#how do i explain myself with this one
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restlesskeychains · 2 days ago
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Odysseus is on a date with Penelope and he wants to impress her so he just starts rapping
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andsewingishalfthebattle · 9 months ago
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Novice sewing pattern: Cut out shapes. Line up the little triangles on the edges. Stitch edges together. We've also included step-by-step assembly instructions with illustrations.
Novice knitting pattern: yOU MUSt uNDerstANd thE SECret cOdE CO67 (73, 87, 93) BO44 (63, 76, 90) 28 (32, 34) slip first pw repeat 7x K to end *kl (pl) 42 * until 13" (13, 13, 15) join new at 30 pl for 17 rows ssk 27 k2tog mattress lengthwise BO and sacrifice a goat to the knitting gods. WHAT DO YOU MEAN YOU WANT "INSTRUCTIONS," I JUST GAVE THEM TO YOU
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keferon · 5 months ago
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*clasps your shoulders gently and looks you straight in the eye*
Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.
You are the seventh person that recommended this fic to me so ahahahaha yeah
I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender
…..I made the moodboard….
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#chapter 37#of 120 or something#I must be like 90k words in haha#large word count is not an intimidation. It’s an invitation haha#I love the fics that I can’t read in just one hour:)#I gotta say I don’t enjoy the concept of making robots into organic life#it’s just my preference#seeing them as humans or animals or whatever feels so fucking wrong#the concept itself drives me off#like. Strongly#But at the same time. This fic isn’t about them being ‘haha cute organics’#it’s ‘oh god. I was turned into something I’m not’#instead of teeheee they’re fluffy#it’s please free me from this fucking nightmare. please let me be myself again.#idk how to explain. I resonate I guess#it often feels very disturbing but the characters are also disturbed#So now I’m kind of stuck reading this fic because I just can’t stop lol#just politely skipping the parts that make me too uncomfortable#also#the body horror is….damn. Impressive. I didn’t expect to read about grotesque fleshy creature turning itself inside out#it’s not even aesthetic or symbolic#it literally looks like a fucking nightmare. Which is impressive also.#the flesh is g r o s s#the beginning got me struggling and skipping#but the intermission is currently ruining my sleep schedule#oh fuck….I usually send my posts to the authors of the fics I read…..but I feel like I might offend the author of Ninth if do this……..#there’s a tiny chance they’re following me….if it’s true then I wanna tell I’m sorry pls don’t take this seriously#your fic got me waay out of my comfort zone#huge points for writing Ratchet. Drift in this fic is…the grossest fucking thing I could probably imagine but Ratchet doesn’t even hesitate#he helps him and he cares for him. Which is…..imma be real my first instinct would be to set Drift on fire to end his misery
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inkly-heart · 7 months ago
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please don’t be sad little sprout, you are loved 🌱 🖤
🌱
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msmc-796-official · 1 month ago
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I... have a confession to make, of sorts. There won't ever be a good time to admit this, unfortunately, so it's best I get this off my chest now, and ask for forgiveness rather than permission.
It has not been easy speaking with all of the flashclones who have made themselves known in the wake of Union's latest raids; both for myself, and the squadron at large. I must commend my squadmates for handling themselves with the utmost professionalism - while my own correspondences with these newest members of the Omninet have been what I would consider adequately polite, I've been biting my tongue the entire time, and I fear that my personal discomfort with the issue is starting to slip through the cracks.
To this end, I wish to share my thoughts publicly, that I might better express my own emotions towards this complicated, frustrating, and highly nuanced issue. I only ask that you hear me out in full before you render judgement, and pronounce your sentence carefully.
First: an observation.
MSMC policy requires that all pilots dictate an end-of-life plan at the time of their recruitment, that their final wishes may be carried out by the company in the event of their death under MSMC's employ. The options provided for this are effectively unlimited, allowing the pilot a great deal of choice and freedom in planning their postmortem arrangements. These plans may also be altered in the future should circumstances change, provided the pilot is of sound body and mind.
Under MSMC policy, in compliance with the policies set forth by Union, one of the available postmortem options is flashcloning.
In my fifteen-odd years serving under MSMC, I have only heard of three pilots who have willingly chosen to be flashcloned after death (thus prolonging not only their life, but their term of service under MSMC as well). Of these, I have only personally met one, affiliated with MSMC-808 "5Q8R3 L00P3RZ" - I believe their current iteration goes by callsign Lemniscate. While I do not know how many times they have been cloned during their term of service, their current iteration seems happy enough, and their squadmates reassure me that they've maintained a consistent identity (plus or minus the odd quirk, as is typical of flashclones) throughout their life (lives?).
Second: a digression.
I purchased my Dusk Wing, And The Voice of Apollo Spoke From On High (Apollo for short), from an SSC showroom on a planet whose name I no longer recall. The curated atmosphere called to mind the high marble pillars and lush green-blue waters of some distant Cradle mythology where gods roamed the earth and mortals strove to emulate them, punished and rewarded for their folly in equal measure with gifts and curses beyond name. Each frame was posed as the statues of old on Cradle, too-human limbs arrayed in too-human poses, each a machine of war turned living art piece.
Apollo, true to its future name, was arrayed in flight; hover-jets draped with sunlight-yellow gossamer, veil rifle aimed in its middle tier of manipulators with the same care and precision as an archer would take with their bow. To see it lowered to the floor after its purchase was to see Icarus fall; to climb inside its cockpit for the first time, to don wax-and-feather wings of my own and fly.
The old tales caution that divinity has a cost, and I too paid the price. A vial of blood, drawn with silver needle and spirited away into an unseen cooler before my pen ever touched paper. Apollo was mine, but SSC had received a far greater gift in its place: a sample of my DNA, unwillingly donated as the price for my divine armament.
Even now, this price weighs heavy on my head like the sword which hung above Damocles, poised to drop without a moment's notice with each new Union raid on yet another forgotten cloning facility. Who can say on what distant planet the children I did not birth sleep in stasis - children with my eyes, my hair, my nose, my smile; sons and daughters who will never be called as such because, to their creators, they are slaves, weapons, property - anything but human.
Third: an explanation.
I believe that flashcloning, in its current state as of 5016u, as approved by Union's Third Committee (and exploited by the likes of SSC, HA, and several countless others across the stars) is an inherently unethical practice; both for those who donate their DNA (willingly or otherwise), as well as for those persons produced by it.
To see countless lives created, manipulated, slaughtered, and recycled in the name of so-called "progress"; to see inherently human beings stripped of every vestige of humanity but the body in which they reside and then forcibly brainwashed and molded into soldiers, medics, mechanics, weapons, machines, slaves, property - it is an abominable and inhumane practice that should have died a slow and painful death in the darkness from whence it was birthed.
This being said: I cannot stand idly by as the products of this inhumane practice continue to suffer. No matter whether it is beneath the apathetic gaze of Union, the dehumanizing bootheel of HA, or the eugenicist scalpel of SSC, I will not allow my fellow persons to endure another day of abuse at the hands of those who would abandon their own creations as little more than imperfect failures for daring to remind their creators of their sentience.
