#how's that for a writing process lol

[sysig]

Blood sugar levels (Patreon)

[batbabydamian]

DC July 2024 Solicitations - Comics Featuring Damian! 🦇

BATMAN AND ROBIN #11

7/10/24

Written by Joshua Williamson

Art by Juan Ferreyra

Cover by Simone Di Meo

Variant Covers: Juan Ferreyra, Travis Mercer, Christian Ward (1:25)

Bruce and Damian plan the perfect father and son getaway…to DINOSAUR ISLAND?! When the dynamic duo uncovers a deadly family secret, their investigation takes them on a fun-filled adventure to rescue one of Batman’s greatest enemies!

THE BOY WONDER #3 of 5

7/3/24

Written by Juni Ba

Art and Cover by Juni Ba

Variant Cover: Khary Randolph

The cunning Tim Drake has always been the smartest of Batman’s sons…and the most comfortable matching wits with the most sinister geniuses on Earth. Damian Wayne doesn’t like feeling outsmarted—to him, no smugly-written insult could ever be sharper than his sword—so when he’s forced to infiltrate a super-villain gala alongside the sneaky Red Robin, the biggest danger the two of them face might not be Lex Luthor but Damian’s own temper!

*John Timms Variant Cover appearance(?) + potential cameo

ABSOLUTE POWER #1

7/3/24

Written by Mark Waid

Art and Cover by Dan Mora

DC’s epic summer event kicks off with a bang, as the combined might of FAILSAFE and the BRAINIAC QUEEN has at last given Amanda Waller the ability to steal the metahuman abilities of every hero and villain on planet Earth. As chaos erupts in the streets and a massive misinformation campaign sways public opinion to her side, the founder of the Suicide Squad methodically targets each superhero dynasty one at a time, starting with SUPERMAN. But even in this darkest of hours, a resistance is forming…and BATMAN is out for vengeance. It’s a shocking blitzkrieg across the globe that is decades in the making—and will shape the course of the DC Universe for years to come! Brought to you by the superstar talents of MARK WAID and DAN MORA—it all starts here!

*John Timms Variant Cover appearance(?)

ABSOLUTE POWER: TASK FORCE VII #1

7/10/24

Written by Leah William

Art by Caitlin Yarsky

SUPER NO MORE! With the assault on Metropolis’s heroes complete, Amanda Waller’s latest living weapon, the Last Son, sets his sights on the other most powerful supers in the DCU…the Marvel Family! Will their combined powers be enough to survive this terrifying threat? In this biweekly series we'll see the ABSOLUTE POWER event through the eyes of evil—as told from the point of view of the TRINITY OF EVIL!

*Rian Gonzales Variant Cover appearance

NIGHTWING #116

7/17/24

Written by Tom Taylor

Art and cover by Bruno Redondo

Everything Dick Grayson has built is crumbling around him. His life is spiraling out of control and Heartless is at the center of all of it. Now Nightwing must leave his city. Can he take back the power he’s lost? Or will Blϋdhaven and its citizens be lost to Heartless forever?

[ahappydnp]

being a full adult during ii was so funny

like just sat there while dan and phil worked it out in the remix with the 14 year olds who were yelling at them to kiss

[fulcrvm]

I am thinking thoughts about airports and flying again. And Dreamling, of course.

So. Human AU. History professor Hob has to fly around a lot for work, perhaps for conferences or smth of the sort so it's always to a small handful of the same nearby cities. He's pretty neutral on the idea of flying in general, though he wishes it was a bit more environmentally friendly, but Hob is a sucker for a nice airport and especially a nice airport lounge during layovers or before boarding.

Hob has begun to frequent a small local airline (White Horse Air, the logo is a coat of arms with a little pegasus, wyvern, and hippogriff on it, haha) when traveling because he likes their service (they've never lost his bags, not even once!) and their flights are never fully booked, which makes them quieter and easier for hob's chronic pains. He always picks seats with no one next to him so he can sprawl out and so it's easier on his knees.

Until, one day, he boards the little plane and there's someone in the seat next to his. Hob's sure that when he booked his seat, the other one was empty. Oh well, whatever, Hob's not going to bother the other man already sitting there for one flight— he'll just have to be a little more mindful booking next time. Hob shuffles into the seat, and notices that the stranger sat beside him is reading Sir Thomas Malory's Le Morte d'Arthur! Hob gets excited because! That's a William Caxton publication! And Hob has so much to say about Caxton! He turns to the stranger to strike up conversation about it and... is immediately lost at how pretty the stranger is. Handsome, gorgeous, yes of course, but pretty, with the shell pink lips and focused blue eyes and slight frown at the book in his hands. Hob picks up his metaphorical jaw off the metaphorical ground and strikes up conversation with the stranger. Though the other man starts off apprehensive, somehow the two hours of flying fly by and the two of them end up talking about all sorts of art, history, and everything in between. Hob learns that the stranger works in publishing, thus his interest in Caxton.

