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bitchimasnake-sss · 3 months ago

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☆ hubris! ── a blue lock fanfiction. // where you come to wreck the blue lock boys but end up ruined instead. [find part 1 here.]

synopsis: when ego jinpachi asked you to be the ruination of the national japanese football team, you gladly accepted. how hard could it have been? ruining a couple of men was child's play. but what a fool you were, because now you lay in front of the same people you vowed to ruin, and you knew they were about to devour you whole. pairing: afab!reader x multiple men [aged up isagi yoichi, rin itoshi, hyoma chigiri, meguru bachira, rensuke kunigami, nagi seishiro, reo mikage.] // gang-bang. it's implied that the reader has slept with them all previously [in part one]. also, yes! this is consensual. no dub-con or non-con going on, dw!! cw: DEAD DOVE, DO NOT EAT. [this means the story contains themes one may not be comfortable with. if you find yourself growing uncomfortable, please click away.] NOT PROOFREAD. WRITTEN DURING A DELUSIONAL PHASE. MDNI. nsfw concludes: OVERSTIMULATION!!! BLINDFOLD!!! MARATHON SEX!!! GANGBANG!!! penetration, doin' it raw, cunnilingus, blowjob, teasing, nicknames, slight bimbofication, overstimulation, praise, marathon sex. my digital footprint goes craaaazy :) wc: 1.2k words m.list

you had believed you would ruin the blue lock boys. you had believed that till the end, till you entered your last prey's room: reo mikage's room. one after the other, you knew you had the boys in your palm. with just one more to conquer, you were utterly confident.

perhaps that hubris is what brought upon your destruction.

reo's request was a bit strange, sure. he had asked you to put on a blindfold, asked you to do nothing else but follow his voice. strange, but nothing you weren't well-equipped to deal with.

what you weren't ready was for all the blue lock boys to corner you like some helpless, little ragdoll.

"you're being too hard on her," rin itoshi commented, looking at how meguru bachira ruined you at the mercy of his tongue. the pink muscle fucked into you, lapping up the dripping juices like it was bachira's only focus in life. rin tsked, "slow down, bachira."

"hah," rensuke kunigami found himself scoffing, looking at the way rin pushed his erection past your lips and fucked your mouth with reckless abandon. the orange-haired man teased, "bold words from you, itoshi. look at what a mess you're making of her."

by mess, the muscled man meant how your chin and lips were dripped in drool and everything that tasted of rin itoshi. you were running out of hair as the star player pulled your mouth up and down his hardened cock.

"ugh, clear up." nagi seishiro quipped up next, stretching his arms as if he wasn't seeing the most lewd display right in front of him. you laid on reo's bed, eyes blindfolded as they men devoured you one after the other. meguru bachira was hooked on your core, eating you out, while rin itoshi fucked your mouth and hyoma chigiri played with your erect nipples, tugging and licking them. nagi huffed, "when's it gonna be our turn?"

"patience," reo mikage reminded the snowy-headed man, "you can have her next."

the men seemed to converse within themselves, only bringing their attention back to you as you gagged on rin's dick. gasping for air, you blindly clawed at his thighs and the hot-headed itoshi finally gave you some mercy. as he pulled out of your mouth, your throat felt strangely empty, almost as if the footballer had made you his own cocksleeve.

"move," isagi yoichi huffed, "it's my turn."

"you had her not even five minutes ago," bachira whined against your puffy, glistening cunt and you heard hyoma chigiri finally let go of your tits with a resigned sigh, "yeah, fuck off, isagi. you just had her."

"and i wanna go again," the raven-headed muttered impatiently, his razor-sharp tongue ready to fight whoever necessary. but kunigami interfered, laughing as he traced the outline of your body with his hungry eyes, "can't blame isagi. i mean, jus' look at her."

see, you would have paid attention to all their bickering if you weren't losing your mind right this second.

all you could feel were hot licks against your clit and a tongue fucking you senseless, you could feel rin— oh, wait. no. from the scent of his soap, it was nagi, now. you could feel nagi push his tip past your wobbling lips. you could feel chigiri play with your nipple, reluctantly sharing another one with reo (if your guess was correct.)

a crazed lick went down the side of your waist, followed up sweet kisses on your thighs and hips. who was that, now? kunigami, or isagi? or wait... did bachira switch with someone else now?

you could swear you were losing your mind, you could swear except you weren't sure you were cognitive enough to think of anything right now.

"gotcha. finally." isagi husked, and you felt him push his erection past your puffy folds and into your velvety hole.

"oh—" you moaned against nagi's shaft, words nothing but senseless garbage that mimicked the human tone. and as act of benevolence— no. as a sadistic act, nagi pulled himself out of your mouth and hummed, "sayin' something?"

the room grew quite, the chattering men that were all over you just a moment ago waited for your answer so patiently. too patiently.

"i-" your throat was sore, words almost dying before they ever got uttered, "n-no."

"no?" bachira mimicked, laughing thereafter as you lay there confused, unsure of their next moves.

"are you tired, pretty?" kunigami rasped, and you would have falsely assumed that they actually cared if it wasn't for the fact that they all went to their administration immediately afterwards.

"a-aah," you panted, mouth falling open as isagi fucked into your overstimulated cunt, "y-yoichi!"

"switch, you bastard." reo's voice dropped down many octaves, a hoarse rasp, and you felt your cunt emptying for just a few moments before it was filled by the mikage industry's heir.

moans tumbled out of your mouth before you filled by someone else. kunigami hissed as you sucked on his cock, taking him so well, "jus' like that, go on."

with his praises, kunigami pressed a harsh hand to the back of your head, making you choke on his length. somewhere along the line, you felt reo abandon your sweet cunt and someone else take his spot. from the man's tight grip on your hips and fast snaps of hip, you assumed the man to be hyoma chigiri.

honestly, you were all but falling apart on their fingertips, and aching cocks. your body was abandoned for a few fractions of a second before a second man laid claim to you. if you could have comprehended, you would have heard their ragged and heavy breaths, pussydrunk words as they passed you among themselves.

as hyoma's thrusts grew in intensity and speed, the coil in your stomach grew tighter and tighter and tighter— and oh my god, you felt something snap within your body. your head was thrown back, back arching so dangerously as your thighs shook, your mouth fell open and screams tore past your larynx. the next minute, a harsh stream of juices erupted out of your overstimulated cunt, drenching you and everyone around in your glistening juices.

"shi—" rin hissed, almost transfixed at the women utterly ruined under them.

"shit, right?" chigiri almost moaned, looking at the rapid, erratic rise and fall of your chest. your body was marked purple and blue, the men already leaving a mark on you. white, milky streams covered your chest and thighs while your face and neck were painted a reddish hue.

"that was so fuckin' hot." nagi rasped, words raw and twisted.

"hey," isagi mumbled, his words so soft as he finally took off your blindfold, "you good?"

the room was too bright, and above you towered men of colossal intentions, naked and still hungry. as the world above you started making sense, you saw bachira pumping himself leisurely, saw rin map out your body nonchalantly. the rest of them were in similar disheveled states: hungry, lust-filled eyes, flushed faces and erect cocks.

your eyes travelled from one till the other, half of them still splashed with your residue from your earlier orgasm. you found some strength within your tired throat, humming out, "y-yeah."

"ya sure?"

"hm." you nodded, your rapid breathing slowing down and dropping down to a steady crawl.

"good," reo rasped, and bachira finished the statement for him, "cause we're not done with ya."

a/n: let me repeat, DEAD DOVE: DO NOT EAT! it has potentially non-likable content, so, if ya don't like, don't read!! okay, that's all. sleep well tonight xoxo tagging: this one is for @5hoe1 @mininji @palegardenrebel [yes, i just needed someone to give me an excuse to write this filth] 🤭 m.list

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ratatattouille · 22 days ago

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Why Arcane's Finale Fumbled Pt. 2

In my last post, I argued that Arcane's second season was artistically beautiful and thematically cheap. I broke down where I believed the writers fumbled with Vi's, Jinx's and Viktor's characters, and how the conflict of season 2 should have centred around a war between Piltover and Zaun rather than Piltover/Zaun against Ambessa and cosmic robots. I asserted the the real let-down of Season 2 had to do with its themes and its refusal to commit to the political story it had set up.

