#how can someone be down so bad for someone but also be so awful to them

[redux-iterum]

So I’m curious about Goldenflower’s reaction! We’ve seen how aggressively she reacts when kits or young cats are put in danger (ie. Fireheart being left out alone). So I was surprised she allowed the ceremony to proceed. Is Bluestar’s failing mental health the reason why she didn’t react more strongly and shut that shit with Aspen/Ash/Cloud down? Also where do the clans draw the line in regards to someone like Bluestar when they’re not stable enough to really be held accountable, but they are putting other clanmates in danger through their actions?

There's a couple things going into this, so bear with me.

This whole situation is extremely difficult for everyone in a position of power, let alone the average warrior. Ideally - that is, how the Clans imagine stuff like this to go in stories - the leader can be disobeyed and disregarded by their followers, no questions asked, the instant they fuck up or do something dangerous. The matriarch has all the power over kits, the deputy can step in as the proper head of the Clan, the elders will be looked to and the seers have all of StarClan to give out judgements and commands. This is a sort of checks-and-balances type of society! It's going to be so easy to handle if it ever does happen!

Realistically, though, Clans are hardwired to obey their leaders above everyone else. It's why Brokenstar got away with everything for so long, it's why Tigerclaw would have been so much more dangerous if he'd gotten there, and it's what's allowing Bluestar to keep her position even though her mind is visibly failing. Leaders aren't untouchable, theoretically, but it is so very hard for a Clan to look at the cat who's so important to their society that they have an entirely unique suffix just to denote their rank and tell themselves "I refuse to honor them and do as they say", even if they have a good reason, or several. Even at this point, ThunderClan will obey their leader over their matriarch, and the matriarch will be forced to go along with this, not knowing what else can be legally done.

To disobey says so much about the warrior and the Clan as a whole: they made a mistake placing such massive responsibilities on this cat's shoulders, they have nowhere to put the demoted cat that will go smoothly, they're threatening the unity and structure of the Clan by shaking the very foundation of what they've grown up and lived with. It's so hard for a cat, let alone a warrior, to adjust to severe changes like that, especially ones that imply something at fault within themselves - which, inherently, following a bad leader for any length of time will shine a light on. Sometimes it's easier to keep silent - or, at the most, mutter complaints to your friend while doing nothing.

There's another aspect of this botched apprentice ceremony: the apprentices themselves. Changing from a kit to an apprentice is such an important, valuable, special thing for everyone; it's the biggest change in your life so far and it marks you as ready to serve your Clan and grow up to be someone great. To go through with the ceremony and then rip away that gift from cats so young and new to the world is a particularly cruel sort of disappointment, bordering on punishment in the eyes of that kit. Can you imagine being a grade schooler, about to enter middle school, and then being told you have to go back to kindergarten because someone else fucked up your paperwork? How awful would that be?

Speckletail made about as good of a call as she could in that moment, taking the apprentices' ages, their mentors and the Clans' culture into account. Let them be apprentices until they prove they're not ready, and if they aren't, they can go back to being a kit. This sort of solves the problem in a way - the apprentices will be eager to prove they can keep their -paw's and will work hard to do so, and if they fall behind...well, maybe they can just stay in camp for another month and then come right back to training with some experience already! It's not ideal, but it's the best Speckletail could do.

As for the final question... did you know that it was believed that planting an elder tree by your door would keep the devil away?

[rosakuma]

Possible Parallels to Ace/Nico and Arei/Eden? Spoilers for Ch. 2

Okay so with the next episode approaching us fast, I wanted to get out this post that is something that could connect to the case via the similarities between Arei and Eden with Ace and Nico. This is a mixture of character analysis and theory through the eyes of Culptrit Eden view.

Note: Just because there similarities doesn’t fully cement that Eden is the culprit + I’ll be giving an interpretation on some parts that could be a possible connection. So take this subjectively 😋

Let’s get to our big meanies! To start out, let’s compare two of the biggest jerks of DRDT’s cast, Ace and Arei.

When it comes to their role as a bully to their respective target, both are different while being similar to their approach. Ace and Arei verbally bullyies Nico and Eden with insults or assumptions on them.

When it comes to Ace, his insults and assumptions are based off his own insecurities and paranoia on how others see him. While we still don't know what causes him to feel this way, we can see how this affects others like Nico and also bites him in the back with everyone hating him because of this.

Nico being the victim of these outbursts affects them hard to take things too far due to Ace’s behavior to them reminding them of unsavory memories in their past. Nico seems to had moments similar to what Ace would do of yelling at them for saying something wrong bluntly(though to them, they don't mean it in a bad way) or getting at them for either “Wanting Pity” or “Can’t defend themselves “. Knowing how Nico’s identity of being nonbinary has cause bullies to come after them with throwing rocks/mud at them or being accused of trying to get attention in a derogatory way, this is why Ace’s accusations towards them trying to get pity got to them hard. Enough to commit murder as while I don't think Nico before the killing game tried to kill their dad or any of their peers/teachers, I do think this reflects that Nico wishes they had power over them or maybe thoughts of harming them just to get back at them. Being able to have that temporarily over Ace, it was probably the first time they were able to take action back to others who treated them awful just for who they are as a person.