Their flight lands, and the two of them disembark at the gate, still attempting to continue their conversation while Hob tries to wrangle his carry-on bags. (The Stranger only has a small laptop bag on one shoulder and a suit jacket folded over his other arm with him.) Then Hob has to check the time and begrudgingly says that he should probably head towards his next gate soon— this is just a layover after all. The Stranger looks ever so slightly disappointed and admits that this is his actual destination and he needs to meet his sister soon. They part ways, and Hob tries to dwell on the strange warmth in his chest. He thinks about the Stranger for his entire work trip afterwards.

This, somehow, happens a couple times. Turns out they both frequent White Horse Air, and though they're never in booked seats next to each other again, the flights are always empty enough that they can shift to sit next to each other once the plane's in the air. They chat the flight away, and then part ways once they disembark, with the Stranger headed to the baggage claim and Hob to his next flight. One time, the Stranger even requests the hostess to bring out a special bottle of Chateau Lafitte 1828 just for the two of them to share. Hob's in awe. He really enjoys their conversations, it's nice to be able to talk about his interests in a non-academia environment. The Stranger always has the most intriguing and eye-opening perspectives on everything, too. It doesn't really help that Hob thinks... maybe he's developing a tiny, teeny, really inconsequential really crush on his Stranger. He's not in grade school anymore, how does he feel like this about someone he doesn't even know the name of yet!

This all comes to a head when Hob mentions to the Stranger that his layover is a bit longer than it usually is, and if the Stranger is in no rush, they can continue their conversation in one of the airport's lounges. White Horse Air is a bit too small an airline to have their own lounge, but Hob's collected enough miles to get into one of the other airline lounges and is fully willing to pay to get in one if it means more time with his Stranger.

The Stranger is extremely enthusiastic about the idea— which shows up physically as a subtle, coy upturning at the corner of his mouth and a little sparkle in his eye. (Hob feels proud that he can read this reaction so well.) He's so enthusiastic, in fact, that the Stranger offers to get them both into a first-class lounge. Hob doesn't even pretend to hesitate to say yes.

Let's just say they get to the lounge, split some cheese and wine, and the proceed to get even more enthusiastic with each other in a private room. Hob's lucky he brought a change of clothes in his carry-on. (Maybe Hob's not so lucky and can't sit comfortably during his next three-hour flight.)

Hob gets a bit emotional when he has to leave for his next flight (already missing being able to hold his Stranger's face so gently, being able to card his fingers through his soft, smokey hair) and gets his guts together to ask if the Stranger wants to exchange phone numbers or something, so they can be in contact more regularly. Perhaps even, meet on purpose maybe? The Stranger smiles and kisses him lightly on the cheek when he slips a business card into Hob's hand.

Hob's so caught up in it all that he doesn't check the business card until he's fully boarded and sat on his next flight. And he gawks.

Morpheus Aion The Dreaming Publishing House

As in, one of White Horse Air's biggest shareholders? Aion, as in, probably the sibling of Teleute Aion? As in, Teleute Aion, the CEO of White Horse Air?! Hob almost passes out.

In the end, Morpheus and Hob laugh it out. Morpheus promises he never abused his sibling privileges to invade Hob's privacy, but used the sibling perks to frequent White Horse Air flights a little more than he even needed to just for the chance to see Hob again. They're both happy to not need to keep flying just for that chance anymore, haha. Idiots in love! Turns out, while Teleute lives where Hob keeps having his layovers, Morpheus and Hob actually live just a few hours driving from each other from their shared initial departure location. It all works out perfectly, and Morpheus self-restraint from inviting Hob to move in (so they don't have to keep travelling to see each other, no matter how small) lasts not even a year after they officially start dating. Hob doesn't even pretend to hesitate to say yes :)

(Years down the line, much after they're married, Hob finally has enough miles to get them back into those first-class lounges to have more fun. It's all very lovely.)

[thedevillionaire]

come to me

His relief at seeing her is tangible, primal, as he quietly insists he’s just tired – the relentless intensity over the last week, or two, or even dear gods has it really been three finally easing up. Although maybe, in its own way, that easing was part of the problem.

He says it’ll pass soon; he knows there’s no hiding it but he’s hoping that’s the truth, and the last thing he wants is to worry her.

He doesn’t quite succeed.

With a frown of concern, she watches him take his coat off, an unspoken exhaustion laced through his movement as he increases the hearthfire’s intensity, and she passes him the steaming cup of jasmine tea she’d made for herself only moments ago. He gratefully accepts its welcome small warmth with a soft thanks, love, and she doesn’t miss the edge of congestion in his consonants, nor the dullness in his usually intensely vibrant eyes, the encroaching hints of pinkness to his nose.

