#how old are we. what planet is this

[gender-euphowrya]

how tf are there still people acting like other people calling themselves 'pansexual' kills thousands of bisexuals a year

[lesbianwyllravengard]

This definitely won't happen but it would be so fucking funny if they arrive at the planet Thrawn and Ezra were stranded on and it turns out that these two are best friends now and Thrawn is completely on Ezra's side. Morgan Elsbeth pleads for Thrawn to return and reignite the Empire and he's just like "those bitches? Fuck em. Ezzie and I started a band, we play Jizz music on Wednesdays. Here's my wallet pictures of us hanging out."

[fishluring]

making an astronomy/meteoritics iterator oc when i know fuckall or at least just very basic things about those things was maybe a mistake. Looking up stuff for reference/inspo like haha i like your funny words magic man

[redbean-nom]

watched the first 2 episodes of acolyte and so far i like every character except for the main one lol. (also is her name osha as in occupational safety and health administration??)

[greenerteacups]

Hi GT! Any thoughts on GRRM's (now deleted 👀) blog post about HOTD? Both in terms of content and authorial conduct?

My first reaction was some combination of sympathy and cringe. I can see where his frustrations would arise — especially if he's correct that Ryan Condal intended Helaena to kill herself "for no reason," although I doubt that's the whole story (most of the coming seasons haven't been written yet). GRRM was burned badly by the ending of GOT, which is why he's harping so much on the (to be honest, pretty minor) removal of a child who really has no role in the source material except to be the sacrificial lamb prompting Helaena's suicide. He can repeat the words "butterfly effect" until he's blue in the face, but that still won't actually make Maelor into a major character, and it still won't explain why changing Helaena's arc is necessarily a bad thing for the story the show's telling. Helaena in the books is a very happy person whose death by suicide would be uncharacteristic unless prompted by a slew of gruesome personal tragedies. Helaena in the show is much more melancholy and withdrawn, and the audience doesn't need to see (another) one of her children brutally slaughtered in order to believe that she might pull a Tommen, especially since we don't know what the HOTD team are actually planning for her. Getting pissy about cutting Maelor is like finding out someone's replaced all the furniture in your living room — while you watched — and complaining that the upholstery's the wrong color. My brother in Christ, it's a different chair.

Apart from that, I recently saw one blogger argue persuasively that the choice to eliminate Maelor was not just efficient, but a defensible and deliberate creative decision: whether George realizes it or not, removing Maelor puts Aegon in the same situation his father Viserys was before his marriage to Alicent, where his only choices of heir are his daughter (Rhaenyra/Jahaera) or his brother (Daemon/Aemond), the latter of whom has recently proved himself an untrustworthy and outright dangerous candidate (the King of the Stepstones arc in Daemon's case, and the assassination attempt from Aemond). This traps Aegon, because the only laws supporting him as king require that he pass over Jahaera and place his regicidal brother — who has already tried to kill him once, probably having realized this fact — directly in the line of succession. And I'm pretty sure the show is intentionally going for this, because they make a point of telling us that Aegon can't have more children, so unlike Viserys, he can't get out of this by having more sons. Is this necessarily more compelling than the Maelor/Helaena guilt storyline? No, but we don't know if that storyline would have been compelling either. The success or failure of a narrative decision is almost totally in the execution, and HOTD is, crucially, not finished executing yet.

Siloing the question of the post's merits, it's also incredibly unprofessional for one of the most successful authors in history to start publicly beating up on a writer's room that he's supposedly collaborating with. Like, frankly, I don't care what Ryan Condal said. I don't care if he said he was going to kill off half the cast in S3E1 and turn the show into an isekai about his self-insert avatar falling in love with Rhaenyra. You work that shit out in the writer's room, or, if need be, the negotiating table, and not by dumping on the guy's creative decisions on a platform where the core of the show's fanbase hangs on your every word (most of them in the hope that you've announced the completion of the book you're supposed to be writing). It's catty, it's spiteful, and, judging by the content of the post itself, grossly disproportionate to the scale of the creative conflict at play. If I were an industry creative, I would have serious reservations about working with Martin after this, and the level of poor behavior on display should be evident by the fact that any author whose IP wasn't making HBO a bajillion zillion dollars would have been rightfully shitcanned for doing something like this.

