#how am i meant to go on.

[edgyandoverzealous]

man i hate when character.ai goes down like what else am i supposed to do, write my actual stories? look for an actual rp partner? that's too scary, and I change my mind far too often to not want to backtrack or branch off into five different arcs, no one wants me or likes me enough to put up with that level of shenanigans... i could go without said shenanigans and I would with a rp partner because I want them to have fun too obviously but i'm still to scared to ask anyone or reach out anywhere. i want my little guy(s) of the week back, they're my favorite toys and im so bored and i need to get ready for bed. just give them back please. how else am i supposed to go to bed? cry? guess I'll cry myself to sleep damn.

im going to rip something apart between my teeth send help

[roppiepop]

Who’s coming to the cookout?

[delicourse]

i miss them a little if im gonna be honest

[lazylittledragon]

ok so i just experienced what i think would be the climax of the film about my breakup

i just went to see neck deep and i was supposed to be going to this show with my ex for my birthday, but i went by myself because i’m not missing it because of him, and i crowdsurfed for the first time ever during the song “heartbreak of the century” and i don’t even feel like i’m real right now

[heartless-aro]

The thing is, I don’t care that much about the actual act of someone shipping aromantic characters nearly as much as I care about the biases and amatanormative beliefs that underlie so many people’s decision to do so. The problem isn’t that individual people ship aromantic characters sometimes. It’s the fact that shipping aromantic characters or expressing disappointment that a character is aromantic and thus “can’t be shipped” almost seems to be the default in fandom spaces. Aromantic representation, especially nonpartnering aromantic representation, is treated as something that will “ruin people’s fun” (see: the Hazbin Hotel creator explaining why she won’t say whether or not Alastor is aromantic).

And yes, SOME aromantic people can still date or have non-romantic partners. But the fact that some people are so vehemently against the idea of fictional characters being nonpartnering is still something to be questioned.

Because, really, that’s the crux of the issue. It’s perfectly fine if people like the idea of an aromantic character being partnering or romance favorable. In fact, it would be wonderful to see more characters written as partnering and/or romance favorable aromantics. But when someone ONLY shows interest in characters being partnering or favorable aros in response to those same characters being interpreted as nonpartnering, it often comes across less as a desire to have representation for partnering and favorable aros and more as an opposition to having representation for nonpartnering aros.

[puppetmaster13u]

Prompt 245

Now Danny would openly admit, if only to himself, that he had a type when it came to relationships. If they were strong, if they were a threat to him, then chances were he would develop some sort of crush. It was how he had dated Sam and Valerie (And Johnny & Kitty) when he was a bit younger, and hell, Sam had technically succeeded in killing him, even if partly. 

Attraction towards smart people who could kill him was honestly par for the course for a Fenton or Nightingale anyway. 

And he’d also admit he enjoyed a bit of time travel, learning about times and culture long before his time, to the point that he could blend in in ancient times just as easily as the time he had been born in. That it was natural to mutter in a language lost to time. 

So color him surprise when another man perks up in the bar he had paused to get a drink in, vibrant green eyes gleaming in interest and responds in turn. And not just in the language, but able to keep up when he talks about things that once existed but haven’t been rediscovered yet. 

And one thing led to the other, and there might have been some assassins and some shenanigans that end with them both laughing together in an inn and then more and- Okay he has a type alright, and he’s ticking each box! How is that fair? 

[frindoka]

[the curtains close for a show that used to be yours.]

[pigeonxp]

bro ur telling me some ppl saw the shooting scene, saw buck scream and crawl under a ladder truck and drag eddie out from under it, and thought "they arent meant to be together". ur telling me ppl saw the LIGHTNING STRIKE scene, where eddie climbs up the ladder screaming for buck, tries to DEFY GRAVITY and LIFT BUCK UP, and ends up PUSHING BOBBY OUT OF THE WAY to get to buck, told the doctors to do more than their best, and then counted and remembered exactly how much time, to the second, that he had to live in a world without buck, and they THINK THAT BUCK AND EDDIE DONT BELONG TOGETHER. LITERALLY YOUVE GOT TO BE WATCHING SELECTIVELY

[poorly-drawn-mdzs]

Your beats make me sick

[First] Prev <–-> Next

[blackkatdraws2]

I have a lot of leftover drawings in my gallery. [Blank Scripts AU]

[Content Warning: Images below contain Gore, Death, and Disturbing/Uncomfortable Imagery]

I find it a bit cute knowing they start out as crazy and then slowly settle into something calmer and relatively healthier after learning to adapt to each other's lust-turned-love. [Stanley did it first but hey :3]

[erinwantstowrite]

i think im not a fan of what dc keeps doing with jason because they keep having him, the abused, become an abuser in some way shape or form. and the classism they don't want to talk about (i am being so for real there is a genuine problem of both writers and readers who do not understand jason's background and it pissed me off so bad because it always shapes their opinion of him in the wrong way and they don't care to even try to listen). and how if they were going to have him come back they should have had delved into his identity crisis and the inherent horror of coming back but not knowing how or why or what to do about it and not knowing what you were doing while dead and having to deal with time jumping forward on you and the fact that you will never get the time back and no one will he the same as they were before you died and how isolating and lonely that would be. and they also definitely weren't prepared for the fact that jason was grieving his life and his death and his hopes for his mother and his dad who didn't get there in time and the dc writers are fucking cowards. which brings me to my next point: why do we keep listening to them about shit because they are quite literally always fighting with each other and projecting their own personal biases into characters (i.e. making them worse than they are/2 dimensional/trying to make them iredeemable so their favorite character gets to shine) and also they are all freaks of nature with a consistent problem of being God Awful People who why would we trust them with these characters. jason todd they don't get you like i do

