#how about we all consult the original text that that quote was from

[chaosmenu]

"who decides their need"

[kaze-no-yurei]

We are now faced with a massive propaganda alleging Hindu persecution of Buddhism. Let us study one example: the story of alleged Hindu persecution of Buddhism by Pushyamitra, a general in the service of the declining Maurya dynasty, who founded the Sunga dynasty after a coup détat. This story provides the standard secularist refutation of the myth that Hinduism has always been tolerant.

The Marxist historian Gargi Chakravartty writes:

"Another myth has been meticulously promoted with regard to the tolerance of the Hindu rulers. Let us go back to the end of second century B.C. Divyavadana, in a text of about the second-third century A.D., depicts Pushyamitra Shunga as a great persecutor of Buddhists. In a crusading march with a huge army he destroyed stupas, burnt monasteries and killed monks. This stretched up to Shakala, i.e. modern Sialkot, where he announced a reward of 100 gold coins to the person who would bring the head of a Buddhist monk. Even if this is an exaggeration, the acute hostility and tensions between Pushyamitra and the monks cannot be denied."

We need not comment on Chakravartty's misreading of Divyavadana as a person's name rather than a book title. Remark the bias in the assumption that the supposedly undeniable conflict between the king and the monks proves the kings intolerance; for what had been their own contribution to the conflict? There is no good reason why the Buddhist monks should, by contrast, be assumed to be blameless when they came in conflict with a king.

The story is in fact given in two near contemporaneous (2nd century A.D.) Buddhist histories, the Asokavadana and the Divyavadana, the two narratives are almost verbatim the same and very obviously have a common origin. This non-contemporary story (which surfaces more than three centuries after the alleged facts) about Pushyamitra's offering money for the heads of Buddhist monks is rendered improbable by external evidence: the well-attested historical fact that he allowed and patronized the construction of monasteries and Buddhist universities in his domains, as well as the still extant stupa of Sanchi. After Ashoka's lavish sponsorship of Buddhism, it is perfectly possible that Buddhist institutions fell on slightly harder times under the Sungas, but persecution is quite another matter. The famous historian of Buddhism Etienne Lamotte has observed: To judge from the documents, Pushyamitra must be acquitted through lack of proof.

In consulting the source texts a significant literary fact is noticed which has not been seen mentioned in the scholarly literature (e.g. Lamotte, just quoted), and which must put on record. First of all, a look at the critical edition of the Asokavadana (Illustrious Acts of Ashoka) tells a story of its own concerning the idealization of Buddhism in modern India.

This is how Sujit Kumar Mukhopadhyaya, the editor of the Asokavadana, relates this work's testimony about Ashoka doing to a rival sect that very thing of which Pushyamitra is accused later on:

"At that time, an incident occurred which greatly enraged the king. A follower of the Nirgrantha (Mahavira) painted a picture, showing Buddha prostrating himself at the feet of the Nirgrantha. Ashoka ordered all the Ajivikas of Pundravardhana (North Bengal) to be killed. In one day, eighteen thousand Ajivikas lost their lives. A similar kind of incident took place in the town of Pataliputra. A man who painted such a picture was burnt alive with his family. It was announced that whoever would bring to the king the head of a Nirgrantha would be rewarded with a dinara (a gold coin). As a result of this, thousands of Nirgranthas lost their lives. Only when Vitashoka, Ashoka's favourite Arhat (an enlightened monk, a Theravada-Buddhist saint), was mistaken for a Nirgrantha and killed by a man desirous of the reward, did Ashoka revoke the order."

Typically, Mukhopadhyaya refuses to believe his eyes at this demythologization of the secular emperor Ashoka:

"This is one of the best chapters of the text. The subject, the style, the composition, everything here is remarkable. In every shloka there is a poetic touch.( ... ) But the great defect is also to be noticed. Here too Ashoka is described as dreadfully cruel. If the central figure of this story were not a historic personage as great and well-known as Ashoka, we would have nothing to say. To say that Ashoka, whose devotion to all religious sects is unique in the history of humanity (as is well-known through his edicts) persecuted the Jains or the Ajivikas is simply absurd. And why speak of Ashoka alone? There was no Buddhist king anywhere in India who persecuted the Jains or the Ajivikas or any other sect."

Contrary to Mukhopadhyayas confident assertion, there are a few attested cases of Buddhist-Jain conflict. The Mahavamsa says that the Buddhist king Vattagamini in Sri Lanka destroyed a Jain vihara. In the Shravana-Belgola epitaph of Mallishena, the Jain teacher Akalanka says that after a successful debate with Buddhists, he broke a Buddha statue with his own foot. The same (rare, but not non-existent) phenomenon of Buddhist fanaticism can be found outside India: the introduction of Buddhism in Tibet and Mongolia is associated with a forceful suppression of the native Shamanism. In recent decades in Sri Lanka, Buddhist monks have been instrumental in desecrating and demolishing Hindu temples. None of this proves that Buddhist doctrine incites its followers to persecution of non-Buddhists, but neither should anything human be considered alien to Buddhist human beings.

[listen-to-the-inner-walrus]

can you explain why you dont believe the titanic switch conspiracy theory? didnt they find a propeller with "olympic" written on it amongst the wreckage?

i feel like the phrase "you just activated my trap card" applies here but i have also never watched yu-gi-oh so dont fully know the correct use of that. anyway whats the text limit on a tumblr post because i think i might hit it with this response.

before we begin (if you wanna join me on this fucking journey), ill just drop some useful sources on the topic:

olympic & titanic - an analysis of the robin gardiner conspiracy theory dissertation by mark chirnside in july 2006

titanic or olympic: which ship sank? by steve hall and bruce beveridge

olympic & titanic: the truth behind the conspiracy by steve hall and bruce beveridge

with that shipkeeping housekeeping out of the way, lets jump into it after the cut

so hands up, how many people knew that this theory originated in a book from 1995?

yeah, its a pretty modern theory considering titanic sank in 1912. the theory originated in the riddle of the titanic by robin gardiner and dan van der dat.

and the theory argues that the ships were switched and titanic (actually olympic) was deliberately sank as part of an insurance scam. now they didnt do this at all for shits and giggles. instead, the theory posits that the navy enquiry that followed the 1911 collision between hms hawke and olympic was biased which meant white star line couldnt recover the costs of repair from lloyds (the insurance company), and therefore, they wrote olmpic off as too damaged to be repaired, lied about the amount of damage, switched the ships and sank olympic disguised as titanic to recover some costs.

far-fetched? oh definitely and it gets worse, but ill leave that til later in this gargantuan response because its really fucking funny.

(seriously, i recommend you read til the end or just skip to the part where i start talking about the sinking itself because fam, gardiners theory gets wild )

according to van der dat, who is a dutch journalist and naval history writer with an incredibly dutch name, gardiner had wrote the manuscript after researching the titanic for however many years and sent it to his literary agent. this agent had previously worked with van der dat and so sent it to him to double-check the information by going back to the original sources. he then rewrote the book with line-by-line consultation with gardiner.

and would you like to hear a quote from van der dat regarding the theory? i think you would:

"the publishers were disillusioned when the theory did not stand up"

he also, in correspondence with titanic author and researcher paul lee, called it "bilge" which is a fun ship joke alongside calling the theory bullshit.

anyway, the publishers went ahead with the book anyway because fuck integrity, i guess... thats kinda harsh considering this first book (oh yeah, theres more) was praised for stellar research and for being balanced, and the final chapter of the book literally acknowledges that the wreck has titanics shipyard number (401) on it, hence disproving the theory.

in 1997, it was published in the us under the name the titanic conspiracy - cover-ups and mysteries of the worlds most famous sea disaster, and it sold like sliced bread in 1928 because 1997 was titanic fever, baby!

unsurprisingly, gardiner's following books (titanic: the ship that never sank? in 1998; the history of the white star line in 2001; the great titanic conspiracy in 2010) were a lot less well-received and were not co-authored by van der dat.

-

"but wait, kai!" you might shout if youre up to date with issues of the times from 1914, "what about raymond asquith's comments? he was junior counsel for the board of trade at the sinking inquiry!"

and i would say, what about it? the letter asquith wrote to the times was a sarcastic letter in response to a prior stance taken by the paper.

yes, he said "the architect, the owner, and the captain to repair their desperate fortunes by sinking the ship and sharing the insurance money" but said letter also included the phrase "manipulating dummy icebergs".

if were taking sarcastic or satirical responses outside of their original contexts as serious quotes, then i guess i need to cancel my dropout subscription since the company holds the opinion that oj simpson is innocent.

and while were here, that single deathbed confession from james fenton is not evidence of anything. his name is not on any crew lists or survivor lists, and not a single payment was ever claimed by a crewman called james fenton. he was not on board the titanic and his claims hold no weight.

-

now, my go-to explanation as to why i dont believe the switch theory is that their insurance scam would have lost them money and they would know that it would have lost them money.

see, it cost white star (which was a subsidiary of the international mercantile marine) £1.5million/$7.5million to build titanic and they insured it by lloyds (you can check their records on their website) for £1million/$5million.

you dont have to be good at maths to see a problem here.

they didnt just not insure the rest; it was self-insured by imm's insurance fund, but that still means theyd have lost £500,000/$2.5million on the sunken ship.

this whole insurance thing was established by uh the united states senate inquiry report:

"the vessel fully equipped, cost £1,500,000 sterling, or about $7,500,000. at the time of the accident the vessel carried insurance of £1,000,000 sterling or about $5,000,000, the remaining risk being carried by the company's insurance fund."

oh and the £1,000,009 insurance was announced in the daily mirror on 16th april 1912

and the insurance scam seemingly thought up by someones whose first and only introduction to maths was golf isnt the only way white star would have lost money on this.

after the sinking, olympic was temporarily pulled from service to increase safety measures like adding more lifeboats. obviously, a logical move made by a company with a brand new, safer ship on their hands who were desperate for any money they can make.

white star also halted construction of britannic, titanics other sister ship, in order to alter the design and make it safer. this costs quite a bit of money and is, again, an odd choice for a company apparently desperate for money.

-

and hey, question for you guys: if you were alive in 1913 and needed to cross the atlantic, would you

a) choose the near identical sister ship of that ship that sank last year and was the deadliest sinking of a ship at that time

or

b) choose any other option such as the lusitania or the mauretania or the ss france or the ss imperator

personally id take my chances with option a, idk about you

yeah so the point im making here is that the sinking of the titanic was what the kids say

a marketing disaster

it was the loss of the newest flagship on its maiden fucking voyage and it had been touted as "practically unsinkable". maybe just maybe people wouldnt feel that comfortable getting on a white star line ship after that.

i dont have any figures for you because reading through a detailed account of white stars history just is not on my to-do list, but that doesnt even matter. what matters is that its clearly a massive risk and who the fuck is taking that risk?

as titanic author, senan molony states:

"one doesnt need to compare designs and count portholes - a moments serious consideration of the reputational risk involved - individually and collectively - is all that is required to end any entertainment of the notion"

-

anyway, you guys wanna compare designs and count portholes? yeah? okay, here we go!

may i present a non-exhaustive list of differences between the ships:

olympics wheelhouse was curved; titanics was flat

titanic was 4 inches longer

the porthole arrangements on shelter deck c were different

on b deck, olympic had a 1st class promenade; titanic had 2 private verandahs and suites (put a pin in this by the way, it comes back in the best of ways)

titanic had additional cabins on promenade deck a

olympics promenade was open all the way along; on titanic, the forward half of the 1st class promenade on a-deck was enclosed with retractable glass screens

on titanic, the forward bridge wings aft docking bridge on the stern extended over the ships side by a couple of feet; this would not be true for olympic until the 1912/13 refit

the officers deck house was pushed out more on titanic

the iron gates of the elevators were different between the ships and this is evident in the wreck itself

their propellers had different pitches and hence not interchangeable (pitch is a theoretical concept which is like the distance a propeller would move if it turned once through something solid, yeah i dont know either)

the wireless cabin had an outside window on olympic, but not titanic

further, it was placed on the port side of the officers deck house on olympic but amidship on titanic

they had different air vent arrangements around the funnels

white star line cut the ships names into the shell-plating at the bow and stern, four feet high and a ½ inch deep

now, please, close your eyes, take a deep breath and consider how much money it would cost to switch just the list above. now compare all of that to the -£500,000/$2.5million youre losing in the insurance scam.

truly, a spend less on candles situation.

and while we're here, shall we quickly talk about how much hush money white star would be paying to silence everyone about this since its apparently an illegal insurance scam.

not to make another non-exhaustive list but heres just who i can think of that youd have to silence:

the 15,000 workers employed directly by the shipyard

the 20,000+ workers in support services or sub contractors

any permanent or casual staff at the belfast dock and harbour comission

all of the officers and crew who came directly from olympic onto titanic such as the captain or stewardess violet jessop (puppet history fans rise up) who interestingly remarked on how improved titanic was compared to olympic

any staff at white star, imm and harland & wolff (where she was built) who would be in the know such as designers

passengers who had previously sailed on olympic who then sailed on titanic

just like anyone in belfast who walked past while the ships were docked together

olympics wreckers: thomas wards & sons who kept huge loose-leaf ledgers for each ships. the one for olympic was 72 pages long and funnily enough olympics yard number and builders I'd frequently appear in it, as seen below

bob ballard who was the one who found titanic. hes known as a very honest man and didnt even claim salvage rights on titanic because he assumed everyone else would also recognise it was a gravesite. he also said "i think it is the titanic at the bottom of the ocean"

every other explorer or researcher like james fucking cameron or us navy consultant and titanic wreck explorer, parks stephenson

its been estimated likely over 60,000 people were involved in just the building of titanic. this was ⅕ of belfasts population and ⅓ of the working population. heres a photo of them leaving olympic at the end of the day

now maybe im just a fool, but that looks like a lot of people you need to silence, and unless white star were blackmailing them or idk fucking killing them i guess, thats a lot of hush money just in the photo above.

i mean, theres also the claim, from noted liar james fenton, that the surviving crew were forced to sign the official secrets act of 1911, but that act was about espionage that benefits the enemy military so im not sure how this is relevant to the switch, and also, again, the guy was never on the ship.

are you perhaps starting to get the picture as to why i dont believe the conspiracy theory because im still going.

