dingus.” Robin says, looking over at you once more as if to silently ask, why are you attracted to him?
You shake your head at her as Steve continues to flip the switch, now only quickening his movements. He stares Robin down as if to challenge her. “Oh, really?”
Nothing happens, because contrary to what Steve may believe, he can’t fix what is likely (and what you hope) is simply a blackout from the summer heat. He flicks the lightswitch a few more times before the generators kick back on and Scoops Ahoy is once again lit up.
Steve raises his eyebrows at Robin and smirks at her, pleased. “See? Let there be light.”
You drop your head to the table, now also questioning why you’re attracted to the guy.
However, when it’s time to head home and Steve walks with you to your bike outside, he kisses your cheek and wishes you a good night; you know that this is the reason you’ve fallen for him: his kindness. With his kiss lingering on your cheek, you bike home.
When Steve gets back from saying goodbye to you, he’s met with a nosey Robin.
She stands against the counter with her arms crossed. There aren’t any more customers in the shop, they closed about ten minutes ago, and Steve was really looking forward to driving home and taking off his stupid uniform.
Robin, however, clearly has other plans.
“What did I do now?” He asks her, not daring to take any step closer.
“Why haven’t you asked Y/N out yet?” Steve’s eyes widen at the question and Robin knows she’s got him cornered. “I’ve spent hours with you guys, and it’s driving me insane that you haven’t manned up!”
“‘Manned up’?” Steve sputters out, completely offended.
Robin throws her arms out in front of her. “Yes! I mean, it’s so obvious that you’re in love with her and that she’s in love with you. Just… Just get it over with!”
Blushing, Steve slumps against the wall and closes his eyes. As much as it pains him to admit it, he knows that Robin is right. “It’s… complicated.”
“Well, go on.” The girl now hops on the counter and sits on it. “Explain it to me, then.”
“Y/N used to be in love with…” Steve stops, unsure if you’d want him to be telling Robin this. “Someone.”
She rolls her eyes. “Everyone knows she was in love with that Byers kid.”
“Right.” He clears his throat, uncomfortable with the reminder that at one point, everyone in Hawkins truly believed you were destined for Jonathan. “Well as I’m sure you know… He got with Nancy, who–uh, I had been with.”
“Okay, so what?”
“I–” Steve isn’t sure what Robin doesn’t understand. “I needed… time?”
Robin frowns. “After Nancy dumped you?”
“Technically I dumped her–”
“What does this have to do with Y/N?” Robin presses.
Steve groans and rubs at his eyes. He’s tired and wants to go home to call you and go to bed with your soft voice in his head. “Y/N understood that the breakup with Nancy hurt, and–well. She told me she’d wait for me. I guess. While I figured my shit out.”
Robin thinks this over for a minute. “Okay, I think I can understand that, but–wait, when did this all happen again?”
“... December.” He closes his eyes, bracing himself for the girl’s inevitable anger.
“Harrington!”
There it is.
“I know, okay?” Steve tugs at his hair in frustration. “I’m over Nancy, I’ve been over her since at least April, but… But what–what if Y/N has lost interest in me now? What if–maybe I made her wait too long, or–or what if she thinks she’s just Nancy’s replacement?”
Steve is rambling now, months of his anxious and insecure thoughts now spilling out. “I mean, it’d kill me if–if I ever made her feel second to anyone! She’s… She’s incredible and–God, I don’t even know why she likes me and I’ve spent this entire summer trying to–I don’t know… Figure out how to confess my feelings to her in a way that matters, ya know? Like, a grand proposal to show her that I’m crazy about her.”
Robin is silent for several minutes after Steve’s frantic spiel, he’s panting by the time he’s done. Then, finally, she says, “Dude… You’re way overthinking this.”
Steve winces. “I mean, her birthday is in a few days. I can… I can ask her to be my girlfriend then. That’s romantic, right?”
“You’re hopeless.”
“Dusty comes home today!” Your mom’s shrill voice wakes you up as she prances around the house getting ready. You roll over in bed and stretch, tired but excited to see your brother again after a month of being apart.
You get out of bed and press a kiss to your mother’s cheek before telling her to drive safe. Glancing at the clock, you see that you have just enough time to shower before the party arrives. The entire thing had been Mike’s plan and you were more than happy to help arrange everything.
After you’ve gotten ready, you hear three swift knocks on your front door and you answer it. “Right on time, Wheeler.”
Mike salutes you as he and the others walk in. El gives you a hug and Max high fives you as the boys start setting up the robots. The six of you get started on the plan: place all the robots in Dustin’s room, all hidden in various corners, and then use El’s powers to control them and guide him to the living room so that you all can surprise him.
It’s a brilliant plan, one only a Wheeler could think of.
It takes you, Lucas, Mike, and Will to successfully hang up Dustin’s banner that took you all week to make. There’s cursing, yelling, a few trips, and multiple snickers from El and Max while the four of you struggle to hang the thing, but eventually you manage to secure the banner into place in the living room.
Just as you’ve finished hanging it up, you hear your mom’s car pull into the driveway and you quickly shove the kids into a closet. “Quick! That’s my mom’s car, hide!”
Lucas yelps and Max punches his shoulder to shut him up, but thankfully you manage to close the closet door just in time before Dustin walks in. You hide behind the couch, quiet so as not to be seen by him, and carefully listen for his footsteps to retreat down the hall and into his room.
Once he’s gone, you scramble towards the closet and open the door. “Okay, he’s in his room, time for step two.”
“Did we all really have to hide in the closet?” Will asks, rubbing at his shoulder that had been shoved into a hanger.
“Yes, now shush and hide behind the wall so he doesn’t see you.” You order, and the kids all listen. Once you’re all pressed against the wall, you nod at El. “Ready?”
“Ready.” She responds, closing her eyes. Static fills the air and you hear one of the robots turn on in Dustin’s room. Then the other one turns on, then the monkey, and soon all the toys have been activated by El’s powers.
Mike pokes his head around the corner. “Okay, now start leading the robots here.”
Blood slowly begins to drip from El’s nose and you feel bad that she’s doing this, but the kids all look excited, and you’d be lying if you said you weren’t a little giddy yourself. The noise from the robots grows louder as El draws them out from the room and towards you guys.
You hear Dustin’s uncertain voice following behind them. “It’s just a dream… You’re dreaming.”
Then Mike whispers to El, “Now!”
The robots all die in the center of your living room and slowly everyone starts to creep out from behind the wall. Lucas is holding his own poster he made and you hand everyone party noisemakers. Dustin is investigating the robots and doesn’t hear you stalk up behind him. Max silently counts to three, and on her signal, you all blow your party noisemakers and surprise him.
Dustin screams and immediately holds up his Farrah Fawcett spray, blinding Lucas as he continuously sprays it. The poor boy screams as well and the rest of the kids back away, out of the line of fire. However, as soon as your momentary shock wears off, you manage to snatch the hairspray out of your brother’s hand and save Lucas.
“Why is Farrah Fawcett your weapon of choice?” You exclaim, shoving a still screaming Lucas towards your kitchen so that you flush the spray out of his eyes. Max joins, rubbing soothing circles into the boy’s back.
“Why would you scare me like that after the hell we went through this year?” Dustin shouts back at you, clutching at his chest.
Dustin’s words make you stop for a moment and think. Huh. He has a point. “Yeah, we should’ve thought about that, honestly.”
“A little help here?” Lucas brings the attention back to him and you apologize, helping him once more to flush his eyes out. As you and Max tend to him, Dustin tells the others to follow him to his room so he can show them what he built at camp.
Max splashes some more water in Lucas’ eyes. “Better?”
The boy stands up and wipes his face, though he’s careful not to touch his eyes. “Still stings.”
“I feel like I should call someone…” You mumble, Your first aid knowledge doesn’t include Farrah Fawcett in the eyes.
Lucas blinks a few times and looks around. He leans in closer to Max’s face and for a moment you’re scared he’ll kiss her, but instead he chooses to be an idiot. “Is that a new zit?”
You wince and Max’s eyes widen in disbelief. She looks at you and you both seem to come to the same agreement: grabbing the back of Lucas’ neck, the two of you shove his face back into the water. “What is wrong with you?”
Lucas screams again and you leave Max to deal with him, laughing to yourself as you go see whatever creation your brother has brought home. You love Lucas, you do, but you have no idea how Max puts up with his boyish antics.
Inside Dustin’s room, you find him and the others hunched over a collection of wires and metal pieces. You walk in and join them.
“I would like you to meet Cerebro.” Dustin presents his creation, but you honestly have no idea what it’s supposed to be.
You squint at it. “It’s… Pretty?”
“What exactly are we looking at here?” Mike asks, unimpressed.
“An unassembled, one-of-a-kind, battery powered radio tower!” Dustin explains with a proud smile on his face.
A beat of silence passes before Will carefully asks, “So… It’s a ham radio?”
