#how the other half live

[lovethewayyoudoso]

Another thing that us normies wouldn't think about that affects the famous or relatively famous would be the hate mail and hate messages, specifically on social media. My latest thinkings have been around when Toshiya and Rosaire have finally kind of become official, or serious. Not sure what the right word is. Anyway when Rosaire makes some social media post declaring that he loves Toshiya, after some sort of epiphany he hand where he realizes such, he quickly realizes he needs to warn his man.

Toshiya doesn't have social media, see, and he never has. He understands the gist of it, he's seen the memes and the funny screen caps, but he's never seen how downright cruel people can get. Rosaire is careful to only ever include his man's given name, never his surname, and he's pretty good about obscuring locations when they're not particularly calling out something (like 'wow last night we had an amazing meal at Fancy Restaurant!'). So when he makes the revelatory post, something like a picture of them together and that says 'I love him', some of the depths of social media scum go frothy.

Rosaire isn't as famous as actors and singers but he has a decent following, even if most of them don't know exactly who he is. He's beautiful and says catty things and is obviously wealthy so many young people desire his lifestyle. There's a particular following of young queer men who lust after him and a subsect of those people is who really lose their shit. They try to dox Toshiya, to get any info about him. Someone comments, meaning well but being oblivious, that they went to school with both of those guys. This helps narrow it down for the crazies.

For some reason the weird racist groups come out stronger than usual. Some of them are straight up anti-interracial relationships, other are just plain racist against Asians or blacks. (Toshiya is most horrified when he somehow sees the comments on a post that call him 'some gay-ass chink'. "That's so rude! I'm not gay! This is bi-erasure!" He's not sensitive to racism about himself.)

Beyond social media, Rosaire has to explain some things about how he might be treated going forward. He's given a separate mobile phone for use with Rosaire and given other obfuscations to apply to his life (as a 'normie' I can't imagine what these are but I can imagine you'd change bank accounts and take weird routes everywhere, etc). He really doesn't like some of it. Toshiya is just a guy! He's never been anything special, never been wealthy, never been particularly popular outside his friend group... He doesn't really like this limelight being imposed on him, but he loves Rosaire so much..!

He learns to deal with it, and honestly by the time the worst of the initial adjustment period and the psycho online trolling is done he's able to return to relative normal. He can go back to biking to work, to riding the train in peace, and gains a new level of respect for the thick skin that Rosaire must have.

[duchessanon]

Omg when Charles Spencer and Di met up with Bashir, Charles S took 20 pages of notes. Bashir told C&D that Chuck “had embarked on a plot to murder the entire Spencer family”.

Charles Spencer’s note says “Prince Charles said he would not be happy till the last Spencer was under the ground. We are now in the end-game.”

Just like Scobie (& Taylor Swift) say! End game!!!

BIG REPUTATION BIG REPUTATION OOH CHUCK HES GOT A BIG REPUTATION OHHHHH.

[drenched-in-sunlight]

marriage life.

[rheakira]

WOE, CLOVER BE UPON YE!

Just a collection of old Clover doodles and WIPs I'm never gonna finish. A lot of these are as old as of January. My designs for characters have changed a lot since these were made. Read the img descriptions for details! 💛

Shoutout to @northstarscowboyhat you guys should definitely check out their Clover Lives AU stuff cuz it's solid!

[puppetmaster13u]

Prompt 174

Despite what people complain and snark about, Bruce does in fact have contingency plans for pretty much everything. And while he doesn’t have an exact contingency for Jason apparently accidentally kidnapping the apparently prince of the Realms- some infinite space where the dead resided according to Zatanna and Constantine, he’ll have an existential crisis about it later thanks- he did have one for his kids accidentally kidnapping someone. 

He just doesn’t think that exact plan will work in this case, seeing as that plan had to do with civilians and not very large kings that could obliterate the entire world with a hand wave, nevermind the fact that they have so many armies. Not to mention what is apparently both the king’s second-in-command and brother. 

Well, if none of his usual contingencies won’t work and Constantine’s attempts at making a deal isn’t working, nor is the other’s attempts to talk the two down, then it’s plan Z time. Seduction it is. 

[blossoms-phan]

many people are afraid to be real lovers. dan and phil are not

[fatedroses]

And some days, I just wish you wouldn't look at me at all.

[casualavocados]

"Who is Ai Di to you?"