Alone, I can do nothing. I too am but a cog in this great uncaring machine humanity has built, one which prospers on suffering and bloodshed and the work of hands which have forgotten the body to which they are attached. Even if I were to risk life and limb and reputation to make my position known, it is a battle which lies dead in the water - it is impossible to halt the wheels of progress without irreparably damaging the future which relies on their turning.
And so I fight. I fight for those who have forgotten their humanity, both willingly and unwillingly, that they might find something of their own - identity, purpose, desires, connection, life - that reminds them of what they were and are and always have been: human.
-- Angel
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eightspringdays · 4 days ago
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one of my favorite hc about near is that he just drops fun facts literally out of nowhere and keeps doing whatever he was doing after
near, building a card tower
mello, meters away doing reports
near, unprompted: did you know bees communicate by dancing
mello: what?
near, keeps building the tower in complete silence
mello: what?!
and after a while mello just knows
near, assembling a hot wheels highway: it's almost impossible for opossums to get rabies
mello: good for them
but sometimes is just
near, under a ten storey lego building: praying mantis can change colors to adapt to their environment
mello: wait. like chameleons?
near, already on the eleventh floor, completely silent
mello, side-eyeing rester who just sighs and googles it
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kenmaiii · 9 months ago
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after two years i finally draw the favorite
#my art#still learning honestly. idk how to explain it but some medias youre so fixated on and obsessed with u instantly want to draw everyone#for me dunmeshi has always been the opposite. series and characters i enjoy sm i cannot bring myself to pick up a pencil#for some reason. it got a lot worse once the anime started airing idk. simply forcing myself to get some of my energy out. in a way#dunmeshi#dungeon meshi#thistle#dunmeshi thistle#thistle dungeon meshi#delicious in dungeon#>_< series i was into since late 2021. yet u wouldnt know that unless u follow my side twitter account. sowwy ig#i do this with a lot of franchises honestly. cannot bring myself to draw even if i think abt the characters constantly. ie skip to loafer#u will nvr catch me calling this guy sissel sorry. save that name for Mr. Ghost Trick. another thing i. also. dnt talk abt. which i adore#i need to get better at talking abt and expressing myself for the things that i enjoy. ive been wanting to draw laios for a good#while too but im scared. for some reason. u-u should nvr let a white man do that to me honestly.#for now i'll thistle tho. maybe we will get kabru namari or mithrun next from me >_< i have to talk myself into it#i think the closest way i can explain why i cannot bring myself to draw for some series is that i dnt want to mess up somehow#like 'ilu so much [character] what if i cnt draw u the way u deserve even tho i love u sm what if its not enough.' <- leaves it to sm1 else#tbh [scratches head] i prefer the version with less coloring ^-^ but i realize the one thats more colored would get more eyes on it... hm
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actuallyitsstar · 11 months ago
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does it count as a criminal record if his only crime is having way more fun than the navy allows? (insp).
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lunarharp · 1 year ago
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pretty & cute witch men
#witch hat tag#orufrey#i'm not drawing as much or as well as i'd like to be doing. i'm trying to get through a comic i've been really wanting to do#but i'm just finding it so hard. disheartening. btw the 2nd one relates to some official art of qif wearing a dress like the girls#and the 4th one relates to how i've been drawing EXTREMELY SMALL for years. idk how to explain it but i always clicked 'fit to screen'#and so all my art EVER has looked bad when you zoom in bc it's already like size 1 zoomed in to the MAX pfhgguguhfpfhGHAHHHHH#i was so confused allll this time why brushes always look different for me than what they're supposed to#'wow this brush is so jaggedy..really rather jaggedy...calling it the Jagged Cai Special..bringing it out for those jaggedy moments..#really quite jaggedy i must say...' and it's literally not jaggedy#but now i have to get used to how all those brushes that i'd gotten used to indeed look how they're supposed to finally. Alarming#I have simply been working out absolutely everything by myself for years and that's why my technical progress is slow#ppl say my progress is fast and i certainly have improved much since i began doing all this but#like..it took me a year and half to start using a program where i could Colour In The Lines aka the..whatever it's called. whatever..#just on my lonely confused solemn journey to express gay love better than yesterday.. -_- *picks up my pack n continues through the snow*#btw thank you sm for people's kind words enjoying my narumitsu art & fic over the christmas & new year period <3
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ancha-aus · 6 months ago
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RealAgeAU Drabble - Dawn
I am back because i got home from work and I got no chill! :D @spotaus
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Okay. So why this one? Because i realised it was a while since i wrote a drabble from Horror's point of view and that is criminal and it is a great excuse for me to showcase some stuff from the quiet and very observing sockets of Horror! (also gives me an excuse to not think about the drabble order i got now and that thought i messed it up a bit which I need to think of a solution for)
Ready? Let's go!
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Horror makes sure to carefully close the door to the greenhouse. It is still early but he is used to those.
He enjoys the cool fresh air as he walks towards the house, small basket filled with fresh monster food. Horror is happy he got permission from Crop to harvest the plants in there for their meals.
He quietly opens the door and listens for a moment. He saw Cross leave the farm a little while ago to do his own morning workouts and by the sounds of it the other three are still asleep.
Which is good because he needs his own sleep. Horror knows very well that Dust is the one to wake up with Nightmare if something bothers him in his sleep.
He found the two of them awake and reading a book one too many times for Horror to believe they just had an allnighter.
Horror likes being up early. Maybe strange for him but he got used to it in his old universe. The best time to check his traps and search for food had been in the very early morning, or very late night depending on how you look at it, as most people would be asleep.
It is a leftover habit and he just kept going with it when he joined Nightmare's gang.
He puts the food away in all the right places and goes about getting the ingredients for todays breakfast. He notices the fresh milk and eggs and the choice is obvious. Some pancakes would be great.
He starts preparing the ingredients as he takes the time to measure it all. The milk makes him chuckle.
Watching Cross realises there was a cow had been funny. Finding Cross in a tree shaking with a cow under it had been hilarious. Crop ahd been apologetic as he explained that his cow, Betty (Killer had mutters "of course it is claled betty") was aparently mischievious.
Horror had his doubts but Cross swore that the cow would know when he left the farmhouse. That the cow would stand at the edge of her field and stare at him.
Cross did not go to the east side of the farm anymore. aparently that was Betty's territory in his mind.
Nightmare liked petting Betty however so you have your ups and downs.
Horror mixes the ingredients slowly but surely. Thinking about Nightmare, "Shouldn't you still be in bed?"
silence before a soft mutter "Not tired anymore."
Horror chuckles as he shoots Nightmare a look. He looks fully awake and adorable in his new wool sweater. Horror grins "God powers?"
Nightmare shrugs "I mean probably. I never needed sleep before. that is still new." They hadn't really noticed anything that could be connected to Nightmare's godhood at the moment. Maybe it had gone domant, at least that was Cross's guess. Dust just thinks Nightmare's magic is now focussed on healing instead of weird god shenenigans.
Speaking of healing! Horror gives him a stern look "bandages?"
Nightmare rolls his eye lights but mutters his answer "All still in place and good. Killer replaced them after the bath last night,"
Horror nods. With that secured he relaxes abit "Want to help?"
