#however i wanted an actual background but could NOT think of any backgrounds to draw

[thefunniestguy]

"cleopatra"

dont look at me tsoa-posting ,,, /silly

[hawkinasock]

I ADORE YOU. MORE ABUNDANCE YANQING AND YAOSHI. PLEASE.

So, can you please learn more tell about this theory?

(You draw beautifully.)

GAAAGHHHH this was the first thing I saw in the morning omg tsym <333 dw I've got my mitts on and I'll get to cooking o7 I assume you're asking me to explain the theory? Which I'll gladly do. Very long post incoming.

Essentially, the general idea is that Yanqing is related to abundance in some way, be it simply second-hand association, or he himself being an abomination/denizen of abundance himself - I personally believe in the latter. While I've made art of Yaoshi and Yanqing in a parental dynamic, it's not something I see as a viable theory, so much as it's just a fun little crack theory. Yaoshi is more likely a passive creator than an actual loving parent. There's a bunch of different interpretations for what Yanqing is and how he came to be based on the little pieces of evidence found in canon. One piece of evidence is his blonde hair.

As far as I can tell, the only other blonde Xianzhou characters are Dan Shu and Luocha (Luocha isn't a Xianzhou native himself, but he was a part of the quest so I'm including him anyway), both directly associated with the abundance, as well as Yaoshi themselves.

Interestingly enough, Dan Shu has the same hair part as Yanqing, but that could just be chalked up to design cohesion and framing the face/mask, rather than anything meaningful.

Edit: someone pointed out to me that Dan Shu's hair was initially brown, but after joining the disciples, it turned blonde.

Edit: I somehow forgot to include Phantylia, who has blonde hair in her third phase, and even a hair part. There's also a disciple of Sanctus Medicus in a cell in the shackling prison who also has blonde hair. Every character I've found who has blonde hair is either a disciple, or canonically connected to Yaoshi

(I considered adding Hongling, the fanatic fan in the stands of the Skysplitter, but I think his hair might just be dyed, which isn't too crazy an idea for a stan. Still mentioning him though, since he's a really weird character)

If you look closely at Yanqing's clothes, there's a reoccurring vine-esc pattern on all layers of his hanfu. They can also be seen on his sword. It doesn't necessarily mean much by itself, but it's an interesting detail I and others have noticed.

However, I want to point attention to Yanqing's phone case, because it's actually super interesting, and probably the most convincing piece of evidence imo. Not only does it relay the vine motif, but that to me looks like a leaf detaching from a branch and transforming into a swallow. If the characters' phone cases are meant to reflect their personality/reference lore elements, then this is probably the most blatant in terms of potential lore.

Edit: the little decals on the camera lense are in the image of Yanqing's hair ornament, which happens to look like a pair of leaves, midribs and all.

Speaking of swallows, has anyone noticed that there's flocks of golden swallows inside the roots of the arbor? I only noticed on my second playthrough, but I haven't stopped thinking about them since. How odd is it that out of any other bird, the arbor has swallows specifically. Of course, Swallows aren't Yanqing's motif alone, as the wardance teaser silhouette's have what look like swallows in the background art, but I still think it's important to bring up, considering Yanqing is literally COVERED in them, from his ornaments, to his swallow tail-shaped coat tail, to his entire playstyle.

Low-quality ss of the swallows for reference.

Luocha also has a line about Yanqing that, setting aside any theory-crafting, seems pointless. He has nothing to say, which, if he was truly genuine, what purpose does this line even serve? I can't infer much from the delivery of the other languages, since I have no knowledge on them or their social cues, but in en, the tone is very... discreet? It's just the way he says it is very off, like he's being dishonest. Too quick; too matter-of-fact; It's artificial honesty. I hope you get what I mean lol. I can only assume the va was directed to say it that way for a reason.

A passage from Yanqing's 2nd char story reads: "It's recorded in the military annals of the Cloud Knights how Jing Yuan came to discover the young boy, stood his ground against public opinion, and incorporated him into the armed forces. However, in the family lineage column, Yanqing's lineage was relegated to the category of unknown."

From Yanqing's 4th char story: "Some speculated that he [Jing Yuan] was cultivating an heir, others claimed he only kept him around just to use this kid as a secret weapon. Jing Yuan never offered a response."

Jing Yuan is really suspicious. Like, incredibly suspicious. Even more than Luocha. Yanqing is already known to be an orphan, but the lack of clarity over the details of Jy discovering him, as well as the fact that he has no known relatives in their database is very odd. Speaking to Jing Yuan's npc in-game allows the player to inquire about Yanqing's origin, but Jing Yuan's response is far from helpful. You'd think the man who decks out his Lieutenant in protective charms and locks, and who raised the kid from, at oldest, toddler years, would be a little more eager to spurge on about stories from Yanqing's childhood, but he instead chooses to dance around the topic and make light-hearted remarks about Qingzu's furphies. Obviously, you can't and shouldn't expect to get all of a characters lore in one serving, but revealing so little definitely implies a lot more, as we've seen with Luocha.

These details are the reason why, if Yanqing does turn out to be related to the abundance, be it a spawn of the arbor, or a creation of Yaoshi themselves, I believe that at least Jing Yuan knows and is keeping it all under wraps. Maybe the whole reason Jing Yuan assigned him as his aide in the first place was to keep a close eye on him. Rather ironic a general of the hunt would risk everything to protect the thing he's sworn to destroy.

But that's just my two cents. Thank you anon for giving me a reason to spurge about this theory finally, as it's become so dear to my heart.

More art will be posted as I go along, so don't touch that dial.

[crimsonender]

Mikaila Orchard sucks at Paneling

I debated making this a video or not. But, I decided against it. If you guys are interested in me making videos about this sort of thing, let me know and perhaps it's something I could cover in the future.

So Mikaila Turkleson aka Mikaila Orchard has always made... questionable art. To me it seems like a weird amalgamation of Equestria Girls and Sophie Labelle's art. Anatomy bad character design bad etc etc. I don't however see a lot of people talk about her paneling.

Recently, Mikaila and presumably her partner, Lily Orchard started a new art endeavour. I assume to turn over a new leaf and bury the now-infamous Pokemadhouse. You can find it over at bhaalspawnfunnies. It appears as if the blog will focus around the player character of Baldur's Gate 1, Gorion's Ward, and their half sister, Imoen. This is the first entry.

Source

Where to start? My first impression is that this is very poorly drawn, and low effort even by Mikaila's standards. The speech bubbles are low contrast against the background. The ground/floor blurry blob looks extremely bad. As a fellow artist I get the distinct impression that Mikaila did not want to draw this piece.

Moreover, there's a huge issue with the panelling and pacing. Comics are really cool in that you can kind of use panelling and negative space to "time" jokes, leading the eye where you want it to go and using framing and other art tricks to make a punchline land a little better.

This "comic" has none of that. There is no pacing, there is no comedic timing. It's all bland and presented as a block. I took it upon myself to re-panel this piece, and I've made two versions: One, with Mikaila's art style and visuals, but with the panelling slightly adjusted to be more punchy and effective, the other I completely redrew, using the same joke.

Excuse the sloppiness. I'm not going to expend too much energy polishing and gilding this turd.

That being said, this is already a huge improvement. Even if Mikaila isn't at the technical level of a professional artist, this is very attainable with only a few more minutes of effort. The timing is punchier, the speech bubbles draw your eyes down the page, and even without colour coding, it's clear which of the characters is talking. This isn't exactly a hot take but in my opinion you shouldn't need colour coding on a comic page to denote who is speaking. It should be very obvious! Moreover, speech bubbles should be included in the composition, not added as an after thought.

I'm guessing the original comic took her less than an hour to make. I think I'm being generous here, honestly if this took her more than twenty minutes I would be concerned. Being generous though I gave myself one hour to make a version completely redrawn.

This was again, very quickly put together and of course is in no way perfect, but its to demonstrate what a little bit of thought can do to improve a comic page. I decided to change the pose of Gorion because making family guy references should be a a cardinal sin for artists, as well as make the characters a little more recognizable. "Aryana" is, notably, Lily's OC and bears little resemblance to the canon character of Gorion's Ward, but considering Baldurs Gate does allow character customization and dialogue choices, I decided to make their gender a little more ambiguous so players of any gender could see their version of Gorion's Ward in the comic, but kept the elf with long dark hair appearance from Mikaila's original. I also looked over the pic after I was all done and ready to upload and noticed some small flaws I could easily fix, and went back and did those things. You should always go over your pieces when you're finished them with fresh eyes before you submit them as a final piece.

Again, this certainly isn't perfect and I'd probably put more effort into a piece with characters I care about and a joke I actually find funny, but I hope this demonstrates that pacing and expression really are everything in comics.

[asaka-lucy-dr-rc]

Ultimate Talent Development Plan Halloween Manga #3

日本語版はこっち

Previous (#2) is here.

(It's completely unclear when it will be finished) #4 to be continued! Bonus (The scene with Izuru and Kaede while Shuichi and Kokichi are conversing):

▼ Below are the detailed settings for each character's costume and more.

Tsumugi: Nun Tsumugi usually only cosplays characters from specific works, so I struggled with what kind of setting to give her. I thought that if I made her cosplay seriously, she would no longer be recognisable as Tsumugi from her appearance alone. So I decided that she would fully embody an original character. Although she's a nun, she's actually holding what looks like a bible, but the contents are a grimoire for summoning demons. The reason I made Tsumugi a nun, by the way, is that I originally considered making her a witch, but among the V3 characters, it's clear that Himiko would take the role of the magician, so I decided to avoid the witch theme. I thought, "What else would suit Tsumugi... hmm, maybe a nun?" Later, I realised that the official Halloween merchandise showed Tsumugi in a nun's costume. It was a total coincidence, so I was surprised. I'm glad we have the same interpretation as the official one. lol In addition, some of the costumes of the characters in the manga were created by Tsumugi, who helped make the costumes. Of the characters who have appeared so far, she helped with the costumes of Nagito and Shuichi. Nagito is dressed as a Shinigami, but it is not strictly cosplay, as Tsumugi happened to think of a character that would suit him. (Otherwise it would go against her policy, which is first and foremost to reproduce them perfectly.)

Shuichi: Jiangshi (Hopping Vampire) The setting is that he is wearing a costume prepared by Tsumugi, but it was originally made for Tenko. However, in the hustle and bustle, Tsumugi mistakenly handed it to Shuichi, and when he was about to return it, he ran into Kaede, who said, “Is that your costume, Shuichi? It’s lovely! Let’s take a picture together later!” Caught up in the moment, he nodded and ended up unable to return it, so he ended up wearing it. (The background setting is way too long and not depicted even a little on-screen. lol) Honestly, I want to create a manga featuring interactions between Kaede and Shuichi... I have various ideas in mind, but it’s likely that I won’t be able to actually draw it until next year.

Kokichi: A Person Being Eaten by a Great White Shark (?) He wears a surreal costume that looks like he’s being eaten by a shark, but the way he’s breaking through the shark’s body gives the impression that he’s taking over it. I assume Kokichi brought many costumes for the occasion, and this is just one of them. Occasionally, he slips away from the group, changes, and returns. I thought it would be fun for Kokichi to wear a costume that’s “not really related to Halloween,” and since he’s short, I imagined he would wear something oversized when dressing up, which led to this choice.

Kaito: Astronaut I assume when he was told he could wear any costume he wanted, he responded with, "Then my costume can only be a space suit!" lol

I like the dynamic between Kaito and Izuru from UTDP, so I wanted him to be involved with Izuru a little bit, but this time he was just in the background.

[blitzbuckzowild]

On Stolitz, Kink and Power Dynamics, and Role Reversal - Stolas Centric

So, I have been thinking a lot about the kink dynamics between Stolas and Blitzø, especially how they are portrayed in the show vs. what is popular (or more popular than you’d think) among fan works. A lot of this has probably been said, but I am unsure what has and has not, and I have only recently begun to interact with the community.