They take a seat together on the couch and he puts the teacup on the table, apologises to her for all his absences lately, sniffles at first softly then harder, sharper. At his catch of breath she passes him a tissue, and quickly another, as his expression crumbles in surrender to the recurrent insistent need he’s been unable to shake: urgent, unforgiving and imperative, the vestiges of his energy rip-torn ravaged as he hurriedly turns from his beloved, unable to fight it, sneezing in urgent, violent triplicate – heavy, throat-tearing, disorienting.

Her heartwarm blessing is a cherished sanctuary as she trails gentle fingers through his hair, drawing him closer, and oh she always loves his touch but he’s far too warm, the thickness in his breathing impossible to miss. She murmurs soothing softnesses, presses a lingering kiss to his forehead, and holds him a little closer as

“Ahh-HEHHTSShhuu!”

she’s not sure about this passing soon at all.

---

[fatedroses]

That one teacher/mentor moment and Zenos feeling embarrassed for the first time in years (and reacting just about as well as you'd expect him to).

[somegrumpynerd]

Do you guys wanna see a thing I tried writing? It's pretty unfinished and I don't think I will finish it but it was fun to play with and it might be okay as a lil snippet! I also have like no energy for drawing right now but I wanna post something lol

(The context is Cross and Killer are alone on a mission in some unspecified au when Killer goes stage 3)

“Killer?”

Cross looked over when he got no response, half expecting Killer to have wandered off in some direction as he did on these longer jobs. His loyalty to Nightmare was often at war with his attention span in the field, and you could expect a job to take longer if it was anywhere a cat was liable to appear.

What he didn’t expect was to catch sight of Killer’s wildly fluctuating soul glinting in the reflection of the knife that was coming right for him.

Cross managed to lunge back just in time for the knife to arc downwards into the snow in his place. Its wielder slowly turned his head, tracking the path to where Cross was now. His empty eye sockets gushed with more ooze than usual, stare somehow colder than the ice he was now shaking from his blade.

“Killer…” Cross began, trying to keep his tone steady and authoritative like a warning. He was ever hopeful that this was some stupid game Killer was playing out of boredom, but that hope died as he watched some of the black goop begin to drip out of the corner of the other’s mouth.

That only happened when he went stage 3.

Shit.

Cross felt his soul drop. He’d never dealt with Killer like this alone, usually they handled him as a team if Nightmare wasn’t there to take over. In the time it would take him to look down at his phone to call for help there would probably be a knife in his head.

This was fine. He could handle it. He always had more training and stamina than Killer anyway, he just had to play keepaway with his life long enough to go home with it.

Killer teleported in front of him, something that caught Cross off guard. In his right mind, Killer almost never seemed to use his magic in fights unless he wanted to fuck around with the other. 

[Put the fight part here idk pretend there was a really cool fight, it was so cool, you loved it]

Cross felt his soul drop again, but this time the rest of his body followed. Killer was using his gravity magic to hold him to the ground, and was shambling towards him ready to finish things. Cross struggled for a moment to see if he could fight his way out of the magic’s hold, but to no avail. He was pinned as his assailant now stood threateningly over him, knife raised. In a flash of desperation, he reached out both hands and grabbed Killer’s ankles, quickly moving his head to one side as a bone attack pierced up out of the snow and struck the other in the jaw.

It wasn’t his strongest attack, but it was enough to knock Killer backwards and stun him. As Cross felt his soul being released from the other’s magic, he quickly scrambled forward and sat on Killer’s chest as he lay sprawled out in the snow, pinning his arms down on either side of his head as he began to come back around. His face was leaking so much determination from every crevice that at that point it was hard to make out an expression under it all, but Cross could tell he was frustrated as he felt the rumble of bone attacks beginning to rise up out of the snow around them.

He followed suit, carefully forming a line of his own bone attacks closely around them to act as a barrier. He could feel Killer’s attacks bouncing off of his, each hit more desperate and frantic than the last like an animal clawing at the sides of its cage. He felt some magic encircling his soul again, but this time trying to raise him up rather than push him down. It was weaker than before, whether because Killer’s attention was split with still launching bone attacks or because he was beginning to tire out, but Cross managed to fight against it and stay put.

“Killer!” he barked, leaning over the other’s face. “That’s enough. You’re not going anywhere until you pull yourself together!”

The gravity magic seemed to cease at his shout, so Cross continued in the fervent hope that he was getting through to him.

“We’ll stay here all night if that’s what it takes, but I’m reporting back to Nightmare when this is over and I’m not leaving without you! Do you hear me?! I don’t care if I have to bring you back hogtied over my shoulder, I’m not gonna hurt you and I’m not gonna let you kill me!”