If I sound angry at him, I'm not; I think he's just an old guy who's been told by lots of people that he's good enough to be above the rules, and he's consequently forgotten some of the industry etiquette. I'm also, frankly, a little contemptuous, mostly because most creatives I know would give all the fingers of their writing-hand to have the opportunities that George does, and would conduct themselves with significantly more grace and generosity for their collaborators even if they did disagree on adaptational differences.

[keeps-ache]

do u speak any other languages

oh hello :D no not really! i'm learning spanish and i can spell in asl, but that's all hfsh :>

[molagboop]

I just think it would be fun to make Raven Beak smooch Samus' other dads.

[jupitersflytrap]

just finished watching flux. christ that was fucking boring.

[nomaishuttle]

its such a blessing to have a family of autistics bc gifts r so easy . i can buy porcelain dolls for my sibling if i dont know anything else they would like and theyll be ecstatic. i can buy reptile books and craft supplies for my baby sister and shell be over the moon. and i can buy literally anything that has an engine in it and my baby brother will genuinely jump for joy

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[keeps-ache]

mm i Neeed to go the beach

[phantom-dc]

Bruce sighed.

He never thought he would die like this. When he started out as Batman he was certain he would meet his end fighting the criminal underworld of Gotham. When he got older and life got stranger, he believed he would die fighting off a threat like Joker or Deathstroke, maybe even Darkseid. Being used as a human sacrifice to the King of the Infinite Realms was not on that list, let alone being a willing sacrifice.

Unfortunately, it had been necessary. An asteroid was on collision course with Earth. The asteroid had a colony of sapient alien life on it, so destroying it was not an option. As the League grew desperate, Constantine revealed a similar incident had happened a few years ago. The King of the Infinite Realms had, along with his subjects, turned the Earth intangible and both the Earth and the Asteroid had survived. Constantine isn’t sure why or how, but there are signs an extremely powerful ghost had merged realities and in the process erased the memories of this event from the entire population of Earth! The only reason Constantine knows about it is because a Demon with time-based powers told him during one of their poker games. Summoning this King was risky, as they had no idea what the King would want in return, but this entity seemed like their best bet. Now Bruce thinks they had been wrong.

Superman pulled Bruce out of his thoughts:

“Bruce, are you sure you want to go through with this? If we work together, we might be able to-”

Bruce cut him off:

“No, Clark. You heard Constantine. If we do not hold up our end of the deal, the Ghost King could simply make his ally, this “Clockwork”, reverse time to before the planet was saved. The Earth and the asteroid will still be destroyed, killing everyone on both. This is the only way.”

Clark looked dejected. He knew his friend was right. The King had turned the entire Earth intangible with one hand! He knew the League couldn’t defeat this foe, not without help. Any being that could help them would demand even more bloodshed in exchange, though. One human life in exchange of saving the entire planet had been a steal, according to the Justice League Dark. Clark looked at Bruce:

“Are you going to put on your cowl? This will be the only chance you have to tell the other Leaguers who you are.”

Bruce looked at his cowl. He had taken of his suit, so that his family had something to bury. But to reveal his identity to anyone other than Clark....

“I will keep it on. Even if I die here, I cannot risk anyone finding out my identity and using it to get to my family. I hope the League understands.”

Bruce is pulled into a hug. As Clark holds him as close as he can without breaking bones Bruce cannot help being filled with regret. He wanted more time with his family and, dare he say, friends. This was not how things were supposed to go. Clark pulls away and seems to want to say something:

“Bruce, I just want you to know, I-”

“WHAT THE HECK IS GOING ON, B?”

Suddenly Nightwing enters the room, along with the entire Bat-family. Even Alfred and Oracle, donning masks, are there. They looked confused and scared, which made sense. They had all been summoned to the Watchtower, and when they had seen non-field members there as well they knew something was very wrong. Robin stepped forward, demanding an explanation:

“Father, what is happening? Why did you ask for us here? Explain yourself this instant!”

Red Robin looked ready to fight, staff in hand and in a low stance:

Where is the danger? Who is the enemy? Do you have intel for us? ARE YOU BEING MIND CONTROLLED?

Spoiler yanked at Red Robin’s cowl, pulling him out of his paranoid spiral:

“Easy, Captain Paranoid! Let him speak!”

Red Hood was clearly agitated. It was never a good sign if he was asked to the Watchtower:

“The fuck is going on, old man? Are you dying or something? That’s my stick, not yours!”