For some background, I have about 10 years of experience within the kink/BDSM lifestyle including several long-term dynamics as both Dom and sub, attendance to events, extensive engagement in online forums, etc. I’ve been in many types of dynamics and have a good understanding of the culture.

We have very little knowledge on the intricacies of the dynamic between Stolas and Blitzø but from what I can gather its a pretty standard one without very much structure. This makes sense seeing as before recent canon events, their scenes are primarily limited to once a month. There is no evidence of switching that I can find in the show, most likely they stay firm in their roles of Blitzø as Dom and Stolas as sub. There is the comment during the Loo Loo Land episode, where Blitzø say “wait till her dad tries diddling your holes”, but the keyword being “tries.” Now obviously he could be receiving penetration, but I find it hard to believe that there is any actual control given to Stolas.

This structure obviously allows for some entertaining role reversal, and (on the surface level at least) mitigates some of the issues with the power at the same time. I find myself often wondering how people would regard the dynamic between them if Blitzø was portrayed as the sub. It obviously doesn’t really fit his character as he is now, but it is a thought.

Anyway, the point is actually to explore the idea of a role reversal between the two and what this can represent. Obviously, a lot of this has been touched on in fan-works, and probably other posts, but primarily in the framework of Blitzø’s experience subbing. I think that is well-established that a lot of the draw for Blitzø to submit is the idea of him being vulnerable and letting go of control. There are many works that focus on this.

But what about Stolas? That’s something I haven’t seen a lot of.

Stolas is passive. Even if he snarks back at Blitzø and does set some boundaries a bit at the beginning of Apology Tour, and he does tease and push, it’s really not substantial. Even with Full Moon, even with the crystal, he is still so submissive to everything that happens around him. He makes his grand gesture and throws the ball in Blitzø’s court until he can’t handle what that looks like. He let’s things just happen to him for the most part. So a lot of his character growth in the show focuses on him gaining confidence and taking initiative.

Even in Apology Tour, at the Blitzø Hate party, he makes it clear where he stands on what he wants his role in a relationship to be. He wants to be pursued, like a woman in a rom-com who stereotypically and historically takes a passive role to whatever confident or goofy hunk wants her. Sure, she wants him (usually), but typically she is not doing the pursuing. Instead she rolls her eyes and things happen to her.

Stolas taking on a dominant role, taking control, even in the context of kink, can be symbolic for him learning ambition and initiative. Everything has been decided for him and he’s letting Blitzø’s actions and responses make the decision for him. Even with Octavia, he acts as if he is collateral to her behavior and emotions. It’s fair for him to want Blitzø pursue him and to take accountability. However, at some point he needs to pursue as well. You could say that the crystal was an instance in which he did? But was it really when at the first sign of resistance from Blitzø, he folds and pull back.

All this to say, there can be some really great story telling using their BDSM dynamics. I don’t really expect the show to address this, because I think there are some intricacies here that can only be appreciated by those really involved in the BDSM lifestyle, and honestly I am not sure how knowledgeable the writers are about it outside of the mainstream knowledge (Well mainstream compared to someone like me.)

With the deal ended, and the power dynamics somewhat balancing out, the door is really opened for this type of thing. There isn’t as much baggage in Blitzø being portrayed in a sub role. The class divide is still there, but Stolas no longer holds all of the cards

There is waaaay more I can say on this in regard to the roles of sub and Dom and how they relate to Stolas and Blitzø but this is already so long. Some things to consider would be the the actual emotional needs that are filled by each role, the ways relationships in dynamics develop, different BDSM subcultures and theories on the nature of their dynamic, and more of my thoughts on how their current dynamic with Stolas subbing and Blitzø Domming impacting perceptions of their previous arrangement by viewers, how Blitzø is already submissive to Stolas in ways, the general emotional state of people when engaging in kink, etc. I could also provide my own thoughts on Blitzø subbing but I feel it’s already well addressed in the fandom.

Maybe I’ll do a part 2 if it’s wanted or I get the will. I would love to engage in any discussion (agreeing or otherwise) on this, I probably missed some things, or interpreted stuff differently than others.

And here is a Poll to wrap this up

[iliveforyouilongforyouvesuvia]

Could I get an Hc for how the M6 would react to an Mc that finds out they used to eat a lot of weird creatures and monsters.

I may be obsessed with delicious in dungeon, but like maybe Mc got to try dragon meat and realized that despite it being an 'exotic' food, it tastes familiar. Only gets more surprised. The more weirder foods they end up trying that rnd up tasting familiar.

The Arcana HCs: M6 when MC eats monsters

Julian

From a scholarly point of view, he's actually quite interested in learning more and documenting your finds as medical research

Who knows what medicinal properties these creatures might contain that have gone previously ignored? You could find some miraculous cure or random medicine if you keep snacking your way through the monstrous ecosystem!

Then again, he'd be lying if he said that practice was just as easy as theory. He's pretty well traveled himself, but some of the things you seem so eager to dig into are just ... so ... off-putting

He'll push through with most things but he will draw the line at anything resembling a plague beetle. He was force-fed one of those once and he never wants to experience that again

(he'd never try to keep you from making your own decisions, but to say that watching you eat things resembling plague beetles doesn't turn his stomach and make him anxious would be a lie)

Still one of the best researchers you could have helping you

He's got the background to understand physical nutrients and the importance of a diverse diet - and he's plenty dedicated to you

Asra

They are even more enthusiastic than you are

Sometimes you wish you knew what his limits were, because if things keep going at the rate that they are you might find out that he doesn't even have any

Faust is not helping either - she can and will help distract you if you've finally come across something you're hesitant to try so Asra can sneak a mouthful without being caught

On the plus side, they've tried so many different cuisines already that they have plenty of ideas when it comes to figuring out how to cook something new - and spice combinations you wouldn't dare dream of on your own

He also happens to have plenty of tried-and-true remedies for food poisoning as well (wonder why he learned all of those ...) and is more than happy to share with you if things go south

Absurdly creative with the whole cooking process in general

Keeps trying to incorporate magic. This does occasionally backfire when the beast being cooked is also magical by nature, and the two don't mix as intended

Nadia

She's politely unconvinced, but still mildly invested

Is she personally interested in trying all manner of unconventional dishes? Sure, if it's a well-established recipe from a trustworthy source and contributes to her cultural education

Your recipes, darling MC, do not cleanly fit into that category

She'll still try some, but only after you've been able to replicate the dish multiple times to the point that it's reliably delicious and safe to eat. Otherwise, she'll happily pass her portion to you

However, once you do find a creature that can be reliably cooked as part of a nutritious diet, she is all ears

Do you know what the state of Vesuvia is right now? Any new food source is a welcome food source, especially if it's a resource that isn't being tapped into otherwise. Tell her more about its properties

Will work with you and other nutritionists, chefs, and civil engineers to find a way to introduce it to the populace so they can take advantage of it

Who knows? Maybe if it's popular enough, it can be purposefully cultivated and turned into a major food export ...

Muriel

Not remotely surprised by your habits, for multiple reasons

For starters, he spent his teens living with Asra. In the woods. Who do you think came up with all those natural remedies for food poisoning??? Not the kid picking every mushroom they saw!

Second of all, he lives off of the land himself. The reason his grocery list is so short is because he's learned to find most of his sustenance in the woods around him. You're just doing the same

Third of all (and most importantly) - if it's food, it's food. It's that simple

Will eat anything you hand him as soon as he knows it won't poison him, no hesitation in sight and no further questions asked

His only concern about the whole thing is sustainability. He knows firsthand what happens when something throws the delicate balance of an ecosystem out of whack and he wants to make sure that doesn't happen on accident because you're new to it

Never really stops to appreciate any of the good flavors at first, but eventually develops a palette for the different spices

Insanely good at assessing what kind of nutrients it'll have

Portia

Being an excellent chef herself, she doesn't see much point in eating mostly monster food once the initial excitement has worn off. It was fun for several meals, but now she wants bread

This does not change her general fascination with monsters or magical beasts in general, though, or her overall interest in helping you on your special monster cuisine endeavors

Share the monster facts - all the monster facts

Will work with you on putting together notebooks full of information on monster behaviors, nutritional values, hunting and preparation methods, and ideal flavor profiles

Unrivaled at giving good cooking advice. The meat's good to eat, but too tough? Marinate it in something acidic

It's too spongy to be a starch, but too starchy to be a vegetable? Try roasting or grilling it plain and putting sauce on top

Knows all about how to maximize the "scraps" so that nothing edible goes wasted, and knows how to do it in a way that still tastes good and fills you up

Curious enough to try most of it, smart enough to avoid poisoning

Lucio

Okay, okay, so he'll admit it - he does get squeamish (just a little bit) at the thought of eating the monsters that tried to kill him earlier and he's not particularly fond of revisiting the "eat or be eaten" mentality that was instilled in him as a small child

That said, he is curious

And he very much enjoys all the hunting (and bounties!) involved

You're telling him that he gets to chase down a rare beast, enjoy the thrill of conquering it and the bragging rights that entails, get paid for disposing of it, and then get a free meal after he forgets about it for a couple hours? Sign him up!

Just, uh. Just don't remind him what exactly he's eating if it's from one of the grosser monsters. Devouring a deadly ancient boar? Awesome! Devouring a worm monster? ... yeah, don't ruin it

Has no issues with putting more resources into what you're trying to do. It means free food, bragging rights about killing and eating monsters, and dinner not getting dull and boring

Will not-so-subtly feed anything he doesn't like to Mercedes and Melchior when he thinks you can't see him

[mire1li]

Blade and Kafka got too silly!

Kidnappers shouldn't be... hot... right?... right? - Blade

Alternatively - Kafka's version!

You looked at the two people standing in front of you. Though they weren’t exactly paying attention, they were still there and whispering stuff amongst themselves. 

You recognised both to be Kafka and Blade from the Xianzhou wanted posters. Jing Yuan had warned you of possible dangers of the job he offered you. Being his secretary certainly wasn’t easy, and the situation you’d gotten yourself into wasn’t helping.

Nevertheless, you never expected to actually get kidnapped. Especially by those two. 

“Oh~ you’re awake” Kafka suddenly spoke up, bringing both hers, and Blade’s, attention to you. 

You quietly sighed and looked at the wall to your right. A simple, light grey wall, with a few scratches and indents. 

“Let me get straight to the point…” she continued, her tone switching to a more serious one as she walked closer to you. 

“We brought you here for information. Of course… Silver Wolf told me of your position, it’s quite easy to infer you know as much as that General does.” 

You could faintly hear Blade scoff in the background, as he stayed where he was. Though, ‘Silver Wolf’ was a name you didn’t recognise. In fact, you had no idea there was a third member of the stellaron hunters, which then brings about the question: are there more?

Deciding not to think about it too much, you looked back at Kafka and narrowed your eyes. 

“I have the right to remain silent” 

Kafka only chuckled as she heard your reply. 

“Maybe on the Xianzhou” she rejoiced, before turning around and walking back towards Blade, though stopping half-way for some reason. She turned to look over her shoulder at you before chuckling again. 

“So…-” she was about to say something, when a short girl with grey hair slammed the door open, holding a gaming console in her hands. 

“Kafka, you’d said you’d buy me that game today. Let’s go, you owe it to me.” She exclaimed, crossing her arms. 

“I did do that, didn’t I?” Kafka pondered 

“Well… I suppose i can come along. Let’s go, silver wolf!” She starts walking towards the door, when, out of nowhere, Blade draws his sword on her, stopping her from leaving.

He glared at her, making his annoyance clear. 

“And I’m supposed to stay here whilst you’re gone?” 