He didn’t realise he’d been shouting until the clinking and scraping of bone attacks had slowed and stopped altogether, and it was just the sound of his promise echoing off the bones and snow surrounding them.

And the strange gurgling sound coming from below him.

He opened his eyes again in confusion and stared down at the skeleton weakly fighting against his grasp, determination pooling and soaking into the snow from every gap in his skull. It took a second longer than he’d like to admit for Cross to realise that sound was Killer choking on it.

His bone attacks shrunk back into the ground and he shot backwards, landing ungracefully on his backside with a little curse. He hurried to pull Killer up and help him lean forward, swatting his back as he retched and spat the toxic goop up onto the ground where they’d just fought.

It was never an elegant dismount from these things, they’d found there was just no dignified way to get out a ribcage worth of black ooze. After a minute of heaving and gasping, Killer finally got a hold of himself and started glancing frantically around.

“Where’s Dust??” he managed to choke out with the urgency of a parent who’d lost their child. It always seemed to be the first thing on his mind when he came to from one of these episodes, Cross was never really sure why since any other time it seemed like they hated each other.

“He’s at home,” Cross assured, pressing one hand to Killer’s spine for support. “It’s just us, we were on a mission.”

He could see now that Killer’s soul had calmed down from the pulsating mass of spikes it was a few minutes ago and become somewhat soul shaped, still twitching nervously but a far calmer sight than before. That was a good sign that the attack was over. He wondered how much control Killer had over it, since he’d definitely seen it turn that way without having to go through a fight to the death first, but it was rare.

Cross flinched as he felt Killer grab him again, though this time instead of kicking him in the ribs he simply held on for dear life. That was another clear sign, after he was done puking up whatever goop had built up he usually cried for a while.

It was odd, especially the first few times, to see someone who always seemed so disconnected and unphased have a sobbing breakdown after trying to kill you.

“Hey,” Cross said, voice hushed as he wrapped his arms around the skeleton trembling in his lap. “It’s okay… you’re okay…”

Cross had never been the best at comforting words, but he knew Killer just needed someone to cling to while he got a hold of himself, and he was content to be that for a little while. Especially after being thrown around so much, his aching bones were more than happy for an excuse to sit in the snow for a bit. He could feel Killer’s soul being pressed against his chest as he wept silently into Cross’s shoulder, the fear and regret seemed to be radiating from it like smoke from a smothered flame.

He wondered idly if this was what Nightmare could feel all the time.

...

He also wondered just how hard it was going to be to get these black stains out of his jacket again once he pried Killer's face off of it.

[nyaaamato]

bad omens

[thelaurenshippen]

open ai made a little post about how they chose their chatbot voices and two things stood out to me:

a) I am genuinely pleased and surprised that the voices come from specific real people that they hired and paid, rather than being built off of all of the data open ai has scraped. the voice for siri did one job for one company 20 years ago and now she is literally everywhere without ever being compensated by apple or even acknowledged as the voice. there's simply no way she was paid enough in that original job. whereas, open ai says "each actor receives compensation above top-of-market rates, and this will continue for as long as their voices are used in our products." this could mean literally anything (what market rate are we going above? does continue mean they get residuals or get paid for doing more sessions?) but, christ, at least the actors are doing it with full knowledge of what their voices are being used for and can decide for themselves if the compensation is enough

b) the post talks about working with "award-winning casting directors" to get the voices. first of all, yay for paying casting directors! we love to see it. but they also say the CDs received over 400 submissions in a week and they state that like a big number and it's just...not at all. and look, without knowing the intricacies of the casting process, it's hard to know what approach the CDs took - it's very possible they were selective from the jump and 400 is a lot from the pool they were tapping. 400 would be a lot if you were going to the agencies directly and asking for names, but there's just no way in hell open ai went after big stars for this. so it would've been a pool of unknowns. in which case, 400 is laughably small. even if you're not using the big casting sites like actorsaccess, I've worked on projects with CDs and their own internal systems where we've gotten over 100 submissions for a single role. I've posted roles on casting sites and received literally thousands of submissions in just a few days

look, I have a very limited perspective on this - I am not a casting director (imo, one of the most important and undervalued jobs in hollywood) and I, in fact, hate the process of casting with a passion. but 400 just seemed like such a tiny pool to pull from and, idk, it heartens me! it's heartening to think that there's very little interest from actors and agents to be doing this kind of stuff. and absolutely no shade to the actors who did--I want actors to get their bag however they want as long as it's, like, safe sane and consensual, you know? but there's something encouraging about thinking that open ai hired some big casting agency to get their foot into the voice acting door and people didn't come running