Well, folks, on further examination, it actually looks worse than I thought, and I'm going to use two characters--Silco and Mel--to break down what makes the message of Arcane so hollow and even a little dangerous.

Let's get into it.

Silco: The First Proposition

Silco and Vander:

Silco is a character CENTRAL to the themes of Arcane. The setup of the entire drama of the show, the central theme, are these questions: what is the price of progress and are we willing to pay it? Should we pay that price? Or as Silco says it quite bluntly to the first kid we see him give shimmer to: “Real power belongs to people who are willing to do anything to get it.” This story isn’t merely about ambition, but a dialogue on what actual progress costs and looks like. What does a better world look like? Is the better world we’re fighting for better for us or others? And what (or who) are we willing to sacrifice to achieve that goal? Vander, when faced with that question on the bridge answers, “No dream is worth the loss of those we love.”

The death on the Bridge of Progress during the early war/conflict had too high a cost to Vander. Silco, however, “had enough.” Unlike Vander, what happened on the Bridge of Progress radicalized him. Silco, while being drowned by Vander, realized in that moment that he would do anything, not just to live, but to achieve his dream of a free Zaun. With or without Vander. Even if he had to sacrifice Vander. And we soon see, that while Vander dedicated the rest of his life to keeping the vulnerable in The Lanes safe (even if it meant making deals with enforcers), Silco was willing to throw citizens of The Lanes to the wolves on his way to achieve independence for Zaun. Silco calls it, “The necessary violence for change.” And in this episode (3 of Season 1) Silco sets forth a proposition for the entire show: does the path to a better world require violence?

Silco and Sevika:

Silco’s new approach to crossing the bridge of progress, the path to freedom is winding and twisted. Silco embraces that, because only the goal matters: an independent Zaun. Silco won’t be at the mercy of the Council or anyone in The Lanes, and Sevika is into that shit. We saw that she percieved Vander as weak and servile to enforcers. Who she deems abhorrent without remorse (Vander and Grayson are both despised by Sevika and Marcus because they are percieved as being too lenient with their enemies). Silco, however, has an ACTUAL plan.

He creates a shimmer enterprise because having this control not only gives him a monopoly on The Lanes (and the gangs within), but leverage when it comes to manipulating the Council. Violence and the threat of war are the official languages of both Zaun and Piltover. It is how anyone bothers to listen to Silco both in The Lanes and within the Council. We know that the rich Piltovians (like those IRL) only speak money. “Progress” to them is prosperity and legacy (and I’ll get more into that later).

By creating the shimmer enterprise, Silco not only gets his foot in the door, monopoly over the other gangs and factions (thus uniting them), but a metaphorical seat at the table. His name has weight now, which positions him to make demands of Piltover and give Zaun a thriving industry (at least when it comes to money). Especially because (as we see with Salo and Lest) shimmer is also used by the elites. Silco is a brilliant tactician who exploits the hubris of Piltovians (like Marcus, who wanted to be in charge so he can neuter Zaunites indiscriminately), and manipulates them to his own advantage (much like Mel). But when Renni’s son is killed in the mines, Silco’s proposition is confronted once again: isn’t it easy to justify necessary violence when no one you love is the collateral?

Silco doesn’t care about Renni’s son, doesn’t see himself as remotely near Renni’s position. When Twitch calls Jinx his “dog” (something Sevika herself wanted to do lmao), Silco gets twitchy. He doesn’t recognize any similarity between his relationship with Jinx and Renni and her son. Jinx is not someone he would ever consider as up for debate. Which was the point of tension between him and Sevika (a Sevika who’s loyalty he KNEW he needed in order to keep control, especially in the wake of Jinx’s volatility and unpopularity). Nevertheless, Sevika doesn’t betray him in that moment, because she still sees Silco as stronger (even though she believes Jinx is a weakness he needs to get rid of). As with Vander, Sevika views affection for their own at the cost of freedom as weakness.

Yet, funnily enough, she is fiercely loyal. She, like Jinx, is Silco’s “dog.” She shares his weakness, the weakness that makes her zealous for a better world in the first place. But what Twitch and Renni pose to both Silco and Sevika is the unsettling question of: are you really willing to go far enough? Or do you still see yourself as an exception? Regardless, when it comes to Silco’s proposition, Silco WAS SUCCESSFUL (and also accurate in his deductions on what would get both cities to respect him and eventaully give him what he wanted - Zaun). His determination and focus paid off, indeed, it’s hard to see how he could have been successful without the “necessary violence”. It is clear that he wouldn’t have. No shimmer, no independence. Silco, for all his gruesome methods, WAS RIGHT. Except . . .

Silco and Marcus:

By exploiting and manipulating the vulnerable of The Lanes, Silco also ensured he would suffer the same fate as Marcus. Unlike Silco, Marcus did horrible things to protect his daughter. Marcus, at first, had started out as a zealous enforcer, eager to clean out the rats of The Lanes. Although he didn’t plan for Grayson to be killed, he was willing to get rid of her in order to ensure that he would get into a position that allowed him to do what he wanted to do: exterminate rats and be the hero of Piltover.

Silco offers him bodies for Stillwater in exchange for ease of shimmer distribution. Silco is willing to sacrifice his own people, the people Zaun is ironically for, in order to gain influence in Piltover. Silco, however, did the opposite. Because he loved Jinx, he recognized her deepest insecurity and sought to assuage it (inadvertently weaponizing it against her and those who loved her). He let Jinx get close and gave her responsibility so she could feel like she belonged (he let her drug his eye, a delicate process, while she was still thought of as reckless and untrustworthy). He brought her deeper into the heart of the violence and taught her to embrace it. He made her a child prodigy of warfare.

He takes a different approach to Vander (who kept telling the kids to stay out of trouble where they could and used himself as a buffer). So was Silco wrong? Was Vander? The answer was, quite poetically and profoundly, their deaths and the resulting silence. Both died, more or less, at the hands of their daughters. This is something overlooked often by fandom. It was Vi’s choice to lead her brothers and sister into Jayce’s apartment that would eventually bring the enforcers down to The Lanes, sparking the chain of events that would lead to Vander’s death (or had things gone “well,” his arrest). Vi is also how Powder got the arcane stones in the first place. Vi’s encouragement (well-meaning and innocent as it was) played a hand in the disaster that followed.

But the fact that both Vander and Silco die regardless, paints an excellent portrait of the constraints of oppression. Both tried different methods when it came to rearing their daughters. Both methods got them killed and thrust their children into peril. Vander could only have shielded Vi for so long, and Jinx could only have taken so much so young before she broke down completely. The fate of the girls is not merely their fathers’ fault, nor their sister’s. The tragedies of their lives happen due to the simple fact that they were born in The Lanes. No choice, on either Vander’s, Silco’s, Powder’s or Vi’s mattered in the end.

They were always playing a losing game, which is what makes it so fucking INFURIATING when S2 comes along and suggests that “ACKTUALLY the reason everyone’s happy in Ekko’s AU is because Vi died/hextech was no more/Silco and Vander made up).” All of those were symptoms of the bigger issue, not the issue itself. And that is the horrible irony of Silco’s story. He WAS right. But his folly was viewing himself and those he loved as exceptions to the rule. For when Zaun demands the final price, when Jayce asks for Jinx in exchange for his dream being realized, he isn’t willing to pay anymore.

Marcus only crossed the bridge of progress into Zaun for the sake of his daughter (as is shown in a chilling scene where he finds Silco playing with her in her room). Likewise, when Silco FINALLY finishes, after all those years, his march on The Bridge of Progress, like Marcus, he dies in a swarm of bullets. But unlike Marcus, he is afforded time to tell his daughter, “I wouldn’t have given you to them. Not for the world.” Not for his dream. So what did Season 2 do with that?