Dustin’s excitement only grows. “The Cadillac of radios.”
“Still not understanding, buddy.” You now voice, usually always lost when it comes to the more AV stuff the party likes.
“This baby carries a crystal-clear connection over vast differences.” Your brother clarifies for you, and you nod along. “I’m talking North Pole to South. I can talk to my girlfriend whenever and wherever I choose.”
You, Mike, El, and Will all look at each other in shock at the word that has just left Dustin’s mouth. “Girlfriend?”
Your brother nods, looking all smug, and you immediately berate him with a million questions. “What’s her name, where is she from, how long have you been dating. Tell me everything, now!”
“Relax, dear sister. Her name is Suzie, and I’ll explain in a second. We can even talk to her if you guys help me set Cerebro up on Weathertop hill.”
You’re the first to start grabbing all the supplies, giddy and eager to hear more about your baby brother’s girlfriend. It’s almost too good to be true. Mike, Will, and El follow along and soon you’re all holding materials for Cerebro as you follow Dustin out of the house.
As you all leave, Mike starts asking questions again. “Wait, so her name is Suzie?”
Dustin nods. “Suzie, with a ‘z’. She’s from Utah.”
“People from Utah actually exist?” You ask, which the others laugh at.
“Girls go to science camp?” Will asks.
You give him a stern look. “Anyone can go to science camp, Will.”
“What Y/N said,” Dustin continues explaining his girlfriend. “And Suzie does, she’s a genius.”
“Is she cute?” Mike can’t believe what he’s hearing.
“Think Phoebe Cates, only better.”
You re-adjust one of the poles for Cerebro in your arms. “Can we focus on her being smart instead? I think she sounds lovely.”
From the kitchen, Max sees the four of you open the front door as she helps Lucas with his eyes. “What’s going on?”
“We’re going to talk to Dustin’s girlfriend.” Will informs them.
Lucas whips his head up from the sink as he and Max exclaim, “Girlfriend?”
“I know, right?” You say, motioning them to follow.
“Alrighty, one scoop of chocolate. That’s a buck twenty-five.” Steve hands the ice cream cone to the girl he’s currently serving. She’s pretty enough, and when he notices her Purdue shirt, he can’t help but say something about it. “Ooh, Purdue! Fancy.”
The girl smiles and hands Steve her change. “Yeah, I’m excited.”
“Yeah, you know… I–I considered it. Purdue.” He types the code into the register and places the change inside. “But then I was like, you know what? I really think I need some real life experience, you know, before I hit college. See what it’s like.”
The girl and the friend she’s with exchange weird glances, and Steve knows he’s rambling like an idiot. “Uh, what I mean is… You’re girls, right? How would the two of you like to be asked out by a guy?”
“I’m sorry?” Purdue girl asks, looking at her friend, creeped out.
The cash register begins to beep at him and Steve hits it a few times to shut it up. “Sorry, uh… Anyways, say you’ve seen this guy every day for like, months, and feelings are shared, you know, as they are. Then time passes and the guy never makes the move because he’s, well, he’s an idiot–”
“Yeah, totally.” Purdue girl interrupts him and her friend giggles.
“Exactly, so… This was, like, so fun. This little chat. Anyways, what do you think? How would you want the guy to ask you out?” Steve puts on his most charming smile, hoping that the girls will say that maybe he isn’t crazy for waiting so long to ask you out. As he hands them their change, he drops part of it. “Oh, sorry about that. Uh…”
“Yeah, we wouldn’t wanna be asked out.” Purdue girl says as her friend snorts.
“Sure, but I mean, it’s complicated, you know? And–”
Purdue girl interrupts him once more. “No, I’m sorry, but it sounds like you missed your chance and you’re like, really weird.”
“But the guy isn’t me!” Steve shouts as the two girls leave, only embarrassing himself even more. He sighs, closes his eyes, and wonders how he got here.
“And another one bites the dust.” Robin announces from behind him. He turns around and watches as she marks another tally underneath the you suck column of her whiteboard. Next to it is the column you rule, which currently has zero marks. “You are oh-for-six, Popeye.”
Steve crosses his arms. “Yeah, I can count.”
“You know that means you suck and that Y/N isn’t the problem here, you are, right?”
“Yup, I can read, too.” Steve swallows down his annoyance, he knows he’s only done this to himself.
“Since when?”
“It’s this stupid hat,” Steve complains, as if this is the only appropriate answer. “I’m telling you, it’s making everyone think I’m some pathetic guy who can’t ask a girl out.”
Robin leans against the window. “Yeah, company policy is the reason that you’re an idiot for not asking out Y/N.” She thinks for a moment and tries to offer the teen some advice. “Ya know, it’s a crazy idea, but have you considered telling the truth?”
“What? That I’m hopelessly in love with her? Sure, I’m such a catch who couldn’t even get into Tech and whose douchebag dad is trying to teach a lesson, now making three bucks an hour with no future.” Steve laughs at himself. “A catch who, by the way, could’ve been hers back in December had he not been a complete moron? What a great truth.”
Robin frowns, now feeling bad for making him feel this way. While she doesn’t understand everything, she gets that Steve has had a difficult few months. Taking pity on him, she points out some girls approaching and tries to lighten his mood. “Hey, twelve o’clock! Maybe they’ll see your side of things.”
Steve turns around and sees the girls as well. “Shit, okay. Okay, I can do this! I’m going in.” He quickly snatches the sailor hat from his head and tosses it to Robin. “Screw company policy, I’m getting advice about Y/N one way or another.”
For a second, Robin has hope for him, but then he opens his Scoops Ahoy greeting way too loud and then immediately starts to ramble about you, and she sighs in defeat and marks another tally underneath the you suck column.
Hiking up a giant, grassy hill in ninety degree heat while hauling heavy equipment for a giant radio that your brother built to talk to his alleged long distance girlfriend definitely wasn’t what you had in mind today. In fact, you mourn the fact that you aren’t working today.
You’re only here to hear about Dustin’s girlfriend, honestly.
“Aren’t we high enough?” Lucas pants, voicing what everyone else is thinking.
Dustin shakes his head. “Cerebro works best at a hundred meters.”
“You know, I’m pretty sure people in Utah have telephones.” Max quips.
You wipe sweat from your brow and cringe, you feel disgusting. “Max, you’ve always been so wise.”
“Suzie’s Mormon.” Says Dustin, and you almost trip over a rock.
“You’re dating a Mormon?”
Lucas talks over you. “Oh, shit. She doesn’t have electricity?”
“Oh, that’s the Amish.” Max corrects him, and you get flashbacks to when you had to correct Steve about Nazis and Germans.
Will frowns at you. “What are Mormons?”
“Scary people–”
Dustin interrupts you. “Super religious white people. They have electricity and cars and stuff, but… Since I’m not Mormon, her parents would never approve.”
“Please don’t become Mormon,” you beg, dripping even more sweat. “I need someone sane in our family.”
“I won’t,” Dustin reassures you, though he has a far off look in his eyes. “But it’s all a bit Shakespearean, don’t you think?”
“Shakespearean?” Max laughs and you also can’t help but giggle.
Dustin doesn’t let your teasing deter him from reminiscing, though. “Yeah, like Romeo and Juliet.”
“They both die, Dustin.” It’s important to you that he knows this.
“But they were also star crossed lovers.”
“Who killed themselves.”
Below, Mike shouts to the rest of you, “Hey, guys!”
You all turn and you frown when you see just how far he and El are, both of them empty handed and dry as a daisy in the summer heat. When Mike sees that he has all of your attention, he taps at his watch. “This is fun and all, but, uh…”
“I have to go home.” El announces, her arm intertwined through Mike’s.
Dustin points towards the top of the hill no less than a few yards away. “We’re almost there.”
“Sorry, man. Curfew.” Mike shrugs, he isn’t really sorry and you all know it. He then grabs El’s hand and they descend down the hill, giggling and enamored with one another.
With a gleeful laugh, El says goodbye. “Good luck!”
Dustin looks down at his watch. “Curfew at four?”
You’re startled by the time, having assumed it was at least closer to six. Hopper may be an overprotective grump of a man, but not even he is crazy enough to enact a curfew for El at four in the afternoon. “That… Doesn’t sound real.”
“They’re lying.” Lucas explains, frustrated.
“It’s been like this all summer.” Will says bitterly, something that you take note of.
Max nudges you with her shoulder. “I think it’s romantic.”
“It’s gross!” Will voices again.
You bite your lip. “I don’t know, it’s your guys’ last summer before high school and…”
“It’s bullshit.” Dustin finishes for you, hurt in his voice. “I just got home.”
You flick him. “Language! But… I agree.”
Dustin watches with annoyance as Mike and El walk down the hill hand in hand. While he’s incredibly hurt that they’ve ditched him after being gone for a month, he remembers what Steve has taught him. People can suck, but there’s nothing he can do about it. “Well, their loss, right? Onwards and upwards, Suzie awaits!”