“That’s right. I’m sure you can handle this, Bladie. It’s not a difficult task to get information out of someone~” the woman grinned and pushed his sword to the side, casually continuing her walk to the shorter girl. 

“Well then, I’ll be leaving now. We’ll be gone a while, anyway… bye!~” she exclaimed, taking the girl, whom you now know to be Silver Wolf, with her and shutting the door. 

“Kafka…” he hissed, keeping his glare fixated on the door for a while. It was safe to say you felt… endangered… he certainly wasn’t happy, and if you didn’t cooperate, he’d probably turn to violence. Though you couldn’t be completely sure. You’d only heard stories about him from Jing Yuan. 

“So….” You dragged out the ‘o’ sound, causing him to turn his glare to you.

You chuckled nervously, as he sheathed his sword and went to sit down, seemingly gathering his thoughts before finally looking back at you. 

“Tell me what you know and we won’t have a problem.” Blade dictated, as if he wasn’t giving you a choice. However, you’re good at finding loopholes and getting out of such situations… as new as being kidnapped may be… 

You pretended to think for a while, glancing back at the slightly damaged wall to your right. 

“Hm… no… I don’t think I will” 

“I’m not giving you a say in the matter.” He immediately replied, in a harsher tone than before. 

“So unfortunate…” you said, sighing very over-dramatically. You could tell you were getting on his nerves, although, you didn’t really care.

You assumed that, since they want information, he won’t harm you in any way. 

Blade glared at you, sighing. 

“Tell me what you know. If you just hand over the information then you won’t have to stay here any longer.” 

“Tempting, tempting….” you repeated before adding “but what if I want to stay here?” 

“And why would you want that?” He asked, confused. 

You stood in silence for a moment, giving him a deadpan look.

“Have you even seen yourself?!” You exclaimed, using your hand to motion at him. Blade looked at you, his confusion not waning. 

“What?” He asked after a moment, still not understanding what you meant. 

You stood confidently, placing your hand on your chin, in a thinking pose whilst looking at him with a slight smirk. 

“Well, you heard me! There’s a whole 5-star meal sitting in front of me!” 

“What?” He asked again in slight disbelief, slightly sitting up in his seat. 

“What? I’m not wrong!” You laughed, looking him up and down before adding to your sentence. 

“My bad, 5 stars doesn’t cover it. However, 3 Michelin stars does!” 

He opened his mouth, as if to speak, though he remained silent. Blade leaned forward and placed his hands on his face, thinking for a moment. After a few minutes, he just barely moved his hands, enough to see you. He had a mix of emotions visible on his face, the most prominent one being absolute, utter confusion. 

“What? It’s not like I’m lying!” 

He began muttering something to himself, however it was so muffled that you could only make out a few words. 

“Don’t do…- irrational…- Kafka said…- important…” 

“What’re you muttering about?” You asked, curiously, as you walked a bit closer to him. 

“I’m trying my hardest not to get rid of you.” He replied, not even sparing you a glance. Though you most certainly could see just the faintest hint of a blush on his face. 

“Oh come on! You wouldn’t do that~” you retaliated, taking on a more teasing tone now.

“Only because-“ he tried replying, however, you decided to interrupt him mid-sentence.

“Say, do you wanna, like… go out sometime?” 

“Kafka was right…” he sighed “You’re absolutely insane.”

“No! I’m simply telling the truth.” You crossed your arms and leaned your weight on one foot. “That’s great. Yeah no, I’m not going out with you.” 

“Why?” 

“Because I said so.” 

You sighed, once again over-dramatically, and leaned against the nearest wall. 

“Alright, fine… but I’m not giving up any information that could betray the Luofu.” 

“I’m leaving the moment Kafka returns.” He sighed and sat up again, leaning against the back of the chair. He’s probably hoping for Kafka to return soon. 

However, she didn’t return as soon as he hoped. Kafka returned a few hours later, absolutely exhausted so she only came to check on the both of you, whom were sitting in silence. 

“Bladie, I’m going to bed. You stay here a while longer. I’m convinced Silvie won’t be of help to you. She had me buy her like 10 games!” She mumbled and waved, right as blade was about to leave when he saw her. Kafka shut the door behind her, leaving the two of you alone… again. 

“So… about my earlier proposition-”

“No. Shut up.”

[wewerebornsextuplets]

idk how but you draw in the Oso-san style so good i need to know your secret please

HAHA thank you very much!! im glad you think so :D unfortunately im not very good at explaining how i work, but ill try my best to show what i mean!!

once again this is long as hell. you know the drill at this point

to be honest, half the battle i fight with drawing in the osmt style is just. Looking at it. the ososan art style actually fluctuates pretty wildly depending on what you're looking for, whether that be the mobile games (for instance, tabimatsu and hesowars look nothing alike in terms of style despite both being the same source material), official art and merch, or even the seasons of the show itself!

using ichi as my example here since i draw him the most, but its pretty easy to play spot the difference with the varying styles. even within a specific season you can do this across episodes, especially with season 1!

when i draw, i tend to be a bit sacrilege and use references across different media; usually ill use the show [especially season 2, if only because its a bit more "uniform"] as reference for the actual features and colors/poses/etc, but i like to use hesowars to reference proportions, since they seem to be most consistent there.

SOMETHING IMPORTANT TO NOTE: theres a WEALTH of fanartists that have styles that are INCREDIBLY similar to the show, so be careful to check your sources! these artists deserve credit for their hard work, which they often don't get since their work is reposted under the guise of being official art.

once you've pinned down the exact style you'd like to emulate, and the character you're looking to draw, its really just a matter of finding references, which is pretty easy! you can scrub through different episodes for good angles/shots, or if you're going for one of the game styles the AU wiki has most of the games catalogued to my knowledge. if you're looking to draw an oc, use characters you think they would look similar to in the show. if you really wanna waste your time, though, you can always scrub through crowd scenes in the show to see if any background characters might look like what you're going for; the season 3 episode Mt. Takao comes to mind, there were a lot of cute mob characters there.

using keiko as my example here, you can see that i pulled her features from multiple different characters to get her to look right in the style. with ocs, its important to reference a number of different characters, since the likelihood of a background character being a 1:1 for your little guy is unfortunately pretty low. there WILL, however, be a lot of characters that look KIND of like them. the key is to figure out what parts go where!

to this point, most prominent ososan women have very similar stock anime girl faces with very minor differences, so if youre looking to make a cute girl oc, most of the womens' faces can be used somewhat interchangeably. if you want your cute girl oc to have a more unique face, though, the movie gave us some women with more unique faces in the form of the NEETs' old classmates! theres also no harm in referencing male characters faces in this regard. #butchswag #kiruminikuya

BUT. going back to the assumption that you're drawing a canon character, today I'll be drawing oso for my example

when you're first getting a feel for the style, tracing some of your references can actually be a really great way to acclimate yourself to the characters proportions and features. think of like when you were a kid, and would trace over pictures of pokemon or cartoon characters so you could draw them better. its basically the same principle! this was especially helpful for me when it came to eyes; they vary the most wildly of any other trait that characters have in ososan, so going over the different shapes to get a feel for each of them was very important.

when you trace, though, I recommend doing so a bit more loosely, sort of like if you're doing a photo study for anatomy; block out the basic shapes and do small markers for different features (i.e small lines to denote where the eyes start and and, distance from nose to mouth, things like that), and from there draw the rest on your own.

after long enough you'll get a feel for the basic placement of where everything should go! the eyes and nose are undoubtedly the hardest when it comes to the sextuplets, since they shift around a LOT between games/seasons/etc. so don't feel bad if you have a hard time with that, since there isnt really a "right" answer with how frequently it changes. i still fuck it up all the time myself!

as for some basic tips, heres some stuff i try to keep in mind when drawing them that just helps the finished product look a bit nicer!

when drawing the hair + fringe line, its important to swoop it downwards a little bit; the flat across look Can work, but if you're not careful you risk showing the tops of their eyes, which is um. ew! ick! nast!

when a matsu is facing forward, their hair will usually tend towards one direction to keep the silhouette. in most screenshots i saw, the bowl cut points left! that said, dont be afraid to point rightwards if its better for your specific drawing!

and lastly: USE THE LIQUIFY TOOL. LIBERALLY. i am not joking when i say this has saved my ass so many times, its hard to get the placement right on the facial features and even harder to get everything to LOOK good, so if its available to you i HIGHLY suggest just squishing everything around with a liquify tool until it looks right. you can always go back and correct the blurry lines. its really a life saver

BUT YEAH! i dont know if this was very helpful but i hope you're at least able to gain something from it :-))

[zoeykallus]

The Bad Batch/ Mayday/Rex x Reader Prompts – Confessions

Part 4/7 - Echo

Warnings: Hurt/Angst/Comfort/Fluff/Love Confessions

Masterlist

Ko-Fi (If you feel like giving me some coffee)

This is a continuation of this request :

The Bad Batch/ Mayday/Rex x Reader Prompts – Confessions

Echo

You are alone with Echo. It's a beautiful day, the sun is shining, but it's not too warm. Pleasant conditions for working on the outer hull of the Marauder. It's nice to be alone with Echo, you can talk to him, his attention is only on you and the work you're doing together. It's not often that you're alone together, and every time you do, you promise yourself to talk to him about how you feel about him. But every time you back out and don't tell him. He is always attentive to you, polite, a gentleman, he is anything but dismissive, and yet you are very nervous every time. Today, however, you are determined to confess your feelings to Echo, you just don't really know how. You decide to try dipping your toes in the water first. It seems like a good idea to test what he thinks. A tentative, “Hey Echo,” escapes your lips. He smiles.

“Yeah?” You think for a moment about how you should phrase the sentence before you speak. You want to say the right thing and get an answer from him that you can do something with. “Have you ever thought about looking for a partner? You know, now that we live on Pabuu and all.” Echo raises his eyebrows in surprise and pauses in his work. His eyes wander back and forth thoughtfully for a moment, then his brows draw together critically, and you watch him carefully, feeling the nervousness creeping up inside you again. “No, I haven't really thought about it, not seriously anyway. I spend most of my time working with Rex, with the rebellion. I haven't really retired like the rest of the squad. There's still far too much to do out there.” A quiet, thoughtful, “Hmm,” comes over your lips. That's not exactly what you wanted to hear. Suddenly he adds, “Apart from that, I'm not exactly a great catch, finding a partner might be difficult”

To emphasize his words, he taps his scomp-link arm against one of his artificial legs. You really didn't expect that, and you didn't want to hear it from him. You actually want to talk back and tell him how adorable he is and that anyone would be lucky to have him by their side, but you don't really dare, not yet. You blink, a little nervously. The feeling of heaviness settles in the pit of your stomach. Somehow you had imagined the course of this conversation to be different and, slowly but surely, your courage is failing you. But you don't want to give up just yet. “You've really never thought about it? There is no one who could have awakened this thought in you in any way? Someone who could arouse your interest?” You see his jaw muscles flex, he grinds his teeth, seeming to weigh the words he wants to say. Echo sighs softly and finally says, “No, not really” Your heart sinks for a moment, but then something unexpected happens. Crosshair, who is walking by in the background, grumbles softly, “Liar”

Echo turns around, startled. Irritated, he grumbles, “Where did you come from?” Crosshair continues walking, without turning around he shrugs his shoulders and says dryly, “From the depths of space” You both watch as Crosshair disappears around a corner of a house, then your eyes meet. A nervous smile twitches at the corners of your mouth, while Echo suddenly seems to have a little more color in his face. You ask, curious as well as nervous, “Does Crosshair know something I don't?” The thought that Echo might already have a secret love affair comes to you, and the heaviness in your stomach turns into a full-blown mountain. But of course you don't want to let it show, but you still want certainty. Echo scratches the back of his neck nervously with the scomp link. “Why are you so interested in this?” he asks back, "Any particular reason?"

