#how does that keep statistically happening

[marioposssa]

There's a joke I've heard a few times, that Laurence is so formal that even his lover calls him by his last name. And there's certainly something to that idea so I wanted to do some fun statistics on the question: Who get's called by their first name in Temeraire, how often (and by whom)?

For anybody who only wants the numbers here's the overall highscore:

Total mentions by first name only (638 total)

1st "Jane" Roland: 243 2nd "Emily" Roland: 154 3rd "Catherine" Harcourt: 100 4th "Edith" Galman/Woolvey: 55 5th "John" Granby: 25 6th "Tom" Riley: 23 7th "George" Allendale: 8 (all in Victory of Eagles) 8th "Tenzing" Tharkay: 6 9th "Henry" Ferris: 5 (all by his family in Empire of Ivory) 10th "Jean-Paul" Choiseul, "Augustine" Little, "Bertram" Woolvey, "Gerry" Stuart: 1

The more in-depth answer got way longer than expected, so I decided to split this post up a bit. For a more thorough look at first four places, keep on reading after the cut.

For place 5-10 read on in part 2. For a look into usage of Will and some dragon thoughs go to part 3

The place for most first name mentions over all goes to Jane Roland, who is mentioned a staggering 243 times out of 638 total. Laurence starts both thinking of her and addressing her as Jane after their first night together and even Temeraire uses Admiral Rolands first name in conversation (in Black Powder War).

What is interesting to me is that, after Laurence starts he does not really stop thinking of her as 'Jane' or addressing her as such in conversation, even after their break at the end of Empire of Ivory and through Laurence's general feelings of guilt in the later books. To me this goes a long way of showing that Laurence still considers them close, even if he can not get over the harm he has caused with his actions after taking the dragons cure to Napoleon.

Beyond Laurence narration, we also get two other moments in League of Dragon where Excidium talks of her as 'Jane' and 'my Jane' <3.

Looking beyond Jane Roland, one of the most consistent topics in her conversations with Laurence beyond the war seems to be her daughter. As soon as Jane first mentions Emily by her first name in His Majesty's Dragon, Laurence picks it up and Emily Roland becomes Emily more often than not from then on. This seems to happen especially often in more familial or interpersonal scenes, such as when Laurence takes her and Demane to task about their relationship in Crucible of Gold or when she is meeting Laurence father at Wilberforce's subscription-rally early in Empire of Ivory.

Emily is also called by her first name by both Temeraire and Mrs. Pemberton, who in their own way might both count her as part of their family or as in their care. We may also guess that, since Emily is friendly with a number of characters especially other minors over the course of the book, she may also go by Emily in a lot of other occasions that are simply not part of the narrative.

Interestingly, while Laurence is shy of calling any of the other aviators by their first name, he starts calling Catherine Harcourt 'Catherine' in his head by Empire of Ivory. Specifically he starts using the name after seeing Tom Riley greeting her on the 'Allegiance'. This moment seems to signify a shift in Laurence perceiving her as different from just her status as an aviator friend or acquaintance. While to our knowledge he never uses the name to her face, he also starts calling her Catherine when talking to Tom Riley. The usage of 'Catherine' continues through Laurence narration in Victory of Eagles, though he is back to using 'Captain Harcourt' in the later books.

Overall there are 100 times when Harcourt is called Catherine. In conversation it is mostly Lily (11) who uses her first name, but there's also Jane Roland who calls Harcourt Catherine in non-formal settings (2).

And then there's Choiseul in His Majesty's Dragon of course. His use of 'Catherine' is a pretty good indicator of their intimacy, even before Laurence picks up on their relationship. I think it works so well, since at that point in the books, the mention of any first names has been pretty rare. In response she calls him Jean-Paul. This stops immediately after Choiseul's betrayal though, and indeed he never mentions her by name from this point on until his execution.

I also want to mention Rankin, who certainly has not earned the informality, but calls Harcourt almost dismissively by her first name at her first introduction to Laurence. Possibly being condescending both about her age, as well as her being a women.

Overall I think the use of Harcourts first name in the books is the most varied and it can almost always tell us as much, if not more, about the people using it in their different forms than about Catherine Harcourt herself.

Forth in place of intimate mentions is Edith 'Woolvey' née Galman. As Laurence former promised childhood friend he is consistently on a first name basis with her. She is mentioned as just 'Edith' 55 times in the course of four of the books: His Majesty's Dragon, Victory of Eagles, Blood of Tyrants - where Laurence thinks of her exactly once during his amnesiac arc and finally League of Dragons.

As you may have guessed from the numbers, the women make up the staggering majority of all first name mentions with a staggering 552 of 638, or 86% of all moments.

-----

Notes on the gathered data: I looked at all instances of known first names of main or supporting characters, but excluded the following:

Any mention where the first name was part of the full name or was prefixed by a title (such as Captain Catherine Harcourt, Lady Emily)

Any dragons, since dragons (with exceptions) only have single name

Any character mentioned exclusively by their first name (I'm sorry Demane, Sipho, little Gerry the Orphan and various babes)

[malachitezmeyka]

Me last night: Why am I so anxious about staying up late? Yeah, I’m running on little sleep, but I don’t have anywhere to be in the morning so I can sleep for as long as I want, right? Can’t my anxiety leave me alone for like five minutes??

Me this morning, once that fucking neighbour gets his fucking drill out again after a week of silence: Oh, that was why

[1well-this-is-new1]

[drdemonprince]

The data does not support the assumption that all burned out people can “recover.” And when we fully appreciate what burnout signals in the body, and where it comes from on a social, economic, and psychological level, it should become clear to us that there’s nothing beneficial in returning to an unsustainable status quo. 

The term “burned out” is sometimes used to simply mean “stressed” or “tired,” and many organizations benefit from framing the condition in such light terms. Short-term, casual burnout (like you might get after one particularly stressful work deadline, or following final exams) has a positive prognosis: within three months of enjoying a reduced workload and increased time for rest and leisure, 80% of mildly burned-out workers are able to make a full return to their jobs. 

But there’s a lot of unanswered questions lurking behind this happy statistic. For instance, how many workers in this economy actually have the ability to take three months off work to focus on burnout recovery? What happens if a mildly burnt-out person does not get that rest, and has to keep toiling away as more deadlines pile up? And what is the point of returning to work if the job is going to remain as grueling and uncontrollable as it was when it first burned the worker out? 

Burnout that is not treated swiftly can become far more severe. Clinical psychologist and burnout expert Arno van Dam writes that when left unattended (or forcibly pushed through), mild burnout can metastasize into clinical burnout, which the International Classification of Diseases defines as feelings of energy depletion, increased mental distance, and a reduced sense of personal agency. Clinically burned-out people are not only tired, they also feel detached from other people and no longer in control of their lives, in other words.

Unfortunately, clinical burnout has quite a dismal trajectory. Multiple studies by van Dam and others have found that clinical burnout sufferers may require a year or more of rest following treatment before they can feel better, and that some of burnout’s lingering effects don’t go away easily, if at all. 

In one study conducted by Anita Eskildsen, for example, burnout sufferers continued to show memory and processing speed declines one year after burnout. Their cognitive processing skills improved slightly since seeking treatment, but the experience of having been burnt out had still left them operating significantly below their non-burned-out peers or their prior self, with no signs of bouncing back. 

It took two years for subjects in one of van Dam’s studies to return to “normal” levels of involvement and competence at work. following an incident of clinical burnout. However, even after a multi-year recovery period they still performed worse than the non-burned-out control group on a cognitive task designed to test their planning and preparation abilities. Though they no longer qualified as clinically burned out, former burnout sufferers still reported greater exhaustion, fatigue, depression, and distress than controls.

In his review of the scientific literature, van Dam reports that anywhere from 25% to 50% of clinical burnout sufferers do not make a full recovery even four years after their illness. Studies generally find that burnout sufferers make most of their mental and physical health gains in the first year after treatment, but continue to underperform on neuropsychological tests for many years afterward, compared to control subjects who were never burned out. 

People who have experienced burnout report worse memories, slower reaction times, less attentiveness, lower motivation, greater exhaustion, reduced work capability, and more negative health symptoms, long after their period of overwork has stopped. It’s as if burnout sufferers have fallen off their previous life trajectory, and cannot ever climb fully back up. 

And that’s just among the people who receive some kind of treatment for their burnout and have the opportunity to rest. I found one study that followed burned-out teachers for seven years and reported over 14% of them remained highly burnt-out the entire time. These teachers continued feeling depersonalized, emotionally drained, ineffective, dizzy, sick to their stomachs, and desperate to leave their jobs for the better part of a decade. But they kept working in spite of it (or more likely, from a lack of other options), lowering their odds of ever healing all the while. 

Van Dam observes that clinical burnout patients tend to suffer from an excess of perseverance, rather than the opposite: “Patients with clinical burnout…report that they ignored stress symptoms for several years,” he writes. “Living a stressful life was a normal condition for them. Some were not even aware of the stressfulness of their lives, until they collapsed.”

Instead of seeking help for workplace problems or reducing their workload, as most people do, clinical burnout sufferers typically push themselves through unpleasant circumstances and avoid asking for help. They’re also less likely to give up when placed under frustrating circumstances, instead throttling the gas in hopes that their problems can be fixed with extra effort. They become hyperactive, unable to rest or enjoy holidays, their bodies wired to treat work as the solution to every problem. It is only after living at this unrelenting pace for years that they tumble into severe burnout. 

Among both masked Autistics and overworked employees, the people most likely to reach catastrophic, body-breaking levels of burnout are the people most primed to ignore their own physical boundaries for as long as possible. Clinical burnout sufferers work far past the point that virtually anyone else would ask for help, take a break, or stop caring about their work.

And when viewed from this perspective, we can see burnout as the saving grace of the compulsive workaholic — and the path to liberation for the masked disabled person who has nearly killed themselves trying to pass as a diligent worker bee. 

I wrote about the latest data on burnout "recovery," and the similarities and differences between Autistic burnout and conventional clinical burnout. The full piece is free to read or have narrated to you in the Substack app at drdevonprice.substack.com

[lumsel]

chinese room 2

So there’s this guy, right? He sits in a room by himself, with a computer and a keyboard full of Chinese characters. He doesn’t know Chinese, though, in fact he doesn’t even realise that Chinese is a language. He just thinks it’s a bunch of odd symbols. Anyway, the computer prints out a paragraph of Chinese, and he thinks, whoa, cool shapes. And then a message is displayed on the computer monitor: which character comes next?

This guy has no idea how the hell he’s meant to know that, so he just presses a random character on the keyboard. And then the computer goes BZZZT, wrong! The correct character was THIS one, and it flashes a character on the screen. And the guy thinks, augh, dammit! I hope I get it right next time. And sure enough, computer prints out another paragraph of Chinese, and then it asks the guy, what comes next?

He guesses again, and he gets it wrong again, and he goes augh again, and this carries on for a while. But eventually, he presses the button and it goes DING! You got it right this time! And he is so happy, you have no idea. This is the best day of his life. He is going to do everything in his power to make that machine go DING again. So he starts paying attention. He looks at the paragraph of Chinese printed out by the machine, and cross-compares it against all the other paragraphs he’s gotten. And, recall, this guy doesn’t even know that this is a language, it’s just a sequence of weird symbols to him. But it’s a sequence that forms patterns. He notices that if a particular symbol is displayed, then the next symbol is more likely to be this one. He notices some symbols are more common in general. Bit by bit, he starts to draw statistical inferences about the symbols, he analyses the printouts every way he can, he writes extensive notes to himself on how to recognise the patterns.

Over time, his guesses begin to get more and more accurate. He hears those lovely DING sounds that indicate his prediction was correct more and more often, and he manages to use that to condition his instincts better and better, picking up on cues consciously and subconsciously to get better and better at pressing the right button on the keyboard. Eventually, his accuracy is like 70% or something -- pretty damn good for a guy who doesn’t even know Chinese is a language.

* * *

One day, something odd happens.

He gets a printout, the machine asks what character comes next, and he presses a button on the keyboard and-- silence. No sound at all. Instead, the machine prints out the exact same sequence again, but with one small change. The character he input on the keyboard has been added to the end of the sequence.

Which character comes next?

This weirds the guy out, but he thinks, well. This is clearly a test of my prediction abilities. So I’m not going to treat this printout any differently to any other printout made by the machine -- shit, I’ll pretend that last printout I got? Never even happened. I’m just going to keep acting like this is a normal day on the job, and I’m going to predict the next symbol in this sequence as if it was one of the thousands of printouts I’ve seen before. And that’s what he does! He presses what symbol comes next, and then another printout comes out with that symbol added to the end, and then he presses what he thinks will be the next symbol in that sequence. And then, eventually, he thinks, “hm. I don’t think there’s any symbol after this one. I think this is the end of the sequence.” And so he presses the “END” button on his keyboard, and sits back, satisfied.

Unbeknownst to him, the sequence of characters he input wasn’t just some meaningless string of symbols. See, the printouts he was getting, they were all always grammatically correct Chinese. And that first printout he’d gotten that day in particular? It was a question: “How do I open a door.” The string of characters he had just input, what he had determined to be the most likely string of symbols to come next, formed a comprehensible response that read, “You turn the handle and push”.

* * *

One day you decide to visit this guy’s office. You’ve heard he’s learning Chinese, and for whatever reason you decide to test his progress. So you ask him, “Hey, which character means dog?”

He looks at you like you’ve got two heads. You may as well have asked him which of his shoes means “dog”, or which of the hairs on the back of his arm. There’s no connection in his mind at all between language and his little symbol prediction game, indeed, he thinks of it as an advanced form of mathematics rather than anything to do with linguistics. He hadn’t even conceived of the idea that what he was doing could be considered a kind of communication any more than algebra is. He says to you, “Buddy, they’re just funny symbols. No need to get all philosophical about it.”

Suddenly, another printout comes out of the machine. He stares at it, puzzles over it, but you can tell he doesn’t know what it says. You do, though. You’re fluent in the language. You can see that it says the words, “Do you actually speak Chinese, or are you just a guy in a room doing statistics and shit?”

The guy leans over to you, and says confidently, “I know it looks like a jumble of completely random characters. But it’s actually a very sophisticated mathematical sequence,” and then he presses a button on the keyboard. And another, and another, and another, and slowly but surely he composes a sequence of characters that, unbeknownst to him, reads “Yes, I know Chinese fluently! If I didn’t I would not be able to speak with you.”

That is how ChatGPT works.

[river-taxbird]

AI hasn't improved in 18 months. It's likely that this is it. There is currently no evidence the capabilities of ChatGPT will ever improve. It's time for AI companies to put up or shut up.

I'm just re-iterating this excellent post from Ed Zitron, but it's not left my head since I read it and I want to share it. I'm also taking some talking points from Ed's other posts. So basically:

We keep hearing AI is going to get better and better, but these promises seem to be coming from a mix of companies engaging in wild speculation and lying.

Chatgpt, the industry leading large language model, has not materially improved in 18 months. For something that claims to be getting exponentially better, it sure is the same shit.

Hallucinations appear to be an inherent aspect of the technology. Since it's based on statistics and ai doesn't know anything, it can never know what is true. How could I possibly trust it to get any real work done if I can't rely on it's output? If I have to fact check everything it says I might as well do the work myself.

For "real" ai that does know what is true to exist, it would require us to discover new concepts in psychology, math, and computing, which open ai is not working on, and seemingly no other ai companies are either.

Open ai has already seemingly slurped up all the data from the open web already. Chatgpt 5 would take 5x more training data than chatgpt 4 to train. Where is this data coming from, exactly?

Since improvement appears to have ground to a halt, what if this is it? What if Chatgpt 4 is as good as LLMs can ever be? What use is it?

As Jim Covello, a leading semiconductor analyst at Goldman Sachs said (on page 10, and that's big finance so you know they only care about money): if tech companies are spending a trillion dollars to build up the infrastructure to support ai, what trillion dollar problem is it meant to solve? AI companies have a unique talent for burning venture capital and it's unclear if Open AI will be able to survive more than a few years unless everyone suddenly adopts it all at once. (Hey, didn't crypto and the metaverse also require spontaneous mass adoption to make sense?)

There is no problem that current ai is a solution to. Consumer tech is basically solved, normal people don't need more tech than a laptop and a smartphone. Big tech have run out of innovations, and they are desperately looking for the next thing to sell. It happened with the metaverse and it's happening again.

In summary:

Ai hasn't materially improved since the launch of Chatgpt4, which wasn't that big of an upgrade to 3.

There is currently no technological roadmap for ai to become better than it is. (As Jim Covello said on the Goldman Sachs report, the evolution of smartphones was openly planned years ahead of time.) The current problems are inherent to the current technology and nobody has indicated there is any way to solve them in the pipeline. We have likely reached the limits of what LLMs can do, and they still can't do much.

Don't believe AI companies when they say things are going to improve from where they are now before they provide evidence. It's time for the AI shills to put up, or shut up.

[alex51324]

Useful article from CNN on election-night misinformation.

Key takeaway is that pretty much whatever happens, Trump will claim it's evidence that the election is being rigged against him.

Some additional things to keep in mind--particularly if you haven't been through many of these before:

The winner may or may not be projected on election night. How long it takes depends on a bunch of factors, having to do with the logistics of ballot-counting and how the statistical analysis comes along. Getting a projected winner by midnight and the count taking several days are both well within the range of normal, and neither one suggests that anything nefarious is happening.

Counting of votes always continues for several days after the election, until every vote has been counted. This happens regardless of whether or not the media have "called" a winner, or a candidate has conceded.

Media outlets project election winners based on the data that has come in and their statistical models--they do not "declare" or "decide" who won. The major outlets are very motivated to avoid an incorrect projection*, so if they make a call, it's because they're really sure they have enough information to accurately predict the outcome of the final count.

Usually, when this happens, all of the major media outlets are making the same projection around the same time--within the same hour, at least, and often in the same 10 minutes or so. If there's an outlier, there's a good chance they're either guessing or propagandizing.

Candidates do not get to call the race in their own favor. There's a decent chance Trump will try, but also it's also normal and expected for both campaigns to talk like they're expecting to win; e.g. introducing their candidate as "the next President of the United States" when appearing before supporters at events. (My guess is that if he does try, the mainstream media outlets will simply sanewash it as typical election-night bravado, which is actually fine.)

The only thing that means anything, coming from a candidate/campaign, is a concession. This will often happen after the media has called the race for the other candidate; it usually isn't a surprise. A normal campaign will often go quiet--stop sending people to talk on TV, etc.--when they're getting ready to concede. (Trump arguably** still hasn't conceded 2020, so no one is particularly expecting him to concede any time this coming week.)

It's normal for the numbers to change a lot. There are always some surprises, but there are also standard patterns: results from the southeast usually come in a clump, and put a lot of electoral votes into the Republican column, early in the night. Democrats usually pick up the west coast states, which of course are the last to close their polls and start reporting results***. For the swing states, where we'll probably see a lot of reporting on very incomplete vote totals, results will start coming in first from the rural areas, which lean red; cities take longer to count their votes--because there are more of them--and lean blue.

The more uncertainty there is about the outcome, the more you'll hear about the evolving numbers--news networks have airtime to fill, and there's only so many ways you can say, "Still too close to call." Try not to obsess over these numbers; the news networks have people specially trained to analyze this exact kind of data, and if they can't say how it's going to turn out, you're not going to know, either.

If it ends up being too close to call for several days, there will probably be reporting on small, county-by-county vote dumps. It's important to realize that this is all still the original count of the votes, not a recount or "finding new votes." We only hear about it when the election is so close that these relatively small numbers of ballots are likely to affect the outcome, but it happens every single election. In 2020, Trump repeatedly claimed that ongoing counts were some how irregular, and sometimes demanded that counts be stopped when the current total showed him in the lead. This is, to be clear, nuts; the full & complete count of the votes always takes more than just the one day, and it's a bedrock principle of democracy that every valid ballot is counted.

(* Back in 2000, the Bush-Gore election with the whole Florida debacle, several major news outlets did project winners too soon, and then had to walk back their projections.

This definitely contributed to the chaos that night, and may have also contributed to the widespread perception that Bush was the "real" winner and Gore was dragging the country through multiple recounts, in those first few days when the initial count of wasn't even complete in some states.

As a result, responsible media outlets are much more cautious these days about election-night projections.)

(**On January 7, 2021 he made a statement that was taken as indicating his understanding that Biden had won, or at least that he knew he wouldn't be staying in office, but he never stopped saying he won.)

(***This often looks like the Republican being miles ahead, and then suddenly California reports in and they aren't anymore. Expect Trump to pretend that this is somehow shocking, even though the last time a Republican won California was 1988.

Similarly, he will also pretend to be surprised when, for instance, Philadelphia turns in their first big batch of results, and Harris's numbers jump up.)

[barnacles34]

My Greatest Joy

IVE Yujin x Male Reader

16k words

'A single person is missing for you, and the whole world is empty.' — The Year of Magical Thinking

18+ smut

The Birth Crisis. The Great Vanishing. The Specter of Demographic Collapse. The media couldn’t decide on a name, only that it was happening. Some said Korea would be empty in a century. Others, ten years. Twenty-five, if they were feeling generous. A hysterical pendulum swing between denial and terror, between think-tank white papers and government campaigns urging citizens to bureaucratize what was once spontaneous: love, sex, reproduction.

But in Dunsan-dong, no one talked about it. Not really. Not in any meaningful way. The village shrank in slow motion. Affairs stopped happening—nobody had the energy, or the audience. The local divorce lawyer quietly removed ‘Infidelity’ from his services, then shut down altogether. Playgrounds grew ghostly. The corner food stands, once territorial battlegrounds for unruly teenagers, went bankrupt one by one. ‘Kids these days grow up too fast,’ one ajumma said, as if that were the whole explanation.

And yet, in all this entropy, two were born. A statistical error. A miracle.

Miracle is not hyperbole. In two decades, the birth count had been three. The bureaucratic failure of Love—yes, Love, capital L, the thing that was supposed to be instinctual, inevitable, the thing people built whole religions and K-dramas around—had finally completed its slow bureaucratic death. Love was no longer a force. Love was paperwork.

Except for two people.

For them, Love was everything.

—

'One move and you'll split open like a badly wrapped present.' ‘Is that your professional opinion?' 'That's my twenty years of keeping-you-alive opinion.' She's biting her lower lip, the way she always does when she's trying not to smile at your stupidity. 'And I really don't want to explain to some emergency room doctor why I have a boy bleeding out in my room at 2 AM.'

The gash should hurt more. Six inches of red spite across your forearm, but all you can focus on is how Yujin's looking at it—like she's found something breakable in a world made of steel.

'I really fucked up.' 'Did you?' Her touch finds your good arm, barely there. 'Or did you do exactly what you meant to?'

The lamp makes everything soft. She's wearing your t-shirt—the one you left here that summer when the AC broke. Cotton worn thin enough to catch shadowy curves underneath. Silk pajama bottoms that whisper secrets when she moves. You try not to notice. You notice everything.