-

okay so as established, if the ships were switched, there would have clearly been a lot of work that would need to be done to switch the ships.

and i only mentioned some of the structural differences, i didnt get into the aesthetic differences like the floor tiles and carpeting being different colours, or how the lounge furniture in each ship having the ship name on them.

mind you, this is what titanic looked like (in the foreground) when olympic was first docked next to her:

this was taken around october 11. olympic docked next to titanic on october 7th for repairs after that whole catastrophic collision.

now how much time do you think it was before olympic sailed away? mind you, titanic has already been launched at this point and just needs to be fitted-out, and that normally takes around 4 to 6 months?

oh, what was that? 44 days? why, kid, youre going somewhere. it was 44 days exactly!

now, i dont think i need to get into the fact that the dock only had 1 crane (which you needed to install and uninstall funnels and machinery) that physically couldnt reach olympic unless she was moved or how olympic was painted white for her launch and then painted black and that the white paint would get exposed in rough weather so the same would have to be applied to titanic so it would look convincingly like olympic.

i mean, you have that information now, but im hoping just by the words "44 days", you might get how off the wall insane it is to suggest white star was able to switch the ships so well no one noticed for decades in 44 fucking days.

"wait kai, youre forgetting that they were docked together again!" you shout, "after olympic threw a propeller, they were docked together from march 1st to march 7th 1912"

and i dont know dude, im pretty sure white star cant warp space time so i really dont know what eight extra days is gonna do.

i hate to strawman but man, the late robin gardiner would have won a gold medal in scarecrow hide and seek.

-

lets also take a quick detour into the idea that olympics repairs were so expensive.

without getting into gardiners claims about the damage because theres no evidence of it and as mark chirnside states "there are no credible sources indicating that the damage to olympic was worse than reported at the time - and indeed ample sworn expert testimony to the contrary", lets just quickly go over some financial stuff.

during the case, it was unofficially estimated that the damage didnt exceed $125,000. imm, by including lost passenger receipts, wanted to claim for as high as $750,000, but they lost that case.

during the year 1911, imms surplus profit was $822,062. so weve got:

750,000 > 822,062

now as we might remember from key stage 1 maths, the bigger number eats the smaller number, aka, their surplus profit covered the costs of repair.

aka, no ill-advised insurance scam needed.

-

"thousands of people in belfast would have seen the switch operation - and yet there is not one word in the papers of reporters or photographers rushing out to find out what was happening."

-dr paul lee

so this is the section where i ask how did no one fucking notice?

no one on titanic, who had previously sailed on olympic, ever said anything about the switch other than one guy who was literally not on the ship at any point.

no one who has ever explored the wreck or done research on it has definitively stated it was olympic. rather, they have definitively stated otherwise.

for example, what remains of the base on the wheelhouse shows it to be straight and not curved, and as you might remember: titanics wheelhouse was heterosexual straight and olympics was curved.

(id be impressed if you did remember)

also, as parks stephenson has stated:

"weve got actual high def images of this wreck. ive seen with my own eyes. weve identified the name titanic on the port bow"

its difficult to make out but its there; the name is on the fucking ship.

also, as you might remember, titanics b-deck was different to olympics. the 2 suites there were nicknamed the "millionaire suites" and jim cameron has used rovs to go inside of them.

funnily enough, robin gardiner has gone on the record saying that these suites didnt exist so make of that what you will.

and further, no one noticed anything about olympic even though she sailed for 24 more years. theres no written record of anything, theres nothing in the board of trade reports, theres no photographic proof and theres not even fucking hearsay.

she served as a damn troopship in ww1, youd figure someone would figure it out as all of her fittings were ripped out.

but no, theres nothing.

as i mentioned above, olympic was scrapped in 1935, but some of her fittings were auctioned off and still exist today. and these have the number 400 on them because that was her shipyard number. titanics was 401 and the wreck reflects this also:

the wooden parts are from olympic; the other has been salvaged from titanics wreck.

theres even the famous myth that olympic or olympus as one person told me is written on the propeller at the bottom of the ocean. its not, but you can see the number 401 written on it:

-

and while were disproving myths about the name olympic being on the titanic, the story about olympic being engraved on titanics lifeboats is also false:

theres no written testimony, no sketches and no photographs of this.

white star didnt engrave names onto lifeboats, the names were on metal plates that were screwed on

do you really think they did all of this work but just didnt fucking swap the lifeboats? if theyre this stupid, how did it take until 1995 for someone to figure it out?

-

we can also discuss the stupid olympic room thing while were here. see theres a maritime superstition that changing the name on a ship is bad luck and obviously, if youre swapping the ships, youre changing the names.

so to... get around this? cheat luck? outsmart superstition? i dont fucking know, to take a detour to avoid this, white star named a room "the olympic room."

i cannot find any evidence at all that this room ever existed. its not in the design plans or the blueprints, and no passenger or crew has ever said it existed, so im pretty sure the room just didnt exist.

and even if it did exist, titanic was in the olympic class of ships. thats what olympic, titanic and britannic were. its not weird to have an olympic room on an olympic class ship. i mean it is weird in this case since the room didnt exist, but you get my point.

-

and heres some quickfire myths and falsehoods

the myth about the 14 vs 16 bow portholes is also a false. yes, titanic had 14 portholes on launch but an extra 2 were added before her maiden voyage so yes, the ship photographed departing southampton with 16 bow portholes is the titanic, and do you really think it would take 83 years to figure this out if it was this easy?

similarly, titanic did have evenly spaced b-deck windows on launch, but then the extra verandahs and suites were added so the window configuration was altered, so that photograph is off the titanic.

the idea that titanic had a 2 degree list to port like the olympic before her is evidence of the switch theory is, to borrow a word from dan van der dat, bilge. plenty of ships at the time and now have minor lists. the one on titanic was only recorded by 2 passengers and we know that the list was related to coal consumption. it means nothing.

jp morgan (owner of imm) did not cancel last minute. as mark baber points out on encyclopedia titanica, it was announced in the new york times that hed be in venice on april 23. at that time, transatlantic voyages took at least 5 days so it would at least be a 10 day round trip and likely not give him time to get to venice for the opening of a store of whatever it was.

also, j bruce ismays wife and kids also didnt cancel last minute. theyd already decided to go on holiday to wales rather than sail on titanic.

addendum to that point: if ismay knew it was going to be sank deliberately and so warned his wife, why would he get on board himself? further, why would harland and wolff designer thomas andrews (who did not survive by the way) get on board?

-

and we're finally at my favourite part of this entire mess: the sinking itself.

see, a deliberate sinking doesnt really make sense for titanic because the conditions under which she sank has led to the descriptor "freak sinking."

these are: a new moon meaning less light, unusually calm ocean that disallowed lookouts to watch for foam as waves hit any icebergs, ice having drifted further south than normal for that time of year, and a sideways glancing blow that breached more watertight compartments than the ship could handle and stay afloat.

and idk dude, is there not an easier way? like maybe some light arson. just call it an accidental fire that got out of control and led to the ship being a write-off, this isnt difficult.

but you see gardiner has an answer to this, and i am laughing as im typing this, he claims that:

titanic didnt hit an iceberg, it hit an imm rescue ship.

thats right, this guy fully says titanic didnt hit an iceberg. apparently it hit another ship and NO ONE FUCKING NOTICED

i mean we have testimony from survivors but fuck them i guess.

he claims that as titanic was apparently a "steel double-hulled vessel" so an iceberg simply couldnt inflict so much damage.

yeah titanic wasnt double-hulled. she had a double bottom, but it was only after titanic that shipbuilders were like ah maybe full double hulls arent an unnecessary expense after all.

theres also the issue of uh no evidence of this rescue ship ever existing? at all? i dont know where it came from, i dont know where it went, and who fucking knows, maybe it was called the rms cotton eyed joe.

yeah so weve got a theory riddled with problems and im just gonna introduce some more problems with this theory as gardiner has also alleged that:

the original plan was to open the seacocks and slowly flood the ship, but this was interrupted by titanic hitting another ship

1) titanic didnt have seacocks? and 2) was the rest of it a coincidence then? i think its meant to be a coincidence.

i believe his theory is alleging that the crew on titanic would open the seacocks that didnt exist to flood the ship slowly, and that the imm rescue ship that also didnt exist was in the area in advance to help evacuate passengers, alongside other ships such as the ss californian.

this is that ship that was like 10 miles away or something and didnt respond to titanics distress signals. according to gardiner, they were expecting a rendezvous with titanic according to the "original plan", but never received it.

instead, they saw the rockets of the fabled imm rescue ship and helped them instead.

this is fucking stupid.

i cant be charitable here, its a fucking stupid theory. i mean, that imm ship did not exist, and also californian is a ridiculous choice for a rescue ship. her capacity was 47 passengers and 55 crew; there were more than 2200 people on board titanic.

to counteract this argument, gardiner alleges carpathia was also in on the scheme as a rescue ship. she, at least, had capacity for the passengers, but theres also several problems with this too.

for one, it was fucking 50 miles away and famously arrived several hours after the sinking even though the captain had her running at top speed to get there.

for two, carpathia was owned by cunard, white stars rival. was their rival line in on the insurance scam??? how much money did they have to pay cunard for this????? why? just why?

do you understand why i dont believe it? please tell me you understand. i need you to understand. i need you to tell me that you understand that the guy who created this conspiracy claimed titanic didnt hit an iceberg.

[shukuchiisms]

I logged in via phone today and just saw a Reply to my post about kumihos having both fox and human ears, made by @icykalisartblog and I would like to address some points made by the text.

While I don't believe the poster had any intentions to insinuate I was lying or something like that. we all know very well how the internet folk tm works, so let me clarify first and foremost that I never had any intention to spread false information and that I was just using the material I own to talk about my passion for those myths. Now:

[TL DR: Thanks for pointing those out and sorry for my mistakes, but it wasn't intentional in any way, since this one would look gigantic if I just replied on the original I gonna let this here]

The poster claims [and with some solid evidence] that the art I posted from the book Wunwudocheop (or my PT BR translated version at least) is, in fact, edited art from paintings by Shin Yuk-bok, AKA Hyewon, a satire/erotica painter from the Joseon era. And being honest, it is no surprise that they might be in fact, some of my sources had been incorrect in the past and might be so again, but regardless, those pics I posted are extracted from the version of a Joseon dynasty art book that I physically own.

So, just to reiterate, I had no intention to post misinformation of any kind, and I trusted the sources I own. Since I don't possess knowledge of the Korean tongue, I can't verify the correctness of those translations myself. Because like I said before, we all know how the internet works. and I apologize for committing such a mistake, and that at no point I alternated those images in any form.

Now, addressing these tags on the post in specific.

While I don't have the book Yojeon, Dokkaebi, Kumiho & Yulyeong" by Im bang & Yi Ryuk physically with me at moment, I have the Portuguese version in pdf, and it does have the exact the same text word by word I posted on the original, but in Portuguese of the "The salt seller and the fox" tale, as you can see here:

And while I don't doubt that could be discrepancies between the versions, I have no evidence that proves either translation is more correct than the other. Aside from the poster's insinuation that none of the books owned by them possess any tale mentioning that they have fox ears or tails, which gives no indication of which one is the most correctly translated material...(While if I had to guess, the Portuguese translations might have confused different versions of the tale and attributed them to a more famous author by mistake. Since it's not unheard of).

Nonetheless, Mayer, Frederick J still quotes this exact version of the tale in his own works, thus proving it was not a completely fabricated one.

The book Myths and Legends from Korea: An Annotated Compendium of Ancient and Modern Tales. [PDF version] Also has a direct mention of the exactly same tale:

The Mythica encyclopedia also brings the following text:

We can also consult the "The Tails of the Kumiho" text by Tayida Phanich:

So, while you do have a point and some of my sources might be wrong and even invalid in their points, the whole "Kumihos do have both fox and human ears" is still validated by other sources.

Anyway, I will go back and edit the original post when I get the time to remove the invalid sources and add new ones that still affirm the subject as being true.

[philosophika]

Thanks again @inkovert for this thought-provoking question! Please find my response under the cut.

I feel like I'm a little out of the loop regarding current marketing strategies. As I've mentioned elsewhere, I haven't been reading much fiction lately, so I don't have a lot of first-hand experience with trope/vibe lists. I'm assuming this is a trend inspired by Booktok? What I can provide this conversation is an account of how I, personally, go about buying books. First, I rarely consider what's on the book sleeves, read the blurb, or pay any notice to the quotes or 'raving reviews.' A pretty cover will draw my attention, as will the genre (fantasy, horror, literary fiction, and non-fiction are my favourites), but the true test I use to determine whether I'll buy a book or not begins when I crack open the spine. If I can read the first five pages without wanting to put it back on the shelf, it's cleared the first hurdle. If I can read another five pages from a random location in the book (usually towards the middle), it's doing well. At this point, I'll open Goodreads in search of one-star reviews. As a general rule, I find that one-star reviews are a lot more interesting than five-star reviews; a one-star review of a great book provides me with a far better sense of why I'll love it than a five-star review. Basically, the higher the level of complexity in the one-star reviews, the greater the quality of the text is likely to be. If a book passes the one-star trial (and, sometimes, even if it doesn't), I buy it.

Granted, this is not the most conventional book-shopping method, but if I exist, then there must be other readers out there who also pay very little attention to marketing trends. So exactly how concerned should we really be? To settle the issue once and for all, we would need to determine how effective and how widespread the marketing strategies mentioned above actually are. My hunch is that, if we consulted sale statistics for books marketed in the aforementioned manner and those marketed without tropes/vibes, etc., we'd find that these Booktok strategies are mainly being applied to YA fiction and that their success is limited primarily to sales in that category. It's important to note that, although books written for teens/young adults have always been around, YA is a relatively new category (it was coined in the US in the 60's). The extraordinary sales boom it experienced mere years after being recognized as a category, owed in no small part to the Harry Potter phenomenon (regardless of what I personally think of J.K. Rowling, #transrightsarehumanrights), has transformed the YA genre today into the publishing world's most beloved cash cow. Who'd have thought you could make millions in revenue from targeting a younger demographic? If YA marketing strategies are getting more superficial (a list of tropes, a bunch of ridiculously positive quotes, a 30-second video of a teen in a flower crown), it's because, to the publishing and Film/TV industry, YA has become synonymous with fast (and big) sales. It hasn't truly had a chance to be anything else. It's a victim of its own success. It rose too high and too fast. It got coopted by Booktok (it's no coincidence that this is also a platform targeting a younger demographic). And I don't think that's likely to change any time soon...