[cementcornfield]

a series of tweets i found helpful and informative today re: joe's performance

so in summary: he wasn't throwing deep balls and it's hard to know why. he said in the presser that the patriots D "took the deep options away" and maybe that's true. but in that first tweet you can see that both ja'marr and yoshi are in single man coverage and breaking free. but joe doesn't even try to hit them. it's tempting to blame pass protection (as it has so often been the issue) but the pass protection was actually pretty good, some of the best of joe's professional career. but he honestly just looked spooked?! which i wouldn't blame him for, psychologically overcoming injuries is just as important and probably just as tedious as overcoming them physically. i imagine that can only improve with more reps.

saw a lot of people also blaming the wrist itself, and maybe that's true! he wouldn't say he was 100% last week and said he still has good and bad days. but it also doesn't seem like it really was affecting his throws at all, shallow intermediate or deep. the announcers certainly pointed out that he was fiddling with his wrist/shaking it around (and GASP wearing a glove!), but he's been doing that all training camp. what they showed on the broadcast was likely just him breaking up scar tissue.

so who knows! a lot went wrong in this game. play calling and scheme, run defense (although i also saw some tweets about how our D-line did well, our secondary still can't tackle though!), sloppy and undisciplined plays from everyone, along with some of joe's decision making (he also had some great plays! listed above!) we start slow, it just seems to be a given at this point. and i hope we can fix it. we have a track record of doing so, and you know the boys are pissed and watching the tape to see how they can improve. maybe they can fix it by the time we get to KC?

[soranker]

hi….! any chance we can see your art process ? it’s fine if not! i was wondering if u do a sketch before your lines or you just skip directly to lineart? your art is very beautiful!

HI!!! AUGGHHHJHH THANK YOU SOOOO MUCH T__T my art style is kinda simple imo so my process is pretty bare-bones ^^;; there's not rly much too it!! it also kinda changes depending on how uhhhh lazy im feeling in the moment HAHA

probably around half of my drawings are straight to line art bc they're rly just doodles or things i decide to draw without any planning (but also im kinda impatient so i try to skip the sketching step if i can LOL...). but if i DO have a specific pose in mind for a drawing, i'll start with a sort of mannequin sketch or loose pass, then depending on how messy it is, ill either do the lineart pass on the layer on top or duplicate the sketch and then clean it up.

and then my coloring process is not sophisticated at all i just create a new layer and then paint bucket tool away LMAOOOO

here's an example of a drawing where i did sketch first ^_^

[bacchuschucklefuck]

since more of like the class swap etc started going up every once in a while there will be a question in my inbox that would take me literally multiple comics' worth of art to answer adequately lol. and I don't wanna do that under an ask I want that to have its own space! so if I don't answer ur question know that it's probably that^ above there and not that I think ur question sucks

[trashlie]

ILY FP 258

I can't believe we're actually passed episode 250 lmao I Love Yoo is truly the never ending story (affectionate). I appreciate how much of the story we really get to dig into at this pace and while I know a lot of people have long-since dropped it, I imagine the rest of us (those reading this post because why else are you here?) also appreciate it. And that's what is even more refreshing about this episode - if refreshing is even a word we can use to describe it. Getting the extra scenes from other characters, a look at their lives and from these glimpses, what we can glean in the unsaid between the lines.

Can you believe I used to prey on Kousuke's downfall? There's so many posts of me talking about him from a different view, believing that the only way he could grow and develop and make the changes necessary to make him a better person was for him to crash and burn, to fail so significantly that he would be forced to pen his eyes to reality. But here we are, me, fervently swaddling him up like a baby and shoving him into my pocket because GOD he needs to be protected.

I don't even remember when it was, that my view on him began to shift, when I went from "he's interesting but awful" to "GOD THIS IS MY SON AND I WILL FIGHT EVERYONE YOU HAVE TO GO THROUGH ME" but.... lol there's no going back!

That's enough rambling, let's jump in.

There is something so painfully devastating about every time ILY confirms to us something we have long-since known or suspected through nuance, foreshadowing, reading between the lines, etc: That Kousuke isn't Rand's biological son, that Shinae was at the formal for Gun Kim, that Kousuke has been manipulated his whole life. Nothing in this episode regarding Kousuke is actually new to us. We have known, and talked about, for months and months long before the confirmation reveal that Yui drugs Kousuke - that he has been manipulated by her his entire life, that she orchestrated his life to manipulate him into situations she could take advantage of. It's the way she spoke about Rand's affair around Kousuke, the way she commodified Rand's love so Kousuke became convinced he'd never earned his father's love, the way she spoke of their family vs others and convinced him from such a young age that everyone was out to get them, to destroy them, and that he couldn't let them get close, couldn't let them near - and how Nol was very much a target planted in his mind.