Max and Lucas groan at the idea of continuing the hike while you admire your brother’s perseverance. You’re proud of him for not letting Mike and El ruin his plans with the others. He’s excited to be home, and you’re more than happy to go along with whatever schemes he has planned.
You’re about to follow the others up the hill when you realize that Will hasn’t joined. You turn around and see that he has his hand around the back of his neck as he stands there, frozen. Then, he turns and faces Hawkins, stumbling back a bit as he does so, and you watch with a frown on your face.
“Hey, little bee, are you okay?” You gently place a hand on his shoulder, which seems to break him of whatever spell he’d been under.
“I’m fine,” he lies, and you don’t at all believe him. Will looks uneasy, as if he’s just seen a ghost. A part of you begins to worry, but you don’t push him. For all you know, it could be about Mike and his growing distance from the others.
“Well, c’mon, then.” You grab Will’s hand and together you ascend the rest of the hill.
At the top, Dustin drops his bag and sighs. “Made it!”
“Yeah, only took five hours,” Max pants out, stumbling the final few steps up the hill.
You collapse onto the ground and fight to catch your breath. “I run almost every morning. I think I lost a lung back there.”
“Why couldn’t we just play DnD?” Will collapses next to you.
Lucas grabs the flask of water, and as you struggle to get air into your lungs, you watch as he chugs the remaining water without a care in the world. Max watches as well, annoyed, and once again you pity Lucas. He’s such a boy.
Building the radio takes longer than expected. After your short five minute break, Dusin puts you all to work. There’s a million pieces to the thing and your fingers ache from screwing bolts into slots and extending poles. The sun has begun to set when you finally push the giant radio into an upright position. It’s easily fifteen feet high, and it’s an impressive sight that you can’t deny.
“Not bad, Dustin.” You admit, walking around Cerebro in awe.
“Ready to meet my love?” He asks everyone, and you all sit down next to him and eagerly await. Dustin switches the radio on. “Suzie, this is Dustin. Do you copy? Over.”
No one answers. All you hear is radio feedback.
Dustin scratches his nose nervously. “One sec. She’s probably… She’s still there.” Again, no one answers, and he ducks his head down in embarrassment. “Suzie… This is Dustin, do you copy? Over.”
More radio static follows in the absence of Suzie’s response.
You wince, despite trying to appear supportive. You can’t help it, this is embarrassing for your brother. While you don’t doubt that he has a girlfriend, you admit that this doesn’t look good for him. A long distance girlfriend who is hot and smart and magically needs a radio to communicate with? Unlikely.
“I’m sure she’s there,” Dustin tries to explain to you guys, now even more embarrassed. “It’s dinner time, and she’s busy…”
“Yeah, sure.” Lucas tries to be supportive and play along, which you appreciate him immensely for. Max nods as well, but Will just stands there silent.
“Maybe try again?” You encourage, trying to be nice.
Dustin nods and tries once more to contact Suzie, and it goes on like this for a while. He radios, no one answers, and eventually you and everyone else lay down in the grass as you wait for nothing.
Almost an hour passes and the crickets begin to chirp as the sun goes down and the moon comes up. Dustin is still trying to reach Suzie, but Max finally has enough. “Dustin, come on! She’s not there.”
“She’s there, alright? She’ll pick up.”
“Dustin…” You sigh, unsure how to tell him that you also want to leave. You had plans with Steve tonight, he invited you over to watch a movie and you should’ve left ten minutes ago.
Will lifts his head up from the grass. “Maybe Cerebro doesn’t work.”
“Or maybe Suzie doesn’t exist.” Lucas argues.
Dustin gasps. “She exists!”
“She’s a genius and she’s hotter than Phoebe Cates? No girl is that perfect.”
You pinch the bridge of your nose at Lucas’ words and wait for Max’s inevitable offense. He truly, deeply, is such a boy. As predicted, Max sits up and looks down at him with annoyance. “Is that so?”
Lucas shuffles up in panic, now realizing too late what he’s said. “I mean–you’re perfect! I mean, like, perfect–in your own way, in your own, uh, special way!”
“Lucas,” you hit his shoulder. “Stop talking, dude.”
Max laughs, pleased with herself. “Relax, I was teasing. I’m obviously perfect and Dustin is obviously lying.”
“Okay, no,” you now sit up. “He isn’t lying, it’s just a very unfortunate circumstance.”
Max doesn’t listen and instead offers Lucas her hand to help him up so that they can leave. “Come on, Don Juan.”
“Where are you going?” Dustin follows, not understanding yet what’s happening.
“Home,” Max huffs, before remembering that you’re there, too. “Bye, Y/N!”
“Bye,” you wave at them weakly, knowing that this will only upset your brother further as she and Lucas slowly head home.
Dustin stands next to you now. “Well, guess it’s just us and Byers, Y/N,”
Will now stands up and awkwardly avoids your brother’s gaze. “Um… It’s late. Sorry. Maybe tomorrow we can play DnD, or something fun, like we used to?”
Dustin clenches his jaw. You know he’s close to tears, and it breaks your heart to watch. You stand up and rest your arm around him as he responds to Will. “Yeah, sure.”
“Welcome home,” Will says sadly before he starts to walk down the hill as well.
You anxiously watch as he leaves. “Be careful, please!”
“I will!” He reassures you, knowing that you’re still terrified of losing him again.
As you watch Will, Dustin whispers to himself, “Yeah, welcome home.”
His words break your heart even more. Forgetting about your anxiety over Will, you wrap both arms around your brother and hug him. He had been so excited earlier to be home and see all his friends after a month of being away. You understand that the kids are all growing up, but you had always hoped that they’d grow together, not apart.
“You still have all of July and August,” you try to comfort Dustin, desperately hoping that you aren’t lying to both him and yourself. “I’m sure they’ll come around.”
Suddenly the radio attached to Cerebro switches on and Dustin pushes you off of him so that he can get to the radio in time. He stumbles over his feet and trips, and you watch with amusement and curiosity.
He manages to finally untangle himself from the radio and answers. “Suzie, Suzie, is that you?”
You sit down next to Dustin and lean in close to the radio, excited to finally meet your brother’s girlfriend. Instead, you hear what sounds like a foreign language. It’s distinct, slightly muffled, but you know what it is. “Is that…”
“Russian.” Dustin whispers.
Everything changes, then.
You force Dustin to go home immediately. He wants to stay, see if he can find any more hidden messages, but you refuse. He’s elated, talking a mile a minute as you bike home, theorizing every possible answer as to why you heard Russian in Hawkins, Indiana.
“Dustin!” You yell at him, terrified that someone could be listening. “Not here, okay?”
He deflates, but pedals home alongside you.
You’re terrified as you bike home, a million thoughts are running through your head. You don’t at all like what any of this could mean; you’ve had enough sketchy government facilities and secret government agencies to last you a fucking lifetime.
When you get home, you order Dustin to go to bed.
“But Y/N, we’ve got to tell someone about this–”
“Tomorrow, okay? Just, please, Dustin.” You’re exhausted and confused and overwhelmed.
Your brother senses that you’re at your limit and reluctantly backs down. “Fine, but can we at least tell Steve tomorrow?”
Hearing Steve’s name puts something at ease within you. Tomorrow, you’ll go to Scoops with Dustin and ask Steve what he thinks about all of this. Comforted by the fact that you now have a plan forming, you begin to calm down. “I promise we’ll tell him tomorrow, okay?”
Dustin nods and heads to his room, wishing you a good night. When you hear his door click shut, you slowly head to your own room. You’re terrified, and there’s only one thing you want to do to lessen the fear that scratches at your throat. After crawling into bed, you call Steve.
He answers immediately. “Y/N? Is everything okay?”
“I’m fine,” you breathe out, his voice like an exhale of a summer’s day. “I… I’m sorry I missed our movie night.”
Steve laughs softly. “Angel, I’m just happy you’re okay. I was getting worried there.”
You close your eyes. “It’s been a weird day.”
“Did something happen?” Steve senses that there’s something you aren’t telling him, which worries him.
“Dustin… He may have found something, but I just–I don’t want to talk about it just yet. I… I don’t want to jinx it,” you squeeze your eyes tight and will away the fear you feel. “I–I’m just, I’m so exhausted, you know?”
“Y/N, are you in danger–”
“No,” you dispel any fear that Steve may feel. “I promise I’m okay, I just really need to hear your voice right now, okay? Can you just talk to me, please?”
“Of course I can.” Steve agrees without any questions asked, and you love how he trusts you enough to do this.
Exhaling the remaining fear, you allow the warmth from Steve to hold you through the night. “Thank you, honey.”
“Anytime, angel. You know that.”
And you do.
Steve begins telling you a story from today, how he dropped an ice cream cone on a toddler and enraged the mom, and you fall asleep that night to the sound of his voice over the phone.