Nightmare is already by his side and stands on his tiptoes. Horror chuckles as he gives him a look "Need a chair?" he would offer a stepstool but the chair is more stable for him.
Nightmare looks at the counter annoyed before nodding his agreement. Horror grabs a chair and puts it near the counter. Nightmare climbs it easily.
Horror really wants to pick him up but they do have the rule that inside Nightmare should walk around himself to carefully train his spine. It is still much to early to already start carrying him. Horror knows that if any of them start they won't stop.
Nightmare reaches for the ingredients, some fruits for inside the pancakes, before pausing and staring at his sweater.
Nightmare has been very careful with his new gifted clothes. Horror himself is also very careful with the set of clothes Dust got him.
Horror frowns at the food he is making. He really hopes he can quickly find soemthing to do here to earn money. At the moment only Dust has something and it is starting to show, even Killer seems to be getting annoyed with himself over it.
Until now Horror and Cross helped around on Crop's farm. Which he was happy to do as it only seemed fair as a way to repay Crop for letting them stay. Horror has also been learning the basics about farming, farmland and farmwork from Crop. It is still a lot and not everything sticks in his skull, probably falling out of that hole. But he is getting better at it. He hopes with this Crop can maybe get the news out that both of them are more than willing to help around with heavy duty work and get a bit of cash flow.
Killer... Killer has a very specific set of skills. Sadly not specifically useful on a farm. Even if he is great with the animals and can herd pretty much anything, which is very useful but well. Most people won't let you near their animals unless they trust you and Killer is Killer.
Horror just feels bad that Dust is pretty much still Ngihtmare's main caretaker, got the rough end with the backstory they settled on, and has to deal with work to get cash. Only to spend all of it on them all.
Horror can see it is starting to wear him down. He just hopes they can figure out how to balance everything better.
It is another reason he loves these mornings. Because morning time means Dust, and Killer, both sleep in and Horror gets time to supervise their babybones. Horror adores the time wiht Nightmare. Especially when alone because then others don't watch them nervously the whole time.
It is exhausting to be seen as something dangerous even if he knows it is true. It is why they mean so much to him, they never treated him like that. None of them did.
A glance confirms that Nightmare has carefuly rolled up the sleeves and is taking extra care with cutting the fruits, using one of the duller knives which won't be able to cut bone. Horror turns back to getting everything else ready. He has to concentrate to push his intent into the food. He wants them to enjoy and like it. Feel the things he can't say to them.
Horror knows what he wants and feels but also knows none of them are ready to hear it. Horror has known that from the moment he realised what he felt was. The curse of being the only emotional stable one.
He still remembers all the way back near the start of them meeting and chuckles to himself. they did not get along at all.
Nightmare immediantly looks up "What is funny?" he looks adorably confused.
Horror thinks for a moment "Remember when you brought me in?"
Nightmare blinks before giving a slow nod "Yeah... I had hoped you would calm Killer and Dust."
Horror chuckles "Can't believe you thought i could do that."
Ngihtmare shrugs as he finishes up his task and just sits normally on the chair "I mean... It worked." his hands find the glass of juise Horror got him.
Horror pauses for a moment before nodding. Nightmare is kinda right with that one. It hadn't worked right away but he made it work. Mostly because he had had a lot of motivation.
Nightmare, still a fully active god at that point, had offered him that he would slowly but surely fix the food problem in his universe in trade for his service, something about it being too severe for him to be able to instantly fix but if Horror worked for him he would work on it. Horror had figured Nightmare had known about his little weird immortality situation with his own universe's core and accepted.
Turns out he just wanted him to fix whatever had been going on with Killer and Dust. Because they would fight. Constantly. And those two got very close to killing each other a few times.
Horror had eventually managed to somehow form a connection and bond with Killer. It had been rather easy and Horror was able to become friends with him over coworkers. Eventually find him not just annoying but funny. And later think fondly of his antics.
Dust took longer. Which had been a combination of Dust just being an introvert and not looking for connections or at least not in the way that made that clear to Horror. And well Horror heard bits and pieces of what Dust had done and had honestly been disgusted with the idea that Dust just murdered his whole universe and his own brother. Just to fight one human? Just to end a timeloop?
It was well after he managed to get them to stop, or at least contain the damage of, their fighting. Well after he started working for Nightmare more permanently that Horror realised how the multiverse worked.
And how fucking unfair it was.
Because aparently? stupid fate or some shit? That decided how your universe worked. His would always have ended up with a famine and starvation. Killer would always lose control and be controlled, abused and used by the human. Cross would always be the end of his universe. Dust... Dust would always have to kill his universe. No matter what he tried or solution he tried.
It wasn't until later Horror learned that Dust had tried everything. Multiple times. That Dust had learned to play multiple musical instruments in the time of resets. That he had learned to cook, and tinker. He master chemistry. Everything in the hopes it could give him a solution.
But the fates had already decided his ending, much like for all of them there was only one ending possible for them. And in the end locked him in a dead AU make by his own hands when no other options was left. Just like all of them had been.
Horror has to admit it took him a long time to get Dust to admit those things to him. Msotly because Horror had been standoffish before and that he accidentally gave Killer advice to treat Dust like one of the many stray cats he interact with.
He hadn't specifically said that. horror had just told Killer that maybe Dust would like Killer more, or at all, if Killer learned to respect his boundaries. Horror had mentioned how Killer could learn each cat's limits so why not Dust?
Worst part was that it actually worked.
Horror rubs his face "I give him cat advice." his voice sounds pained. Dust had been so mad at them both.
Nightmare nods "I remember. Dust left for three weeks." he snorts "which really is very catlike..." more thoughtful "And then you two got mad at me for not telling you where he went." He blinks and shrugs as he drinks from his orange juice.
Horror ignores the cat comment as he looks at Nightmare "Why didn't you tell us?" Dust had actually been recruited to help Nightmare with the balance. Something Horror only started to do after helping Killer and Dust be less homicidal.
Nightmare blinks at him wiht those wide sockets "I didn't want to force any of you... If you wanted to leave..." he speaks softer and softer "I wasn't going to stop you if you wanted to leave... if you didn't want to stay..."
Horror frowns and picks Nightmare up. He embraces him and hums "I am sorry we left..."
Nightmare shrugs as he pushes clsoer to him "You came back..."
hah... yeah they did. Much like Dust did all that time ago. He was gone for a few weeks before returning after killing Ink bringing back one of his fucking sketchbooks as proof. Obviously killing Ink does little in the long run but it was quite the powermove. Dust had glared at them daring to say anything. Killer of course had muttered something about Dust bringing back a kill much like a cat.
Horror is still not sure how he managed to stop Dust from Killing Killer that day.
Horror puts Nightmare at the table and gets a small yogurt and fruit snack ready for him. Just so he can eat a tiny bit. See how his magic will handle food today. Nightmare starts eating it when offered and that is a good sign. Means his magic is actually sending out the signal that it needs food today.
Horror goes back to flipping pancakes. Horror tries to stay in the here and now but his injury makes his mind likely to wander. and with already having been thinking about them.