Nat Chen as CHEN YI KISEKI: DEAR TO ME (2023)

[r-aindr0p]

Ye olden French

It was at that moment that Frederic started to question the age and sanity of Lilia

Used a french medieval literature text from 1530~ (Pantagruel ) as a quotation for Lilia and I believe the exact sentence is about a character complaining to Death about the passing of his wife after she gave birth to their son. I just took something randomly in the text that didn’t sound too weird either because that book is rather stange…

Alright little bonus here because medieval Lilia popped up in my mind

[boarcide]

I truly think that one of the biggest tragedies in BEAST in regards to the Akutagawa siblings is that, at the core of it, Ryuunosuke viewed himself as a beast, and showed his love in a way a beast would, while Gin was the only person who ever saw him as human and judged him accordingly. She did not see a beast acting like a beast, the way everybody else did, she saw a human acting like a beast and it’s part of what drove her away.

The ADA saw their rookie detective at his worst, and watched—and continues to watch—him grow from a beast to a human over time. Consumed by hatred and only knowing how to be cruel, and slowly learning how to become human.

Gin saw her brother at his best—the best he could be in their situation—and then watched him grow from a boy to a beast within moments. The scraps of humanity that he had, all disappearing into rage so primal it no longer made him seem human.

[fumifooms]

My world shattering when I realize that Chilchuck is underweight

Post-canon Chilchuck stops dieting and gains weight real

Edit: I am going to SCREAM

[lovehours]

i don’t even fucking care

[fishareglorious]

i do a light chuckle once i remember hofmann and semmelweis are friends but then i remember semmelweis and marcus' suitcase interaction where they talk about her and i am once again inconsolable about this old woman's death

[nyc-pizza-rat]

okay thinking about her

the tree bark at his back scratches him as he shifts. there are bruises on his skin that sting. he feels the slide of blood at his temple, unsettling and unfamiliar, even after all these years. castiel looks down at his hands, a little calloused, now, and wrinkling, and tries to center himself. there is dirt on his palms, under his fingernails. a small cut on his index finger that is loud and sharp. he curls his fists and tries to reach within himself. the well of his grace has been running low for a while, now, and castiel hasn't been sure of...well, anything.

it's harder to find his dimming grace within, here in purgatory. harder still to coax it to the surface. sweat beads at his brow but castiel keeps his fingers clenched, mumbles to himself in enochian — words to songs of praise and comfort and strength that mean so little now, and yet come to him easy.

there is a thin stream of silver light, and castiel heaves a breath, sinks further into the hollow of the tree. he unclenches his fist, and there are red half-moons carved into his palm. the cut is gone, but there is a scar, still, and castiel cannot stop looking at it. it looks like a thin tear in fabric, like the cracks in between the worlds that let them through. it looks like the beginning of the end.

he rubs his thumb over the scar, feels the slight raise of his skin. his thoughts begin to spin, and all he can focus on is the heat building at the back of his neck, the rushing of blood in his ears. suddenly, then, a ripple within. a breeze by his ear that pull at his core. that compels him to quiet, to listen.

someone, somewhere, is invoking him in prayer.

his grace surges now, easy as it hasn't been in a while, and while it doesn't heal him still, castiel feels more angel than he has in a long time.

Cas, I hope you can hear me... that wherever you are, it's not too late.

castiel sighs, something inside him relaxing. he hadn't even noticed the way his muscles had been pulled taut. hadn't noticed the tendrils of fear creeping into his heart. dean's alive. dean's alive.

I should've stopped you.

castiel swallows. digs his fingers into his thighs. his grace spins out, trying to find the source of the prayer. It's harder than it is on earth, and harder than it should be for an angel of his caliber, but castiel keeps trying.

You're my best friend, but I just let you go. 'Cause it was easier than admitting I was wrong.

castiel wishes dean would stop saying these things. he bites his cheek, listening, following dean's voice. he's always following dean's voice, even when he doesn't want to.

I – Ohh. I don't know why I get so angry. I just know – I know that it's – i-it's just always been there. And when things go bad, it just – it comes out. And I can't -- I can't stop it. No matter how –

dean breaks, and castiel pauses, stares at the blinking doorway that will lead them back onto earth. back into a battle that they are bound to lose. he thinks about jack, lost forever. about chuck, who cannot be beaten. about the pointlessness of what they are doing, the desperation with which he has been clinging to hope.

— how bad I want to, I just can't stop it.

he wishes he could see dean. there is something solid pressing against the back of his throat, like he has swallowed a rock, like it is blocking the air. his eyes sting. he wishes dean would just — just talk to him.