-
⌑ series masterlist
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saltpepperbeard · 1 year
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OBLIGATORY COMPLETE OFMD SEASON 2 TEASER THOUGHTS AND SPECULATION POST™
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Okay, to start off, I cannot BELIEVE we got this. I cannot BELIEVE we got a voiceover of Stede's note to Ed. We were all thinking it. We were all hoping for it. I CANNOT BELIEVE WE LEGITIMATELY GOT TO SEE AND HEAR HIS LOVE RIGHT OFF THE BAT. HE LOVES HIS ED SO SO MUCH.
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Followed by this shot right as Stede is narrating. It's difficult to tell, but it seems like Ed??? The one-armed jacket and the fact that it's layered with Stede's narration makes me quite certain it's him. But ALONE??? AND COMING OUT OF THE SURF??? (There's a shot later that has me PARTICULARLY raising eyebrows at this moment. I'm thinking that he fell off the boat/was lost in that one storm shown later, and Stede of course is going to dive in after him or attempt to get to him in some sort of dramatic way. Which makes me think he and Stede are going to potentially talk feelings/reconcile on the beach)
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And the fight choreography of this. Are you actually kidding me right now. ARE YOU KIDDING ME. GETTING TO SEE ED ABSOLUTELY KICKING ASS IN COMBAT??? NEVER IN A THOUSAND YEARS DID I EXPECT TO SEE A SHOT LIKE THIS BUT I'M HOLLERING SO HARD OVER IT (NOT TO MENTION, AGAIN, LOOKING AT THIS AND A LATER SHOT..........I'LL SCREAM ABOUT MY THOUGHTS WHEN SAID SHOT APPEARS HSKDLS)
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Oh, they're PINING pining. They're YEARNING yearning. They're GAY gay.
They want to be back with each other so so so bad I'm losing my mind <3
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"Fuck you, Stede Bonnet." The way he's JUST as dramatic as we were all thinking. The way he's hurting in a way WE ALL ANTICIPATED. LIKE, YOU HATE TO SEE IT, BUT MAN DSJKLDSSDKL. Also, the contrast of him saying that vs Stede's voice over is so so insane. The editors are INSANE FOR THAT ONE.
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AGAIN, GOING BONKERS OVER ED'S CHARACTERIZATION BECAUSE HE SEEMS EXACTLY HOW I ANTICIPATED. Outwardly, angry, hardened, and cold. Inwardly, heartbroken, desperate, and wanting nothing more than to be back with Stede. Because hello, HELLO, HE'S NOTCHED WHAT I ASSUME TO BE HIS NUMBER OF DAYS WITHOUT STEDE IN THE WALL??????
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HI OLU HELLO OLU MY DEAR DARLING OLU
but also screaming and crying and throwing up because this is ALSO what i was anticipating/hoping for. the crew being like "ummmmm lmao captain?? you really think you've got this under control???"
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"You think Blackbeard's going to murder you?" I THINK NOT BECAUSE WHAT IS HE EVEN SHOOTING AT JSLDKS. OFF TO THE SIDE??? A WARNING SHOT????? Also the lighting of this and his look matches the ending shot so I'm very eyes emoji at this entire thing.
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HOWEVER...
"MURDERER THRICE OVER?????????????"
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Like sorry, that sign won't stop me because I can't read. Look at him. LOOK at him. You're telling me he stole the wedding cake toppers so he could PAINT HIMSELF ON THE BRIDE??? SO HE COULD MAKE HIMSELF INTO THE BEAUTIFUL BRIDE HE WANTS TO BE????? SO THAT HE COULD PLAY PRETEND MARRIAGE BETWEEN HIMSELF AND STEDE???????
INSANE!!!
INSANE FOR THIS!!!!!!
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Again, bonkers editing. The split screen. The CONTRAST between Stede's hopefulness and Ed's depression. The WAY THEY LINED IT UP TO MAKE ED LOOK LIKE HE'S TAKING AIM AT STEDE. THE WAY THIS PROBABLY PERFECTLY ENCAPSULATES THEIR CHARACTERIZATION IN THE FIRST FEW EPISODES HSDJKLSDS LIKE BITING THE EDITORS BITING THEM BITING THEM
ALSO ED AND ALL OF HIS GUNS,,, NINE GUNS???????
It kills me because he's probably being exactly what he thinks people see him as. He's probably like "Oh, you want a monster? I'll give you a monster."
WHICH,,,, NO, HONEY. YOU'RE A SWEETHEART, SORRY ABOUT IT.
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AND THEN LOOK AT THEM. LOOK AT OUR DARLINGS!!! FANG'S FUCKING SPIKES ARE SO METAL. FRENCHIE'S WOLVERINE COSPLAY SHDJKLSHDLKS. JIM!!! JIM JIM MY BELOVED JIM, AND THEIR PAINTED BEARD. THEIR GENDER!!!!!!!
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Honey hsdksjds the drama of it all. THE DRAMA. CRASHING WEDDINGS TO DISRUPT LOVE BECAUSE YOUR OWN WAS DISRUPTED??? SIIIIIIRRRR THE THEATRICS, THE SPICE OF IT ALL
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excuse me ma'am that is a gay man shdkjshkls THAT IS A GAY MAN. WHAT ARE YOU EVEN DOING,,,
kiss me instead like wtf
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OKAY NOW THIS,,,
THIS.
PRESIDENTIAL ALERT: THE BABYGIRL IS FIGHHHTTTTIIIING
BUT IZZY WATCHING ON??? IZZY????????????
I have Genuine Thoughts™ about this. I have a feeling that the big arc/character development Con mentioned might pertain to him like, REALIZING what's important, and what Ed actually wants and needs. And a good chunk of that will be him realizing the consequences of his actions, and maybe potentially wanting to undo the damage. And also, in his Bitchy Izzy Ways™, he might also get very very tired of Ed's sulking/theatrics and want to rectify things for that reason too.
So I feel like he's going to sort of team up with Stede and show him the ropes for that reason?? So they ALL can work towards betterment???
WHICH IS NUTS LMAO. NEVER EVER EXPECTED THAT.
REGARDLESS, GO STEDE BABY GO!!!
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HI REVENGE HELLO REVENGE PLEASE DON'T DO ANYTHING DRASTIC LIKE EXPLODE OR ANYTHING PLEASE BABYGIRL <3
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yeah yeah the titties we've all seen them.
BUT AGAIN, AGAIN, STEDE OFF TO THE SIDE. STEDE WATCHING. STEDE LEARNING THE ROPES FROM THE MOST UNEXPECTED PERSON EVER SHDJKSDS LIKE WHAT!!!
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AND HEEEEEEERE WE GO. HERE'S THE SHOT I WAS REFERRING TO EARLIER.
THE SAME BLACK SAND BEACH. FIGHTING THE BRITISH. ED AND STEDE. ED WITHOUT HIS MAKEUP ON. STEDE IN A DIFFERENT OUTFIT.
ARE THEY BOTH,,, FIGHTING TO GET TO EACH OTHER??? FIGHTING THROUGH CROWDS AND ENEMIES TO GET TO EACH OTHER'S SIDES???????
WHAT IF THEY FIGHT TO EACH OTHER AND THEN KISS HUH???
WHAT THEN.
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HIIIIIIYYYAAAA JACKIE <33333
ALSO HELLO IS THAT THE SWEDE BEHIND HER???????
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EXPLOSIONS FIRE EXPLOSIONS EXPLOSIONS FEELING VERY WEE JOHN CODED RIGHT NOW!!!!!!
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AND THIS IS YET ANOTHER SHOT I WAS REFERRING TO EARLIER,,,
LIKE UHHHHHHHHHHHHH
WITH ED ON THE BEACH, AND THIS SHOT OF SOMEONE FALLING INTO THE WATER,,,,,,
I HAVE A FEELING THAT ED IS GOING TO DO SOMETHING THAT ENDS WITH HIM FALLING OFF THE BOAT. MAYBE HE TRIES TO SAVE SOMEONE???
if he fights to save stede from going overboard or something equivalent i'm going to eat all the tiles off my floor <3
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LIKE IT'S BAD BESTIES. IT'S BAD. IT'S DIRE. THE WATER IS SO FUCKING HIGH AND THEY'RE IN A STORM AND JIM IS SCREAMING AND I AM ALSO SCREAMING!!!
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But then also, LOOK AT FUCKING WEE JOHN!!! IN DRAG!!! HE'S A FUCKING MERMAID!!! JIM ISN'T A MERMAID???? WELL, THAT'S FINE--WEE JOHN IS!!! LIVING HIS BEST FUCKING LIFE!!!!! AND WHAT IF HE MADE THAT COSTUME HIMSELF SJDKSDJLS <3
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AND THE FINAL SHOT I'M CHOOSING, THE FINAL ONE OF THE SET,,, MATCHES UP WITH THAT LIGHTING EARLIER.