'This might need stitches.' 'Are you volunteering?' 'Shut up and hold still.' But there's laughter in her voice, the kind that makes your chest tight. 'Some of us are trying to work miracles here.'

The first-aid kit looks wrong in her small hands. Those hands that used to patch up your scraped knees, that still know exactly where you're breakable.

'Remember that time in third grade?' Her fingers ghost over your skin. 'When you tried to convince me you could fly?' 'I could've.' 'You broke your arm.' 'Minor setback.' She laughs, soft and close. 'Nothing's changed, has it?'

Everything's changed. The way moonlight catches in her hair now, how her perfume makes your head swim, the careful distance she keeps even when she's touching you. But you say, 'Not the important things.'

Her breath hits your arm in warm little puffs as she works. Clean movements. No hesitation. Like she's mapping something she never forgot.

'Almost done.' Her thumb traces the edge of the bandage. 'Next time try not to bleed on my carpet?' 'Yujin-ah.' 'Mm?' 'Thank you.'

She looks up. Those eyes crack something in your chest. Then she smiles and whatever was cracked turns to stardust.

'So how'd it happen? And don't say you just slipped, because I know all your clumsy excuses by heart.' 'Just slipped.' 'Onto what? Did some wandering samurai leave their sword in Dunsan-dong?' 'You never know what you'll find these days.' 'Hey.' Her voice goes quiet, the way it used to when she'd tell you secrets at midnight. 'Tell me? I promise to not scold you…much.'

Face to face now. The universe narrows to this: her eyes on yours, her hands still on your skin.

'Okay.' You gesture with your good arm. 'Window.' 'What did you—' Her voice catches. 'If you've done something wild—'

Then you smile.

You watch her shoulders drop. It's a small thing, being able to do this—turn her static to quiet. Not exactly Superman stuff, but it's the only superpower you'd keep if they were dealing them out.

She knows. You can see it in how she moves—little half-dance steps to the window, taking your words as is—hopefully, something good. The curtain whispers. You don't watch. Can't. Your skin's electric with her lingering smell—something you'd bottle if you could, except that'd ruin it, the particular way her skin holds the perfume.

The silence stretches until you think you might snap. Then—

'What am I supposed to be looking at? Because all I see is Mrs. Kim's cat trying to fight a streetlight again, and—' She stops. 'What's it say?'

'Let me make sure I'm reading this right.' She's still facing the window, but you can hear the smile breaking through, eyes transforming into pure joy. 'Because either someone's confessing to me via Christmas lights at 2 AM, or the neighborhood's having a very very specific power outage.'

'These past years—' 'Wait.' She spins around, eyes catching lamplight. 'Did you seriously string up every Christmas light in Dunsan-dong just to—' She takes three quick steps toward you, stops. 'The lights outside the convenience store. The ones from the coffee shop. Even the ones from—' Her eyes go wide. 'You didn't.'

'Old Mr. Park drives a hard bargain.' 'His birthday lights? The ones he's kept since forever?' 'To be fair, they were already purple. Worked with the aesthetic.' 'And what exactly did you promise him?' 'Just my eternal servitude. And maybe repainting his fence.' 'The whole fence?'

'Both sides.'

She shakes her head, but her smile could light up the whole neighborhood. 'You're insane. Completely insane. Do you know how many people I had to convince about your mental well-being?'

'Had to?'

'Have to. Present tense.' She's between your knees now, playing with your shirt hem like it's suddenly the most interesting thing in the world. 'Though I guess now I'll have to change my story to "dating a lunatic who steals Christmas lights and nearly loses an arm trying to spell out love confessions."'

Your heart stumbles. 'Dating?'

'Well,' her borrowed shirt slips further, showing more shoulder. 'I mean, you did just write my name in stars.'

'They're Christmas lights.'

'Same difference.' Her fingers trail up your arm, careful of the bandage. 'Very romantic Christmas lights.'

'Does that mean—'

'It means anyone crazy enough to risk tetanus and Mr. Park's wrath deserves at least dinner.' A pause, then softer: 'Maybe breakfast too, if they play their cards right.'

'Just breakfast?'

'Don't push your luck.' But she's smiling that smile—the one that's always been just for you.

'Yujin-ah.'

'Mm?'

'All these years, did you ever—'

'Every day.' She doesn't let you finish. Doesn't need to. 'Every single day.'

'Can I—'

Her mouth finds yours: the way her lips part like flower petals at dawn, soft and inevitable. Her breath mingles with yours. There's the perfect arch of her spine, the way her breasts press warm against your chest through thin cotton, how her hips seek yours with an instinct older than thought. The taste of her, sweet milk tea and something darker, something that makes your blood sing. Her hands flutter at your neck, startled, before finding home in your hair, and there's that smell of her—woody, floral, fruity—that makes you dizzy, makes you forget where you end and she begins. Delicate sounds escape her, primal and pure, vibrating through both your bodies like a struck chord. Then she's pulling back, but her body stays honest—trembling, burning: alive with new knowledge.

'Sorry,' she whispers. 'Got carried away. We should probably wait until your wound is healed.' Her smile is so reassuring, masking the softest disappointment that her eyes couldn't hide. 

But she was in luck.

Your fingers circle her wrist mid-fret, right as she's about to check your bandage for the seventh time. Her skin is cool against yours, pulse like a hummingbird.

'Stop fretting.'

'I'm not fretting.' But she's barely holding back a smile, eyes bright with something more than just lamplight. 'I'm calculating how many years Mr. Park's going to make you repaint his fence.'

'Already negotiated.' You tug her closer, feeling the way she pretends to resist. 'Two coats, both sides, and my firstborn child.'

'Bold of you to negotiate with children that don't exist.' She settles between your knees anyway, like she's found her way home.

'Yet.'

Her borrowed shirt—your shirt—slips further off one shoulder. 'You're impossible.'

'Impossible enough to steal every Christmas light in Dunsan-dong.'

'Borrow,' she corrects, fingers playing with your collar. 'We're calling it borrowing. Sounds less felonious.'

'Look who's being responsible.'

'Someone has to be.' But she's leaning closer, breath warm against your mouth. 'Since you've apparently lost your mind.'

'Lost it years ago.' Your thumb traces her lower lip. 'Right around the time you started wearing my clothes.'

She makes this sound—half laugh, half something else entirely. 'Smooth talker.'

'Only for you.'

Her hands find your chest, but there's no real resistance in it. 'If you tear those stitches—'

The kiss swallows her warning. This one's different—deeper, like you're trying to taste every year you've waited. She makes a sound that turns your blood to starlight, fingers curling into your shirt like she's afraid you'll disappear.

'That's cheating,' she whispers when you break apart.

'Is it working?'

The lamp catches gold in her eyes. 'Always will.'

Your hand finds skin at the small of her back. She arches like a cat stretching into sunlight.

'You're staring.'

'Can't help it.'

'Try.'

'Make me.'

She kisses you this time—soft, sweet, dangerous. When she pulls back, her smile could outshine every stolen light in the neighborhood.

'We should probably—' she starts.

'Probably.'

Her fingers find the hem of her shirt. Your shirt. Details.

What follows is an exercise in creative problem-solving. One functional arm between you, too much cotton, not enough coordination. Her hair gets caught. You both laugh. The shirt wins the first round.

'Left,' she instructs.

'My left or your left?'

'Wait—here… I got it.'

The second attempt goes better. The shirt surrenders its hold, and suddenly there's just Yujin—all golden skin and starlight. Her bra's simple beige cotton, but the way it holds her could make Michaelangelo weep.

'You're staring again.'

'Still can't help it.'

She kisses you quiet, hands on your shoulders, pulling you closer. Everything soft and warm and perfect.

'Can I—' your fingers find her back, trace lace.

'Yes.' Another kiss. 'Please.'

The bra falls away like a secret finally told. You forget how words work.

The air hums with the weight of revelation—her body an altar, every contour a psalm. Your breath tangles as you drink her in: the bronze aureoles, the arch of her ribs like a vaulted sanctuary, the pulse fluttering at her throat like a caged sparrow. She shivers beneath your gaze: the raw vulnerability of a soul laid bare.

Your palms ascend her sides, mapping the smoothness, the glory of it all—each sigh, each hitch of muscle, a dialect you ache to memorize. She tips her head back as your thumbs brush the underswell of her breasts, a whimper dissolving. ‘More,’ she murmurs, not a demand but a prayer, a beg; her fingers knotting in your hair as if you might slip away like smoke.

You oblige, slow as honey, mouth tracing the salt-sweet hollow of her collarbone. Her skin blooms beneath your lips—petal-soft, fever-warm—as you chart a path lower, lower, until her nipple grazes your tongue. She gasps, back arching. Her hands clutch at you, anchor and plea, as you worship her with unhurried devotion, savoring each tremor, each stuttered breath.

When her legs part—a silent invitation—it’s your turn to shudder. The heat of her radiates through the last fragile barrier, a molten promise. You press closer, the rigid heat of your unclothed shaft straining against her thigh, a visceral counterpoint to her softness. She rolls her hips, deliberate, and you groan as her warmth grinds against you, friction sparking like flint.

You linger there, foreheads pressed, breaths mingling, the world narrowed to the space between heartbeats. Her eyes lock with yours, galaxies swirling in their depths. ‘I want to feel you,’ she whispers, voice trembling. ‘All of you.’

You move as tides do: inevitable, reverent. Her thighs cradle your hips as you guide yourself to her entrance, the head of your shaft slick with Her. The first breach is a shared gasp—a threshold crossed in tandem. She tightens around you, velvet heat clenching like a fist around your length, and you still, trembling, sweat-slicked and spellbound. Her nails score your shoulders, anchoring you to the agony of slowness.

‘Slowly,’ she breathes, and you obey, each fractional advance a pilgrimage. Her fingers trace your jaw, your lips, as if memorizing the shape of this moment. When you’re sheathed fully, time suspends. Her lashes flutter closed, a tear escaping as she whispers, 'Yes.'

You move in thrusts. Her sighs crest into whimpers, into chants of your name, each syllable a spark in the gathering storm. Her breasts sway with the rhythm, nipples brushing your chest, while your hands grip the flare of her hips, guiding her into the tide. Around you, the room dissolves: there is only her skin, her scent, the liquid pull of her around your shaft—a mosaic of need and nectar, each fragment a revelation.

You kiss her deeply, tasting the salt of her surrender, as the world fractures, reforms, and fractures again.

—

Sheets tangled like an afterthought. A leg hooked over yours, pinning you in place with the quiet authority of someone who has long since decided where they belong. The desk fan ticks through its slow, mechanical arc, stirring the air, stirring her hair, making it brush your chin in the softest, smallest way possible.

She shifts, just enough for her ribs to press against yours. You feel her breathing. Deep. Slow. Listening.

‘I have an audition next week,’ she says, voice barely above a whisper.

‘For what?’

‘Community theater. Spring show.’ A pause. Then, quietly, ‘It’s dumb.’

‘You don’t do dumb things.’

She laughs. A real one. The kind that scrunches her nose a little, that makes her shoulders shake just enough to jostle you.

‘Except this,’ she murmurs. Her fingers trace slow circles on your chest.

‘This was a strategic decision.’

‘Oh?’

‘Carefully calculated.’

She laughs again, softer this time. Her breath is warm where it spills against your collarbone. You could live here. Right here, in the space between her voice and her warmth and the way her hair tickles your skin.

She props herself up on one elbow, looking down at you. The Christmas lights outside flicker purples and blues across her face, her skin, making her look like something caught between a dream and waking. Her smile is quiet. Not big, not blinding. Just there. Something she’s forgotten to hide.

‘Hey,’ she says.

‘Hey.’

Her fingers tap lightly against your chest. ‘Remember when you proposed to me behind the school?’

‘Which time.’

She grins. ‘The time I lost the play to Wonyoung and cried so hard I got a nosebleed.’

‘Ah. I told you it didn’t matter because you’d always be the lead in my story.’

She groans, dropping her forehead to your shoulder. ‘You were so corny.’

‘Still am.’

‘Yeah,’ she murmurs. ‘You are.’

You feel her smile against your skin.

The fan clicks on again, stirring the night, the space between you. The crickets outside hum in harmony with the distant sound of a train—faint, but there. The whole world is slowing down. Breathing with you.

She shifts again, nestles closer. Her lips brush your skin—your collarbone, then just above your heart.

‘I can hear you thinking,’ you say.

She sighs, slow and steady. ‘Just… happy.’

You don’t say anything. Just hold her tighter. Like keeping her close might keep the moment from slipping away.

She pulls back, just far enough to see you, really see you. Her hair is a mess. Her lips are still swollen. The Christmas lights turn her eyes into something impossible, something endless.

‘I love you, you know,’ she says, like it’s the easiest thing in the world. Like she’s never known anything else.

You smile. ‘I know.’

She kisses you. Slow, deep, soft. Like a secret. Like an answer.

The fan ticks. The lights flicker. The night stretches on.

—

It was supposed to be small. A local theater gig, a footnote in her life story. Something that kept her busy while she figured out the rest. That was the plan.

Then a casting director walked into the wrong show on the right night. A single scene, a single line delivered with the kind of weight that makes people stop chewing their popcorn. Two weeks later, she’s everywhere.

At first, it’s just murmurs. Articles in the culture section. Buzzwords like promising, raw talent, the next big thing. Then the billboards go up. Magazines with her face—half-laughing, half-serious, eyes catching the camera like they know something you don’t. The first time you see one, it’s plastered on the side of a bus stop you used to share, back when the only lines she rehearsed were whispered promises and badly sung pop songs.

Now she’s too big for Dunsan-dong.

Not just big. Seismic.

Korea’s sweetheart, the industry's new obsession. Agencies circle like sharks with briefcases, smiling through teeth polished for negotiation. They offer her everything—money, sponsorships, a life where she doesn’t have to wait for the subway or count change at convenience stores. And she takes it, not because she’s greedy, but because this is what she was always meant to be.

You watch it happen the way people watch slow-motion car crashes. Helpless. Horrified. A little bit in awe.

Because here’s the thing they never warn you about when you love someone who's destined for greatness: fame isn’t a door. It’s a chasm. You can’t walk through it holding hands.

At first, you convince yourself nothing’s changed. You still talk, still text. But her replies come slower, her voice more rehearsed. The calls happen between set breaks, her voice filtered through exhaustion and bad reception.

Then the interviews start. The talk shows. The press tours.

She gets good at the answers, the little smiles, the artful dodges. The first time someone asks if she’s dating anyone, she hesitates. Just for a second. Just long enough for the internet to notice.

You tell yourself it doesn’t mean anything. That she’s protecting you. That this is just part of the machine.

But a few weeks later, you see a headline:

‘The Nation’s New Star: Who is Yujin’s Mystery First Love?’

And for the first time, it hits you—really hits you—how easy it is to be rewritten.

The tabloids build their own history, constructing boyfriends from old classmates, exes from co-stars. They don’t name you. They don’t have to. Because in the world they’ve built, you don’t exist.

And maybe, you start to think, maybe you never did.

Maybe love isn’t enough when it’s up against the weight of the world. Maybe you were naive to think you could be something more than a footnote in her legend.

Maybe you were never really two. Maybe it was always just her.

Moving forward. Rising higher.

And you—

You’re just the idiot standing still, watching her disappear into the stars.

—

Yujin called you up.

The night was cutting: cold, unrelenting Snow blew sideways, a thousand tiny knives catching on your exposed skin, but you sat there anyway—legs crossed, hands in your lap, all polite.

The bench was old, paint curling at the edges, the kind of place people only sat when they had no better options. You smiled at the irony.

You’d met Yujin in worse places. Loved her in worse places.

And maybe, just maybe, lost her in worse places too.

Then she emerged from the fog, a silhouette first, then a shape, then a person.

Five benches away. Maybe six. Distance had become an abstract concept, like time, like certainty, like the idea that love—real love—was enough to hold the weight of the whole goddamn world.

She didn’t sit. Didn’t hesitate.

‘Let’s break up.’

The words didn’t belong to the girl who used to steal fries from your plate, who used to call you at 2 AM because she saw a cat in the street and thought you needed to know. They belonged to someone else. Someone who had spent hours, maybe days, rehearsing.

Her voice was final. Her eyes were final. Everything about her, from the way she stood to the way the wind refused to touch her, was final.

You should’ve said something.

Anything.

But the air left your lungs in one sharp exhale, stolen by the weight of three syllables arranged in an execution sentence.

The snow caught in her hair, in her lashes, in the hollow curve of her collarbone, and she looked—god, she looked—like something from a dream you had once, the kind you woke from gasping, reaching for someone who wasn’t there.

And then she wasn’t.

She turned. Walked away. Snow swallowed her whole.

You could’ve chased her. Could’ve fallen to your knees, begged, pleaded, made a scene, made a fool of yourself. Could’ve grabbed her wrist, reminded her that you were not just some chapter to be closed. Could’ve thrown every memory, every quiet moment, every touch, every whispered I love you in her face like proof of something sacred.

But you didn’t.

Because Yujin never spoke like this. Not unless she meant it.

And that’s what gutted you most.

You sat there long after she was gone, staring at the place she used to be, like if you looked hard enough, you could rewind time, unbreak whatever fragile thing had finally snapped between you.

The sky stretched empty above you, stars sharp against the ink. You tried counting them. Tried counting anything to stop counting the ways you’d just lost her.

One star. Two. One mistake. Two. Three years. Four. Five benches away.

Maybe six. The wind howled, and you let it.

—

The beer’s flat, but that’s not why it tastes bad.

You lean against the bar, watching foam dissolve into something thin and lifeless, the way good things always do. Three years distilled into neon lights and a tab you don’t remember opening.

She’s 24 now. You keep count because she was impossible to avoid—billboards, subway ads, every damn screen flashing her face like she owns the world. And maybe she does. The brightest star, the nation’s darling, the girl who left and became.

You should be proud. You tell yourself you are.

But pride doesn’t feel like this. Doesn’t sit heavy in your ribs like grief. Doesn’t twist like a blade when you flip through channels and land on her.

The latest drama. Friends-to-lovers, some rom-com fluff. A special kind of hell, watching her fall for someone else, even if it’s scripted.

And the kiss—god, the kiss.

Over and over. Different angles, different takes. The guy has trepid shoulders and a weaker mouth. You want to reach through the screen, grab him by his stupid collar, shake him until he understands: You don’t get to kiss Yujin like that unless you mean it.

The beer in your hand swirls, a storm in a pint glass. You watch it spin, thinking about how everything these days seems determined to drown you.

Then Roach walks in.

Roach—half philosopher, half walking disaster. A man with too many past lives and a prosthetic eye that glows faintly under bar light, making him look part machine, part ghost.

‘That recovery group, they’re solid,’ he says, by way of hello. His voice is like chewing on gravel. ‘Might’ve been able to quit if I stuck around.’ ‘4.8 stars on Google, right?’ ‘Right. Wait. How’d you know that?’ His synthetic eye sits there while the real one narrows. ‘Been there.’ ‘What?’ ‘Been there. You recommended it.’ Roach laughs, short and sharp. ‘That was the review forum.’ ‘Memory’s fuzzy.’ ‘Fuzzy? You’re getting soft.’ ‘All those reviews read like discount novels, Roach.’ ‘Why the hell would I write reviews?’ ‘Same reason you do anything—to feel something.’ He smacks your chest, hard enough to make you look up. ‘Yujin broke you. Plain as day.’ Your throat tightens. The name alone feels like a switchblade. ‘It’s not like that… anymore.’ ‘Sure looks like it.’ ‘How’s that?’ ‘You’re on the leaderboard in this bar. They’re bleeding you dry, and you’re letting them.’ You don’t argue. Just take another sip. ‘Don’t deserve this money anyway.’ ‘Then give it elsewhere. There’s an orphanage across the street.’ ‘Don’t play saint with me.’ ‘It’s just a block away.’ ‘Fuck off.’ ‘Just a block—’ ‘Fine.’ You press your glass against the table, like the condensation might hold you steady. ‘I’ll think about it.’ Roach grins like he’s won something. ‘Ever watch her show?’ he asks, tilting his flask toward you. You hesitate. ‘Not really.’ ‘Bullshit. Saw you yesterday. That rain scene.’ Your grip tightens around the glass. The rain scene. You were there. Back when “we” still meant something. Holding her coat between takes, watching her shiver between scripted heartbreaks. ‘She always cried pretty,’ you murmur. ‘Even back then.’ Roach nods, takes a sip. ‘Tell me about it.’ You do. You don’t mean to, but you do. ‘Nothing to tell,’ you start. ‘I was nobody. She was becoming somebody. Simple math.’ ‘That’s not what I heard.’ ‘Yeah? What’d you hear?’ ‘That you proposed. Night before Seoul.’ The beer sours in your mouth. ‘Who told you that?’ ‘Does it matter? True though, isn’t it?’ You let out something that’s supposed to be a laugh. ‘Got the ring from my grandmother. Vintage Tiffany, art deco. Yujin loved vintage.’ ‘And?’ ‘And she cried. Not the pretty kind.’ You see it now, clear as the night it happened—her shaking hands, the way she pressed the box back into yours like it burned. ‘Said she couldn’t. Said she wasn't ready. I guess that was the foreshadowing: she broke up with me just a week later.’ ‘A choice between you and fame?’ ‘Between real life and the life she’d dreamed of since she was six. No contest, really.’ Roach doesn’t speak for a while. Just stares at the bar like it’s holding the right words. ‘Where’s the ring now?’ You smirk, but it tastes like blood. ‘Pawned it. Bought a week of blackout drunk and a ticket anywhere else.’ Roach exhales, long and low. His eyes flick to your watch, but nothing gold can compare to what you lost. ‘And here you are.’ ‘Here I am.’ Bass pulses through the walls, someone screams about love on the dance floor, and the bartender slides another drink toward you like it might fix anything. Roach downs the rest of his flask, claps a hand on your shoulder. ‘Well. Good luck with that. Got a missus waiting. Let me know when you find one.’ You don’t look at him. ‘We might never speak again.’ ‘Doubt that.’ A pat on the back, one final grin. Then he’s gone. You scoff. If ever. And you leave.

—

Seoul in summer is a thing that sticks. To your skin, to your thoughts, to the spaces between breath. Heat rises off the pavement, thick and wet, settling in your lungs like something permanent.

The city is wide awake, but softer at this hour. Convenience store fluorescents hover in the humidity, blurring edges. Subway vents exhale something metallic, ghostly. The crickets don’t know they live in a city. They just keep singing.

You walk. Not home, not anywhere. Just walking, because it’s better than stopping.

Stopping means remembering.

Every street corner holds a version of her. The Yujin who stole fries off your plate, who could sleep through a fireworks show, who once convinced you that every ice cream cone tasted better if it was half-melted. She’s there, tucked into flickering billboards, frozen mid-laugh on subway ads, threaded between the chords of songs you don’t mean to hear.

You take the long way. Five, six corners. Maybe more.

Then the bus stop appears.

Half-forgotten. Almost overgrown. A bench with its paint peeling like old skin, weeds curling around the edges like they might swallow it whole.

