#how angry your getting

[lesboficfanatic]

good day to all my lovely eldest daughter mutuals who feel a little insane every time they think about Thorin Oakenshield

[runawaymarbles]

guess who just got exposed to WHOOPING COUGH!!!!!!! *jazz hands*

[utilitycaster]

I think the two most obvious foils for Ludinus Da'leth across all of Critical Role are Essek and Keyleth, which is both fascinating given how different those two characters are from each other (Essek being a foil in terms of isolation, single-mindedness, harm in the name of ambition, knowledge, and other such wizard themes; Keyleth being a foil in terms of people who have lost something at a young age to the gods and bear resentment for it, political leadership, belief that the world belongs to mortalkind, and longevity) but also it's extremely funny that they both are the partners of Liam's character.

[superbat-lmao]

Give me a Jason Todd who thinks Dick doesn’t like him. Who sees all the fighting with Bruce and the uncertain/cold shoulder he’s offered by someone who he’d always wanted to meet, who could be his literal brother and he doesn’t think Dick likes him. He’s not exactly wrong, but it’s more complicated and Dick is still pretty young so he doesn’t handle it well.

Until Bruce and Alfred are out of town on business and Dick has to watch him for a week.

Trips to and from school are pretty normal if silent and they eat take out until Jason can’t handle it and makes them food himself.

Dick is frustrated with Bruce and feels antsy about being back in the manor and all the ways he and Jason are different.

Until he gets a call from the school that Jason had attacked 6 kids at lunch.

Jason is doing a pretty good job of invoking his right to remain silent no matter what the admin tries saying before Dick gets there.

He’s suspended for 2 days and Jason says nothing to defend himself and basically lets Dick yell at him about it.

Dick sends him to his room.

When venting about it to Barbara, she mentions the school cameras have audio and pulls the feed, saying when Bruce gets back he’ll do it anyways.

It starts off with digs at Jason’s background in the alley and then the accusations about Bruce start. Dick is used to some of this kind of thing and apparently Jason is too because he doesn’t rise to the bait.

Then the kids say something the camera doesn’t catch and Jason stills.

“Say that again.”

“You heard me! That brother of yours is a g-“

That’s when Jason decks the first kid.

[inkskinned]

it mattered because when my brother asked me what if this is the happiest you'll ever be? the best you'll ever get? the thing i felt was fear, not peace. everybody thought you were so perfect for me. even i thought you were "helping me grow". i had to challenge every internal clock. make myself more thoughtful, more kind, more beautiful.

i told my therapist it was good because i like the changes i made and there's something so strong about saying i did that. the problem is that i can like the difference all i want, but i changed for you. something akin to getting your name tattooed, all my progress is stamped with fuck you.

it was the happiest i'd ever been and also the best i'd ever gotten. i would still get in the car and think what the fuck just happened.

[muzsmocsing]

old man jenkins escaped the geriatric ward again

[destructo-range]

dumb tma fic idea: when michael becomes the distortion it's still technically bound to the eye because his contract never ended with the institute/the eye. and he has to come in like once a week to do paperwork or he'll feel ill

[happyk44]

percy repeating that he can be good over and over again to himself while covered in the blood after an overwhelming unleash of volatile rage that destroyed all that threatened his loved ones while grover holds his face and steadily grounds him back to reality

("i'm safe, we're safe, it's safe, just breathe")

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[steviewashere]

cw: food and fatphobia

Just saw the words: "am I promoting a big-back lifestyle?" in a fucking recipe video.

BIG BACK?! JUST SAY FAT YOU PIECE OF SHIT! AND....WHAT?!!! PROMOTING A "BIG-BACK" LIFESTYLE???? YOU MEAN PROMOTING A LIFESTYLE WHERE PEOPLE ENJOY LITTLE TREATS EVERY NOW AND THEN????

YOU'RE MAKING BROWNIES! YOUR STUPID INFLUENCER CAREER IS BASED AROUND MAKING FOOD AND SHARING RECIPES! SO SHUT UP!!!