WHO ARE WE FIGHTING, ED BABE. WHAT'S THE TEA. WHO ARE YOU CLOBBERING.
IS IT US?
IT'S PROBABLY US.
BECAUSE THIS ENTIRE THING HAS ME SO SO SO DEAD Y'ALL
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somesecretpie · 5 months
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Fans and Creators of Webtoons!
I want to talk about Line Webtoon’s new “Super Like” program and why it sucks for literally everyone.
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What is a “Super Like?”
According to their website, super likes are a new way for webtoon creators to monetize their work. Readers can pay real money to buy a super like for their favorite webtoon, and the creator gets a fraction of that money.
Wait, a fraction? Not all of it?
Yep! Webtoon skims quite a chunk off the top.
30% goes to Webtoon, and then another 30% of that amount goes to the payment processor.
So what do creators get? 49 cents for every dollar their fans try to give them. Literally half.
That’s pretty ludicrous, right?
Interestingly enough, they announced that they had a “tipping system” in the works in the same email they ended the CANVAS creator rewards program (and many comic creators livelihoods)
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They said tipping system in their social media posts too
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Obviously this tipping system is referring to super likes right? They say they’re going to do a tipping system, and then this rolls out.
But “tips” are not something that buisinesses can just take a cut of, at least not in the United States. According to the Department of Labor, it is illegal for any amount of tips from customers to go to an employer.
Webtoon is trying to walk back this language, of course. You won’t find the word “tip” anywhere on their website page explaining how it works. But those old social media posts are still up.
This is all pretty scummy
But wait, it gets worse!
They removed the Patreon button at the end of episodes and replaced it with this:
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Yep! That’s right. Webtoon really said “what if we replace the tipping system that already existed with a shittier one where you only get half of it 🥺”
Unsurprisingly, they faced a ton of backlash.
Webtoon was quick to point out that the Patreon button was only removed from the end of episodes and there was still a button on the creator’s homepage. But of course, the end of episodes is where that button matters the most.
Creators know this. Webtoon knows this.
Eventually, after days of continued complaints from creators on social media, Webtoon went on damage control mode and announced that they would be putting the Patreon button back at the end of episodes—
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As of right now (May 11th, 2024) the Patreon button is still not back.
***
So…Super likes are “super totally not a tip.”
But if they aren’t tips…what are they?
Well there’s a bit more to the story of what a super like actually is. After announceing the program, the app updated to reveal a new ranking category on the front page
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When you click on this ranking tab, you can see that there is now both a daily and weekly ranking
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If you’re a CANVAS creator, you know how difficult and seemingly random it can be to get your comic on the front page of the app—so my immediate worry was that comic creators were going to buy superlikes on their own series to get in this ranking and…
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Yep, that’s already happening.
But why would webtoon even allow creators to buy superlikes for themselves? How does that make sense?
Surely goading desperate creators into buying superlikes can’t be that lucrative, can it?
No. I think there’s another, possibly even worse reason.
Fandom wars
If you’re into music, you probably are aware of how common it is for super fans to make concerted efforts to get their favorite musician to the top of the billboard charts. They coordinate over social media, stream music on loop as soon as an album drops to inflate the numbers, buy albums in bulk to increase sales, all so that they can say their fav is number one. It’s especially common among K-pop fans and swifties
This phenomena is well documented
Fans of Webtoons can be just as ravenous as K-pop, so I think Webtoon is trying to capitalize on this. They want to encourage fandom war and make money. That’s why they have this ranking. Not only can super fans brag about their favorite series topping the charts but they can wear their super like proudly on their reader profile that webtoon will be rolling out soon.
They’re just testing this super like stuff out on CANVAS right now, but once this starts up with originals? Oh. It will be a very profitable, very terrible mess.
(Oh and I mean profitable for webtoon, not creators, in case that wasn’t clear.)
***
Anyway, if you’re a creator, do yourself a favor and don’t enable super likes.
If you’re a fan of a webcomic, just donate to that creators patreon or Ko-Fi to show your support. Don’t give a red cent to webtoon because they did not do any of the work to make the series you love, alright?
Also check out my webtoon haha.
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chaoticbardlady99 · 10 months
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I Wondered If I Could Come Home? (Astarion x F! Reader)
Synopsis- It’s been 4 months since you last saw Astarion and 3 months since you killed the Netherbrain with your other companions. Shortly after, you settled down in Silverymoon to begin a life out there and try to push Astarion out of your mind- except it can never be that easy. You shortly discover you are pregnant with his child- a child that could kill you during childbirth. Scared and alone- Shadowheart stays with you to help you deliver the baby and keep you alive.
While out at the local market, Shadowheart runs into Gale and invites him over for dinner. Gale has unexpected company.
CW: Pregnancy, mentions of potential death during birth, mentions of nudity, mentions of NSFW smut
To my fellow DND fans- no this is probably not canon compliant, yes I’m upset about that, but look I really needed to write this so sue me I guess
Author note- Self indulgent, I have baby fever, but don’t want a baby fic. I’m unsure of how long this will be or if it will have more parts-it depends on how angsty I feel, but I need to have like six different ideas to think about at a time soooo 😂
*This hasn’t been edited ✨well✨so please forgive me
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*again, no fucking clue who’s picture it is, but it sure as shit isn’t mine so if it’s yours- reach out so I can give credit!
You keep yourself propped up against the sink in the kitchen as Shadowheart holds your hair out of your face and dabbing away the cold sweat that drips down your neck.
You are really sick of being morning sick. It’s absolutely the worst thing in the world- well besides your potential death from carrying your little girl inside of you. You sometimes think Astarion may get his wish- you may just die screaming.
You dry heave one last time- not a single thing comes up because you haven’t kept a single thing down since two mornings ago. Your morning sickness is inconsistent and comes on with little to no warning.
It’s been five months since you conceived this fricken kid, but it was like all the symptoms hit after you killed the Netherbrain.
A part of you really wishes you had somehow known before then- maybe it would have changed the cruel fate that ended your relationship with Astarion. You were literally pregnant in the middle of fighting Cazador. You think about what he last said to you all the time and just sob hysterically- like it happened yesterday.
A deeper part of you feels abandoned, but you blame yourself for him leaving. You should have been more convincing or maybe you shouldn’t have flat out told him no and explained why in the hells you didn’t want him to ascend.
For example- you didn’t want to lose him to some evil version of himself.
Ironically, you lost him anyway and are pregnant with his fucking child who insists on occasionally making you miserable.
Despite your inherent sadness, anger, and sickness, you find you are actually quite excited to meet her. You haven’t settled on a name yet and Shadowheart has been very helpful in regards to making sure you are healthy and strong for delivery. She’s your best friend and you could not be more grateful for her.
“I’ll go back to the market today and get you more of those herbs,” Shadowheart says quietly when she talks to you, “they seemed to help last time?”
You nod- exhausted and your head is pounding. You and this kid are going to need to have a serious conversation. You will not be letting a second Acunin make you miserable before she is ever born.
Shadowheart guides you to your bed upstairs, standing behind you in case you get hit with a wave of vertigo- which usually happens post vomit episode.
You pull your curtains closed- thankful that the desperate hope in your heart led you to buying black out curtains. You close your door and lay down on your bed- tears spilling down your cheeks freely.
You miss him terribly. You shouldn’t. You should positively hate him, but everyday of this pregnancy makes you ache for him. You should be doing this together.
You know it’s hormones- the weepiness, the intense longing, and the Gods awful horniness. Dreams are the worst. You wake up a squirming disaster at least three times a week with your skin burning hot with memories of Astarion touching you.
You are happy that isn’t the case currently, but the weepiness sucks too. Remembering how he used to curl around you, the way it felt to have him kiss you on the forehead, and all those late night conversations with (now empty) promises. You curl yourself around your pillows, willing your imagination to pretend it’s him, and you sob until you fall asleep.
+++++++++++++++++++++++++++++++++++++++
Astarion tries to contain his excitement and fear as he follows Gale and Shadowheart to your home. Finally, after searching for literal months, he was going to see you again.
Astarion has been haunted by the last words he had said to you for what feels like eons now. He hadn’t meant it at the time and he certainly doesn’t mean it now.
He had been too afraid to come back to you after everything he had said. Astarion decided you probably hate him anyway so he tried to move on.
He tried being with other people (it always failed miserably because they weren’t you), he drank until he couldn’t remember a damn thing, and when all else failed, he began his search for the Ring of the Sunwalker.
After the nightlife of Baldur’s Gate lost it’s appeal and he finally found a ring location, Astarion found himself in front of Gale’s door in Waterdeep- begging him of all people to help him.
The wizard had been puzzled and melancholy when he realized Astarion was at his door. Astarion told him every little piece of how he feels about you, how much he misses you, and how he wants to be able to give you the life that you deserve. Astarion was practically on the verge of hysteria while trying to make his case.