You shrug your shoulders uncertainly, avoid his gaze and say quietly, almost in a whisper, “Maybe I was hoping you liked me as much as I like you” You hear his footsteps coming closer and finally look at him again. “That's why you asked? Because you like me, um, romantically?” You say meekly, “Maybe” Echo smirks. “ Won't you just admit it?” You bite your lower lip as you feel the smirk infect you. You ask bolder than you feel, “What do I get in return?” Echo looks at you mischievously and takes one of your hands in his. “How about the first of many kisses?”

@rintheemolion

@andyoufollowyourheart @clone-whore-99

@brynhildrmimi @kaliel2310

@misogirl828 @tech-deck

@meshla-madalene

@chxpsi

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@heyitsaloy

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@1vlouds

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@ivyyyyy

[crimsonhydrangeavn]

Hey there! I'm here to simp for Garret, as usual, but I have another reason to gush today—I absolutely adore your drawing style! Whether it's the colors, the character designs, or the scenes, I just love it all. One of my favorite things, though, has to be the characters' facial expressions—they are all just beautiful!

Marcelo's surprised face? Perfect. Rita's blushing cheeks? Adorable. Camilla's entire design? Has a special place in my heart. And don't even get me started on Teagan's smile—it's so cute, it's almost unfair. But, of course, my ultimate favorite is Garret. I can't handle it when he furrows his eyebrows, whether he's pissed off or has that smug look like he's just hit the jackpot. It's all just so perfect!

Anyway, I do have a question for you—do you have any tips for creating character designs? I feel like the way your characters look perfectly matches the vibe they give off, and I'm starting to work on my own visual novel, but I'm having a hard time nailing down the character designs and I felt I could find good advice from you.

Additionally, I apologize in advance for all the fangirling and for my poor English. I hope nothing I said came across as rude or inconvenient, truly 🙏.

Thanks so much, and I hope you have a fantastic day! ❤🌻

Thank you so much for your incredibly sweet ask! Please, please, please NEVER apologize for gushing about characters for fangirling over them! It always brings a massive smile to my face and I really appreciate hearing how much you enjoy them! <3 I'm incredibly flattered that you reached out to me for advice on character creation and I'll do my best to share my process with you! Granted there are a million different ways to do things so these are just a few things that I've found that helps me in the creation process.

I'll give you a little background about me and my character/story creation journey so you can get a better understanding of my background in writing/character development.

You see I've been a huge fan of text roleplay for the majority of my life. I actually started roleplaying on gaiaonline when I was 12 and I've been doing it ever since. ( Almost 20 years at this point! damn am I old lol) As a result I've had a lot of practice creating and interacting with different kinds of characters in different settings. I've also been playing DnD on and off since high school. That being said, I've had time to refine my craft and create characters that I personally really enjoy and align with to some degree. ( And hopefully you do too!)

That being said, I'll list a few tips and tricks I've picked up over the years below!

Anatomy is key! Yes, my characters are stylized, however I spent a long time studying anatomy and getting a solid sense of proportions, ratios, and musculature. Am I perfect? Absolutely not, but I'm at the point that I can usually notice if there's a glaring error/ something looks really off.

Make sure to put all of the characters in a line up once they're designed! Are their heads the same size? What about their hands and feet? Some slight variations are natural, but if one character's head is noticeably larger than the others, then I'd take the time to adjust. The same could be said for colors. Is one character SUPER saturated while the others are more muted? Unless they're supposed to stand out, consider reworking the colors to make them feel a bit more cohesive.

A basic understanding of color theory is always a bonus in my book! I'd also consider making a general color palette for your game. That way it'll help you make sure everything looks and feels as though it's in the same world.

When I first create a character, I try to think of a general concept of what I want them to be. What's their general vibe? What do they look like? What's their personality like? Ect. Once I have a general vibe down, I try and do a bit of visual research on tiktok, pinterest, tumblr, google, ect. For example, I might have a general idea of what a typical frat bro or sorority girl looks like, but until I actually do the research and look into the kinds of things they wear, how they speak, and their general lifestyle, and real life examples of these kinds of people they'll feel like a flat caricatures of what they actually are.

Then, once I have the general vibe nailed down I start doodling them and playing around with different hairstyles, outfits, body types, ect. I actually have a few different different versions of all of the characters for Crimson Hydrangea! I rarely end up going with my first sketch/ concept when it comes to most of my characters. I also like exploring with different skin tones, colors, and textures/designs.

It takes a lot of thought and trail and error, but once I finally create a character that I'm visually happy with, I really start delving into their personality, backstories, and general psyche. What are their likes, dislikes, positive traits, and flaws? What are their motivations, fears, and traumas? How self aware are they? Then I start asking myself slightly more introspective questions to help me relate to the characters a bit more. What about this character resonates with me? How can I make this character feel more real? What are some traits that we share? For example, Garret inherited my unhealthy perfectionism, Marcelo inherited my love of food and desire to make sure those around me are happy and comfortable, Camilla inherited my sarcastic sense of humor, Rita inherited my unyielding sense of responsibility and unhealthy work-a-holic tendencies, and Teagan inherited my deep rooted insecurities. Granted most of these characters take it to a completely new level than I do in my real life, but at least on a basic level I can relate to them and understand their motivations. That being said, I don't think all of your characters need to inherit a specific trait of yours, it's just something I recently realized I tend to do on a subconscious level to help me write them with a bit more depth.

Let your characters develop a life of their own within your story. It's okay if they end up changing from your initial concept. People in real life are complex and don't always fit into a specific mold no matter how hard they try. They grow and change over time, sometimes for the better and sometimes for the worst. Do what feels right for the story you're trying to tell. For example, Garret was originally supposed to be more calculated and methodical. Marcelo was originally supposed to be a lot more laid back and go with the flow. However when I actually started writing them in specific scenarios I realized that they're far more complex than a simplified list of traits. Flaws and weaknesses make them feel so much more real than a "perfect" gary/mary stu.

When it comes to facial expressions, I usually have a small mirror on my desk to observe and reference specific expressions I'm trying to convey. In addition to using the mirror as a reference point, I also tend to make whatever face I'm drawing as I'm drawing it. It's a little silly, but I find it really helpful feeling my facial muscles recreate the same expression. It helps me figure out what the brows, eyes, and mouth are doing at the same time. It's gotten to the point of doing it subconsciously whenever I work/animate/draw. (Fortunately I usually work from home so no one has to see my weird expressions lol)

I think the final and most important tip you should take to heart is to create characters you genuinely enjoy. It'll also help you stay motivated to keep writing them and developing the story, especially early on in the creation process.

Hopefully you found my rambling helpful! It ended up being a bit more of a brain dump than I originally intended haha. That being said, I'd love to see what kind of characters and game you end up creating in the future! <3

[amerricanartwork]

Quetzalli on Trafficlights and Birds

Well @toxictoxicities, it has been done! You gave me the chance for me to give my own interpretation on this matter, and I can’t resist chances to add some narrative significance! I decided to make a separate post on it because what I came up with ended up being long (as always with me), and in case anyone else would enjoy these thoughts.

However before I go in with this essay I've put together I have to give a very important note: These thoughts are gonna be primarily based around my personal interpretations and headcanons for Seven Red Suns and No Significant Harassment. I’m generally a person who needs to know exactly what I’m working with to do something well, and as such my ideas about metaphors, symbolism, and greater narrative significance typically depend a lot on me understanding the characters and ship not just in their general dynamic, but various other deeper elements — what their core desires/fears are, what their backstories/histories are, each of their main character traits and why they are that way, then from there what they see in each other and why their relationship benefits each other in-universe, and what other effect(s) the relationship has or could have on the characters in-universe as well as the greater narrative out-of-universe, with the additional optional knowledge of what the main plot of the story they come from is to possibly tie in important moments. Seeing as you probably aren’t going to explain your Trafficlights interpretation completely to this intense of a degree anytime soon (though I’d absolutely enjoy hearing it whenever it comes!), if I’m going to make some metaphors I think the best option is to just use my current character interpretations so I have this background familiarity, especially since I’ve actually been developing these things a whole lot for my own iterator off-the-string happy ending AU!

Also, I want to say to that if some of these idea sound familiar, it’s because I realized I can actually project some of my previous Lilypad ideas onto this Trafficlights portrayal as well. I feel my Suns and Moon are similar enough in their personality traits that many of the same dynamics and significance could reasonably apply. In fact Tox, I’m gonna admit I actually did take some inspiration for my Lilypad portrayal from seeing your particular Trafficlights and drawing my own conclusions about how that dynamic worked, and overall my depiction of Seven Red Suns is largely inspired by your own take on that character, which I found quite unique compared to the rest of the fandom for being the first one I saw to show Suns as being far less imposing and confident internally than they seem in public. So I guess I am once again coming full circle now!

I think this is already more than enough words, but I just felt the need to give those prefaces as context for all of these ideas. With that being said, I hope you like at least some of these!

-.-.-.-.-.-.-.-.-

Option 1: Birds as Freedom

From what I’ve read, a common symbolism for birds is freedom, which to me is easy to see because of their signature flight ability. Flight can be considered the mode of travel with the greatest freedom because it’s not restricted by landmasses (or even planets, if you include space travel), and because flying is literally defying, or “freeing oneself” from gravity, one can easily associate it with weightlessness and thus being carefree and without worries or negativity.

With any off-the-string iterator story, it’s easy to give going off-the-string a positive significance because it’s literally the puppet “freeing itself” from the limited confines of their chamber, and by extent the limits imposed upon them by the Ancients. This is further supported by how some iterators in canon do appear to perceive their cans as a limitation or cage, as evidenced by the broadcast dialogue. In fact, I've heard No Significant Harassment is one of these very iterators, so I imagine he’d absolutely want to go off-the-string so long as he has a good incentive to. 

To relate this back to birds, you could very much use a caged songbird as a metaphor for the iterators; beautiful, brightly-colored creatures “raised” in captivity and trapped in boxes to serve other people, once “singing” out their ideas from within to those people, but now just giving those “songs” to each other. Thus, going off-the-string (perhaps to the Emergence facility in your AU) could be seen as these “birds” finally flying free to be with one another “in the wild”, finally able to fly and live their lives more fully as they were denied for so long. So regardless of any other symbolism, Trafficlights — and any other off-the-string iterator ship by extent — leaving their cans could be seen as them “flying free” together from the restraints forced upon them.

However, I’ve also recently realized another freedom symbolism besides freedom from the Ancients’ restrictions, and that’s freedom from their own. This is something more impactful to my Seven Red Suns, who like Moon, is also someone who hides a lot of his true personality for a more polite, proper, and dignified public persona, shoulders a lot of weight he isn’t always able to handle alone, and puts lots of limits on himself and what he’s “allowed” or “supposed” to do, albeit for entirely different reasons. Now contrast that with Sig, who although he also hides a lot of his true feelings and knows when to dial it down, is someone who is a master at breaking rules and going against convention. In fact, I like to imagine it’s literally in his nature (er, programming) to think outside the box, generating all sorts of different ideas to solve problems that don’t always totally follow outside rules or what’s “typical” for using a certain item. 

When you bring these two together, I imagine Sig could absolutely be the one to encourage Suns to let loose more, letting down his proper and and uptight persona to show more of his emotional side and explore things he didn’t allow himself to before (like I said, this is one of the ideas that works with Trafficlights as well as Lilypad)! It’s as if Suns is a bird too used to living in the cage and afraid to truly fly again, and Sig has to coax him out into embracing that freedom. You could even take this with the idea of iterators not being used to romance, a restriction Suns absolutely puts on himself and even others because he believes a “proper” iterator isn’t supposed to have such deep attachments, of which romantic love could be considered the worst because it’s both breaking Karma 3 of Companionship and can directly lead to Karma 2 of Sexual Intercourse, so it’s essentially a double-risk. But again, Sig is willing to explore these new feelings, and now that they’re off the string and can love each other more physically and directly than ever, what better time could there be for Suns to “spread his wings” and fly alongside him?