But it's the fact that he is speaking of this and acknowledging it! Until now, Kousuke has heavily lived in denial. Again, we know this. We talk a lot about the chasm between reality and the reality he believes in. We talk a lot about how Kousuke couldn't face reality, even though on some level he knew everything he believed and was told was not quite true not quite real, but that he was so afraid of the truth, he couldn't do it. Kousuke admitting that he's been driven by fear and envy explains everything about him, and why he could not accept the only unwavering unconditional love he was offered.

A few weeks ago I saw a video on instagram of this father talking about a conversation he had with his daughter, who was feeling a little uncomfortable with her friend group. A new girl started to play with her and her best friend and she said she wasn't exactly jealous, but that maybe it was that she was afraid that there wasn't enough love to go around. Her dad had to explain to her that love is not like a pizza - it's not finite, a limited amount that could be taken and hogged by someone else. But Kousuke never learned this. His father's love was commodified and he was made to fear this other kid who he mistakenly believed knew a version of his father he'd never been privy to. He never learned that love is finite, that Rand could have enough love for the both of them, and feared that Nol would hog it all - that he WAS hogging it all because whether or not it was good or bad, Nol received more attention that Kousuke did. And that speaks VOLUMES about how Kousuke sees Rand, what he thinks of their relationship. In his mind, he is still unworthy, that he's not noteworthy enough.

This part gets to me so badly. We, as omniscient readers, know that Rand has tried his best, but that Yui runs a spectacular interference with which he can't compete, largely because of the roles their family have placed them in - Rand the busy businessman, Yui the mommy homemaker. But no matter how hard he tries, it isn't good enough. Rand tries to reach Kousuke, but the manipulation and paranoia are so far gone that the times Rand does have the chance to convey his feelings, Kousuke can't even believe it, because he thinks he's not good enough to deserve that love, that he hasn't fully qualified for it yet. And despite that, Nol, who Kousuke feels hasn't done half of what he has to deserve Rand's love, gets the attention. It doesn't matter that it's negative attention, that Rand barks at Nol, that Nol feels Rand hates and regrets him, because ultimately, it's still more than Kousuke receives. And worse, to him, every time Rand is busy reprimanding Nol, he turns away from Kousuke to do it.

I want to make it clear that this is a deep trauma point of Kousuke's. He's never learned healthy love and the only person who gave him healthy love was someone he was set to fear and fight. Something I think about a lot is the flashback to Kousuke, in the bushes, watching Nessa and Nol's display of warm affection, before Yui appears literally looming before him. In that moment, he witnesses something he's been deprived of. "We're not like other families"'. He's told from a young age he shouldn't compare himself to those healthy families, to warm and affectionate relationships that he will not cultivate in this household. From such a young age it is normalized, that they aren't like others, that they are cold and distant. From a young age, he's made to stuff down his feelings, his tender wants and desires, in order to earn them. To be a good little boy who makes his parents proud. To make his father look his way.

There's also something about the way he says "I've been a good boy" that echoes Shinae learning she's been manipulated by Yui, devastated and angry and yelling about how she's been a good girl so why do these things keep happening to her, all she wanted to do was help her dad. Two people who, from a young age, felt they had to be so obedient, so good, to not be a burden, and despite following the rules, despite doing as they were told, despite trying to be whatever version of "good" they believed in, the world still beat them up and mistreated them. The world still punished them.

As Rin in our discord server pointed out, though, to some degree, Kousuke is very much a person who can - and does - act out, when he's emotionally high-strung. He's a volatile man, and it's largely to do with the fact that he's been drugged to placate him for so long. He never learned emotional regulation, he never learned how to deal with high-stress situations or to face conflict or to own up to things. This is something that some readers who hate Kousuke and expect him to act a certain way because of his age are missing. You don't just learn these things with age. You learn them with experience and Kousuke was deprived of the opportunity TO have those experiences. He never had to learn these behaviors, and now as an adult he cannot function when overwhelmed.

Idk this whole episode is just heartbreaking. It's devastating. I remember when I was someone praying on Kousuke's downfall and now I want to take it all back ;___; I always believed he had to crash and burn to be able to see the world for what it really was and to face his fears, but this is somehow so much worse.

And even though he's drunk, I don't think he's going to forget all of this in the morning. Rather, I think what he's voicing are things that have been plaguing him since waking up in the hospital. From that moment, we saw him wary and distrustful of his mother, we saw his concern for Nol rising above everything else, but grappling with the understanding that he doesn't deserve to stand in front of Nol anymore. These aren't epiphanies coming to him just because he's drunk; it's more like he's only voicing them because he's drunk. But even when he sobers up, he will probably still be haunted by these fears, these agonies, these truths, this understanding.

How does he face his mother after this? How does he face anyone? He may not even feel like he can trust Jayce - who while very kind to him, is still employed by his family. He may not even feel like he can trust Hansuke (though I really hope that's not the case).