Some Interesting Articles on BookTok and the YA Genre:

Examining the Booktok Potential

Booktok Statistics

How The Outsiders Became the Origin of YA Literature

SPILLED INK SATURDAY 》 Writeblr Discourse Series

Session 2: Book Marketing

Spilled Ink is a writeblr discourse series. Each session is centered around a writer/reader/author-related topic and/or debate and those participating are invited to share their thoughts and opinions on these matters from a writer’s perspective. Take a look at our first session here.

To participate in the discussion, you can do so one of two ways:

➸ Return to the OG post (which will always be linked in the title of the post) and reblog with your take on the topic, either in text or in the tags

➸ If you see someone’s take on your feed and you want to chime in on something they said, feel free to reblog their response

If you choose to participate please be respectful when providing your opinion or when responding to someone else’s. 

How do you feel about the recent shift in the way books are marketed?

Everything from quotes on the back of book sleeves (why did we make this a thing???) to listing tropes/vibes for books on social media posts, it's evident that the way books are marketed has shifted over the last several years. As a writer/author, are these marketing strategies necessary and more effective to gain readers? As a reader, do they turn you on or off of a novel? Can they be misleading? Reblog and share your thoughts.

[grandhotelabyss]

—Erik Hoel, “AI-art Isn’t Art”

AI-art confronts us with a truth we might prefer to deny: human-made commercial art has long been “inhuman,” because it was tailored by and for the ever-more-specified demands of the market. The artist was just a set of hands operated from on high by what was almost already an algorithm of the if-you-liked-this-then-you’ll-like-more-of-the-same variety. I think of one of the pulp writers who would bang out a novel a week by consulting the plot chart tacked above his typewriter, itself presumably based on what had already worked; for an updated reference, think Save the Cat! And a lot of the pleasure serious audiences—fellow artists, critics—have always taken in mass art comes from detecting signs of the artist’s irrepressible spirit in the otherwise automated production, i.e., the human touch, what the famous auteur theory was developed to describe in the case of commercial cinema. 

But then look at modern high art, its more and more desperate, strenuous, and indeed absurdist evasion of the “word coined by commerce”: eliminate depth, eliminate sense, eliminate human interest, eliminate humans, or so says the avant-garde, and then implement one or another formal protocol—Impressionist, Cubist, Fauvist, Imagist, Suprematist, Abstract Expressionist, Serialist, et al.—to make art in the absence of either organic mimesis or organic self-expression, lest you be suspected of a commercial appeal. So the work the avant-garde produced was inhuman too, less human than some of the mass culture they fled so fearfully. 

Not to mention academia: whether formalist or historicist, whether regarding the text as an impersonal freestanding structure whose origin is of no concern or as an impersonal social site where ideologemes converge, the scholars professionalized their disciplines by refusing to consider the objects of their study—works of art—as anything so unscientific as the products of individual consciousness.

Two of Hoel’s sources, Benjamin and Tolstoy, are unreliable witnesses for the humanistic defense of art; their own theories lead to art’s automation. The Marxist Benjamin was not lamenting the loss of aura; he was hopeful about the democratization and politicization of art it portended. Similarly, Tolstoy is a forerunner of socialist realism when he claims, in lines Hoel quotes, that the artist “should stand on the level of the highest life-conception of his time,” i.e., should transmit the wisdom of the collective, not the individual consciousness, wisdom that might as well be automated and programmed. Only John Berger among Hoel’s authorities makes the strict case that art, to be art, must be the product of the individual, though here his modernist sentimentality is somewhat at odds with his Marxism (and so much the worse for his Marxism). 

And I’m not assigning blame for all of the above, for the modern inhumanism: art really is the place where the human touches the inhuman, where individual consciousness must mix itself with recalcitrant matter and with the calcified social to produce new configurations and totalities. To value this transaction most for what it tells us about individual consciousness is a choice, one I agree with Hoel that we ought to be making, and ought to have made sooner, but one that can’t be reclassified as other than a choice by playing with the definition of art. I would go further and say that in the age of AI we will simply have to know whether a given work of art is or is not human-made, how and to what extent, and to decide to value it more if it is. 

We should return to the possibility of being moved by inhuman art when we know it was made by human minds and human hands, even if the artists toiled in a commercial cage or reacted so violently against this imprisonment that they caged themselves some other way. This cage or that, we’re capable of being moved all the same before a Jackson Pollock or a Jack Kirby, before a Samuel Beckett or a Lana del Rey. But that’s because we know someone’s in there, in the one cage or the other, a live soul beating wings against the bars. 

If we don’t know, will we respond the same way? And can we tell just from the surface of the work? Just by looking? If you’d never read Tender Buttons before and I showed it to you and said an AI wrote it, wouldn’t you believe me? And yet when you know an AI didn’t write it, when you find out what a fascinating character composed those lines, aren’t you—not me, I never finished that book, but you—capable of being moved? So knowledge matters first: a human being made this. After that, belief: a human being isn’t just any kind of being. The soul is never a question of evidence but always a leap of faith.

[sequinsmile-x]

Serendipity

This was originally a prompt on here that I promised a follow up to, but got carried away.

The original prompt is in italics, so you can refresh yourselves on what it was!

Words: 3.6k 

Rating: Mature

Read over on ao3, or below the cut. 

Let me know what you think! 

It should never have happened. Emily hadn’t intended for it to, and she knew Aaron hadn’t either. They hadn’t meant to fuck at JJ’s wedding, hidden in Dave’s guest bathroom as Aaron’s girlfriend danced with his son downstairs.

Things shifted between them that night. The dance they had shared, his hand in hers and his breath against her neck had ignited her skin, set something on fire that she had tried to ignore. Emily had tried to walk away, to put some distance between them. Aaron had followed her, knocking softly on the bathroom door when she had been in there a little too long.

Emily wasn’t entirely sure who kissed who first, but she remembered him pressing her up against the counter. How it felt when he pushed her dress over her hips, her own hands not idle as she undid his shirt, wanting to feel his skin against hers.

The aftermath had been awkward, but that hadn’t stopped it from happening again the following day. Him coming to hers for the coffee they had promised each other, ending up on the couch instead, clothes shed and desperate hands palming against each other's skin.

She stiffened when he said he had broken up with Beth, the gentle hope in his voice breaking her heart. Emily still remembered the look on his face when she said she was still going to London, his cheek against her hand.

She had been in London for two months before she called him, lied and said she was in town for a consult. Aaron obviously didn’t believe her, but he came to her hotel room anyway. Emily realises she should have known it would be inevitable, that they would have sex again. She wants him as much as he wants her and she has spent so much of her life denying herself the things she wanted. It isn’t lost on her that this is the first time they have done this in a bed, and she sits up as he gets dressed, the silence in the room deafening. She pulls on one of the robes hung up in the wardrobe, pulling the tie tight around her waist.

“Aaron, we still need to talk.”

He looks at her, his face stern. “Are you staying?”

Emily opens her mouth, unsure how to even begin to answer that question, to say what she needs to say. Aaron takes her hesitance as an answer, shrugging on his jacket as he shakes his head at her.

“I should go.”

“Aaron, please.”

“Give me one reason why I shouldn’t leave.” He says, his voice full of defeat and she hates that she's the one that put it there. That she caused the man who she cares for more than she should to feel anything other than happiness. Aaron turns to leave, his hand on the door of her hotel room and a heavy sigh escapes him. “See you next time you’re in town, Emily.”

Emily closes her eyes and wraps her arms around herself, pulling the robe she had put on tighter, as if it could hold her together in the soft material whilst she tells him what she came here to say. What she couldn’t bring herself to tell him on the phone.

“I’m pregnant.”

Aaron turns to look at her. Her eyes are fixed on the floor, her arms crossed tightly across her chest.

“Emily.”

She looks up at him, a small smile on her face. “I think it goes without saying it's yours.” She clears her throat awkwardly when he just stares at her, clearly trying to figure out what to say next. “We should sit down.”

She moves over to one of the armchairs in the corner of the room. She curls up into the chair, pulling her knees up to her chest and wrapping her arms around them. Emily feels relief ease some of the tension in her chest when he joins her, sitting in the chair next to hers.

“Are you ok?” He asks, and it makes her smile. Any frustration he had aimed at her had melted away, replaced by confusion and something she couldn’t quite place.

“I’m ok.” She answers. “Although morning sickness is the most poorly named thing on the fucking planet.” He laughs at that, and it’s nervous, making her raise an eyebrow at him. “Are you ok?”

He nods. “I think we have a lot of things to discuss.”

“Yeah.” She replies, swallowing against the lump in her throat. “We do.” ____________

The flight back to London is rough. Her constant nausea makes the hours drag by, her desperation to just be on solid ground almost overwhelming her.

She’s never been more grateful to see her apartment, the place still not quite feeling like home yet. She sinks into her couch and groans when her cell phone immediately rings, rolling her eyes when she sees Clyde’s name on the screen before she answers.

“Do you track me or something? I’ve only just made it back.”

“That's for me to know and you to wonder about, darling.” Clyde says, smugness in his voice that made her smile despite herself. “How did our dear Agent Hotchner take the news that he’s going to be a father again.”

“Quite well given the circumstances.” Emily answers, unwilling to divulge anymore of her conversation with Aaron to her friend, knowing if there was one person on the planet he wouldn’t want her to talk to about this it would be Clyde Easter.

“You’re going to go back aren’t you?”

Emily laughs, frustrated that he could read her so well even over the phone. “I don’t really have a choice, do I?”

“You always have a choice.”

“Not now.” She replies. She looks down at her abdomen, still flat with no indication of the life growing underneath her skin showing yet. “I can’t keep the baby from him, or him from the baby. He’s a great dad.”

“You left DC for a reason.”

Emily places her hand on her belly and smiles to herself. “And now I guess I have a reason to go back.” ____________

Aaron visits her a month later. His insistence on coming to London for a long weekend made her laugh. She feels nervous when she picks him up at the airport, but it fades away when she sees him.

It’s strange, having him there in her apartment, like two very distinct worlds were colliding. She liked it though, couldn’t help but smile as he walked around and made himself familiar with where she lived.

“I had a scan this morning.” She says, smiling at him nervously when he turns to look at her, his hands in the pockets of his jeans. “Would you like to see the picture?”

“Of course.”

She beams at him as she digs the scan photo out of her purse and hands it to him. “Everything looks good, even if I am a ‘geriatric mother.���’ She said, using air quotes as she spoke.

Aaron has the gall to laugh at her, which makes her raise her eyebrows at him. He steps towards her, ultrasound scan still in hand, and he hugs her. She hugs him back, breathes in the scent of his cologne. She pulls back enough to look at him, and before she can think better of it she leans forward and kisses him. It crosses the delicate line they hadn’t crossed since he had left her hotel room a month ago, still reeling from the life changing news he had told him. They’d been in contact every day since, exchanging texts and phone calls around both of their gruelling work schedules. They’d been acting like friends, nothing more, but her hands grasping the back of his head, pulling him closer to her, changed that.

“Wait.” He says against her lips, pulling away so he could look at her. “Is this a good idea?”

Emily heaves in a breath and licks her lips before looking at his. “Maybe not.” She presses another quick kiss to his lips. “But it’s not like you can knock me up again.”

He stares at her for a second before pulling her back into him, kissing her fiercely as she drags him to her bedroom. ____________

They don’t talk about anything important until the day he leaves, neither of them wanting to ruin the little bubble they had created in her apartment. It’s him that tentatively brings up her plans over the breakfast they had ordered in.

“When are you coming back?”

“In three months.” She says as she takes a sip of her tea. “That’s when my replacement can start here, and when the role at the DC Interpol office opens up.”

Aaron frowns at her. “The DC Interpol office?”

Emily nods. “It’s essentially what I’m doing now.” She senses his confusion and clears her throat as she sets her mug back down. “I was never going to be coming back to the bureau, Aaron.”

“It’s your choice, I just thought you would have mentioned it.”

Emily can feel her temper flaring, annoyance rising up in her before she can stop it. “We’re not in a relationship, Aaron. Just because we fucked a few times and accidentally made a baby doesn’t mean I have to run everything past you.”

He stares at her, a hard look on his face. It seems to take him a moment to speak, and the way he carefully chooses his words pisses her off even more. “Would you even be coming back if it wasn’t for the baby, Emily?”

She looks at him, her fury written all over her face. “No. I wouldn’t be.”

He leaves pretty quickly, claiming he needs to get to the airport even though his flight isn’t for another 12 hours.

____________

After that they speak less often. She updates him on the baby and he asks her how she is, how both of them are doing.

When she starts to show she takes a photo of her bump and sends it to him. The next day a package from Amazon arrives full of pregnancy skin care, a gift note from Aaron that tells her Haley had sworn by the bump cream. The tenderness of the gesture makes her cry, the affection she feels for him almost bursting out of her chest.

She calls him when she finds out they are having a boy, her enthusiasm seeping down the phone and filling his voice with wonder.

As she boards the plane to DC 3 months after she last saw him, all of her belongings shipped, she feels something a little bit like hope bloom in her chest. ____________

Aaron comes to visit her at her apartment almost as soon as she gets back, a smile on his face and a bag of takeout in his hand.

“Hi.” She says, almost shyly as she lets him in.

“Hi.” He kisses her cheek before he thinks about it, pulling her into a hug. He steps back and looks down at her abdomen. “Wow.”

Emily laughs, her hand landing on her belly. “Yeah, he’s getting big.” She takes the bag of food from him. “We should eat.”

They eat and make conversation, and it’s as if 3 months of awkward conversation between them hadn’t happened. He asks her about Sergio, and she says Penelope would be keeping him for now, but that she had full visitation rights.

Aaron clears up the plates, and she rolls her eyes at him as he tells her to put her feet up. She feels the awkwardness seep back in when he sits on the couch next to her, the unanswered questions hanging in the air.

“I’ll get you your own key.” Emily says, tearing her eyes from her lap to look at him. “It makes sense for you to just be able to come over, see the baby whenever.”

He nods, an awkward smile on his face. “I’ll get you one to my place too. Jack keeps asking when you’re coming over.”

“That’s sweet. I missed him.”

“He missed you. We both did.” It’s awkward again for a moment, and she can see the second he decides to simply say whatever he had been holding back for months. “What are we, Emily?”

She sighs. “I don’t know, Aaron.” She grabs his hand and squeezes it. “I care about you. So much. But if we hadn’t had sex at JJ’s wedding we wouldn’t even be here right now. How is that the foundation of a relationship?”