He still remembers one of the early missions, after Horror learned about fates cruel games. Dust had still acted the same but Horror had tried to be more friendly. He had been close to giving up on it as clearly it wasn't working as Dust was still standoffish. Only for Dust to pull him out of the way of an attack from Ink, getting hit instead.
Later Horror had demanded why he did that and Dust had just shrugged. He hadn't had an answer for him. It confused Horror to no end. Horror was immortal because of that fact that his magic had been used in the core and bonded to that. Meaning as long as the core in his universe was fine he would return to life.
The gang had known this and Horror knew that Dust knew this. And yet. Dust had heard all of that and looked at the large monster Horror had become saw soemthing worth protecting. Something that needed protection.
Horror thinks he fell a little bit in love that day.
Much like how one day Horror just realised he couldn't stand the idea of not being near Killer or never seeing him again. That even if Killer could be annoying that he didn't wish him any pain or harm.
How it warmed his soul that Killer, and Cross later, would hide behidn him. Seeing him as someone safe that would protect them. See him as someone trustworthy.
Cross, so eager to please and desperate for affection and affirmation. but once he relaxed so smart and funny. Loyal and always ready to help...
But now is not the time to try and see what any of them thought or felt. They are dealing wiht a lot at the moment and they need to concentrate with trying to make staying here work.
The front door opens and Cross walks in quietly. He sneaks a glance at them and smiles when Horror catching him looking. Cross waves to Nightmare "Hey guys. All good?"
Horror nods "Nightmare helped." he flips another pancake as Nightmare drinks his juice with a smug little smile.
Cross grins "Good to hear. I will quickly get cleaned up and help. Dust and Killer?"
Nightmare hums "Still asleep." and he sips his juice again.
Cross nods "Good to know. be back in a bit" and he goes towards the bathroom. The pipes groan softly as Cross no doubt turns on the shower.
Horror finishes the last pancake and gets to wrok on getting the drinks and coffee ready.
Another day for them to figure out how this will work. Horror is just happy they are all here, everything else can wait as long as they stick together.
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whumpbby · 2 months ago
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TBH I do think some Jiang disciples did survive the Lotus Pier massacre, if only because they had been elsewhere when it happened/too old or too young to fight so they ran (<-which could be a fun thing to grapple with for both the potential run-aways and newly recruiting Jiang Cheng, who was sent away), but it still wasn't enough people to be called Great Sect. So I think as you say they recruited anyone they could, including some rouge cultivators and some from smaller sects that were destroyed or taken over by the Wen Sect. I don't think they tried to recruit - while the Sunshot campaign was going - a lot of people without active golden core, because they would simply have little time to train them between the battles. Some probably did manage to join the Sect like that, and these would probably grow quite close to people who taught them between the fights.
Also Jiang Cheng having to be at least one of these teachers, because they are short on the disciples but shorter in those trained in Jiang style even more so. And how after the war he must've been doing that still, on top of having the sect to run as both Leader and Head Discipline (because Wei Wuxian was going through things he chose to neither explain or acknowledge) (1/2)
(2/2) Also Jiang Cheng, who almost had to watch his brother get caught by the Wen soldiers when he went off alone in the streets, WOULD try and make his disciples work in big enough groups to protect themselves. Also also Jiang Cheng that seems to go off alone rather often.
Oh, and Jiang Cheng throwing his weight around when his disciples get into some sort of disagreement/scuffle every time, and being harsh on the other party (totally not because of finally being able to shield someone he cares for) and never satisfying the questions about the punishment (totally not because of his mother and Zidian and Wei Wuxian). Even when Jiang disciples were in the wrong. Not meaning there was no disciplinary action, just that it never went outside the sect.
Also taking in some non-cultivators that are good at other things (like Jiang Yanli!) or people who lost their golden cores but can still fight and teach (because he remembers not having a golden core and how that felt like; and maybe he realises somewhere along the way that he might've been able to live without one too; which would certainly add even more flavour to learning whose golden core really was inside him all along).
The latter headcanon is also so amazing because resurrected Wei Wuxian would have to confront how he dealt with the loss of his core and finally stop saying he is fine and reflect on his feelings about all this, including Jiang Cheng
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Thank you so much for sharing your thoughts with me :D I am so absolutely taken over by this subject!
This is why I'm writing these things, I love to discuss them with other peeps:)
Your message pushed me onto another path of wild speculation via the mention of the other smaller sects that JC would approach to recruit - and that pushed me into the economics of Jinaghu and their influence on the post-war lay of the landXD
Which I am putting under the cut, because it's a lot of rambling to get to a point, but that's how it is in these parts;]
Also, the map I will be using, because it's as good as any other:
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From the beginning - smaller sects yes, there was probably not a shortage of them that were destroyed by the Wen passing through and by the blowback of the war happening at all. I imagine that anyone from lone survivors to whole families was displaced…
But I am unsure if inviting them in would be a good idea in JC's position, because, going back to the main point - the Jiang were decimated. I can only go by what the story tells us when it doesn't mention any extra survivors - the Wen banning other sects from night-hunts was a nifty set-up for everyone being stuck at home after all - even if, logically, some of the disciples could be in other locations… however, even if they were, these wouldn't be the meat of Yunmeng Jiang. Because…
…random tangent no 1, because this is a low-fantasy setting (thinking of Game of Thrones I am), I am structuring the Sects as Just Gentry. Maybe not kingdoms outright - because there doesn't seem to be enough land between them to cover for their economic statuses - but city-states ruled by aristocratic bloodlines with the actual political power in their hands. Thus, even if the book doesn't really go into it, I'd wager that the region of Yunmeng was run by the extended Jiang family that was living in the capital of Lotus Pier. That's where the disciples were trained - but that was most likely also where the taxes were being collected, where the trade arrangements happened, where the law was being written, higher education took place, it had the best restaurants, etc.
When the Wen destroyed Lotus Pier, they did away with the whole socio-economic and political setup of the region, which is a smart move for someone who wants to set up their own shop.
…And that circles me back to JC and recruiting - he wasn't just gathering disciples to fight, he was rebuilding a whole intricate system of governance from scratch. A system that used to be run by the extended family that he could trust - now was something he was staffing with strangers.
And, from the example of Su Minshan, we know how jumping sects was considered to be in bad taste - it stands to reason that whatever decimated sect showed up on JC's doorstep, they wouldn't want to give up their own name. Just like JC wasn't going to give up his name. These people would be looking for an alliance and revenge, and, most likely, economic help in their own rebuilding, but most of them weren't looking to join the Jiang. And if they were - what was the guarantee that they'd stay? Or that they wouldn't use JC to meet their own ends and leave him worse for it? Or simply take over due to sheer numbers? A valid fear for a clan of 1 that had to seem ripe for picking.
I think JC would be very careful about accepting disciples from existing sects as his own, and instead build alliances with them. A rogue cultivator or a promising youth looking for a place to settle were a safer bet to build the core of his new sect with. Not to say that some of these alliances wouldn't result in the smaller sects merging into the Jiang later on by osmosis, but not at the outset…
Which leads me to believe that JC would want to start taking in and training coreless youths as soon as humanly possible - just to have someone at his back who was OF Yunmeng Jiang and not just allied with them. Maybe not during the beginning of the war, but by the time Lotus Pier was reclaimed things were probably going this way. If you think about it, Jiang Cheng was a fucking powerhouse of a leader. I have no idea when he slept. Probably not at all.