Getting back to Ace. Ace is aware of this behavior being too much when it comes to his anger, but still goes ahead with it regardless. Even though deep down, he wishes he both was and wasn't the things he claims Nico is. That someone would save him from this situation of the killing game/his self sabotage behavior and care about him. But he also doesn't want to let his guard down with being in this scary situation and refuses to let anyone talk shit to him to his face. That's why it hurt so much when his projection of this person being Levi was shattered the moment Levi reveals he does not care about anyone, including Ace who could live or die for all he cares. This is just speculation, but with this chapter showcasing everyone’s flaws or hints that there’s more to them. I believe Ace in a way like Arei, probably went through something to cause his paranoia on everyone thinking that he’s hot headed idiot and the need to “fight back” to show he’s not weak either. That no one really cares about him except for one person(Taylor) who’s presumably dead now. If I had to guess, it could relate to his talent of being a jockey in perhaps the competition would get to his head and knowing he can’t fail(maybe perhaps thanks to his family whether to disappoint them or fail to support them). Resulting in the Ace we know today as the hot headed all bark, but no bite jockey who doesn't care that his body is failing him as who’s going to care? He only got himself and he can’t go out until he dies on his own terms. He truly lives up to his secret quote of “I don’t know what to do with myself anymore” as he cannot figure out if he wants to just isolate and hurt himself in the process or to let others in to help him out and change this harmful behavior of his.

Going onto Arei, her way of bullying Eden is more out of a mixture envy and concern for her. Before we knew Arei was her manipulative self who would fake being nice and cry during ch.1 before revealing herself and started insulting others. After Min’s death in ch.2 we see how her feelings about what happened cause to her act out in this chapter.

When Eden was searching for her to have her join her clock activitity with her and Teruko, Arei burst out in disgust about this invitation. Eden confused as Arei wanted to join last activity, gets hit with Arei blaming her for Min’s death. For pretending to be all sad about Min dying, before returning to her usually happy self. Telling her that acting this way and trying to do these “friendship” bonding activities is just going to cause more people to die. And it’ll will be all your fault.

This pushes Eden to tears and she runs away. To where we get in the conversation with Arei, David, and Teruko that she reveals her world view. That thanks to her sisters, her life been hell. That she used to be a nice person who tried being kind to others, but that kindness was only met by hate and manipulative jerks who take their sick kicks out on her because they had more power over her. Arei had no one who cared about her or show her kindness, only those who taught her its a dog eat dog world and you better get with it if you want to survive.

In a way, her bullying towards Eden unlike Ace’s towards Nico is because in her own way, she’s trying to help Eden. Eden probably reminds Arei of her old self that she had to disregard to survive during her childhood to adulthood. She doesn't wish any actually harm on Eden, she just wants Eden to not end up hurting like she did. But at the same time while not enjoying making Eden cry over this, she does feel something towards her. Envy

Arei feels envious towards how someone like Eden can exist. That she can be kind in this cruel world and no one takes advantage of her for it. That she can be this way and not experience any hell that Arei did despite not wanting to always be this way.

This makes me feel the connection between Ace and Arei. Both are envious towards their victims with what they have that they never gotten. Both Nico and Eden have people who cared about them and doesn't think of them being less than who they are. They can be themselves in this killing game with no one taking advantage of them(well until I guess the David reveal but nevermind that). While these two are trying to survive in a terrible situation with their own survival instincts they develop to survive in the world before this game. Although Arei before her death was trying to break out from this, to where she was given a hand from both Eden and David. Arei wanted to change even if she thought she was far too gone too. To be a good person like Eden and David. Even when getting her view of them shattered with David being a crappy person, she was glad as she’s not alone. Arei is thankful that there is no bad or good person, that she can change to be less shitty as there’s no impossible standards to live up to achieve it. Though Ace never got to get this as he had no David or Eden to reach out for him, to realize that he may be a shitty person like everyone else, but he could change his ways.

Now you’re probably wondering “Where does Eden come into all of this?” “How does this possibly connects to her being the culprit?” The thing is since both our bullies here have connections in similarities of how they treat their targets and how both murders are similar in how they’re done. What about the targets?

As we established with Nico earlier, Nico was driven to murder Ace because Ace reminded them of their past trauma right? What if Eden did the same to Arei because she reminded her of her past? Full speculation on possible Eden lore based off the little tidbits we know.

Now I don't think how Arei bullied Eden was the reason why Eden would plan to kill Arei her especially since they made up. Rather I think the reason why Eden killed her is because of when they made up. Remember, this is just speculation, so take this with a grain of salt.

I think with Eden’s secret being “Ever since you kissed her, you were afraid your sexuality would ruin your friendships” is connected to Arei’s friendship towards Eden. Whether this girl in the past was actually Arei maybe during their time at Hope’s Peak or someone else, I think when Arei promised to be Eden’s friend brought back memories to her. To someone who promised to be her friend, to protect her, to do stuff with her like baking dumb cakes, and to be someone she could rely on. We can tell with how that secret sounds, it might’ve ended badly for Eden’s crush on this girl who she felt like she ruined their friendship with.

When Arei promised to be this type of friend to Eden for now on, it caused Eden to think back to her and that Eden didn't want to be attached to someone like that again. It was already painful enough to lose that person because of who she was, she doesn't want to relive what happened to her. So she rather cut off what could’ve been a beautiful friendship that has the potential of becoming more just to prevent the hurt of losing someone like that again. With being inspired by Nico’s murder attempt, Eden was able to have the idea to have her plan in action.

Along with this, I think this could explain Eden’s behavior throughout this chapter with how strange she’s been acting about Arei’s death during the investigation to trial. She does clearly care about Arei and wanted to be her friend, but she doesn't want to be too attached to feel regret. Maybe if Arei’s words about Eden being sad about Min and then returning to her cheery self means anything, Eden is trying to do that with Arei of showing grief for a split second before trying to focus on “solving” the case to avoid feeling responsible to her death. Eden does regret doing the murder if she is the culprit as shown how she is so hurt about how she could’ve been friends with Arei, how Arei wanted to change to be a better person, and that she doesn’t want anyone to think any less of Arei that she willingly killed herself. But unlike Nico, who was able to finally speak up for themselves and admit their wrongdoings of almost committing murder, to acknowledge that they are not the victim in this situation. Eden is instead hiding and doing what she always done, rely on others to help her because she is too weak to do so. Her fatal flaw that prevents her from acknowledging that she did wrong and isn’t the ideal good person that Arei looked up to. Unbeknownst to her that Arei already knew Eden wasn’t perfect as she seemed to be.