“By itself it might not be, but we have a lot more than that.” He cups her cheek. “We’ve known each other for years. I know I’m not the only one who has felt that there could be more between us.”

Emily closes her eyes and rests her forehead against his. “There is so much more at stake now.” She puts their joint hands on her bump. “We can’t mess anything up for him, or Jack.”

“Don’t we owe it to them, to us, to try?”

She pulls back enough for her nose to brush against his. Emily decides that she’s going to let herself have what she wants. She nods before she kisses him, sighing as they both lean further into it. She breaks off with a laugh when she feels the baby kick against their hands.

Aaron looks down at her stomach in wonder. “He’s kicking?”

She nods at him. “He’s kicking.”

For the first time since the test came back positive she genuinely feels like everything might work out. ____________

By the time she's 8 months pregnant she is spending the vast majority of her time at his apartment, even when he was away on a case, and she tries to ignore what that means. That she’s 2 months into a relationship with a man and practically living with him and his son. Whilst being pregnant with his second son.

Her mother had always told her that she didn’t do anything by half.

Emily is sitting on a park bench, watching Jack play on the swings, with her hand pressed into her belly when she feels it. The familiar feeling of being watched. She feels a shiver run down her spine, goosebumps raising over her body.

Her first instinct is that it’s Ian. All of her logical thoughts that he was dead, that she’d watched him die, being beaten by the anxiety coursing through her. Every reason she had left DC in the first place comes flooding back and she has to take several deep breaths. The feeling doesn’t go away, she looks around the park quickly. She can’t see him, can’t see anyone that looks like they’d be associated with him, but she feels like she needs to leave. Like she needs to get Jack, and her baby, back home as quickly as possible.

She’s about to walk over to Jack, make him leave his friends so she could take him home, when she hears a familiar voice.

“Emily?” She whips round to see Beth standing next to her, an awkward look on her face as she takes in Emily’s appearance. “I saw you from across the park, I thought it was you.”

“Beth. Hi.” She tries to smile. “How have you been?”

“Good.” She nods. She looks at her again, eyes landing on Emily’s bump. The unspoken understanding from the other woman that she was pregnant with Aaron’s child. “You look well.”

Emily’s smile falters. The last time she had seen Beth had been at JJ’s wedding, the night she’d had sex with Aaron when his girfriend was just downstairs. Beth would know that. Emily knew that Aaron was a good enough man to have told her everything when he broke up with her.

“I am really sorry, Beth. For how everything happened.”

Beth laughs and sits on the bench next to her. “That is almost exactly word for word what Aaron said when we got back to his place after JJ and Will’s wedding.” Beth looks over to where Jack is playing and smiles. “I knew something had happened, neither of you were very subtle.”

Emily feels her baby roll in her belly and she presses her hand to it, hoping the gentle circles soothe her son as well as herself.

“I...I guess saying we didn’t mean for it to happen won’t mean much.”

“It doesn’t.” Beth says, a wry smile on her face as she turns back to Emily. “But are you both happy?”

Emily doesn’t even have to think about it. “Yeah. We are.”

“Then maybe it was all worth it.” Beth says as she stands. “I should get going, tell Jack and Aaron I said hi.”

“You should say hi to Jack.”

“It’s ok. I don’t want to confuse him.” Beth smiles at Emily one last time. “Tell Aaron I’m glad he’s happy.” ____________

Aaron gets back to his apartment, the case he had been on two days too long for his liking, to find Emily fast asleep on the couch, wearing one of his shirts and a pair of leggings, with her hand pressed into her stomach. He smiles as he hangs up his keys and sets the alarm, setting his briefcase down on the side. He walks over to the couch and sits on the edge of it, gently waking her. She opens her eyes and looks at him.

“You’re home.” She murmurs, the roughness to her voice giving away that she’s been asleep for a while.

He hums in his throat as he strokes his hand over her head. “Why are you on the couch, you know it doesn’t do your back any good.”

“I was waiting up for you.” She sits up slowly, accepting his help to get her upright. Emily leans against his side as he sits next to her, smiling when he puts one of his palms on her belly and kisses the top of her head. “I missed you.”

“Missed you too.” He tilts her head and kisses her properly, feeling her smile against his lips as the baby rolls in her stomach. “How are you?”

“Good.” Emily answers. “My entire body is sore. But good.”

He hums his sympathy and rubs his hand over her stomach, the baby forever active in a way he knew had caused Emily to lose sleep.

“I’d like to take you on a date.” He says, smiling as Emily pulls back from him, a look of curiosity on her face. “I realised today that I've never taken you on one.”

“Aaron.” She replies, a smile on her face. “I’m 8 months pregnant with your son, I think we’re a little past dating.”

“True, but you have only just agreed to be my girlfriend.” He laughs when she scrunches her nose at him, leaning down to kiss the tip of it. “What?”

“The word ‘girlfriend�� makes it sound like I’m 14, not in my 40s.”

Aaron smiles at her again and kisses her, smiling against her lips. “Well, I’d propose to you so you could call me your fiancée, but I worry that would send you running back to London.”

Emily laughs, kissing him again quickly. “I wouldn’t run away, but I might check if you were feeling ok.” She rests her head against him again. “I saw Beth today.”

He stiffens, his arms tightening around her. “How was that?”

“Awkward.” She answers, turning her head to kiss his shoulder through his shirt. “But she was very nice. Nicer than I might have been in her shoes.”

“I’m glad.” He kisses the top of her head. “What else?”

“What do you mean?”

“What else happened?”

She scoffs. “Can’t keep anything from you.” She sighs. “I could tell someone was watching me, and before Beth came over I thought it was Ian.” He doesn’t say anything, and it spurs her on. “I know he’s dead, that I don’t have to be afraid anymore, but I was for so long.” She feels her emotions rise in her chest, tears flooding at her eyes as she was at the mercy of her hormones. “And I have so much more to lose now.” She wipes her face. “You, Jack. The baby.”

He kisses the top of her head again, then her temple, holding her impossibly tighter. “You aren’t going to lose any of us, sweetheart.” He tilts her chin so he can kiss her properly. “This is it now. Forever.”

She ignores the voice in her head that tells her he can’t promise her that, and she nods.

“If that’s a proposal I’m leaving.” She jokes and it makes him laugh, his forehead pressed against hers.

“Trust me, baby. You’ll know when I’m proposing.” ____________

He takes her on a date the following week. She lets him take her to a restaurant and spoil her, and he doesn’t make any comments when she orders enough food for at least 3 people for herself.

He takes her for ice cream after, going into the store and getting it himself so she doesn’t have to get back out the car, her ankles sore and swollen.

That night they lay in his bed, the one she really knows is theirs, and as he runs his fingers up and down her bare spine she drifts off to sleep.

“I love you.” She whispers into the room, the first time she has said it to him.

She stays awake long enough to hear him say it back. ____________

It should never have happened, but when their son, Benjamin, is born three weeks later Emily is so glad it did.

[yamayuandadu]

Circe by Madeline Miller: a review

As you might have noticed, a few of my most recent posts were more or less a liveblog of Madeline Miller’s novel Circe. However, as they hardly exhausted the subject, a proper review is also in order. You can find it under the “read more” button. All sorts of content warnings apply because this book takes a number of turns one in theory can expect from Greek mythology but which I’d hardly expect to come up in relation to Circe. I should note that this is my first contact with this author’s work. I am not familiar with Miller’s more famous, earlier novel Song of Achilles - I am not much of an Iliad aficionado, truth to be told. I read the poem itself when my literature class required it, but it left no strong impact on me, unlike, say, the Epic of Gilgamesh or, to stay within the theme of Greek mythology, Homeric Hymn to Demeter, works which I read at a similar point in my life on my own accord.

What motivated me to pick up this novel was the slim possibility that for once I’ll see my two favorite Greek gods in fiction, these being Hecate and Helios (in case you’re curious: #3 is Cybele but I suspect that unless some brave soul will attempt to adapt Nonnus’ Dionysiaca, she’ll forever be stuck with no popcultural presence outside Shin Megami Tensei). After all, it seemed reasonable to expect that Circe’s father will be involved considering their relationship, while rarely discussed in classical sources, seems remarkably close. Hesiod’s Catalogue of Women and Apollonius’ Argonautica describe Circe arriving on her island in her father’s solar chariot, while Ptolemy Hephaestion (as quoted by Photius) notes that Helios protected her home during the Gigantomachy. Helios, for all intents and purposes, seems like a decent dad (and, in Medea’s case, grandpa) in the source material even though his most notable children (and granddaughter) are pretty much all cackling sorcerers, not celebrated heroes. How does Miller’s Helios fare, compared to his mythical self? Not great, to put it lightly, as you’ll see later. As for Hecate… she’s not even in the book. Let me preface the core of the review by saying I don’t think reinterpreting myths, changing relations between figures, etc. is necessarily bad - ancient authors did it all the time, and modern adaptations will inevitably do so too, both to maintain internal coherence and perhaps to adjust the stories to a modern audience, much like ancient authors already did. I simply don’t think this book is successful at that. The purpose of the novel is ostensibly to elevate Circe above the status of a one-dimensional minor antagonist - but to accomplish this, the author mostly demonizes her family and a variety of other figures, so the net result is that there are more one dimensional female villains, not less. I expected the opposite, frankly. The initial section of the novel focuses on Circe’s relationship with her family, chiefly with her father. That’s largely uncharted territory in the source material - to my knowledge no ancient author seemed particularly interested in covering this period in her life. Blank pages of this sort are definitely worth filling. To begin with, Helios is characterized as abusive, neglectful and power-hungry. And also, for some reason, as Zeus’ main titan ally in the Titanomachy - a role which Hesiod attributes to Hecate… To be fair I do not think it’s Hesiod who serves as the primary inspiration here, as it’s hard to see any traces of his account - in which Zeus wins in no small part because he promises the lesser titans higher positions that they had under Cronus - in Miller’s version of events. Only Helios and Oceanus keep their share, and are presented as Zeus’ only titan allies (there’s a small plot hole as Selene appears in the novel and evidently still is the moon…) - contrary to just about any portrayal of the conflict, in which many titans actually side with Zeus and his siblings. Also, worth noting that in Hesiod’s version it’s not Oceanus himself who cements the pact with Zeus, it’s his daughter Styx - yes, -that- Styx. Missed opportunity to put more focus on female mythical figures - first of many in this work, despite many reviews praising it as “feminist.” Of course, it’s not all about Helios. We are quickly introduced to a variety of female characters as well (though, as I noted above, none of these traditionally connected to the Titanomachy despite it being a prominent aspect of the book’s background). They are all somewhat repetitive - to the point of being basically interchangeable. Circe’s mother is vain and cruel; so is Scylla. And Pasiphae. There’s no real indication of any hostility between Circe and any of her siblings in classical sources, as far as I am aware, but here it’s a central theme. The subplots pertaining to it bear an uncanny resemblance to these young adult novels in which the heroine, who is Not Like Other Girls, confronts the Chads and Stacies of the world, and I can’t shake off the feelings that it’s exactly what it is, though with superficial mythical flourish on top. I should note that Pasiphae gets a focus arc of sorts - which to my surprise somehow manages to be more sexist than the primary sources. A pretty famous tidbit repeated by many ancient authors is that Pasiphae cursed her husband Minos, regarded as unfaithful, to kill anyone else he’d have sex with with his… well, bodily fluids. Here she does it entirely  because she’s a debased sadist and not because unfaithfulness is something one can be justifiably mad about. You’d think it would be easy to put a sympathetic spin on this. But the book manages to top that in the very same chapter - can’t have Pasiphae without the Minotaur (sadly - I think virtually everything else about Pasiphae and Minos is more fun than that myth but alas) so in a brand new twist on this myth we learn that actually the infamous affair wasn’t a curse placed on Pasiphae by Poseidon or Aphrodite because of some transgression committed by Minos. She’s just wretched like that by nature. I’m frankly speechless, especially taking into account the book often goes out of its way to present deities in the worst light possible otherwise, and which as I noted reviews praise for its feminist approach - I’m not exactly sure if treating Pasiphae worse than Greek and Roman authors did counts as that.  I should note this is not the only instance of… weirdly enthusiastic references to carnal relations between gods and cattle in this book, as there’s also a weird offhand mention of Helios being the father of his own cows. This, as far as I can tell, is not present in any classical sources and truth to be told I am not a huge fan of this invention. I won’t try to think about the reason behind this addition to maintain my sanity. Pasiphae aside - the author expands on the vague backstory Circe has in classical texts which I’ve mentioned earlier. You’d expect that her island would be a gift from her father - after all many ancient sources state that he provided his children and grandchildren with extravagant gifts. However, since Helios bears little resemblance to his mythical self, Aeaea is instead a place of exile here, since Helios hates Circe and Zeus is afraid of witchcraft and demands such a solution (the same Zeus who, according to Hesiod, holds Hecate in high esteem and who appeared with her on coins reasonably commonly… but hey, licentia poetica, this idea isn’t necessarily bad in itself). Witchcraft is presented as an art exclusive to Helios’ children here - Hecate is nowhere to be found, it’s basically as if her every role in Greek mythology was surgically removed. A bit of a downer, especially since at least one text - I think Ovid’s Metarphoses? - Circe directly invokes Hecate during her confrontation with king Picus (Surprisingly absent here despite being a much more fitting antagonist for Circe than many of the characters presented as her adversaries in this novel…) Of course, we also learn about the origin of Circe’s signature spell according to ancient sources, changing people into animals. It actually takes the novel a longer while to get there, and the invented backstory boils down to Circe getting raped. Despite ancient Greek authors being rather keen on rape as plot device, to my knowledge this was never a part of any myth about Circe. Rather odd decision to put it lightly but I suppose at least there was no cattle involved this time, perhaps two times was enough for the author. Still, I can’t help but feel like much like many other ideas present in this book it seems a bit like the author’s intent is less elevating the Circe above the role of a one note witch antagonist, but rather punishing her for being that. The fact she keeps self loathing about her origin and about not being human doesn’t exactly help to shake off this feeling. This impression that the author isn’t really fond of Circe being a wacky witch only grows stronger when Odysseus enters the scene. There was already a bit of a problem before with Circe’s life revolving around love interests before - somewhat random ones at that (Dedalus during the Pasiphae arc and Hermes on and off - not sure what the inspiration for either of these was) - but it was less noticeable since it was ultimately in the background and the focus was the conflict between Circe and Helios, Pasiphae, etc. In the case of Odysseus it’s much more notable because these subplots cease to appear for a while. As a result of meeting him, Circe decides she wants to experience the joys of motherhood, which long story short eventually leads to the birth of Telegonus, who does exactly what he was famous for. The final arcs have a variety of truly baffling plot twists which didn’t really appeal to me, but which I suppose at least show a degree of creativity - better than just turning Helios’ attitude towards his children upside down for sure. Circe ends up consulting an oc character who I can only describe as “stingray Cthulhu.” His presence doesn’t really add much, and frankly it feels like yet another wasted opportunity to use Hecate, but I digress. Oh, also in another twist Athena is recast as the villain of the Odyssey. Eventually Circe gets to meet Odysseus’ family, for once interacts with another female character on positive terms (with Penelope, to be specific) and… gets together with Telemachus, which to be fair is something present in many ancient works but which feels weird here since there was a pretty long passage about Odysseus describing him as a child to Circe. I think I could live without it. Honestly having her get together with Penelope would feel considerably less weird, but there are no lesbians in the world of this novel. It would appear that the praise for Song of Achilles is connected to the portrayal of gay relationships in it. Can’t say that this applies to Circe - on this front we have an offhand mention of Hyacinth's death. which seems to serve no real purpose other than establishing otherwise irrelevant wind god is evil, and what feels like an advert for Song of Achilles courtesy of Odysseus, which takes less than one page. Eventually Circe opts to become mortal to live with Telemachus and denounces her father and… that’s it. This concludes the story of Circe. I don’t exactly think the original is the deepest or greatest character in classical literature, but I must admit I’d rather read about her wacky witch adventures than about Miller’s Circe. A few small notes I couldn’t fit elsewhere: something very minor that bothered me a lot but that to be honest I don’t think most readers will notice is the extremely chaotic approach to occasional references to the world outside Greece - Sumer is randomly mentioned… chronologically after Babylon and Assyria, and in relation to Persians (or rather - to Perses living among them). At the time we can speak of “Persians” Sumerian was a dead language at best understood by a few literati in the former great cities of Mesopotamia so this is about the same as if a novel about Mesopotamia mentioned Macedonians and then completely randomly Minoans at a chronologically later point. Miller additionally either confused or conflated Perses, son of Perseus, who was viewed positively and associated with Persia (so positively that Xerxes purportedly tried to use it for propaganda purposes!) with Perses the obscure brother of Circe et. al, who is a villain in an equally obscure myth casting Medea as the heroine, in which he rules over “Tauric Chersonese,” the Greek name of a part of Crimea. I am honestly uncertain why was he even there as he amounts to nothing in the book, and there are more prominent minor children of Helios who get no mention (like Aix or Phaeton) so it’s hard to argue it was for the sake of completion. Medea evidently doesn’t triumph over him offscreen which is his sole mythical purpose. Is there something I liked? Well, I’m pretty happy Selene only spoke twice, considering it’s in all due likeness all that spared her from the fate of receiving similarly “amazing” new characterization as her brother. As is, she was… okay. Overall I am definitely not a fan of the book. As for its purported ideological value? It certainly has a female main character. Said character sure does have many experiences which are associated with women. However, I can’t help but think that the novel isn’t exactly feminist - it certainly focuses on Circe, but does it really try to “rehabilitate” her? And is it really “rehabilitation” and feminist reinterpretation when almost every single female character in the book is the same, and arguably depicted with even less compassion than in the source material?  It instead felt like the author’s goal is take away any joy and grandeur present in myths, and to deprive Circe of most of what actually makes her Circe. We don’t need to make myths joyless to make them fit for a new era. It’s okay for female characters to be wacky one off villains and there’s no need to punish them for it. A book which celebrates Circe for who she actually is in the Odyssey and in other Greek sources - an unapologetic and honestly pretty funny character -  would feel much more feminist to me that a book where she is a wacky witch not because she feels like it but because she got raped, if you ask me. 