Bruce steeled his nerves. This was not going to be an easy conversation. How does one tell their family they are going to die and there is nothing to be done about it? Things had been going well for them, too. Dick and he hadn’t fought as often anymore, Jason had not called him names when he patrolled Crime ally last week, Tim hadn’t done anything that could be considered villainous (that he knew of) and Damian had not stabbed any goons for a month. Truly things had been good. Bruce knew this would mess it all up. He feared Jason would start killing again, or Damian would take out his grief on the criminals or Tim would… Well he had no idea. Last time Bruce disappeared Tim blew up so many LoA bases (he still wasn’t sure whether there had been people inside or not), so it was anyone’s gue-

“Sir, could you please elaborate on why we are here? I’m assuming it has something to do with the reason for this dreadful cold, and perhaps your lack of a shirt?”

Bruce sighed. Alfred always knew how to get through to him. With a heavy heart he told them everything. He would sacrifice himself for the survival of both planets. There was nothing to be done about that, and he asked them to please accept his decision. Naturally everyone was outraged. Amidst the chaos, Orphan asked a question:

“Why you?”

Bruce explained that, according to Constantine, the King had asked for a single sacrifice in return: “To feast on a non-magic, non-meta mortal human that will not resist being consumed.” It had pointed specifically at Batman, making sure they all knew which one it wanted. There had been no time to negotiate the prize, so he had accepted. After that it had left immediately for Earth, turning it intangible so the asteroid flew through harmlessly and fulfilling its end of the deal. Orphan seemed to think for a bit, before speaking up again:

“We’ll miss you.”

She hugged Batman. The others, realizing there was nothing they could do, at least not before facing the King, joined in as well. Bruce told them how proud he was of everyone. That they were strong and brilliant, and to please protect each other and Gotham in his stead. He thanked Alfred and Oracle for their help over the years and to please continue to support the others with the same strength they used to help him. After a moment they were interrupted by a knock on the door.

Wonder Woman had entered the room. With a saddened expression, and a dented doorhandle that showed her tension, she had come to collect her friend.:

“Batman. It’s time.”

Bruce nodded at her. Thanking her, he tried to leave with her, but was stopped by Alfred. After a quick hug, Alfed offered Bruce a cookie from the plate he had brought along:

“Every man deserves a final meal. I’m sorry this was all I have to offer.”

Taking a grateful bite, Bruce allowed himself to indulge in the taste of home.

“Thank you, Alfred. This means more to me then you realize.”

Steeling himself once more, Batman and the others followed Wonder Woman to the main room. It was the largest room in the Watchtower, several stories high with observation platforms, security screens showing cities all over the planet and a teleportation platform. As they approached the room, Batman was surprised by the cold that radiated form the entrance. Opening the door the source of all the cold and grief became visible to the group. Signal had to shield his eyes:

“What the hell!?!”

There it was, the High Ghost King of the Infinite Realms. A giant being, which had been so large they had to move to the observation platform to speak with it. Even then it towered over the heroes. It’s skin impossibly dark, with constellations spotting its tail & torso. The stars converging on its lower arms, making it look like it was wearing glowing white gloves, the same as a strange symbol on his chest that seemed important. The stars on its neck blending seamlessly with its hair, yet leaving its head completely dark aside from a few little spots on its face. The only facial feature they could make out where 2 Lazarus green eyes, focused on the new arrivals. On its hand, a ring with a skull on it that had freaked out the Lanterns. On its head a dark crown covered in patches of frost, and its own Aurora Borealis spreading from it. The room had already been partially covered in frost simply from the King’s aura. Power emanated from it, which had caused several members that had been dead and revived before to kneel on reflex, which was frightening even if they managed to get up on their own again.

Martian Manhunter had tried to peek in the Kings mind, hoping to find a way to convince the King to spare Batman, but he had been unsuccessful. As soon as he tried his knees buckled, and he had been pushed out. Ever since the Ghost King had radiated frustration. Now, as Batman entered wearing only his cowl and some spare pants, that frustration seemed to spike dangerously. Was the King upset he had been left to wait for his offer?

"What the fuck is this? I didn’t ask for a striptease, especially from some old Frootloop!”

“Constantine, what’s wrong? What is it saying?”

Batman was worried. He had not expected more anger from the being when presented with the offering. Looking at Constantine, he saw the magician frantically looking through the pages of his books, desperately looking for a translation.