Summary of Fumblings:

-I’ll tell you what Season 2 did. Season 2 took the biggest shit on one of the most fascinating characters in animated history. The reason I didn’t put that much critique up there was to show you how complex, layered, deep and thoughtful Season 1 was with Silco’s character. Silco in S2 became a cheap gimmick flung in our faces like the marketing team was trying to sell Silco plushies following the release. His back-story in Season 2 clashes horribly with Season 1. If Vander, Silco and Felicia were such chums back then, why did neither Silco nor Vi recognize each other when they met in Season 1? They were quite grown by the time the March on The Bridge of Progress happened. Honestly, there’s too many mistakes and inconsistencies with how Season 2 handles the backstory I don’t even see a point in getting to it

-(excerpt from one of the writers) I can't BELIEVE MY FUCKING EYES! Silco’s respect for Vander, despite the fact that Vander tried to drown him (most likely after the carnage on the Bridge of Progress where Vander realized the cost of war), was that Vander remained dedicated to Zaun’s independence, at least, until he began prioritizing the safety of the children over Zaun’s freedom. Silco’s respect for Vander had never been a goal or motivation. Silco never expressed any desire to be respected by Vander. He merely expressed respect, ONLY because Vander, up until he became the enforcer’s “lapdog,” shared his pursuit of a free Zaun. Silco killed Vander for the same reason Vander tried to drown Silco: they had become a threat to what they held dear - Silco, his pursuit of Zaun, and Vander the safety of his adopted children.

-”We build our own prisons. Bars forged of oaths, codes, commitments.” This conversation is SO FUCKING—rips into mattress and pulls out stuffing Jinx hallucinates Silco from within the cell she’s in at Stillwater, maybe the same one Vi had been in. Silco starts off saying something like “It’s funny how Marcus thought putting Vi in this cell was a greater mercy than killing her,” cluing us in to not just Jinx’s mental state but the very real torment it must have been for Vi as a child as well. SO JUST TO RECAP, WE ARE TALKING ABOUT THE PRISON OF THE CYCLE OF KILLING AND VIOLENCE, OKAY. In addition to that already horrible quote above, Silco says, “. . . and it will continue, long after the two of you.” So, folks, IN CONCLUSION, this cycle of violence (which I have already established like a fucking broken record is EXPLICITLY started and perpetuated by Piltover) is eternal and inevitable. Just let that fucking sink in. Let it settle nice and sour in your gut and then tell me how that GERD feels. Not only is that an appalling thing to suggest about any oppressive regime, it’s also untrue. Yes, humanity has not gone a decade without some form of conflict and struggle, but individual societies have been PROVABLY capable of both progress and regress. Both of which require the agency and active participation of others. And Arcane seems to want to show that progress is indeed possible, but it has already declared it, to some extent, a pointless pursuit in this conversation. Which is it, Arcane S2 writers? Is progress worth striving for, or is it pointless? “Oh my god, you’re so dumb ratatatouille!” you say. “Of course they answered the former! Duh! In Ekko’s monologue when Jinx is trying to kill herself, he tells Jinx that someone special once told him that no matter what happened in the past, it’s never too late to build something new - someone worth building it for.” GREAT! DELICIOUS, EVEN! Now why is it that Ekko says this instead of Silco? Why isn’t this something Silco would say, given that this was the entire point of his and Vander’s story? That this is what his arc embodied and explored? “You’re so silly! Obviously Silco is a hallucination!” The show explicitly frames Silco as RIGHT and tries to tie in what Silco says with what Ekko says. More sympathetic viewers will say that since Ekko discovered that Jinx was never the problem, that hextech was, and that Jinx was actually the path towards progress - a path Silco had walked so she could run - Ekko approached her as someone he could finally save (and oh boy am I going to get into why that doesn’t work AT ALL later). Is is not Jinx, but the hextech, the ARCANE, that is dangerous. The hextech is the true jinx. It is what will keep the cycle going. That’s why Silco holds the arcane stone near his eye like that in the scene.

And to that I say . . . WELL THAT’S FUCKING STUPID. I don’t care that “Arcane” is the title of the show. It is the cheapest story gimmick I have seen since vibranium, except vibranium REMAINED a plot device and didn’t usurp the theme or political/interpersonal conflicts in Black Panther. Hextech was a PLOT DEVICE meant to be used to explore the themes which became the ENDPOINT. And this story SUFFERS SO MUCH from that simple change. This is why most critics of season 2 say the story should have remained focused on the interpersonal and political reasons characters did what they did, rather than siphoning all their stories into a mission to stop the evil, mystical stones. It is a fucking stupid distraction in S2, where in S1 it had been a beautiful metaphor, a fragment of a mirror that the characters held up to examine their faces.

But by claiming the cycle was the hextech all along, you just shat on everything that made S1 good.

Which brings me back to what Ekko tells Jinx, that she can still build a better world for the people she loves (like Vi, I guess). That’s why she comes back to help her sister. She cuts her hair (a symbol of letting go of the past) and joins Vi to defeat Ambessa and evil Viktor. This is treated as some kind of continuation (or the true point) of Silco’s “ending the cycle” speech. By letting go of Vi (literally) and Silco (also literally), she can finally . . . er . . . stop “running in circles.” So the show tells us she is BOTH supposed to fight one more time to achieve an autonomous Zaun AND fuck off to a new land to escape said cycle—which, what was the POINT of fighting if she still had to “escape” it in the end anyways?

NO S2 HALLUCINATION SILCO, JINX AND VI DID NOT BUILD THEIR OWN PRISONS. THEY SURVIVED THE CAGES THEY WERE PUT IN AS CHILDREN AND THEY DESERVED BETTER THAN THAT GODAWFUL DUMBASS SPEECH.

Do you see why this writing is so horrible? It contradicts itself so many fucking times, no matter how you splice it. Whether it’s about the cycle of violence being the fault of unforgiveness or hextech. None of it makes any sense because none of it was ever established in season 1 as being the cause for any of those things. And by even SUGGESTING that either or both of those could be the cause, the writers send us two very troubling messages: oppression is inevitable and also, somehow, the fault (rather than responsibility) of the oppressed. Actually no, I think the suggestion from the writers is even stupider: oppression is an option and you can opt in or out.

And that is the ultimate insult to Silco’s character and what he did for the story of the show.

Mel: The Counterpoint

Mel and Jayce:

Mel is Silco’s thematic counterpoint. In the story, Silco proposes that progress costs some “necessary violence.” Mel is faced with this same question as a child, when Ambessa presents her with the last remaining heir of a nation Noxus had conquered. Ambessa asks young Mel if they should kill or spare the girl. “Kino says war is a failure of statecraft,” Mel had said, when her mother told her about how her father had made her retrieve knives on the battlefield at ten so she’d know death. War, Mel is sure, is REGRESS not PROGRESS. It is the breaking down of the state, not the making of one. It’s obvious to Mel that sparing this girl, who looks about her age, is the progressive, less barbaric thing to do. Yet Ambessa insists, “Your brother thinks he can talk his way out of anything,” Likening him to being a fox among wolves when a good ruler needs to be both. To which Mel goes on to describe the kind of ruler the new conquered kingdom will need. A woman “with a kind, fat face to charm her subjects”, but moldable, to which Ambesaa basically says “So basically you? Cool. I’m down, but you have to prove yourself to me. Prove you can take it.” This is when Mel is presented with the ultimatum: choose to spare the girl or kill her. “We can show the people we are merciful,” she pleads on behalf of the girl. But Ambessa is firm. If Mel kills her now (a symbol of the old “regime”), she won’t (maybe) have to deal with any uprisings and kill thousands.

But Mel doesn’t swallow this poison, insists that diplomacy is the superior way, and is banished to Piltover, where she undertakes the task of proving herself. She tries to become the fox. She uses her kind, fat face to charm the Councilors of Piltover and manipulates Jayce to use hextech for Piltover so that her work in the city becomes impressive, cements her legacy as a Medarda, validates her as one of them, and ALSO proves her mother wrong, thus liberating herself from her mother’s cycle of violence and re-instating her rightful station as a worthy member of the Medarda clan.

