#how could they do this to my boy??

[galaxyicedtea]

Do you need a band-aid or something?

[gongyussy]

(✿◕‿◕) die (ꈍ ꒳ ꈍ✿)

[kilometresrufflefuck]

hear me out the other day i woke up and was immediately hit in the face with "7 year gap narumitsu in europe where phoenix kisses edgeworth in a low moment and then tries to flee and edgeworth uses mind chess on him to get the truth out of him which is a completely normal and ordinary average way to discuss your relationship"

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[hinamie]

*catboys ur shounen protag*

[kurthummeldeservesbetter]

because I’m on a meljayvik kick rn

Viktor has to sleep in the middle of the bed bc both Mel and Jayce run hot. any combo where he is not in the center has whoever is on the end sweating profusely and the person in the middle has one cold side and one warm side. it’s science.

Mel is the coolest and calmest of their heads, yes, but she is most definitely in on their “yes, and?” dynamic to science and magic. She is all for the chaos, she just wants them to wear protective equipment while doing the chaos.

Jayce designed their shower to be double the size of a normal walk-in. Their tub is pretty much a hot tub. Do with this what you will.

Jayce carries both his partners on his shoulders. He also can do many a set of pushups with both of them on his back. They’ve played chess against each other on Jayce’s back, while also asking for advice on chess moves.

Jayce and Mel have a game called “do not leave Viktor alone with Ambessa”. For everyone’s sake, they have been 100% successful. Jayce gets jealous, and the last thing Mel wants her mom to know is that they do share a taste in types of men. Viktor is unaware of this game. Ambessa is curious of the twink her daughter is hiding from her.

Mel is the first person who gets to see all their prototypes in action. She has also been woken up in the middle of the night when one (usually both) have an idea. She is 100% behind this, though she didn’t appreciate the time Viktor and Jayce woke her up for what ended up being a literal lamp re-design. They spent an hour talking about their genius and innovative light, powered by hextech, just for her to flick their bedside lamp on.

Mel has never laughed so much in her life since meeting and getting with them. She attributes these years as the best ones so far. Jayce and Viktor feel the same.

Viktor is just. Always in meetings now. Chilling out. What are you gonna do? Tell the de facto-head of council Jayce he can’t bring in his partner and tell the richest and also most influential member Mel she can’t bring in her other Boyfriend? Good luck.

He actually does not want to be in these meetings. He's there for moral support and the promises of coffee. Also Mel needs him to occasionally hit Jayce's chair with his cane when the other man starts to fall asleep.

He also sneaks notes to her of drawings and she's been mad (not really) ever since he made her snort really loudly due to his caricature of hoskel and salo. It's framed in their office.

[somewhereincairparavel]

JASON GRACE PLAYS LACROSSE AND TENNIS. I CAN'T AND WON'T BE NORMAL ABOUT THIS-

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[axoqiii]

🐦‍⬛ crow

[xxplastic-cubexx]

graph

bonus:

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[u3pxx]

KIM KITSURAGI - “Is that. My kineema.”

COMPOSURE [Medium: Success] - Something in him is about to break, *big time*.

EMPATHY - And it’s not going to be pretty, do something!

- DRAMA [Formidable] - Everything is fine!

- “Sure is.”

DRAMA [Formidable: Failure] - Surely he’s aware that he’s not the *only* person in the world who owns a Kineema?

YOU - “Is it really *yours*? I mean, plenty of people have their own Kineemas, right? Like working men, government offices, uh, firefighters I guess, maybe even animal control people? Exactly! A million different people who could’ve driven it into the uh…”

DRAMA - Pause, my liege! Ixnay on the Ineemakay!

YOU - “It could even be our *mysterious* joyrider!”

KIM KITSURAGI - Your frenzied babbling falls deaf to the lieutenant's ears. Instead, he approaches the broken vehicle, sunken in the ice. He moves with a caution and gentleness you haven’t seen him display before.

INLAND EMPIRE - It must be cold and lonely down there, in the icy water. Maybe he could sense its sorrow, calling to him…

PERCEPTION (SIGHT) [Easy: Success] - His hands, which are always stiffly placed behind his back, are trembling.

ENDURANCE - This is the shuffle of a tired, tired man.

HALF LIGHT - He’s going to do something drastic because of you. Oh god, terrible! You’re a terrible liar! You can’t look at this, you just can’t!

VOLITION [Formidable: Success] - It's not *you* who drove his kineema into the sea. You have plenty of faults, but this one is decidedly not yours.

KIM KITSURAGI - He kneels down with his head bowed, casting his face in shadow. He plants a hand on the ice to stabilize himself, squinting to get a better view of the motor carriage. “Detective, it says ‘57’ on it.”