He's so miserable and it genuinely hurts to have him lay it all out for us - everything we've known and suspected, like how it was so painfully clear he WANTED Nol's friendship, their brotherhood, but feared it, didn't believe that there was enough love to go around, that there could only be one of them and that even if it was for good or bad reasons, Nol cast him in the shadow. And all these years, watching as Nol, as Yeonggi, grew into this person who sounded so very much like this unknown version of their father, someone funny who makes others laugh, someone goofy, someone so boyish in the ways Kousuke was never allowed to be. Watching as he gathers friends, while Kousuke, so unlikeable, is wanted only for his money, for his status, for the clout.

He doesn't even know WHO HE IS! Questioning his own traits he's believed of himself, wondering if this is even him, if these parts of him are real or does he just act it, say it, pretend it, while trying to fulfill a role he was shoved into. That makes me feel SO deeply sad, because it's something I've been anticipating for so long: Kousuke wondering WHO he really is, how much of him is real and how much of it is the result of manipulation.

And that moment that he catches himself and says no no that's offensive and rude you can't be like that. ;AAA;

For him to admit how much he envies others, how much he craves the kind of connection others have, the kind of family others have, to feel that love and warmth that he's been deprived of, forced to endure this solitude because, as he believes, he didn't get the good parts of Rand. And what will happen when he learns that Rand isn't his father? That he never stood a chance to inherit any of those traits. Kousuke has operated on this belief that, if he tries hard enough, he can earn the things he craves, but I fear learning about his parenthood will make him think that no matter how hard he tried, he would never earn that, because none of it was ever him, could have gone to him.

I think this is where Shinae, in the future, will come in. I feel so very strongly that she will be someone who helps Kousuke to see that this isn't true, that these kinds of personality traits aren't something inherited, but rather something learned. For him to one day realize it's the paralyzing fear that holds him back, not his genetics. Of course, I acknowledge this will still take a lot of therapy but...

Something else very remarkable to me is the way Kousuke recognizes Shinae in Shinhye, because their eyes "feel the same" and he opens up to her - on some level, whether or not he is consciously aware of it, Kousuke knows, or maybe just wants to, that he can trust Shinae. That she is someone who is safe. He even knows how she feels about his mother. I don't think we'll see a lot of Kousuke and Shinae's friendship until we're passed our timeskips, but it makes me feel a little hopeful about it, that she'll be able to reach him, because she feels like someone who is safe. It's the way he sees Nol in her and wants to try to have that do over, a relationship with someone who  has unconditional love for him. It's the way he knows he mistreated Nol, that it was wrong, that he took it all out on this kid he was so afraid of because he had no other outlet, and he wants to do better but knows that there's nothing to salvage anymore.

But also, it just makes me hope more and more that in the future we WILL see a reconciliation between the brothers. As I say every time, it doesn't mean they have to become brothers or friends, but I just want them to see each other fully. Kousuke knows what he did to Nol. He doesn't deny it, even if he might not say it out loud unless he's drunk. But Nol is still so in the dark. Yujing is trying to tip him off and make him aware of it, but I hope one day when Nol realizes it, when he finds out that Kousuke, too, was Yui's victim, that he wasn't the only one, that Kousuke was made to fear Nol's love, he might.... understand. I'm saying understand here loosely because I don't want people to get the idea that I mean Nol will forgive him and Kousuke will be justified, but rather that Nol would be able to understand why Kousuke felt that way, and move on. But I can't help but hope that it will lead to an understanding, a reconciliation, where maybe they can try to be in each other's lives.

I think it's also interesting that Shinhye was somewhat honest, even if she wasn't very forthcoming, with Kousuke about her own family. It sounds like her mother has been gone for a long time, that she's been on her own the whole while, and I think it reinforces the idea that she believes both that Simhan is her father and that he rejected her, that he didn't want anything to do with her. It lines up, too, with how she feels that he wouldn't react well if he saw her (although I think she credited that to looking like their mother). In the same way that Shinae has felt abandoned and cast aside by their mother, Shinhye probably thinks their father never tried reach out, to find them, to maintain a relationship with her. Or perhaps it's that her mother fed her lies about him, made her believe him a different type of man, made her believe there would never be anything of their relationship to salvage. And given that she's the one who Kousuke opened to, it makes me think that there must be some kind of parallel there; the way she mentioned her own mother feels like maybe her mother, too, was a manipulative - or at the very least, dishonest - person.