Probably why he was so cranky XD
That's why I am of firm opinion that the alliance by marriage with the Jin sect was a double-edged sword JC wasn't in a position to refuse, but also wasn't in a position to wholeheartedly accept. (And everyone who thinks that JC 'sold' Yanli to JGS for all these doubloons is just plain old wrong). Because now they're family. Only family he has. And that family can slowly find their way into the important positions of his own 'kingdom', because that's how gentry/aristocracy tends to work in a setting putting that much value on bloodlines, and he doesn't have his own family to plug these positions with ahead of time.
And even if JGS wasn't super eager to marry his son to JYL and the marriage was mostly pushed by Madame Jin and Jin Zixuan - it was in JGS's best interests for Yunmeng Jiang to remain weakened and/or under his control. Because….
…tangent nr 2- economics! :D
The plot doesn't go into it, but I like to know, so I was thinking of the actual economics of the magical land of magical peopleXD I don't need them to be detailed, but just realistic enough to make some sense, and serve as a believable background. I'm not going to question the existence of potatoes or other anachronisms, but one thing I needed to answer for myself was - where is all the money coming from???
Like, for real, where is the cash coming from for all the silks, fancy furniture, houses, swords and so on. How are the gentry sects making money?
Again, the genre, like many others, waves away monetary concerns in general - aristocrats are just wealthy, commoners are poor, and Bilbo Baggins is a landlord. OK.
So, taxes. What makes sect a Great one? Land, mostly, it would seem. The amount of land they own. Which means taxes - if we consider the Gentry sects local aristocracy. That tracks, because ain't no way they'd earn that much dosh via night-hunts from a population that isn't really that large. If you look at the approximate map of the whole realm and consider how fast people are moving from one region to another (even including flying swords and donkey-travel) that ain't a lot of land/people to feed all these sects fleeting about between the 5 Majors.
So, my idea is that the small sects do support themselves mostly via night-hunting and general spiritual upkeep of their locals, but the Greats are just aristocracy and live off of taxes and trade.
And that makes me wonder how Yunmeng Jiang managed to recover their wealth in such a record time, and why was the Jin so wealthy for apparently doing so little.
I propose that Lanling Jin grew out of a port-city and made its money on sea-trade. Sea trade was always The Shit if you wanted to, dunno, gild your palace in gold or something.
Yunmeng - with its access to lakes and rivers - was another trade hub of the realm with the additional bonus of lotus, fish and all other crops a well-watered land can give you.
Qishan - being the most West-ward placed of the Great sects we know of, had to have access to - or even monopoly over - the intercontinental trade routes, or a lot of raw materials available. But at the same time, being a mountainous region, it wasn't rich in water and water-intensive crops. I think that once the material appetite of the Wen upper echelon grew, the more they needed to look towards consuming other regions to sustain it.
Annexing Yunmeng was a good strategy from that point of view - it fixed the water issue and also opened new trade routes towards the South and East via the rivers.
But then the Wen were defeated - and all that West-ward trade potential suddenly was left unattended, and JGS would be a fool to let it slip through his fingers. And the only 'large' clan placed close enough to was Yunmeng.
Stands to reason that, somehow, JC managed to wrestle some of that for his own people to refill the coffers. Gusu was too far and not a trade hub by any means, and Nie Mingjue/Huaisang seemed uninterested in reaching out for it, so the only serious competition on that front were the Jin… Which, again, JC somehow managed to outsmart there, because I do not believe for even a moment that a fierce economic battle wasn't fought as soon as the military operations ended.
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rapturekiwi · 8 months ago
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It's just a matter of time Before we learn how to fly Welcome to the rhythm of the night There's something in the air you can't deny
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tunastime · 9 months ago
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A Minute in the Morning
so I started playing pokemon legends arceus. crumples to the ground. (2762 words)
In a hazy, rusty morning light, Ingo wakes up.
It’s a slow start—like his office computer, taking a whole ten minutes to finish booting, enough to stir sugar into his morning coffee and dissect his breakfast sandwich into parts. It feels like it takes just about that much time for Ingo to become aware of where he’s lying, which is in bed. Which is not where he fell asleep to begin with, which means that someone lifted him to bed and tucked him in. Which was rather sweet. Because he’s burrowed into the covers like a happy drilbur, keeping the cold from his fingers and toes and nose. He finally blinks his eyes open, and it’s sunrise that fills his room. Not his room. Scratch that. Emmet’s room. No wonder the blankets are so much lighter than he remembers them being. Nevertheless. Happy drilbur. He weasels a little more into the pillow. From either side of him, something moves. It’s slight, if there, but as he cranes his neck, slow and careful, he can see a dark head of hair on one side, and silver-white on the other. 
Ingo’s heart swells a fraction too big and too warm for his chest as he sighs out.
Elesa and Emmet haven’t woken up yet, which is a plus. If he were to move too much and move them he might lose the warmth from either side. Elesa’s shoulder rests against the crest of his back, and Emmet’s holding onto his elbow with one hand. The grip is loose at best, but the warmth, both from shoulder to spine and hand to elbow, seeps through him.
It’s blurry. Just everything. It kind of mushes together in his brain, like jam. Or maybe jelly. It doesn’t really matter. If he thinks too hard, his stomach starts to twist in knots, and he’d rather not feel sick while he’s trying to enjoy his morning. He remembers falling asleep while the television played the night prior—nighttime skits and commercials he filtered out until Emmet’s shoulder became the comfiest thing. He supposes that sometime between that point, and the point which he’s just woken up, Elesa came in, and at some other point, he was carted off to bed. It’s nice, though. The blankets make just enough weight over him to soothe ache and anxiety, and it’s warm, and he’s mostly thinking about how nice a cup of coffee sounds right now. Maybe a latte. Something warm. He shuts his eyes again.
The light is surprisingly yellower when he wakes up again. There’s still a warm weight on both sides of him, but it feels different than before. It stretches over him, too, more than just the weighted blanket that’s been added on top of him. He peeks an eye open to find Eelektross slumped over him, his large head curled near Ingo’s shoulder and his similarly large eyes shut as he snores. Ingo snorts, trying to shift to his back with the weight over him, without waking Eelektross. He does after a moment, settling once again, only for Eelektross to huff and fix one, tired eye on his face. Ingo smiles, just a little.
Wriggling a hand free, he pats Eelektross’ forehead, a path well pet and well loved.
“Good morning, you gigantic eel.”
Eelektross trills, nuzzling into Ingo’s hand.
“Mm, yes,” Ingo says. “I’m sure that definitely did not alert Emmet that I am awake, meaning I can’t fake any more sleep. Thank you Eelektross.”
The eel gives a happy sniff.
Ingo snorts.
Typical.
The door cracks open a moment later, the wide eyes of his brother peeking through. He raises his eyebrows, looking over Ingo and Eelektross still in bed. It comes with a little head tilt, something Ingo knows is indicative of an Emmet with a question.
“Sleep well?” he asks. Ingo nods.