You sit. Elbows on knees. Hands folded. Thinking. Not thinking.

The streetlight buzzes. The air is thick with waiting.

Then—

A shadow falls across your feet.

A shift in pressure. Not wind, just something. The moment before a storm, before impact, before memory collides with the present and makes a mess of everything.

‘What are you doing here?’ Soft. Not a blade, not a wound. Just a question that lands like an old habit.

You don’t need to look. But you do. Because some habits don’t break.

Yujin stands there, framed by sodium light, hands tucked into the pockets of a hoodie that looks too soft to exist. No cameras. No entourage. Just her.

And god—just her is enough to knock the breath out of your chest.

‘Hiding?’ Soft. Like the question isn’t a question, just something to fill the space between heartbeats.

You don’t look up right away. You know the shape of her. You’ve spent years knowing it. The way she stands, weight slightly to one side. The way her voice lands, gentle, edged with something only you ever got to hear.

But you look anyway. Because it’s her. And some rules of the universe don’t change.

Yujin.

Not the Yujin on billboards, the Yujin on magazine covers, the Yujin who belongs to a nation that adores her.

Just Yujin.

Hair a little messy. Hoodie swallowing her frame. Hands tucked into the sleeves like she’s bracing against a cold that doesn’t exist.

And—god. Her eyes. Still warm. Still familiar. Still Dunsan-dong in their quiet, endless way.

She tilts her head. Smiles. The kind of smile that makes you feel seventeen again, like you just said something stupid and brilliant in the same breath.

‘Hiding?’ she repeats, softer this time.

‘Hiding implies I have something to hide from.’

‘And do you?’

A pause. Then—

‘Maybe.’

A hum. A small shift in weight. Then she sits. Just like that. No asking, no hesitation. Just sits, close enough that her knee brushes yours, like muscle memory, like the past hasn’t completely given up on you yet.

The air smells like street food, like summer. Somewhere, a neon sign hums its last flickers before shutting off for the night.

She bumps her shoulder against yours.

‘Missed you, you know.’

You turn your head. Blink. She’s watching you, like the sentence wasn’t a trap, wasn’t something heavy. Just… true.

You swallow.

‘Yeah?’

She nods, pulling her sleeves over her hands. ‘Yeah.’

The night stretches. Not awkward. Not tight with something unspoken. Just easy. Just… there.

‘How’s life?’ she asks.

‘Oh, you know. Full of bad choices.’

‘Any good ones?’

‘Still deciding.’

She breathes out a laugh, soft.

You glance at her, at the curve of her nose, the way she tucks a strand of hair behind her ear like she’s done since she was a kid.

‘You look…’ she starts, then tilts her head.

‘What?’

‘The same.’

You huff a laugh. ‘That’s a lie.’

‘No.’ She nudges your knee again. ‘You’re just… still you.’

And it’s so simple, the way she says it. So casual, like she hasn’t just pulled the breath from your lungs.

You don’t answer. Not yet.

She leans in slightly.

‘Still drink too much coffee?’

‘Still sleep through earthquakes?’

Her grin widens. ‘Still remember that?’

‘Some things don’t change.’

‘Some do.’

A small shift. A glance. A fraction closer.

And the city moves around you, oblivious.

But you?

You stay still.

You stay here.

Yujin sighs, long and soft, tilting her head back, watching the streetlight cast flickering halos through the humidity.

‘Seoul’s different at night,’ she murmurs. ‘Seoul’s different all the time.’

She hums, half in agreement, half just because she likes the sound. You forgot about that—the way she used to make tiny noises when she was thinking, little musical notes that filled in the gaps between words.

‘Feels slower now,’ she says. ‘That’s just you.’ She turns to you, eyes warm. ‘Yeah?’ You nod. ‘Everything moves too fast for you these days. You forgot what slow feels like.’ A small smile. ‘Remind me?’ Something tightens in your chest. She doesn’t mean it like that. Doesn’t mean it like anything more than what it is—a quiet moment, a quiet ask. But still. You shift, leaning back against the bench, stretching your arms across the top like you own the night. Like it doesn’t own you. ‘Alright,’ you say. ‘Lesson one: sitting still.’ She huffs a laugh but follows your lead, sinking deeper into the wood, legs stretching out. Her foot knocks against yours. ‘Like this?’ ‘Yeah.’ A beat. ‘And then what?’ ‘Nothing.’ She raises a brow. ‘That’s it?’ ‘That’s it.’ She exhales, slow and thoughtful. ‘You always made things feel easy,’ she says, voice quiet, like she’s afraid of disrupting the moment. You glance at her, and she’s not looking at you—just at the night, at the city, at something only she can see. ‘Not sure that’s true,’ you admit. ‘No, it is.’ She pulls her sleeves over her hands again, eyes flicking toward you. ‘You made me feel easy. Like… breathing.’ Something inside you curls at the edges. ‘Yujin—’ ‘It’s okay.’ She shakes her head, soft, smiling like she’s telling you not to carry it too heavily. ‘I’m just remembering.’ The city hums around you both. A distant motorbike rumbles past. Somewhere, an old radio plays a song you half recognize. You look at her again. Hair slightly mussed. Eyes bright, soft, familiar. Like she was never gone at all. She shifts, tucking one leg under the other, hands still hidden in her sleeves.

‘You ever think about calling?’ Her voice is light. Not demanding. Not accusing. Just... wondering. You let out a slow breath. ‘You ever think about picking up?’ A small laugh, exhale-soft. ‘Yeah.’ You glance at her, and she’s already looking at you, chin propped against her knee, smile barely-there but real. ‘But I figured you needed time,’ she says. You swallow. ‘Did I?’ Her fingers twitch against the fabric of her hoodie. ‘I don’t know. Maybe I just told myself that so I wouldn’t call.’ The honesty knocks something loose in your chest. You don’t say anything for a moment. The city moves around you both, neon humming against the wet pavement, the smell of night air thick with too many things. Then, quietly— ‘Three years is a long time, Yujin.’ ‘I know.’

She shifts, slow, careful, like she’s turning over a fragile thought in her hands. ‘But I never wanted it to be forever.’ Your throat tightens. You want to ask her then why did you leave like it was? But you don’t. Because you already know the answer. Because she was always meant for something bigger. Because she was scared, because you were scared, because maybe—just maybe—back then, love wasn’t enough to hold everything steady.

Instead, you say, ‘You look good, you know.’ Her lips curve, soft. ‘You do too.’ You scoff, tipping your head back against the bench. ‘Liar.’ ‘I never lied to you.’ That shuts you up. For a moment, you let it sink in. The weight of her voice, the way she says it like it’s a fact, like it’s something you should’ve never doubted. Then, softer— ‘You really never called?’ she asks. ‘I really never called.’ She doesn’t look away. ‘Why?’ You inhale. Let the air sit heavy in your lungs. ‘Because I thought you’d be better off without me.’ The words land, quiet and unpolished. Yujin blinks. Then— ‘You idiot.’ And then she’s moving, shifting closer, her fingers finding your sleeve, gripping just slightly, just enough for you to feel her there, to feel her warmth against the fabric. ‘Do you know how many times I almost showed up at your door?’ she says, voice soft but steady. ‘How many times I wanted to tell you that I was still here? That I—’ She stops. Exhales. Looks away, looks back. ‘That I missed you?’ You swallow. She’s close now. Not quite touching, but nearly. The air between you charged, something slow, something waiting. Your heart does something complicated in your chest. ‘You missed me?’ you murmur. Yujin smiles, small, fond. ‘Of course, you idiot.’ The city hums. The night exhales. And you— You don’t move away. Yujin stays close. Close enough for you to count her breaths, to feel the warmth of her body radiating through the space between you. You should say something. You should do something. Instead, you just sit there. And Yujin—Yujin lets you.

Her fingers stay curled into your sleeve, loose but certain. Like she’s testing gravity, checking to see if you’ll stay, if you’ll shift, if you’ll remind her that you’re real. She tilts her head, watching you the way she used to—like she’s memorizing you, like she’s trying to fit you back into the version of her life where you were always supposed to be. And maybe she is. Maybe she’s wondering how you look the same but feel different. Maybe she’s cataloging the way your shoulders have set a little heavier, the way your mouth curves in thought before you speak. Or maybe she’s just looking. Like she never stopped. ‘So,’ she says, voice light, careful. ‘What now?’ A question too big for this moment. A question you can’t answer, not yet. So you do what you always do. You deflect. You lean back, arms stretching across the top of the bench, looking at her out of the corner of your eye. ‘Shouldn’t I be asking you that?’ She lifts a brow. ‘You were always the planner.’ She snorts. ‘Hardly.’ ‘Oh? I seem to remember someone who had color-coded schedules for summer break.’ ‘That was one summer.’

‘Still counts.’ She exhales a laugh, tipping her head back against the bench, looking up at the sky. ‘Okay, fine. Maybe I was a little obsessed with plans.’ ‘A little?’

She shoots you a look, but it’s all warmth. All familiarity. ‘You liked it,’ she says. ‘It was efficient. It was cute.’

You hesitate. Just slightly. But she catches it. Of course she does. Her smile softens.

‘You can say it, you know.’ You tilt your head, pretending to be confused. ‘Say what?’ ‘That you missed me too.’

Something about the way she says it makes your stomach pull tight. Not teasing. Not fishing. Just true. You turn back to the street, watching the way the neon catches in the puddles, turning them into something like galaxies.

‘You already know.’ Yujin hums. ‘I want to hear it anyway.’ You exhale.

Three years of distance. Three years of silence. Three years of trying to unwrite the part of your life where she belonged.

‘Yeah,’ you say, voice quiet. ‘I missed you.’

Yujin doesn’t say anything right away. Then—

Her hand slides fully into your sleeve, warm against your wrist. A small thing. A quiet thing. But it’s enough.

‘Good,’ she murmurs.

You sit there like that for a while. Neither of you moving. Neither of you pulling away. And for the first time in years—

The silence between you doesn’t feel like an ending. It feels like a beginning.

Her hand stays there. Not gripping. Not holding. Just resting, warm against your wrist, like it belongs there. Like it never left.

You let out a slow breath. Three years. Three whole years. And somehow, this—her, the quiet press of her skin against yours, the way she’s just here—feels so natural it makes your ribs ache.

‘What are we doing, Yujin?’

Soft. Not accusing. Just—just needing to know if she feels it too, if this night is supposed to mean what you think it does.

She tilts her head, slow. Her hair slips over her shoulder, catching the streetlight in its strands. ‘Talking?’

A small, careful smile.

You huff. ‘Is that what this is?’

She hums, shifts a little closer, foot knocking against yours. ‘I don’t know. Feels nice, though.’

Nice. Nice, like it isn’t everything. Nice, like you aren’t suddenly breathing her in again, like your body hasn’t been on high alert since the moment she walked into your orbit tonight.

You roll your wrist slightly, just enough so that your fingers brush hers. She doesn’t pull away.

The city hums. The night exhales. And then—

‘Do you want to go for a walk?’ she asks.

It’s an easy question. A simple one. But something about it knots itself into your chest, makes your throat tight. Because that’s always how it was with her. Yujin never asked for big things. Just small ones, one after another, adding up to something impossible to resist.

Do you want to get ice cream? Do you want to climb onto the roof? Do you want to watch the rain with me? Do you want to stay?

And you had always said yes.

You glance at her now, at the way she’s watching you, hopeful but not pushing, patient in the way only she could ever be. A walk. A moment. A step toward something you don’t quite know how to name.

You exhale, slow. Then you stand.

‘Lead the way.’

Her smile—god. Her smile.

She slips her hand fully into yours, easy, thoughtless, like muscle memory. Like no time has passed at all.

And you— You let her.

The street hums around you, the last traces of night shifting toward something softer. The vendors have mostly packed up, but the scent of grilled meat and frying oil still lingers, floating warm through the thick summer air.

Yujin’s hand stays in yours. Not tight. Not hesitant. Just there. Like it was always meant to be.

You walk without direction. Just moving, side by side, the way you used to. Her footsteps match yours easily, a quiet sync neither of you planned.

‘Where are we going?’ you ask, voice low.

‘Nowhere,’ she says.

It makes you smile.

A few years ago, that answer would have annoyed her. Yujin, the girl with color-coded schedules, with plans so detailed they might as well have been carved into stone. But now she just says it like it’s enough. Like it’s the whole point.

She swings your hands slightly, absentminded. ‘You always walked like this,’ she murmurs.

‘Like what?’

She shrugs. ‘Like the city doesn’t own you.’

You breathe in, slow. The neon of old convenience stores, the occasional flickering of a streetlamp. ‘I guess I never let it.’

She hums. ‘I did.’

You glance at her. ‘Yujin—’

‘It’s okay,’ she cuts in, smiling. ‘I wanted to. I just—’ She exhales, presses her lips together for a moment, then shakes her head. ‘I forgot how good it feels to walk like this. Without thinking.’

You squeeze her hand just slightly.

She notices. Her thumb brushes the edge of your palm. Not an accident. Not a mistake.

The city stretches ahead of you, quiet. ‘You ever think about coming back?’ you ask.

She doesn’t answer right away. Her fingers tighten around yours, just a little.

‘I used to dream about it,’ she says, voice softer now. ‘I’d wake up thinking I was still in Dunsan-dong. That I’d step outside and find you waiting, like always.’

Your throat goes tight. She turns her head, studies your face in the flickering light.

‘But I was scared,’ she says, gentle. ‘What if you were different? What if I was?’

You don’t look away. ‘And now?’

A breath. A small, small smile. ‘I think I was scared of the wrong thing.’

Your heart stumbles.

She slows, pulling you toward the edge of the sidewalk, toward a tiny park that barely qualifies as a park—a patch of grass, a few trees. The kind of place nobody notices. She stops. Turns to face you.

You should say something. You should say everything.

But she beats you to it.

‘You were always the best part of my life,’ she says, voice steady, firm, like she’s decided something for herself.

Your pulse jumps. ‘Yujin—’

‘I just needed you to know that.’

She’s looking at you like she’s bracing for impact. Like she’s not sure what you’ll do with this thing she’s handing you.

So you take it. Carefully, quietly, the way she deserves.

You lift your hand—the one she’s not holding—and tuck a strand of hair behind her ear. Her breath catches.

‘Yeah?’ you murmur.

She nods.

And then, softer—

‘I think you were always mine.’

You don’t know who moves first. Maybe it doesn’t matter. Because the next thing you know, her hands are on your face, and your mouth is against hers, and the whole city dissolves around you.

She tastes like everything you remember. Like fine tea and something sweeter, something that was always just hers. She presses closer, hands slipping down to your collar, holding you there like you might disappear.

You won’t. Not this time.

When you pull back, she’s breathing fast, forehead resting against yours. You smile.

‘Still walk like the city doesn’t own me?’ you murmur.

She laughs, breathless, and pulls you back in.

Yujin kisses like a memory you never let go of. Like muscle memory, like breathing. Like the space between your ribs was always meant to make room for her.

She pulls back, just enough for her nose to brush yours. Her breath is warm, uneven. Her hands are still curled into the collar of your shirt, holding, gripping, keeping.

You open your eyes. She’s already looking at you.

Not like the girl on the billboards, not like the actress on screen. Just Yujin. Soft, real, right here.

Her lips are pink and kiss-bitten. She blinks slowly, dazed, like she’s trying to piece together what just happened. And then—

Then she laughs.

Not a big laugh. Not loud. Just this tiny, incredulous little sound. Like she can’t believe it. Like she can’t believe you.

‘What?’ you murmur.

She shakes her head, smiling, fingers still resting against your collar. ‘I don’t know.’

‘That’s a first.’

She huffs. ‘Shut up.’

‘Make me.’

A flicker of something in her eyes. Amusement. Mischief. Something else.

She tilts her head, considering. Then, in one slow movement, she leans in—

Not kissing you, not quite. Just close enough that her lips barely graze yours. Close enough that you can feel her smile.

‘Tempting,’ she murmurs.

Your heart stumbles.

But then she pulls away, slipping her fingers from your shirt, stepping back onto the sidewalk, like she’s giving you space to breathe.

You don’t need it. But you let her.

The city hums around you, the distant rumble of a car engine, the occasional flicker of neon against damp pavement.

You watch as Yujin tilts her head toward the sky, stretching her arms out, exhaling like she’s just remembered how.

‘I forgot what this feels like,’ she admits.

‘What?’

‘Not thinking.’ She lets her hands drop to her sides, flexing her fingers. ‘Not planning every second of my life in advance. Just… being.’

You shift, watching her.

‘I don’t think I’ve done that in years,’ she says.

A pause. Then, softly—

‘Stay with me.’

Your heart does something complicated in your chest.

She looks over, a little hesitant now, like she’s not sure how the words sound out loud.

‘I mean—’ she starts, but you shake your head.

‘Okay.’

Her lips part slightly.

Like she expected you to hesitate. Like she thought she’d have to convince you.

You step closer. Just enough that the space between you disappears again.

‘Okay?’ she echoes.

You nod.

Then, quieter—‘Anywhere.’

Yujin’s face softens.

And god, it’s so easy, the way she looks at you. Like you are something known. Like she is something understood.

She lets out a small, breathy laugh, reaching up to brush her thumb against the corner of your mouth.

‘You’re so stupid,’ she murmurs.

‘You love it.’

‘Yeah,’ she says, shaking her head. ‘Yeah, I do.’

She slips her hand back into yours, fingers threading together like it’s the most natural thing in the world. Like she never left. Like you never let her.

And the city stretches ahead, wide open, waiting.

You should take a taxi. That would be the smart thing. A quiet, unremarkable way to disappear from the city before someone notices Korea’s brightest star walking hand-in-hand with someone who isn’t famous, isn’t scripted, isn’t anything but hers.

But Yujin shakes her head.

‘Not yet,’ she says.

So you walk.

She keeps close, hood pulled low, fingers curled into yours. The streets are thinning out, the city exhaling into its quieter hours. The air smells like fried oil and pavement, the ghosts of dinner service still hanging in the air.

She bumps into you once, then twice.

‘Are you always this bad at walking?’ you ask.

She grins, breathless. ‘I think I forgot how to do it with company.’

Company. Company.

You’re not sure if you’re relieved of that; that she was too busy to even meander through lazy lovers.

You squeeze her hand. She squeezes back.

Your place isn’t far, but when you reach it—when Yujin stops at the entrance, tilting her head back to take it all in—something shifts.

‘Huh.’

That’s all she says.

You fight a smirk. ‘Huh?’

She makes a small noise, arms crossed, like she’s trying not to look impressed.

‘You kept acting like you lived in a shoebox.’

You raise a brow. ‘Did I?’

‘Yeah.’ She gestures vaguely to the high-rise, the massive glass windows catching the city lights. ‘I was expecting something small. Modest. Maybe a bachelor pad with an ugly couch and a tragic little coffee table.’

You scoff. ‘What do you take me for?’

‘A very humble man, apparently.’

You shake your head, leading her inside.

The elevator is empty. Too bright. Too quiet.

She rocks on her heels. ‘So, do I get the grand tour?’

‘I don’t know,’ you say, pretending to think. ‘You might not be able to handle it. Very overwhelming.’

She elbows you in the side, laughing. ‘Shut up.’

The doors slide open.

She steps out first, into the hallway, waiting while you fish your keys from your pocket.

She glances over. ‘I still can’t believe you live here.’

‘Why?’

She shrugs. ‘It’s just weird.’

‘Weird how?’

She scrunches her nose, like she doesn’t quite know how to explain it. ‘I don’t know. You just never cared about stuff like this.’

You unlock the door.

She steps inside.

And immediately—

‘Oh my god.’

You roll your eyes, shutting the door behind you. ‘What now?’

She turns in a slow circle, taking everything in. The high ceilings, the floor-to-ceiling windows, the soft lighting that spills across the polished wood.

‘Are you kidding?’ she says, spinning toward you, mouth open in faux outrage. ‘This is beautiful.’

You snort. ‘What, you thought I was sleeping in a broom closet?’

‘Yes.’

‘Wow. Faith in me is strong, I see.’

She grins, moving toward the living room. ‘No, it’s just—’ She shakes her head, fingers brushing over the back of the sleek, perfectly chosen couch. ‘You were always so… comfortable with less. I figured, even if you had money, you’d still live like some struggling artist in a shoebox.’

You scoff, kicking off your shoes. ‘What does that even mean?’

‘Like, I don’t know, sleeping on a mattress on the floor. A single sad chair. Stacks of books everywhere.’

You raise a brow. ‘So your image of me is basically a broke philosophy major?’

She shrugs. ‘It suited you.’

You exhale a laugh.

‘But this,’ she gestures around again, ‘this is… grown-up.’

‘Was I not grown-up before?’

She grins. ‘No.’

‘Wow.’

‘But,’ she continues, stepping toward the floor-to-ceiling windows, where the city spills out in front of her like a living, breathing thing, ‘I like it. It feels like you.’

You pause.

Not expensive. Not fancy. Not over-the-top.

It feels like you.

You scratch the back of your neck, looking away.

‘Yeah?’

She nods. ‘Yeah.’

She turns back to the glass, resting her fingers lightly against the frame. ‘You can see the river from here.’

You step up beside her.

It’s a view you see every day, but somehow, with Yujin here, it looks different.

She breathes in. ‘It’s nice.’

You breathe her in.

‘Yeah,’ you murmur. ‘It is.’

She turns.

And then she kisses you.

Not careful. Not planned.

Just Yujin.

She tilts her head, presses up slightly on her toes, and meets your mouth with something warm, something easy.

It’s not perfect.

She misses, just slightly. Laughs into the kiss. Her hands fumble for your collar but find your wrist instead.

But god—

It’s real.

You breathe her in. Hold her waist. Feel her fingers curl into the fabric of your shirt like she’s trying to pull you closer, closer.

She hums against your lips, smiling.

You grin. ‘You missed.’

She exhales a laugh. ‘Shut up.’

‘Make me.’

She does.

The kisses are clumsy, messy, soft. The kind that happens when two people are trying to remember, trying to relearn each other in real-time.

She tugs at your shirt.

You trip over the edge of the couch.

She gasps.

You land in a heap, tangled together, breathless.

Silence.

Then—

She laughs.

Bright, full, head tipped back against your chest.

You groan, letting your head fall back against the cushions. ‘Unbelievable.’

She grins, shifting so she’s straddling your lap. ‘I don’t know, I think it’s fitting.’

‘Oh?’

‘Yeah.’ She leans in, pressing her forehead against yours. ‘Clumsy love suits us.’

Your breath catches.

Then, softer—

‘Yeah,’ you murmur. ‘It does.’

She cups your face, fingers warm against your jaw.

The city hums outside, unaware.

And you—

You stay here.

With her.

You don’t know who says it first.

Maybe her. Maybe you. Maybe neither of you—maybe it’s just implied, wrapped up in the way she’s still sitting in your lap, fingers absently tracing patterns over your collarbone, skin warm against yours.

But at some point, between the teasing and the breathless little ohs that slip between kisses, it just becomes a fact.

You’re both too warm.