And — And I — I forgive you. Of course I forgive you.

castiel shakes his head. his wings are more bone than anything else, skeletons he lugs around because he cannot bear to sever them from his trueform. now they twitch, twined with his grace as they are. castiel lets them curl inwards, pretends he can feel them whole, their warmth, the comfort of it.

I'm sorry it took me so long – I'm sorry it took me till now to say it. Cas, I'm – I'm so sorry.

castiel forgives him, despite everything. thinks he'd forgiven him long before this, before dean ever thought to ask. he wonders if dean knows that castiel doesn't know how to loathe him, even if he wanted to.

longing surges out to him, the pull of the prayer strengthened by cords of need, of want.

dean thinks he's dead, and he's desperate for him to not be. castiel knows what dean can be like, when he loses those he considers kin, when he's even faced with the prospect of losing them.

Man, I hope you can hear me. I hope you can hear me.

longing can feel a lot like love.

angels were never meant to decipher the nuances of human emotion, and despite all the time he's spent on earth, even castiel is not all that good at it. so when prayer is made with longing, it can feel a lot like love.

and maybe it is. castiel doesn't know.

it's almost unsettling, the way warmth bleeds into his trueform, as dean finishes praying, as he makes his way closer. castiel tries to reign in his weak grace, pulsing away under his skin. tries to not let himself get carried away.

he looks up at the grey sky, the sunless world he is trapped in. he thinks about the empty. he thinks about his son.

maybe it isn't. human love is so complicated, after all.

somewhere to his right, footsteps. castiel breathes, wills his lungs to loosen, his heart to slow. he pulls the leviathan blossom out of his coat pocket. all that fighting and the fidgeting has smushed it a little. he rubs a thumb over one of its strange petals, and puts it back in his coat.

dean is getting closer. castiel can hear him breathing now. can hear the way his heart races.

he gathers himself and pushes out of the hollow of the tree. straightens a little.

"dean," he calls. he sounds tired, even to his own ears. human. god. "you made it."

[alackofghosts]

from poem arrested at daybreak by julia de burgos

[problemswithbooks]

On Stella (Helluva Boss)

The fandom fights a lot over Stella and how she's written. Fans who like the way she is presented say it's fine that she's a one-dimensional 'evil queen' trope. It's not bad writing that she's so shallow and one note--some villains are better that way.

That isn't an inherently wrong statement. Some of the most fun villains are shallow, evil, for evil's sake types. Unfortunately, I don't think Stella works as this type of villain for a multitude of reasons.

Reason 1: Stella's 'evil' trait is at odds with the themes of the show.

Stella's primary evil trait is that she's cruel to Stolas simply because she likes being cruel to him. She's abusive and hates him. That, by itself isn't the problem. The problem is that the story isn't about Stolas being in an abusive relationship--it's primarily about two people from two different classes, and how they have to become better people and change in order to have the loving relationship they both want.

Yes, Stolas being in a past abusive relationship could be a hurtle to his growth as a character and him being in a relationship with Blitz, but the show never goes there even when it could. Stolas is not shown as being triggered by Blitz's yelling at him. In Apology Tour he has no issues fighting back and telling Blitz off, ordering him to leave. Blitz's yelling and more aggressive attitude isn't what leads to their misunderstandings, where Blitz accidentally hurts Stolas by reminding him of Stella's abuse.

Instead, Stella's abuse isn't even touched on in any major way, and does nothing to move the plot forward or cause connected drama between the two leads. Yes, she hires Striker to kill Stolas and that does at times cause problems, but she didn't need to be abusive inorder to explain why she'd want Stolas dead. In a world where assassins and murder is around every corner, it'd make just as much sense for Stella to hire Striker because Stolas cheated, and it made her a laughingstock among her high class friends.

I'd even argue her abuse makes the story make less sense. We know, from Stolas's own admission, that once his daughter was born, their marriage wasn't necessary. He claims he stayed to give Octavia a normal life, but if Stella is as volatile as she's shown, why would he think Via being around her was a good idea? If Stella had been less outwardly antagonistic and instead more cold and standoffish, with the both of them having mostly separate lives, intersected by polite, if strained family interactions when around Via, then him staying would make sense.

One of the reasons I think more people wanted Stella to be a caring mother to Octavia was because it explains why her and Stolas were still married despite her constant abuse towards him. If Stella cared about Via, and they were close, Stolas would be not only reluctant to leave but to let their false pretense of 'happy couple' slip in front of Via, since both would hurt her. It also would make Octavia's choice to stay with Stella and her anger at Stolas hold more weight, and give Via more complicated emotions. She'd really love her mom, but be confronted with the fact she hurt her father, who she also loves. As it is, it's pretty clear to see that as soon as Octavia finds out Stella is pure evil, she'll easily go back to Stolas with very little if any internal conflict.