“I think so,” he says. “I didn’t realize I’d be carried to bed when I fell asleep.”
“Ah!” Emmet says, eyebrows raising. “I made sure you stayed asleep when we carried you in. You’re a very deep sleeper when you want to be.”
It’s getting better, the gaps in his memory. It’s not enough to trust himself to start his duties as a Subway Boss again, but it's enough to have a few doctor’s appointments and to speak with police and his boss and their coworkers. He’s remembered their pokemon, which is why Eelektross didn’t startle him. And he’s remembered enough for him to fall asleep on Emmet’s shoulder with no care in the world. Enough for life to begin to settle from the chaos. Today is Tuesday, which means Emmet has the day off, and Ingo can tell, even as he reaches to wipe sleep from his eyes, that Emmet is still in his pajamas. He opens the door a little wider, leaning against the doorframe. 
“Ah,” Ingo echoes. “Was it Elesa’s idea to sleep in your room rather than my own?”
“It was,” Emmet concedes, smiling. “But I am Emmet, and I make a very good pillow.”
“You are Emmet and you are a very clingy sleeper,” Ingo says, letting his eyes shut again. Emmet makes a startled noise.
“Go-Go, don’t fall asleep again,” he yaps. “Your breakfast will get cold.”
Slowly, Ingo opens one eye, looking at his brother in the doorway. Eelektross snuffs into his shoulder, wriggling off of him. He grunts as the eel’s weight shifts off, leaving him free, but cooler.
“What’s for breakfast?” he says, watching Eelektross wriggle off the bed and toward Emmet. Emmet opens the door a bit further, takes a step back, and hefts the eel into his arms, knees bending with the weight. Ingo watches Emmet giggle to himself, shifting Eelektross in his arms to better wrap around his neck and arms, weight heavy against him. Clearly.
“Pancakes,” Emmet huffs. He’s still smiling, something almost infectious.
“Alright,” Ingo sighs.
“I also cut some fruit.”
“I’m getting up,” Ingo grumbles, rolling onto his side before he peels himself up and into a sit.
“I think Elesa left her nice coffee creamer, also.”
“I’m already up, Em,” Ingo snorts, trying not to laugh. “You don’t have to convince me.”
Emmet laughs again.
“Just adding!” he says cheerily, wobbling off toward the living room. In the open doorway, Ingo can see the sprawl of their living room and kitchen, lit by yellow daylight. Ingo sighs, stretching his arms above his head, twisting around. When the room settles, he stands, and he realizes that the room is warm around him. Emmet must’ve turned the heat on, and it must actually be working. He hums as he combs his hair back, wandering into the bathroom to wash his face.
When he finally makes it to the kitchen table, Emmet is sitting at the table, scrolling on his x-transceiver. He’s changed into a cream-colored, high collared sweater, his hair held back with a small headband. Eelektross is lying across the couch, head resting on the arm. There’s a plate of pancakes sitting in front of Ingo’s seat at the table, and a half-eaten plate in front of Emmet. He looks up as Ingo sits, raising his eyebrows.
“Good morning,” Emmet says. He nudges a cup of coffee toward Ingo. It’s a light brown color—likely the way that Ingo likes it. It helps they like their plain coffee the same way. If it were any other type of coffee, Ingo’s certain there would be some big disagreement—type of milk and way of prep and iced versus hot. But Ingo takes a long sip of hot coffee and nearly sighs in relief. Whatever fancy creamer Elesa buys really does make a plain cup of coffee so much better. He sits, nudging Emmet with his foot under the table.
“What are you reading?” he asks, gesturing with his fork to Emmet’s phone. Emmet holds it up.
“Article on a new electric rail system in Galar.” 
Ingo tilts his head, nodding along.
“Interesting. Any good?”
“Very efficient,” Emmet says, nodding along. He eventually pulls back, setting his phone face down on the table and returning to his pancakes. He takes a large bite, and through it, says:
“Maybe Gear Station should get some upgrades.”
Ingo snorts.
“We’re already quite efficient,” he says. “Do you think our trains could be quicker? Easier to board?”
Emmet shrugs.
“Wishful thinking. They’re already automatically driven, so there isn’t much more, but maybe longer cars to hold more passengers. Our trains are quite small.”
“Sounds expensive,” Ingo says, drinking his coffee. He pulls apart his stack of pancakes, poking at them with his fork.
“Maybe they’ve already got an upgrade in the works,” Emmet says. “It’s been a while since we’ve had an all-staff meeting. Perhaps we should inform the director.”
“Especially since I’ve returned and have about three years to catch up on, mm?”
Emmet smiles. It’s a bit tight, though. Ingo glances away, biting into his tongue. Should’ve kept that thought to himself.
“Maybe you’re right,” he says. “Though I promise you that not much has changed in the last three years.”
Ingo hums. He believes it, that nothing much has shifted. It’s hard to say, obviously, considering he wasn’t there to see it for himself, but his brother was never the type to lie without a reason, and this certainly didn’t have a good one. He takes a large bite of pancake and finds them still warm. It’s a quiet breakfast, between pancakes and coffee and Galvantula sleeping underneath the table. Emmet eventually finishes his food, shoveling large bites of pancake into his mouth as quickly as he can. Ingo watches him swallow with surprising difficulty, reaching for his cup of coffee. It takes a moment for Ingo to stomach the rest of his pancakes. Having this much food is a luxury he had not often afforded a month prior. His stomach still wasn’t used to it.
“Where is Elesa?” Ingo asks after a beat. Emmet talks through a mouthful of pancake and strawberry and maple syrup. 
“Mm, she had four battle appointments today, but she’ll be back around. Probably before two.”
Emmet is the first to finish, setting all his dishes together as he stands. He moves around Ingo as Ingo finishes, collecting dishes and setting everything in the sink. As Ingo stands to pass him his plate, he asks:
“Did you have a plan today?
“Mm?” Emmet hums. “No, not particularly. Why? Is there something you wanted to do?”
Ingo frowns, face pulling.
“Well,” he starts. “I was thinking—”
“Ah,” Emmet interjects. “Your first mistake—”
“I was thinking,” Ingo continues, narrowing his eyes. “That it might be a good idea for us to visit Elesa. I need to ask her for a new coat.”
“Mm!” Emmet startles, turning toward him. His face brightens. “That’s right! You do need a new coat. Good thing she’ll be over later, mm?”
Ingo nods. He fetches his coffee mug, pouring another cup of black coffee to balance the sweetened dregs. He leans back against the counter right as Emmet goes to hand him a dish to put away. They work in tandem for a moment, pausing as Ingo works to finish his coffee.
It’s a slow morning, 8:45am, and Ingo gazes back at his bed with longing.
It’s just. When’s the last time he had such a good sleep, right? On a bed that soft? He’d gotten so used to tatami mats and the grass and canvas laid out on the ground and here was a bed, with thick fluffy blankets and several large pillows and another person taking up space. It was very—stop it, Ingo—it’s comfortable. He hands Emmet his coffee mug.
“Ingo,” Emmet says.
Ingo hums. His eyes have drifted to the couch. Maybe standing is a little hard today. He should sit, shouldn’t he?