“Hang on, mate. I’m doing my best here! Ehrm… no, that’s not right… Something about mating? Maybe he likes you, Bats. He also said something about “the absence of clothing” so…

Suddenly he is cut off by a strange sound coming from the Ghost King. It makes a strange motion with its body and its giant maw opens, as more of those sounds escape. It reminds Robin of Alfred the Cat when he has a hairball. However, there is more sound in the Watchtower now. The Red Hood is clutching his stomach as he is doubling down in laughter.

“HAHAHAHA!!! WHAT? HOW THE FUCK DID YOU TRANSLATE THAT BADLY? HOLY SHIT!”

The Ghost King stops making the noises, and it’s eyes snap to Red Hood. It moves it’s head closer to him, casually passing it through the barrier Constantine had put up. Constantine’s swears in surprise, but the King seems not to care as it “speaks” to Red Hood:

"Oh, thank the Acients! Someone who understands Ghost Speak! Can you PLEASE help me and translate for us? This trench coat guy is terrible, and somehow twists everything I say in the worst way!"

Red Hood relaxed, looking up at the Ghost King’s giant head.:

“Sure man, no problem. I’m pretty sure he is using like 3 different dictionaries to get this far. I saw him first translate Ghost to Pixie, Pixie to Gnome and Gnome to Demon before telling us in English! So, what’s up?”

Batman was stunned. The Ghost King actually face palmed. What the heck was going on?

"Of course he is. That explains why it sounds like he is putting this through Google Translate 4 times! These guys summoned me to save the Earth, which, totally cool. Happy to help! But a summons makes it official, which means I need to get an offering. I can’t leave without it or I face a mountain of paperwork from some stupid bureaucratic eyeballs for not following proper procedure. But I can always ask something simple and get it over with. No biggie, right? WRONG.”

Red Hood actually grabs a chair to sit on. Not even in a somewhat respectful way, he is sitting on it backwards, casually leaning on it.

“Oh, boy. How badly did they fuck up? Gotta be big since Batman over there is ready to be eaten?”

The King glares at Constantine, who puts up his bravest “time to out-bollock a Eldritch Demon” face. The King is not impressed:

"Man, I asked, and I quote: “I’d like to eat a regular human meal that doesn’t fight back, like that guy would eat!” I wanted it to be clear I didn’t want blood, or corpses or virgins or any of the other horrible things stupid cults try to give me! I just wanted a burger or something! But then Mr. triple dictionary over there somehow turns that into: ‘’I wish to feast on a non-magic, non-meta mortal human that will not resist being consumed, and it must be that one.” I’ll admit I was pointing at one of the non-supers, but that didn’t mean I wanted to eat him! I just wanted to make sure it was normal food, something that doesn’t fight back!”

Red Hood looked confused, asking if the King’s food usually fights back. The King rolls it’s eyes:

"In life, I lived with mad scientist parents who treated lab safety as a suggestion at best and a chore for teens at worst. Put enough samples in the fridge and you get a whole new type of Thanksgiving trauma. Dang, I’m getting even more hungry. I’d love some turkey right now. Could you get them to bring me some food? That way I can have my sacrifice and leave…”

Red Hood stands up. He asks if the King can wait a few more minutes, claiming that after all that frustration he deserved something better. Getting a nod from the Ghost King, the Red Hood suddenly shouted over the platform railing towards the waiting Leaguers:

“FLASH! Get your squad up here, and bring pen & paper! I got a job for y’all!”

Zooming up every member of the Flash family gets a list of things to get and a warning not to tell the Bats what’s on it, or Red Hood will shoot them in the knees. Looking at the lists, they quickly caught on what was going on and promised they wouldn’t tell. This was way too funny! Red Hood does a fake bow to the King, clearly amusing himself.

“Don’t worry, your Hungry-ness! Your sacrifice is being prepared! Anything else we can assist you with?”

The Ghost King seems to tilt its head in amusement. Whatever Hood was doing, it was working, which honestly was the only reason nobody had tackled him to the floor.

"Actually, if you could get that Frootloop to put on a shirt that would be great. He is shivering and honestly, I’m worried he’s going to poke someone’s eye out with a nipple. Why is he shirtless anyway? Please tell me he wasn’t actually trying to seduce me or something, he’s old enough to be my dad! Gross!”