YOU - Sweat drips down your brow, and you feel a terrible headache coming. “Maybe our joyrider has an affinity for that number?”

LOGIC - He's not stupid, he knows that it's not that.

KIM KITSURAGI - “57.”

YOU - “What about 57?”, you brace yourself.

KIM KITSURAGI - “Precinct 57.”

YOU - You wince. “Kim, look-”

KIM KITSURAGI - “When I woke up in the Whirling-in-Rags with no memory of what happened during the days before, I've taken note that something of mine has gone missing.” He grits his teeth. "A very. Important. Something."

He runs his hands over his face, messing his already unkempt hair in the process. Regret creeps up on his features. “God. Fuck. They’re going to fire me over this, they’re not going to hear me out.”

EMPATHY - Desperation settles in the lieutenant's tone. Sadly, you find yourself in agreement, even if you don’t want it to be the truth.

YOU - “People are more valuable than machines, Kim.”

KIM KITSURAGI - “Not people like me.” He rasps.

YOU - “…”

KIM KITSURAGI - Before you can say anything more, you fail to notice the lieutenant carefully walking onto the edge of the ice. He looks over the frigid water, a dizzying blue that mirrors and distorts his exhausted face back to him.

YOU - “Kim?”

KIM KITSURAGI - Seconds pass as he looks to be contemplating something. Out of nowhere, he casually takes another step where the ice ends and the sea begins. It happens all too quick for the lieutenant to even voice a call for help— if he even wanted to — his body plunging into the cold water before your eyes.

YOU - “KIM!!!!”

uhhh bonus stuff? sorry i have swap au brainworms pfttt

(im not sure what skills kim has at the moment so rn he only has narration as his inner monologue ok whoops, i would like to keep harry as the guy who thinks in dialogue trees so im still figuring it out pfttt)

also, this was done bc i wanted to expand on these old scribbles of mine, just like an idea, i just think that he'd be having an even worse time wheezes

[duckchaw]

@dbdpromptober day 1 - Mirrors

[tallykale]

a bit of my postcanon vision

i heart people arguing

[obsessedwithstarwars]

Question for the DP fandom:

Do you think Danny’s hair turns white when it falls out? It’s technically dead cells anyway but when it naturally falls off his head, do you think it turns white? Because I think it would be hilarious if his hairbrush just has white hair, no black strands whatsoever, and his significant other thought the worst until they know his secret.

[secriden]

Style in episode 4 made me soft in a way that I truly did not expect. I’ve used the word “guileless” (def: innocent and without deception) before to describe him but I don't think that has been shown more clearly then in this episode.

He tries to be manipulative and lasts for all of one single morning and then comes running to Fadel the second he hears about Fadel asking about him. He's so excited, so exuberant at the thought that Fadel misses him, so happy that his little (terribly obvious and juvenile) plan worked.

Which is why I think he was genuinely taken aback when Fadel only had harsh words for him as a reply (this is not a criticism of Fadel; in this he has been consistent. Doesn't mean they weren't hurtful though). Look at the way Style's grin slowly dies. Watch the way he straightens and backs away a bit, like he wasn't expecting the clawed swipe of Fadel's dismissal.

But Style is resilient. He's tenacious. We see him rally and steel himself to resume his pursuit: because Style is nothing if not determined to hold on to the thinnest thread of hope that he's breaking through Fadel's shell. And can I just take a moment to get emotional about Style offering forgiveness even when Fadel hasn't asked for it?

This, though. I do think this was uncalled for (this is a criticism of Fadel). You can make the argument that Fadel has tried honesty and blunt rejection and it hasn't worked, but I would have respected Fadel more if he'd stuck to his guns and kept rejecting Style in the same manner. Especially when everything else about his character shows he's actually very up front and direct. With Bison, with Kant, hell even with himself.

Fadel is mocking Style's clear and wanton desire for him. Look at the sardonic little grin Fadel gets right before he says, "You won't ever get what you want." Consider the way he was touching Style with that gentle, focused intensity; how he cuts up his shirt and tears it open and leans in close in a way that suggests purposefulness while having zero intention of seeing it through. Fadel knew what he was doing and he did it on purpose, to hurt.

And you can see that Style is genuinely hurt here. I think he has always been prepared for Fadel's rejection, but not his cruelty. Not Fadel making sport of him and his very real emotions and desires. Because Fadel has been rude and condescending before, but he's never been contemptuous like he is here.

And I wonder, partly, if this is because both times we see Style and his dad, his dad is scolding/chiding/correcting him to some extent. Perhaps that's just how they interact. Or perhaps, as implied by the way Style sarcastically said "Thanks, dad" as Fadel drives away in episode 1, Style doesn't enjoy the way his father scolds him and always has criticisms or corrections for him. Perhaps Style just wants to be accepted for who he is, especially by the man he is starting to have real feelings for.