Too sticky from the night air, from walking too long through humid Seoul streets, from the thick summer heat pressing against the glass of your windows.

‘Shower,’ she murmurs.

You’re not sure if it’s a request or a declaration, but either way—

‘Yeah,’ you say.

And then you’re moving.

Yujin laughs when you lift her off the couch, stumbling slightly as you navigate through the apartment. She doesn’t let go, arms slung loosely around your neck, breath warm against your ear.

‘Are you always this dramatic?’ she asks.

‘You love it.’

She hums, not denying it.

The bathroom is bright, too bright, the kind of brightness that makes everything feel a little more real than you’re prepared for. But Yujin doesn’t hesitate—just pulls her hoodie over her head, shakes her hair out, steps closer like she’s done this a thousand times.

Like she’s never left.

You watch as she turns toward the mirror, tilting her head slightly.

‘Haven’t been in a place like this in a while,’ she muses.

‘A bathroom?’

She snorts, shoving you lightly. ‘No, this kind of bathroom.’ She waves a hand vaguely, indicating the open shower, the marble walls, the soft lighting. ‘It’s fancy.’

You roll your eyes, reaching for the faucet. ‘You act like you don’t stay in five-star hotels every week.’

‘That’s different.’

‘How?’

She steps behind you, pressing her chin against your shoulder. ‘This feels like you.’

You don’t know what to say to that.

So you don’t say anything at all.

The water warms between your fingers, steam rising slowly.

Yujin hums, stepping forward, slipping her fingers under the hem of your shirt. ‘Come on.’

You don’t move.

She looks up, amused. ‘What, suddenly shy?’

You scoff, shaking your head, but your pulse jumps when her fingers skate lightly against your stomach.

She grins. ‘Cute.’

‘What is?’

‘Three years apart, and you’re still so you.’

You exhale a laugh, finally pulling your shirt over your head. She does the same, tossing her clothes into a messy pile, and then—

Then it’s just you and her, standing too close, bare skin meeting for the first time in what feels like forever.

Her breath catches.

You hear it. Feel it.

And god—

She’s so beautiful.

All golden skin and soft curves and the kind of warmth that could make the whole city feel like home.

She watches you, expectant, waiting.

You don’t make her wait long.

You reach for her—

And she lets you.

Lets you pull her in, lets you kiss her slow, deep, careful, like you’re memorizing her all over again.

She sighs into your mouth, hands trailing up your arms, curling into your hair.

‘Come on,’ she whispers.

And this time—

You listen.

The water is hot, almost too hot, but neither of you care.

Yujin steps under first, exhaling as the warmth rolls over her skin, tilting her head back so that her hair darkens, slick against her shoulders.

You’re distracted.

Too distracted.

Because—

Because she’s standing there, all bare skin and soft curves and Yujin, looking at you like she already knows exactly what you’re thinking.

‘Are you going to keep staring?’ she teases.

You swallow. ‘Maybe.’

She laughs, stepping forward, reaching for the shampoo.

You should move. Should help. Should do something.

But instead, you just—

Just watch.

The way she hums under her breath, the way she lathers the shampoo into her hair, fingers massaging small circles against her scalp.

You’re so lost in it, in her, that you don’t even realize she’s finished—

Until she suddenly turns, tilts her head, and smiles.

‘Come here.’

You don’t hesitate.

She tugs you forward, fingers threading through your hair, working shampoo into your scalp like it’s something sacred, something worth taking her time with.

And god—

God, you forgot how good this feels.

Forgot what it was like to just be, to just exist under someone’s hands, to let yourself be cared for in a way that doesn’t feel heavy, doesn’t feel like a transaction.

Her fingers move slowly, carefully, her nails scraping lightly against your skin.

You close your eyes.

Breathe.

Let yourself lean into it.

Let yourself lean into her.

And she—

She lets you.

She’s still rinsing when you reach for her.

‘What—’

You shush her, hands skimming up her sides, guiding her under the water’s warmth.

She lets you.

Lets you tilt her chin slightly, lets you press a kiss just below her ear, lets you work your fingers into her hair like she’s something holy.

Her breath catches.

You hear it, feel it, let it sink into your bones.

‘Close your eyes,’ you murmur.

She hesitates—just a fraction of a second—then obeys.

The water slides down her face, over her lips, down the elegant curve of her throat.

You watch, transfixed.

Then you move.

You reach for the shampoo, work it between your hands, and Yujin’s confused—’Again?’—but when your fingers find her scalp—

She melts.

You don’t think you’ve ever seen her this undone.

Head tilted slightly, mouth parted, body soft beneath your touch.

She hums, a small, quiet sound, like she’s just remembered something she’d long forgotten.

You barely breathe.

Just keep going, keep moving, keep tracing slow, deliberate circles, letting your fingers tangle through her hair like it’s something sacred.

Because it is.

Because she is.

Yujin, the girl who never stopped moving, who never let herself stop thinking, who planned every step of her life down to the last decimal—

She’s still now.

Still, and warm, and yours.

You rinse the shampoo carefully, letting the water do the work. Your fingers trail down, down, past her neck, past her shoulders, past the delicate slip of her collarbone.

She sighs.

Leans into you.

Lets herself fall.

And god—

You’ll catch her.

Every time.

You reach for the soap next, work it slowly over her back, over her arms, over every inch of her that you can touch.

She exhales, barely above a whisper.

‘Feels nice.’

You smile.

‘Good.’

You don’t rush.

Not when she’s like this. Not when she’s letting you do this, letting you love her with something as simple as this.

Your hands trail lower, down her spine, over the dip of her waist. She shifts slightly, breath hitching just a little.

You pause.

Press a kiss to her shoulder.

She shivers, but not from the cold.

‘This okay?’ you murmur.

Her fingers curl around your wrist, stopping you.

For a moment, you think she’s going to pull away—

But instead—

She guides your hand lower.

Presses it against the soft warmth of her stomach.

Holds it there.

She exhales, slow and deep. ‘Don’t stop.’ You don’t. God, you don’t. You let your hands move slowly, carefully, exploring her the way you’ve always wanted to—like she’s something to learn, something to understand. And Yujin— Yujin lets you.

She lets you wash away the last three years, lets you trace something new into her skin, lets you relearn every inch of her with soap and steam and careful, careful hands.

She turns in your arms, pressing her forehead against yours. The water slips between you, catching at the spaces where you don’t quite meet. She’s smiling. Soft. Sweet. Yours. You cup her face. She leans into it, eyes fluttering closed. For a long, long moment, neither of you move. You just stay. Right here. Right now. Like this. Like always. Then— She opens her eyes. And she kisses you.

The water trails down her spine in slow, careful rivers, catching in the dips of her back, rolling down the curve of her waist. You follow its path with your fingers, mapping her skin like something sacred, something known.

She doesn’t move. Just lets you touch. Lets you care.

You start with her back, palms gliding down the slope of her shoulders, the delicate stretch of muscle beneath warm, damp skin. Your thumbs press gently into the knots there, kneading, coaxing, working out tension she probably doesn’t even realize she’s holding.

She exhales, long and slow, tipping her head forward. ‘Mmm,’ she murmurs, voice thick with something close to sleep. ‘That feels good.’ You smile. Press your thumbs in a little deeper. Let your hands drift lower, following the curve of her spine, tracing each ridge, each shadow, each memory pressed into muscle. You smooth circles over her lower back, fingers pressing into the dimples there, trailing down— She shivers. Your hands pause. ‘Ticklish?’ you murmur.

She huffs a quiet laugh, shifting her weight from one foot to the other. ‘A little.’ You grin, but you don’t tease. Not now. Not when she’s letting you do this, letting you love her in the simplest, softest way. You reach for the soap, work it between your hands until it foams, and then— Then you really start. You start with her arms, sliding your palms over smooth, damp skin, tracing the delicate lines of muscle beneath. You lift her wrist, turning it over, running your fingers along the pulse point there. Her breath catches. You watch, mesmerized, as water beads along the inside of her forearm, trailing down to the soft bend of her elbow. ‘You’re so careful,’ she murmurs. You hum. ‘You deserve careful.’ Something flickers across her face. Something soft. She lets her fingers curl around yours. You smile. Run your hands over her stomach next, tracing the subtle rise and fall of each breath, the warmth of her, the realness of her. She shifts slightly, the movement pressing her closer, pressing skin to skin, pressing warmth to warmth. You exhale. Let your hands drift lower, over the curve of her waist, the dip of her hip, the length of her thigh. You take your time. Because she lets you. Because she wants you to. You kneel then, water rolling down your shoulders, down your back, pooling against your skin. You press your lips to her hip. She exhales, shaky, fingers threading into your hair. ‘You don’t have to—’ ‘I want to.’ You slide your hands over her legs, smoothing your palms down her thighs, over her calves, down to her ankles. She watches, breathing slow. You work the soap into her skin, rubbing warmth into her, sliding your thumbs up the backs of her knees, over the gentle curve of her calves. She sighs. Soft. Deep. Content. You let your fingers skim up again, over the dip of her waist, the gentle swell of her stomach, up— Up— To her chest. Her breath stutters. You pause. Look up. She’s already looking at you. Eyes dark, lips parted, cheeks flushed from the heat of the water. She lifts her hand, pressing it against yours. Guiding you. ‘Go on,’ she whispers. And you do. God, you do.

You cup her, trace the delicate slope of her, run your thumbs over warm, wet skin, over the soft peaks of her breasts, watching the way she reacts, the way she shivers under your touch.

Her lips part.

Her fingers tighten in your hair.

‘You’re—’ she starts, voice barely a breath, barely a sound. ‘You’re so—’

You stand.

Tilt her chin up.

Kiss her.

Not hungry. Not desperate.

Just deep.

Just certain.

Just her.

And when you pull back, pressing your forehead against hers, she exhales a laugh.

‘This is dangerous,’ she murmurs.

You smile. ‘Yeah?’

‘Yeah.’

She lifts her arms, looping them around your neck, pulling you in, pressing against you, warm and wet and perfect.

And you—

You let her.

The steam rises. The water beads against her skin, gliding down slow, tracing paths over the soft slopes of her body, catching at the delicate points where warmth meets shadow, where light bends just so, where she is golden and bronze and endless.

You follow it.

With your eyes first, then with your hands.

Fingertips grazing along the soft valley of her stomach, skimming over her ribs, pressing gently into the places where she is most tender, most real. You watch the way the droplets gather at her collarbone, suspended for just a moment before slipping down, down, disappearing into the delicate dip between her breasts.

It feels unfair, almost, that something as simple as water gets to touch her like this before you do.

So you take its place.

Your lips find her collarbone first, brushing against the damp skin, warm and reverent. She exhales, tilting her head slightly, letting you have her like this, letting you take your time.

You do.

You always do.

Your mouth trails lower, following the path of the water, tracing its descent. You press a kiss against the gentle swell of her chest, right where her heart beats beneath, steady, certain, alive. You linger there, letting the moment stretch, letting yourself feel it, letting yourself remember what it’s like to love someone in a way that has nothing to do with time or distance or the years lost in between.

She breathes in, slow and deep, her fingers threading through your hair, nails scraping lightly against your scalp. Not pulling. Just holding.

And then you go lower.

The water clings to her, catching at the nipples, glistening like liquid gold against the dark-bronze warmth of her nipples. It drips, slow and deliberate, down the soft curve of her, over the places where she is most tender, most beautiful.

You chase it.

Your lips press to her sternum, then lower, following the water as it rolls over the swell of her breast, catching it before it can disappear.

She makes a sound then, a soft, breathy thing, like something breaking open inside her, like something unfolding, something giving way.

And god—

You love her like this.

Love the way she lets you worship her, the way she lets you press your mouth to her skin like it’s something sacred, like it’s something worth kneeling for.

You take your time.

You kiss along the curve of her, letting your tongue flick against her skin, letting yourself taste the warmth of her, the salt, the sweetness, the Yujin of her.

She trembles. Not much. Just a little. Just enough. You kiss the the peak of her breast—nipple, lips closing around the dark, glistening bronze of her, taking her between your lips like something meant to be savored. And she— She gasps. Soft. Sharp. Her fingers tighten in your hair, her back arching just slightly, just enough to press herself further into your mouth, to offer herself up like this, to let you take her in a way that feels like praise. The water slips between you, forgotten, but you don’t need it anymore. She is all the warmth you will ever need. And you— You are drowning. But you don’t mind. Not one bit.

You don’t know how long you stay like this—your mouth on her, your hands tracing slow worship into her skin, your tongue moving against the dark-bronze pebble of her like you’re tasting something sacred, something forbidden, something you never stopped craving.

She doesn’t rush you.

Just feels.

Just lets herself be felt.

Her fingers tremble against your scalp, gripping just enough to keep you grounded, to keep herself from falling apart entirely. The water sings against the tiles, drowning the rest of the world out, leaving just the sound of her soft gasps, her breath catching, the delicate whimper when your teeth graze over where she is most sensitive.

‘You’re—’ she tries, but the sentence breaks, dissolving into something else entirely.

You hum against her, half-smirking, half-dazed.

‘Say that again?’

She exhales sharply. Then, in a voice softer than the steam curling between you—

‘You’re ruining me.’

You smile against her skin.

‘Good.’

But then she’s moving.

Slow, steady, deliberate—sliding her hands down to your jaw, guiding you up, forcing your mouth away from her skin so she can see you again.

You lift your head, meeting her gaze, and god—

She looks like something devotional.

Like she’s burning and melting and breaking and remaking herself in the same moment.

And then she cups your face.

Runs her fingers down the sharp edge of your jaw, down your throat, down the planes of your chest like she’s trying to learn you all over again.

‘My turn,’ she whispers.

You exhale. ‘Yujin—’

But she’s already pressing her lips to your palm.

A slow, wet kiss against the skin there, warm and reverent.

You tense, watching the way she does it—how her mouth lingers, how her breath spills against your hand like she’s praying into it.

Then another.

And another.

Each kiss deliberate. Each one softer than the last.

Your fingers twitch.

Your heart stutters.

And Yujin—

Yujin just smiles.

Like she knows what she’s doing to you.

Like she knows the effect of her lips, her mouth, the heat of her pressing into you like this.

Then she goes lower.

Tracing fire against your wrist. Down to your forearm.

She’s taking her time.

Like she knows what’s coming. Like she wants you to feel every second of it before she even starts.

Softly, she lowers herself to the shower floor, folding her legs beneath her like someone praying—like someone preparing for something sacred. Water cascades over her, tracing the delicate angles of her face, slipping down her shoulders, clinging to her lashes. She doesn’t blink it away.

She looks up at you instead.

‘Just so you know,’ she murmurs, fingers curling around your thigh, pressing just hard enough to make you feel it, ‘I haven’t had this for three years.’

Your breath catches.

‘You poor thing.’

She hums, tilting her head slightly, eyes flickering with something playful, something edged with heat. ‘If only you called.’

Her grip tightens on your shaft—subtle, knowing, cruel.

Your pulse slams into your ribs.

‘Regretting everything as we speak,’ you manage, voice rough, because god—three years of waking up alone, three years of knowing what her body felt like against yours and still having to live without it, three years of not having this—

Yujin presses her lips to your hip, slow, warm, reverent.

‘Don’t,’ she whispers, breath ghosting over your skin. ‘From now on, let’s not waste a single breath.’

And that was that.

No more lost time. No more distance.

She presses another kiss, right below your navel. Cheating.

Your entire body tenses, twitches, a sharp current running through you.

She notices.

She smiles.

‘This is punishment,’ she murmurs.

Your fingers twitch against the tile. ‘For what?’

She looks up at you, lashes wet and mussed and dripping, lips parted just slightly—ruinous.

‘For almost forgetting me.’

Your jaw tightens. ‘That’s blasphemy.’

‘Is it?’

‘Every waking moment, every—’

Her hand slides along your wet shaft. Tight. Destitution incarnate.

You stumble against the back wall.

She grins, a little smug, a little knowing, a little dangerous.

‘I don’t want excuses,’ she says softly.

And then—

Then she presses another kiss, open-mouthed, slow, dangerous, right where on the tip of your cock—collecting whatever desperation you had bottled up.

You let out a slow, shaky breath.

She hums against you. Then, another kiss.

‘This,’ she says, hands curling against your hips, ‘is mine.’

And god, you believe her.

You always have.

Her mouth forms a tight ring right on your tip. She’s sucking everything out of you. Caring not for a single second how much this ruins you, how your knees intend to buckle.  

The cool wall slides against your back, and her mouth gentles now—less tight, slower, deliberate. Her lips part, wet and swollen, spit-strung as they glide over the flushed head of you. A slick sound escapes her, obscene and tender. You feel every ridge of her tongue, every warm drag, the way her saliva pools and drips down the length of you. She moans softly, and the vibration travels straight to your gut.

‘Easy,’ you rasp, fingers threading into her hair—not to push, but to feel. To guide her rhythm, your thumb brushing the shell of her ear. ‘Just like that…’

She obeys, but not meekly. Her eyes flick up, dark and gleaming through her lashes, her lips a glistening ring around you. The head glistens under the shower’s spray, spit-slick and ruddy, and when she pulls back just to breathe, a thin strand of saliva stretches between her bottom lip and your tip. She watches you watch it snap.

‘Yujin—’

‘Shhh.’ Her breath ghosts over the wetness she’s made, cooling the heat. ‘Let me.’

Her tongue swipes the slit, slow, too slow, and your hips jerk. She laughs—a soft, husky thing—and catches the bead of precum with her thumb. Holds your gaze as she sucks it clean.

‘All those years,’ she murmurs, nuzzling the inside of your thigh. Her voice is a frayed ribbon. ‘You let this ache. Let it go untouched. Why?’

You tighten your grip in her hair, not harsh, but present. ‘You know why.’

She hums, lips pressing to the vein throbbing beneath the skin. ‘Tell me anyway.’

‘Because it was yours.’ The admission tears free, raw. ‘Even when you weren’t.’

Her breath hitches. For a heartbeat, her composure cracks—lips parting, eyes glassy. Then she surges forward, taking you deep, deep, until your tip brushes the back of her throat. Her nose presses into your pelvis, her cheeks hollowed, and the wetness is overwhelming. Spit spills down her chin, drips onto the shower floor. You watch, wrecked, as she works you with a reverence that borders on worship.

‘God—Yujin—’

She pulls off with a gasp, lips swollen and slick. ‘Look at me.’

You do. Her face is flushed, water clinging to her lashes, hair plastered to her neck. Ruin has never looked so soft.

‘Never again,’ she whispers, palm cradling your jaw. ‘You don’t starve yourself. Not of this. Not of me.’

You nod, breathless, and she smiles—a fragile, aching thing—before bending again. Her mouth is softer now, languid, savoring. Every suck, every lick, pours honey into your veins. You let her take you apart, let her rebuild you, until the world narrows to her lips, her hands, the spit-slick sounds of her devotion.

The climax coils, inevitable—a wildfire in your spine, a tremor in your thighs. You feel it there, the precipice, and your hands fly to her shoulders, gripping hard. ‘Yujin—wait—’

She resists at first, brows furrowed, lips sealed tight around you. But you tug her back gently, your cock slipping from her mouth with a wet pop, her lips swollen, glistening. Her confusion flickers only for a heartbeat before you fist your cock, rough and hurried, and the first hot stripe of release paints her cheek.

She gasps, eyes fluttering shut as the next pulse hits her chin, her throat, the tip catching her collarbone. Thick, pearly streaks splatter across her skin—her eyelids, the bridge of her nose, the bow of her top lip. A ragged moan tears from you as you empty yourself onto her, the mess pooling in the hollow of her throat, dripping down her sternum.

For a moment, she’s perfectly still, breath held, face tilted up as if in prayer. Then her tongue darts out, just once, catching the spill on her lip—not to taste, but to feel, to savor the proof. Her eyes open slowly, lashes sticky, gaze molten.

For a second, she just blinks.

One eye.

The other one is… well.

You watch her process it in real time.

Her lips part slightly, her breath still uneven, chest rising and falling as she takes in exactly what’s happened. Your release is everywhere—everywhere—glossing her cheekbones, slipping down the slope of her throat, pooling in the dip of her collarbone like some kind of offering.

She tilts her head. Blinks again.

‘Oh.’

Then she laughs.

A breathy, disbelieving sound, half-amused, half-are-you-kidding-me?

You’re still pressed against the shower wall, still trying to function, your brain short-circuiting between the mess you’ve made of her and the fact that she’s actually—laughing.

‘You—’ she starts, touching her cheek, then stopping, fingers hesitating before they smear through the mess, ‘—you got it in my hair.’

She looks up at you then, eyes bright, glistening—partly from you, partly from water, partly from the sheer absurdity of this situation.

You swallow, still breathless. ‘Uh.’

She blinks. A slow, lazy flutter of lashes.

Then her mouth quirks.

‘You should’ve warned me, you beast.’

You can’t help it—you laugh, too, scrubbing a hand down your face. ‘I tried. You didn’t stop—’

‘I was busy,’ she huffs, wiping at her cheek again. ‘And now I’m busy. Because look at me.’

You are.

You really, really are.

‘I mean—’ you gesture vaguely to her face, her throat, the trail of evidence marking everywhere she’s been—‘I think it’s a good look.’

She glares.

‘No, seriously. We could brand this. “Dewy Glow” or something. Sell it in high-end skincare stores. “Celebrity Secret.”’

She snorts, shoving at your thigh. ‘You absolute menace.’

And then—

‘Oh, wait.’

She freezes.

Her smile vanishes.

Her expression shifts into something far more serious.

‘Oh no.’

You blink. ‘What?’

She doesn’t say anything.

Just slowly, slowly, slowly raises a hand to her right eye.

You know what’s coming before she even speaks.

‘Oh my god, I can’t see.’

You wheeze. Actually wheeze.

She jabs a finger into your thigh. ‘Don’t—don’t laugh. This is serious. This is—I might never recover—’

‘Yujin.’ You’re still dying, but you reach for her anyway, cupping her face with both hands, thumbs swiping over her cheeks, carefully wiping away what you can. ‘Baby, blink—’

‘I am blinking.’ She’s being so dramatic about it, blinking furiously, tilting her face up to the water like it might cleanse her soul. ‘Oh my god. Oh my god.’

‘Okay, okay, come here—’

You guide her fully under the stream, hands in her hair, rubbing circles at her temples as she half-laughs, half-groans against your chest.

‘Three years, and this is how it goes?’

‘I mean,’ you murmur, fingers tracing down her jaw, ‘technically, this is a good thing. This means I really missed you.’

She gasps, smacking your chest. ‘That is not how this works.’

‘No, no, it is. You should be flattered.’

‘I am blinded.’

‘Listen, some people pay a lot of money for facials like this.’

‘Oh my god, shut up—’

She’s laughing now, still rubbing at her eye, still squinting slightly, but you tilt her face up, press your lips to her forehead, her nose, the water-warm curve of her cheek.

‘Here,’ you murmur, ‘let me see.’

She lets you, tilting her chin up, letting you wipe at her lashes, the bridge of her nose, the soft hollow under her eye. Your fingers are gentle, your touch slow, careful, as you rinse the last of it away.