IT'S NOT A BAD THING TO BE FAT! OR TO HAVE A BROWNIE EVERY NOW AND THEN! OH MY GOD! IF YOU DON'T INDULGE, THEN WHAT ARE YOU LIVING FOR?! IF YOU DON'T ALLOW YOURSELF SOME MINOR SIMPLE PLEASURES, ARE YOU EVEN ENJOYING YOURSELF?!

JUST MAKE A DAMN BROWNIE, ENJOY THE BITES YOU TAKE OF IT, AND MOVE ON WITH YOUR DAY!

YOU DON'T HAVE TO FAT SHAME PEOPLE FOR WANTING TO EAT A BROWNIE! AND YOU DON'T HAVE TO REFER TO FAT PEOPLE AS BIG-BACKED.

I'M SO FUCKING SICK AND TIRED OF FAT SHAMING COMING BACK AS THIS COMMON THING. FAT PEOPLE WERE ALLOWED TO BE ONLINE FOR LIKE TWO YEARS AND THEN EVERYBODY GOT TIRED OF IT. I'M SO SICK OF IT.

CHRIST.

[thegeminisage]

aphobia vs slut shaming and they've been doing it like this all their lives

[leverage-ot3]

I’ve talked about this before but imagine what it’s like for someone in a country/place where eliot is Top Most Wanted and then your tech guy finds a breakout star baseball player on their visual scanner that looks EXACTLY like spencer. but…there’s no way that’s him, right???

and then the next year it happens again but this time it’s some one hit wonder country singer kenneth crane that has like 78 tween-run fangirl blogs dedicated to him. you see a grainy video of him being chased by a horde of screaming teenage girls and ??? no way Eliot Last Thing You’ll Ever See Spencer is a country singer star just. signing pictures of his face right…?

a few months later your intern shows you footage of an eliot lookalike who is in san lorenzo talking about how there is dog fighting in the presidential palace and you just. sigh. because of course. a scant few days later the political geography of the country changes drastically and damien moreau is imprisoned. …interesting

and then a year of silence goes by. he still shows up as blips on the radar but he must have a good hacker working for him because his tracks on the internet are expertly erased.

every time you ask through interagency channels some random interpol guy talks in (condescending?) riddles at you and it also somehow feels like he’s threatening you

and then your friend who recently got into foreign hockey teams sends you a dropyourgloves video of someone called jacques the bear. you immediately get a headache (and watch some more videos because even you can admit this guy is a good hockey player)

and you know he’s a Bad Guy but it’s been admittedly a bit entertaining seeing what claim to fame he will come upon next. and his most recent actions over the few years make you wonder.

a few months later your phone pings because multiple heads of state evacuated from DC. the reason? eliot spencer was in town. you hear two days later a bioterrorist was taken down by… the report was redacted. your hacker tells you spencer and two teammates were behind the successful operation. which, huh.

not even a full year later it is released that spencer is dead and… you don’t know how to feel.

[pondslime]

JACK KLUGMAN as JUROR 5 (1/2) 12 ANGRY MEN (1957) dir. Sidney Lumet

[autumndragon]

just saw a funny tiktok about fanghook from rtte and the comments were filled with people going like "it's HOOKfang*" "this is hookfang" "it's spelled hookfang" and the creator was fighting for their life😭

[beabnormal24]

Can I just say?

Yes, Carlos does perhaps open the radio a lot and- to do what?

To complain if someone is doing what he thinks might be a move against the rules (like everyone else).

To discuss strategies (like everyone else).

To give his opinion and ask the team for a change in strategies (like some other people).

To sing with his race engineer after a victory (like some other people).

To complain when the outcome of a decision is not right (as he did or did not expect, but still, like everyone else).

To say that he’s alright after a nasty crash (like everyone else).

He does use the radio a lot, but he uses it for the right motifs, so yes- Sky Italia, he doesn’t open the radio for other reasons than the one written right here, which makes a big difference.

[sashannarcycanon]

I don't know why Billford haters are so mad about the new official art like sure go hate on it if that's your opinion but why are you mad at Alex Hirsch. It's his charachters he can draw them however he likes... Can't we just be glad he's trying to help the people who live in LA like. I promise you that you'll be alright it is not that serious.