But it’s not JUST that, though. Jayce’s enthusiasm to improve the world with hextech inspires Mel and validates what she felt so strongly as a child that Ambessa staunchly denied. When Jayce shares his dream with her, she goes all soft and says, “We’re (the Medarda’s) not often in the position to give back.” Which is . . . funny, lol. I think she was talking about herself rather than her entire family. Anyway, to Jayce, Mel was the one who gave him a second chance. He and Viktor wouldn’t have gone anywhere without her help. Jayce is likely the first person she’s felt capable of helping (especially outside Ambessa’s shadow), and likewise, Mel makes Jayce feel indominable (remember: “Nothing feels impossible when I’m with you”). Jayce makes her feel good about herself, hopeful that her ways can work. After all, being the fox has worked for Jayce and Piltover.

But Mel isn’t just the fox, and not for the reasons S2 thinks. Why? LONG before Ambessa sets foot in Piltover, Mel receives a letter from a correspondent overseas. She despairs that Jayce is not ready to be the success she needs him to be. Even after he confides in her about Viktor’s illness, to her it is not a personal loss. If anything, she’s more concerned that Jayce has a close relationship with him, wondering how much it may affect Jayce, hence her plans. Jayce wants to uphold his promise in helping Viktor, the man who saved him from his own death (AND TRUST ME, WE’LL GET TO THAT) but Mel wants Jayce focused on keeping her investment and legacy IN PILTOVER safe.

So what does homegirl do? She manipulates Jayce into creating hextech weapons. The reason she moves for a vote to make Jayce a councilor on Progress Day is in light of Jinx’s attack. The councilors are worried that someone in the undercity got their hands on hextech and can use it against them. Jayce, feeling responsible for the situation (and that probably having something to do with Caitlyn nearly dying in the attack), proposes to pause all hextech developments until the threat is neutralized. Instantly, we see Viktor’s and Mel’s reactions—panic. Both are running out of time. Mel to make Piltover a success, and Viktor to help those dying in The Lanes. So Mel proposes Jayce become a councilor instead.

We next see her examining Jinx’s bomb with Viktor and Jayce. Jayce asks Viktor if it’s possible that Jinx could create something resembling hextech. Viktor, who is busy marvelling at Jinx’s ingenuity and feeling a little proud of his people, says very confidently that “It’s a leap.” Meaning it’s far away from what Jayce and him are developing. But Mel needs SOMETHING to show her peers overseas. That, or she recognizes the undercity as a real threat to her dream of progress and prosperity. Legacy. The undercity is ugly and she wants to neutralize it before she loses her chance. Here, we see her make the choice to be the wolf. The relentless and unmerciful. Focused and driven by her ambition. She will be a Medarda, unlike last time. When Jayce asks if she knows for certain that Zaun intends to turn the gemstones into weapons, Mel says, “That doesn’t matter. We’ll assume,” which pisses Viktor off. But then she performs the ultimate manipulation on Jayce. She uses Jayce’s care for the Kirammans and Piltover to convince him that it’s necessary to “protect your people” which, Viktor can tell, does not extend to the people of the undercity.

Once again, Mel is demonstrating that she doesn’t see Zaunites as people. She barely acknowledges Viktor when he protests, saying “That’s not what we invented hextech for!” She merely looks at him, then looks back at Jayce and talks to Jayce. She repeatedly ignores Viktor, talks over him, as if he isn’t there. Doesn’t matter. After all, Jayce is the only one in Piltover worth her time. Piltover is her project, not the dirty undercity. Mel had already sown the seed for Jayce’s rampage by the time Ambessa showed up.

“Stay away from Jayce!” she says, and yet Mel is what brought Ambessa close to Jayce both physically and ideologically. For hextech and Piltover (the City of Progress) to be safe, Jayce has to commit some “necessary violence for change.”

This isn’t Ambessa’s fault, but Mel’s and Jayce’s. Again, Mel is the one who started the manipulation and Jayce is the one who betrayed his and Viktor’s vision.

Jayce acquiesces to Ambessa's rhetoric since the attack at the bridge, and proposes to the other council members to go into The Lanes with force, which they are all (including Mel) hesitant to do. But then Jayce goes ahead anyways, and kills a kid (which we’ll come back to), and he not only regrets it, but does a 180 and returns, like Mel, back to his core values — peace and progress over prosperity or legacy. He makes a deal with Silco and then goes and tells the Council what’s up. Mel, now utterly convinced of her position, is the first to cast her vote in favor of an independent Zaun, and removes the Medarda ring while she does so, signalling her disdain for all the clan represents. Not only that, but she smears gold over the Noxian ships in her painting, which her mother correctly reads as a rejection of Noxus and an embrace of the Piltover her and Jayce want to build. Mel does not anticipate the attack, and Mel, in the last frame of the finale of Season 1, is the first target of Jinx’s bomb, the first councilor it was going to hit while her back was turned to it.

Mel and Viktor:

Mel’s parallel with Viktor is interesting. Mel’s interest in hextech (and initially Jayce) are to her own ends, later becoming altruistic (Viktor’s interest in Jayce also starts as an interest in his theories although his motivations were altruistic from the start). Jayce reminded her what she wanted to be in the first place. That her family name, like Jayce’s was to his, was a ball and chain around her neck. Holding her back from true progress. From a better world. A better legacy. Viktor comes from nowhere-land. Viktor doesn’t have a family legacy to inherit. Viktor is a Zaunite. And soon, much like Viktor, Mel is going to have to work hard to create her own legacy. Both Viktor and Mel are sort of outsiders in Piltover. As is shown in S2 with Salo, Piltover, the Fake City of Progress, has no accommodations for the disabled, which makes Viktor stand out like a sore thumb (also, Viktor is the one who made his own leg brace). Mel is a foreigner who has to make a name for herself before she can latch onto the Medarda title. Viktor wants the city to be good, while Mel wants the city (and herself) to look good.

This is why Viktor gets so sassy with her lmao. He sees through her manipulations and notices that she is pulling Jayce away from what they’d set out to do together (he is also annoyed at how easy it is for Jayce to forget). Mel is the one who tells Jayce it would be wiser to let the council members get away with their criminality (all while cracking down on The Lanes), which makes them wealthier, something that pushes Jayce deeper into his own prejudices against Zaun, where he starts seeing himself as primarily a caretaker of Piltover rather than hextech, as a councilor rather than a scientist, and it jeopardizes his relationship with Viktor.

But Jayce helped her re-connect with the values all three of them shared deep down. The desire to help people and make the world a better place. After the bridge massacre, Mel wants to put her manipulation, charm and diplomacy to good use, and she does so in the Council Room when she votes for Zaun’s independence.

But here’s where the FUMBLE happens. In S2, we see that Mel’s magic seems to have shielded Jayce and herself, but not Viktor. Not only that, but it’s hinted that Viktor’s magic is resistant to her touch. We don’t get any answer as to why that is (although I’d like to think that was Viktor being petty even while unconscious). This is especially weird since the arcane is alluded to be where the mages get their power (and isn’t it convenient that Viktor became a mindless war machine controlled by the corrupted/corrupting arcane instead of a mage when we see that in other universes he is indeed a mage already?). Not only that, but Viktor can clearly ��touch” her magic through the puppet, later on.

Jayce keeps asking her why he was spared and Viktor wasn’t, and Mel, once again, cannot answer him. She knows that her magic protected her and Jayce, but once again, Jayce is lowkey asking why all these horrible things keep happening to Viktor instead of him. Why he is spared instead of Viktor. Unlike Mel, I have an answer. The answer IS PRIVILEGE JAYCE NOT THE FUCKING ARCANE AND THE MYSTICAL NATURE OF MAGIC OR SOME UNKNOWN FORCE OF FATE. Viktor’s tragedy was something that could be helped by both hextech and just Piltover not being a bunch of fucking asswipes. Viktor’s “bad luck” was actually just piss poor governance, or as Kino would say, “a failure of statecraft.” When Mel forsook her original ideals in order to pursue her mother’s acceptance and her family legacy, she did what all the other council members did: make themselves comfortable in places of power at the expense of the oppressed. In order for her to reclaim herself, she had to abandon Noxus and her dream of returning or belonging to the Medarda Clan. Mel has to choose between her family’s legacy and her own longing for progress.