Option 2: Birds as Passion/Romance

To me, the second biggest symbolism that birds can have is that of passion and general romantic ideas. Technically all birds could have this association because feathers and wings in general are pretty showy, so spreading one’s wings could just as easily be a gesture of great emotion and expression as it could be preparing to be free. In addition though, whereas the previous point was more related to songbirds, this seems to correlate more with birds of paradise especially, who have the most colorful and varied plumage of the bird kingdom, thus making it easy to say they’re “showing their true colors” without fear. Some birds of paradise, particularly parrots/parakeets/macaws/etc. are very social creatures by nature, so it’s even easier to draw the connection between their vibrant plumage and social behavior with being expressive and outgoing.

As for the romance element, to me it seems birds are commonly used as such symbols already; there’s doves and swans being symbols of love often included in some way at weddings, words like “lovebirds” referring to lovers as well as one of my favorite words, “twitterpated”, which means to be very smitten and infatuated and also has a clear bird-based association and maybe even origin. But then there’s the idea of songbirds singing to each other, which I think is a particularly romantic idea which plays into one of my favorite shipping tropes I call, “answering the call”. So far, I like to describe it as when someone is looking for companionship and romance for a while, either openly or as a subconscious desire, but is eventually found and “answered” by someone willing to love with them. It’s such a romantic idea to me because it often includes so much loneliness and sometimes even tragedy before, making that moment where they finally find someone all the more sweet!

Okay, now to bring this back to Trafficlights. Starting with the first idea, I think it’s easy to associate Sig with these kinds of birds, especially macaws and such, seeing as I imagine he can be just as “colorful” both literally and personality-wise, and cares deeply about his relationships in a similar manner. But even then, like I mentioned before Sig can sometimes feel like he needs to hide those feelings because others don’t fully understand him and he doesn’t want to risk creating tension (although hiding his feelings like that kinda does anyway). 

To resolve this, I’ve decided to use what I imagine Sig would appreciate and value in Suns that would evolve the relationship past friendship to romance, that being that Suns was one of the first people besides Moon who believed that Sig’s ideas and his dedication to his friends could be something more, something better and used for good. My Suns is defined largely by his perfectionism and endless drive to make things the “best” versions of themselves. In my timeline of events he already helped Sig in that way during a pretty important moment, not to mention it’s just really inspiring how much Suns cares about trying to bring about the “best” for everyone. On Sig’s end, this is how they at least developed a friendship, and in this alternative what would cause that appreciation to evolve to romance eventually. In fact, in my headcanon it was the combined efforts of Moon first understanding Sig’s feelings and Suns helping to perfect his role in his group, with both of them working really hard to help him find new belonging with the Local Group, that was what got Sig out of his “rough patch”. Thus, in a way, Suns directly helped Sig make new connections, “spread his wings”, and “find a new flock”, which can easily be the main reason why Sig would fall for Suns.

Now, what about Suns? Relating him to birds and passion also hinges largely on another pretty crucial headcanon about my Seven Red Suns, which is that he is secretly a huge romantic with a passion for the fine arts. In addition to striving for an “ideal” world at all times, he appreciates art and the deeper symbolism within. However, because of what I said earlier about Suns placing a lot of high standards on himself, he doesn’t actually make art of his own, believing it’s “not an iterator’s place” to do such a thing themselves because it’s not in their purpose. But even then, he can’t help himself from seeing things artistically and drawing his own conclusions about things.

That being said, I imagine Suns could have a strong appreciation for birds in particular; their beauty, combined with their flight, makes them seem as though they’ve already “ascended” on some level above other animals. On top of that, I think Suns would come to see Sig as sort of a bird himself! Maybe a big green macaw with the most beautiful plumes who’s also far more intelligent than others think. But even more so, when it comes to what Suns appreciates in Sig that causes him to fall in love, I imagine it’s how Sig is the only person who sees through his facade for who he really is. Everyone else around him seems to either put him on a pedestal, with their own high expectations to follow, or is intimidated by his grandeur into avoiding much direct contact. Again, however, Sig naturally thinks outside the box and challenging people’s ideas, so it’d be pretty easy for him to break down some of Suns’s diplomacy to show that more emotional side (another idea that I use in Lilypad as well). No Significant Harassment is the one person Suns feels like he can be himself around, helping him realize that even those parts of him he hides make him “perfect” by virtue of being his real and unique self. It’s like Suns is a great eagle, looked up to and feared by other birds as a large bird of prey and thus lonely and pressured to soar above all else, and only the surprisingly smart macaw is able to lower his guard, helping him see he’s just as beautiful and inspiring on the ground as he is soaring high in the clouds. 

And then there’s the idea of “answering the call”. I’ve already seen your Trafficlights will probably play out as a slow burn, with Sig and Suns harboring growing feelings for each other for a while but only really acting on it once Emergence kicks in. In this case the dynamic would be mutual, with both of them longing for a deeper connection, but perhaps not realizing it until this timeline. I imagine Sig would be the one more conscious of this desire though, seeing as he openly seeks connection with others, so it’d be as if he’s a lonely songbird wanting to sing out but never getting an answer. And then of course, when Suns finally does respond it’s that much more poetic!

Trafficlights as Rio (spoilers, by the way)

OKAY HEAR ME OUT, I just have to include some words on this because this movie, this freaking movie is not only one of the two that kickstarted my love of birds but is what started this whole Trafficlights-as-birds-symbolism thing for me.

To give some context, if you don’t already know I am someone who not only loves making metaphors and symbolism with my ships, but loves finding associations between them and outside music or stories. I often look for connections to the old Disney animated fairytales, but I really end up doing it to all sorts of animated stories that I believe have pretty universal themes.

That being said, if there’s any association I’d make for Trafficlights as I currently see them, it’s to Blue Sky’s Rio and some of the scenes from that story. Firstly, Blu as a character already somewhat parallels my Suns in that he’s awkward and not the best at interacting with others. Not to mention his inability to fly, which came from him never getting a chance to embrace his emotions before being captured and taken from his home, could be paralleled to Suns’s bottling up his emotions, especially since flight in that film is directly related to feelings of happiness, love, and freedom, so Suns in a way is also “stunted” in his emotions. Meanwhile Sig on the other hand is more like Jewel, someone who at least understands his emotions a lot better and thus “knows how to fly”, and who resists others’ attempts to cage him and tries to get his partner to do the same. Like Blu Suns refuses at first, his logic and desire for a dignified self image getting the best of him being able to let loose in any environment where he isn’t surrounded by close friends. 

Then there’s the freaking “Hot Wings” scene, which takes the most responsibility for this association of mine. Largely because the two side-characters, Nico and Pedro, also seem to carry a dynamic with their lyrics that just reminds me of Suns and Sig, respectively, a lot (honestly I just thought about it on a whim one day and I can’t unsee it now…). Not to mention the entire scene is about pretty birds dancing, which given you’ve also made a decent number of drawings of Trafficlights dancing together, I think is just super fitting. And then Jewel’s singing once again brings back this idea of freedom and showing one’s emotions and love, with the remaining question being whether or not Blu can eventually unlock this feeling inside him despite his fears and fly up with her. This is something I think could work with Trafficlights, at least how I see them, for even if Suns can be more emotional around Sig and maybe his friends, he still has trouble doing so in public, not always liking the pressure of being “perfect” but not wanting to risk looking like a fool around everyone who looks up to him.

It works even better with one of the later scenes in the film when Blu and Jewel finally manage to cut the chain keeping them together, which causes Jewel to immediately lift into the sky with the pure joy and euphoria of once again being free to fly as she pleases. However, Blu is left looking up at her as she flies with their friends, and you can tell he’s both realizing again just how beautiful she is and longing so much to join her in the sky, yet still unable to fly. Once again I can’t help seeing Suns in Blu’s place, looking at Sig having fun and being so carefree, loving the feeling of being off-the-string, and him thinking Sig so beautiful and wanting to join him too. And eventually, just like Blu does in a true “answering the call fashion”, he is able to “spread his wings” and they finally can fly away together!

-.-.-.-.-.-.-.-.-

Okay, I think that’s all I have to say for now on this topic. This essay, excluding the preface at the beginning, is 2498 words! I think that might be a little bit more than my Lilypad essay! I really hope it delivered!

But even then, this was so fun to do! Even though Trafficlights isn’t my main ship and isn’t going to happen in my own AU, I’ve recently been looking to better figure out Sig and Suns’s relationship anyway to understand why they’re at least friends with each other. Of course there are some other factors in their relationship, some of which I’ve edited out for the sake of these ideas because it throws a bit of tension in the dynamic that could compromise its ability to work as a ship, but this was still an important aspect and I’m glad to have gotten a chance to develop it! And then of course, a reason to think about ships as well as shamelessly plug one of my favorite movies ever is also very nice!

This may all sound super silly and maybe none of it works with your Emergence Trafficlights, but regardless this was seriously such a fun opportunity, and I’m glad you gave me a reason to do this! I would love to hear your thoughts on or additions to all this, if you can!

[ccycloneblogging]

I'm seeing age differences in those relationship charts-

But are those Real age differences, or are they part of their "Character" and not when they were actually made.

I'm assuming the latter because of them "remembering" the cartoon as you've put it- but the idea that they actually had real childhoods (one not just written up on some script) and were kids is both adorable and also very depressing.

Thinking about it, realizing you're an artificial being that was made directly into an teen/adult with only fake memories and stories from a tv show is some prime existential dread. I mean that seem like it could be one of the few things that could truly break the critters- especially for Catnap who seem adamant that there is a world to go back to, only to be faced with "that world- those memories were never real".

That kind of angst seems ripe for picking!

Alright - Combining these together.

Let's start off with a height chart and ages for the Critters! (Plus Angel), and this would be in feet - and yes these are the heights I am trying to keep consistent.

Find the original here.

Okay, more under the cut!

So

Let's start with our Anon. You are so right. I really want to make these guys have varied bodies, just like I did whenever I draw the FNAF animatronics. So it makes it tricky for me to keep the cartoon proportions, as I just want to lean into anthro proportions. But I strongly agree with you!

Okay. Moving on.

The ages for the Critters are based off of two things. My preference for having some older style toons - and I imagine these are based on their creation and not their ages on the show. I imagine the show kept them ageless, but around the same year. DogDay is our oldest, because I believe whoever created them in universe first thought of him before the other critters. I think the creator of the show originally meant to just have a small show with just DogDay, Bubba, and Picky - for whatever reasons. (She just gives off older vibes to me). Over time, the others were added in for various reasons. Hoppy is our youngest, as I like to think she was a last minute addition to the team to balance them out.

These ages are just what I have listed, but I think none of the critters really view themselves having the same age. I think if you were to ask any of them, their first answer would be at least twenty five. Five years working in PlayCare, ten after the Hour of Joy, and they would simply shrug off the rest.

Then there's Angel, who started working for the company at the age of twenty three. Stayed for three years, then left.

As for childhoods? They have a false one written into each of their characters. Excuse me while I ramble on about what the backgrounds they were "programmed" with.

DogDay was an only child and rather lonely. He decided to take that loneliness and work that much harder to befriend others and create meaningful relationships. He approached each critter one-on-one, and after that? He'd try to hold on to anyone he clicked with. He has so many false memories of his family and his time with his friends before the show's "start". Though... If he actually thinks about it, he starts to question why he never had any pictures of these memories. However, once brought into the "real" world, he adjusted to this realization.

Bubba was the first to be approached, though he knew DogDay when they were children. They grew up together, and DogDay really helped him get past his awkward phase. He spent so much time trying to focus on learning, fascinated by everything he could read about. DogDay helped him come out of his shell and befriend others. He was the first to realize his memories were fake and adjusted incredibly well. As far as he saw it - yes. They weren't "real" creatures in the show, but existing in PlayCare? They were alive. Did the past really matter when the present was far more important?