Circe evidently having the time of her life, by Edmund Dulac (public domain)

[justiceraffles]

About the Gosho Boys and literary crime fiction

This is a lengthy text wall in which I ramble about detectives. It started out with me thinking about the Gosho boys and their relationship with classic mystery fiction and literary/fictional detectives and it ended up derailing into a Hakuba rabbit hole in which I overanalyse details pointlessly for hours because I guess that is simply how most of my free time is spent.

(Fair warning that this is probably ridden with mistakes because I am capable of only 1.3 thoughts at a time)

So, when it comes to Shinichi, Heiji and Kaito, they all have a literary character from classic detective fiction that they’re closely associated with. Namely, it’s Sherlock Holmes for Shinichi, Ellery Queen for Heiji, and Arsène Lupin for Kaito. The relationship they hold with each of these figures (and with crime fiction in general) is very different, but it’s quite telling of their personality, character, their relationship with literature, and their respective approach to their profession. I talk about each of them a little bit and then just spend half the time talking about Hakuba. 

Shinichi is born in a household where mystery fiction is extremely important. He is surrounded by this type of story and his parents nurture this interest actively. Detectives and mysteries permeate his life wholly. For Shinichi, Holmes is seen as the maximum exponent of a genre. Holmes is The Great Detective. The archetype, the one that defines what it means to be a detective and the one later writers will seek to emulate one way or another. Detective fiction is what it is today because of Holmes, so it makes complete sense for Shinichi to have him as his idol. Holmes is what he strives to be and it’s what people associate him with. 

Heiji is a lot more subtle than Shinichi is, but he is also very much a lit nerd. Ellery Queen is both a character and a pseudonym for the writers that created him. As a character, Ellery Queen is such a perfect choice for Heiji’s favourite detective. He’s a mystery writer who doubles as a sleuth and helps his father, a police inspector, in solving crimes. Wonder if that sounds familiar, huh. Aside from similarities in the character (I could go on about some passages that have such strong Heiji vibes I’d be here forever) the Queen novels challenge the reader very directly. They tell you to pay attention, that you are presented with the exact same clues as the detective and should therefore be able to solve the mystery as well. The mystery story is a competition and the author issues a challenge by presenting it to the reader. I love this because Heiji has a huge competitive streak, and this is highlighted from his introduction. To find that the stories he’s passionate about also encourage this side of him is just so fitting and appropriate. 

The case where Shinichi and Heiji meet always makes me think of the contrast between reading a Holmes novel and a Queen story. Personally, I feel like the enjoyment of a Holmes story often relies on letting yourself be awed by the deduction. You can follow along with the mystery but a big part of the charm is based on the detective himself and the way he explains the thought process that leads him to his conclusion. You’re meant to sit down and enjoy as Holmes explains himself, and admire his brilliance. There’s a focus on the truth and the way to reach it, which is very, very Shinichi. A Queen novel, on the other hand, invites you to play along as you read. You are on equal standing with the detective, and it’s up to you to reach the same conclusion he does. These are the principles of “fair-play” in mystery fiction. As it implies, it is very much a game! So Heiji challenging Shinichi to a battle of wits and deductions goes perfectly in line with what he’s reading. Holmes is the genius detective you look up to with admiration, Queen is a sleuth that invites you to solve the crime alongside him. These suit the vibes that Shinichi and Heiji give off themselves very well. 

Kaito is much, much different for obvious reasons. He’s not a detective, and he’s not nearly as much of a mystery geek as the others are. The entire KID persona is closely associated with Arséne Lupin because Toichi fashions it accordingly. Even if phantom thieves aren’t quite the same as Leblanc’s original idea for the Gentleman Burglar, they still have a clear origin in Lupin and there’s important similarities to be made between them. Storytelling-wise, KID heists work on the same principles as Lupin stories. You know the criminal is there, hidden amongst the cast presented to you, and you know he will carry out the crime. And, regardless of whether you have an inkling of an idea of how he’s going to pull it off or not, you still allow yourself to be amazed by his methods regardless when the trick is revealed! Even when the schemes are outlandish and border on the fantastical and unbelievable, the stories are best enjoyed when you suspend your disbelief and allow the plots and characters to be over the top. But well, the connection between Lupin and KID is fairly self-explanatory. So, rather than KID, I think it’s more interesting to think about the relationship between Lupin and Kaito himself.  

Kaito doesn’t seek to be seen as a modern day-Lupin in the same way Shinichi wants to be a modern day-Holmes. Unlike Shinichi who becomes a detective in great part because he has Holmes as his idol, Kaito doesn’t become a thief because of his admiration towards a literary character, but because of his love and admiration towards his father. Kaito dons the KID suit with pride because it’s something his father left behind, and he embraces each part of it because it can lead to answers and understanding. But, always cryptic, Lupin doesn’t provide a whole lot of answers and understanding, and neither does Toichi. Lupin admits that he struggles to recognise himself under all the disguises and roles he has played. The truth behind his father’s character seems to become more elusive the more Kaito becomes involved with thievery. The “gentleman thief” persona, despite being charming and theatrical, has consequences on a personal life. 

...And then there’s Hakuba. 

Hakuba is complicated. 

But, Raffles! You say, Saguru is another Sherlock geek!

Well, yes. Of course he is. The deerstalker outfit and him naming his hawk Watson make that clear. Hakuba is an absolute Holmes nerd. 

I’m here to read too deeply into it when it’s most definitely not that deep at all. But, there’s never enough information about Hakuba and I have a blast overthinking stuff. So that’s what we’re gonna do! 

Despite obviously being a big fan, Hakuba’s relationship with Holmes is different from that of Shinichi’s. 

First, we don’t get to see Hakuba nerding out about Holmes novels and stories in the same way Shinichi does. He doesn’t quote Holmes at length or go on about how much he loves the books. Instead, we know Hakuba’s a nerd because he’s apparently passionate enough about this character to include things associated with him into his own personal image and identity.

Second, there’s the way others perceive him. Shinichi and Kaito (as KID) get “Heisei Holmes” and “Reiwa Lupin”. Despite irking a couple officers every now and again, Heiji is held in high regard and considered a great detective by the police force. Hakuba has a considerable amount of fame, but he doesn’t receive the same amount of trust people place on Shinichi and Heiji. It’s easy to forget because Hakuba acts with a lot of confidence and familiarity around crime scenes, but several of his appearances highlight the way his presence is tolerated at heists because of his father’s influence and is generally seen as an outsider. The police take orders from Shinichi and look up to him for advice— it’s not quite the same with Hakuba. More often than not, Nakamori treats Hakuba like a visitor or observer than a consulting detective. All of this rambling to say that even though he presents himself that way, Hakuba isn’t (or, at least, isn’t seen as) the Holmes he admires.  

So, if not Holmes, is there anyone that suits Hakuba better?

I’d say yes and no. 

As far as I can recall, the series never makes any explicit comparisons or references to other detectives when Hakuba is concerned. That said, much like you’d associate the deerstalker and Watson to Holmes, Hakuba has some other quirks and behaviours reminiscent of other detectives. Now, I’m not here to say that Hakuba was made deliberately as a compilation of references to literary detectives. These similarities are admittedly mostly coincidences. That said, deliberate or not, I think an argument can still be made that the connections exist! And well, considering the lack of concrete information about Saguru, thinking about them is fun. So this is what I think: 

One of Hakuba’s most prominent quirks is his fixation with time and exactitude. His pocket watch is a memorable prop and being precise about minutes and seconds is an important part of his character. You can find very similar behaviour in Agatha Christie’s Hercule Poirot, who also carries a pocket watch around and is extremely particular about punctuality and numbers. Another thing interesting about Poirot is that he’s most interested in the psychology behind a crime, in understanding the mindset of the killer. Poirot mysteries have each of the suspects explaining their own version of events, because the detective wants to understand everyone’s version of perceiving the truth. In other words, Poirot mysteries have a focus on the whydunnit. 

You can probably tell that now I’m going to gesture wildly at Hakuba’s “Why did you do it”

Speaking of Hakuba’s signature question, it’s probably also worth mentioning the Father Brown stories by G.K Chesterton. The sleuth is a catholic priest, and after his deduction and identifying the culprit, the stories usually end with the priest spending time with the criminal. Before an arrest is made, Father Brown has a private meeting with the killer (or thief). It’s implied that this is carried out as a personal confession of sins, and expresses a need to seek out an understanding of the motive as perceived by the criminal themselves. 

I say this because the catchphrase does come off as a little strange. It’s curious that Hakuba asks why when we usually expect the detective to be able to sort it out by himself. But, it’s really not that strange to find equivalents to it in stories that focus on the psychological part of the crime and empathy towards them. 

(Also worth mentioning that both Christie and Chesterton were presidents of the Detection Club, a group of writers during the golden age of detective fiction that based their stories around the concept of “fair-play” that I mentioned earlier when I was talking about Heiji.  

Back on track: Hakuba and Poirot share key similarities. 

HOWEVER! There are also differences between them. I’m referring to the fact that Poirot puts the most emphasis on this psychological level of a crime. Poirot says “I am not one to rely upon the expert procedure. It is the psychology I seek, not the fingerprint or the cigarette ash” On the other hand, I’d argue that out of all of the Gosho boys, Hakuba is the most fastidious about procedure. He has some level of knowledge of forensic investigation and places importance upon it.

Sherlock’s methods do draw inspiration from precursors of forensic science, so you could trace it back to that. You could also go to R. Austin Freeman’s Dr. John Thorndyke, who is inspired by Holmes, but places a heavier focus on the scientific method behind deductions. Thorndyke is probably the one to properly kickstart the forensic/medical sleuth subgenre that grows later with the improvement and development of DNA evidence and technology. We have Hakuba being observant enough to find one of KID’s hairs, and then use Hakuba labs to narrow his identity down. It doesn’t resemble Poirot’s methods, it also isn’t quite Sherlockian, but it does resemble other classic british sleuths!

OKAY, COOL. WHERE ARE YOU GOING WITH THIS RAFFLES. 

I’M NOT REALLY SURE! I NEVER KNOW WHAT I’M DOING! I JUST WANTED TO TALK ABOUT HAKUBA AND DETECTIVE STORIES. 

Alright. This is more of a personal interpretation/headcanon than anything else, but unlike the other three Gosho boys, who have one  clear inspiration/basis/model, I like the idea of Hakuba reading a vast array of detective novels and picking up the little habits, methods, that he finds interesting or comforting. The deerstalker, the name for his hawk, his pocketwatch, his signature question, his methods, his knack for competition, all of them handpicked from the things that he enjoys most about detectives. 