I don't speculate a lot on Shinhye because frankly I don't think I know enough about her to really try to talk about her, but I do think that it's very likely there's some kind of connection between Shinhye and the Hirahras or Gun. To be clear, I don't believe she's working with Yui at all. I think it's more like... Alyssa isn't the only girl who has been trafficked by Gun. What's the likelihood that Shinae and Shinhye's mother was? Given her history, the gambling addiction that was so egregious her reputation haunted Shinae and chased her to a new neighborhood and school, was she seeking money somewhere else, somewhere more dangerous? Is that part of why they had to change their name? There's so many questions left about them, and I look forward to learning more about her, but, much like with Alyssa, I think it will take time and be dropped in little tidbits like this - things to read into and try to glean something from.

And maybe we'll see more of this duo in the future? It would feel a little weird to give them this one single run in, but I'm not entirely sure. Quimchee likes to keep us on our toes. After all, Minhyuk and Shinhye have also had only the one run in. Still, I think it would be interesting to watch, if Shinhye ever felt.... I want to say maybe compelled? to dig in more to Kousuke, ever feel a kind of kinship. I don't think she'll open up to him at all, but rather, maybe she'd keep going back because a. he's wealthy and there's more she can nick from him (assuming he doesn't realize she stole anything while in his apartment, if he even remembers any of this) and b. wanting to gather more intel.

Like I said though, she's hard to read so I don't want to cling too hard to any ideas and, instead, sit back and enjoy the show.

[tarysande]

The glamorous life of a writer:

Sometimes inspiration is washing your hands after going to the washroom and a bolt of lightning hits from out of the blue about a novel you’ve been thinking about revising for years and that bolt of lightning screams

“THE GEMS ARE THE PATRIARCHY. THE GEMS ARE CAPITALISM! THE GEMS ARE THE ROAD TO HELL PAVED WITH GOOD INTENTIONS.”

And you’re left standing in the bathroom with soapy hands thinking oh shit you’re right they were the tool of elitism all along

Just casually solving the whole issue that’s been fucking you up for years

[rinbylin]

*puts on dihua tinfoil hat*

disclaimer: I do not know anything about plants.

a dihua tidbit in cfandom I saw recently: in ep 8 when dfs first joined the lotus tower party, there was this transition scene of 荻花 (pronounced dihua, exactly the same way of 笛花 dihua. wiki tells me they're called amur silvergrass in english)

(in fact one of my favourite dihua fanart is dihua drawn with the lotus flower + 荻花 dihua motifs.)

off the top of my head, that reminded me of the field llh was in during his final sword dance in ep 40 - which is also a very significant dihua scene:

and indeed I found out that people have talked about how this is a dihua field.

when doing a quick google search on 荻花. there are articles talking about how similar 荻花 and 芦花 (luhua / reeds) look and are easily confused with each other. if we followed the guides, those in ep 40 are likely not dihua, but in fact luhua. which another one of the dihua fans also pointed out.

(left: luhua. right: dihua.)

anyway.

of course this is not to be taken seriously unless it means anything to you. but luhua apparently symbolises a love of inferiority/humility

嗑就完事👍

[deoidesign]

Can you make a tutorial on how you world build and make ocs? I can't seem to make any people in my brain, but then when I try to come up with environments jobs, beliefs and little details to slowly come up with someone, I think: well I don't really know how people have influenced the world- it's a weird loop

To be honest, I don't think I can! Writing is an extremely personal process. The way I write is directly related to how I process things, what I find important in stories, years of my own analysis of my and other's writing, etc... The way you write will be unique to you, as well. But I can explain how I personally think of it.

The short answer:

Write. Write anything and everything, it's a tool to explore your ideas. Analyze your own writing, and write more. Then, as you discover which ideas you want to develop, write more to explore them more. You won't know what you want otherwise!

The long answer:

I think this kind of loop is common. It's easy to feel like everything needs to be done "at once," because our job as writers is to make elements logically fit with each other for our readers. But as you've discovered, developing multiple elements simultaneously isn't really possible, or at least is extremely difficult.

Personally, when I think of writing, I break it into three major elements; characters, world, and plot. As much as possible every scene explores one or more of these, and as much as possible these three things tie back into what I personally consider most important: theme.

Everything I do is in service of the themes I want to present. Without them my events feel aimless. It can take a while to discover them, but they're the core of my work. You will have to discover what you feel is the core of yours. Analyzing other media helps with this too.

Concepts in your brain exist in a state of infinite potential. But when you start writing you have to start making choices, which removes potential as you move forward... But you have to move forward anyways. If there's ideas you want to explore later, you can always explore them later.

What this ends up meaning, to answer your question, is that I don't think of my characters as "people in my brain" or my worlds as something people have influenced... Not at their core, at least. They are tools that I use to represent specific ideas. Obviously they're also my blorbos, but mostly they're serving a specific narrative purpose.

So above all else... Write. Write, and discover what you're writing about, and then start over and write with that in mind. Keep doing this. But you have to write!