Mel and Ambessa:

While Jayce has to fight Victor (who is really now reduced to just another weapon Jayce created that’s gotten into the wrong hands - and more on THAT later), Mel’s task is facing down her mother. By removing the context of oppressed/oppressor inherent to the Piltover/Zaun dynamic, we fail to explore S1’s setup for Mel. IT SHOULD BE NOTED that the reason diplomacy worked for Mel and not Silco was because of their differences in power. When Viktor tells Jayce “There is always a choice” after Jayce expresses his doubts regarding what Mel said about the Zaunites making hextech, Viktor was talking about Jayce’s choice. Mel’s choice. Mel could have chosen to be diplomatic, even with the threat of Jinx. But instead she forsook her ideals in pursuit of her desire to become a Medarda and, like her mother in her dream, preferred to eliminate the threat rather than integrate (Zaun). Even if she back-tracked by the time her mom came back.

Mel has to face the fact that, like Jayce, she betrayed her values and initiated something horrible: the war she’d always dreaded and despised. Mel is why Ambessa heard of the weapons in the first place. But S2 doesn’t focus on this at all. It barely acknowledges it. Instead, Mel is sucked into the Black Rose and told she’s a mage and that her mother must die for the sake of nameless nations the Black Rose mentions. You see, Ambessa is a scapegoat. An excuse to halt and dissolve any meaningful discussion on Piltover’s (and Mel’s) hand in the plight of The Lanes.

By making Ambessa the big bad, the council members and other Piltovians complicit in Zaun’s desperation get a free pass. Both in the show and by fandom. In fact, Mel can now be regarded as a hero (one of the GOATs of Arcane, if I recall) for killing Ambessa, then being christened the wolf by her mother. We don’t have to reckon with the fact that for most of the time she knowingly used Viktor (and Jayce) as a means and ignored Zaun, and that when Zaun got her attention, her first instinct was to weaponize Piltover, saying, “The peace was already broken.” And I’m pretty sure the reason she did this was PURELY for ambition, because not more than an episode later, she’s backtracking, insisting that Jayce doesn’t know war like she does, that they should simply give Silco what he wants.

So Viktor was right. She wasn’t forced to manipulate Jayce into creating hextech weapons. She wanted to do it for her own gain. And Jayce rightfully gets mad at her in S2 when he recognizes her manipulations (even if he himself was complicit). He does, however tell her that “No one can control you and you’ll never be a passenger.” Once again affirming her incredible power—only this time, the focus is magic and not her political prowess. AND ISN’T IT CONVENIENT THAT MEL “DOESN’T UNDERSTAND” HER EMPATHIC POWERS SO SHE CAN BE TECHNICALLY EXCUSED FROM HER DECISIONS IN S1? HOW COOL IS THAT?!

Lmao when Mel starts lecturing her mother in the finale with “Mother, look at the price of your ambition,” it’s like . . . okay? You exacerbated this war long before your mother, girl. You were the one on the council for YEARS before she arrived. Mel, like Caitlyn, gets to play saviour while barely taking any credit for the fact that she was largely responsible for where Zaun and Piltover ended up (sis literally determined council votes singlehandedly). When Mel stands on the other side of the Bridge of Progress, she sees a trail of violence. She decides to cling even more firmly to her core values. Silco was right, but so was Mel. You see, diplomacy wouldn't have worked for Silco, but it could work for Mel, because Mel had power.

Summary of Fumblings:

-And what was that, “(Piltover is) the city I built for my family” BS? By the end of S1, it is clear that Mel wants NOTHING to do with being a Medarda anymore. She wants to keep Noxus and Piltover SEPARATE. So why does she tell her mother, “You will never be a Medarda” as some kind of gotcha? Lmao, like why tf does that matter? How would she know? Why would she care? Other than her and Kino, what other benevolent Medardas are out there that makes her say this?

-The Black Rose warns Mel of Ambessa’s “thirst for legacy” (much like Mel’s) leading to a worldwide calamity. Mel wants to imagine that her mother prizes her own children over her pride, but the Black Rose insists that’s not true. That Ambessa is willing to sacrifice her children for more power and legacy. We do understand, however, that when Ambessa is confronted by the Black Rose, she is resorting to hextech so she can avoid using Mel (”she’s safer as our enemy”). AND THAT WOULD MAKE SENSE IF THE THIRD ACT ACTUALLY ACTED LIKE IT. How is Mel going to be this really great weapon that Ambessa doesn’t want to use because she loves her (which like, why didn’t she love Kino then if it wasn’t about magic?), but also simultaneously SENT AWAY TO A DISTANT LAND OUT OF HER WATCH? So now she’s hiding Mel, but she wants to pursue the arcane that is waking her mage-ness up and making it impossible for Mel to hide? Ambessa was literally there in the council room in the aftermath of the explosion. She knew Mel had used magic to protect herself and Jayce, but she didn’t do anything? Say anything?

Now most of this is clearly setting up another story in Runeterra (which means my criticism will ultimately be left to conjecture), so I’m going to focus instead on her last words to Mel: “You are the wolf.” The wolf being a symbol (at least in callback to season 1) of ruthlessness and fearlessness: the opposite of mercy. Why does her mother say this? Because Mel finally made a kill? Or because she killed to protect what she built? Finally embraced her power? Yeah, let’s go with that last one. Mel’s development in S2 becomes one where we focus on the power she’s always had, both magical and influential. Yet the show focuses more on the cool magic part than the rammys of Mel’s decisions in S1. It ignores her political power and frontlines her magical abilities, even making her political prowess partly due to her magical empath powers . . . like . . .

Mel was the wolf long before she killed her mother because she had always been someone who used her strength in order to pursue her own goals ruthlessly, even at the expense of Zaunites. But S2 insists she became the wolf only when she was willing to kill her mother. That her wolfness had something to do with her magic rather than her judgement.

-Mel had dislodged her legacy from the Medardas by the time S2 rolls around. . . except no she hasn’t. In the end, Mel is sailing back on the Noxian ships she painted over, and she is doing so as the new Warlord (even wearing what looks like her mother’s cape) because she is the badass wolf, the leader that her mom wasn’t. And how did she achieve that power? Magic. Why does she want to go back? To reform the Medarda name? To take on the mission her mother couldn’t finish against The Deceiver? Because Jayce is dead? Who even cares at this point, this is mainly happening for the spinoff. It isn’t illogical, it’s just the least interesting approach to her character. Mel had much more agency in S1, and her political prowess made her formidable. But that doesn’t matter anymore.

-Her whole arc in S1 was all about her finding the courage to leave the Medarda name behind in pursuit of true progress, but then she kills her mother and sails away from Piltover, the city she fought to protect and killed her mother for and is all about probably reforming the Medarda name—and that’s her job done? Is it me, or is that a reversal of her—pardon the pun—progress? Not only that, but making Ambessa go from an imperialist tyrant to this woman bravely fighting against a larger, more powerful threat cheapens what Noxus represented for me. Sometimes conquerors do be conquering, and they make threats up to justify their greed. Not the other way around. It’s not too egregious, but it would’ve been nice if the Black Rose had been more of an epilogue thing.

-sigh I know I’ve said it before but it’s because it’s true . . . the conflict should have remained between Zaun and Piltover and Ambessa was a cheap way out of what S1 was building up

-Mel being a mage is a cool reveal, but it side-lines and devalues what she was, could do, had done and how she’d developed in S1

-Despite what the show would have you believe, Mel was not the victim. She was very much complicit in ignoring Zaun’s needs in priority of the rich and wealthy in order to make herself look good. She wasn’t as cruel as her mother, but she wasn’t progressive until she saw the damage already done (and Jayce helped her re-connect with her own conscience).

-Mel’s contribution to the development of hex-tech every step of the way is completely ignored. Instead Viktor and Jayce take full responsibility.