Reason 2: Vivziepop claims she's not a one-dimensional character.

A really huge issue with Stella being presented as a one note bitch, is because the creator herself claims she's not. In an interview, Vivzie says Stella is like Beatrice Horseman from BoJack Horseman, saying that at some point we will see things from her perspective.

The problem with this is that Stella has already been portrayed too negatively and flat for this to work. Beatrice worked because, while yes she was awful to Bojkack, she also had Alzheimer's which gained her some sympathy points, as did the way Hollyhock cared for her. She also wasn't always over the top horrible to Bojack, being more passive-aggressive and neglectful.

On top of that, despite her abuse toward BoJack, particularly when he was growing up, she wasn't framed as the reason for all of BoJack's issues. He was still responsible for his own shitty actions as an adult, and when he retaliated toward her, like tossing the baby doll off the balcony, it was framed as shitty behavior. More than anything, their interactions said more about BoJack than Beatrice. Him trying to hurt her, by throwing away her baby doll or putting her in the shittiest nursing home he could find was to show how BoJack wishes he could retaliate against his mother for all the things she did to him, but it leaves him feeling hollow because he knows that due to her disease she's not aware of who he is. It's meaningless, doesn't help him get any closure.

Stella is not presented as anything other than over the top abusive in every scene she's in. Nothing in the show suggests she's anything besides violent, even going so far as having her choking dogs in a childhood picture. Nor is Stolas's treatment of her supposed to reflect on him or characterize him. The only time it might is when he ignores Via because he's too caught up fighting with on the phone, but again, it's not given much focus and he doesn't reflect on it. The same goes for the cheating--yes, Stella was abusive and he doesn't necessarily owe her anything, but Stolas refuses to acknowledge that what he did clearly upset Stella, both times he talks about it asserting that he knows he didn't hurt her. No, they weren't in love, but cheating is still degrading, and Stella is obviously upset. Frankly, I think it would have made more sense for Stolas to rub that fact in her face--he has no issue insulting her, as we see later in that conversation. Instead, his continued assurance that he didn't hurt her or do anything wrong feels like the writers talking through the character, afraid watchers will judge Stolas to harshly otherwise.

Stella getting the Beatrice treatment will likely fail because there is nothing to soften the audience toward her even a little. She has been presented as Stolas's tormentor and nothing else. There are flashes of possible sympathy for her when she interacts with her brother, but for the most part they're framed as Andre being right and Stella being stupid, rather than Stella possibly being manipulated and used by her brother.

It also will fall flat because unless her background is another showcase of how even the upper class are hurt by the system, and this leads to something either story or character wise for the main cast, then there is no point to bring it up. The point of Beatrice's story was to show how generational trauma seeps down into the next generation. BoJack doesn't even have to know about it for it to reflect on his character and explain why he is the way he is. He and his mother parallel each other, where they start out as innocent children but through their parents mistakes, they grow up into cynical, bitter adults who both feel as if they've wasted their lives.

Reason 3: To many villains.

Stella has taken a backseat in her own villain story to her brother, who, just like Stella, is simply evil (he's even characterized as a catty bitch, just like she is, except less of a yeller). It's true Andre wants power, whereas Stella wants...well nothing really, just Stolas dead I guess, but for the most part they are nearly the same. Andre is just a better written version of Stella since he actually gets to make plans and have an end goal.

Once Andre gets introduced, Stella is redundant because she offers nothing different and in fact offers less to the story overall. If Stella was going to be a flat, evil for evil’s sake villain, she and Andre should have been combined. It would have made far more sense to have Stella be a bit smarter and be the one plotting to get Stolas's power. It also would have made the court scenes more impactful because Stella would be a character that was established far earlier, and who we know is a major threat to Stolas, since she's the one that hired Striker to torture and kill him.

If Andre was going to be the main big bad for Stolas, then Stella needed to offer something different. Generally the underling under the main villain is more sympathetic, and less evil, as a way to showcase how much worse the main bad guy is. Or they're more charismatic and show up far more than the main bad guy, like Azula and Ozai. As it is, Stella is neither. She shows up just as little as her brother, and does far less.