It’s also worth mentioning that all of the authors for these stories I’m associating with Hakuba are British. The thought of him being passionate about English authors as a way to understand his English side of the family is a headcanon I quite enjoy. And, technically, the same could apply to his Japanese side as well. I can imagine young Saguru reading Rampo’s Kogoro Akechi stories and also wanting a rival like the Fiend of Twenty Faces and jumping at the chance of chasing KID because how much he resembles the character. Or appreciating Akako’s cryptic clues because Rampo’s fiction also has supernatural edge to it. 

I don’t know. I just like the idea of Saguru learning about the world, his family, and himself through literature? This is pure, unapologetic self-indulgence on my part, I have to admit. 

Though, if I HAD to assign one specific detective to Saguru, I think it would probably be Poe’s C. Auguste Dupin. Poe’s stories with the character as seen as the start of detective fiction, and Dupin serves as the prototype for detectives to come — even Holmes, even if he doesn’t get nearly as much recognition as Conan Doyle’s detective today. Despite the fact that Hakuba is the original teenage detective in the series, and he’s also often forgotten and neglected by both Gosho and a big portion of the fandom. Even so, he paved the way for Shinichi and Heiji, and is very important regardless. 

Anyway! I don’t know why I wrote this and I am now very embarrassed but thanks for reading all the way!

[mysticmachmir]

Tarot Through a Jewish Lens (Part I)

Is Tarot Jewish?

No. Tarot was not a Jewish creation and nor does it come from Kabbalah. When Waite made his famous RWS deck, he was a Christian occultist/magician and part of the Hermetic Order of the Golden Dawn and also formed his own Fellowship of the Rosy Cross. He was a Catholic involved in 'western esotericism' and fell under the learnings of Eliphas Levi. Eliphas Levi was not a Jewish man. He was a French gentile occultist who changed his name from Alphonse Louis Constant to Éliphas Lévi Zahed -- why? He wanted his magical works to sound more authentically exotic (aka, Jewish) because he appropriated from Jewish mysticism and skewed it for his own wants. He believed that Kabbalah was the "linking factor between the Old Testament and the New Testament", and that is rooted in Christian supersessionism, a violent ideology that has resulted in many murders of the Jewish people. Another example is the french occultist, Court de Gébelin, who claimed that the Major Arcana were numbered to correspond to the 22 letters in both the Egyptian and Hebrew alphabets. It didn’t seem to trouble him that at the time different versions of the deck that was in circulation sometimes had more than and sometimes less than 22 Major Arcana cards. Or that ancient Egyptians didn’t use an alphabet. 

So no. Tarot was created as a playing card game, sprung up in Italy, Germany, and France. It was not intended for 'occult' use until much later. And still, in no way shape or form, was it ever Jewish in origin. In the Torah, besides certain kinds of divination/tools, divination is forbidden and Tarot is considered avodah zarah (idolatry) because it is a non-Jewish practice.

Now I'm sure you're asking: Well you read tarot, why are you telling me this? Aren't you incriminating yourself? I'm telling you because I want to stress and push back against cultural appropriation and Christian supersessionism that is rooted in these beliefs, and I want to make it clear that the relationship between a Jew, halacha, and G!d is on them - but to not fool oneself claiming a non-Jewish practice is actually Jewish. That, I think, is more ludicrous than just using tarot.

Alright, now onto the fun parts and what you are here for.

My Jewish Theology with Tarot

So, this is all my personal theology which obviously you do not have to share. I am Jewish and practice religious Judaism. I believe that there is only one G!d, Hashem, and that They are everywhere and in everything. In academic terms, I am a monotheistic panentheist. This aligns with a lot of Jewish mysticism, especially Chassidus, and consider myself a crossover between the Conservative Jewish denomination and Renewal, with a solid base in the American Neo-Hasidic movement . (Conservative =/= political right-wing in the Jewish movements). I deeply respect Jewish traditions, halacha, and have put a lot of thought in what I believe and how it relates to tarot. There will be of course Jews who disagree with me, but I'm not here to dwell on that. When I read tarot, I am not asking the cards to tell me the answer I am seeking - the cards are a tool, an object, and do not possess spirits of their own. I am asking G!d. Now, angels won't interfere, but sheydim (demons) can. I will talk about protections/rituals one can use to avoid sheydim meddling later. As for questions like: How does one ethically divine? How much power do interpreters have? Does G!d plan everything? Do we have free will when it comes to our future? Let’s look to source texts. “All is foreseen, but free will is given.”  —Rabbi Akiva, Pirke Avot 3:15 "Rabbi Bena’a: There were twenty-four interpreters of dreams in Jerusalem. One time, I dreamed a dream and went to each of them to interpret it. What one interpreted for me the other did not interpret for me, and, nevertheless, all of the interpretations were realized in me, to fulfill that which is stated: All dreams follow the mouth of the interpreter." —Berakhot 55b "The Gemara asks: But doesn’t Rav say that any divination that is not like the divination of Eliezer, the servant of Abraham, when he went to seek a bride for Isaac (see Genesis 24:14), or like the divination of Jonathan, son of Saul, who sought an omen as to whether he and his arms bearer would defeat the Philistines (see I Samuel 14:8–12), is not divination? Since Rav did not rely on the omen in his decision making, he did not violate the prohibition against divination, and there was no reason for him to penalize himself." —Chullin 95b "What is a diviner? One who takes his stick in hand and says, (as though he were consulting it), “Shall I go, or shall I not go?” So does it state, (Hoshea 4:12) “My people ask counsel of their stick, and their staff declareth unto them” (Sifrei Devarim 171:6). (3) מעונן — Rabbi Akiba said, Such are people who assign times (עונות plural of עונה “period”, “time”) — who say, “This time is auspicious to begin some work”; the Sages, however, say, It refers to those “who hold your eyes under control” (who delude by optical deception; they connect מעונן with עין “eye”) (Sifrei Devarim 171:9)." —Rashi on Devarim 18:10-12 "... here he does not rely on the אות which he had stipulated, but where he asked G’d in prayer for help, saying that if certain things were to happen he would regard this as a sign that his prayer had been answered favorably (compare Ibn Ezra there). When the Talmud Chulin 95 כל נחש שאינו כאליעזר עבד אברהם ויהונתן בן שאול אינו נחש, the meaning is that “any divination which is not like that of Eliezer or that of Yonatan ben Sha-ul is not a divination,” i.e. is not permissible, but is akin to relying on witchcraft [Unless the person requesting a sign does so as a prayer directed to G’d it is forbidden. Ed.]" —Sforno on Beresheit 24:14 “The true power of the tarot lies in its ability to channel a clear path for our deep intuition to shine through. Consulting the tarot can help clear creativity blockages, clarify ambitions, work through complex decisions, and make sense of emotions and relationships.” —Holistic Tarot, Benebell Wen

In my interpretation of these quotes, I gather a few things:

1. In Jewish thought, dreams are 1/60th prophecy. However, dreams follow the mouth, i.e. interpretations. Multiple interpretations can be true. Being a confident and learned interpreter is important. While I did not quote it, the sages also advise the one should pay your interpreters fairly. 

2. Hashem has given humans free will, so we can make our own choices. That is unique to us as beings, unlike angels. G!d already knows the possible outcomes.

3. It is not divination to notice and realize patterns or answers as long as you do not use it as an omen to change immediate course - examples the sages mention in specific are "a piece of bread falls from your mouth, so you decide not to walk to the lake", i.e, seeking 'signs' and omens randomly to direct your life.

4. Rashi's explanation of what a diviner and sorcerer are, compiled from different Jewish texts. Now, I am not here to say "and this is proof Judaism and halacha are actually fine with divination!" Nope, in Bamidbar 23:23, it is very clear that Jews are told to get what they need from prophets or G!d themself, and do not need augury. What I am arguing here is that by these specifications, and connecting to my final point of what tarot actually is, tarot may not fall under that category depending on how you use it.

5. I wanted to highlight Sforno's commentary here because the way I read tarot is via prayer. Tarot is a tool, and when I begin a reading, I am not asking the cards, I am asking Hashem to use these cards as a sign and communication.

6. Finally, I quoted Benebell Wen because of her poignant understanding of how tarot is less about "fortune-telling" and more about a creative psycho-spiritual exercise for intuition and is more like a mirror to our subconscious telling us what is true. Fusing this with the ideas above, this is my short rundown of how I see and view Tarot: Tarot is a prayerful, spiritual tool as a way I can interpret and communicate from G!d, and I understand the cards themselves are not going to tell the future. Tarot is a mirror for the subconscious and a way for us to work through things we do not feel we can do on our own, be'ezrat Hashem (with the help of G!d).

Jewish Tarot Spreads

As I don't want to just post photos, I am instead going to include links to the tarot spreads I have found, to their origins so you can know the creator!The Archangel Spread The Divine Threads Spread Wisdom of the Hebrew Priestess Spread Vessel, Offering, Ally Spread Do Not Play It Small Spread Rooting and Releasing Spread

Jewish Tarot and Oracle Decks

Eht/Aht Netivot Oracle Deck

Tu B’shevat Oracle Deck

Moon Angels Oracle Deck

Malakhim Meditative Cards

Raziel Tarot Deck (Out of Print)

Jewish Tarot (Never Printed, Can See All Cards Virtually)

72 Names Deck

Tokens of Light Deck

King Solomon Deck

Revealed by the Letters Deck

Cleansing and Protection

So, of course, this is so dependent on what you think is most important for you, as it is your practice. However, I will share what I do.

When it comes to doing readings, I have a very specific ritual. First, I light incense or a candle depending on what I feel like doing at the time. This is something I am still working on and trying what fits best for me and my cards. I will use incense smoke to cleanse cards or the "knocking" card trick. Then, I say two prayers - I recite the blessing:

"Blessed are you G!d, Ruler of the Universe, who opens the eyes of the blind. The reason is because of the allegory that intuition and divination are connecting to a special type of sight. Then, in the case of the concern with sheydim messing with the reading, I have decided to use the protective angel prayer: 

"In the name of the Lord, G!d of Israel: 

May the angel Michael be at my right side, 

and at my left side, Gabriel,

before me Uriel, behind me Raphael,

and above my head, Shekhinat El, G!d's presence." This is traditionally recited at night, but I felt it was just as appropriate to call on these angels for protection. Plus, Uriel is associated with illumination and is a useful presence to have during these readings. In Jewish gemology, lapis lazuli is good for bringing understanding and grounding intuition, so I use that gemstone as well while I read. Eventually, I'd like to also get an onyx as it is associated with enlightenment and wisdom in Jewish gemology. I also use a tarot cloth with a hamsa and have a protective amulet pendant.

Finally, when I shuffle my cards, I sing a very specific phrase - the "ein od milvado" from Kohelet 1:2, in a tune that puts me into a meditative headspace - and I shuffle with my eyes closed, only stopping when I feel it is right to do so. I also use a kabbalistic meditation technique to allow the divine flow (shefa) from G!d's light flow through the crown of my head. 

If you liked this work and information, consider tipping me at: https://ko-fi.com/ezrasaville!

Sources (I will post this in every post of this series): Sefaria Chabad Tarot and the Gates of Light by Mark Horn Torah, Tarot, and Tantra by William Blank The Jewish Dream Book by Vanessa Ochs Magic of the Ordinary by R. Gershon Winkler Tarot Wisdom by Rachel Pollack The Wisdom in the Hebrew Alphabet by R. Michael Munk The Encyclopedia of Jewish Magic, Myth, and Mysticism by R. Geoffrey Dennis https://www.telshemesh.org/ https://hsastrology.weebly.com/hebrew-zodiac-signs.html https://ohr.edu/this_week/ask_the_rabbi/2394 https://www.gatesoflighttarot.com/ http://www.devotaj.com/ http://www.peelapom.com/

[lovesaadiqa]

BBL Costs, Prep + Recovery

Im booked!!  I talked to a few friends who I know either got this surgery or is getting this done.  I wanted one since forever but I wanted my teeth done first.  The deciding factor came down to my birthday plans.  

Originally I was going to do a birthday tour.  First weekend of October in Miami for carnival, 2nd weekend in Atl for Freak Nik, 3rd weekend in Bahamas and finally Nola for the finale.  Well Nola was just hit with a storm so yeah that’s out. Once I totaled up the flights, hotels, food and spending money.. I was like hmm, I can get a fat ass and started this process.  Immediately looked into surgeon and Dr. Pena was my favorite, his bodies come out so mf snatched, he’s located in Columbia.  Columbian surgeons can take out way more fat than American doctors however, the fatality rate is stupid and ultimately the factor that made me choose an American doctor.  

The next step was choosing the surgeon for the body I have and the one I want.  I weigh 151 and im 5′6″ I’m considered a “skinny bbl”.  I started researching doctors in Atlanta (so I could recover at home) and Miami (like duh).  I chose to go with Dr. Desouza in Miami with CG Cosmetics for a few reasons.  First, I love the look of his skinny bbl’s on other women with the same body type, weight and height as me.  Secondly, he was having a special for the end of the year (lipo 360, bbl, jplasma for $6500 for the surgeon I wanted) this almost sold me but it was the surgery date!!  Jplasma is skin tightening procedure to help with loose skin, you can only get this with lipo.  When they perform lipo they created canals under your skin to remove the fat.. well those same canals are essential when getting Jplasma.

Ok so I decided on the surgeon, contacted the cosmetic group and had a consultation which is pretty much just front, side and back view pictures.. I think they use this to make sure you don’t need a tummy tuck prior to surgery.  They also asked me questions about previous surgeries and if i’ve ever had anesthesia.  The next step went pretty quickly, we talked about what would be lipo’d (abs, waist, back.. I wanted inner thighs, an additional 2k, but was advised to wait on my pre-op to decide), when I wanted to book and how I'd pay.  My consult was on August 30th.. I bitched up when she attempted to take my payment.  I am a money hoarder and spending that much money made me feel like I was being financially irresponsible.  I called one of my Aunt’s who I felt wouldn’t judge me and also give me sound advise.  We talked about my fears, why I was getting the procedure and of course money.  My Aunt gave me excellent advice, reassured me and is a professional CNA who offered to accompany me so yeah I dare not turn that down, lol.  August 31, 2021, I called my coordinator (the contact between me and my surgeon) and told her I wanted to book, she asked me when I’d be ready and I requested first available which was 9/20/21!! Excited is an understatement.. I'd be 24 days post op on my birthday.  After I calmed down I paid in full for multiple reasons:  had to in order to secure the date, all surgeries book in this year had to be paid in full, it was the only way to get the discount.. My coordinator gave me so much information I couldn’t see straight (I was also high as shit off life thinking about a fat ass and me in the same sentence).. she emailed + texted everything, congratulated me and we hung up.