Conclusion:

Mel and Silco's arcs both ask: is violence necessary for progress? Both answer yes, but Mel's remains a little unsatisfactory. Because Mel had a choice. She had power. Power that Silco was willing to do (almost) anything to get. Both Mel and Silco's presence in S1 were formidable, and what made them so intriguing was there thorough understanding of people, both the good and the bad. But in S2, at least for Mel, what made her such an agentive character is thrust aside for spinoff hype. It's not that it isn't cool, it is. It's just one of the things that made S2 feel not only chunky, but disconnected from the roots of its story in S1. Both Silco's and Mel's characters in S2 reveal a very poor (or troubling) view of oppression, power dynamics and politics.

Anyway, that's just me. I was gonna do Ekko, Caitlyn and Jayce as well, but this post got too lengthy. I'll probably need to whittle it all down later. I've already cut so much.

#arcane #arcane season 2 #arcane critical #mel medarda #jayce talis #jayce arcane #viktor arcane #mel arcane

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aroaceleovaldez · 4 months ago

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just read the plot summary for Wrath of the Triple Goddess and. wow this is. painful this just sounds painful to read.

Why is Grover the incompetent inciting incident character? That is not his narrative role ever, really. That's like, the fanon conceptualization of his character where he's reduced down to comedic relief and nothing more. He's mostly exposition and support. Why not have the inciting incident be something about Annabeth's hubris - something that has gotten the gang into situations tons of times before in a way that doesn't put down any of the characters? Heck you could have even tied it into some Sea of Monsters stuff, like Circe having told Annabeth that she'd make a good sorceress. That'd be perfect for how this book literally just exists to be advertising for s2 of PJOTV. Or maybe call-back to Percy's introduction, where he talks about how he doesn't try to cause problems but problems tend to find him. Or use the established personalities of Hecate's animal companions from HoO, since we know they have attitudes. Just what are you even doing here????

#pjo #riordanverse #wrath of the triple goddess #wottg #cotg trilogy #percy jackson #grover underwood #annabeth chase #you're advertising your mischaracterization of characters now!#dont do Grover dirty like that!!!!#i mentioned on discord that this plot summary sounds like a fanfiction plot to me. not in a means of ''oh fanfic inherently bad pbbbt''#cause fanfic not inherently bad. i know many fanfics way better than this. but fanfic-like in this is not consistent with canon #(cause fanfics dont need to be. versus canon stuff which does) and characters are being reduced to flat archetypes more often #which has been a sort of trend ive noticed recently in the franchise. a lot of characters in canon are getting treated more and more #like their fanon counterparts. which is WEIRD! cause we're all aware of how the fanon counterparts are vastly different from canon #and it just kind of goes to show how little the canon is keeping track of their own stuff cause it implies theyre just going based on fanon #just entirely lifting characterizations and concepts and such from the community. which is bad!!!! there's a reason you don't do that!!!!#like aside from it just being bad practice THERE'S LEGAL SHIT YOU CAN GET INTO WITH THAT #this is why you make a series bible Richard!!!!! copying the community's homework won't make them like you more!!!!!

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ruegarding · 11 months ago

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tags via @ikarus-rises

i had to reread all of annabeth's pov in moa to make sure i wasn't exaggerating every time i say this exact same thing, but no. it's true. they declawed my fucken blorbo.

annabeth's fatal flaw being hubris doesn't mean she acts confident but is secretly insecure and indecisive, like she is in hoo. it means she genuinely thinks she can do it better! annabeth's pride is an essential part of her character, she can have moments of insecurity, but if every chapter is rife w her being insecure hubris is no longer a main character trait.

annabeth should've spent all of moa oscillating between being excessively confident and screaming what the fuck, à la botl.

fatal flaws in hoo being treated as something each character can overcome easily one time instead of inherent character traits that are constantly looming over the narrative is my villain origin story

#me shaking hoo annabeth: WHERE IS YOUR PRIDE?#also ppl like to say she got pulled into tartarus bc of her hubris but SHE LITERALLY THINKS SHE'S LOST.#she doesn't think she beat arachne before the argo ii shows up annabeth literally thinking i'm sorry percy i'm going to die here #she is not over-estimating herself! she gets pulled into tartarus bc she thought she was abt to die and she just wants to be comforted #i mean u COULD argue it's bc annabeth monologues. but i highly doubt arachne would just sit there and wait for the gang to show up #and arachne has a ton of little spiders that could tell her where annabeth was so even if annabeth was quiet it wouldn't matter #regardless the point is her hubris is not as big a factor as some of y'all think and that's a glaring issue of characterization #anyway rick tries to tell us in moa that annabeth is like “i have a hard time admitting i'm not always the right person for the job”#except that doesn't happen once in the book. so it falls extremely flat.#AND annabeth is humble? constantly???? like what are u TALKING ABT #let her be a jerk sometimes i'm begging #like as ooc percy is at least his fatal flaw comes thru...annabeth...might be worse #annabeth #hoo crit #rr crit #additions

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zerothisnero · 5 months ago

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Her 🫶

#we love her chat #ignore how bad the hands and proportions are i finished this at like 1 in the morning #oc #NeNe #hubris gang #nero's scribbles

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mariespooky · 10 months ago

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“Eu amo você”

aww , what a lovely couple - I sure hope they don’t break up ^^

this took two days to made…..on and off

BUT I LOVE HOW IT CAME OUTTTT

…..rare lars audio… !11!1!1!!1!1!1

#lars #ren marie #hubris gang #within hubris #procreate #art #digital art #couple #Spotify

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djarincore · 8 months ago

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A Bard's Tale

SUMMARY: When you proposition Halsin at the Grove party, you're almost shocked he agrees. Now, if only you could sneak away from your companions... WC: 3.9k

PAIRING: Halsin x f!reader

TAGS: 18+ MDNI, smut, bard!reader, cunnilingus, fingering, unprotected PIV

A/N: just some filthy smut Gale, my beloved, look away inspired by a book in the game and my head canon that the gang has a bookclub <3 banner by @/cafekitsune

You were used to being stared at—such was life as a performing bard—but never with so much… desire.

A numbing warmth blossomed across your neck and crept toward your cheeks, hairs stood on end. You knew exactly whose gaze fell over your body and tried pushing down a sudden shiver with a gulp of wine. The nearly stale flavor washed down your throat but didn’t take away the buzzing feeling deep in your gut.

Fireworks colored the sky above in a pop of brilliant glittering lights. Gale and Rolan were locked in a battle of wizard hubris over who could conjure up the bigger and brighter show for the crowd of awestruck children. You were certain if the show got any bigger or brighter, you’d have to be putting out fires and patching up burns by the end of the night.

“He’s staring again,” Astarion groaned, lips pulling up into a sneer and revealing the edge of razor-sharp fangs. His red glare fell over the edge of his silver goblet as he took a sip of cheap wine.

You dared to follow his gaze toward the large elf standing across the clearing, surrounded by rowdy celebrating tieflings. The two of you locked eyes—firelight danced over warm hazel eyes.

Halsin sent you a brief grin as if he hadn’t been caught staring, before returning to his conversation with the tiefling, Zevlor, in front of him.

When your party first learned the Archdruid Halsin had been taken by a bunch of goblins, you figured the man you’d find would be ancient, withering, and most of all, not attractive. Lo and behold, your party was in for a big surprise after freeing a helpless bear that shifted into a towering, broad elf before your eyes.

It was the talk of camp for the next few days as you cleared out the goblin camp. It was clear all of your companions held some interest in the druid, whether out of curiosity or… lust.

Tonight, you’ve been working up the courage to speak with him, drinking yourself dizzy with your companions and hoping it would give you the strength to approach him. You’ve flirted and had quick meaningless dalliances with faceless people who didn’t matter the next morning, but something made you nervous when it came to Halsin. He was wiser and more mature than anyone you've known in your short life.

“Gods, he looks like he wants to devour you.”

You quickly returned your gaze to Astarion, a quick retort forming on your lips. You snorted, “And you don’t?”

You allowed the vampire to indulge in your blood every once in a while but never took him up on his other advances as much as he offered. You never felt quite comfortable looking into the empty red stare that came along with those offers. Simple banter every once in a while didn’t hurt though.

“If you’d like, that can be arranged,” he countered, ever quick to throw on that charming facade, and moved closer. The cold emanating off his undead figure cooled the fire dancing along your skin.