“Is my brother still up there?” Emmet asks, tapping Ingo’s head. Ingo startles as he does, turning to him.
“I would hope so,” he says. “Otherwise I don’t know where I’d be.”
“Not here, obviously” Emmet says. He finishes rinsing Ingo’s mug, setting it top down on the drying mat. “Though I’m not entirely sure you’re all there right now, are you?”
“Trying,” Ingo hums. “Too much going on.”
Emmet hums, a bit of a laugh showing through.
“You look like you’re about to fall over.”
“I won’t,” Ingo promises.
“I don’t believe you,” Emmet says, shutting off the sink. The clean dishes sit on the rack, dripping water. Emmet wipes his hands with a dish towel. “You know, you should be resting if your engine isn’t working at full capacity. Rest is very important”
“Can’t be a well oiled machine with nowhere to go,” Ingo says, folding his arms. “I don’t understand why I don’t have the energy to move anymore.”
“Does the why matter?” Emmet asks. He’s leaning against the counter now, a mirror to Ingo, like he often was to Emmet. It was a natural progression—one following after the other, a mirror, a shadow, a doppleganger.
“It matters a little,” Ingo shrugs. “It matters to me. It gives me a reason.”
“Your reason is that you’ve gone through a lot,” Emmet says, pushing away from the counter. He scoops up his x-transceiver from the table, moving around it and through the apartment as he talks. “Your reason is that your body is playing catch-up with the world around you.”
“Maybe,” Ingo huffs.
“I am Emmet,” says his brother. “I am tired. I don’t sleep well. Do you think it’s my fault that I’m tired and don’t sleep well?”
Ingo grits his teeth. He hates this part—ever since they were little, Emmet would flip this hypocritical card, showing Ingo exactly how stupid he was sounding. It was good, for the most part, because Emmet was right and next time Emmet did the same thing, Ingo could follow suit with that card. But it was so annoying watching it now, watching Emmet throw open the blinds and shimmy open the window for the fire escape. A tinged-cool spring breeze filters in through the open window, tossing the curtains aside. Emmet keeps moving as Ingo thinks, the gears in his head turning slowly, still dulled with sleep. 
“No,” Ingo says shortly, watching Emmet rearrange coasters on the coffee table, setting game controllers back into their docks. “I don’t think anything is your fault.”
“Well now you are just flattering me, Go-Go.”
“Don’t say that flattery never got anyone anywhere,” Ingo says, pointing at him, waving his finger. Emmet laughs.
“My point is,” he says, gesturing to the couch. “You’re allowed to rest. We can figure out the steps from there, right? Even if we’re sitting on the couch to do it.”
Ingo sighs, chewing on the inside of his cheek.
“Even if I fall asleep?”
Emmet nods, still smiling a little.
“I will wake you if you do.”
Ingo huffs out a laugh, feeling the edges of his mouth quirk up. As Emmet sits on the soft, corduroy couch, Ingo feels himself pulled forward, as if recalled, to sit beside him. He brings his knees up as he settles into his familiar spot between the back and arm of the couch. 
“Do you promise you’ll shake me awake?” Ingo says, leaning his head against the back of the couch. Emmet scrunches his nose.
“Yes,” he says, knocking his knuckles into Ingo’s knee. “I do. But I’m going to watch Alakazam! so you can think without my talking.”
Ingo nods. The television hums to life quietly in the background.
Emmet always watches Alakazam! at 9am. At least, when he can catch it. Ingo watches the last few minutes of the previous game show, something quiet and low despite the flash of colors and excited spread of energy. As the show starts, he watches Emmet’s face shift, that serious pull to his mouth and the furrow of his eyebrows that Ingo only sees when they’re battling. To see that spark again, not knowing how long it’s been gone, turns a question in Ingo’s mind.
“Emmet,” he says.
“Yes, I am Emmet,” Emmet says. “You are Ingo. What do you need?”
“I think I've got an idea of what I want to do today.”
Emmet turns his head a bit, looking at Ingo mostly out of the corner of his eye. His eyes flick back and forth between Ingo’s face and the television, waiting for his program to start.
“Mm?” Emmet asks. Ingo smiles a bit, a laugh stuck behind his teeth.
He sees the glint in Emmet’s eye before he even asks his question.
“What about a pokemon battle?”
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vaguely-concerned · 3 days ago
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Origins is of course the DA game most closely in conversation with and playing around with Tolkien (right down to the walking talking poetree haha) -- and even more so than most works in the larger western fantasy tradition derived from Tolkien's work that DA:O also hails from and owes a lot of its Stuff to, what makes the game so great to me is that it's doing so very deliberately, and is subverting and deconstructing those tropes and entrenched ideas in some very interesting ways without at all denigrating what it's commenting on. (it doesn't have the almost disdainful undertones of the vein of fantasy that seeks to make the world more 'realistic' ala the more tedious reactions to G.R.R.Martin's work, for example, despite having the darker fantasy bent to it.) among other elements it adopts, what I find the most fascinating is the choice to use the same literary device/conceit Tolkien did in ostensibly only having in-universe biased sources and works to deliver the world through (which I feel is an underappreciated thing about his approach but is part of what makes his world so enduringly compelling and real-feeling -- the feeling of real scholarship devoted/applied to a made-up world. the grounding effect of a good diegetic footnote about source criticism, truly).
many things to be said there, and I'm glad each following game has taken on different perspectives and lenses and traditions to view the world of Thedas through because if you stick with that one too closely for too long I fear we could teeter precariously close to Pratchett's famous and bitingly accurate accusation of most modern fantasy of that era just being about rearranging the furniture in Tolkien's attic lol. and while you could accuse DA2 (my perfect wife who has never done anything wrong in her life to be clear) of many things, that's not one of them, they are pulling on some completely different strings for that one and both the game and DA overall is better for it, to my mind. as so many things in this series: worth staying with and exploring for an installment even if it might get stale if all of it was like this! people are understandably sad about the elements from previous games that they liked which were lost along the way, but that capacity for reinvention is to my mind a huge strength of dragon age as a whole.