I get the emails:  “raise you hemoglobin with these vitamins” I purchased vitamin C $2, folic acid $2, iron $3 and floradix $35 - amazon, I take them as directed on the bottle and start eating my ass off (just to give my surgeon more to work with, lol).  Talking to one of my gf’s I realize I have to be cleared for surgery?!?!  What?  I open my email and sure enough I have to have blood work done 15-20 prior to surgery, it was 9/3 and a Friday.. SHIT!! I fly over to an Piedmont Wellstreet urgent care facility as recommended by my friend (she started this process as well so I was crazy grateful for her experience and that she shared it with me).  Urgent care was full but opened the next day, my ass was in that line at 7:32 am, I was the 13th person in line and they opened at 8.  I get to the desk and my appointment is at 10:30 and I'd have to pay the office visit fee to be seen, it was $155.  I came back at my allotted time and was told how much all of my labs would be.. $302.  My labs were to be processed and faxed to my surgeon by 9/9 because Labor Day weekend so.. yeah.  

I discuss accommodations with my Aunt and realize it’s cheaper, safer and more beneficial for me to go to a recovery house.  I search high and low baby and most of them were booked.. found one regardless with lymphatic massages included called Flawless Recovery House.  This wasn’t my 1st-6th option but the one with availability on my surgery date so I paid a deposit to hold onto my spot.  Total was $1312 for 5 days with 5 massages, I paid a $200 deposit.  Next, I booked my flight, round trip $116 with Delta.  My surgery date is on a Monday, I have to have my pre-op done on the Saturday prior so I booked a hostel from the 18th-20th on booking.com for $66.  I know I could have gotten an airbnb or hotel room but I wanted this experience.  I want to go to Amsterdam and stay in a hostel so I need to know what to expect.  Also I cannot party, smoke, drink or eat before surgery so fuck it.. a hostel will do, lol. 

I smoke big fucking weed and watched someone else’s bbl journey today and realize if I fail the drug test, my surgery will be cancelled and it’ll cost me $1500 to reschedule.  Boy the shit sent me into panic mode like I've never experienced before, only to find out the weed isn’t the issue nicotine is, it slows down your heart rate.  I can smoke weed just not out of a wood or a rillo and nicotine takes 3-4 days to get out of your system so a bitch barely made it.  I just won't be smoking until I get back home lol.  Just to be super informative no alcohol, diabetic meds, cocaine, pcp or anything that will fool with your heart or makes your bleed.  Today is 9/11 and im one week out from my pre-op... my body is a joke cause I haven’t gained a single pound and normally it’s nothing for me to put on weight.  I took my acrylics off, when you’re put to sleep they monitor your oxygen levels with those clamps they put on your fingers and they aren't the most accurate when you have on dark polish or acrylics.  I also cannot wear lashes cause when they go to fill this ass in I'll be laying flat on my face.  I mean my hair didn’t have requirements but I figure since im naked I might as well be bald.. y'all should see me rn, I look very much like a young man but im hype.  I’ll be back later to tell y'all what I pack and purchase prior to my flight.  Imma put the dates at the end of each update.. today is 9/11/21

My surgery group send me list of supplies  that I would need and the cost came to roughly $1100.  Naive me was definitely going to purchase everything on the list from them until I saw Leslie’s (@prettyhaute - on ig) bbl vlog.  I went on amazon and got away with murder.  Below I’ll list what I purchased and the price I paid versus what the surgery center was quoting me.

Faja - I paid $74.69 - Quoted $160.50 || BBL Pillow - $26.99 - Qouted $42.80 || Arnica pills - $8.95 - Quoted $37.45 || Compression socks - $13.99 for 3 - Quoted $10.70 for 1 || Foams - $17.99 for 3 - Quoted $64.20 for 3 || Scar Cream  $$29.82 - Quoted $80.25 || Arnica Gel - $7.92 - Quoted $21.40 || 

There a shit ton of items on the suggested list that I didn't purchase but way more items that wasn’t on the list I still need for instance:

Crocs, benadryll, robe, adult diapers, straws, earplugs, liquid iv, stool softener, antiseptic body wash, avocado float, back board, urinal, pineapple juice, throat calm, 3 moo-moo’s and a massage roller (the crocs are the only thing on this list that cost more than $20).  My flight is at 7:15a tomorrow and im so damn nervous but excited.  I will spend Saturday and Sunday gallivanting around Miami and then body , ody, ody, ody, ody, ody.  I still have to send my entire itinerary to my aunt but I think im all set.  9/17/21

Pre-op was packed but I went on Saturday and was in and out in an hour.  I was charged for a covid $80, 3 post-op massages $150 and a drug test $20.  I went over my clearance paper work with a medical assistant who also took 9 before pics of me.  Keep in mind, your surgery can be cancelled or reschedule if all of you labs aren’t at the surgery center on pre-op day.  I cannot stress how important it is to take your labs with you!!!  Mine were faxed over from urgent care but I was also provided copies which I took with me.  The photos were sent directly to my surgeon to analyze before surgery.  From my knowledge, I was also to be fitted for my faja but that never happened, do NOT leave pre-op without a faja!!! I paid for 3 massages from CG totaling $150 which I regret badly.  I do NOT recommend getting massages from the surgery center.  There are 4-5 different surgeons performing surgeries on any given day and they do at minimum 4 surgeries per day, that’s at least 15-20 different girls with the same surgery and post-op date.  CG had 2 massage therapists to drain 15-20 girls.  I was drained for 9 mins, your drain massages should last at least 45 mins for maximum drainage.  I only used 1 of the 3 massages I paid for and was denied a refund.  That is a huge downside to CG once they have your money good fucking luck getting it back! Ps. Ellie was a royal fucking cunt!!!!!  She told my medical assistant that I didn’t need a faja so I was never fitted for one and woke up out of surgery with a binder on versus a faja like I should have.  I wanted to slap the shit out of her and took the charge on the chin but I wanted my surgery so I refrained.. I was put on a 12 hour fast and contacted an hour after pre-op with my surgery address and time.  My fast started at 7pm the day before surgery and my surgery time wa at 6:30a, there was a $300 for showing up to surgery late.  All I could bring to surgery was compression socks and a faja (that I didn’t have), I was instructed to bathe with dial (the orange one) before surgery to make sure my incisions weren’t infected, no lotion, perfume, deodorant, makeup, nails, lashes, no jewelry/piercing or hair products and no personals ie, purse money, wallet also you will need a companion or surgery will be cancelled.  I’ll upload all my paperwork at the end.   Surgery day arrive at the surgery center at 6:15 am how about the entire fucking staff was late!  Bitch I was outside in Miami alone with compression socks on and a moo moo, LIVID.  No one arrived until 7:10 am, baby I wanted to kill everyone but fuck it, it was go time.  I’m escorted to a room, changed into a paper gown, piss tested, my labs were reviewed again and finally my surgeon comes in!  We were in the exam room alone which was weird cause I was asshole naked but he kept it 1000% professional, he asked me what I wanted and I say “the fattest ass” he looked me dead in my eyes without a single hesitation and said “it’ll heal like a diaper”  LMAO.  I showed him areas that I wanted lipo’d to death and he marked me up, I didn’t aka e picture of my mark ups but shit was rolling by then, he walked out I put my paper gown back on and the anesthesiologist walked in.  I expressed my biggest concerns to him, I didn’t want to die and I didn’t want to wake up during surgery.  He explain why the drug test was so important because certain street drugs will have adverse effect with the anesthesia.  My anesthesiologist walked me up to the surgery room and I hopped on the table, they put massage boots on both of my feet and inserted an iv, the mask was put on my face and my heart rate went to heaven, I wanted to shit myself bro.  The anesthesiologist told me to make a tight fist, I asked what time it was, 8:08am.. I woke up to a nurse helping me into a wheelchair with a binder around my waist and I was scream crying because my entire body ached, I didn't know where I was and the anesthesia is no hoe.  I was escorted to my recovery house’s transportation van and taken to my damn bed.  

I chose Flawlesss Recovery House with Ms. Opal.  I paid a $200 deposit before 2 weeks before surgery and the balance the day I left.  I opted for a 5 day stay.  I loved it there bro and couldn’t imagine trying to recover at a hotel or air bnb!  There were nurses there 24-7, I was roomed with one other girl but the house had a total of 4 bedrooms, one of which no one occupied and the door was always shut but my room was the only room with 2 beds, the others had 3 beds.  I had a call button, it was love, the nurses came expeditiously when I rang it.  They made 3 home cooked meals per day and I don’t eat meat, they accommodated me with no hesitation.  I loved it man.  So couple hours after surgery I attempted to use the bathroom on my own and blacked out, the anesthesia is really fucking strong and took an entire day to wear off (for me), the nurses helped me pee in a cup until then.  Post op day 9/21/21, I went in to make sure I looked good, got a faja finally and received that lousy as drain.  Back to the recovery house I was able to walk finally w/o passing out and in went my foams, I also could pee by myself with the use of a urinal.  I was constipated for 2 days, first bowel movement was on post op day 2. I paid for an independent massage therapist named Tatiana, she used a ultrasound machine to massage me so I cancelled her.  When I took my faja off for my massage it was washed and dried by the time I was done, I took a shower and put my faja on with my foams.  I cancelled Tatiana because don’t let nobody use no machine on you until you are at least 2 weeks post op, hand massages only.  All the girls were getting massaged by the literal best massage therapist (in my opinion) her name is Brittany, I could cry she was EVERYTHING, I was tender but she put the painful massage theory to bed!  She taught me how to drain myself and how to open my incisions without the q-tip looking thing.  In 45 mins she drained 5 of those doggy pad things worth of fluid off of me.  I received 4 massages in 5 days.  I left on Saturday 9/25/2021 on Sunday, back in Atlanta, I received my 5th massage and that when I was told I have not one but 2 seromas.  I swear on everything I love it was because everyone wakes up from surgery with a faja on but not me (Fuck you Ellie, lil bitch) I had on a binder (its what they use for tummy tucks).  The lady who did my 1st massage in Atlanta was Bri, not gone post her ig cause she did a damn good massage but when I asked her to syringe drain me the good sis stuck this long ass needle in my seroma but could get the fluid out, cancelled her too (the massage was good asf tho but nah).  Tired and tried I bit the bullet and booked a packed with Dream Body ($455 for 5 massage, I think, don’t quote me look it up on there site and follow them on ig)  because they are the biggest name in Atlanta, Jayda Wayda goes to them.  The  most painful massage yet, yes Michelle lil ass is so strong but she will get the fluid up off you.  She made me tear up bad and no matter how much I screamed or even tried to push her off of me she understood the assignment, Michelle helped me get back into my faja after my massage and told me my faja was too big and to have it altered.  She recommended a lady on ig @siri2sir but to know me is to know I altered my shit myself.  Allow me to tell y'all, I look good asf!!!!!!! 10/4/2021 

[jenniboo311]

GQ: Spider-Man Goes Undercover on Reddit, YouTube, and Twitter

GQ: Spider-Man Goes Undercover on Reddit, YouTube, and Twitter by jenniboo311

Part 2 of the Social Butterfly Spidey series General |  4115 Words  |  Chapter 1/1

---------

The video opens with Spider-Man sitting at a table with only his torso visible, the set background a solid sky blue. He is wearing his signature mask and a simple white t-shirt, forearms bare and defined with lean muscle. He gives the camera a jaunty two fingered salute.

"Hey I'm Spider-Man," he begins in a friendly voice as he flips open the lid of the laptop in front of him decisively, "And I'm going undercover on the internet." The video cuts to a title screen as it types out "Actually Me with Spider-Man" as Spider-Man says off screen, "It's actually me!"

The screen then clears and types out a new message for its audience, "We had Spider-Man create real accounts and go undercover online."

"Let's begin!" He says as the camera cuts back to him typing into the laptop. The video shows his screen as he is typing his username and password into YouTube. Once the site logs in he selects his display picture, a cheeky shot a fan must have captured as Spider-Man swung past upside-down. "First up, let's take ourselves to YouTube."

A brief clip plays from a seven and a half minute humorous compilation of Spider-Man saves, cutting back and forth between impressive confrontations against dangerous criminals with firearms to sweetly helping older ladies with their groceries.

"From user SkepticalOfSpidey, she says," he narrates the comment as it is displayed on screen, "'Is this guy for real? How can a superhero go from dodging bullets to carrying groceries? Like how is this even on his radar? Does he actually care or is this some kind of PR stunt?'"

The video cuts to Spider-Man who replies vehemently, "I absolutely care! And I think it's hysterical people consider me "above" certain things, or they're not worthy of being on my "radar", as though I'm some hotshot. Look, the Avengers are great with the big world ending stuff, and sometimes I'm part of that too, but the little guys need help too, day to day. I'm the friendly neighborhood Spider-Man, and no matter who you are, your race, your age, your sexuality, your income, whether you're a victim of a mugging or a kitten in a tree, you all deserve help when you need it. That's my personal mission, just to help people. So as long as I'm doing that I'm not ashamed."

The video cuts to show the end of his response being typed out on screen and Spider-Man hits the "Comment" button to post his answer.

Another short clip plays of footage from the scene of a crime where Spider-Man is knocking out a hulking goon in one hit, displaying his super strength. The subsequent comment is displayed on screen as Spider-Man reads it aloud, "'oh great, just what we need: another brawny idiot that uses his fists to solve problems. What we really need is intelligence. Can we get more scientists please?'"

Spider-Man reels back in his chair a little, seemingly taken aback. "Wow! Why are you so angry-" he consults the laptop again for the username, "Chelsea?" He shifts in the chair to get comfortable before responding, "First of all, another? I'm offended on behalf of my teammates. All of the people I work with are very intelligent, so I'm not sure where she's getting that you have to be an idiot if you have muscles. Secondly, I am a scientist, actually. I specialize in biochemistry, though I also dabble in engineering, physics, and programming. I have an IQ upwards of 250, which if you want to compare to the likes of Tony Stark, is around 270, who also kicks ass by the way."