“Enough of that,” Shadowheart huffed, rolling her eyes as she poured more sanguine liquid into her goblet—her third cup of the night. She was remarkably more relaxed and fun for a Sharran with wine flowing through her system.

“Oh, don’t worry, dear. The three of us can have plenty of fun together if you’d like.”

“Pass,” she said dryly, offering a hard shove to his shoulder instead.

You grinned as the two began to squabble with petty remarks and plenty of eye rolls. You took the opportunity to slip away for a moment of quiet.

You didn’t dislike your new, unexpected companions, in fact, you considered them friends after working together to defeat an encampment of goblins. Trust was earned and alliances forged but you weren’t used to your silently elected position as leader.

You were a bard for Gods’ sake! What knowledge did you possess of leading other than leading others in song? There were certainly more qualified individuals in your ragtag group, but somehow they trusted in your leadership and you weren’t about to let them down, not when so much depended on it. Sometimes it weighed on your shoulders; for every cut and bruise they received, somehow you felt you were to blame.

The celebration was still lively, bottles were still being poured, and laughter and song danced through the air. And still… trepidation, and anticipation for the uncertain future ahead, tainted the air.

The tieflings still had a long journey to Baldur’s Gate, and you and your companions had a cure to find. There was no telling any of you would make it past this night unscathed by the future ahead, but dwelling on the future would get you nowhere.

You breathed the rich, lively air and allowed a smile to settle on your face. This adventure would make a great tale if you survived. You could see it now—patrons gathered around you at the bar as you regaled them with the highs and lows of your heroic adventure, the friends and enemies you made along the way. And, if you were lucky, a lover by your side.

Speaking of—you glanced toward Halsin once again to find him alone and lingering by the tall grass, observing the party. His arms were crossed, yet the fondness of which he observed the festivities made him seem approachable. You drew in a deep breath and stepped toward him. His eyes found yours as you drew closer.

“You should be celebrating, not keeping an old druid like me company.”

You hoped that wasn't his attempt at shooing you away. “I am celebrating—with you.”

He hummed low, a small smile forming as he gazed down at you. Something unspoken lingered behind his amused expression, raw and unfiltered.

You tilted your head and brushed aside the feelings bubbling up in your stomach, the warmth rising across your cheeks. You cleared your throat, feeling the warmth from before returning to your cheeks, “So, where's your wine? There's plenty around. I think Mol has some stored away too.”

He shook his head with a chuckle. You’d almost think it was bashful. “I fear you do not want to see me drunk.”

You tilted your head and leaned in. What could an archdruid have to be embarrassed about? “Now I have to see.”

“Trust me, the stuff goes right to my head. Before you know it, I’d be breaking into song or declaring love to the first person I laid eyes on.”

You gaped, and in an overly exasperated voice said, “But love and song are my specialty!”

You were more than eager to hear declarations of love. Targeted at you, preferably.

“Maybe I can inspire you another time then.”

“Tonight?” You could almost taste the wine-fueled invitation. Sweet and tempting, a dangerous mix.

Halsin said nothing for a moment and you were certain he would refuse, probably thinking of how to let you down easily. Your stomach churned and your muscles tensed as you waited for any sign of rejection.

But, to your surprise, he nodded and rested a hand on your arm with a gentle squeeze. The feeling of his fingers against your skin shot a shiver through your body.

“Tonight.”

You blinked—once, twice. Disbelief and a mix of excitement stirred in your chest.

The rest of the celebrations passed in a blur of grateful tieflings approaching you with their thanks and relentless teasing from Shadowheart and Astarion. When the tieflings packed up and went on their way, headed for Baldur’s Gate, your party wished them well and settled in for the night.

You cast quick but unsubtle glances between the campfire and Halsin as you poked at the fire. He was setting up his tent between Wyll’s and Laezel’s.

You wondered when the promise of ‘tonight’ would come. Would he call upon you when the others were asleep? Would it be a simple look over the campfire, a nod of the head?

A hand on the small of your back, leading you into the woods. It would eventually slip lower, caressing your behind and pulling you flush against his solid chest. His lips would descend on yours with a hungry, desperate fervor, devouring any moans that escaped. Your hips flush with his, grinding–

“Man, what a night,” Karlach exclaimed as she threw herself against her bedroll by the fire.

Your eyes snapped from the fire to her, pushing your previous thoughts away. You took in a deep breath and felt it fill your lungs to chase away the heat. Your stomach twisted into knots.

She tucked her arms behind her head but sprung right up again, almost startling you. “Oh, I almost forgot! Check out what I found at the Grove.”

She snatched her pack, resting at the foot of her bedroll, and dug around until she presented you with a thin, crudely bound book. The corner was singed from the heat of her fingertips, but you could read the handwritten title across the cover in golden lettering—Shadow’s Kiss vol. 4 written by Roan Featherway.

When you flipped open the cover, you found most of the pages ripped out. The last chapter and epilogue were all that was left.

You briefly wondered if Karlach looked before taking it, but she probably hadn't. She admittedly hadn't read since primary, much to Gale’s horror.

You weren't entirely sure what the book was about after skimming the first page—something about two lovers. Luckily, you weren't too picky about your choice of literature.

“Can you read it tonight?” She stared at you with a wide smile. The flames in her hair flared, a key sign she was growing excited.

When the party wasn't slaying goblins, you found they enjoyed listening to you read, something to do with being a bard and mimicking voices. So, they took to collecting lost books in ruined of villages or anywhere else they could get their hands on one.

You glanced over to Halsin. He was pulling a blanket from his pack and setting it in his tent.

Would you still have time to sneak off later?

Gale appeared over your shoulder, squinting at the title of the novel. “Oh, another book? Hm, I'm unfamiliar with this one. Perhaps we should be starting this series in order.”

He settled down on his bedroll across from you with crossed legs.

“I'm sure our dear bard can spin up an interesting tale to fill in the gaps,” Wyll cut in, cradling a cup of wine and taking a seat by the fire.

You sucked in an exasperated breath when you saw Astarion and Shadowheart saunter up to the fire and take their places on either side of Karlach. There was no way you'd be able to make an excuse to slip away with Halsin without their relentless teasing.

You succumbed to Karlach’s request and opened up the book, clearing your throat.

“In the ashes of that ruined village, the pair shared a kiss, all tongue and teeth. Sweat and heat passed between the two bodies as they-”

Gods, was this really the story? You glanced up to your companions who seemed to look on with rapt attention. In the corner of your eye, you noticed a large figure settle down on a log.

“Don't stop on my account,” Halsin said, waving his hand to allow you to continue.

You nodded and dipped back into the novel. You were glad he didn't seem bothered that the two of you would have to wait a little longer. Though, you weren't sure how you could read a book like this and not think of tonight.

“-pulled one another closer, as if clinging to the last bit of hope either of them had left. Balsin,” you faltered over the name, mouth agape over the next word. That couldn't be a coincidence.

You and the rest of your companions sent a curious look at Halsin, who sat on the log with an amused smile.

“Any relation?” You asked, one brow raised.

“Not at all. It was supposed to be a historical account.”

The group chuckled to themselves as you continued the story. It became increasingly raunchy, taking a turn toward the expected. Clothes tossed away, bodies slick with sweat, tongues clashing.

Your companions listened on, clinging to every filthy word that dripped from your mouth. Gale was pink in the face, but remained seated on his bed roll with averted eyes. Karlach’s flames sparked blue every once in a while. Shadowheart and Astarion wore sly smiles as the story continued. Wyll was the most relaxed with his wine, quietly listening on. Even Lae’zel, sitting at her tent, stopped polishing her sword to listen.

The story was just another typical tavern tale, nothing special or out of the ordinary for you to read aloud, except to have Halsin audience to it, and practically in it, was a different story.

You couldn't help but imagine this Balsin fellow as Halsin. The descriptions of this main character holding his lover, kissing her, touching her—it sent a throbbing between your legs.

Every other sentence had you peering over the book at him, wondering if he was growing uncomfortable or embarrassed, but no such expression was evident on his face. Instead, he watched you, your lips, with a familiar hunger.