Also it would make Charles’ conversation with Teruko in thinking that the secret he got(Eden’s) is actually important to the case as tragic but also kinda funny foreshadowing.

Essentially to boil down the connections between both parties in a nutshell:

The bullies are individuals who went through a tough life that formed their way of survival and takes it out on those who they perceived weaker than them.

The targets have to rely on others to protect them or fight their battles(Nico doesn’t do this on purpose as Hu defends them whether they want her or not, but still it happens).

The murders done to the bullies were because the targets were reminded of their past, which pushed them to commit murder.

The murder method are the same with the pulley method and making it seem like a suicide.

The target’s secrets are related to their identity(Eden being a lesbian and Nico being nonbinary) With all of this being said, I think this is the best way I can come up with how Culprit Eden could work motive wise as one of the many reasons why people believe that she couldn’t be the murder is because of no motive we can think that makes sense for her to kill her new friend. Because to be honest I do believe that Eden is the culprit based off the evidence against her with most of the things(the tape, learning the method, the note, the clothes) connecting more to her than Ace. But only reason why I’m still not 100% sure in her being the culprit is the motive. But now if this is true, then this can cement that Eden Tobisa, the ulitmate clockmaker, is the murder of Arei Nageishi!

Anyways, this case can go either way and I just know we’re all going to be destroyed this Friday when the episode airs. One of our gays is going to be buried and there’s nothing we can do about it 🥲

[lukolabrainrot]

Calm theory anon here!!!

I was at my actual job and pop on to see the flurry of talk. I thought I would voice my opinion on a couple of things. Can we all agree that each person on these social media pages put out exactly what they want their friends/public to see? Now my issue is sometimes I feel like we don't always want to believe what people are saying. When it comes to JD some people believe he's dating a man some people believe he's dating Nic. Again all we can based our opinions on is what JD decides to post. That the info he wants people to know about. People talked about the hat and how it was Nic and that must show he's dating her. What does he do in response to that? He changes his profile picture. People talk about how they think he ended things with one of the people thought to be dating him. What does he do? He shows that person is still around by posting a pictures. We have to remember SM is a second of someone life. Every creator on any platform SM when it comes to all this is just assuming and theorizing. Not one of the fan pages know what's actual going on myself included. Now on to A photo is purposely dropped. Now as a woman before I post any type of picture I study it to make sure number one I look good and number two no information I don't want out there is visible. So we know as fellow woman in here that she knew what she was doing. We also know she visit fan pages. I feel sorry for her. I will say why. She had a man that wouldn't post her nor would he let her post him. Now I know L isn't a bad guy and I'm sure he had legit reasons. But what she is feeling right now we all have been there. We have all tried to force relationships that just didn't fit. We all know how that feels. We all been young and made mistakes. Do I think she being petty? Yes Do I think she trying to hold on to whatever fame is gained? Yes Do I think she doing it on purpose because she knows N and L won't say anything yet? Yes. But look at the frequency on how much she is posting and she has a job. She posting an awful lot now days 👀 (watch now that it's out there she will stop). She not fooling anyone. Girl get a grip. Get some pride and confidence in yourself. Stop fighting with fans honey this isn't getting you anywhere. Now on to the photo. I don't think it's Luke. And I based that on what we can see. It's a grainy photo for sure. But we do see the hair is a bit short on top. Yes I know L had it different lengths but we know he's been growing it out the summer. The beard the man has in the photo seems to be a long beard. While Luke has a beard it's stubble and not a full long beard (those take time to grow). Last but not least the man shoulders appear to be more on the square side. Luke shoulders resemble an upside down v. And that's why I think it's not Luke.

Thank you Calm Theory Anon!! We needed you today ❤️️

[laughhardrunfastbekindsblog]

You know what, I have to get this off my chest so here's my essay on why Anakin and Padme's relationship in Attack of the Clones singlehandedly sinks not only Episode II, but detracts from the entire prequel trilogy.

Here's the thing: the prequels are a tragedy, chronicling Anakin Skywalker's lamentable fall to the Dark Side and becoming Darth Vader. But the movies spend SO. MUCH. TIME. foreshadowing Anakin's fall, we never really get to see him be a hero. (I will always be immensely grateful to The Clone Wars for giving us this desperately needed characterization for Anakin).

The same applies to Anakin/Padme's relationship. Their romance should be a tragedy, and really the only way to make something tragic is to make the audience root for it to succeed in the first place.

But their relationship as depicted in the movies is so toxic and covered in red flags I can't root for it to succeed. (And Anakin himself is already apparently one breath away from going full Dark Side so there's no chance to root for him either.)

Side note about "I don't like sand" since the problems with their romance often get chalked up to "Anakin is awkward" : "Awkwardness" could have worked, because awkwardness CAN be sweet and endearing when it's coming from someone who is shown to be kind and compassionate (see: Tech in general, but also with Phee). But Anakin, 10 years after TPM, isn't depicted in AotC as truly kind or compassionate or anything even approximating heroic until maybe the Battle of Geonosis at the very end of the movie. So yeah, Anakin being an idiot young adult when talking to a girl he likes is understandable; it's all his other behavior that is absolutely unacceptable.

Just a few "highlights:"

- Padme covers the cams in her room because she doesn't want Anakin watching her, then directly calls out Anakin for the looks he's giving her and tells him it's making her uncomfortable... And Anakin's response is creepy smile and then later he persists in talking to her about how he dreams about her etc and so forth.