Thus began the search for the Ring of the Sunwalker.
They were able to locate and obtain one after a grueling three month long journey and some help from one of Gale’s old friends. Then, they headed straight to Silverymoon- your last known whereabouts.
Running into Shadowheart had felt like a miracle, but to also have her living with you had made the trip even easier. Except Shadowheart was being really really weird towards him.
When Gale first asked if Astarion could come along too, Shadowheart had asked Astarion why he wanted to come and see the person he “hoped died screaming?”
Astarion had flinched at the anger and venom in Shadowheart’s voice. He figured the others would be mad, but he was hoping maybe Shadowheart would give him a little easier time like Gale had. Astarion was genuinely surprised by how quick she was to be defensive of you and your whereabouts. When Gale confirmed that Astarion was telling the truth, Shadowheart reluctantly said he could come.
The three arrive at the front of your shared townhome- it faces the beach and has the perfect amount of windows for the sun to light up the house, but one of the rooms is hidden from sight with heavy, black out curtains.
Shadowheart turns to both of them, “Tav might not be able to join us… she’s been sick for a bit now and is… recuperating.”
Astarion feels his heart drop to his stomach.
“Sick? For how long?”
Shadowheart shifts on her feet uncomfortably, “5 months, but it got worse around 3 months.”
“Tav has been sick for that long?” Gale exclaims, “why didn’t you write!? I could have helped.”
“This particular affliction is one you wouldn’t understand,” Shadowheart says with a finality that suggests the conversation is done as she leads them into the kitchen.
Shadowheart immediately gets fussing with the herbs while Gale looks around the house. Astarion is still unsure of what he should be doing. The house engulfs him in your scent and he feels positively intoxicated. You must be really sick though because your scent smells different- not bad at all, just different.
Does he talk to Shadowheart? Does he look around with Gale?
Or does he sneak off and find you? Astarion doesn’t want to waste anymore time than he already has. Slowly, he creeps towards the stairs.
“Don’t even think about it, Astarion,” Shadowheart warns.
Astarion looks at her and then back at the stairs. He does this a couple times until Shadowheart appears to be annoyed enough that she’s let her guard down a bit.
Astarion takes off up the steps and he hears Shadowheart and Gale coming up right behind him.
Astarion hears a dry heave from down the hallway and he goes racing for the door.
If you are as sick as Shadowheart has suggested (5 months is crazy long), Astarion may not have much time with you and Gods he needs to take advantage of the time he does have.
Shadowheart be damned.
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You wake up feeling even worse than you did when you fell asleep. Your headache feels like it’s taken on a life on it’s own and Gods you are going to vomit all over the floor if you don’t move NOW!
You get up with an impossible amount of speed for how dizzy you are and you grab the pail on your nightstand and heave painfully.
You are rocking back and forth, groaning as more stomach acid comes up because again, not able to even keep anything down.
You hear a pair of footsteps and then Shadowheart screaming after-
“ASTARION! THEY ARE SICK! YOU NEED TO WAIT!”
“I have been looking for them for months now,” you hear him hiss, “if they are sick, I need to see them. If this has lasted five months- then who knows how much time I’ve wasted!”
“Will you stop being selfish for five minutes!? It’s not about you and who even says she wants to see you!?”
Shadowheart and Astarion are yelling in front of your door now. You feel tears prick your eyes- Astarion is here. Here here. A flurry of excited kicks from inside you catches your attention and a feeling of blissful happiness comes over you. Oh look, the nausea is gone. Of course it is.
“Traitor,” you whisper before laying down on your bed for a moment.
You are very happy that your unborn daughter appears to be pleased and feels good about her dad being on the other side of the door. You, on the other hand, are less than optimistic.
Wasted time doing what? And why did Shadowheart say I was sick!? In what world was that going to keep him from going upstairs!? Especially if he, your mind pauses, cares about me? Again?
Which you hope he does- you would hope Shadowheart wasn’t so sick of taking care of you that she brought him here to finish the job. Maybe this is all one big show.
Another, “I WILL DO WHAT I PLEASE” from Astarion, a “YOU SELFISH BASTARD” from Shadowheart, and a “Please can’t we all just be nice, catch up, and get along?” from Gale finally gives you the motivation to get up. The arguing feels far too much like being in camp again. You pinch the bridge of your nose, willing the growing headache to go away.
It doesn’t so you change into a pair of longer cotton pajama pants, a t-shirt that is unfortunately showing off your bump more than you’d like, and then you swing open the door in tired annoyance.
You are met with Astarion looking at you- his eyes scanning up and down your body- settling on your stomach. His expression is unreadable- it’s somewhere between lust, love, grief, and heartbreak. Embarrassed by Astarion’s intense gaze, you look over at Gale who is all smiles for you.
“Congratulations Tav!!!” Gale practically yells, making you wince, “the father is a lucky man.”
“I don’t think he considers himself a lucky man,” you say pointedly before turning to Astarion, “or do you?”
Astarion’s face changes entirely with your words. His eyes look at you, round and soft. His eyes are full of adoration and need- a look you never thought he would give you again. You have to fight the urge to grab him and drag him into your bedroom. You will not let the hormones win- you will be strong.
“I- it’s- I mean,” Astarion is fumbling over his words, “you are carrying my child?”
“Yes,” you say grumpily, crossing your arms,” and she’s been giving me nothing but trouble. Thanks to your genetics, I’m sure. This is day two of not being able to keep a damn thing down and this fucking headache is UNBEARABLE so please for the love of every God keep the arguing down.”
Astarion is still looking at you with a mystified expression- taking you in as if for the first time in his entire life. You look back towards Gale and Shadowheart- you are entirely too self-conscious and way too excited to see him for him to be looking at you like that. You are trying to be mad dammit!
Shadowheart gazes at you and your surely red tipped ears with amusement before she says, “I’ll go and get the potion ready for you- that should hopefully help.”
“I will- uh,” Gale says awkwardly, looking between you and Astarion, “join you! I might need to know which herbs to use… in the future?”
“Planning on getting pregnant Gale?” You say with a smirk.
Gale snorts at you, “Dear friend, as wonderful as you look right now- none of the side effects sound appealing.”
“Oh they most certainly aren’t,” you say,” but thanks for thinking I look ‘wonderful’. I feel, well, disgusting.”
“Gods, how could you even think that?” Astarion blurts out, appearing shocked that he even said it, “you look like…. A vision. A wonderful, stunning vision, Darling.”
Shadowheart and Gale excuse themselves as you struggle to find the words for Astarion’s comment. Your entire body feels like it’s on fire and you feel yourself begin to melt a little bit. You feel your emotions bloom into something resembling spring as he steps closer to you- looking at you with pleading eyes.
You clear your throat, “would you like to come into my room and talk?”
Astarion nods eagerly, following behind you so close that you once again have to remind yourself that ripping off the clothes of someone who literally told you they wanted you to die screaming was not healthy- at least not until you get a proper apology.
You sit against your headboard as Astarion walks around your room- running his fingers along the bassinet and rocking chair in the corner. You still can’t get a read on him.
“A girl?”
His question breaks the air.
“Yes,” you smile at him, “no name yet though.”
“I’m sure you’ll pick a nice one,” he says with a smile, but his tone is entirely too melancholic.
A painful thump in your heart fills your body with sadness. He doesn’t want to be involved. Of course he doesn’t want to be involved. You are his knocked up ex-girlfriend. What were you expecting? The lump forming in your throat is unbearable.
“You don’t want to be involved?”
Oh good Gods you are crying. Astarion rushes over to you the minute your tears begin to fall- sitting in front of you on the bed. He reaches out and gently wipes your tears away as he speaks.
“I want to be involved so badly it hurts,” his voice comes out scratchy and emotional, “but that is your decision, not mine. You have been on your own for months, my Love. Instead of trying to come back and make it better- I pushed it off until I thought I could give you what you deserved- a life in the sun.”
You almost whine in protest when his hands leave your face. He twists the ring around his index finger before continuing, avoiding your gaze, “But maybe I was wrong. Maybe what you deserve is a person that isn’t so damaged. Someone who can give you what you actually deserve which is a loving partner who hasn’t hurt you over and over again- a man worthy of being a father to ou- I mean your child.”
His confession and the tears that are streaming down his face are enough for you. Yes, you absolutely want to scream and yell at him, but you also ache for him. You can’t fault the man for being a slave for 200 years and then not taking it very well when you told him what to do. You always knew you would forgive him if he came back- you never thought he would, but here he is and like he said- there is no reason to keep wasting time.
“She is our child, Star,” you whisper and guide his eyes to look at you, “I want you to be involved. I don’t care what you think I deserve either. I have missed you so horribly since you left. It’s almost pathetic really. I’ve tried to blame it on the hormones, but… I don’t know. The picture has felt incomplete up until now.”