This caused Red Hood to again double over in laughter. Everyone was confused, what could possibly be so funny in this situation? Constantine had frantically tried translating during their conversation, but it had gone too fast for him. He gave up when the King mentioned eyeballs and seduction, accepting he wouldn’t get anywhere like this. Batman however couldn’t resist his need to know everything anymore.

“Hood, report! How are you communicating with the entity?”

Red Hood turns to Batman, walks past him and towards Alfred, grabbing one of the cookies he had brought with him. As he walks back and hands it to the Ghost King, he starts to explain:

“Honestly, not sure. It feels instinctive, like a second mother-tongue. Pretty sure it’s some sort of “dead-guy-language” you learn when you die. Speaking off: Turns out Constantine is a VERY unreliable translator. Spooky here is actually pretty chill! He used you as an example to make sure we knew what he wanted, not to demand you as a sacrifice. He is in fact pretty ticked that you guys tried to feed B to him. Speaking of: Batman? Put a shirt on, for fucks sake. You look like you’re going to freeze your tits off.”

This earned a round of giggles from Green Lantern & Green Arrow. Now that the tension had left the room, other Leaguers also smiled in relief. Besides, it’s always fun to see Batman being the butt of a joke. Sure enough, Batman let out a frustrated sound, that got the rest of the Bats to join in on the fun. They understood that their dad in fact felt rather silly right now, which meant that they had more to gossip about soon. Constantine now was wondering what Hood was up to:

“Mate, I did my best! Sorry for not being fluent in every language in existence. What the hell did you send the Flash to get? The bloke is a scientist and denies magic when it’s right in front of ‘im! What could they possibly get that I couldn’t-”

At that moment, the Flashes zoom out of the Zeta tubes and zoom across the observation deck. After a few moments of red and yellow blurs, the deck is covered with tables filled front to back with food! Picking up a receipt that fell to the floor, Batman realizes this is take-out from all over the world. Seeing a puddle of Lazarus water grow on the floor, he looks up. The Ghost King is actually drooling! Red Hood steps aside and gestures to the feast:

“Welp! There is your sacrifice! One. And I also quote: “regular human meal that doesn’t fight back, like “that guy” would eat!” Well, more of a feast then a meal, but I’m sure a big guy like you can finish it, and you can always take home the rest I guess. Bon Appetit!”

Opening his giant maw, the Ghost King digs in. Well, as much as he can. He actually looks kind of silly eating everything with a tiny fork. Still, judging from the purring sound emanating through the Watchtower it’s to the Kings liking.

"DUDE, THIS IS SO GOOD? I need to know these restaurants! You want a bite for helping me out? You saved me SOOO much annoying paperwork, I was about to bail!”

Picking up a plate of karaage, Red Hood took of his helmet revealing a second mask underneath and dug in as well:

“Don’t mind if I do, this smells fantastic! Oh shit, you should try this stuff, it’s great!”

Red Hood being allowed to partake in the offering so casually caused Constantine to do a double take. He realizes he seriously misjudged this entity. Still, that didn’t explain the horrific stories about him. He would need to do some digging into that, maybe with Hood as a translator. For now he takes a swig of his drink. The world was saved, no one died or lost their Soul and he didn’t make any new enemies he thinks. Plus, Batman felt like an idiot, and that always made the Brit smile.

All in all a good day!

[getvalentined]

An open letter to @staff

I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.

The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.

Claim 1: Algorithms help small creators.

This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.

This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.

Claim 2: Only a small portion of users utilize the chronological feed.

You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.

Claim 3: Tumblr is not easy to use.

This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.

You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.

The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.

You can do so much better than this.

Response to the Update

Under the cut for readability, because everything said above still applies.

I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.

Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.

People read it that way because that is what you said.

*The final results of the poll, after 24 hours:

136,635 votes breaks down thusly:

An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)

Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)

This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)

[idiopathicsmile]

School Gymnastics: A Tragicomedy

So one day when we were in third grade, our P.E. teacher divided us into girls and boys. (I don’t remember what the boys had to do. Wrestling? Tackle football? I don’t know, probably not at age nine, but that’s not the point. Gladiatorial combat? I still don’t really understand kids’ sports.)