^ Oh, if only the above or similar had been the actual scene...

- Inexplicably (and out of character for the Padme we got to know in TPM), Padme just... rolls with it and lets Anakin continue the creepy behavior she just told him she didn't like? Okay, guess we're reinforcing the idea that when women say "no" they don't ACTUALLY mean "no," persistence always wins, just gotta keep trying no matter what the woman says.

- Anakin strokes Padme's bare skin (she still hasn't said anything to indicate she's okay with this kind of attention), and she kisses him before pulling away and expressing regret over it. Since there's no other explanation given for Padme's sudden attraction to Anakin, we're left to assume that Padme must have been hiding her feelings for him from the get-go and therefore it must have been right for Anakin to keep testing her boundaries (do I really need to spell out how deeply problematic this messaging is??).

- Padme tells Anakin a relationship isn't feasible. (I have frequently come across comments on her "dominatrix dress" in this scene because apparently if a woman is going to turn down a man she has to plan on wearing, what, a burlap sack I guess, so the guy doesn't "get the wrong impression"). Anakin then shuffles full responsibility for his feelings onto her because of "the kiss she shouldn't have given him."

- Anakin commits one mistake and bad decision and egregious crime after another in the movie, as noted above it's not until Geonosis that he makes any decision that could be marginally considered heroic or "good," and... Padme likes this awful behavior, apparently?? Where did Padme liking this come from??? (If you're going to have freakin' rational smart independent kick-butt PADME fall for something like this, at least explain/show WHY.)

- By the time we get to the "We're about to die so yeah I totally love you" cliche, I'm not even cringing anymore because I'm just trying to figure out how we got to this point in the first place.

So... Yeah, we keep being told this is an epic tragic romance, and all I can see is two hours' worth of indicators that if Padme were my real-life friend, I'd be holding an intervention long before Anakin got assigned to her security detail on Naboo. FOR FORCE'S SAKE, PADME, HE'S BEEN THROWING UP NOTHING BUT RED FLAGS! RED MEANS STOP!!!

Again, this isn't just "Anakin doesn't know how to talk to girls because he was raised as a space monk." (Come on, people, Obi Wan was raised the same way and he does NOT act like that... But I digress.) This is Anakin being a creepy stalker who doesn't listen to the woman he supposedly loves and won't take no for an answer, and he ends up rewarded for it, and we're supposed to cheer him and Padme on and want them to be together?

No. Not me, at least.

And with this as the backstory going into Revenge of the Sith, with us never getting the chance (in the movies) to see Anakin at his best even with the woman he supposedly loves, Anakin's fall doesn't really feel tragic - it just feels... inevitable. His fall is plenty tragic and regrettable for the Jedi and clones and the Republic in general, of course; but with respect to how Anakin's demise affects him, it just hits as being a long time coming.

(At the end of the day, the only reason why I tolerate Anakin/Padme in TCW is because I actively ignore everything about their relationship from AotC. TCW also did such a stellar job showing enough of Anakin's good side contrasted with his darker tendencies that Anakin's fall in RotS now finally hits me as tragic for Anakin in particular. And the only reason why I rewatch AotC is for Obi Wan and the Yoda v Dooku fight, I almost always skip over 90% of the "romance" scenes at this point because I don't like gagging while watching a movie.)

[silverj0]

I’ve already read like half of “The Reckoning of Roku” in like a day, and was making memes to send to my coworker so here they are

Does contain some mild spoilers as a warning

[hammill-goes-fogwalking]

I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI. I HATE AI.

[rapidhighway]

gonna vent for a sec but im so tired of this "don't wanna be an inconvenience", people pleasing shit ngl.....do people who do this know that they just come off as really rude and like... it just feels insulting each time

[halloweendeity]

.

[tasmanianstripes]

People need to practice minding their own damn business

Don't come into people's inboxes giving unsolicited advice or criticizing their personal stuff. Don't reblog somebody's posts saying how much you hate it and their opinions.

Don't like somebody's characterisation, AUs or the kind of art they post? It might even annoy you?

Okay, cool. Go make your own post. Block them. Be a little hater about it to your friends. It's good for your soul!

But don't be goddamn rude to people. Don't make it their problem.

"I don't like what this artist likes mah mah mah"

Here's a wild idea;

Artists...don't need to cater to you. You are not entitles to their work. Nobody on the internet should coddle you and post only stuff you like.

Shocker, I know.

[hecksupremechips]

Girl like. The reason he said "this is how it should be" and faced death with a smile....is cuz he wanted to die. For 2 years he sat there thinking he was worthless and deserved to die. If he hadn’t be shot, his death would’ve been suicide, he was fully planning to die in a gutter somewhere undetected. When saying "this is how it should be" hes literally saying "don’t cry because I’m dying, my death is a good thing actually because I fucking suck and you are better off without me". I don’t think that’s badass even slightly, it’s actually really sad and really shitty. Shinjiro is so convinced that he deserves to die and hates the idea of anyone giving a shit about him because he literally can’t wrap his mind around the idea that he will be missed when he’s gone, that his death is a bad thing actually. And his last words were meant to be comforting because he fully did not intend for anyone to be there when he died, he intended to die alone, so he says them as a reminder that he’s not worth crying over

Personally, if it were me, if I was holding my dying best friend in my arms who was deeply depressed and suicidal and he said "this is how it should be" uh. I wouldn’t admire him for it??? Like am I losing my mind when I say the way this game handles Shinji is bad or is anyone else seeing this too 😰

[bunnihearted]

🐇🩹🚪

[carrieway]

i just think ghosting someone should be illegal

[paldogangsaan]

writing a macau-centric au where vegas dies during the coup and macau has to deal with it and at this point i feel like i’m never gonna finish it. like why do i have an 11.6k word outline