Her hands find your ribs, gripping lightly, grounding herself.

‘I’m keeping score, you know,’ she murmurs, voice softer now.

You kiss her temple. ‘Yeah?’

She hums. ‘You owe me for this.’

You grin, pressing a kiss to her cheek. ‘I owe you?’

‘Mhm.’ Another soft blink, this one slower, more considering. ‘Big time.’

You exhale, pressing your forehead to hers. ‘I’ll make it up to you.’

She pulls back just enough to look at you, eyes warm, searching.

‘Yeah?’

‘Yeah.’

A beat.

Then she grins, pressing a quick, mischievous kiss to your lips.

‘Good.’

And then—

‘Now help me get this out of my hair, you absolute monster.’

You laugh, tilting her back under the water, already reaching for the shampoo.

You barely make it out of the shower before Yujin is already reaching for a towel, scrubbing at her hair like she’s trying to erase all evidence of your existence.

You watch her, arms crossed, towel slung lazily over your shoulder. ‘You know, I could help with that.’

She gives you a look. A very specific you-are-the-reason-I’m-in-this-mess look.

‘You’ve helped enough,’ she mutters, aggressively drying her face.

You grin. ‘Want me to dry your back?’

‘No.’

‘Sure?’

‘I don��t trust you.’

You press a hand to your chest, mock-wounded. ‘I am offended by this blatant accusation.’

‘You are plotting something. I know that face.’

‘I literally only have one face, Yujin.’

‘Yeah. And I know it.’

She sighs, shoving her towel at you. ‘Fine. You want to be useful? Dry my hair. But no funny business.’

‘Define funny business.’

She glares.

You chuckle, grabbing another towel, stepping behind her. She exhales as you gently towel-dry her hair, rubbing slow, deliberate circles into her scalp.

Her head tilts slightly, unconsciously leaning into your touch.

You knew she’d enjoy this.

She hums, closing her eyes. ‘Okay. Maybe you can be trusted.’

‘Told you.’ You press a kiss to the crown of her head. ‘I am a professional.’

‘A professional nuisance.’

‘A professional lover.’

She snorts. ‘Oh my god, shut up.’

You grin, setting the towel aside, reaching for the hairdryer.

She shifts slightly in her seat. ‘Wait—’

‘Hm?’

She peeks up at you, tilting her head back, cheeks warm. ‘...I like it when you do it slow. With your hands.’

You pause.

Look down at her.

Oh.

Oh.

You set the hairdryer aside. ‘You should’ve said so earlier, baby.’

She exhales, smiling, closing her eyes again as your fingers slip into her hair, raking through the damp strands, slow and careful.

This is— This is intimacy in its simplest form. You, standing behind her, fingers combing through her hair, working through knots with gentle patience. Her, sitting still, trusting you, letting herself be taken care of. ‘You’re soft,’ you murmur, pressing another kiss to her temple. ‘Mm.’ Her shoulders relax completely. ‘Just don’t mess up my parting.’ You chuckle. ‘I’ll do my best.’ It takes a while—because you like taking your time with her—but eventually, her hair is dry, loose waves tumbling down her back. She stretches, arms overhead, and that’s when you realize— She’s still wearing your shirt. The one she stole post-shower, hanging off her like it was made for this moment.

You stare. Your thoughts are not wholesome. She catches you looking. Her lips curve. ‘You’re plotting something again,’ she says, amused. ‘Maybe.’ ‘You need to control yourself—’ ‘Nope.’ She laughs, batting you away when you attempt to grab her. ‘No. No, sir,’ she warns, scooting to the bed. ‘You said you’d be good.’ ‘Did I?’ ‘Yes. You did. You explicitly said you’d behave.’ ‘And you believed me?’ She pauses. Then groans, rubbing her face. ‘God, I’m an idiot.’ You grin. And then you pounce.

She yelps, barely managing to roll away before you trap her under you, laughing as she dodges your grabby hands.

‘No,’ she gasps between laughs, ‘we are doing the normal nighttime routine first!’ ‘This is the routine.’ ‘No it is not!’ You chase her across the bed. She giggles, swats at you, then suddenly—miraculously—manages to flip you over, straddling you with a triumphant grin. ‘HAH.’ She plants her hands on your chest. ‘Got you.’ You blink up at her. Pause. Then smirk. ‘Yujin,’ you murmur, voice low. ‘Baby.’ Her smile falters. ‘…What.’

You cup her waist, slowly sliding your hands up, over the fabric of your shirt, over the nothing she’s wearing underneath.

She realizes. Her eyes widen. ‘Wait—’ And then you flip her back over. She gasps. ‘Noooooo—’ You laugh, pinning her down, watching as she squirms, cheeks flushed, eyes bright with warmth and amusement. This. This is the routine. Laughter. Teasing. The way you move around each other like gravity has always existed between you. She exhales, chest rising and falling beneath you, fingers curling around your wrists. Her voice, when she speaks, is softer. ‘You win,’ she murmurs. You press your forehead to hers. ‘I always do.’ She sighs dramatically. ‘Ugh. Fine. Manhandle me, then.’ She’s still beneath you, chest rising and falling, fingers curled loosely around your wrists where you’ve pinned them. Her breath is quick, her pulse erratic, and you know it’s not just because of the weight of you pressing her into the mattress—it’s everything. The warmth between you, the years leading to this, the understanding that what’s about to happen isn’t just want, isn’t just release—it’s reclamation.

She swallows, lips parting slightly, pupils wide and dark in the low light. The dark strands of her hair are fanned across the pillow, tangled from your hands, a mess you’d memorize blindfolded. There’s a flush blooming across her chest, creeping up the column of her throat, a heat that you feel mirrored in yourself.

You watch her, watch the way she shifts slightly beneath you, pressing up just enough to remind you she’s waiting, waiting, waiting. You could draw this out forever. But that’s cruelty. Or maybe, maybe, that’s worship.

You press your lips to the tip of her nose, then her cheek, then down, trailing a path over her jaw, her throat, the faint dip between her collarbones. You can feel the hum of her laughter before she even releases it, a small breath of amusement, her fingers twitching against your hold'

‘You’re teasing,’ she murmurs, voice wrecked already. ‘No,’ you answer, dragging your mouth lower, tasting the salt of her skin. ‘I’m remembering.’

Because you are. You’re remembering the way her body curls into yours when she’s overwhelmed. You’re remembering the tiny, trembling exhales she makes when your hands slide over the slopes of her ribs. You’re remembering that she loves when you take your time, that she loves to be adored, that she wants to feel every inch of you.

And she is so easy to adore.

You shift lower, your hands tracing slow, lazy patterns down her sides, feeling the way her muscles twitch beneath your touch. The shape of her—long lines, soft curves, skin warm and impossibly smooth beneath your lips.

Your name escapes her in a breath, a barely-there sound that settles somewhere behind your ribs, inside your chest, like it belongs there.

You kiss lower. Down, down. Your fingers slip between her thighs, ghosting over her bare glistening pussy, and her breath stutters, a sharp intake that punches straight through your gut. ‘Look at you,’ you murmur, dragging your knuckles up the inside of her goosebump-ridden thigh. ‘Fidgeting.’ She doesn’t answer. Just glares, lashes damp, lips parted, so achingly beautiful you feel winded.

‘Is that frustration?’ you tease, dragging your mouth back up, scraping your teeth over her hip bone. ‘It’s—’ She exhales, trying for control. Fails. ‘It’s you taking too long.’ You hum. ‘I thought you liked it slow.’ ‘I do,’ she grits out. ‘But I also like it when you—’

Her voice catches as your fingers press a little harder into her. A single stroke, just enough to make her body jolt, enough to make her curse under her breath, enough to feel the sticky wetness of her—inside.

Then you do it again. And again. Until her hips are moving against your touch, until her nails bite into your shoulders, until her breath is a series of broken, unsteady exhalations, ‘Yes, yes, oh fuck~’

You kiss her then. Hard. Deep. Drinking in every shiver, every sound, every breathless plea she won’t voice but you understand anyway.

And then— Then, finally— Her thighs part wider, welcoming you; knees hooking around your hips, heels digging into the small of your back. You press your shaft along her golden-soft navel, hard enough to get her whimpering under the heat of your shaft. You drag slowly along her soft—yet firm—navel, coursing the map lower and lower—until the nub responsible for her heat—all swollen and beautiful and pink—meets your tip. She lets out a sudden whimper; She glares, and you press a kiss on her temple once again—sorry baby, sorry. At the end of the map, you feel the slick heat of her cunt against the head of your cock, her entrance fluttering, pulsing, as you grind around the clit in slow, torturous circles. Precum smears her folds, mingling with her arousal, the glide obscenely wet. ‘Fuck,’ she hisses, nails raking down your spine. ‘Stop—stop toying—’ You catch her wrist, pinning it above her head again. ‘No.’ Your other hand grips the base of your cock, guiding it through her slit, the swollen head catching on her clit with every pass. She jerks, a broken moan tearing free, her hips bucking—but you hold firm, denying her friction. ‘You wanted slow. This is slow.’ Her cunt weeps, glistening, her inner lips swollen and flushed. You watch, transfixed, as your cockhead nudges her entrance, spreading her open incrementally. A single inch sinks in, the velvety grip of her walls clenching reflexively, and you groan through gritted teeth. ‘Christ’ She whimpers, her clit throbbing against your shaft as you retreat, dragging your tip through her folds again. ‘Please—’ Her voice cracks, tears spilling down her temples. ‘Just—fuck me—’ You lean down, lips grazing hers. ‘Where?’ She glares, chest heaving. ‘You know—’ ‘Say it.’ ‘Inside—’ ‘Inside what?’ You press forward, another inch sheathed, the stretch burning sweet. ‘Use your words, Yujin.’ Her thighs tremble. ‘My—my cunt.’ ‘Good girl.’ You sink deeper, the thick ridge of your cockhead massaging her front wall, that spongy patch of nerves that makes her sob. Her cervix yields, soft and pliant, as you bottom out, hips flush against hers. Her cunt clenches, a vice of slick muscle, and you swear, forehead dropping to her shoulder. ‘You’re gonna milk me dry—’ ‘Move,’ she demands, her ankles locking behind your back. ‘Move or I’ll—’ ‘You’ll what?’ You pull out almost completely, leaving just the tip seated, her clit rubbing against your shaft. ‘Beg?’ She keens, back arching, breasts pressed to your chest. ‘Yes—yes, god, please—’ You snap your hips forward, sheathing yourself in one brutal thrust. Her scream is muffled by your palm as you clamp it over her mouth, your other hand sliding between you to circle her clit. ‘Quiet,’ you growl, grinding deep. ‘You’ll take it. All of it.’ Her cunt ripples around you, fluttering in erratic pulses, her clit swollen and pebbled beneath your thumb. You fuck her with shallow, punishing rolls of your hips, each stroke dragging your cockhead over that sweet spot, her thighs shaking, her breath coming in ragged, choked gasps. ‘Look at me,’ you snarl, removing your hand from her mouth. She obeys, eyes glassy, lips bitten raw. ‘Whose cunt is this?’ ‘Yours—’ ‘And whose cock?’ ‘Mine—’ You slam into her, hilt-deep, your balls slapping her ass. ‘Louder—’ ‘MINE—’

The word cracks through the room, ragged and raw, and you reward it by slamming into her hilt-deep, your pelvis grinding against her clit as you still inside her. Her cunt clenches, a vice of slick heat, and you hiss through your teeth, your grip bruising on her hips. ‘Again,’ you demand, pulling out until only the swollen head of your cock remains lodged in her entrance. Her inner lips cling to you, reluctant to let go. She whines, back arching off the bed. ‘Yours—your cunt, your everything—’ You thrust back in, slow, savoring the way her walls ripple to accommodate you. ‘And what do you want?’ 'You,’ she gasps, nails carving half-moons into your shoulders. ‘Inside me—claiming me—’ 'How?' You drag your cockhead over that spongy patch of nerves again, deliberate, watching her thighs quake. 'Cum,' she begs, tears streaking her temples. 'Fill me—mark me—' You still, your hand sliding up to grip her throat—not restricting air, just owning. 'Ask nicely.' Her breath hitches. 'Please—please, I need it—need you to paint my insides white, need to feel it—' A dark thrill curls in your gut. You lean down, lips brushing hers. 'Since you asked so sweetly.' You start a brutal, precise rhythm—deep, grinding thrusts that punch the air from her lungs. Each snap of your hips drags her clit against the base of your cock, each retreat leaves her clenching around nothing. Her cunt weeps, arousal slicking your shaft, the obscene slap of skin on skin echoing off the walls. 'Look at me,' you snarl, tightening your grip on her throat. Her eyes fly open, hazy but obedient. 'You take me so well,' you murmur, your free hand sliding between you to circle her throbbing clit. 'This greedy cunt—my greedy cunt—sucking me in like you were made for it.'

She sobs, her walls fluttering. 'Yours—always yours—'

'Prove it.' You pin her wrists above her head with one hand, your other still working her clit. 'Come. Now.'

Her orgasm rips through her violently—back arched, cunt spasming, a scream tearing from her throat as she soaks your cock. You ride it out, fucking her through the pulses, your thrusts turning jagged, erratic.

'Mine,' you growl, feeling your balls tighten. 'Say it—say it—'

'Yours—god, yours—'

You slam into her one last time, hilt-deep, and hold. Your release surges—thick, hot ropes of cum flooding her cervix, painting her walls in stripes of white. She whimpers, oversensitive but greedy, her cunt milking every drop as you grind your hips in slow, possessive circles.

'Take it,' you grit out, watching her stomach quiver with the force of your spend. 'All of it.'

She nods, dazed, her thighs trembling around your waist. You collapse atop her, still buried inside, your lips finding the sweat-damp hollow of her throat.

—

Yujin’s lashes flutter against your chest, and there’s a moment where she seems to wrestle with something—embarrassment, vulnerability—but it dissolves when she feels your fingers tracing gentle circles against her back. She shifts, propping herself up just enough to look at you, her eyes dark and soft and entirely too honest.

‘You know,’ she whispers, voice almost shy, ‘I used to dream about this. You and me, like this. Just… here.’

‘Here?’ You brush a damp strand of hair away from her face, tucking it behind her ear. ‘In bed, sweaty and gross?’

A soft laugh escapes her, warm and tender. ‘Yeah. Exactly this.’ Her fingertips graze your jaw, light as the touch of a memory. ‘I’d think about waking up to you, about how it’d feel to fall asleep in your arms. It’s stupid, I know—’

‘Not stupid,’ you murmur, cutting her off with a kiss—soft, lingering, like you’re trying to pour every unspoken word into it. ‘Never stupid.’

Her gaze softens even further, and she buries her face in the crook of your neck, inhaling your scent like it’s something she needs to breathe. You feel her lips press against your pulse, a delicate kiss that sends warmth flooding through you.

‘I don’t want to let you go,’ she confesses, voice muffled. ‘Not tonight. Not ever.’

‘Then don’t.’ You trail your fingers up and down her spine, feeling the subtle curve of her back beneath your touch. ‘Hold on to me. I’m not going anywhere.’

She shifts, looping her arms around your neck, pressing her body flush against yours. The contact is warm, grounding, and you let yourself sink into it, let yourself feel the weight of her, the steady thrum of her heartbeat against your chest.

‘You’re too good at this,’ she mumbles, the faintest hint of a pout in her voice. ‘Making me feel safe. Like I belong here.’

You tighten your hold on her, pressing a kiss to the crown of her head. ‘You do belong here. With me. Always.’

Her breath shudders, and you feel her fingers clutch at your shoulders, like she’s afraid you might slip away. You press another kiss to her forehead, then her temple, then her cheek, each touch softer than the last.

‘Yujin,’ you whisper, and she looks up at you, eyes wide and glistening. ‘There’s nowhere else I’d rather be.’

She smiles—a real, unguarded smile—and you feel the weight of it settle in your chest. She lifts herself up just enough to press a kiss to your lips, lingering, tender, unhurried. It’s a kiss that feels like a promise, like something that doesn’t need words to be understood.

When she pulls back, her face is flushed, her expression open and raw. ‘I love you,’ she says softly, the words so simple, so devastatingly sincere.

You cup her face, thumb brushing over her cheek. ‘I love you too. More than you’ll ever know.’

She settles against you, fitting herself into the curve of your body, her head resting against your chest. You stroke her hair, feeling the tension melt from her frame as she presses one last kiss to your heart.

The room is warm and heavy with the scent of you both, with the quiet weight of something real and unbreakable. You feel her breathing slow, her body growing heavy with sleep, and you let your own eyes drift shut, content to let the world narrow to the steady rise and fall of her breath.

And then—nothing. Just the two of you tangled together, warmth and closeness and the certainty that this, right here, is home.

—

a/n: Experimenting yet again. Hopefully the last sex scene wasn't too mortifying. But I really enjoyed writing this—Yujin's personality meshes really well with with the dialogue I was aiming to do (hopefully I succeeded). This was a half-finished draft that I managed to finish (through merging other drafts, other idols, et cetera et cetera), and now I don't have a single draft remaining; sooo... I don't know how this fares for the next fic (hopefully not too long..... haha..heh..he).

a/n 2: Much love for all the support: they never go unnoticed!!! <3333333

[timmydraker]

Tim who has never been good at understanding the words of Shakespeare and Dickens.

He can understand metaphors and knows about philosophy, but he’s always struggle to truely grasp the tragedy and helplessness so may of them hold. The idea of someone being doomed from the start, by the author and the narrative or maybe just the world they were set in, just doesn’t really make sense to him.

Part of him knows it’s because he was born with a vintage silver spoon placed delicately in his hands, but there’s more to it than that.

See, most of the bad things that have happened to Tim have either been consequences of his own action or the fact that his friends and colleagues all have the same dangerous job.

To him it just makes sense that bad things will happen and so he can just… prepare for it. He can do what he can to fix it or move onto something else and push away his own feelings because what else is he supposed to do?

So, no, things like Hamlet and Dorian don’t really click for him

At least… until he thinks about Jason.

Born in poverty with a world surrounding him that would not bother to care or offer help to him purely because of how he looks of his parents.

A mother who loves him endlessly, only to fall into the drugs she tried to protect him from.

Finding out that mother didn’t even give birth to him, but the father that never showed anything other than distain and cruelty was still his own.

Being given Robin, hated by the first one for a time, only to die in the suit by the hands of a mad man all because his real mother sold him out.

Waking up in a coffin, digging himself out and roaming around catatonic and the only thoughts he can actually process is that he must be a ghost.

Being taken by a league of killers, lied to and trick and tormented into thing a perfect weapon.

Realise his mentor, who he once thought the father he deserved to have, has failed him and let his killer free because of something as fickle as a moral compass.

Seeing that mentor seemingly replace him with a perfect rich kid who doesn’t swear or complain or sneak off without permission from what he can tell.

Having no real friends in that time.

Having no one to trust because everyone had an ulterior motive. Everyone uses him.

And through out it all, even with all the hate and the bitterness and injustice he had been faced with, his first course of action is to make the home he first had and the only one he will ever have… safer.

To protect the kids like him from becoming statistics and killers, from the pain he felt and the false promises of the Batman.

Jason keeps honesty and integrity, even when no one else offers it to him in return.

Tim can’t understand Macbeth or Antigone or Othello, can’t see why someone would write something so morbid just to try and entertain.

But he can understand, or at least try to understand, Jason Todd.

Because that is someone who had actually been hurt for no reason. Someone who had been tormented by the universe, by fates and coincidence, with no real lesson being taught other than the world hates him.

Sure Jason has Roy and Biz and Artemis and Kori, but what about a brother?

Dick tried, he still does, but he fails Jason over and over by trying to make him ‘better’.

Damian doesn’t really care too much, not out of malice but there’s just not much of a connection between them.

Cass tries, but Jason is always awkward around her and that’s not his fault, you can’t hide a thing from her.

Duke liked Jason a lot, but again, the newest Bat is trying hard to find his place in the world of vigilantes and can’t quite find it in himself to be too close to Jason’s violence.

But Tim…

He’s morals have always been held together by the simple fact of ‘it’s not really that approved of’ and not much else. He won’t kill, but unlike the others he is happy to leave a Rouge in a sinking ship and not feel a hint of guilt.

He adores Jason’s Robin, he knows to some extent how much he lost with that, and now he knows that Jason might not need much more than a few good things.

Small things, nothing that will trick him into thinking the world is apologising because it won’t, but enough to show him that Tim thinks he’s still worth something.

Tim won’t try convince him to become a better person or to stop killing, he might ask him to be a bit more rational and probably won’t be able to stop himself from giving tips on how to run his business, but he wouldn’t ask for his violent brother to change.

Because unlike everyone else, Tim knows that violence exist for good reason.

If it keeps his Jason alive, Tim will gladly hold onto his blood soaked hand.

[yandereunsolved]

"Don't Stop Me Now" — Five situations where yandere Five loses it

cw(s): yandere themes, non-descriptive self harm, mention of suicide and domestic violence

1 — someone ✗ something is trying to harm you

Pretty straightforward. 

This is the numero uno that comes along with every yandere.  

Five grew up with an abusive, emotionally absent father figure. He was pushed to be the best, the most successful of his siblings, just for an ounce of affection. He was isolated for so many years with nothing more than a department store doll. He has had to put away whatever loose morals he had to slave away in The Comission.

Then you come along and brighten up his life. No, you do more than that. You perfect it. 

Then someone comes and tries to strip that away from him?

It's safe to say you've only seen that crazed look in his eyes when you're in danger. He doesn't care about whatever mission, the greater good, or whatever the fuck when you may end up being killed. He's swift and merciless, just as he was taught. 

After he makes sure you are okay, he'll hold you to his chest for what feels like forever. He just needs to become secure again in the fact you are alive. You are here with him right now. It helps ground him so he doesn't end up going about on a killing spree. 

Yes. That has happened one too many times. 

Klaus now knows not to joke about random people flirting with you. Their spirits won't stop harassing him. In his defense, how was he supposed to know Five would just go out and slowly torture them before letting them waste away into death? Klaus didn't think Five was that unhinged. He knows better now.

2 — you harm yourself (in any way)

He keeps an observant eye on you, so it would be a miracle if you managed to accomplish anything along those lines. 

Two words. no. more. 

He has the internal breakdown. He's just standing there and staring at you. There are tears in his eyes. He wants to yell, to freak out, but his voice cracks far too much when he tries to reprimand you. 

No. Just no. 

That's the only word that encapsulates how he feels. 

He is not going to allow you to hold any sharp objects. He makes sure you have no contact with Diego. Five is paranoid and suspects that Diego had something to do with this. Somehow. 

You are more strictly monitored. 

He has an entire list of mental and physical health questions he asks you each morning. If you tell him to leave you alone or that you are tired, there's about a seventy percent chance that he'll go off. It would definitely be in a Five way. 

He'd be teleporting around you and sputtering out statistics and caring yet demeaning words. 

3 — keeping him out of the loop

Five is meticulous. 