Picky grew up with a massive family. She is the eldest of her siblings and had always taken on a caretaker kind of role. She happened to meet DogDay towards the end of their childhood, an was confused when this excited dog insisted on dragging her over to meet a rather shy elephant. She found them both to be weird, but she warmed up to them quickly. She struggled with the realization that her memories were fake. After all, this meant that the family she had, the siblings she loved so deeply and cared for... None of that existed. To cope, she ended up taking care of the kids that much more. She was going to heal her sorrows by making new memories.

CatNap happened to wander in to town on their own, deciding to make a life for themselves - despite their young age. They was probably three days into their solitude when DogDay discovered them in a tree. CatNap was confused and insisted that DogDay leave them be, but the pup wasn't backing down. Eventually, he convinced them to come down and join him and Bubba for a picnic. Though CatNap and Bubba didn't get along at first, CatNap and DogDay were inseparable after that day. They discovered their memories were false due to their recall. They poked their head around the councilor's office and discovered too much, and CatNap just couldn't handle it. They still don't believe all of those memories were fake, and they just want to cling to those nonexistent days.

Bobby moved into town with her family, a middle child with three older siblings and one younger adopted sibling. She happened to run into DogDay during a Valentine's Day celebration. She had taken charge of the decorating, and was impressed that DogDay not only wanted to help, but enlisted his friends to help too! This is how she met Bubba, Picky, Kickin and CatNap in their teen years. She couldn't thank them enough and was the first to suggest a weekly meetup for them. She still has not realized these memories are fake, but she is suspicious of some details and has her doubts.

Kickin is the youngest child in his family, adopting a cool persona to help his self esteem issues. He didn't meet the others until later on, in the end on their childhood and the start of their teen years. He met CatNap first on accident, catching the cat being cornered by some larger critters. Despite being so tiny, Kickin' jumped in to defend the cat, and though the two didn't fair well, they immediately bonded. CatNap soon introduced him to DogDay. Though they liked each other, Kickin' always felt the need to one-up him. A rival. He has not realized the memories are fake, but he has no idea.

Crafty was an only child, but incredibly gifted. She happened to find herself in town to study, though she had a small desire to follow her art. She often spent time alone, finding a quiet spot to occasionally doodle between her studies. It was during one of these days when she met DogDay - who had no concept of personal space and leaned on her, asking her what she was drawing. Of course, this scared the hell out of her. Afterwards, DogDay apologized and insisted that he make it up to her by inviting her to the group's weekly hang-out. When Crafty met the others, she was amazed by how welcoming the other Critters were. She then began to start coming up with ideas on friendship charms and was the one to propose the idea. Everyone voted on what type of charm best suited the others. She is deep in denial that her memories are false, but deep down? She thinks she's always known.

Hoppy was the last to join the group. She met DogDay during a sporting event - as he was there to root for Kickin' (and CatNap, though CatNap spent the game sleeping on the benches). He was impressed by her sportsmanship, and she found his sunshine behavior pretty funny. They clicked almost immediately, so he grabbed her hand and quite literally dragged her to the others. While Hoppy didn't get along with the others that quickly, she stuck around. Because Hoppy was a last minute addition to the show, her memories are the most fragmented. It stresses her out if she dwells on it, so she ignores it.

CatNap's insistence on returning to their cartoon is probably the one thing that deeply angers DogDay as well. In the cartoon, they didn't have freewill. They could not feel things outside of their script - at least, not to the same extent. In the "real" world, DogDay felt they could finally be themselves. That they could truly be alive, even though they were technically prisoners to Playtime Co. DogDay couldn't express his love for the others in the cartoon. His friends couldn't be as happy - like Bobby and Hoppy. They could never be together in that world.

So, hearing CatNap demand that they just give up their freedom? Yeah. This is probably one of the only things that they fought about.

[ribbonetteart]

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I wasn't confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be having (working against my usual style, rendering a background), so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

[d3sertdream3r]

I really don't know how to feel about the ROP finale... I feel like we shippers got baited a bit and I really don't like that. Like did he even actually care about galadriel at all? And WTF was up with the heal yourself line? What does that even mean? I want to like the episode but I don't know it felt off to me like it wasn't emotional enough.

I think we all have personal preferences that are influenced by our own experiences, so it's perfectly normal to like something others don't or not like something that others do. It's ok if you didn't enjoy the finale as much as you were hoping to. You don't have to try and force yourself to like it, and it's totally valid to feel upset and baited if you were hoping for things to go differently.

That being said, I enjoyed the finale! I personally didn't feel baited at all, but I was expecting it to be like this. I find it interesting because I saw a lot of people nervous the end of season 2 would be too much like the end of season 1, and now a lot of those same people are upset that it wasn't enough like the end of season 1.

From my perspective, Sauron made it clear that "not all of it" was an illusion, and he wanted to place a crown on her head and make the world worship her. And honestly, the scene where Sauron turns into Halbrand and Galadriel instantly drops her battle stance made me cry. Especially with Halbrand's theme in the background... curse you, Bear McCreary!!! (In a good way, lol). I feel like Halbrand was the closest to pre-evil Mairon we've seen in an adaptation. Definitely more depressed and prickly than Mairon would've been, but I think he was still just as snarky and charming before his corruption by Morgoth. I feel like Galadriel saw Mairon inside of Halbrand (unknowingly) and that's who she developed feelings for. For me, Halbrand's theme is Mairon's theme before he went to the dark side. So from my perceptive, it was really emotional to see what he could've been and what the two of them could've had.

Ironically, Sauron was trying to show her exactly that; what they could've had. But what he doesn't understand is what Galadriel truly wanted was his light self all along. It reminds me of the scene in TROS between Rey and Kylo Ren/Ben Solo when he asks her why she didn't take his hand when she wanted to. She says she wanted to take Ben's hand, not Kylo's. Galadriel wanted to take Halbrand/Pre-Darkness Mairon's hand, not Sauron's.

However, that doesn't mean that she isn't drawn to Sauron in all his dark glory at all. She was absolutely tempted to become his evil queen at the end of season 1. I just think what she ultimately wanted was his light, even when she's drawn to his darkness. I don't know if that makes any sense, but it does to me!

The "heal yourself" line was something I loved, though it looks like most people weren't as fond of it as I am. I love the idea that for Sauron to truly be able to achieve his goal of healing the world, he has to heal himself first. He literally can't heal the world until he himself is healed, he isn't capable of it. All he has in his soul to draw from right now is poison, so that's all he can give the world. I've seen a theory floating around about Sauron one day being redeemed during Dagor Dagorath and helping the good guys defeat Morgoth, and I'm obsessed with it! Helping them fight his old master could help him find the light again and become Mairon the Admirable once more. Only then could he truly heal Middle Earth.

[whatudottu]

All this new Earthspark content (i say with a sigh, not liking what i see), just makes me think more about it? Season 1, so good I didn’t need to think about… give or take Shockwave and the rushed end. Season 2? God- and I’m hearing the bloody ‘Decepticon Dome’ is still around for I guess this is season 3 instead of 2b??

I feel like I wanna share my notes for a season 2 rewrite or at least some concepts for one (with some Shockwave edits from season 1) that I had written on… *looks at the date* 28th July just before I started my shift-

Let’s see what happens then :P

First of all, Shockwave.

What do you mean the fucking unethical science guy has issues with what he immediately labels as cybrids? TFP Father-of-Predacons guy? IDW Literally-Becomes-Onyx-Prime guy?

So you’d think my first idea is to turn him not-racist right? Make him curious about the terrans like (using my main Shockwave experience) his Prime’s equivalent interest in predacons, right?

But what if I didn’t, what if he still has that speciesism but… reflavoured it into something more fitting? Say the ‘medical exploitation’ variant of racism that TFES Shockwave can openly claim that ‘I know I’m doing all these unethical experiments to one specific group, but I would do the same for any cybertronus’ to use Mandroid’s scientific name, but really he doesn’t actually desire to experiment on others he might consider the ‘default’. The kind of racism that treats others as scientific wonders in need of full study.

Heh, TFP Shockwave got off lucky, his obsession was predacons and he only knew they were sapient after reviving one from the dead AND discovering it he could transform; something about archeology vs graverobbing :P

Shockwave in the season 1 finale thus has more willingness to work with people who he considers in some way to be lesser, at least different; what’s a good test for a species’ intelligence than watching them problem solve against a corrupt government organisation?

Now onto the actual fucking season 2 notes then shall we?

With GHOST and Mandroid gone we are lacking threats that aren’t the fucking Decepticons again. The Quintessons of course take Mandroid’s role of the active antagonist, the one or ones that act their own agenda divorced from a wider perspective, but who fills GHOST’s role as the passive background threat? Well, as GHOST was the only company/organisation that had extended their hand to establish a proper post-war cybertronian-human alliance, and they seemed to be pretty tied in to either the government or with heavy media scrutiny, in its place could be filled by the actual American government now labelling any and all cybertronian (and terran) presence as criminal behaviour and thus officially rendering them as illegal literal aliens.

I’m not saying this is what the show should’ve done because that is a fucking stretch, but if I’m gonna rewrite Earthspark that’s who I’d want to fill the slot, fanfiction (maybe bayverse) kinda stuff. Maybe for a ‘kid friendly’ ‘not-so-anti-american’ way to make it just a special task force that’s still paramilitary enough to not get conservatives to freak; but let it be known the original idea :P

Back to Mandroid, considering the type (and aesthetic) of his final cybernetics - as well as his sharkticon guards (?) that he from what I remembered freed from somewhere (like a fucking shark pit???) - what if he had in fact made contact with the quintessons and, learning that he was from Earth, they had assumed that humanity and the Malto children were the children of Quintus, they were in fact assumed kin by His abandonment. When Mo ends up waking the executioner, it is still however her cybersleeve that draws it’s attention, yet it is also the terrans that draw its ire as they seem kin to the cybertronians Quintus oh so favoured over them, but also because they are filled with Quintus’ energy and ‘getting in the affairs’ or ‘robbing the power’ of humanity by their disturbance.

It’s not particularly too far off of the actual canon motivations to coming to Earth, as they already view humanity as fellow creations of Quintus even if literally untrue and prefer them to cybertronians and specifically to the maltos, but just imagine them being more anti-cybertronian rather than ‘pick me’ over Quintus’ chosen (one of the better things about 2b/3, the Judge actually acknowledged that the human Maltos were another set of child soldiers chosen for a destiny beyond their years, heh even Prowl agrees).

In a way, with this, both the human government and the quintessons can come to the idea that (for their own reasons and information provided) cybertronian affairs disrupt the human way of life and need to - in one way or another - be punished for their ‘chaos’.

Regardless though, the Emberstone is still shattered, and it’s not coming back (though the characters don’t know that… yet).

What doesn’t happen between it shattering and it’s… let’s say ‘pieces’ for now… is that the Decepticons don’t ‘do what they do best’.

Without GHOST in the way to arrest any Decepticon by virtue of them losing the war, the Autobots can actually begin to offer a genuine chance at armistice. Maybe not full on peace, their existence is a little too criminalised at the moment to immediately settle give or take a millennia worth of war in one sitting, but it is so much easier to prove to the Decepticons that they do in fact have a chance of rest against vorns of war and years of imprisonment and - as much as saying so word for word may begrudge the mecha - can ‘prove’ that they are worth as much freedom as the Autobots so prattle on about if neither of them have power over them in the ways GHOST provided.