You absentmindedly put your hand on your stomach- receiving a kick. You glare at the place where your hand is resting.
“Will you stop kicking me for five minutes!?” You scream, “I WAS IN THIS BODY FIRST!”
Astarion looks at you bewildered and confused, but quickly realizes you aren’t talking about him. The smile that spreads across his face is wide and Astarion gingerly moves closer. You are still a little cautious- needing to protect not only yourself, but also your unborn child. He moves to the right of you and goes to move you just slightly so he can slip in behind you.
“Could I? I mean if it’s not crossing any boundaries!”
Astarion is on edge- you can tell that much, but he doesn’t look at you like he did that last time you saw him- Astarion is looking at you like you are the most precious individual who has ever walked this earth.
You nod shyly, and then Astarion slots himself behind you, your back against his chest, his face in the crook of your neck, and his legs on either side of yours. He cautiously puts his hands on your stomach and is immediately kicked.
Astarion laughs with joy, “she’s strong!”
“Strong willed and strong physically,” you shake your head and you are laughing a bit now too, “you may just get your wish yet.”
“What wish?”
It had slipped. You hadn’t meant to bring it up again- or maybe you did. You want to know for sure if he still feels that way, but the confusion in his voice says he doesn’t. You go rigid and go to dismiss it when you feel his posture change behind you, his grip loosening ever so slightly.
“Right… that.”
The silence is nerve-wracking. You’ve lost him again, you are sure of it. A stray tear begins to roll down your cheek.
“Astarion-“
“No, let me think, Darling. I want to make sure I say everything I want to say correctly.”
You continue to sit there in silence, he places soft kisses on your neck. You feel him smile against your skin at the needy moan that escapes your lips. You absentmindedly reach out for one of his hands and begin to play with his fingers while he thinks. Astarion used to let you do this all the time while you were traveling- it helps you feel grounded.
“I was so consumed by all that power in the moment,” he says slowly, “I wasn’t thinking. By the time I had realized what I had done, I felt like it was already too late- you most likely hated me and moved on.”
You have to bite your tongue- you want to scream. Hate him? Never. You had been miserable without him around for that last month of traveling. Your heart had felt like a dead weight in your chest and you had been moving around like a zombie.
“So I tried to move on… I even tried to be with others, but I just couldn’t do it. It’s selfish, but I want you. I never want anything bad to happen to you- I certainly don’t ever want you to die screaming. I don’t want you to ever carry a child that is not mine.”
You are surprised by the warmth in your core when he says his last sentence. There is something so primal there that you have to really focus on what he is saying next.
Astarion clears his throat before finishing speaking, “I don’t want to be without you anymore- four months is too long. I don’t want to miss out on anymore of your pregnancy and I want to be here for you- with you- doing this together like we should have been doing this whole time. I was a horrible fool- please give me another chance. Please, Darling. I love you- so so much more than I ever thought anyone could ever love someone.”
Astarion’s words hang in the air and you are trying not to begin crying for the 15th billion time. This is what you had wanted to hear all along. You can feel his tears on the collar of your shirt- the way he inhales as if to memorize your scent like this is the last time. Astarion is not expecting you to say yes- you know that because he’s starting to loosen up, pulling away from you so that he can respect your decision.
“I love you too,” you whisper, “I don’t want to be without you anymore either. I forgive you- please stay.”
“I won’t be going anywhere unless you want me too, my Love.”
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akirathedramaqueen · 24 days
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There's one piece of concept art that made me see the entire Apology Tour disaster in a different light.
So, we've been talking with @warblogs17282 about Stolitz and how their break-up ended up playing out in the 'Apology Tour' episode.
Why ended up? Well, there's a collection of concept art which, to my limited understanding of this craft, is one of the first steps in the production process of animation. This post by @birdy-babe includes a great chunk of it, shared by artists after the episodes aired (like storyboards, but much more stylised, showing how different some original ideas were). Long story short, one of the concept arts from the 'Apology Tour' episode suggests their quarrel was originally meant to be much harsher.
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A short summary of the concept art to see what we are dealing with
In the background, you see a lot of apology postcards and silly cutesy stationery, suggesting Blitzø is in the middle of his Apology Tour.
The contact name isn't 'Stols' but 'Bird Dick,' implying their relationship is at an earlier stage, with less respect—at least on Blitzø's part.
There's a photo partially cut by the edge of the messages screen. From the signature gloves and boots, cowboy hat covering Blitzø's private parts, and visible nipples, it appears to be a nude image—replaced in later stages of development with stupid gay affirmation memes (as hard as it is to believe, I couldn't imagine there could be anything worse than the Striker horse gay jokes... well, it could, my dudes, it fucking COULD).
There are three messages, one of which is unsent:
"Stolas, cum awwwwwwn, u no u want it :)"—likely attached to the nude;
"Dude just talk to me"—desperation crawls in; he finally realises the shit has hit the fan;
"Im sowwy :("—an apology, but the text remains unsent, perhaps because it seems pointless, given that the 'Not Delivered' notifications and warning signs indicate Stolas has blocked his number.
Why do I find this fascinating, and why does it fill me with immense hope?
Because they still fucking care so much, and neither has completely closed the door on the other. By comparing the concept art to the final product, you can see how many intentional choices were made in dialogue, visuals, and behaviour to make it clear that these two idiots still want things to continue. Stolitz is meant to fucking live.
Now, if you want to see some comparisons—evidence, really—let's dive into each other's changes, focusing on what we can gather from the concept art.
Blitzø's side
Change 1—thank gods, no nudes. The gay memes are sillier and a bit lighter. Of course, they still showcase utter disrespect, a horrible prejudice against sexuality, and a poor understanding of how deeply Stolas was hurt, but I find them... less bad.
Change 2—no more 'Bird Dick.' Blitzø has actually come up with a real nickname for Stolas! Feelings are boring for you, huh, Blitzø? I can almost hear the song’s lines: "O-oh, hooked, addicted you might say, conflicted in a way…"
Change 3—Blitzø's attempts to apologize now show much more contemplation. Since Stolas hasn’t blocked him, Blitzø knows his words aren’t just being thrown into the void. Although the 'unsent' detail remains, it now carries real weight and impact.
All three changes are seen in these two GIFs.
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He knows he did wrong. He knows he wants to salvage it. He might not yet know how to do it healthily, but he tries—he tries so fucking hard!
Look at the range of raw, cutting emotions as he speaks to Stolas and finally delivers his apology—probably the only one he genuinely meant. Well, maybe except for Verosika, a bit later.
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It's not that it's hard for Blitzø to say 'sorry'—we've seen him do it a lot lately. He's actually quick to apologise and take responsibility, so Stolas's remark about him not feeling any remorse couldn’t be further from the truth. But the fact that he isn't running away this time—chasing after Stolas and trying his best to mend things—is drastically different from how he treated Verosika back then.
Stolas's side
Here’s the moment that struck me deep. It’s the only change, since the concept art shows Blitzø’s POV, but it’s such a significant one.
Do you think Stolas has moved on? Do you think he’s done with Blitzø? Not convinced, even when he’s literally singing about still wanting Blitzø?
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Well, here’s your proof—he didn’t block Blitzø. They scrapped that.
More than that, the entire interaction emphasizes that Stolas isn’t pushing Blitzø away for good.
How do I know this? Stolas is very insistent on using phrases like 'for now,' 'right now,' and 'now' throughout his attempts to tell Blitzø off.
Here are some citations:
"I was hoping my lack of 'ha-ha's' in response to the photos you sent me would be an indicator I didn't want to talk right now."
"Seeing you right now is hard!"
"I'm tired of this! I'm uncomfortable with how you're speaking to me now!"
Why is this so important? Because he isn’t asking Blitzø to leave him forever. All he’s asking for is time.
Even while hurt, Stolas gives Blitzø plenty of chances to explain himself civilly. Look at the hopeful glances each time Blitzø shows any glimpse of genuineness.
Stolas fucking hopes Blitzø will take back all the cruel things said and brash actions done.
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You know, Stolas... I've spent the entirety of this morning listening to love ballads, and that was...
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For what?! You want me to be like, "Oh sorry, this entire time I assumed the worst because I was convinced a prince could never love someone like me and I've let my self-hatred stop me from apologising to anyone I could ever care about!"
You see the furrowed brows and the sad look? Stolas hopes for the best... but gets the worst because Blitzø isn’t there yet.
I’d even go so far as to say Stolas is acutely aware that Blitzø uses his brashness as a shield to protect himself. He literally sang about it in 'Just Look My Way.'
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Unless it's me? And no matter what in this world I could give, it's not enough to get through these walls you've conjured up to live.
So, what gives?
Is this the behaviour of people who want to give up on a relationship they still clearly hold dear?
No. Even when they’re angry, aggressive, hurt, or drunk, they still seek understanding and forgiveness. They continue to listen and try.