When you keep him out of the loop—which could mean not saying good morning to him or hiding a romantic relationship—he feels so powerless again. He needs to know what is going on with you so he can protect you if need be. 

Don't even try to argue with him. 

He's older than you, so he knows best. 

He has so much more experience at anything and everything. He can solve all of your problems if you just let him in. 

Does that mean he will do the same in return? No. 

There's no reason for you to know what he is doing at any point of the day. You don't need to worry your pretty little head about it. Aka, he's doing things that are morally gray at best and human rights violations at... that's still one of the better cases. 

Just tell him. Or he'll force it out of you.

4 — things being out of his control

This ties in with every other scenario. 

He needs to be in control.

Everything has to be perfect. 

If one thing goes wrong, then you may slip through his fingers. 

That isn't allowed to happen. It can't. 

It eats away at him at night to think something could happen that he can't control. 

The apocalypse happened, and he had to spend decades just accepting that fact. Until there was a chance he could change it. 

Now he has to. He has to change, sort, and neatly put away everything. No speck of dust is out of place. If it is, then he'll end up pushing himself into fixing it, to the point of exhaustion or death—whichever comes first.

5 — escaping successfully

The only time there is a plausible chance he will resort to physical violence. 

Why, why, why, why, why, why!?

How could he be so idiotic? How did you do it? Who helped you? 

Whoever helped you is going to die if they haven't already killed themselves because they know Five is going to be coming after them. 

He will act nonchalant, like he is in control, when he finally finds you once again. He'll tease, poke, and prod at your fear, like a ringmaster taming their lion. A part of this act is the truth. He has you back, and now everything can go back to how it was. The other part of him is still devastated and wants to curl up in your lap and just be safe there.

Yandere Five: fragile—handle with care.  

✗ @clarioscharm

[felassan]

Dragon Age: The Veilguard info compilation Post 4

[Part 1] [Part 2] [Part 3] [another post]

Post is under a cut due to length.

There is a lot of information coming out right now about DA:TV from many different sources. This post is just an effort to compile as much as I can in one place, in case that helps anyone. Sources for where the information came from have been included. Where I am linking to a social media user’s post, the person is either a dev, a Dragon Age community council member or other person who has had a sneak peek at and played the game. nb, this post is more of a ‘info that came out in snippets from articles and social media posts’ collection rather than a ‘regurgitating the information on the official website or writing out what happened in the trailer/gameplay reveal’ post. The post is broken down into headings on various topics. A few points are repeated under multiple headings where relevant. Where I am speculating without a source, I have clearly demarcated this. if you notice any mistakes in this post, please tell me.

Character Creation

BioWare confirmed that even if you make your Rook a short king, the team has done work to ensure animations fit any character build [source]

"Dragon Age's character creator has seen a massive glow-up" [source]. "The volume of choices you get here are frankly insane. As Epler noted, “you could spend forever here,” and he’s not kidding." [source] The art and graphics teams spent a lot of time trying to make hair look amazing [source: the Discord]

In CC we can customise our "bulge size" [source]

Some more detail on the new lighting options to see how Rook looks like in CC when you make them: you can view them in "blazing forest sunshine versus the glare of an underground temple" [source]

"newly mobile, extra-hairy hair" [source]

Faction choice has statistical boons. For example, Shadow Dragon Rook deals extra damage to Venatori blood cultists [source]

Faction choice basically determines why Rook has been called to help in the fight against Solas [source]

All pre-determined character models in CC can be adjusted [source]

You can make a really tall dwarf if you want [source]

"Setting your previous world state is fully integrated into the character creator for Veilguard" [source: the Discord]

Inquisitor appearance will be re-created, there is no way to carry their appearance from DA:I into the game [source: the Discord]

Classes for Rook are not restricted in the sense that you can play any almost class, lineage and faction combination that you want. For example, a mage Rook can be a Crow [source: the Discord] (Fel note: it sounded like Rook cannot be a magic-wielding dwarf, even though the exception of Harding now exists) (Fel note: there is a mage Crow in one of the books)

Story and lore

Here is another article which refers to Rook as "the Rook" [source]

The story is set "9-10 years from DA:I and about 8 years from Trespasser" [source: the Discord]

They have been tracking Solas for "a while. Something else you’re gonna learn about…" [source]

The game does not use the Keep [source]

Shadow Dragon is the faction background with the most in-game reactivity (e.g. from other characters' dialogue) during the prologue section of the game, due to the fact that the prologue is in Minrathous and the Shadow Dragons are a Tevinter-based faction [source]

"I also saw a big moment after the gameplay trailer ends that I can't talk about" [source]

During the more narrative-heavy dialogue choices, "the game will also give a bit of context on what you're about to choose, but doesn't go as far as explaining the exact consequences or precisely what will happen thereafter" [source] "the game shows you how you’ll go about the choice, but it doesn’t tell you the consequence of that choice". [source]

"The game is bringing back Dragon Age 2s dialogue system, which was tone-based and resulted in its protagonist Hawke falling into one of three different personality states. You have three general tones in a conversation: kind, humorous, or aggressive, with slight variations depending on the situation" [source]

"Venatori blood cultists" [source]

"The whole game has the makings of another Suicide Mission [ME2], given that you are up against a god with the ability to collapse dimensions" [source]

"Choices and consequences". "Now, it seems you can see the effects of your choices like never before, and this time, they marry that choice with incredible visuals" [source]

In the bar when you're trying to get information in the opening, if you choose to fight it out and the barbrawl ensues, you then have to run from the pursuers in the bar [source]

A key concern of the developers when creating the environments was to make “a world worth saving" [source]

The prologue is quite linear but there are additional paths you can follow to find additional loot [source]

In the opening section of the game there is a dock which has been attacked and the soldiers that were there have been killed, "but rather than seeing this passively, we walked through the aftermath and had to interact with the scene to piece it all together" [source]

The tone of the gameplay video is a good indicator of the tone of the rest of the game [source]. On the tone: "dark fantasy" [source]. horror & gore is back along with DA's classic dark elements [source]

Tevinter Nights is a better tone indicator for the game than the original reveal/character trailer. Ghil Dirthalen: "Tevinter Nights has felt the most 'DAV' to me" [source]. The gameplay reveal video is the best indicator for the tone of the game (vs the character one) [source]. there is still messy dark shit in the game [source]

Tonally the game is closest to Tevinter Nights and DA:O [source]

Ghil Dirthalen: "[as] one of those unfortunate souls who has latched onto a media world so hard: This game is for me. For the hardcore DA lore nerds, I've been secretly screaming about things I saw for MONTHS now" [source]

The game is true to the DA stories we know and love [source]

Characters, companions, romance

You can choose to engage in companions' own storylines as you progress or ignore them entirely [source]

You will often have to make dialogue choices that will affect how your various companions treat you [source]

Neve is quick-witted [source], measured and elegant [source]

In the opening, you interact with the companions as you move through Minrathous. "your choices during these interactions will determine who goes on portions of the mission with you, along with how “pleased” they are with the answers." [source]

On Varric and Harding: "Instantly the two felt like they’d never been away and avoided the trap of being parodies or fanfiction versions of themselves" [source]

Solas' eyes were always purple hh [source] (yes!)

Gameplay, presentation, performance etc

Some enemies have additional shields that are weak to ranged attacks [source]

When asked about if the war table from DA:I returned, John Epler said "There is a table. Now, whether it works the same way as the table in the previous game..." [source]

Once you get passed a certain point in the game, it opens up dramatically, however it is not an openworld game and they wanted to make sure that all the content mattered and was a more structured, sculpted experience for the player. There is some exploration, some opportunities to get off the beaten path, and some spaces that are fairly wide [source]

The button to press to bring up the skill wheel is RB or R1 (depending on what controller you're using) [source]

"You'll also have access to two skills or spells for each of your two companions that you can command. For a more seamless, uninterrupted combat experience, you can also assign these skills to shortcuts (such as holding the left trigger and hitting the X button) to quickly use them" [source]

"The game is bringing back Dragon Age 2s dialogue system, which was tone-based and resulted in its protagonist Hawke falling into one of three different personality states. You have three general tones in a conversation: kind, humorous, or aggressive, with slight variations depending on the situation" [source]

"booting Fade demons into pits" [source]

"BioWare have revised Dragon Age's art direction to make character models a little more consistent with the series' lovely Tarot-inspired menu art. Flesh is ruddy to the point of painterly; facial features and bodily proportions are thicker and more striking, as though the characters had been cut from clay" [source]

The 3 specs for Warrior are Reaper (has lifesteal/stealing health from enemies, and other freaky powers, does big damage), Slayer (can wield the biggest blade, big swords, big damage) or Champion, which is tanky, shield-using and Paladin like [source] [source]

There are quick-recover prompts [source]

You can roll through puddles of incoming AOE [source]

There are ziplines between some levels levels [source] (Fel note: just like in As We Fly... )

There are also slidey hills to slide down between some sections [source]

There are still some Hinterland-type areas designed for exploration [source]

We can do some home base management to our home base [source] (Fel note: this refers to The Lighthouse, detail in a previous post)

Camera placement is quite zoomed out [source]

Where Rogues have 'momentum', Warriors have 'rage' and Mages 'mana'. When a warrior spends rage in the ability wheel it triggers more powerful attacks. this has been referred to as a build-and-spend mechanic. this system resource gates your use of more powerful skills and is built by getting stuck in [source]. Momentum for Rogues is built by landing hits without taking any [source]

There are big glowing environmental cues for picking up loot or replenishing health potions [source]

"Epler noted that The Veilguard will not be an open-world experience like Inquisition, and instead will have large spaces to explore with quests littered throughout. This allayed my early concerns that they would course correct too hard from the oft-maligned open areas of Inquisition" [source]

Melee and ranged attacks can be charged up [source]

It sounds like there is an option to have greater guidance on when enemies are attacking [source]

The community council gave a lot of notes on the game's art direction to BioWare (gave feedback to the devs) that they were told and shown were changed from the first reveal/character trailer, these made it into the gameplay trailer [source]

The community council asked about having an arachnophobia mode, though they can't guarantee this was implemented [source]

"You’re encouraged to explore and grind for stronger weapons and gear, so your stats and cosmetics improve the further you get into the game" (in the sense that you’ll be rewarded for hard work) [source, two]

Follower information such as cooldowns and health will be visible on the HUD [source: the Discord]

There is a "quick cast" option if you prefer not to use the wheel, should be a chorded action using a controller [source: the Discord]

On PC you can play with keyboard and mouse or controller [source: the Discord]

An accessibility option is the ability to make auto-targeting stronger or weaker depending on your preference [source: the Discord]

The game will have DLSS support at launch [source: the Discord]

Re: hard drives, the game can be played using an HDD, they would recommend an SSD though for the optimal experience [source: the Discord]

There are lots of different interface options you can play with, e.g. combat text size, opacity, when to display health bars [source: the Discord]

Other

The leak from last year or whenever it was (the one that leaked screenshots and a gif from the game) was mainly a lot of outdated stuff and didn't really represent even the early version some community council members had played [source, two]. It was not leaked by a member of the community council, but by a member of another focus group [source]

The community council were given the chance to play the game twice, once in Fall 2022 and a year later in 2023 [source]

There is no information as yet regarding when pre-orders will be open [source: the Discord]

BioWare are hoping to at the very least have the very "best of" the Discord dev Q&A featured on social media and potentially in a blog [source: the Discord]

[☕ found this post or blog interesting or useful? my ko-fi is here if you feel inclined. thank you 🙏]

[teaboot]

I'm surprised/impressed? by how blase you are about people threatening you at work. A neighbor threatened me last week and it was so scary and I wish I could have had the same kinda response you seem to.

First off, I hope you're safe and okay, that's an awful experience to be familiar with and especially bad that they live so close to you D:

Second, I'm certainly no maverick out here- I've only been doing this a few years now- but I've found that about 99% of threats I receive have very little intent to follow through.

The type of threats I usually receive are typically from:

Someone who's had bad experiences with security or police, in the past. People with hand and face tattoos, homeless folks, people with mannerisms that get them labeled as "sketchy", POC, and people who've been incarcerated all have valid reason to believe I'm out to get them, and may get treated badly elsewhere often enough that they're expecting that. Every time I approach someone, I have to take this into account and do everything I can to signal that they haven't been profiled based on preexisting stereotypes.

Someone experiencing the symptoms of a mental health condition. People with mental illnesses are statistically victims of crime more often than they are perpetrators. That said, I have run into people before whose mental illness can present as aggression- if someone behaving erratically or is known for that sort of thing tells me they're gonna blow my brains out, but I can clearly see they're unarmed, not coming towards me, haven't hurt anyone, and show no intent of escalating, I'm probably not in danger. A few people I've met will see me again in a day or two and will have no problems with me at all.

Someone who is scared, frustrated, anxious, or grieving. Not to excuse violence in any context, but in my experience 99% of people who blow up at me aren't actually thinking about me. Anger isn't so much an emotion in a lot of ways as it is the reaction to another emotion- if someone tells me they're gonna kick my ass, I have to question if there's anything they may be frightened, frustrated, or sad about something else entirely. If I can address and resolve what's causing the anxiety, the anger usually goes away next. If I can't deescalate, my next job is to disengage and make sure myself and others aren't at risk of harm.

People who want something from me. This does not happen often. Maybe they want me to back off, or leave them alone, or let them take something, whatever- maybe they think I'm someone with clearance to use physical force, or they think my flashlight is pepper spray. Whatever it is, once they've made it clear they're willing to act, I back off. Unless they're hurting another person, nothing they want is worth getting stabbed or shot over. And physical conflict is insanely stressful, even for the attacker, so even then whoever threatening me will likely take any "out" I can give- I keep paths of escape clear, stay out of range, keep calm and respectful. Every time this has happened to me, the person has run away when given the chance.

People who genuinely want to hurt me and intend to follow through. Again, this is super uncommon- I think it's only really happened to me once or twice on the job. Yes, it's scary, but I find it helps to remember that they arent after me, they're after the uniform. If someone is coming after me in costume, so to speak, it's not who I am as a person, it's what I represent. And a lot of people seem to think I'm a cop, or see me as a faceless goon, or a past abuser, or an intruder in their life specifically sent to make them miserable. If that's what they believe, there's not much I can do to change their mind except, again, stay calm and respectful and disengage.

I do know how to defend myself to an extent, but again, I don't have weapons or restraints or a vest or anything and I'm kinda small on top of that so really I'm cool with hauling ass if I gotta. If me getting the fuck out of dodge resolves the issue then I'm not above radio'ing HQ from the top of a tree somewhere, that shit is above my pay grade.

TL/DR in my personal limited experience, someone who has told me that they're going to hurt me wouldn't have given me the warning unless there was something I could do to avoid it. Stay calm, don't yell, be respectful, give them an escape route and run if you need to

Stay safe out there, yeah?

[locusfandomtime]

Doing the maths: Grian's failure at getting a mending book

lots of talk about maths and probabilities below the cut! but there's a graph and simple explanation at the end if you want to get the gist of it and are bad at maths.

(I am still young and learning maths, critique/advice always welcomed)

What are the odds of getting a mending book in Minecraft?

(I am assuming Grian has been doing all his fishing with Luck of the Sea 3)

The probability of a mending book is actually a bit annoying to estimate. The Minecraft Wiki lists fishing up an enchanted book as 1.9% chance. This is for ANY enchanted book. The Minecraft wiki talks about how the chance of an enchantment being selected is calculated. Mending has a weight of 2. Using the table, mending has a probability of 2/135.

However, Grian is looking for any book with mending, not just a pure mending book. Additional enchantments are calculated in a different way, involving RNG, which means it won't be as easy to model. Due to this reason, I'll just be using the odds for a pure mending book throughout.

TLDR: a mending book has a 0.028..% chance (2/135*0.019*100)

Grian's Data

According to this screenshot, Grian has used a fishing rod 5679 times. This number may not be fully accurate, as it includes the times he's fished other players, rather than just fished for items, but it is a good estimate.

To help visualise this data, with a median waiting time between catches of 17.5 seconds, Grian has spent over 20 hours fishing so far! He may have a problem.

Is this statistically significant?

Hypothesis testing (p-value approach):

H0: p = 19/67500 (the null hypothesis - he has no mending books because of chance)

H1: p < 19/67500 (the alternate hypothesis - he has no mending books due to different odds)

5679 trials, 0 mending books

X ~ B(5679, 19/67500) (binomial distribution, 5679 tries with a probability of a mending book being 19/67500, where X is the number of mending books)

p(X=0) (what is the probability the number of mending books being 0)

p = 0.2021473392

Now, the point at which data becomes significant is subjective. For instance, you *could* get a million heads in a row flipping a coin, it's not impossible, but at a certain point, you can begin to say "okay there's something not normal about this". For this approach, the closer the p-value is to 0, the more evidence there is against the null hypothesis . The p-value here is far above a significance level of 0.01, or 0.05, or 0.1. There isn't a clear line between significant/non-significant, but this is answer is quite a bit far from 0

With this, I cannot reject the null hypothesis.

Personal conclusion: this is not statistically significant, Grian is just unlucky.

Are other values statistically significant?

Gem's proposed 9000: results in a p-value of 0.079... more significant than Grian's number but I don't imagine Mojang would be too concerned. As said though, it's all subjective.

I am bad at maths, what does all this mean?

Here is a graph, showing what number of mending books you might have after 5679 tries. The height of the bar represents the probability of getting that amount. The numbers at the top are the (rounded) numbers I used in my calculation

The pink column is 0 mending books - like what Grian has! As you can see, it is less likely than getting 1 or 2 books, but not too uncommon to happen.

End conclusion: Grian has bad luck. Like, not as hilariously bad as he thinks, but still bad. If he keeps going, chances are he will get a mending book, but I think he should probably stop fishing because at this point he has a problem.

[endearng]

Lifeline

Pairing: earlyseasons!Spencer Reid x addict!reader Summary: How does one move on after seeing the lost versions of themselves on someone else entirely? WC: 8.8k Warnings: canon criminal minds violence (m-rder); pr-stitution and mentions of sex; s.h-rm; illegal substances consumption; mentions of dr-g abuse; panic attacks; graphic suicide attempt. Minors, please, do not interact. A/N: This is heavily based on "The A Team", "Gale Song" and "evermore" and also Skins UK's character Effy Stonem. Besides that, I was also somewhat inspired by CM'S 2x11 and I messed up the timeline. Feedbacks are always welcome! | masterlist

"Her name's Amelia Holden. She was found in a dumpster in an alley of a neighborhood in central Richmond. Along with her, we have four women murdered within two weeks." JJ informed as she briefed the team about the case they were invited to work on.

Their reactions always were different. Aaron Hotcher remained unreadable, often asking about the local police's findings. Derek Morgan usually worried about victimology and the modus operandi. Emily Prentiss used to brainstorm details on the pictures. David Rossi was the one to make comparisons with previous cases. Spencer Reid busied himself with data, statistics and whatnot about the locality.

Speaking of which, "This is an high-end neighborhood, not to mention the obvious fact that it happened in the capital of Virginia. Based on that, one could think that the citizens will cooperate to solve this as fast as we can."

Derek sighed, "I wish I could tell you're wrong in different circumstances, pretty boy." Spencer frowned, eager to ask, but Derek was faster, "Truth is, these girls were all prostitutes. The rich won't give a damn if they go missing, which is pure hypocrisy based on the fact that they go where the money is, which is, well... in their neighborhood." JJ pursed her lips, taking another look at the evidence.

There were pictures of four girls, placed so carelessly in the dumpster that it was possible to deduce that they had been all thrown in there already dead. Not a single chance of survival. Not a single chance someone could save them. JJ felt a lump in her throat and looked away from the photos.

“It’s most likely a male.” Rossi said.

Emily nodded, asking, "So what do you guys think? Maybe this guy is murdering them because he thinks he's doing society a favor?"

"It could be, yes. When prostitutes are targeted, the main reason is misogyny, but we can also associate these crimes to other forms of hatred. It can also be related to power." Spencer answered. "Are there any signs of sexual abuse?"

"No, only physical violence." JJ answered. "The coroner's reports indicate that they were drugged, some of them with multiple substances. There are red bruises as well as knife scars and stabs basically all over their bodies."

"Multiple substances in their body can be a sign of addiction, but also that our unsub drugged them to make them easier to drag around." Spencer continued. “Does the lab have the substances yet?”

“Garcia is working on it.” JJ replied.

"And the amount of cuts and bruises on their bodies mean that our unsub is angry. Like, uncontrollably angry." Emily finished.

"Well, he's killed both black and white women, so we know it's not race motivated." Rossi completed Emily's train of thought. "He's been getting more and more desperate, given the depths of the cuts as he progresses, look." He said, pointing to the picture of the last victim.

Emily gulped, shaking her head lightly.

“I’d say that, given the color of the bruises, they were beaten right before they died. This unsub doesn’t keep them for much longer. Most likely, he tortures them and kills them, getting rid of them in the dumpsters. The place of disposal is rather telling.” Spencer chimed in.

"Get Garcia to look up sex offenders in that area." Hotch said. "Try to find them all, no matter what their outcome was. Close, dropped... It doesn't matter. If the theory about social cleansing is right, maybe the offender has a past history with it. On the other hand, if he's rich, he probably got away with it."

"I'll call her right now." Morgan said with a nod.

"Great. tell the Richmond PD we're getting there in a couple of hours." Hotch announces. "Wheels up in thirty."

—

Arriving in the precinct, Hotchner assigned the tasks. Rossi and Morgan would go to the latest crime scene as Reid and Prentiss looked around for possible witnesses. JJ would stay at the precinct in case something came up.

"Check this out," called Rossi. "The... instrument was big enough to go through her body, from her stomach to her back." He said.

Morgan sighed. "Intensified violence means that he's not planning on stopping any time soon."

A couple feet away, agents Reid and Prentiss talked to one of the prostitutes. "We're always here, especially at night. Some girls are here during the daytime, but you know, it's slower. Nobody wants to be seen with us." She had bloodshot eyes, a defeated expression on her features. 

"Who are your usual... customers?" Reid asked, a little embarrassed to be talking to a woman who had that much expertise in a field he lacked any. A flash of worry and guilt crossed the young woman's face and she looked around as if making sure no one was listening to them.

"Don't worry, everything's classified. You're not gonna get in trouble if you talk to us. We're just trying to help." Emily said, trying to ease her nerves.

"Okay... I... The guys who work in the bank are often here. Cops, too. But they are very sneaky." She whispered, fright almost palpable in her voice.

"Did any of them ever pose a threat? Maybe too violent? Persistent?" The young doctor asked, again. She blinked at him, willing the tears not to fall.

"Most of them are just bored husbands or divorcees who want to get laid without the worry of being chased after." Looking away, she went on, "we’re the ones who can't afford to say no to the things they're into. We get the best of their roughness, so it's hard to tell." Emily gave her a sympathetic look.