[nereidprinc3ss]

you know the killer doesn't understand

in which spencer is so terrified he's going to hurt you after he gets out of prison that he can barely touch you. an argument ensues.

angst (+ comfort) warnings/tags: established relationship, fem!reader, mentions of violent intrusive thoughts (non-specific), arguing, yelling, use of the word rape, nightmares, happyish ending, mention of showering together, it's a bad time but it's also a good time for us woo i love angsty angst a/n: i miss posting for real so bad i dug up this draft which was mostly finished and polished it up. i think i really like this one and it was based on a request but i lost it:( i hope u guys enjoy this, pls lmk<3

Spencer is by no means happy with his sudden fear of touching you—it makes everything in his life significantly harder and less convenient and he hates that he’s constantly afraid he’s going to break you. He hates watching you hold back from attacking him with a hug when he enters a room like you used to, and he feels terrible every time you ball up on the opposite side of the couch as he reads, waiting for an invitation into his lap but too scared to ask for one (he’ll always hold out his arm for you, though—he’s not cruel.)

You’re adorable in the way you stand at the foot of the bed in your pajamas, arms behind your back like it’s not your bed too, but it makes him feel terrible. This isn’t at all what he wanted for you, and in all honestly he’s thought about ending the relationship because he knows he’s being an absolutely awful partner—but he just can’t bring himself to. Instead, he gestures for you to get into bed, and you curl up under the covers close to him but not against him, and he’ll play with your hair and read for a while because he can’t sleep very well. Eventually he’ll assume the position of sleep, but some sick part of him doesn’t know what to do with the sounds of the city and the fan instead of the sounds of a hundred men rolling and sniffing and shuffling around their echoey cells. He doesn’t understand warmth anymore, or softness, or nice pajamas or fluffy pillows. He’s starting to think he doesn’t understand you. And that’s the worst thought of all. 

So he essentially dozes for the first week, on and off, always exhausted in the mornings but what’s new. When he can’t sleep, he turns his head to watch you breathe—some beautiful, sweet creature dreaming in his bed, unwaveringly loyal to him even though he can hardly stand to touch you for fuck’s sake. You’re beautiful, and it makes him feel better to watch you, even if he can’t touch you. Not now that he knows what he is capable of doing to another person. What if he has some sort of PTSD—PTSS, thank you, Luke Alvez—induced dream and does something terrible to you in his sleep? It’s not like you’re tiny, but he’s stronger, he knows he is, and lately every time you get too close he remembers exactly what it feels like to exert the full force of that strength, and what it feels like when someone else unleashes their own onto him. 

They’re just intrusive thoughts, and in them he doesn’t hurt you intentionally, but he always feels a little bit sick now. He is so, so sick. A bull in a China shop. Spencer knows exactly how breakable humans are—it’s his job to know. If he left so much as one red mark on you by accident, he’s quite sure he’d drill down to a previously unknown rock bottom. And if he reaches that point, he doesn’t know if he’d ever deserve to come back. 

Every day it seems to become clearer that the only humane thing to do is break up with you. But for now he’ll watch you sleep—the delicate rising and falling of your chest, the way you curl in on yourself because you can’t curl into him. In sleep you look so peaceful and content. You never look that way awake, anymore. Not when he’s around, which is pretty much always. At least he can’t disappoint you while you’re asleep. 

Or so he’d like to think. 

Until one night, about a week and a half after he gets home; you whimper in your sleep. It’s so quiet he could’ve missed it, but he doesn’t, and then he watches your smooth brow furrow with worry and he knows you’re having a nightmare immediately. 

Spencer panics—before, he would have woken you up and held you and comforted you until you fell back asleep and it would have been so simple. Now he’s frozen, afraid to touch you but not sure if he can just lie there watching you so afraid and not do a thing about it. 

In the end, you choose for him—and it only takes a few moments. You’re close enough to him that it’s easy for you to close the few inches even in sleep, and maybe you’re slightly conscious but not enough to remember you’re not supposed to touch him. 

He stops breathing as you fold yourself against him, muttering worried nonsense—he catches his name, once—nestling against his chest, one searching arm gently draping over his waist. Every muscle in his body is rigid, and his thoughts—his mind goes… completely fucking blank. 

Suddenly, all he’s known, all he’s ever known, is the smell of your hair, the warmth of you seeping through layers of clothing, and the weight of your arm over him. Everything he ever was ceases to exist, and he’s just this, right now. The person you’d turned to unconsciously for comfort, so sure, so trusting that he would keep you safe. He can feel your breath for the first time in months. Slowly every tense muscle unspools. For the first time in a long time he doesn’t feel dangerous. He doesn’t feel like his entire body is spring loaded and ready to attack at the slightest provocation. Spencer allows himself to hold you, and part of it feels like betrayal because he knows how badly you need this from him while you’re awake but mostly he feels like he could cry. His thumb rubs circles into the middle of your back and your head tucks so perfectly under his chin while he studies the rumpled sheets where you’d been lying a moment ago. He almost feels like sticking his tongue out to gloat at your half of the mattress—haha, look who gets to hold her now—but instead he sighs, shakily, and squeezes his eyes shut. 

You don’t make another sound for hours. 

He’s reluctant to let you go when you begin to stir around six AM, but forcibly holding onto you is so far from what he wants to do that he manages. You roll back over to your own side of the bed, and he continues admiring you from afar until he falls asleep. It’s the best three hours of sleep he’s had in a very long time. 

Of course, you don’t remember it. When you wake up your sadness resumes, and so does the pretending like you’re not sad, but you’re a very good sport—and it helps that he’s feeling much better this morning than he has since he got back. 