What matters for this story is that all the girls had to do gymnastics. Now—and I suspect this won’t surprise you if you know literally anything about me—I was always terrible at any form of school athletics. I am intensely, almost impressively uncoordinated. This doesn’t affect my life much at 36, but it was often a miserable way to be a kid. The only playground game I liked was playing pretend, because when you are playing pretend, you don’t have a bunch of people ostensibly on your side screaming in your ear, “Pretend faster! Pretend over there! Pretend with greater accuracy!”

Anyway, gymnastics and my clumsy, doughy little body. I couldn’t do a cartwheel. I couldn’t do a backwards somersault. I couldn't do any of it. We had an entire unit on this business and I literally did not learn how to even safely attempt a single move besides the log roll (lie flat and roll sideways on your belly). In retrospect, this seems like maybe it was in part a teaching problem, not a me problem, but that’s actually not the point either.

The point is, at the end of the unit, we were told to divide ourselves into little teams and choreograph a group gymnastics routine. My group, faced with my long list of limitations (more limitation than girl, really) decide my role will be to just forwards-somersault around the rest of the group as they do their moves. (This is itself kind of embarrassing but trust me, it is but the appetizer.) My friend Ashley has the Lion King soundtrack and we all agree that it is a great choice. The movie has only come out a couple of years earlier, and it of course features some funny, peppy options. 'Hakuna Matata'? 'I Just Can't Wait to Be King'? It's all coming together.

Carried on a wave of youthful enthusiasm, none of us even think to double-check which track Ashley has picked. Foreshadowing!

So the day of the performance comes. Another group goes right before us. They had picked “Wannabe” by the Spice Girls, which was a huge hit at the time. I mean, it still is because it’s a classic, but then it was big and new. They step onto the mat and immediately begin to do choreographed dance moves, which they have worked into their routine. We had not thought of this. Oops. Dance moves, of course! So they incorporate the necessary gymnastics, it goes over really well, the energy is high, and now it’s my group’s turn.

I take my place at the edge of the mat, the mat we are required to stay on for the length of the piece. Ashley cues up the track she’d chosen.

A song starts up. Instantly, I recognize it from the movie. It is the very slow instrumental music that plays when Simba realizes his dad is dead.

‘Well, this is not optimal,’ I think. I've been on this planet for nine years; I can see that much. But it’s too late to change the track, and so I tell myself, ‘It’s okay. I’m a performer. I can sell this.’ I put on an extremely solemn face and begin to execute a series of the world’s saddest somersaults.

Friends, when I say “sad” I mean it, in every possible sense of the word. Picture a nine year old with the gravest possible affect, determinedly doing somersaults to the slowest, most serious music she can imagine, in a careful ring around her friends who have actually learned any gymnastics whatsoever. Okay, now as the music starts to pick up and get more hopeful, imagine she gets real dizzy and in front of everyone, she rolls all the way directly off the mat, careening dangerously towards the assembled students.

Somehow, I roll myself back onto the mat, we survive what feels like hours of humiliation, we stagger away, and I blessedly avoid adding “puking my guts out in front of all of my peers” to my very short list of gymnastics tricks.

Later, I asked Ashley what in the world possessed her to choose that song.

“It didn’t have any words,” she said.

(There was absolutely no rule against using songs that had lyrics.)

Anyway, that’s why being an adult is better than being a kid.

I may have to do laundry and make my own dinner and wrestle with more complex existential angst, but you know what I haven’t been asked to do in like 26 years? Somersault for three minutes straight to the musical shorthand for “this cartoon lion cub has no choice but to process the weight of unimaginable grief for his dead dad.” And you know what? If I live another 50 years, I can be pretty confident nobody will ask me to do it then, either.

[txttletale]

Saw a tweet that said something around:

"cannot emphasize enough how horrid chatgpt is, y'all. it's depleting our global power & water supply, stopping us from thinking or writing critically, plagiarizing human artists. today's students are worried they won't have jobs because of AI tools. this isn't a world we deserve"

I've seen some of your AI posts and they seem nuanced, but how would you respond do this? Cause it seems fairly-on point and like the crux of most worries. Sorry if this is a troublesome ask, just trying to learn so any input would be appreciated.

i would simply respond that almost none of that is true.

