#hurt my fucking heart

[smugraccoon137]

You ever think about how The Curse was so much more than “winning” against Snow and the Enchanted Forest crew?

Like sure. It trapped all of those people in a time loop. Condemned to whatever Regina saw fit.

But in reality what did she do to any of them before Emma came to town? She didn’t make their lives miserable. She didn’t blackmail, or torture, or kill anyone.

No. She left them to their own devices. They had jobs and relationships and lives. And she was okay with that because the real reason for the curse wasn’t to fucking win.

It was for her to start over.

Her entire life playing in the palm of others hands. Cora, Rumple, The King. Having to give up on her dreams. Her autonomy. Her life and love.

The true reason for the curse was so that she could start over without all those peoples influences. So that she could have a whole new life as well. Where no one remembered her for what she did, for what she had become.

She could be free.

And whats so fucking sad about this. Is that she could have been. She could have started over. She could have remade her whole life however she wanted it. Been whoever she wanted. But all that hurt was too much.

She couldn’t just travel to the new land alone. Absolutely not! She had to bring everyone with her, because how dare they have there happy ending. Her happy ending.

She had to keep an eye on them. She had to be in control. Because Regina doesn’t know how to live without being in control anymore. Because-because-because when she’s not...people die. Bad things happen to her even when she tries to do good things.

It’s just so much easier if she’s the one ruining her own life. Than everyone else.

[violetsandshrikes]

A 26-year-old Kiwi is being fingered as the culprit behind the killing of Sydney’s most beloved fish.

Divers and locals alike have been left distraught after the decades-old protected blue groper was speared by a fisherman in front of beachgoers inside a marine reserve.

Kind of embarrassing, but this actually made me tear up a little. The fact that the community was so excited over a fish, something that doesn’t usually fall into the category of “charismatic species” that the public cares about, and it was so well-loved and had a name, and then died in such a sad manner?

[surrik-i]

This honestly made me tear up, a 17 year old engene named zika has passed away in gaza. this breaks my heart deeply. she was a fan just like us with dreams to one day see the boys. please try your best to spread her letter so it can possibly reach the boys!

@021894s @dr0wnme0ut @yvnempire @un06 @hee-dazed @heejake-hoon @karinasbaby @en-geneisaxx @enh4s @dollyyun @goldenretrieverjakezgirlbaby @slickchickchocolatier @yeonzzzn @urfavouriteanon @stickypiratepeach @j3nnypng @hoondrop @hoonharem @simpjaes @heeverseblog @heeslomll @jakesangel @acestuffs @dazed-enha @ikeuluvr @ikeuhoonverse

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[hedonistbyheart]

I love how well George Rexstrew delivers emotions as Edwin, because when he's losing it he does not hold back. That man can scream and it'll be shrill, a banshee howl of anguish. He's playing a ghost and those fucking screams will haunt you.

But he also has the most amazing facial expressions for various emotions.

One particular one that really gets to me, is when he's ranting about their purpose, about how he and Charles didn't matter, but their cases do, Charles points out that they haven't solved Crystal's case yet either.

Edwin looks at him with this haunted, caged expression on his face for a long moment. I'm not sure if he looks like that at other times, but he looks like Charles has cornered him. He knows Charles is attached to Crystal and it scares him, but he can't explain, so he just settles on looking down in defeat without a word. He's so scared of having been replaced- and that's when Crystal takes his hand and tells him he does matter.

[painfully-unoriginal]

So I drew these under the assumption that diane used to be part of kitty's crew and realized after that i don't actually know if that's tru or not so uuuuuhhhh probably should've just waited for the movie to come out to start drawing shit but 👍

[guqin-and-flute]

Something about the fact that these shots are all grouped together, one after another, visually giving them equal weight just gets me. The narrative knows what's going to happen between JGY and Huaisang at this point, knows how it's going to treat JGY at the end of everything. And it still takes time to show Meng Yao instinctively and immediately going in front of Huaisang and Huaisang instinctively and immediately hiding behind him. It takes the time--literally, showed it in the background and focused on it with the same general amount of time as the other shots--to show that this act of protection and trust are just as real and true as Jiang Cheng defending his sister, as Wen Qing defending her younger brother.

Like, I dunno! There are other Nie juniors there! They have swords and shit! Huaisang could have gone and hid behind the wall, but he hid behind Meng Yao! And Meng Yao could have moved back with Huaisang, but he steps directly in front of him!

There's a lot CQL did to JGY's character and narrative that I don't like and that flatten or just straight up erase his full complexity. But I really appreciate the lengths that it went to in Episode 4 to explicitly tell us that he does not hesitate to protect Huaisang, even though at this point he does not have a sword and definitely does not have anywhere near the same cultivation power (if any) as any of the rest of the people in the room.

Right now, after being publicly humiliated, unarmed and definitely outclassed, he is brave. Along with the rest of the characters, he's allowed to be uncomplicatedly young and loyal and just as innocent as any of the other students there.

[lotus-pear]

regret

[lleclerc]

iceman + his concern for maverick post-hop 31

[yashley]

"Yeah, but we talked about it and I didn’t want it." "Why not?" "Because it scared me."

[simcardiac-arrested]

like tree, like apple

[elmocult]

and you don't seem the lying kind / a shame that i can read your mind

(heavily inspired by this post by fungieful i think abt it daily)

[henke-penke]

Fuck it,

World Tour but with Eva instead of Duncan !!!

Some plot points I conjured up while procrastinating my illustration

Eva ends up on Team Chris Is Really Really Really Really Hot.

She's almost immediately wary of Alejandro, but will write it off since she's not good with people, so it's likely just her reading into things wrong.

However, this changes in Germany, when Noah makes note of his own suspicions.

Owen is the one medically evacuated in Jamaica.

Team E-scope wins the challenge in London, and because there is no Duncan to capture, Team Amazon loses. And realistically, Heather would be voted out, sad but true

This means that Alejandro is in a bit of a situation, because Noah and Eva are both onto him and they along with Izzy have the majority vote on their team. (Which, they've technically had since day one, but Alejandro wasn't aware of their suspicions of him prior, he didn't see it as a threat)

His best strategy is then to take away that advantage. Because of his interaction with Izzy in the Paris episode, I'm going to say that Alejandro manages to convince her to vote herself, and Izzy leaves in Area 51.

Because of this Team Chris now has to stay on a winning streak where Eva and Noah will try their damn hardest to get Tyler to vote with them. Which will be a fucking task because he and Alejandro are friends.

And quickly for the Amazons. Because there's no Duncan, Courtney and Gwen can properly establish a friendship. Absolutely not without a handful of hiccups along the ride, but it'll be much more stable without him being there and they can actually talk out any issues they may have.

If we're rolling with the canon of Team Victory being eliminated in the first half of the season, then the players making the merge will be; Alejandro, Eva, Noah, Tyler, Courtney, Gwen, and Sierra (Cody is eliminated in Australia I have my reasons trust). Which means that with the addition of Blaineley, we get an f/f couple in the wedding challenge hell yeah !!

Oh and Eva makes final four because she's awesome like that

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[khaopybara]

❝Will you try to understand? I gave my word to Fadel about something.❞

FIRST KANAPHAN as KANT PATTANAWAT and KHAOTUNG THANAWAT as BISON episode 6 of THE HEART KILLERS

[stefisdoingthings]

(i'll never know what it's like to love you)