What are their current goals? 1) do not get captured by government agents; there’s only so many cybertronians left even with a large concentration in Witwicky, and who knows if GHOST sent their technology back to their military. 2) do not let the government know of the terrans’ existence; with what Mandroid was invested in and what GHOST had intended to learn from him, neither faction nor any of the Maltos want to let the terrans become fugitives or pet projects (the craziest scientist they’ll even begin to consider studying the terrans would be Shockwave but even then they’d prefer even bloody Tarantulas more than him). And 3) gather the Emberstone shards before the government does; if Mandroid literally killed every cybertronian and terran on Earth with one blast of the full thing, what is the strength of one fragment actually measured by?

Given that apparently a shard with just a little bit of water is enough to make an entire spark (or at least, depending on what we learnt from 2a or the designs in 2b/3) act in replacement to a spark, probably decently powerful enough-

But to quote Brennan Lee Mulligan in his quite popular Game Changer, on a planet with 70% water coverage, weather patterns of a few sorts that scatter H2O in its many states to its surface, and all the time in the world between the Emberstone shattering and scattering, it is a “…statistical wonder…” that there were TWO (count them, 2) ‘’’’’’’’’Chaos’’’’’’’’’ terrans throughout - I’ll give it this - the entirety yet exclusively of the Americas.

First of all, FUCK THE TERM ‘CHAOS’ TERRAN! Let’s describe them as shard-spark for now, continuing to use Mandroid’s scientific terms we do not know if there’s a particular biomechanical difference beyond the Emberstone shard to sever the terrans AKA cybertronus terran from their new shattered siblings… or perhaps only cousins.

Second of all, shard-spark terrans are NOT born evil, just troubled in whatever relevant ways their circumstances cause them to be. Most often however without the conflict between the factions, a lot them if they do not happen upon a body of water in a location of dry weather conditions or even unluckily get stuck in a glass display would end up probably already being terrans by the time Autobots, Decepticons and 3rd or 4th party lock onto their signal to track them down from interesting community reports.

You know what was funny? Seeing everyone fall in love with Breakdown projecting a father-son relationship onto Aftermath who conversely didn’t give a shit, because y’all would just see Breakdown imposing that as just the cutest thing ever when he literally didn’t earn the right to think that way about a stranger that happened to be a child.

No, if Breakdown wants his ‘being a parent’ moment, he needs to put his back into it and make an effort to at least fucking try to be a parent? Hell, he can fucking suck at it and maybe even fall into a similar situation where he imposes the parent-child relationship onto a bad relationship, the main caveat being that it isn't supposed to be funny that Aftermath doesn't get it.

Breakdown can be the first contact with a shard-spark terran, maybe a few others or maybe alone, maybe he and Bumblebee took it upon themselves to race towards a shard only to discover a lost child. Instead of the fucking gang recruitment way 2a attempts to explain Aftermath going along with Breakdown, both the racers are mildly freaking out that there's a solitary kid who may or may not be a little fucking pissy right, just in the very spot both their scanners are saying IS the Emberstone shard they've been tracking. It takes a harsher more Decepticon standard demand to get Aftermath to follow either of them over a softer weaker Autobot plea; a force of habit for both of them, even if Breakdown starts actively avoiding Bee's responding glare.

Something about Breakdown associating harsh orders, reprimands and mutual hostility says more about him and his relationship to 'family' than it does on Aftermath sneering at squishy feelings that make him feel weird and preferring the worse treatment since it's the one thing he's got experience in. Something about how in fandom spaces every group of people is immediately turned into found family or just straight up family? Well- considering that Breakdown joined the Decepticons because the Stunticons also had done so (and changing Breakdown's association of Decepticons as family down to Stunticons as family), considering that most iterations of the characters 4 mentally ill soldiers and an abusive leader that actively preys on his team's weaknesses then... heh.

Breakdown finding the bickering and the fighting and the unspoken assumptions of that meaning family... it DOES mean more for Breakdown than it does for Aftermath doesn't it? :P

I don't think I got a good order with this but :P With GHOST gone the Autobots don't have a main base anymore, and by don't I fucking MEAN IT they don't go back to GHOST headquarters after all is said and done; it would be the first place to look for cybertronian activity after the government finds out the closest thing humanity had for bot sympathisers went belly up after all. Between them and the newly freed Decepticons, there is only one neutral ground between them on the Malto farm, but it would be Starscream to bring up stink over it (if even in his mischaracterisation in 2a he labels Autobots as oppressors) siting that the Malto's are functionally civilian and shouldn't - whether or not they could at all in the first place - be responsible for the housing of all these soliders; it's a farm, not a warbase, there is no need to bring more children into their squabble especially with the likelihood of crossfaction shared quarters he'd say.

There is one fortification left to stand against potential government hunting, even if it means to repair defense systems and cloaking devices, even signal scramblers just to hopefully allow rest to those tired of running. None of the Autobots would be happy about it - the Decepticons might disagree seeing it as potentially a little bit funny and as a little bit of petty revenge - but that base may or may not happen to be quite purple in it's paintjob, Decepticon base. To offer the curtsy that none of the 'Cons were given however, the Autobots in addition to the betrayer Megatron would be allowed free reign of the base, give or take a few zones off-limits even to lower ranked Decepticon forces. It's not like the Autobots would have left the base unraided in their time under GHOST's thumb, so there's no doomsday weapons to be wary of anyone activating.

Actual base life doesn't feel horrible for the Decepticons who, thanks in all due part to Megatron's aggressive leadership and hostile work environment, are already particularly used to being near permanently on guard even at rest; if the Autobots still had a base of their own in the local area the Decepticons would've made an easy transition even if still incredibly tense. It takes an extremely disciplined trigger for the Autobots not to snap under the tension, everyone save for Megatron who is used to being on edge, unfortunately for him the Decepticons give him shit constantly and tends to skew towards aggravating him than any of the 'Bots.

However, at the very least the remaining scientists have access to Shockwave's lab, which he might be more willing to share if it helps Wheeljack and Tarantulas to agree to run some tests on the terrans and actually begin to study them to get the full picture, at least as full as they can without dissection which is one of the compromises Shockwave would have to contend with especially if Nightshade wants to be science team buddies with at least the other 2. Either way, probably the least hostile section in the crosshabitation Decepticon base? Mostly because of the fact they're all agreeing to science together rather than punch each other.

But not everyone actually remains in the base, some take off to find better opportunities or because they find the base environment more stiffling than usual real free spirit types, AKA Breakdown. And also why I don't think I ordered this the right way- but I suppose from Emberstone to 'chaos' terran to Aftermath to Breakdown may break if I went no GHOST to no Autobot base to 'don't hide warriors in civilian homes' to Decepticon base to Breakdown to Aftermath... actually no... because then I can go to 'chaos' terran again and bring up Spitfire and others.

So, speaking of...

Shard-spark terrans, while not guaranteed to be trouble-kids so to speak, they are more predisposed to such given the circumstances of their creation in addition to the presence of the shard they are aptly named after. Aftermath is of course a bit of a destruction lover, it feels so good to break things it's often quite the shame that to have a broken thing, you must destroy something that may or may not have a use when it is unbroken. Breaking trees, breaking roads, breaking armour (even if it's a little baby dent to a soldier who's dealt with worse from a kid who didn't even exist up until a week ago), all the same to Aftermath who loves the thrill of it and hates things that make that thrill go away.

Can't even make a dent in that annoying Jawbreaker's armour! Ugh, he'll just have to teach JB to break something for him to make these gross feelings stop AKA JB discovers 'breaking things' stim and (with a bonus quick rewrite of his altmode episode where HE'S the one wreaking havoc on town because 'STOP BABYING HIM' 'WHY WON'T YOU LIKE ME' 'I HAVE AN ALTMODE NOW WHY DON'T YOU PAY ATTENTION TO ME' feelings) feels like really bad about it when he wants to break more things and scream :P good thing his mum's a veteran she can probably get him to do a war cry!

Spitfire kinda immediately did a gifted kid speedrun I think instead, Twitch 2.0 with a better drone model with better and more capabilities and the speed to out fly the out-mode, only up until it is Twitch who is preferred for her softer attitude and willingness to give up all that lets her win for someone else. Look Megatron, if you introduce a 'non-deadly' version of the Polyhex Protocol, maybe make fucking sure there is literally no fucking way for someone to be in immense 'death by falling' danger? Look look look look look- you put a newborn into her first race (btw, created while falling and thus having first hand experience that falling isn't deadly), say it's not to the death, and expect her not to assume that the giant cliff beneath the flying fox was also safe?? And that you had initially planned the Malto CHILDREN to run the course also and yet failed to create a proper safety net, literally or not you have a flight mode you could've played spotter!

Is Spitfire without fault? No, but what do you expect a newborn storm child to know about safety especially with a competitive streak like the one she's fast to develop! You all told her how she has the better altmode and 'better than this' why are you all looking at her like she'd suddenly BROKEN!?

And all these fuckers think they can all hug it out while she stands out in the rain biting and gnawing for attention?! Gross!

:P AKA Spitfire is like 12 (minutes) old and already fallen from grace, no wonder she gets a kick out of mutual 'want to bite people' sibling Aftermath :P

I think these thoughts are spiraling though to be fair my notes are also at this point spiraling-

Spitfire and Aftermath love to brawl with each other, it's too wild to be called sparring but it's not particularly deadly enough to call a battle, though it does get out of hand in ways that Breakdown - if he's still trying for parenthood - isn't even prepared to deal with (bumblebee voice: first time?). During one such brawl, Breakdown alternating between chasing the pair and backing off as they throw in more hits on each other, the kids accidentally run into Skullcruncher and - instead of backing down like someone more in the know - end up dragging him out of his listless reverie when Spitfire dodges Aftermath's double hammerfist after he threw her into the Decepticon.

Now why am I bringing up Skullcruncher is he secretly my favourite character? No, no he really isn't. But considering he's been used as a tool to not only display Mandroid's mind control technology as well as the visible consequences of that technology being used by GHOST, I feel as though he'd been left in the dust to kinda... regress? To disappear into his head? Some fucked up torture coping really, just in a literal brainwashing sense since :P GHOST wanted a pet project test subject. The aforementioned science team, with the help of everyone that was mind controlled and able to tell of it, have been trying to work through the brainfog it seems to have left Skullcruncher with. Regardless of the actual care they have for him specifically, they want to know if there's any actual lingering corruption on a mecha's processor all in due part because of it, to see if it would affect them physically as it had done mentally.

Between Shockwave's calculated response only providing his own experience in cold logic, Hashtag's experience (Shockers listing her under 'confounding variable' because of her status as a terran) having been used to connect her to Starscream when it counted the most whether or not she was good at playing therapist as a child full of fears and no wisdom, and Megatron nearly gunning down a kid he believed to be the hope of all cybertronian kind (all of the science team is reminded of how he has changed, how he now feels guilt over the future he could've failed instead of snuffing it out himself without mind), there may be a few networks rewired via the cybertronian equivalent of neuroplasticity... but the results so far are inconclusive and it's looking more and more likely to just be biopsychological placebo and coping mechanism Skullcruncher invariably got himself stuck in.

But getting dragged into the antics of laughing yet snarling children, going around beating each other around base not out of malice but out of pure enjoyment and glee, being chased around by someone who has the time and freedom - if not, the ability to be panicked about something so relatively small - to try and deal with the situation? Sure, the first strike is always surprising, and maybe he panicked with something violent in response. But the shard-spark siblings were already in the ebb and flow of their fight, if they got caught or grazed by jaws, if they got hit or dodged a sweep of claws, they'll fight like they always enjoyed. Skullcruncher may not be fully present, may not ever be, but hey... maybe those kids can help fight away the monotony and get him out of his head, out of the past the same faces of over a million years couldn't get to sooner.

Something like that?