From afar, you watched their interactions. The girl, whose name was Renée, looked very nervous and guilty. You approached them, looking a lot more skeptical than the emotional mess they were asking questions to. You took a look at them, took in the way they were dressed, besides the pens and notepads in their hands. The man took a second look at you, but you shrug it off, used to be perceived and not always in the best manner, given your appearance these days. “You ok, Renée?" You checked on her softly and she nodded in agreement. "Excuse me. Are you with the police?" You ask in a serene voice.

"Hi. I'm Agent Emily Prentiss and this is Doctor Spencer Reid. We're with the FBI," the dark haired woman answered, both of them showing you their badges. You nodded. "We're investigating the murder of women in this location."

Spencer looked at you as you inspected their faces. You wore casual clothes, nothing like the outfit Renée had on, and, for a moment, he thought what were you doing in there and how and why did you know her. It didn't make sense, albeit briefly, to him, why would someone so mundane be in that place, at that time. After a couple of seconds of watching you curiously, the pieces started falling into places, though. The crestfallen expression, dry skin and chapped lips... You were going through something.

He had a feeling he wasn't sure if he wanted to know what.

That is, until you actually started talking.

"Hello," you introduce yourself. "Oh, I see. I didn’t think the locals would be interested in solving these anyway."

“Why do you say that?” Emily asked, curious to know your answer.

“I suppose they don’t like the fact that some of us are so daring to the point of going to their station to report the abuse we all go through weekly,” you snorted, voice thick with disdain, although every person in the conversation was aware that it was not aimed at either of them, “like, why are we complaining? We want to do this, we are willingly here.” Emily sighed.

“I’m sorry.” Was all that Spencer could muster up.

“Anyway…” you sniffled. A telling sign. “How can we help?”

"Have you seen anyone violent around here? A-a new face, perhaps?" He asked, turning his body to face you properly. Emily looked at him, puzzled.

"Doctor, with all due respect, they are men. And they are paying. It’s basically a green light for all sorts of abuse, I'm sure Renée told you that much." You answered, in a much more certain tone than your friend had used.

"Did either of you recall anything about that night? The most basic detail can help us.” Emily inquired.

"Yeah." Renée answered with a quiver of her lip, clinging to you, trying to find some solace. You squeezed her shoulder lightly, glancing at her.

Sensing she might not be able to talk, you went on, "I can't think of anything out of the ordinary that night. I didn't notice they were missing until the next day. We try our best to watch out for each other. As I said, some men can be real creeps, but once you start your own thing, it's… hard” you exhaled, “for some of us to keep track of what's going on around us. Unless we run into each other again, we won't know for sure if we're actually safe." You explained, looking down at your feet. After a couple deep breaths that felt like you were inhaling the oxygen of the entire Earth, you looked back at them. Still avoiding eye contact, glancing between their foreheads, something you'd learned to do in order to escape the person you were with when you needed to.

Spencer watched you the entire time.

“I see,” the woman said, taking some notes. “Would you know if they share anything in common?”

“They usually stay in the park at the end of the street,” Renée answered, “They go there once things quiet down, and guys pick them up in their cars. The night they were… um, taken, was pretty intense. If they got kidnapped, we couldn’t even give you a license plate. We weren’t around.” Her voice dripped with pure guilt. You ran your thumb on her shoulder.

At the moment, though, there's something else entirely on your mind. Eventually, after a beat of silence, you decide to speak your mind, to expose your insecurities. Not worried about how you may look. Hell, it's been a long time since you stopped. "I'm sorry to press or if I sound too demanding. I know sometimes things get out of your control, but, uh, you're gonna catch this guy, right? I mean... we have to be here. I hope you don't think we have another choice."

As you talked, your soft voice and pleading eyes drew Spencer's attention to you with even more intensity. Your voice and mannerisms weren't something he was expecting. He berated himself after realizing how he was in the wrong by assuming you’d portray yourself in a certain way because of the area you worked in. Your voice was low, but firm. Your words were understanding, but demanding. Your posture was almost defensive, but the desperation of your tone told them how terrified you were. He couldn't help but notice the fact that you were sniffing quite often. His profiling skills were faster than himself and he made the conclusion that, given the line of your work, he presumed it most likely wasn’t only a cold.

Spencer knew, then, that you shared something in common with him. Something bad.

Again, not something he wanted to know about.

Emily opened her mouth to speak, but Spencer beat her to it, "We're gonna do the best we can, Miss."

"Glad to hear that," you muttered, unable to look him in the eye.

“Thanks for your time.” Emily said, a gentle smile on her face.

Spencer watched from the corner of his eye as you and René left, walking arm in arm. In a safe distance from everyone else, he saw as your friend broke down in your arms and as you comforted her, even if you had your own tears streaming down your face. He had reached Morgan and Rossi when you two walked away. Emily studied his face attentively, wondering why he was so fast to assure a possible victim like that, because, one, it was unlike him to want to partake in such sensitive conversations with the ones involved in the process. Two, what kind of agent, doctor, official, profiler, whatever, makes promises before such an intricate process such as their work?

“So, did you get anything?” Rossi asked him, breaking him out of his reverie.

“Oh, yeah. Those two women said that the victims usually waited for clients in the park right down the street.” Emily said.

“I think we should go take a look.” Spencer suggested.

Searching the park, which was full of passersby and families just spending some time outside their houses, Spencer couldn’t shake the feeling that this case had already hit him too close to home. The violence was something that still messed with his head and he thought he could never recover from the flashes of memories behind his eyelids once he closed his eyes to sleep every night. Still, it wasn’t that that baffled him the most, but you. He knew what it was like to struggle with addiction. He had been very harsh on Emily not long ago, during a withdrawal, so he knew aggressiveness and mood swings were to be expected. You and your mannerisms, however, were totally out of the addiction bingo. The way you looked, so broken, so sick, in every sense of the word, didn’t stop you from having a polite conversation with them, even if the topic was very much concerning to you. Plus, the caring nature you seemed to have and the way you made sure to be supportive towards you and the others who, just like you, went through hell every day for the most unspeakable reasons stood out to him.

It was intriguing, to say the least.

“Hey, I got something.” Morgan said as he approached the team with a piece of paper. “It says: They will not do it again.”

“Who’s they?” Rossi inquired.

“Maybe the prostitutes. The only way of stopping them is killing them.” Spencer answered, albeit his thoughts were still far, far away from the scene.

“But stop them from doing what? Causing a divorce? Being a homewrecker? Polluting the city?” She wondered out loud.

“These are all valid possibilities,” Rossi nodded, “we now know from your interview that rich men are regulars here. Maybe one of them was unfaithful and snapped after getting his divorce. Now, he might be taking it out on these girls.” He finished.

“We still need to figure that out.” Morgan sighed. “Hey, babygirl, we need a favor,” Derek said once Penelope picked up his call. “Can you check every upper-class man in Richmond that has recently gotten a divorce?”

“Sure thing, handsome,” she quipped, “it might take some time, though. And I know you’ll need to narrow it down.”

“We’ll keep you posted. Thanks, babygirl.”

“Always happy to help, hot stuff.”

—

Back at the station, the BAU team was surrounded by cops, sharing their findings so far. Spencer was the one to make sure that the cops would be on duty and laser focused on the areas he determined through the geographical profile. Those areas were most likely the ones the next attack would take place. He emphasized, very intently, that they needed cops especially in darker alleys and that they were looking for a male in his thirties. 

Spencer couldn't shake the thought of dread that crept up on him, making him almost paralyzed. The fear of getting to the unsub, of letting him get away, of being too late, of being too early, of not being enough. Every scenario was the worst, his mind working overtime to make sure he had at least an ounce of optimism for months on end, ever since he finally managed to stay clean off Dilaudid. The cops moved around, divided between groups to start surveillance. And the dread kept building inside of him, like a crescendo of horror.

Sitting next to Emily, he decided to break the morbid silence hanging over them. “I'm sorry I lashed out on you, Emily. I don't think I ever apologized.”

Totally not expecting his words, she looked at him, wide-eyed. It took her a second to gather her thoughts and form an answer. “It's no problem. I know what you were going through.”

“Still. It doesn't change much. It's not a good enough excuse for me to treat others poorly.” He couldn't look at her, fiddling with his fingers instead.

“Reid, why do I sense you're talking about something else?”

He sighed. He was so, so tired of keeping it in, of bottling everything in, of swallowing his words so as to not make anyone uncomfortable. “I am.” He confessed, after a moment of silence.

Maybe staying quiet was less morbid than the conversation they were about to have, he mused.

“What happened?”

“That girl, today. The second one. I could tell she's having issues. The same as me, I mean. And she was so nice the entire time. She was trying to make her friend feel better.”

“Spencer…” Emily breathed out, a somewhat reprimanding look on her face. Not that he could see it. “This comparison is unfair on so many levels. First, you've seen her for what? Five minutes? We don't know what she's been through, if she has a family… There are so many possibilities. Maybe she was having a good day—”

“How does one have a good day knowing that they have very high chances of being killed?” He interrupted. A sigh left Emily's lips.

“I don't know. But you do understand why that comparison you made was unfitting, to say the least, right?” 

Right on cue, to make the subject die, he muttered a “I guess.” so she could drop the subject. From afar, Spencer watched as you left a building with a glare on your face. He wondered what you were feeling and if your expression always told you off.

“There she is. Not looking happy.” Emily said, simply, not relating it to the use of any substances out of respect. She could only imagine what he was going through, being forced to watch someone she loves slowly lose themselves over something so trivial, but at the same time, dangerous as a substance.

Spencer pressed his lips on a thin line.

—

You laid there, on a big, albeit uncomfortable bed, simply enduring the sloppy, much erratic thrusts of a man who was old enough to be your dad. Grandfather, if you pushed it a little bit. Internally, you chuckled bitterly at the thought, because those two decided to want distance from you a long, long time ago. You had turned out into a person who many people didn't want to be associated with, so you kind of understood their attitude towards you. Still, it didn't make navigating through this world all by yourself any easier. In fact, it stung harder than you cared to admit, but, for the most part of the time, you were as high as a kite — your coping mechanism to shield your brain for reminiscing about the disgusting, vile man that you had to... satisfy to avoid starving to death. It was a never ending cycle. A torturous one that you wouldn't wish upon your worst enemy.

Speaking of which, the man above you came on your stomach, meaning that the appointment had finally reached its end. You couldn't quite pinpoint if he was the first, second or even third man you've encountered that night, but you didn't care. The effects of the dope made sure you wouldn't remember them the next day. Actually, it had been a while since you had been exposed to daylight. Your routine consisted of being around all night with those men, getting home, scrubbing your skin hard enough to draw blood as you showered, trying to get rid of the feeling of the greedy, disgusting hands all over your body, sleeping all day, getting high and repeating it all over again. Some nights you didn’t have too much strength to do it all. Some days felt like they mashed together with how long it felt with the same ache, the same hole in your chest. Your life was miserable, and you often caught yourself thinking if it was worth it. And, if it was, what for?

"You're so good, princess, kept quiet all the time and shit." The man said as he pulled his shirt back on, covering his thin frame. You cleaned yourself the best you could with a washcloth. "You’re fairly pretty… If you weren't a junkie, I might take you home with me... keep you all to myself, you know?" He inquired, a smirk dancing around his features.

You didn't dignify him with an answer. Instead, you glared at him, even though he couldn't see your face, grabbed the money that had been placed in the nightstand and made a beeline to the door.

You stared at that money with burning rage. If you didn't need it so much, you would definitely tear it apart given the hatred coursing through your veins. You gulped, and it tasted bitter, and it was hard to swallow the lump in your throat. You sold yourself for something as ordinary as money, and it made you so angry because your family was swimming in it. Sometimes, you wished they would drown in it, just to see if your anger simmered down.

You weren't always like this, so... so rotten. Coming from a rich, traditional family, people expected highly from you all the time, thus, you had been an excellent, straight A's student, being the valedictorian of your class at a traditional Catholic school without your teachers needing to double check any records. You also volunteered halftime in an institute that helped old people, which made your parents immensely proud. At that time, you had gotten yourself a boyfriend, your high-school sweetheart, getting engaged to him as you started your third year at a great university, majoring in Psychology. It all went down, though, when you started struggling with addiction.

It started with lighter substances, like alcohol. You drank until you started mumbling out the words you meant to say, going even as far as embarrassing yourself and your fiancée multiple times at social gatherings that involved booze. You loved the thrill, the buzz, the lightness it made you feel, instead of the pile of anxiety that built and seeped into your very bones after being so pushed to the edge your entire life. You thought you liked your life, but after being in touch with people who had a much (what you considered to be) easier life than yours, you started to let loose. Since you didn't have any family around you to put you on a tight leash, you lost control altogether.

When your family realized what had happened, too engrossed in their own businesses and investments and money and anything that was more important than their offsprings, it was too late. You couldn't go a day without drinking, dropping out of schoolcALT without thinking about the consequences for your future. Ironically, you knew and understood pretty well the things you were going through, but battling an addiction requires a lot of strength that you didn't know where to find, since you were all alone. After all, you had pushed all your friends away, your fiancée had walked out on you and your family basically disowned you.

Left to your own devices and unable to keep a steady, serious job, despite your background, you found yourself in the streets.

Sigh.

Opening the door to your small apartment, you got rid of the clothes that began to reek of alcohol, throwing them mindlessly on the floor. You rushed to the bathroom and stared at your own reflection for a moment, noticing the dark spots under your eyes, your dry lips and the lifeless gaze that your eyes had turned into. You had lost quite a bit of weight, now looking like a dead skull, wandering around, doomed to search for any reason to continue living in a world that had been pitch black.

In the bathtub, you scratched your skin aggressively, not being able to avoid the feeling of the remnants of several unknown men, which sensation brought up the comparison that you felt similar to a person who suffers with phantom limb pain: you couldn't see their hands, you couldn't come up with anyone's face, but you couldn't avoid sensing their touch on your skin. But, unlike the syndrome, you didn't feel pain, feeling rather like needles were seeping into your skin, deep enough to reach your bones. But, like the syndrome, it felt like it was yours. Their touch, although invisible, was forever inked into your skin.

You couldn't help the tears running down your face, mixing themselves with the water that poured from the shower. Tears of both pain, disgust, desperation, regret. It was a whirlwind of emotions that you couldn't deal with. As you left the bathroom, you downed half a bottle of vodka, hoping that it would lull you to sleep.

Maybe for good this time.

—

A loud banging on your door roused you from sleep. Your mouth felt dry and your skin felt even worse — it felt like it had been days since you last drank water. Maybe it was true. The loud noise made your head throb in pain. Curled in bed, you tried to muffle the sounds by covering your ears with your hands, but it was just as annoying. The person on the other side of the door seemed hell-bent on seeing you, but you couldn't come up with anyone other than your landlord, because your rent was supposed to be paid yesterday.

Getting up from your bed with a groan of annoyance and pain, you threw on a flannel you found on the floor. Opening the door, you were surprised to see your older brother.

"Y-you?" You asked, baffled. Embarrassed by your own appearance.

"It's me." He said, the usual serious edge to his voice. He said your name, hesitantly. "Can I come in?"

You didn't know what he wanted. The fact that you had been left alone for so long made your heart burn with anger and you wanted to slam the door in his face. You considered it for a moment, but it wouldn't take a genius to know that you needed someone with you, even if for just a couple of minutes, even if it was out of pity. You didn't mind. You relied on the kindness of people to get by, so what harm would it be in accepting a little more pity? More self loathing than you already had and constantly feeded inside you? You judged it impossible.

With a curt nod, you gave him space to enter your apartment. The place was a mess, clothes scattered around, curtains drawn closed, the darkness in the room not only caused by the absence of sunlight. Something somber stopped light from entering. Your brother looked around with an unreadable expression and saw the countless bottles everywhere, from the floor to the couch, not to mention the many white remains on the surfaces like the small coffee table. He blinked away tears, desolate to see you in that position. Desperate to find words. Desperate to find you again in that vessel of a human you had become.

Clearing his throat, “I… heard what's happening. I was worried so I came all the way here to check on you.”

You bit back a bitter laughter. How could someone be this cruel? Abandon you and then treat you like you mattered? It made you almost want to throw up. “I'm alive. Happy?” You couldn't help the snarky remark.

“Come on, you know I'm not like them.” He defended, not able to look you in the eye.

You took a deep, shaky breath, trying to keep your emotions at bay. “If you weren't, you wouldn't have left me, too.”

“Come on, I was going through my own shit, I didn't realize what you were going through until it was too late.”

“Too late? Too late? I spent all my days wishing any of you would pick up the damn phone so that someone could come and get me before I was dead. But you're all the same. So self absorbed, so selfish, so… individualistic.” Your words were daggers, but you couldn't stop yourself from being mean, from trying to push away the only person who seemingly had an interest in helping you. Too bad you felt it was a little too late.

“Don't say that.”

At this point, the verbal vomiting was unstoppable. You sure looked like a maniac, rambling and jumping inconsistently from one topic to another, aiming to hurt him as much as they have hurt you, too. You knew what you were doing, but it felt for a moment that something else was forcing such cruelness out of your mouth. “The final blow was grandma dying, right? So you could finally pretend I don't exist. Keep doing that.”

“Let me help you.” He pleaded, coming close to you.

“I don't need your help.”

“If you don't accept it now, you're gonna spend more time wishing you had.” He said, holding your hands with his own.

“How are you going to help me? By sending me money so that I spend it all on drugs? On booze? Hah, nice one, really.”

“I wouldn't help you kill yourself.” He almost shouted, rage and sadness fighting over which would be the dominant feeling in his eyes.

“Then how? I basically just told you I'm helpless. I'm a ghost. I stopped existing a long time ago.” A sob broke through you, echoing in the walls of your dark apartment. You shut your eyes. “I don't know who I am anymore.”

Silence.

He's probably thinking everything through. Trying to find a way to let me down gently, you thought. “Let me take you somewhere safe. We'll see how it goes.”

You didn't expect that much. Despite wanting to say yes, your mouth was seemingly disconnected from your brain, so your words took a whole different turn. Instead of accepting his help, you simply stated, “I don't think I would stand to let you down again. I'm sorry.” He looks at you, bewildered, but, to you, not strong enough to put up a fight. “Can you please leave? I'm waiting for a friend.”

Defeated, he walks out the door. 

You don't notice the paper with his number left on the kitchen counter. When Renée shows up, dressed in a skin-tight red dress, she sees and runs her finger on the note as if it could save her from every single risk her life could show her. 

—

"We found another body."

Amidst the research and data analysis required to provide the profile, Spencer Reid got easily lost on his obligations and far too focused on his duties in order to help people as fast as he could, which was why he was seemingly terrified of one of the local officer's voice. 

At the crime scene, the found body was once Renée Woods. Spencer watched from afar as the coroner  examined their body and as Derek and Emily searched frantically for anything they could do to help, whether it was examining the crime scene or simply talking to the assigned legists. Spencer, unlike them, stood still. Muscles unable to make any movements besides clenching his hands in fists so tight that his somewhat long nails almost cut through the sensitive skin.

How would you take the news?

What if that was you?

The thought went as quickly as it came, because, from afar, he watched as you showed up, looking skeptical, but soon becoming hysterical once you recognized her, even from a certain distance. You could tell it was her by the clothes she was wearing. You cried hysterically, screaming as if someone had torn apart your heart with their bare hands, sobbing as if you couldn't breathe unless Renée was walking the Earth. A cop touching you, instead of soothing your turmoil, only served as a fuel to the fire raging through you. Sadness, anger, desperation, panic, everything flooding your chest, ragging your breath. You pushed the man away, trying to find a way to enter the crime scene.

Spencer finally was taking control of his body again. Approaching you, calmly, as if you would attack him too if he got too close and too abruptly, or worse, you’d run away, he made his way to you. Noticing your red-rimmed eyes, he took a deep breath. “I’m sorry.”

“You said you’d do your best,” you said in a broken voice, looking him in the eye. Defeated.

Silence. All the noise seemed dull, distant, far away. You were in a bubble.

“I’m sorry,” you blurted out, wide eyes looking at his confused ones. Right now, talking to you felt like whiplash. “I know it wasn’t your fault. I didn’t mean to accuse or blame you. Fuck,” you cursed, bringing your hands to your eyes. “Can I do anything to help? I can… I can try.”

Unbeknownst to you, Emily Prentiss watched your interactions with a puzzled look on her face. You looked and acted so distraught that she felt the need to approach, mindful of the damage the words from an enraged, saddened close friend of a victim would do. Unable to stop her own feet, she approached you. Spencer wouldn't utter a word. You looked nervous, looking from her to him and obsessively trying to wipe your tears that seemingly had their own will to run on your face.

"Can you come with me?" She offered, handing out a blanket for you. You looked at her and amidst the mixed feelings that the grief started etching into your eyes, you could give her a grateful glance.

By her side, you looked at Spencer, who was still frozen in place.

"I'm sorry..." You whispered, looking at the ground.  

He looked straight ahead. Once you were with Emily, he glanced your way with a pitiful look on his face.

—

Days passed. You were in the precinct once they called Renée’s family to break the morbid news. You watched as her mother fell to her knees once one of them told her what had happened to her daughter. You heard the chanting of "I failed, I failed, I failed..." endlessly. And by endlessly, you mean it is still haunting you to this day.

For three days, all you did was escape reality, whether by sleeping or doing drugs. Your brother's contact sat still on the kitchen counter, collecting dust and meaning hesitation from your end.

On the fourth day, you were sober for a couple of hours. You opened the curtains and despite the darkness still loomed around, it felt better. It burned, but in a nice way. As you stared at the note in the counter, untouched, Emily Prentiss knocked on your door to let you know that they were close to catching the killer. His profile was complete, it seemed. Something about a man in his 40s taking out the frustration of his parents’ broken marriage because of his father’s infidelity and his own divorce because of his affairs. Cyclic. Looking at your wrecked state, she told you all about him.

"Why are you telling me this?" You asked as Renée’s mother chant still echoed in your mind.

"First, I thought you needed hope. Second, I was thinking you might recognize him.”

Needless to say, she was right. Your lungs burned at each breath you took, and, in that moment, you decided you would try to be strong. Stronger. Renée’s face came to mind. You had nothing left to lose if you exposed a few rich men. Thanking Emily, you said softly, your tone contrasting with the vile nature of your words, “You said he dumped the girls in a specific place, right?” She nodded. “I don’t know if anyone told you about this one place, but they take some of the girls there. It’s kind of off-radar” 

As you gave her the location, her surprise betrayed her usual composure. “No, nobody did.”

“Do you think it could be helpful?”

—

You found yourself in one of aforementioned building’s room along with Dr. Spencer Reid, as sort of your protector, while the others patrolled the building and the people who came and went, and the local cops lurked around downtown, in the park. You felt nervous, reminiscing about your last interaction with the man. Taking a deep breath, you sat down on a chair. “May I ask you something?” You inquired, carefully. He hadn’t talked much to you unless it was information about what you knew and what he needed to know. He nodded at you, turning his attention to your figure. "Do you like your job? I only ask because... you know... nobody really likes this job."

"... I do, yeah." He muttered, albeit not the whole truth. It was gruesome, but he thought he could manage. Besides, you didn’t need to be exposed to even more disaster. It was bad enough as it was.