'depleting the global power and water supply'

something i've seen making the roudns on tumblr is that chatgpt queries use 3 watt-hours per query. wow, that sounds like a lot, especially with all the articles emphasizing that this is ten times as much as google search. let's check some other very common power uses:

running a microwave for ten minutes is 133 watt-hours

gaming on your ps5 for an hour is 200 watt-hours

watching an hour of netflix is 800 watt-hours

and those are just domestic consumer electricty uses!

a single streetlight's typical operation 1.2 kilowatt-hours a day (or 1200 watt-hours)

a digital billboard being on for an hour is 4.7 kilowatt-hours (or 4700 watt-hours)

i think i've proved my point, so let's move on to the bigger picture: there are estimates that AI is going to cause datacenters to double or even triple in power consumption in the next year or two! damn that sounds scary. hey, how significant as a percentage of global power consumption are datecenters?

1-1.5%.

ah. well. nevertheless!

what about that water? yeah, datacenters use a lot of water for cooling. 1.7 billion gallons (microsoft's usage figure for 2021) is a lot of water! of course, when you look at those huge and scary numbers, there's some important context missing. it's not like that water is shipped to venus: some of it is evaporated and the rest is generally recycled in cooling towers. also, not all of the water used is potable--some datacenters cool themselves with filtered wastewater.

most importantly, this number is for all data centers. there's no good way to separate the 'AI' out for that, except to make educated guesses based on power consumption and percentage changes. that water figure isn't all attributable to AI, plenty of it is necessary to simply run regular web servers.

but sure, just taking that number in isolation, i think we can all broadly agree that it's bad that, for example, people are being asked to reduce their household water usage while google waltzes in and takes billions of gallons from those same public reservoirs.

but again, let's put this in perspective: in 2017, coca cola used 289 billion liters of water--that's 7 billion gallons! bayer (formerly monsanto) in 2018 used 124 million cubic meters--that's 32 billion gallons!

so, like. yeah, AI uses electricity, and water, to do a bunch of stuff that is basically silly and frivolous, and that is broadly speaking, as someone who likes living on a planet that is less than 30% on fire, bad. but if you look at the overall numbers involved it is a miniscule drop in the ocean! it is a functional irrelevance! it is not in any way 'depleting' anything!

'stopping us from thinking or writing critically'

this is the same old reactionary canard we hear over and over again in different forms. when was this mythic golden age when everyone was thinking and writing critically? surely we have all heard these same complaints about tiktok, about phones, about the internet itself? if we had been around a few hundred years earlier, we could have heard that "The free access which many young people have to romances, novels, and plays has poisoned the mind and corrupted the morals of many a promising youth."

it is a reactionary narrative of societal degeneration with no basis in anything. yes, it is very funny that laywers have lost the bar for trusting chatgpt to cite cases for them. but if you think that chatgpt somehow prevented them from thinking critically about its output, you're accusing the tail of wagging the dog.

nobody who says shit like "oh wow chatgpt can write every novel and movie now. yiou can just ask chatgpt to give you opinions and ideas and then use them its so great" was, like, sitting in the symposium debating the nature of the sublime before chatgpt released. there is no 'decay', there is no 'decline'. you should be suspicious of those narratives wherever you see them, especially if you are inclined to agree!

plagiarizing human artists

nah. i've been over this ad infinitum--nothing 'AI art' does could be considered plagiarism without a definition so preposterously expansive that it would curtail huge swathes of human creative expression.

AI art models do not contain or reproduce any images. the result of them being trained on images is a very very complex statistical model that contains a lot of large-scale statistical data about all those images put together (and no data about any of those individual images).

to draw a very tortured comparison, imagine you had a great idea for how to make the next Great American Painting. you loaded up a big file of every norman rockwell painting, and you made a gigantic excel spreadsheet. in this spreadsheet you noticed how regularly elements recurred: in each cell you would have something like "naturalistic lighting" or "sexually unawakened farmers" and the % of times it appears in his paintings. from this, you then drew links between these cells--what % of paintings containing sexually unawakened farmers also contained naturalistic lighting? what % also contained a white guy?

then, if you told someone else with moderately competent skill at painting to use your excel spreadsheet to generate a Great American Painting, you would likely end up with something that is recognizably similar to a Norman Rockwell painting: but any charge of 'plagiarism' would be absolutely fucking absurd!

this is a gross oversimplification, of course, but it is much closer to how AI art works than the 'collage machine' description most people who are all het up about plagiarism talk about--and if it were a collage machine, it would still not be plagiarising because collages aren't plagiarism.