“Good morning,” you whisper faintly, still blinking as you watch him longingly from your spot. 

Spencer pushes himself up onto an elbow, and you watch with big eyes as he leans over you, stroking your cheek with his free hand. 

“Good morning. You sleep okay?”

Your brow flickers, and he realizes it’s not a question he asks every morning, and you’re probably distracted by this overt display of affection, but you answer it obediently anyway. 

“I think so. I had weird dreams.”

He hums. 

“About what?”

It’s quiet for a moment as he takes in the exact spattering of microscopically fractured pigment over your irises. Your voice is small when you finally speak. 

“Do I have to tell you?”

That hurts. 

“No. But it might help.”

Coming from him? Ironic doesn’t even begin to cover it. 

You acknowledge him with a small hum of your own, studying him with soft, mistrustful eyes. 

He can’t help it anymore—Spencer leans down and gently kisses you, so tenderly, so chastely, it makes his own head spin. He hasn’t kissed you like that since you picked him up from Milburn. It’s long overdue. 

Which is why he’s not expecting you to start crying. He pulls back immediately, not far, just enough to assess your expression. 

“What’s this? What’s wrong, angel?” He frowns. Your lip quivers in a way that feels like a blow to the chest. 

“That’s not… you’re…”

“What? What is it?”

A fat tear finally traces a path down your cheek and when you speak your voice breaks in the most fragile, devastating way. 

“You’re not being fair.”

He has no neat question to summarize all the bafflement your accusation inspires in his lately cloudy head, but the wildly confused look on his face must be prompt enough.

“I’m trying really hard to respect your space and boundaries and not upset you but my feelings are hurt, Spencer, I don’t know how they couldn’t be. I feel like you don’t even like me anymore. I’m embarrassed around you because I feel like I care about you so much more than you care about me. And then you—and then you wake up one morning and you think it’s okay to act like you love me again but I can’t—I c—” you stop, obviously frustrated—now crying in earnest and lacking the words. “You can’t be mean to me. I know you’ve been through a lot and I’m sorry but you can’t treat me like that. I’m a person, too.”

His chest aches and he swallows down barbed wire.

“I’m not acting like I love you. I do love you. More than I’ve ever loved anyone or anything in my life. That’s not an act.”

It’s not an adequate response, but your words are still spinning in his head until he can’t keep up with them. He’s not used to this, anymore. The language you two had developed is so foreign now. 

Maybe he just doesn’t know how to talk to you. 

Resignation—a too-calm recognition softens the stormy look that has brewed on your face. As soon as it’s gone, and you’re looking at him placidly, he realizes he’s afraid. 

“Well, that’s not enough,” you whisper. 

Spencer feels like he’s been shot as you push the covers aside and slip out of bed. And he knows what that feels like. 

“Where are you going?” And then louder, when you don’t hear him because you’ve already left the room, “Where are you going?”

He follows you through the apartment as you march purposefully for the door, slipping shoes on and grabbing your keys and coat. 

You barely look over your shoulder as you leave, slamming the front door behind you. Things shake from the impact. A mini earthquake. 

Spencer is too stunned to follow you. 

It’s not until a few minutes later when he goes to call you that he realizes your phone is still sitting on your bedside table. He stares at it, tasting metal, because he has absolutely no way to reach you or guarantee your safety. There’s no way for you to call him, or anyone, if you get in trouble—and he fears that you’ll retaliate against him by doing something stupid and dangerous. 

He only just manages to stop himself from calling the police and asking them to start looking for you. Only just recognizes it to be an overreaction. 

Besides, he’s not feeling particularly fond of the criminal justice institution these days. If it came down to it, he’d trust himself and his team over the cops any day.

The team. They’re always a resource. If worst comes to worst, he thinks, robotically making coffee as he tries to talk himself down, and she doesn’t come home before dark, I’ll call all of her closest friends. If she doesn’t come home before the morning—the thought makes him feel sick—I’ll deploy every fucking resource at my disposal. 

Maybe that’s an overreaction, too, but he has to find a way to self-soothe somehow. Planning makes him feel better. Being prepared for the things you never see coming makes him feel better. It’s impossible, of course—but the illusion of control is stubborn and so seductive. 

Thankfully, it doesn’t come to that. 

At around 2 PM, he receives a couple of texts from Garcia that are a massive relief. 

Penelope: She’s at my apartment

Penelope: BE NICER TO YOUR GIRLFRIEND!!!!!!!

The series of emojis that follow (including an octopus?), he doesn’t even try to decipher. He simply drops his phone and sighs deeply into his hands, releasing an extreme amount of paranoid tension that had been tying him into knots. Lately, he’s had this sense that everything is fleeting—that the things he takes for granted are painfully, violently impermanent. It doesn’t take anyone with a degree to figure out why he’s been feeling that way, but it’s so all-consuming he’s not sure how to cope with it. Just a few days ago, he’d been wondering how to break up with you. Now he’s asking himself how the fuck he thought he’d be able to do that when he’s barely functioning after a few hours without you.

It’s a question he still hasn’t answered by the time the front door opens at 10 PM. It’s clear by the deer-in-headlights look on your face that you hadn’t been expecting him like this—leaning over the counter, half-empty mug by his hand, staring at nothing in particular and waiting for you to come home. Neither of you have changed clothing since this morning—not that you could—but you look apprehensive as you close it behind you, never facing away from him. The whole thing is like a teenager being caught sneaking back in by a weary parent. 

For a moment the silent confrontation stretches into the horizon, a non-specific point as neither of you seem inclined to be the first to talk. You just watch him watching you—leaning against the door rigidly as if you can’t get far enough away. But he’s too tired for this. Too worn out. 

“How’d you get home?”

You swallow. 