Edit (after Ep 5): I'm so sorry, Papa Style, I did you so wrong. ;u;

@lazzarella made a post recently about Dunk's phenomenal acting in this scene (among others) and I concur so hard about how intense and scorching and "both fiery and steely" Style's anger feels in this scene. He's furious and wounded and you can see it in his gaze, the tension in his jaw, the way he bares his teeth up at Fadel when he says "...punch me in the face? Go on!"

And honestly, he is justified. Fadel's incredulity has no basis here: he stooped back to using public humiliation, something which Style very pointedly has not engaged with since his conversation with Bison in episode 2. Every instance of approaching Fadel since then has clearly been aimed to involve himself in Fadel's private life*.

*Yes even or maybe especially the support group in episode 3. Because while Style may have been treating the whole thing too lightly, all of it is directed privately to Fadel with his secret looks and winks. As far as the other support group members are concerned, Style was a somewhat overdramatic new member that had no connection to Fadel.

But what Fadel did by cutting up his shirt and sending him out in shame regressed them back to their early dynamic, which was far more antagonistic.

This is why Style lashes out at the support group again. Look at the anger simmering in his eyes. The way he makes direct, insistent eye contact with Fadel as he speaks, returning again when he talks about feeling used. Style, overall, is a character that doesn't take anything too seriously so it's almost shocking to see him this visibly angry and so pointedly challenging Fadel in a space where Fadel cannot easily brush him off.

But even now, even in all his rage and hurt, Style is true to himself and his heart. He doesn't want revenge or an apology, he wants Fadel to acknowledge that the thing between them, fragile as it is, matters; that what they did meant something to the both of them.

And this is why I was so broken about Style offering forgiveness without Fadel asking for it earlier: because all it took was Fadel admitting that he missed Style for him to unreservedly offer reassurance and safety for Fadel's heart. There is nothing ambiguous about what Style says at the jeep: he makes his own intentions clear by offering certainty, taking responsibility, promising the very commitment he was asking Fadel for.

He makes himself vulnerable to and for the man who literally just mocked and humiliated him that morning. Style really just let all his anger go immediately like that.

And no, I don't think he was doing all that for the car. This is just how Style talks. He has a flair for the dramatic, and this was the perfect way to reveal his news to Kant. But look at how delighted, how filled with boyish glee he is while he tells Kant the news about Fadel agreeing to be his boyfriend. Consider the way he reacted in the moment: the joy in his voice and the wonder in his eyes when he said "Really? We're dating now?", the way he covers Fadel's cheeks in a hundred butterfly kisses.

Also, a thought that occurred to me - could this be Style's first relationship? We know from episode 1 that he sleeps around, but there's seemingly no mention of a previous serious/committed relationship so far. His dad seems surprised to hear Style is seriously pursing someone. Could Fadel be the first person to capture his interest for long enough that Style developed actual feelings?

Which is also why his fear is now so visceral. He is genuinely terrified of Fadel, but I don't think it's just because he's realised how dangerous Fadel is (after all, he's known that to some extent since he watched Fadel break a man's arm with his thighs). No, his fear stems from the fact that Fadel now has reason to hurt Style.

In the face of the betrayal of his own trust, Style answers Kant's plea to friendship and entangles himself with Kant's lie willingly... and thereby forfeits all rights to the safety he was so confident of in the middle of the woods by an abandoned factory. Because now Style knows that if Kant gets found out, it won't matter that Style didn't intentionally mislead and take advantage of Fadel's vulnerability in the forest. Because he still chose Kant over Fadel here, and that makes him undeserving of the open door he asked Fadel to give him.

Style is incredibly transparent in all his thoughts and emotions and this is why I say that Style is guileless: he is incapable of true deception. His heart is too close to the surface, his desires too obvious, his thoughts too clearly broadcasted on his face.

He is the perfect foil; not only to Fadel (who until this episode held everything so buried inside his chest that we only understand his true feelings in snatches of memories or moments when Fadel is certain that he is truely alone) but also Kant (whose deception, whilst cracking under pressure, is intentional and calculated - thinking about that bowling alley accomplice right now - in a way Style never could be).

And this means that any success on his part in the upcoming episode(s) in deceiving Fadel is going to fall on either Fadel's own willful blindness or the suspension of disbelief the genre requires of the viewer -- but it won't be because Style is actually any good at playing the role now that he knows the full truth.

This is why my heart breaks for Style. Because Kant forced a burden on him that he was in no way prepared to bear. And eventually Style will have to choose between his loyalty to Kant and his burgeoning feelings for Fadel and, regardless of his choice, the narrative demands that Style sacrifice a piece of his own heart in the process.