They might lack the skills and may choose the wrong time, place, or words to express what truly matters...
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One person, scared of being rejected so much that he unconsciously conveys this message by saying, "You don’t have to stay here with me," and carrying it throughout the whole conversation...
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The other, coming to terms with his feelings, admits them, and his fears, a bit too late—when his romantic interest is too drunk to comprehend anything…
And in both cases—self-loathing, self-hatred, doubts, scars, trauma… and a lack of hope.
But there is hope. No, this is reassurance, my folks.
You know when it's hardest to stay in a relationship? When it’s hardest to come and say, "I am sorry," when it’s hardest to still love the person?
When you’re hurt. When they’ve hurt you.
And, despite that, you still come to them and still want to talk to them.
If this isn’t ironclad evidence that this is more than just a fling or a couple of fun sex dates, I don’t know what is.
And the 'Apology Tour' fucking proves it, rather than ruins it. It only strengthens the point. It’s easy to live in happiness, but it’s so hard to go through it while you’re in pain. When you see them doing that, you realise it means everything to them.
Stolitz is to live.
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greg-montgomery · 1 year
Note
i saw your post about jealous!hotch, so I was wondering if you can write something where there isn't an established relationship between hotch and bau!reader (yet ;))), the reader is a huge fan of an actor/character (kind of like how we, hotch girls, fangirl over Aaron 🤭) and Hotch got jealous whenever he hears her talks about the actor/character and then the reader was wondering why he's acting unusual, (like he would mutter something to himself like how he's much better than the man the reader talks about but they don't hear it, or he's suddenly not in a mood, etc.) and the team knows why he's acting unusual (he's jealous) and they're entertained watching the both of them be oblivious, and hotch kind of slipped or something that revealed his feelings for the reader🤭 if you can't write it, then it's okay!! feel free to change anything however you want<33
hehe what if aaron was jealous of thomas gibson himself 🤭🤭🤭
♡ ♡ ♡ ♡
“I am definitely taller than him.”
“What was that, Hotch?” you asked, after hearing him mumble something under his breath.
“Nothing,” he said more clearly this time. “Go back to your very important conversation with Garcia. The meeting doesn’t start until ten, so you have plenty of time.”
“Thank you,” you answered with a smile, pretending you didn’t notice his sarcasm.
“So he’s tall and respectful? What else would a girl need?” Penelope swooned, picking up from where you two had left off.
“I’m telling you! Penny, I swear…Greg is my dream man.”
You had turned your spinning chair to the side so you could face Garcia, and missed the way Aaron rolled his eyes at your words.
“And they got married the day they met?” she asked, her hand on her chest.
“Yes! It’s so romantic. And don’t even get me started about all the physical touch. It’s definitely his love language.”
“Ugh…He sounds perfect.”
“He is.”
“So are you gonna show me how he looks like?”
“Right!” you exclaimed. “I have a whole album of pictures of him. Wait.”
You pulled out your phone and found a screenshot from the episode of “Dharma & Greg” you were watching the night before. “That’s my baby.”
Aaron should be feeling lucky you were still turned to the side and couldn’t see the way he was desperately trying to take a peek at your phone.
“Oh,” Penelope said. But it wasn’t the kind of ‘oh’ you were expecting.
“What?” you asked disappointed. “Don’t tell me he isn’t hot. He’s literally a doll.”
“No, I…” she said. She seemed startled. “He is…um…really good looking. But…Y/N…Do you not notice something in particular about him?”
“Like what?”
“Tall. Dark hair. Dark eyes. Cheekbones.”
“Yeah, like I said: my dream man,” you simply said, unable to understand where she was going with this.
“He’s not all that.”
That was Aaron.
“How would you know?” you were quick to ask him.
“I googled this Thomas Gibson guy who played Greg,” he said, acting casual. “He’s average at best.”
“He is not average,” you defended him.
“I can’t tell which one of you is more stupid,” Penelope said softly, mostly to herself.
“What?” you both replied at the same time.
She shook her head. “Nothing. I just remembered…I have to go make a phone call.”
Once you were left alone with your boss you crossed your arms against your chest and furrowed your brows. “Average…”
“He’s just some guy.”
“He’s not. He’s the most handsome man in the world,” you said.
“Sure.”
At his last word, you got up from your seat and walked so you could stand right in front of him with a smirk.
“What?”
“You sound almost jealous of him.”
“Why would I be jealous of him?”
“I don’t know, Hotch,” you replied, your smirk getting even wider. “Why would you?”
He stared at the picture of your celebrity crush he had previously googled. “He has nothing I should be jealous of. I mean my hair is better, and I’m pretty sure I’m taller.”
“I knew that was what you said earlier!”
“Shut up.”
You giggled and tilted your head looking at him. The way he said those two words almost reminded you of Greg.
“You kind of look like him.”
“I don’t see it,” he said, taking a glance at his phone again.
“I think I do.” You smiled softly.
Maybe your dream man was your grumpy, stubborn, and very very adorable boss after all.
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nalooksthrough · 2 months
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Dale Dimmadome Analysis (with screenshots)
Dale is one of my favourite characters on the show. He's a funny evil man, that amuses me with his antics and his role as a child slave/kidnap victim in the original series leaves a lot to be explored.
This analysis will be talking about his attachment to money which trust me is a lot more interesting than it sounds. This will be quite a long post. I'll put a cut under this paragraph, so that the people who aren't interested don't have to scroll through the whole post.
Going to assume that since you decided to keep reading, that your interested in what I have to say. This analysis will only be covering "Stanky Danky" and "Lost and Founder's Day" with a brief mention of "Operation Birthday Takeback". I think those two episodes are more than sufficient enough to convey my point.
When we first meet Dale in "Stanky Danky" he's seen coming down from a helicopter, onto a big stage to sell products to people. He appears to be level headed with confidence oozing out of him. But this changes the moment he realises that people aren't going to buy anything.
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He almost immediately starts to panic.
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He starts shuttering as he calls out to the crowd to buy more things.
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His panic becomes anger. Briefly switching back to panic before fully settling into anger. His anger then becomes targeted at the person whose telling these people not to buy from him. He questions who this girl is, what's her name.
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Once he's learnt her name. He starts thinking up a way he can stop her and get the customer's interest back.
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And once he's found it he strikes.
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Going as far as to kidnap Danky and emotionally manipulate him just so he can get what he wants.
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Leaving the monster in an isolated area of his estate when he's not of any current use to him. I mean talk about becoming your abuser.
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And when Hazel and Danky leave he rushes out calling out to the trash monster, saying that he was "like a son" to him. Trying to appeal to Danky's emotions, desperately trying to get him back. All so he doesn't lose that source of profit.
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And when he starts losing all his profits at the end of the episode he falls to his knees, wailing in a fit of despair. He's obsessed with money, he needs it and he's willing to do anything to get it. This obsession of his is best shown in "Lost and Founder's Day"
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He spends the first portion of the episode happily monologing as he explains how his Dim Watches "tickle" a child's brain to indicate when they want something. Everything is going exactly as he planned.
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Until it isn't.
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The moment he spots someone not buying anything he starts getting angry. Ranting at the screen.
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His anger only growing more when he realises that this "anomaly" is stopping other people from buying things too.
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And when Dev points out that stuff is still getting sold and they are still earning money. He shuts him down.
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Stating that while yes people are still buying things. The profit he's making from the festival in going down. And he is not happy about it.
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In fact he's so enraged by this that he starts to send drones and his son after it so that he can "learn it's secrets". He can't handle the idea that someone doesn't want to buy anything from him.
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And when that doesn't work, he activates the statues. Putting the whole festival on lock down until he can track down the "anomaly".
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And when a drone points out how counter productive terrorising the festival attendees is to earning money and making a profit. He quite literally shuts it down.
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And at the end of the episode, when the statues are put to a stop and everyone leaves.
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He's back in that pit of despair. A literal stream of tears flowing out of his eyes. And he so affected by this that he spent literal months studying this "anomaly" figuring out why it didn't seem interested in buying anything during the festival. And the thing is. If he had just left it alone. The festival would have gone on without much of a hitch. But he just couldn't, because it was never about the money. Not really. It was about him.
It's clear that he puts a lot of value onto money. More than most. With money being tied directly to his identity and sense of security. The more money he makes, the better he feels about himself and when he starts to lose money, he takes it as a direct attack on him. He knows what it's like to have nothing and he doesn't ever want to be in that state again. So he obsessively tries to earn more and more in order feel secure in himself. But it's never enough. And when someone threatens that security he goes on the defence. Even at the cost of the losing other potential sales.
And when he loses all his profits and is no longer generating money, he breaks. And for a brief moment, he's no longer Dale Dimmadome owner of Dimmadome G0bal.
He's Dale. A frighten young boy working in a factory underneath a lemonade stand, whose only wish is for his father to come and rescue him.
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