“Penelope.”

Spencer nods slowly, rolling his bottom lip between teeth and finally looking away. 

“You really should have brought your phone.”

You scoff, peeling yourself from the door. 

“Of course that’s what you’re worried about.”

It’s the same situation as this morning, but in reverse—him following after you down the hall as you storm toward the bedroom. 

“Wh—should I not have been? You scared me—” he says your name, barely catching the door before it can slam in his face. “I was worried about you.”

“Why?” you face him, laughing bewilderedly as if the situation were at all funny. A kind of manic energy crackles from the surface of your skin and in your eyes that renders him unable to think of a reply. “Because you thought I would get raped and murdered and then you’d be sad?”

“Yes!” Spencer yells, eyes widening as he fails to contain his frustration any longer. “That is fucking exactly why I was scared!”

You step forward, getting in his space. It jars him, momentarily—he wants to get away from you. Being angry and so close to you is terrifying. What if he lashes out? What if he hurts you? He’s seen crimes of passion. His blood is freezing in his veins. 

“Of course you didn’t give one single fuck that I left you. You didn’t think for one fucking second that I might be tired of this. That wasn’t what you were scared of at all.” For every inch you near, he backs away. Another scorned, bitter laugh from you that feels like poison coursing through his entire circulatory system. You notice everything, eyeing him up and down as he cowers from you. “What is this, Spencer? If you hate being near me that much, just fucking break up with me.”

You’re close enough that he can see the tears welling in your eyes, but he’d know they were there even if he couldn’t observe them. He would hear it in your voice. He would feel it. But he can’t do anything about it. Right now, he’s paralyzed. 

“If the only thing holding you back is wanting to spare my feelings, just fucking do it. This isn’t better. I don’t give a fuck if it’s hard for you. It’s hard for me, too, but I’m not just going to ignore it anymore.”

There’s no more room. The wall is at is back. 

“Honey, please back up,” Spencer breathes. Last time his back was to a wall, he’d been gagged and beaten. Don’t lash out. She never hurt you. It wasn’t her. 

“Don’t tell me what to do!” you shout, as tears begin to spill over your cheeks. “Either break up with me or stop telling me to go away!”

At that moment, as you break down and your words become muddled with sobs, you raise your fist. 

Spencer watches it approach his shoulder as if in slow-motion. 

On instinct, he catches your wrist.

There’s a lull as he waits for something to explode, for something to go terribly, deeply wrong—

But it doesn’t. 

He realizes his grip is gentle. He realizes you’d never actually hurt him like that. He realizes how little resistance he’d found when he stopped what was sure to be nothing more than a petulant, petty bump against his shoulder—a maneuver that wouldn’t have hurt in the slightest. It was nothing more than a desolate, childlike display of feelings bigger than you know what to do with. 

In the second that it takes him to realize all of this, to realize he is not endangering you in the slightest, nor you him, you’ve begun to truly sob. Standing just inches from him, head angled down as he holds your wrist carefully, you are the picture of a girl who has been running on empty for a very long time and has nothing left to give. Spencer twines his arms around you, tucking your head under his chin and slowly rubbing your back like he’d never forgotten how to hold you. It stuns you, and the tears pause for just a second—before you’re wrapping desperate, weakened arms around him and sobbing even harder, albeit silently, into his shirt. 

“I don’t want to break up,” he whispers, his own voice shaky with understated emotion. “I’m sorry. Please don’t say that. I don’t want that.”

“What’s wrong with you?” You cry, a desperate plead caught between sobs that wrack your body against his against the wall. And he knows it’s not an accusation. It’s not an insult. It’s a question borne of confusion and fear. It’s what a child might ask a sick dog while tears stream down feverish cheeks. And it’s completely appropriate, considering he never tells you anything anymore and he’s only just realizing how scary that must be. Spencer is back from prison but you may as well still be living alone for all that you know about him. He tangles a hand in your hair and holds you against his chest, breathing you like nitrous oxide. 

“I don’t know,” he whispers. The room beyond blurs as he stares at nothing, focused only on the tingly euphoria of feeling you under his hands clashing with the ever-present and crushing shame that he couldn't do it sooner. “I don’t know. I’m sorry.”

“I don’t want you—to be sorry.” Shuddering breaths and gasps still cleave your sentences in half, and Spencer listens so intently he thinks there might be harmonics hidden in the layers of your voice. He clings to every syllable like you’re wielding the word of god in a five-foot-something body. “I just miss you so m—much. I want you to—to love me.”

“I do,” he promises immediately, lips pressing to your ear. “I do love you. So much. So much.”

When you don’t respond, he’s not exactly surprised. He almost asks what he can do, what you need—but is quite sure that’s not the right move. Instead he doesn’t say a thing. Only holds you.

Later, you’ll pull back and he’ll swim in your teary gaze, and then kiss you. He’ll trace silent apologies into every inch of your skin under the torrent of the shower, and he’ll do whatever it takes to make you understand. But for now, for the first time in months, you’re holding each other, and that’s all either of you need.  