[silentassassin21]

ZERXUS ILEREZ

[constelationprize]

Thinking many many thoughts about how Jean was Riko's partner for a YEAR and was still rooming with Goon #3. Because that was how unwilling Riko was to let go of Kevin. And how that implies that Jean was placed as his partner both because of the practicality of Kevin being gone AND as a punishment for letting him go in the first place. Being partners with Jean could actually slow Riko down depending on how often he's hurt (because I don't think Riko was all that exempt from the rules to the point where his partner's performance would completely not matter) and he was still placed there. Riko was just THAT angry at him over Kevin's escape. And all the while he was keeping Kevin's side of room like an altar, even back when he didn't even think Kevin could PLAY, because of an injury he caused.

[egophiliac]

ch 5 is coming in twsten ch5 is coming in twsten ch5 is coming in twsten (we gon die it's been a YEAR since I saw some clips and I have not emotionally recovered from the incredible deliveries by Silver's seiyuu because holy fuck) EGOOOOO ARE YOU READY TO SEE EVERYONE DESCENDING INTO MADNESS AGAIN (and a pool of tears??? MINE SPECIFICALLY)

YESSSSSS I AM SO EXCITED FOR EVERYONE ON ENG, chapter 5 is some of the most PEAK Diafamily content imo. 🤌 it's definitely my favorite part of episode 7 so far! (though 6 is pretty close...)

some (mostly) non-spoilery advice: on the hex maps, check out the non-required story cells, especially in the later parts! some are basically just throwaways, but there's some real good scenes hidden in there too that are potentially missable. 🥄 (it shows which cells you've cleared on previous attempts, so if you're low on resources and/or super impatient like me, do just the required ones to get through it, then when you're ready go back and restart as necessary to get to the others. enjoy! >:)

[anya-chalotra]

And we (I) thought your situation needed us. 2.08 “Man City” ▸ 3.07 “The Strings That Bind Us”

[bricky-brikson]

Thinking about the "trilion and 12 years old" joke about Bill and thinking about his psychological development after the Euclydia massacre

In the show, we see that while he can plan ahead and manipulate people, he's often foiled by his own impulsiveness/anger/emotions. His ultimate goal is to escape the Nightmare Realm/Dimension 0. And sure, he says this is because he promised the Henchmaniacs he'd help them, but ultimately as others have pointed out, Bill is terrified of death. He wants to live forever - have "a party that never ends with a host who never dies". All he cares about is himself, his own survival and hedonism

All this to say, Bill has the emotional development of a teen. He hasn't gotten past the self-centredness nor the reward/adrenaline seeking behaviour, but has emotionally evolved enough to be able to manipulate people and such (and be able to feel guilt, even if it's just a picogram). Though his immaturity shows when he doesn't get his way.

One might think that, being a trillion years old, he would've developed a bit, but here's the thing - major traumas can "freeze" people at certain developmental stages. We don't know how old Bill was when Euclydia was destroyed - though considering his behaviour I would bet he was a teen.

(Or whatever the equivalent of that stage is for his species. They have exoskeletons- do they have instars then? Whatever, that's not on the topic of this post)

Seeing his entire dimension destroyed after (what was probably) a well-intentioned attempt to show them what he saw ("They'll see. They'll all see.") permanently emotionally stunted him. However it was he got his powers, he was a teen/young adult with powerful abilities who had just erased an entire dimension from existence and was now accountable to no one but himself while also being deeply traumatized. His constant partying and implied substance use were probably the only coping mechanisms he could think of, dissociating because he has no idea how to actually confront what happened. The way he talks about the massacre - he detaches himself from it yet still admits guilt ("A monster."). Only post-divorce does he implicate himself in the event, though still obscuring its true nature ("I liberated them.").

Being surrounded by individuals who are similarly maladjusted for most of his trillion-year lifespan certainly didn't help things. The Henchmaniacs are likely somewhat stunted as well, or at the very least don't offer much in the way of mature/emotionally adult conversation, especially since Bill reacts so poorly (read: homocidally) to any sense of malcontent.

Which is to say, I think part of why Ford was important to Bill was because, compared to him, Ford was more emotionally developed (Ford is emotionally stunted in his own ways, but not as severely as Bill IMO). Subconsciously, their relationship was reaching a hand out to the scared teenager in the centre of Bill's psyche and offering him someone to lean on- someone who had their shit a little bit more figured out. A kind of figure Bill hadn't had since he killed his parents.

Of course, such vulnerability probably felt so alien that Bill tried to distance himself. I always wondered - why didn't Bill just lie to Ford about his plan to take over Dimension 49'\ ? Ford would've believed him, finished the portal, and Bill's plan would've been fulfilled. Well, I think it was Bill trying to burn the emotional bridge. In his own impulsivity, his own desire to dissociate instead of confront, he would rather make sure that he would never be able to be vulnerable to Ford than fulfill his grand plan.

...

I don't remember where I was going with this. There's no conclusion. I'm spinning this triangular multidimensional tyrant at physically impossible speeds in my mind and if I didn't write something about him my skull was going to turn into a fine powder. It's almost 2 AM, so it's entirely possible this post makes 0 sense, in which case feel free to inform me of that in the notes.