(I think Veilguard is coming in as a close second in Tolkien conversation-ness if only in outlining/revealing the worldbuilding that indeed may have been planned since DA:O around the animosity that SHOULD by all rights exist between dwarves and elves in this universe (as per Tolkienesque tradition standards). but doesn't really because you see: politics and the many pitfalls of conservation of knowledge over the ages. our ancestral enmity got semi-intentionally lost between the floorboards of history and you know what. maybe for the best. the humans are already up to so much shit you gotta keep your eyes on them at all times you can't be brawling with each other in the deep roads while they're still around getting up to their nonsense or they'll just pile up even more of it)
#dragon age#dragon age origins#been thinking about the unreliable narration/in-universe texts only element being the thing da:o took from tolkien that's most defining#for a LONG time and I want to write something smart about it sometime but alas. this is what I've got right now haha#I think *some* da:o nostalgia is about that familiar safe childhood feeling of Fantasy World in a pattern that was so deeply entrenched#for many many MANY years. it's been in the groundwater of the genre for so long it's only fairly recently the patterns were broken#on like a mainstream sort of scale. I know I'm getting older b/c I keep going 'how do I explain to some of these people#that the world (both the real one the fictional one and the gaming one) was a very different place back in 2009' lol#and I agree there's something so tremendously comforting about it even with all the grimdark elements more in the martin vein#that's also in da:o. the same way you get satisfaction out of the structural familiarity of fairy tale logic but for a whole genre#da:o follows the Rules of a fantasy world in post-tolkien tradition -- even when it's subverting them it's doing so in reference#to a set of tropes and ideas both you and the game are deeply familiar and comfortable with#(da:o IS also just a really fucking good game I'm NOT saying people's love for it comes from being blinded by nostalgia haha#just an observation of a thing I've recognized in myself as well. there are elves there are dwarves there are talking trees and dragons#and basically orcs. all is as it should be and everything makes sense <- the part of me that grew up on lotr and derived works lol)#and while the other games also have all these elements they don't USE them in the same way and it doesn't feel the same. it's so interestin#dragon age: the veilguard#dragon age: the veilguard spoilers#dragon age spoilers#only in the vaguest way but still#you know what veilguard occasionally feels more like actually. sci-fi! and it's not an accusation or a bad thing for me I think it's great#da:i veers more to high fantasy and da2 feels weirdly low-fantasy -- it's a story where magic also happens to exist but I almost forget lol#it's a magical world and magic is integral to the plot but thematically it's so much about real-feeling political conflict#da:o is a Quest in da2 you're new in town (and it gets worse)
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d8tl55c · 3 months ago
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early in the morning after dead'nt, orange has a question.
usually he'd still be asleep long past now, but he wanted to ask about... TDL.
without the others interrupting.
so, he goes to chosen's door.
immediately this plan starts to slip off the rails.
no one knows where dark is.
...........because the others may or may not have spent the entirety of last night searching for him in every nook and cranny except there and they said they'd tell him if they found him and no one woke him up yet so
that means, the only logical conclusion is: he's in chosen's room.
so how is orange gonna ask chosen his question????
well, usually, chosen lets him just walk in.
s0!
here goes nothin
he opens the utterly silent door.
green made it special for cho, because they didn't want anyone to ever hear it being opened.
as a special bonus, yellow was able to code the door in such a way that it would never need any maintenance related to sound: its hinges and latches would stay pristinely quiet, forever.
so chosen doesn't wake up when orange sneaks inside.
they wake up when orange takes one step in, spots bright red, and fails to stifle a gasp.
"oh shit!!" orange whispers.
chosen's eyes peek over the covers.
"I'm sorry! i didn't know- uh, i would've- if um- i can come back later-"
they stare at him. "what's wrong." chosen prefers clear and concise, especially early in the morning.
"you-" orange carefully picks his next words. "and him-"
they're in the same bed.
"yep." chosen nods.
orange stands there.
then he shrugs.
"um, sorry. on our shows, this is always a big point of conflict. we don't know why. so i just didn't want to- you know. assume otherwise."
"oh. thanks...?" chosen blinks sleepily. "yeah, it's okay."
"okay!"
"you wanted something?"
"yeah, so-"
orange cuts off again midsentence.
TDL is beginning to stir.
dark emits the highest little squeak-whine that orange has ever heard (even compared to red's baby rabbits), and raises a hand to tug chosen back down to the pillow.
chosen turns their entire face to him, trilling.
they both perform a little brushy-brushy head bonk thing.
then chosen maneuvers their body (under the covers) so it, presumably, mingles more tightly with dark's.
this is satisfactory - for now. dark grumbles about it and stuffs his head under chosen's chin.
orange stands pixel-perfectly still by the door.
"you were saying?" chosen finally turns back to him.
"uh," orange stalls.
dark's eyes open.
he awakens with terrifying speed, untangling from chosen, hoisting up from the covers, and raising a warning fireball within milliseconds.
the room shifts into blazing color and stark shadows.
he shrieks,
"GET OUT!!!"
it seems dark does not, "okay" this situation.
orange drops, scrambles, and miraculously operates the door with enough precision to tumble out the other side unscathed.
silently, the door shuts itself behind him.
...
the fireball is put away.
...
"cho, why do you allow The Beast into your room?"
chosen snorts. "it was him who rebuilt you."
dark snarls. "are you SURE it wasn't some trick? you watched the whole time? i don't trust it."
"i trust him."
"why? how?? you do understand why i have reservations about it???"
"yes," chosen nods. "But I trust him."
They press their very cold head into dark's very warm head, and both of them sigh in relief.
"He brought me you."
dark huffs. "mm."
...
"and other things," chosen concedes. "you... weren't there."
"tell me."
...
outside, orange is still collapsed, upside down, against the wall, across from chosen's door, where he crashed earlier in his escape.
red has just found him while coming upstairs to check out the commotion.
"orange!? u okay?"
"yeap," orange strains. "all good."
"what happened?"
orange's hand flops on the floor towards chosen's door. "you were right. dark's in there."
red takes a second to digest this.
then his hands fly up to his mouth.
"what're they doing in there?????? did you see???"
"yes. i dunno."
"were they ? ? ?
fucking ? ? ? ? ? ? ? ? ?"
orange squints at him.
through the door, two voices loudly interrupt,
"NO!"
the angrier voice adds,
"AND FUCK OFF!"
red squeaks and hurries back down the stairs.
orange sighs deeply.
this has been a terrible learning experience for all.
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puppyeared · 1 year ago
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i feel like. theres designing a character with certain themes and motifs in mind, and then theres making a gijinka for the water bottle on my nightstand
#me when im the only person on the bus wearing a mask: i should make a furry plaguesona#its hard to explain bc. most of the time i try NOT to give my characters a 'strong' theme like making their whole design around#one thing like apples or even broad stuff like baking or cottagecore.. idk if its partly for flexibility or because i cant imagine them#making it their whole personality. not bc i find it cringe or overblown but more like ive learned to associate design with character depth#i had a cutesy uwu persona for most of highschool because i thought it would make me more. likeable? easy to remember? since#memorable character designs are easy to recognize. and one way of doing that is simplifying it with a theme or symbol so you form an#association. but since im a real person its exhausting keeping up that appearance all the time and denying myself things when they dont#fit my 'aesthetic' or 'theme.' i think ive grown past that bc i just collect stuff because i think it looks cool and dont let myself dwell#on how it might 'fit' with my image. but i cant help feeling bad doing it to my own characters bc it feels like im making them too one#dimensional. despite knowing that theyre not real and design alone doesnt reflect depth i cant help feeling like its wrong#despite that i love seeing motifs because it feels like it reflects the characters soul and paradoxically gives them depth. it makes them#interesting to look at too and honestly its pretty fun combining things that fall under a similar category when designing#i struggle find a balance between those two things#actually this reminds me of noelles christmas theme.. i dont remember her saying anything abt liking christmas despite a lot of#her design and character tying back to it. it makes me wonder if she would have feelings about that or doesnt think abt it too hard#or if its like a matching family shirts situation and shes just going along with it??#maybe i should just do whatever i want with my character designs since theyre not real and im thinking abt it too hard#although. this probably has something to do with deep seated identity issues huh#yapping#oc talk#oc
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