And to give more love to other side characters that don't even get voices, why not some more Insecticon content- hell, why not a shard-spark terran who becomes an Insecticon, or at least has a bug altmode that caters to their personality. The 'sit alone inside the tube of a playground set all recess' type, the 'uses thoughts to give themselves company' type, the 'weird loner' type who's non-verbal and asocial? A very patient praying mantis, who takes the bugs outside when they're in and wants to show others the cool little creatures? To BE a bug?

Breakdown, who's willingly tied himself down to who he immediately claimed as his kid... his kids now? He... let's Spitfire decide for herself if she wants to be that but... Aftermath calls him 'old man', that's... that's what humans call their 'dad' right? They both make his spark ache and he's growing more and more confused at why he doesn't just run, take to the streets and drive away where his spark can be free again. But the idea sends his systems into a stronger more whole-body version of the feeling, shooting through his chest down through his arms and legs, in ways that feel familiar but... warmer than with any of the Stunticons.

Bumblebee, who was more or less stuck with the Maltobots as Optimus changed his mission, having gotten to actually learn from them as they learnt from him; he knows the feeling, he knows it strongly. And if they get to hang out more now that they aren't actively fighting each other - though I guess it's still a mutual 'hiding from the government' thing isn't it - they might get to talking about it.

"Yeah, that's just classic worry for you." "Bee, I KNOW what worry feels like, we've been at war for Primus knows how long!" He hated the way it sounded like Bumblebee was brushing him off, emphasised with waving of his hand like he was dusting his plating. If his 'cool' slipped well, the 'Bot didn't press him on it. "Always worrying about dying, worrying about energon. Pit! Worried about shrapnel to the wheels, can't keep beating you in races if my tires blow." Maybe not the best thing to bring up considering... "This is different." It has to be, because he knows he worried about the Stunticons, and they were his family. But... "Breakdown," When did he look away? Breakdown turned back to face Bee, "it's worry FOR them. It's... it's a worry because you care? I care about the Maltos, for the humans AND the terrans, and... I feel worried about them?" He can't help it, Breakdown laughs. A quiet chuckle really, turned snickers as Bumblebee's expressions twist. "HEY! What's so funny about that!?" Just in time to feel a fist beat against his shoulder - right on that afformentioned wheel, hah - even though his optics are narrowed and dentae bared, Bee vents out a laugh he tried and failed to hide. "Mr Never-Settle-Down hiding some wisdom I missed?" He squints at the name but doesn't let that stop his smirk. "Hah, come on Bee, you said it like you were such an expert before! But look who's confused now, right? Because 'classic worry' is so hard to explain." Bumblebee shoves against Breakdown's chassis, venting out another huff. "Okay sure, I'm not perfect at explaining it but!" "You care about them, these new... shard-spark terrans?" Aftermath, Spitfire, almost instantly that burst of 'classic worry' runs his systems wild. "I'm not an expert, so don't quote me on anything but..." He offered up his hand, beckoning for Breakdown to take it in one bold move. "I can help with what I do know, yeah? You've got one handful of kids don't you." With another pulse of his spark, the 'classic worry' - that 'worry FOR them' emotion - shivers down his wires and back up to his chest. Wordlessly, Breakdown takes up the offer with a small quick nod of acknowledgement, and feels the residual tingle simmer. It's not the same feeling with the Stunticons, this kind of worry but... maybe that's a good thing. "Good talk, Feelings-Expert, now why don't I the Winning-Expert take you up on that race?"

Can you tell I hate the first episode of season 2b/3?

Get prepared for a mood shift, we'll be talking about GHOST again!

Obviously because GHOST going defunct and maybe so suddenly it's hard for anyone to corral it under control of the next in rank, it IS an entire organisation after all, there would be quite a few lingering resources within the building itself that the government may be interested in let alone the mecha that would be at a disadvantage to those who would access such resources. Mind control technology and research (definitely don't want the government having that), anti-cybertronian weapons and restraining tools, the fucking GHOST harddrives that were placed in the fucking public recycle centre A YEAR AFTER GHOST FUCKED OFF AND DIED!? Yep that's all getting scavenged, at least as best as they can be while the government is extracting as much resources they can without needing to be sneaky about it.

Hah, considering the lows GHOST is willing to go, one such section - another where the cybertronians can't seem to access one way or another - ends up leading to a morgue of cybertronians, Autobot AND Decepticon. Some of course were known casualties, others are now confirmed dead rather than missing, but missing is an apt term. Missing limbs, missing parts, missing heads. Open chests, open sparks, open processors. Cybertronians were only machines to GHOST, only machines to Mandroid, only machines to manipulate and not even mind control... reprogram would be the term more accurate.

With a well of supply for how cybertronian brains may work, of course someone could eventually slap a remote control onto them and pilot them like a puppet on strings, and it's something something pretty horrific yada yada robot corpse desecration is like nothing on human TV screens.

Hmm... as I said I did like that Prowl acknowledge that hey maybe kids shouldn't get involved with war (even if it might've been framed as 'are we sure children are capable of doing adult responsibilities), so I wonder if I should continue with what my July 28th notes say about him or not... hmm...

Okay! MAYBE! I think it could work?

ANYWAY! Villain Prowl who is a stickler for the rules, villainous only in the way a lawmaker is (read: maker) and collaborating with the government to work cybertronians into the system so that they may be apart of the judicial system, which uh fittingly reflects the quintesson motivation and probably would be really cool to parallel the two. Prowl finds out about human war crimes and goes 'hoo boy some if not a whole fucking many of these laws have been violated by the cybertronian war' and resolves to fix it, but under American government cannot do anything official nor fair while the law only considers humanity. Something something 'cybertronians shouldn't be held to human standard law' yada yada 'so you think yourself above it!?'

Maybe not VILLAIN Prowl per say, more antagonist Prowl who wants to atone for the crimes committed on Earth's surface and give back justice to the people but doing so in the only way he knows how, like a cop. Or at least like a second in command/high ranking Autobot commander and advisor, doing his 'due diligence' to make sure that justice is served and that crimes are punished, which I mean ACAB and all he's still a bastard about it by doing it AS FUCKING SOON as GHOST collapses or at least working actively after the fact but :P

Hah and yeah, Prowl would be stiff lipped about children engaging in conflict. For all the bastard cops that oh so value the punishment part of crime fighting, there are laws in other areas (especially around war) that are to the benefit of the innocent. It's just that war crimes seem to really be listed down after the war has official come to an end and the cybertronian war is still in armistice as of now, in due part because Prowl has committed to atoning NOW of all times :P

This was a bit of a mess, I hope you derive some enjoyment out of this

[sheadre]

Phantom of the Opera (Anthony Bridgerton x Reader) Chapter Six

Summary: Lady (Name) Granville, daughter and only heir of Duke Granville just arrived back for this season from her tour in Europe. However, she came back to London with a secret. And it seems Anthony Bridgerton just found out that secret.

Word count: 1116

Warnings: fluff, romance, angst

It took you by surprise when Lord Vincent de Trafford appeared at your door. He was one of the eligible bachelors interested in finding a wife this season. You danced with him once and he was likeable. But he was no Anthony Bridgerton. You hated yourself for still thinking about him just like now, when you were standing in front of Lord Trafford. As you looked up at him, you had to strain your neck but his bright smile made you forget about it.

“Lady Granville, I asked Lady Danbury if I could join the two of you to promenade in Hyde Park today with my mother and younger sister.”

His deep voice was caressing your ears as he spoke. His smile was so bewitching, everyone was smitten with him but lately during all the balls since he and his family arrived, his attention seemed to be solely on you. His presence drew everyone’s attention especially because of his mysterious background no one really knew about.

Your heart flattered in your chest as you tried to find the words of agreement.

“And I agreed to it.” your aunt walked out from the drawing room. “Are you ready, my dear? Ophelia and Margaret are waiting for us outside.”

With a simple nod, you intertwined your arm with your aunt and let her lead you to the carriage outside. Lady Danbury seemed like she had a plan in her mind because the other day she was warning you about Lord Trafford and now she was ready to let him close to you. The ride to the park was filled with small talk and you tried to pay attention to it so you could respond respectfully to any questions asked. Getting out of your head was quite hard these days.

After Sienna asked you to give up your dreams, you thought over her reasons and left the theatre. Ever since then, you felt numb. The only thing you truly enjoyed in life was taken from you because of your simple existence. Having responsibilities you never asked for but was forced into, made you feel bitter. Your anger soon died out, however, leaving only numbness behind. It has always been like that. You got angry quickly but it just as quickly snuffed out and you accepted how things were. Reality hit you hard that way sometimes but that is life and one has to move on if they want to experience other things as well.

Once you arrived at Hyde Park, you felt relieved, the carriage was crowded with all five of you inside besides, you were still not used to Lord Trafford. He was a stranger after all. Your eyes widened at that. Wasn’t Anthony a stranger as well in that sense?

“Lady Granville, we haven’t had time to talk ever since the play-hunt.” Lord Trafford smiled gently down at you. “How are you fairing? Have you read anything interesting lately?”

“Actually I quite enjoyed the latest poems of Lord Kershaw. He is a unique talent.” you replied. “Do you enjoy poetry or do you prefer novels?”

“It depends on the author. It is not the genre but the style that piques my interest.” he said as he stared ahead, Lady Danbury and his family behind the pair of you. The weather was nice, there were only a few white puffy clouds in the blue sky. This environment felt peaceful like this. You didn’t need to be on guard by Lord Trafford’s side, you didn’t need to think about ulterior motives.

Then, as you listened to Lord Trafford’s musings about literature, your eyes landed on three familiar figures in the distance. Benedict Bridgerton was telling his brothers about his latest story when your eyes met with Anthony’s. His brown eyes were trained on you, his smile that lighted up his handsome face by the funny story only brightened when your eyes met his. Your heart skipped a beat and you quickly turned your head avoiding further eye contact.

He only made your life miserable so far, you shouldn’t be spending even just a second thinking about him. As you walked with Lord Trafford and his family, you slowly seemed to ease into a tranquil conversation. Your heart slowed down its pace and small smiles and chuckles left your lips when the lord made a few jokes.

Your group found a perfect spot for your picnic, sandwiches and small cakes were passed while conversation flowed. Then suddenly, a ball hit the back of your head making you spill tea on your dress as you sat on the blanket.

“Hyacinth!” a familiar voice cried out partially from anger. You looked back still in surprise to see little Hyacinth standing a distance away, staring at you in fear. Then came running up to her a frustrated looking Anthony Bridgerton with furrowed eyebrows. He crouched down to her level, said something to her and then held her hand and led her toward your group.

You stayed put, your heart beating so rapidly in your chest at the sight of Anthony you thought it would jump right out of your body. He greeted everyone with a dashing smile and then looked to Hyacinth and encouraged her to apologise.

“Hyacinth came here to apologise for being careless when playing, right Hyacinth?”

As you looked at him, your mind was filled with thoughts of how much Anthony looked like a father. Shaking your head a little to clear your head, you smiled at them and listened to Hyacinth’s apology. She looked ready to burst into tears, her lips pouted and her cheeks grew red.

“I-I… I’m really sorry!” she cried out and then hid behind Anthony’s legs. You smiled at her and reached out for her to grab your hands.

“It is quite alright, darling, no harm was done. Are you alright as well?”

Hyacinth seemed to calm down seeing your reaction and soon she was sitting in your lap. Then Lady Danbury spoke up:

“Lord Bridgerton, why are you not joining us?”

There was a pause in the air, then he cleared his throat and said: “I would not want to impose on-”

“Brother, you shouldn’t say no to a lady when she invited you herself.” Benedict Bridgerton clapped his hand on Anthony’s shoulder with a wide grin on his face. Lady Danbury laughed and motioned for you to move over to her side. Benedict pushed Anthony down next to you before his brother could protest. It was way too obvious that Lady Danbury and Benedict Bridgerton were in on something but you couldn’t help but focus on the close proximity you found yourself in with Anthony.

You knew you were doomed.

To be continued…