And, while Vivzie is a woman herself, I do find the handling of Stella to have mysoginistic undertones, mainly that since her brother has shown up, she is constantly shown as stupid, and that her only good quality is her looks--things her brother constantly brings up, but are not framed as shitty on his part. Them being essentually the same charater make this look all the worse, since Andre, as I've said, didn't need to be a charater at all, and Stella could have been the main villain instead. To pretty much sideline a female charater in order to introduce a male charater that fills the same roll is not the best. Just like racisuim, sexisuim doesn't have to be done purposfly, and I don't blame anyone who finds this choice to be sexist.

Then there's Striker.

Another reason I think Stella and Andre should have been combined. Striker worked really well as the side antagonist under the main villain. He's the one we see more of, he's more charismatic and has hints of a generally interesting backstory, one that we know would fit into the theme the show has of class issues. He's a mirror of what Blitz could have turned into, while Stella could be presented as Stolas's opposite. Even their work relationship could be a dark mirror of Blitz and Stolas's real love for one another.

As it is, Striker is under two other villains, one of which has become essentially unless to the story (Stella can't do anything Andre can't at this point, especially since her and Via aren't shown to have a close relationship). This reduces his threat level and reduced his screen time since he now has to share it with another character. We can see this in the newest episode, where we get a scene where Andre is talking to Stella and then Striker appears later at the trial with no explanation. If Andre and Stella were combined, that scene could have been Stella going over the plan with Striker instead. This would have helped Striker's character, since as it is, his appearance at the trial is confusing. Maybe he's just out for himself and his selfishness won out over his hate of Royals, maybe he was blackmailed, maybe he was so furious and his pride wounded so much by Blitz he'd do anything to bring him down, maybe it's a combination of all three. We don't know because we aren't given the set up. Is it cool that Striker was a suprise? Sure, but in this case it wasn't worth not showing the charater's reason for doing something that seems to go agasint his own charaterization.

Reson 4: Threat.

One of the main reasons to have a simply evil villain is so the can be incredibly menicing. The Aundence doesn't have to feel anything but fear for the protagonists and hate for the villain. They pose no deep moral question, and it feels great when they're beaten.

Despite being a major villain we never see her threat felt by the protagonists. Take her abuse of Stolas. We see her go to hit him and he catches her hand easily and tells her off without issue. Stolas has no problem standing up to Stella ever. In The entire show Stolas is never portayed as afraid of Stella.

Contrast this with how Moxxie and Crimson interact. Yes, sometimes Moxxie does stand up to his father, but we are shown how terrified he is of Crimson multiple times during the one episonde they interact. In comparison Stella's actions never make Stolas even worried. The most we see is him doging things when she throws things at him, but he doesn't seem genuinly afraid, and it's forgoten as soon as she leaves.

He insults her over the phine, insults her to her face. When he learns she hired Striker we arent shown him suddenly relize he underestimated her and become afraid. He instead he's more conserned with his reletionship with Blitz and getting him a crystal. Stolas never tells Blitz about Stella, so we don't even know how Blitz feels about how she treated him.

It's hard for a pure eveil villain to work when only one charater even seems to know they exist and they aren't even worried about offending them. The only way this could work is if Stella pretended to be nice most of the time, but was secretly ploting, like Scar in the Lion King. Instead she's framed as this force of nature, pure bitch, who torments Stolas, yet Stolas doesn't even show anxiaty when having to meet with her, something we know he's prone too because he shuts himself in the refrigerator when contemplating his confession to Blitz ending badly.

If the writers want Stella to be evil--make her evil. Let her be powerful and scary. Have Stolas fintch at her voice, show flashbacks of her hitting him, let her win arguments and verbally tear Stolas down. Make her smart enough to plan things on her own.

I think when alot of people say Stella is a badly written charater it's not nessesarily because they wanted her to be good, or complex. I don't see alot of people angry at how Mother Gothel was written (besides her deisgn being anti-semetic) or Maleficent. It's possible to write evil, one-dimensional female villains. The issue is that even as an evil bitch, Stella falls short in a mutitupe of ways. Her charater is a complete waste, even more so now that her brother has been introduced. She has no reason to exist and serves no narritive purpose. Even as a raod block to the Stolas/Blitz ship she isn't nessesaey because their main issue is the class systum. Stella could have been dead before the show started, leaving Stolas with Via for drama, and Andre could be the evil uncle trying to get Stolas's power.

Stella is pretty much a sexy lamp, execpt the sexy lamp is also a bitch. She's less affective then the random bitch charaters introduced in romatic webtoon comics that are only there to be mean to the main charater and try to steal her man. Stella's not badly written because she's pure evil and simple, she's badly written because she doesn't serve a purpose in the story and could be replaced with a sexy, evil lamp.