"I don’t know if you know or acknowledge this, but not many people choose to do this. It's more of a last option, the one you really don't wanna take." You justified, even though you didn’t quite know why.

You supposed it was the embarrassment that came with being with a man who knew what you did but wasn’t with you to do that.

Understanding flooded his features, a soft "I understand." making its way out of his lips.

"Thanks." I say with a tight-lipped smile. "It means a lot."

He nodded. "You keep fiddling with your necklace."

"It's a locker, actually. It's a picture of me and my grandmother. I don't wear it when I'm.. um... Anyway, it's kinda sacred to me." You chuckled, gripping the accessory tighter. “I wore it today so that it would give me the strength needed to help Renée. And myself.”

He glances at you as if he wanted to know more. After a beat of silence and deciding that it was enough, "Do you have a good relationship with her?"

"I did. We were very close, but she passed away last year, sort of giving my family the free pass to cut me out entirely. I believe they think that I was the one who killed her, my life choices and whatnot."

He furrowed his brows. "You didn't choose this."

"In a way, I did. I knew what I was doing, I just couldn't stop. It's just that... It felt good not to have so much pressure on me, you know? I felt finally free... but what did it cost me? A safe relationship, my education, my family and friends… They never gave me a chance, not even to explain myself. I needed help. Thus far, I have had company my entire life. I didn't know how to exist. Then one of those girls helped me, but I realized that she was struggling to pay rent and I needed to do something, not just sit pretty and be high with the money I had left.”

His silence was unexpected.

In reality, it was caused by the cliché of watching your life passing before your eyes took over his mind. He remembered being drugged by Tobias Hankel, he remembered the needles puncturing his skin and the relief he felt from the entire situation once the substance started running through his veins. He remembered taking Dilaudid from his abductor’s pockets and he remembered staring at his own reflection in the mirror and finding a stranger looking back at him. He remembered being given a chip of sobriety even though he wasn’t sober for that long. He remembered thinking of himself as unworthy as he became more and more dependent, especially when he couldn’t even disguise how affected, how it changed him. Looking at your defeated face, he muttered, “I understand. It changes your perception of things and yourself.”

You could act oblivious and assume that his knowledge of the topic came from books, but you don’t see that expression on just anybody’s face. You felt sorry for him. Sensing he didn’t want to talk about himself any further, even if, in your opinion, wasn’t nearly enough for someone who had battled something as deep as an addiction, you decided to respect his wish. You talked about yourself instead, hoping to give him something, someone to relate to, as you desperately wanted for yourself. “I wasn’t always like this.”

“I’m sure you weren’t.” His voice held that tinge of something you couldn’t quite describe, something distant, but so close at the same time. He saw himself in you, almost if he was talking to himself.

He might have had Penelope check your background. Something about the lost potential resonated deep within him, and it made him all the more anxious to be close to you, to repair something he hadn’t been the one to break. As he looked at you, all he could see was someone in dire need of something, someone to grasp onto. “How does one manage to move past all that?"

Despite the will growing and boiling inside of him, he couldn’t just come up with a magic solution to cut through the darkness surrounding you. "Honestly, I don't know." You couldn’t see when he gulped.

"It's a long way from home. At least, for me."

For a moment, you looked at each other, mouths shut, not a single beat of sound around you. You looked at him, searching for answers and for someone to relate to. Spencer hesitated for a moment, the silence hanging over you like a fog. He wasn't trying to seem disinterested or unkind, but he felt as if his curt phrases weren’t enough to calm your heart. He spoke again, his voice softer, offering a hint of deeper sincerity, "Sorry, I..." he trailed off, unsure how to convey his thoughts without making the situation more hurtful. "I'm sure you can manage it with the right people."

Your grip on your locket softened, letting it fall close to your chest once you let it go. Looking at him, a soft melody started playing in your head.

Patience.

“I’m sorry,” you said, earnestly, which made him look at you with recognition. “Thanks for talking to me. It’s been a while.” 

I missed this feeling.

—

After a few moments, the BAU team had captured the man before he could collect another soul. Everything happened so fast. In one moment, you were in a superficially verbal conversation with Spencer. Despite the shallow nature of the words exchanged, digging deeper, the interaction was filled to the brim with meaning, which made you rethink a thing or two. You shared that much with him.

“Goodbye.” He said, simply. To you, he was not one to speak much. “You’ll be home by spring.” I can’t wait ‘til then, he thought.

“Goodbye, doctor.”

Next thing you knew, as you got home, all by yourself, you decided to reach out for your brother. Telling him you needed help, that you were pessimistic but that it would be foolish not to at least try.

Days at rehab went on as smoothly as they could, considering you were suffering with withdrawal. Your behavior and emotions swayed like waves on a lake surface on a windy day. Deeply unstable, your mind was forced to remember all the hell you’ve been through on a daily basis for the last sad months of your life. Grieving for the version of you you could have been, for Renée, for your sense of self, self-respect and whatever you had lost during those dark times. Often, your hands trembled, you felt cold in a warm, cozy room and there were times your skin felt ablaze, not to mention the whirlwind of thoughts that made your head hurt. You missed feeling numb.

And when I was shipwrecked, I thought of you.

Still, there were afternoons that you would sit on the porch of your bedroom and simply take in the surroundings. The green grass that was taken better off by the employees like it was someone’s first born. The other patients who walked around and closed their eyes as they felt the sun kissing their skin for what it felt like the first time in years. The trees that casted shadows on the grass so that some of them could lay beneath them. The breeze that engulfed your figure and gently touched you, unlike you had been treated. The immense sense of belonging to this existence, of not longer being a stranger to your own life. You would take deep breaths and your lungs wouldn’t ache like before. You pictured the two reasons responsible for making you take the decision that brought you to this place sitting next to you. You held what was left of one of them between your fingertips.

The sudden and constant mood swings made your attitude change at breakneck speed.

Tonight, taking a quick break from the notebook you were scribbling on, you took a look around you. At that moment, everything around you was spinning. You couldn’t breathe, feeling as if the hands that touched you in the past stopped you from inhaling oxygen altogether. You shut your eyes closed and tried to breathe in like the doctors had told you to when things got too hard — it was not working. Panicking further, you stumbled your way to the ensuite bathroom and took a good look at your reflection. You felt shivers running down your body, an uncomfortable feeling sitting in the pit of your stomach as you desperately tried to turn on the faucet to splash some cold water to your face. Unsuccessful, to say the least.

The feeling grew as time went by. You couldn’t stand the discomfort and the memories and the feeling of being inappropriate to go back to living in the real world again. For a moment, you quieted your struggle. You gave in. You glanced at the mirror and although the tears blurred your vision, you were able to wonder if that was your opportunity of finally having the control of your life back. Maybe it was for the better, you thought as you reached for the small blade you secretly kept on the bathroom window. As you started feeling dizzy by the lack of oxygen, you couldn’t help but to think back to the interaction you exchanged with Spencer before you thought of accepting your brother’s offer. Picturing his face, of himself as a person and as a professional, you thought that, for a moment, he was a reflection of all that you wanted to be, all you wanted for yourself.

The blood that gushed from the open cuts of your arms, that drained from your body, felt like the catharsis you needed from all the mishaps that had taken place in your life. As you watched it dribble down your skin and as it stained the floor, you took a deep, difficult breath, feeling lightheaded. No thoughts swarmed your mind anymore. A sob, from both the dull sting of the cuts and of your difficulty breathing, echoed through the bathroom.

No!, you thought you heard a familiar voice scream.

In the cracks of light, I dreamed of you.

Finally taking short puffs of breaths, you kept thinking this was it. That it was for the better. That nothing could save you, nothing could stop the blood from cleansing you and taint the floor in the process. You finally shut your eyes as the tears never ceased to flow from your eyes, feeling hands squeezing your arms where you had drawn vertical lines with the blades. From that moment, everything around you felt mixed, the swaying of a vehicle, the alarmed voices, the brightness behind your eyelids. You never opened your eyes. You couldn't bear to open them and still be here, facing the people who were doing their best to help you.

As you lost consciousness, you finally found peace, your mind finally quieted down, the hands stopped touching your body. You thought you managed a weakened smile in your state.

;

Spencer, much like you, didn't keep much track of the time as it passed, for the things in his world happened too fast and burned too bright. As he approached his desk in the bullpen and he was reading through some emails, dread adorning his features and panic setting in the pit of his stomach as he read your brother's name on the screen — whose contact he had gotten after you were admitted in rehab — and the news he was sharing.

;

You didn't know how much time you had spent unconscious. You didn't have any dreams. You didn't have any thoughts. You were completely numb, as if you were surrounded by a bubble that protected you from anything that could possibly happen.

As you opened your eyes, you recognized a hospital room, wires and needles and the unmistakable smell of that place. Looking at your arms, you noticed the bandages that hid the scars that were certainly forming by now, if the dull ache was anything to go by. When you slowly felt reality creeping in, you didn't dare to look up, afraid to find a judgmental or angry look on someone's face. You focused solely on breathing, too frightened of your surroundings.

You gulped and your throat felt so dry that it almost scratched, which made you erupt in a fit of coughs. That drew the attention of a person sitting right next to you, which you hadn't noticed, too preoccupied with someone's reaction.

Slowly looking up, you found Dr. Reid’s face. You couldn't quite begin to read his expression, as his eyes were full of relief once he saw you were still alive. Hanging by a thread, but still alive. You didn't bother to speak after he silently held a bottle of water with a straw on it for you to drink. Neither did he. At least for some amount of time.

“I didn't know how bad this could get. I mean, I do know, but not because of the reason you probably think. It's not just because I have to study human behavior, but also because I was abducted and drugged,” he started, losing the bravery that it took to look you in the eye. “I know you have nothing to do with this. And that it makes me sound very selfish, because, um, I'm here talking about myself when you are so fragile and so broken, but it's just because I know what you're going through. I know what it's like to not recognize yourself. When we talked in that room, for the first time, I felt alive. I felt seen. I felt like I had finally found a little, small, fleeting piece of myself that had wandered too far once I was… addicted.”

You just took in his words. You already knew why he related to you so much, but hearing him talk so freely and unabashedly about his experience made you somewhat perk up. “I'm in a lot of trouble, aren't I?” You managed to mutter in a weak voice.

“It depends on what you think you're going to do now.” 

“It's a lot of work.”

“Not if it's you.”

“How could you possibly say that?”

“I know a little about your background. My friend looked you up. You looked promising.”

“Yes, past tense. Now I'm just this… vessel of a human. I don't think I have blood, let alone the guts to face the world after this.”

“I'm not calculating your worth on your accomplishments or on the person you used to be.” He sighed, softly.

“Do I even still have worth?”

“Of course you do.”

“Don't waste your breath on me. How could you be so sure?”

“I just do.”

Little did you know, Spencer Reid was not one to pry where it wasn't welcome, but he spent every day letting his mind run to you. He couldn't help but think about you and whether you were actually doing good after the decision you decided to share with him. That was how he found himself having some unsent letters that were soon ripped and thrown away. Telling you about him, wondering about you, wondering if you two could relate on different topics.

“Would it be weird to ask you to trust me on this one?”

“What's the worst that could happen?”

For the first time in years, you had a sincere smile on your face. 

—

The next day, you woke up to a letter addressed to you, which you knew who it was from. 

Your lifeline.

This pain wouldn’t be for evermore.

☆

Part 2

[sturnsdc]

Genius

pair: Spencer Reid x fem!reader

synopsis: Yn is always impressed by Spencer's knowledge, but soon a situation exposes her own knowledge, showing the genius boy that his new coworker is even more interesting than he thought.

warnings: fluff, mention of a fictional case, mention of obsessive-compulsive disorder, just two genius kids.

era: S1-S2 ?

words: 934

A/N: hi babies, since Spencer won the poll, here he is!!

i wanna mention that even though Yn explains and gives reasons why she believes the criminal has obsessive-compulsive disorder, it doesn't need to be taken 100% seriously. This is just a fictional story, and the interpretation of this made-up case is only based on one of the many aspects of this disorder. If you have it and what you read doesn't resonate with you, that's completely fine—it’s not that deep. Similarly, schizophrenia is mentioned only due to two of the symptoms outlined in the Diagnostic and Statistical Manual of Mental Disorders. If that doesn't resonate with you, again, that's perfectly fine.

thanks <3

main masterlist              spencer masterlist

divider from: @cafekitsune !

"how? he always knows about every topic, how!?" the girl asked, resting her head on the desk with a sigh of defeat. Behind her, Derek and JJ laughed, exchanging glances as they understood the feeling.

"he's a genius, i told you," Derek replied, smiling and placing a consoling hand on her shoulder. "He does it to everyone."

to give a little context, Yn, Morgan, and JJ had arrived about 20 minutes earlier and had started chatting about various topics until the conversation shifted to a light debate about serial killers. It wasn’t even that serious of a conversation, but none of them expected Spencer’s intervention. He had just arrived and overheard part of the discussion, adding details that completely dismantled the points of the three, ending the debate, then giving them a tight-lipped smile before heading off to find Gideon.

it wasn’t the first time this had happened, but it never failed to impress the new team member, Yn, who still couldn't wrap her mind around how someone who looked so cute and harmless could shut down any debate with a single comment. 

'he always knows.' and although she doesn't admit it out loud, even though she constantly jokes around with Morgan, Penelope, and JJ, the truth is… that she finds that man's intelligence attractive. And she´s deeply afraid of coming across as completely ignorant in front of him, and she feels that's exactly what happens every time something like this occurs. That’s one of the reasons she reacts the way she does, even though, deep down, she can't help but feel excitement and butterflies at Spencer's obvious knowledge.

now, for Spencer, this doesn’t entirely go unnoticed, as he does feel a great deal of satisfaction when he sees the curiosity on his new colleague’s face, and the way she gives a slight smile before dropping her shoulders, giving in. He even finds it amusing at times... maybe that’s why he keeps listening in on conversations she’s a part of, looking for something to comment on and impress her. Though, to be honest, most of the time it happens naturally, as his urge to share what he knows takes over, but it gets even better when, instead of receiving annoyed looks or hostile responses, he gets her reaction—so sweet and thrilling to him.

a few minutes had passed, and the conversation between JJ, Derek, and Yn resumed until they were called to discuss the next case. And now, on the jet, they were sharing information, opinions, and theories. The criminal had left notes in which he extensively detailed the acts committed at each crime scene, repeatedly trying to justify them.

"actually, i think it could be related to schizophrenia, given the way he keeps mentioning..." Spencer was saying, speaking quickly while gesturing with his hands, until Yn, who was looking through the papers as she listened, interrupted him.

"sorry, but i actually think it’s more related to obsessive-compulsive traits, because he keeps talking over and over again about their actions, but in very specific ways. He doesn’t seem to display delusions or disorganized thinking, but rather an obsession and irritation over small, normal acts they were doing. For example, victim number one is missing two fingers on her right hand, and in his note, he mentions how she kept tapping on a wooden table, making his ears suffer, and he felt an overwhelming need to stop the constant tapping. He states he needed to make her stop, as the sound wouldn't cease and disrupted his own routine, and although he tried to ask her to stop, she responded with hostility..." she lifted her head, noticing everyone was staring at her, some with surprise, which confused the young woman as she tilted her head. "what?"

"you're... right," Spencer replied, his face lighting up as if the answers had suddenly come to him.

there was a brief silence, until Derek chimed in with a grin. "i think we've finally got a worthy opponent for our little genius," he joked, causing JJ to laugh, Yn to blush, and Spencer to smile, all while Aaron and Gideon observed with small, almost imperceptible smiles of their own.

the truth was that Reid was impressed, not only because he had made a mistake in interpreting something in his field of expertise but also because of Yn’s ability to quickly spot the error and present a more fitting point.

something ignited inside him, excitement and curiosity. ‘What other subjects is she an expert in?’ he wondered, his mind wandering in a way it never had before.

Yn felt embarrassed but also proud, and as she finished explaining her theory, she could only recall the expression on Spencer's face. She definitely wanted to impress him again, to elicit that reaction from him once more.

for both of them it was exciting, and filled them with a different attraction towards each other. This certainly didn’t go unnoticed, as from that moment on, Reid started discussing every theory and piece of information with her, eager to hear her thoughts, her point of view, her ability to grasp the situation. And she wasn’t far behind, putting in extra effort to learn, not just to gain knowledge but to share it with him and have more to talk about.

these interactions didn’t go unnoticed by their teammates, and Derek Morgan would definitely be the one to teasingly, but affectionately, call them the two geniuses. By the end of the day, everyone was happy knowing that Spencer Reid finally had someone who understood him and didn’t make him feel like an oddball for always knowing so much.

[fallstaticexit]

Prev / Next / Beginning / Pillowfort

AN: Source for tarot reading

Transcript under the cut

Morgan: Ever done this before?

Nancy: Can’t say that I have.

Morgan: Are you as put off about this as that other bible thumper?

Nancy: [rolls eyes] We’re not all the same. I’m more than my faith.

Morgan: I don’t doubt that. I’m sure there’s many layers to you. Where are you from?

Nancy: Brindleton Bay.

Morgan: Really, I’m from Portridge, a small town south of the Bay. Originally.

Nancy: Yeah? So, how did you end up a Fyres?

Morgan: Great question. My mom was his secretary. Super scandalous shit, which would explain while the Royal Barbie hates my guts. He’s not a bad step dad though. Hell of lot better than my actual dad. So, your parents-

Nancy: Isn’t the probing developing a bias or something?

Morgan: Just a little small talk. So, is there a question you want answered? Perhaps, a question about your past, your present or your future?

Nancy: I-

Nancy Narrates: [I want to get forget my past. I want to survive my present. I want to escape my future. Could there really be an answer for all that in those cards]

Nancy: I don’t know...

Morgan: That’s ok. You intention will guide us.

Morgan: Pick three cards that call to you. Based on the three, we will see what the cards have to say about your past, present and future.

Nancy: And you believe in this?

Morgan: We believe what we believe in, right? You have your three?

Nancy: I think so..

Morgan: Let’s take a look.

Morgan: Your past—the Upright Fool. Innocence. Curorsity. Something new and exciting—perhaps a first love in your youth that swept you off your feet?

Nancy Narrates: [Already I hated this...]

Morgan: Your present- the Reversed Star. Insecurity. Self doubt. A loss of faith. Interesting. Perhaps a struggle with one’s own faith? Are you having any doubts, Nancy? About yourself? About your God?

Morgan: Your future- the Upright Devil. Lust. Obsession. Temptation. Could be for the material things of life, or maybe a desire of the flesh.

Nancy: [clears throat] That all seems incredibly vague.

Morgan: [grins] Does it? Your poker face could use some work. Let me ask you something. Who exactly did I remind you of? Someone from your past?

Morgan: Your silence is very telling. I have a real gift for reading people.

Nancy: I’m sure you believe you do.

Morgan: [laughs] I really do!

Morgan: Tightly wound, fidgeter. You bite the hell out of your nails, right at the skin on the tips of your fingers, unconsciously. You pick at it until it bleeds. It’s the only thing that’s keeping you tethered to your own body. The pain, that is.

Morgan: Right?

Geoffrey: You made it! And making friends! Sorry, am I interrupting girl talk?

Morgan: It’s cool, boy wonder. Want me to do your reading?

Geoffrey: Are you kidding? Of course I do!

Nancy: Actually, I think I want to g-

Geoffrey: Really quick, Nance, then I’ll walk you to your dorm!

Geoffrey: Upright Death for my future sounds kind of scary when you think about it, huh? She said it could mean profound change. Sounds promising.

Nancy: [tsks] That could mean literally anything. That whole practice strives on vagueness. You can never be wrong if you’re bound to be right.

Geoffrey: Yeah, but it’s about how you perceive it, right? It’s unique. She did yours, didn’t she? What did yours say?

Nancy: Yeah, I um, don’t remember.

Geoffrey: Maybe you can ask her again. You two seem to hit it off.

Nancy: [huffs] Please. I am not going back to that shabby bar. She’s a sham. Those cards mean nothing. It’s stupid.

Geoffrey: [sighs]

Nancy: What?

Geoffrey: [blows raspberries]

Nancy Narrates: [Truth was, I was more curious than anything]

Nancy: So. Those cards. Could they...I don’t know- tell me something that could happen in a week? Like if I asked if I’ll pass my Statistics exam?

Nancy Narrates: [I was completely captivated by this otherworldly experience, whether I’d admit it outloud or not]

Nancy Narrates: [and Morgan was always happy to indulge me]

Nancy: [whispers] So I past my exam. How does this even work? I mean, how could they know? The cards. Could you do another reading after the debate?

Nancy Narrates: [But of all the questions I did ask, there was one that burned inside me more]

[heavy metal spills into the hallway]

Morgan: [startled] Nancy?

Nancy: Is this a bad time? I know it’s late...I can come back another time. I just have so much on my mind and I can’t sleep.

Morgan: You want another reading?

Nancy: Is that ok?

Morgan: Of course it is, Nancy. Come in.

Morgan: Sorry for all the smoke. I can open a window.

Knox: Babe, who’s this? It’s not my birthday.

Morgan: [smirks] Want me to get rid of him? I can.

Knox: Hey! I’ll be quiet! Won’t even know I’m here.

Nancy: I don’t mind. I just had a question.

Nancy: Could you do a reading for someone else, even if they’re not here?

Morgan: [hums] Not really...not without their permission or their intention. Who is this person to you?

Nancy: [looks away] Someone from my past. Someone I need to forget but- I can’t.

Morgan: Did this person hurt you?

Nancy: [shakes head] If anything, I hurt them. I ruined them with my... [lowly] um, perversions. I just need to know if they’re ok. If they hate me for it.

Morgan: [softly] I see... Here’s what we’ll do. Just like before, I’ll do a three card spread.

Morgan: Set your intention. Clear your mind. Ask your question. The first card is ‘you’. The middle card is ‘them’. The third card is the relationship.

Nancy Narrates: [‘Vanessa, do you hate me?’ ‘Do you blame me?’ ‘Do you regret loving me?’ ‘Do you know that I never stopped loving you?’]

Nancy Narrates: [‘Do you know that I’m sorry?’ ‘Do you know that I miss you?’ ‘Do you know that I need you?’]

Morgan: [exhales] It says... that you are a filled with love, Nancy, even though the world around you wants to drain you of it. There’s just too much of it inside of you and your friend-

Nancy: [weakly] Vanessa.

Morgan: [smiles] Vanessa. She loves you all the same. She may be experiencing her own hurt in this world, but having loved you keeps her strong. You two brought something bright and beautiful into each other’s lives.

Morgan: You can’t rid her from your life, because she’s apart of you, and...I- I think that’s a love worth fighting for, Nancy.

Nancy: [between gulps] Right. Right, thank you. Thanks, Morgan.

Morgan: Wait, Nancy, you don’t have to leave. It’s ok-

Nancy: It’s fine. I uh- I should go.

[door clicks shut]

Knox: Uhh, did you just make all that up?

Morgan: [weakly] I don’t know why I did that..