Hellsing Liveblog Ch. 51-56
This is the “Seras Coming of Age” part of Hellsing, but the chapters are all one-off titles: “Last Mission”, “Get Away”, “Yaksa”, “The Man I Love”, “Ogre Battle”, and “Angelous,”
Last time, Zorin Blitz’s company invaded the Hellsing HQ, and Seras managed to kill them all except for Zorin herself, and then she used her psychic whammy, forcing Seras to relive some traumatic moment. We saw one of the Wild Geese get this same treatment, and he briefly saw his dead daughter before Zorin killed him. As for Seras, she relives the deaths of her parents. Years ago, two guys barged into their home and shot them. The circumstances aren’t entirely clear, but they must have had some forewarning, since Seras’ mom hid her in a closet and told her not to come out no matter what. But when she saw what they did to them, Seras became so enraged that she attackedthe men and stabbed one in the eye with a fork.
The other guy shot Seras, and while she must have survived, she remembers laying on the floor as the guy she stabbed decides to rape her mother. I’m not even sure “rape” is the right word, since she was already dead, but the guy doesn’t care because the body is “still warm.” You’d think he’d be too upset about losing an eye, but maybe he’s high on cocaine or something.
I don’t think you need me to tell you this, gentle reader, but hol-ee shit this dark. We knew Seras’ parents died when she was young, and it wouldn’t be hard to speculate that they died in some violent crime, but Seras watched it happen, and she stabbed a dude in the face, only to get shot herself, and she watched her mother’s body getting molested before she passed out.
And this gives us some insight into what Alucard saw in her that night in Cheddar. There, Seras was surrounded by ghouls, many of them her comrades in the police department, and a vampire who promised to rape her before drinking her blood. Alucard found it remarkable how she persevered in this horror, but now we see that may not even be the worst thing that ever happened to her. It’s not even the first time she got shot!
And from the earlier flashback we saw, Seras was hellbound to become a police officer like her father. After a trauma like this, it’s amazing that she’d want anything to do with the police, since those men killed her father for digging “too deep” into whatever they were involved in. But Seras quietly, defiantly chose to follow in her father’s footsteps, only to suffer a similar fate.
Because, let’s not forget, Seras is dead. She died in Cheddar, because Alucard had to shoot through her to kill the vampire who had taken her hostage. Then she agreed to become a vampire like him, and join the Hellsing Organization. Once more, she has quietly, defiantly, chosen to carry on in this life of public service.
But none of that matters to Zorin Blitz. She just wanted to dredge up all this trauma to keep Seras preoccupied long enough for Zorin to do this...
Oh, also she lopped off Seras’ left arm, but I liked this impalement panel better.
On top of that, Zorin slashes Seras’ eyes, which was pretty gruesome and shocking. When I started watching the Hellsing Ultimate OVA, I couldn’t wait to see what happened next, so I trawled YouTube for clips of Seras, so I had a pretty good idea where the character was headed, and noticed that late-story Seras was missing a left arm. So Zorin cutting it off didn’t surprise me much, but everything else she did to her was a surprise.
Then, just as Zorin seems to be ready to finish Seras off, Pip Bernadotte gets the drop on her and whacks her with the butt of his rifle. Machine gun? Semiautomatic? I don’t know from guns. He hits her with it, is my point. Then he shoots her with a different gun to put the exclamation point on it.
There’s two other guys left in the Wild Geese, and they toss smoke grenades to cover Pip as he tries to carry Seras to safety, but he’s wounded, and then a Millennium soldier wakes up and shoots him in the thighs. Was that guy playing possum? The Geese take him out, and Pip even makes it back to them, but I’m not sure what good that does anybody. Then Zorin gets back up and cuts him down with her scythe. I don’t think she chops him in half or anything, but he’s not getting back up again, that’s for sure.