[genderqueerdykes]

as someone who has been scarred for life by experiences at gay bars, i need people to understand it's beyond tacky to mock people who want queer spaces beyond queer bars- it's dangerous.

let me explain. i went to 2 of my local queer bars a lot last year, as much as i was able to despite being poor. i witnessed a fist fight that was so bloody that ended up with a transmisogynistic drag queen getting hit in the head with a metal baton. the sight caused me to uncontrollably throw up in the bathroom of the club because of how gruesome it was. they had to close down the club and forard people out the back door because of how out of hand this person got- he was screaming transmisogynstic slurs and phrases at the bouncers were were transfem.

i was also sexually assaulted at these places, i was repeatedly groped by several people who i was not interacting with in the first place who found me attractive and decided physically grabbing me on numerous occasions was the way to get my attention. being femme in a queer bar is dangerous even if the people groping you are gay men.

i am also a recovering addict who dealt with alcohol issues in the past and could be considered a recovering alcoholic. i don't want to be around alcohol. i don't want to smell it. it triggers awful memories and also sometimes makes me consider getting a drink, but i can't have one, because the medications i take will cause a fatal reaction- i don't want to be tempted to drink, because it will kill me.

it's not right to mock someone or call them childish or whatever for not wanting to go to a club. whenever alcohol is involved, people's inhibitions are gone and they will do whatever. this includes fighting. i witnessed several other fights. just because it's a queer bar doesn't mean there won't be fights. and it especialyl doesn't m ean that you won't get groped or assaulted because, like i said, since alcohol is involved and it's a bar, there's a high chance this can and will happen.

queer people are not inherently safe angels to be around by virtue of being queer. there are still transphobes in queer bars. tranny chasers come to these bars. homophobic lesbians show up and lesbophobic gay men show up. drag queens and performers bring their cishet friends and family to support their shows. these are not perfect havens. they are not safe. we should not force other queers to interact with inherently dangerous spaces if these are supposed to be our safe spaces.

also these spaces are not friendly to people with disabilities; wheelchair users have nowhere to go especially when it's very crowded. other mobility aids get kicked and knocked over. neurodivergent people can get overstimulated by the deafening music very quickly. photosensitive people can have seizures due to the strobing lights. people with emetophobia like me run the risk of running into those types of triggers. people who are overstimulated by intoxicated people have no choice but to deal with it. dancing is one of the only activities to do other than drink and not many disabled (or even abled) people can dance for extended periods of time comfortably.

not to mention these spaces are not geared toward aromantic or asexual people at all, either. there is a long list of reasons why bars should not be our primary venues of interaction with one another. they serve a specific purpose- for people who want to cruise- but for the rest of us, it's really crucial that we have spaces that provide meaningful interactions with other queers on other levels of our identities.

some people just want to hang out with other queers in a quiet environment and craft, or shop, or drink coffee, or read books together, or just about any other activity on planet earth, and that's not "lame" or "cringy" or bad in any way- these are extremely normal and necessary parts of human interaction that we all require and crave and it's normal to want to do healthy, domestic things with other queers. we need this in our lives.

please take it seriously when people attempt to create queer spaces that don't involve alcohol and bars. it's necessary for our survival and well being as a community.

[corkinavoid]

DPxDC Danny Is A Self-Fulfilling Prophecy

(not in a necessarily bad way and it's by Clockwork's design)

Bats, or Constantine, or the JL, or whoever you want to be close to Danny in this prompt, don't notice it right away. It takes them a while to figure out its not purely coincidence. And even after they do figure it out, they still have their doubts.

The thing is, it doesn't work all the time. It also doesn't seem to have a system or a schedule to it, nor is it any kind of a superpower, as far as they can understand. By God, does Danny have way too many superpowers, but most of them are consistent, and yet this one... is weird. Weirder than anything they've seen before, and they've seen a lot, okay.

It also only works if Danny does it without thinking.

"You know what'd be perfect right now? A cheese sandwich," Danny says over the comms, in the middle of the fight with Dr. Freeze, "A warm, grilled cheese sandwich just out of the toas- Owch, what?" There's a pause. And then, "Guys, you're not gonna believe it, a cheese sandwich just smacked me in the face! I think someone threw it out of the window or something!" Danny sounds bewildered, but excited, and there's a sound of chewing from his comm now. At least he is eating, so that's good.

"I fucking hate robots," he grumbles the other day, punching his way through the Brainiac invasion in Metropolis, with no comm and only for the Supes to overhear, "No, correction, I hate only evil robots. The ones that interrupt my astronomy class. The ones that shoot motherfucking lasers and walk like crabs, and ruin a perfect day, and- I wish- aw, fuck, no, that's bad wording. Don't wish for shit. But if all these robots would just suddenly, miraculously malfunction and stop attacking me and the whole city, that would be, like, real nice of them."

A few minutes later, something goes wrong with the Brainiac's control over the army of robots, and all of them just stop moving and fall down at once. It is deemed as a chance, a lucky shot, a coincidence. Supes keeps quiet over what he heard Danny say.

"Oh, you bitch-ass fruitloop, you know what I want?" Danny yells at Plasmius, as the ghost is laughing like a madman, "I want a fucking brick to fall down right on your head, like, right now! Maybe that can set your brains straight for at least five minutes!" And even before he is finished talking, there's something falling down from the sky and hitting Plasmius's head. It's not a brick, to be exact, it's Miss Martian's shoe, though. She has no idea how it even came undone and fell from her foot. But it did somehow knock Plasmius out cold, so there's that.

It doesn't happen all the time. Red Robin does the math - the improbable accidents only happen in about 26% of the situations, given that Danny says something. It's by no means a reliable power. It also doesn't happen only during the fights: there were numerous times when Danny just said something like 'I wonder if the cafeteria serves garlic bread today' and sure enough, there's garlic bread there. Even if it was not on the menu. Ever.

They try to question Danny himself, but he has no idea. He doesn't even notice the coincidences most of the times - which is not surprising, knowing that they only happen in one out of four situations and Danny is known to have a short attention span. So, after a few unsuccessful investigations and failed attempts at calculating how this even works, they all give up. It has never jinxed anything, as far as they know, so everyone just leaves it be.

Danny is just magically lucky like that.

Meanwhile, Clockwork is having a good laugh about it. Danny's suggestions amuse him, and it's funny to watch the other superheroes having a mental breakdown over it, so he rigs the timeline from time to time. Just a little.