(for a better and smarter explanation of the process from soneone who actually understands it check out this great twitter thread by @reachartwork)

today's students are worried they won't have jobs because of AI tools

i mean, this is true! AI tools are definitely going to destroy livelihoods. they will increase productivty for skilled writers and artists who learn to use them, which will immiserate those jobs--they will outright replace a lot of artists and writers for whom quality is not actually important to the work they do (this has already essentially happened to the SEO slop website industry and is in the process of happening to stock images).

jobs in, for example, product support are being cut for chatgpt. and that sucks for everyone involved. but this isn't some unique evil of chatgpt or machine learning, this is just the effect that technological innovation has on industries under capitalism!

there are plenty of innovations that wiped out other job sectors overnight. the camera was disastrous for portrait artists. the spinning jenny was famously disastrous for the hand-textile workers from which the luddites drew their ranks. retail work was hit hard by self-checkout machines. this is the shape of every single innovation that can increase productivity, as marx explains in wage labour and capital:

“The greater division of labour enables one labourer to accomplish the work of five, 10, or 20 labourers; it therefore increases competition among the labourers fivefold, tenfold, or twentyfold. The labourers compete not only by selling themselves one cheaper than the other, but also by one doing the work of five, 10, or 20; and they are forced to compete in this manner by the division of labour, which is introduced and steadily improved by capital. Furthermore, to the same degree in which the division of labour increases, is the labour simplified. The special skill of the labourer becomes worthless. He becomes transformed into a simple monotonous force of production, with neither physical nor mental elasticity. His work becomes accessible to all; therefore competitors press upon him from all sides. Moreover, it must be remembered that the more simple, the more easily learned the work is, so much the less is its cost to production, the expense of its acquisition, and so much the lower must the wages sink – for, like the price of any other commodity, they are determined by the cost of production. Therefore, in the same manner in which labour becomes more unsatisfactory, more repulsive, do competition increase and wages decrease”

this is the process by which every technological advancement is used to increase the domination of the owning class over the working class. not due to some inherent flaw or malice of the technology itself, but due to the material realtions of production.

so again the overarching point is that none of this is uniquely symptomatic of AI art or whatever ever most recent technological innovation. it is symptomatic of capitalism. we remember the luddites primarily for failing and not accomplishing anything of meaning.

if you think it's bad that this new technology is being used with no consideration for the planet, for social good, for the flourishing of human beings, then i agree with you! but then your problem shouldn't be with the technology--it should be with the economic system under which its use is controlled and dictated by the bourgeoisie.

[inkskinned]

i think probably magic is real.

the thing is that i was a teacher for a long time and sometimes i come back to this moment in the classroom where a 7 year old asked me are mermaids real? and i stared at her and had no idea how to answer.

for a really long time i just assumed that glow-in-the-dark paint/etc was a result of something made in a lab. i just recently found out that a specific mine in new jersey that just has rocks that do that naturally and it sent me for a loop about stuff.

because first of all - let's be honest, all of us: if there was going to be a naturally-occurring location for uv-activated glow-in-the-dark rocks? it would have to be in New Jersey. that's just the place that makes the most sense for that to happen. probably 10 thousand years ago cavemen were like. "oh this place is gonna be new jersey one day. this has new jersey energy."

the rocks only glow in the presence of uv light and are otherwise just normal rocks. in lord of the rings, there's a special sword that glows in the presence of orcs. it is magic, except that's a real thing that exists (and exists, as we have discussed, in new jersey, of all places). i guess maybe this implies orcs give off uv light.

yeah, okay. magic is just science. i know all the stuff about how ghosts are probably just caused by vibrating pipes. i knew about how there's a reason-for-all-of-this. but what do you mean that there's rocks that give you poison damage if you touch them. what do you mean that we live on the same planet as electric eels. what do you mean that a battery just, like - stores power?

and i don't know. in 20 years maybe they will find a mermaid but they will say something like well she's technically not a mermaid she's this other species, she has whiskers and not hair. and i will have to travel back in time and tell a 7 year old not technically, but there's something that is like a mermaid.

and she will look at me and think that what i am saying is science means magic isn't real and what i am actually saying is science is our word for why magic works. and then i will teach her about uv rocks, and new jersey. i will tell her to be a scientist, which is the same thing as being a wizard. there is probably a reason why sci-fi and fantasy are often grouped together. it is very lucky to be here, i think. if you squint, the improbability of it all - it does kind of feel like spellwork.