“Balsin caressed her bare skin. ‘Selune must have carved you from the stars herself.’ The-”

Shadowheart scoffed, cutting off your sentence. You paused to catch her rolling her eyes. “Don’t tell me that's actually flattering.”

“Oh, it is. I've used it quite a few times,” Astarion said.

“You must be a bad flirt then,” Wyll teased, shoving his shoulder into Astarion’s.

The party devolved into a petty squabble of flirting practices and the best pick-up lines after. On any other day, you would jump into the fray with your favorite lines, but you were far more curious about something, someone, else.

You caught Halsin's back retreating into the woods, fists clenched with tense shoulders. You frowned, shutting the book.

Your companions’ attention was elsewhere at the moment, so you stood, leaving the book behind, and snuck away.

You wandered through the forest path you’ve taken many times before after long, grueling days of battle, and found the river bank.

You saw the reflection of the moon and stars in the river, but no Halsin.

A minute of your eyes scouring the water and the rustle of brush caught your attention a little too late. Clamorous, heavy steps advanced behind you. When you turned and caught a brief look of brown fur, it collided with you to the ground.

Hot and heavy puffs of air fanned across your face. Fur brushed across your exposed arms. A worg? A goblin ambush?

You opened your eyes to face the creature, prepared to scream for help, only to find it was not a worg but a bear—a familiar bear.

You gasped, “Halsin?”

A ring of gold circled the bear’s irises and a flash of white overtook your vision. You shielded your eyes until the light faded. When you removed your hand, you were met with a very naked Halsin above you.

His thick forearms rested beside your head, keeping his weight off you and trapping you between them. “Forgive me,” he apologized. “I was hoping this would not happen.”

You stammered, forcing your eyes to focus on his face and not wander down to his chest, “What? Tackling me to the ground?”

“I was hoping I could control my bear form.” Halsin pushed himself off the ground, offering you a hand up.

You attempted to narrow your focus on his outstretched hand that was hovering in front of his waist. But you couldn't help the accidental slip of your gaze and—Oh Gods, he was massive.

You hoped he didn't notice your eyes didn't bulge out of your skull as you took his hand. If he did, he said nothing and had no reaction as he hauled you back up to your feet.

“What do you mean by control?”

“Sometimes my desire grows so strong it's hard to hold myself back from changing forms.”

“Desire?” You repeated absently, the rest of his words floating over your head. You looked over the red tattoo that curved over his cheek before settling on his pink lips. There was something like desire building in your chest or something fiercer, hungry.

You inched forward, ghosting your fingers over the soft curve of his belly, not taking your eyes off his lips. You wet your own, wondering when you'll finally get a taste. He probably tasted of berries and rich honey.

“Yes, hearing you read that book, I could hardly stay in control, so I left.” Halsin’s voice was low, breathy, almost as if he was still trying to hold himself back. He grasped your wrist, thumb gliding over your pulse. “I hope you aren't frightened by me.”

You could have gawked. Frightened? He was so turned on by you, he turned into a bear. You couldn't say that about any previous lovers. “Absolutely not. I still want you, Halsin.”

There was a flash of relief that bled into a smile. “Come here.”

Halsin tugged your wrist, colliding your bodies, and kissed you. He was so warm, his lips soft, but his kiss was passionate, needy. He wanted to devour you. A hand cupped your neck, pulling you impossibly close, melting you against him.

You could barely get a breath in without pressing your hand against his chest. As you took in the night air, Halsin took to your neck, grazing teeth over your skin like you were a meal he wanted to sink his teeth into.

He tugged at your shirt and you lifted your arms to help him get it off so your chest was just as bare as his. “You’re breathtaking,” he rasped as his lips dipped below your collarbone. He murmured more praises as he made his way down your chest.

Your head fell back with a sigh escaping you, heat thruming through your body. Your hands ran through the length of his hair, gripping the locks between curled fingers.

Halsin nipped and sucked at your skin. Your body was giving into his touch, legs growing weak. Before you could stumble, Halsin's hands grasped the meat of your thigh and lifted you.

Your legs wrapped around his waist, securing yourself against his front. You shifted your hips to run yourself along his growing erection.

Halsin moaned as he moved to a tree, pressing you against the rough bark. His hands roamed your skin, brushing over your breasts, grazing your nipples to peaks.

He slipped down to his knees, kissing your stomach and tugging down your pants. The

Halsin caressed your thighs. “Rest your legs over my shoulders.”

“Won't I be too heavy?”

“Let me worship your body the way it was made for.”

Your jaw almost dropped at his words, but empowered, you hooked your legs over his shoulders.

Halsin was an attentive, passionate lover. He kissed your abdomen and down to your clit, like a gentle lover would. For a man who spent much of his time as a bear and so large, he was surprisingly gentle.

Your fingers returned to his hair, intertwining through the locks, as you shuddered. You were afraid of falling, but his strong grip on your backside held you steady. You were safe in his hands.

His tongue lavished you, parting your folds delicately like he was dipping in to taste a pot of honey. Just a taste was not enough as he soon delved deeper into your dripping heat.

“So sweet,” he murmured between those slow laps at your folds. He brought you closer, hungrier now that he had a taste.

Your head rested against the tree trunk and dared to let a moan escape you. Surely your companions were still too busy arguing amongst themselves to hear the lewd sounds slipping between the trees. Even if they could hear, you weren't sure you'd care. The feeling of Halsin’s skilled tongue far outweighed the embarrassment of being caught.

Your thighs clenched around his head as your hips bucked into his mouth. The peak of your climax came with a pitched cry, your body tensing and releasing all at once.

Halsin didn't stop devouring you, tasting every drop of your release with a desperate tongue.

You tugged at his hair when it all felt too much, when the pleasure turned to a burn at every lap against your sensitive clit. Halsin allowed himself to be pulled from you. He looked up at you, mouth wet with your juices, with a glimmer in his eyes.

“Tired?” His voice was teasing. His tongue darted out to catch your arousal smeared across his lower lip as he grined.

You almost scoffed. “Hardly. Is that all you've got?”

Halsin slipped out under you and swept you into another kiss, where you could still taste yourself on his lips. He pulled away and swiped his thumb over your glistening lips. “Trust me—you will not get much sleep tonight.”

The two of you met the cold grassy floor once again with you splayed on your back and Halsin hovering over you. You smiled up at him, inviting his down for another kiss which he accepted.

Lips clashed with heat and passion as two thick fingers pushed into your slick heat. You shuddered and arched into him as he buried them to the knuckle. He worked you open, spreading and stretching you out to prepare you for his cock. And judging by what you’d seen, it was much needed.

He turned you on to your stomach, easing his fingers out of you. The grass tickled between your fingers as you arched your back, displaying yourself for him like a ready mate. He gripped your hips, and you felt him, thick and warm, against your ass.

“I'll be gentle,” he promised.

“Don't be,” you sighed, grinding against him. You wanted him to lose himself in you. You wanted the calm and composed arch druid completely feral, fucking deep into you until the dawn forced your bodies apart.

When the tip of his cock notched at your entrance, you bit your lip.

He pushed in with a stretch. You opened around him and he slid into you with little resistance, snug in your warmth. You felt so, so full and when he pulled out, teasing your entrance again before thrusting back in, your mouth dropped open, and you moaned.

“So good,” he praised with his words slipping off into a low groan like he was biting something back. “Are you alright?”

You nodded in response and pushed yourself against him. He was gentle, true to his word, infuriatingly so.

“I don't want you to hold back,” you demanded.

His fingers dug into your skin, marking the tender flesh with cresent shapes. With another sharp thrust, you nearly feel forward into the grass. Halsin’s lips pulled close to your ear. “Are you sure that's what you want?”

“Forget your control and fuck me.”

No longer restrained, Halsin gave you exactly what you craved—hips snapping against you with no room for you to breathe.

You shuddered and cried out, ached and moaned. Even the night air couldn't cool the heat between your slick bodies. Your orgasm hit you hard, leaving you limp and useless against his heavy thrusts.

Halsin lifted your body against his chest and continued using you. One orgasm after the other.

You just hoped you'd still have your voice by sunrise.

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