Seras calls out to him, and he steals another kiss. I guess he forgot about the last time, because he acts like he “finally” managed to do this. Then he asks Seras to drink his blood, which will allow her to win. I guess someone must have explained enough vampire lore to Pip for him to have figured this out. Maybe Seras herself told him how it worked, which makes it doubly-meaningful for him to say this to her now.
And Seras starts wailing with grief, before Zorin finally mocks her for it, calling Pip an insect. I’ve seen a few people poke fun at this scene, because it’s kind of weird for Zorin to just stand by while Pip and Seras have this final moment together, but Zorin’s a sadist. Much of what she’s done in these past several chapters has been about reveling in her enemies’ suffering. She took her sweet time with Seras earlier, which was the only reason Pip managed to help her, and now she’s taking her sweet time again, like she’s enjoying this drama.
So Zorin uses her psychic whammy again, but this time it doesn’t work on Seras. Maybe because Seras is already in the middle of a terrible trauma in the here and now. She couldn’t do anything to avenge her parents back then, and she was powerless against the Cheddar Priest, but this time? This time she knows exactly what to do.
VENIT AEVUS ILLE, O MESSIAH, O MESSIAH
YUDULIYA-VELE YUDULIYA-VELE
EN ESE MOMENTO ZORIN BLITZ SINTIO EL VERDADERO TERROR.
So yeah, this rocks. The anime version does this cool thing where all the blood soaks up into her clothes and stains them red. Maybe the manga was going for the same thing, but it’s harder to tell in black and white. I find it kind of strange how Seras’ eyes grow back, but her left arm does not. I’m pretty sure she could reform her arm, but chooses not to. Instead, she’s got this black ectoplasm-y thing, like the same black stuff that Alucard uses when he’s not holding back as much.
Then Seras starts slaughtering Zorin’s men. Didn’t she already kill them all? Yeah, but there’s more. The anime tries to cover for this by having Zorin explain that some “late arrivals” showed up. Well, they did have to enter the building single file to get past the mines, so it makes sense that Zorin would keep some in reserve in case there were more traps inside.
Seras is my favorite character in this whole thing, and since these pages of her kickin’ ass speak for themselves, I guess I’ll talk about why I like her so much. I’m pretty sure I saw a cosplay photo of her on tumblr, and I found the design intriguing. She’s a vampire, but dressed in something like a military uniform, kind of like the “Bridge Bunnies” in Macross. I looked up Seras to find out what she was from, and I was like “Oh, Hellsing was the show Team Four Star has been abridging, I guess I need to watch that anyway so I can watch the Abridged version and get the jokes.”
Mostly, I just like the idea of a vampire with a very professional mentality, as opposed to the whole Lost Boys/What We Do in the Shadows/Buffy kind of aesthetic. Not that there’s anything wrong with that, but we see that sort of thing all the time. I’ve also seen a lot of “reluctant” vampires in my time. Vampires who try to avoid doing any vampire stuff, or going about their business like the vampirism is just this inconvenient obstacle. Hellsing presents this other option, where vampires like Alucard are used for the purpose of anti-vampire countermeasures. He’s been turned into a weapon, but he’s basically just Dracula with a fresh coat of paint. Seras is more firmly rooted in the concept. Alucard was a vampire who became a sort of cop, and Seras is a cop who became a vampire.
And while I liked the idea of Seras being like “Oh, well I didn’t want to be a vampire but I’ll try to make the best of it”, I quickly found out that she wasn’t just a cop with pointy teeth. There’s moments where she can be scary and creepy too. “Sir, yes sir, my Master.” It sums her up very neatly. This is a vampire who can be polite and respectful and professional, but she can also get very deep into the more horrific aspects of this thing. She’s got layers. Zorin Blitz tried to peel them back, and look how that’s working out for her.
Once the rank and file goons are dealt with, Seras goes after Blitz, and just wrecks her shit. Blitz tries to punch Seras in the face and it does nothing. Seras just bites all her fingers off and spits ‘em out. Then she announces that she refuses to drink Zorin’s blood, not a single drop. This is important, because Seras was always reluctant to drink blood. She said she feared that drinking blood would mean the end of something inside of her, but now she’s crossed that Rubicon. One might suspect that she’d suddenly want to drink more blood, but no. She drank Pip’s as a means to an end. Zorin’s blood would serve no higher purpose, and I think there’s an implication that she doesn’t want to dishonor Pip’s sacrifice. Desperate, Zorin tries to use her power on Seras a third time, and then this happens:
Okay, so at first Zorin sees Seras’ memories, like before, but now there’s all this stuff from Pip’s memories, and then Warrant Officer Shrodinger, of all people, shows up. Zorin is confused by this, but he explains that he’s “everywhere and nowhere,” which means he can appear in this psychic vision just as easily as he can teleport between Brazil and England.
Schrodinger is here to pass along a message from the Major. See, Zorin disobeyed his orders, and he would normally punish her for this, but he and the Doctor are busy with a “most interesting toy”, so they’ll just leave it to Seras to take care of punishing Zorin.
Yesterday, I think I figured out what Zorin’s disobedience was. Before I was confused because she didn’t start attacking until Seras opened fire on her blimp, and that only happened because Seras was shooting at the rockets fired by the Major. Everything that Zorin did afterwards could be considered a matter of self-defense, but therein lies the problem. Namely, what was Zorin’s blimp doing in the line of fire to begin with?
Because once Seras shot her down, everything Zorin did next was sort of her only option. She pretty much had to attack the mansion, and brave its defenses, whatever those happened to be. And the Major knew that this was a big unknown. He warned Zorin about Seras Victoria and while he didn’t seem to know exactly what her abilities were, he regarded her as an “arch-enemy” on the same level as Alucard. That’s why he wanted Zorin to hold off and wait for the rocket attack. It was intended to probe the mansion’s defenses, and once it became clear that they had anti-aircraft guns, and that Seras was eagle-eyed enough to shoot down their rockets, then the Major could have ordered Zorin to find a different way.
But instead she was too close and gave Seras a target, which precipitated everything else, up to and including this:
Yeah, Seras just drags Zorin across the walls until her whole head smears apart. Cool!
With Zorin dead, Seras delcares her intention to take the fight to the enemy, and the last three Wild Geese salute her before she leaves. One way or another, they realize that Pip has become a part of Seras now, and they pay their last respects to him through her.
Then Seras flies toward London, using her left arm-thing to make cool bat wings. And this is a good illustration of what Seras is all about. Once, she might have been horrified at the thought of doing something like this, but now she sees it as a way to carry on with her duty. This was what Alucard had been trying to get her to understand, but sometimes you just have to work these things out in your own way. Seras is about utility, and now that she has a use for these vampiric powers, she’s finally prepared to embrace them as her own.
In London, Schrodinger reports back to the Major and informs him of Zorin Blitz’s death. He’s not surprised, and even declares “our ruin has begun”. Schrodinger points out that he’s leading everyone, friend and foe alike, into destruction, and the Major simply observes that this is war. Millennium didn’t come to London to win, they came to London to fight.
Then the Ninth Crusade shows up. Recall that, earlier, Enrico Maxwell organized a military response to deal with the Millennium invasion of London, but he hasn’t come here to save the civilian population. Instead, he’s treating them as enemies, just like the Nazi vampires. Somehow, there’s still living people in the city, and as dawn approaches, they see Maxwell’s helicopters putting off some sort of light show. I don’t know what you call this, but the people on the ground think it’s angels, and then Maxwell orders his men to open fire.
I want to point out that the newly promoted Archbishop Maxwell is riding into this battle in a special truck with a glass box for him to sit in. He’s surrounded by microphones so he can address his troops and the people below. Also the truck is hanging from a helicopter. It’s stupid and pointless and over-the-top, so naturally the Major is highly impressed with Maxwell’s style.
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