He straightens his shirt indignantly, "Though hopefully I didn't give too much away with that. My point is," he points at the camera, "you can have both brawn and brains. Don't let anyone convince you otherwise, people. Defy the societal norms."

The comment section displays on screen again and scrolls down the page until it hits another comment. "'How strong is Spider-Man?'" He lounges back in his chair and taps the fingers of his right hand on the table idly, "Well, last we checked I could bench press about ten tons. Tony and I ran some tests about eight months ago to find out, so it could have changed since then but likely not by a large amount. So I'm going to say ten tons, give or take."

Another video clip plays that shows Spider-Man swinging confidently on his web before suddenly taking a wrong turn and eating billboard. The jarring collision dislodges his grip and he falls several feet to land on a garbage bin, whose lid caves in immediately under his weight. He reads aloud, "'Ouch. I wonder how that felt.'" Spider-Man laughs quietly, not afraid to laugh at himself. "To be honest with you Joshua, it did not feel good. That billboard actually broke my nose, though the garbage bin helped break some of the fall. There's definitely worse things I could have landed on. I don't get distracted often but it still happens sometimes. Web slinging is hard, okay?!

"Wikipedia!" he says off screen, as the visual on screen shows Spider-Man logging in to the Wikipedia webpage with the username, 'itsactuallyspiderman@gmail.com'.

"Let's see here," Spider-Man says before devolving into mumbles as he reads the information supplied on the website about himself. "Wait wait wait!" He exclaims after a moment and quotes the offending fact, "'His signature weapon is his webbing, which is created biologically and dispensed from a gland in his wrists at the base of his palms.'" The text in question displays on screen and zooms in on the text, "biologically", and then, "gland in his wrists".

"First of all, gross." Spider-Man rests his forehead in his hand, propped on the table with his elbow in a perfect picture of disappointment. "Second of all," he sits up straight and addresses the camera full on, "have you all actually been thinking I've been spurting real webs out of my hands at everything for the past few years?!" After a beat he processes what he has just said and facepalms while mumbling, "Spurting, oh God I regret my word choice."

The video cuts to the text being backspaced as Spider-Man narrates offscreen, "This is incorrect, let's delete it!"

The video cuts back to Spider-Man reaching below the table, leaning slightly to the left to dig something out of his right pants pocket, sighing heavily. He pulls out two simple black bracelets which he pointedly holds up for the camera before slipping them on. "Web shooters: 101," he says before deliberately knocking his wrists together so the bracelets make contact and activate. "Now obviously Tony Stark has gotten his hands on these and they are a little different than the originals, as you can tell by the nano technology," he explains, black colored metal creeping up his forearms to encase them in a type of bracer, "but the base mechanism is still the same as what I designed from the beginning." The nano technology finishes covering his forearms, the device quite noticeable with the stark black of the metal covering the majority of his pale exposed forearms. He flicks his hands back, palms facing upwards to show the camera, as the motion triggers a small device to deploy in the center of his palms. He reaches into his pocket once more and retrieves a couple small cylindrical cartridges filled with a milky fluid which he then deftly loads into the devices at his wrists.

"In a nutshell: web shooter," he holds up his left forearm to present the whole device to the audience. "The trigger," he presents the small button resting in his palm, "and web fluid," he continues, indicating the cartridge now inserted below his wrist. He points to a spot at the base of his palm, "They got the location of the dispenser right, I guess, but it's not coming out of a gland of any kind!" He aims carefully just past the camera and shoots a quick burst by depressing the button at his palm that makes the viewer feel as though he is shooting it at them. "I developed this formula myself, in a lab, with chemicals!" He emphasizes. "It's completely synthetic, not biological by any means, and nobody had to milk me for it." He pauses, staring at the camera for a moment before looking down at the table and murmuring uncomfortably while shaking his head, "That was a strange sentence I never want to repeat." He huffs a quiet laugh.

"Quora!" Spider-Man says as the onscreen graphic shows Spider-Man logging into the website with his fake email. "What the heck is Quora? I have no idea but let's get into it.

"'How is Spider-Man such a darling? He's so sweet and wholesome and is a big, soft, cinnamon roll'," he narrates as the question displays on screen. He shifts around awkwardly and scratches the side of his head, "Aw, I dunno! But thanks Quora, you're my new favorite website.

"'How many people has Spider-Man killed?'" He narrates as the question displays on screen. "Wow guys, that's dark!" He leans forward and clasps his hands together to convey the seriousness of his response. "The answer is none. I haven't killed anyone nor do I intend to. Spider-Man is strictly nonlethal. I only use webs to detain, I don't use blades or guns of any kind. Except these guns." He lightens the mood by flexing his right arm and kissing his bicep. He holds it together for approximately two seconds before exploding in laughter. "Oh God, how do I have friends?" He mutters to himself.

"Next!" He exclaims, searching for the next question. "'Does Spider-Man wear a mask because he's disfigured?'" The question displays for the viewer to see. "Hmm, okay well the short answer is no. That's not why I wear a mask. I don't really know how to quantify my own attractiveness, that's just awkward. I think I'm perfectly average, though I've had people tell me I'm handsome. They were all terribly biased though, so take that with a grain of salt." Spider-Man's grin can be seen in the crinkling of the fabric around his mouth. "I have two eyes, a nose, a mouth, and completely normal teeth. No extra eyes or mandibles or anything. That may sound like a strange thing to say but you'd be surprised how many times I have to clarify that," He snorts. "I cover my face because dealing with so many street-level criminals puts me on the radar of a lot of people who want revenge against me and anybody I care about. So if my identity was known I'd have to constantly watch my back, and my loved ones would be in danger. Of course there are contingencies for if that happens but in the meantime I want as normal a life as possible for me and mine."

Spider-Man clicks away on the laptop until the next question displays on screen. "'Does Spider-Man give autographs and selfies?'" He narrates. "I do, but all I ask is that if you catch me out in the wild and I look busy or distracted, to please not bother me. Most times the people I save are a bit too traumatized to be thinking about getting my autograph at the moment, but if the night is slow or I'm taking a break I'm happy to give an autograph or take a photo with you if you ask. Your best bet is probably at fundraisers and charity events, if I am in attendance, since I'm not focused on crime fighting and am just interacting with people."

The next question displays on screen, "'Is Spider-Man single?'" The video cuts to Spider-Man shifting uncomfortably. "Uh, I'm not comfortable confirming that sort of thing. Like I said, people in my orbit are in danger so I don't want to bring any kind of attention to who I surround myself with, even if their names are as yet unknown. The less information going around about that the better. So all I'll say is that at the very least I am not looking for a relationship." He awkwardly clears his throat before moving on.

"'How strong are Spider-Man's webs?' Strong enough to restrain the Hulk. Seriously," he nods at the camera, "I know this for a fact. We, and by we I mean the Avengers and I, had a code green sometime last year and out of sheer desperation I let the webs fly. By the time I was done he was basically in a cocoon but hey, it worked! Hulk looked pretty cozy actually." His eye lenses squint in amusement.

"Now let's go to Facebook," he says as the video shows him logging into Facebook and selecting a new profile picture, a closeup of Spider-Man shooting the camera finger guns.

"'Who would win in a race between Spider-Man and Captain America?'" He claps his hands together once in excitement, "Me! Because I'm obviously superior to Cap in every way!" He barks out a laugh and mumbles, "He'll let me have it for that comment! No I'm joking, Cap is awesome. I'm actually not lying though. We had a race, because science, and I clocked in at about two hundred miles per hour while Steve maxed at about seventy. Nothing to sneeze at of course, but not quite up to Spidey's par!" He gives another cheesy arm flex, this time with both arms. The video cuts to Spider-Man typing out the last of his answer and finishes it with two flex emojis before submitting it.

"'Do you think Spider-Man has any hidden talents?'" He looks seriously into the camera. "Well if I told you, they wouldn't be secret talents anymore, now would they Gerald?" He cocks his head to the side in thought. "I guess I can tell you that I can dance? I took dance and gymnastics for awhile when I was a kid, which is probably why I'm so agile and acrobatic now. My enhancement made me even more agile and acrobatic, but it was already there to some degree to begin with." He gives a careless shrug.

"'Coffee or tea?' Well I try not to drink either of them to be honest. Caffeine and spiders don't mix! Sometimes I can't avoid it though, lots of late nights being Spider-Man, so in those cases I drink coffee. Funny trivia for you, but I used to love lemonade. I must have inherited some spidery traits because lemon is a deterrent and I can't tolerate it now. I mean it won't kill me, I just find it unpleasant. Don't want criminals thinking they can spray me with lemon juice or something. I'll just be annoyed and smell funky fresh while I kick your ass." His eye lenses squint as his mask crinkles around the mouth. "My beverage of choice is actually apple juice, because I'm twelve years old." He snickers and hits the submit button to post his answer, complete with a baby emoji.

"'How are you doing? Are you getting enough sleep? Do you need a hug?'" He shifts forward to prop his chin on his hand. "I'm doing good, thank you for asking. I am absolutely not getting enough sleep, but neither is anyone else I know so I'm in good company. And I absolutely need a hug. I love giving people hugs and will one hundred percent hug you if you ask me to and I'm not busy. There's lots of Spidey to go around, I love each and every one of you."

He reads the next question silently first and barks a laugh before narrating, "'What even is your life?' Dude, I have no idea. If you had told young Spidey that one day he'd be flipping all over the city fighting crime and battling aliens with a superpowered team of highly skilled famous individuals he'd probably check you for fever and then back away slowly.

"Up next, Instagram! I know all about Instagram, I use it all the time." The video shows him once again logging into the website

"'Does anyone else desperately want a reality TV show with Spidey and the other Avengers? I would kill to watch hours of Spidey being a sarcastic little shit to bank robbers and Tony Stark just being a mess.'" Spider-Man laughs. "Wellllll," he hedges, "you might not have to wait that long. I've been toying with the idea of creating a YouTube channel and posting some shenanigans on there. Now, mind you, it won't be expertly edited or anything, I really don't have the time for that, but it would be something. Keep an eye out for that soon."

The video next displays a picture on Instagram that a fan had posted of a young Spider-Man from his early days coming out of a porta-potty with a string of toilet paper streaming off the bottom of his boot. The comment reads, "'Check out this disaster. What is going on here?'" Spider-Man looks straight at the camera, unimpressed, and deadpans, "Everybody poops, Deborah."

He navigates to the next picture, which is of a kneeling Spider-Man getting mauled by an enthusiastic, fluffy golden retriever. "'Was he a good doggo?'" He reads aloud. "He was best boy. What a good doggo!" He grins big through his mask.

"Now here we go to Twitter," he says as he logs in and selects a profile picture. "This is probably the social media I use the most. I'm thinking about deleting the app off my phone for a little while though, it's starting to consume my life. It's nice being able to connect to the public with it but I'm starting to find it difficult because people get so disappointed when I have to step away. Saying no to people is hard! And I have an extremely busy life so I can't keep this up forever. I've got cats to cuddle and lives to save! Gonna have to dial it back a bit I think."

The screen displays a tweet from user EmmaRox as Spider-Man reads it aloud, "'Do you think the abs are real or does he pad his suit?'" Spider-Man snorts and slaps his chest in mirth. "Well I would think that the fact I can lift a bus is proof enough, but here you go," he says and lifts his shirt to expose his impressively sculpted abs for just a moment before dropping his shirt and shaking his head in embarrassment. "Not padded."

The video cuts to the next question as he reads, "'What do you do in your free time?'" He looks at the camera and his left eye lens shifts as though he has furrowed his eye brow. "Free time? What's that?" He snorts, "No seriously, there's not much of that to go around. If I'm not on patrol or sleeping or training, I'm trying to keep up with my personal relationships and trying not to spend all my remaining time in the lab, with or without Tony. Like I said before, I'm a scientist, so a lot of my downtime is devoted to developing better tech, and to research to advance in these areas." He dramatically sweeps his hand across the top of his head as though he is a diva flipping long hair over his shoulder as he announces, "I'm not just a pretty face, you know." The video cuts to Spidey typing out the end of his answer, finishing it off with a queen emoji.

"'What's the best piece of advice you've ever been given?'" Displays the next question from user, David P. "That's a good question, David. Hmm," he strokes his chin thoughtfully, "I would have to say 'With great power, comes great responsibility'. It was advice given to me by one of the two most important people in my life, and I have carried that motto in my heart ever since. It was advice that ultimately lead to the creation of Spider-Man, actually. I have these fantastic powers, so I consider it my responsibility to do something good with them." He wrings his hands together at what looks to be an uncomfortable topic for him to speak about. After a beat he continues his answer, "The second best advice I've ever gotten, however, was 'It is better to be absolutely ridiculous than absolutely boring', which you'll also notice I take very seriously in that I am incredibly ridiculous. I mean if there's a person out there who spouts more bad puns in the face of danger than me, I haven't heard of them." He quietly snickers to himself.

"'If you had to choose three adjectives to describe yourself what would they be?'" He doesn't hesitate when he rattles off, "Genius, witty, humble." He stares at the camera seriously for a moment before he cracks and laughs. "No seriously, uh, probably awkward, smartass, and nerdy." He shrugs for lack of a better answer.

"Reddit!" He says as he logs into the page and selects a display picture of Spider-Man facepalming.

"'Do you have any pets?'" Spider-Man reads. "No. My apartment doesn't allow pets, sadly, but I love animals. And actually I do hang out with Tony a lot and I have to constantly make sure he's fed and watered because he forgets, so I feel like that's close enough." He covers his mouth with a hand to hold in his snort but a strangled one escapes anyway.

The next post shows a piece of fan artwork that is poor quality and is obviously from an inexperienced child. It depicts a heroically posed Spider-Man saving a young boy from a burning apartment complex window. The young artist in question posted the caption, "'I know it's not any good but spiderman saved me and my mom from a fire. I really want to say thank you so I drew him this picture. If anyone gets the chance to talk to spiderman can you please show him this and tell him I love him?'" Spider-Man looks at the picture on the laptop for a long moment and audibly takes several loud swallows. He looks at the camera and says hoarsely, "I love you too, bud. And I'm glad you're doing okay. It was my absolute pleasure to help you that day and I'm so glad I was there. I love your drawing and I think you're so very talented. I'm going to print this out and post it on my fridge so I can see it everyday and think of you. Study hard in school and be good for your mom!" He looks down at his lap and clears his throat, filling with emotion. After a moment he looks up and clasps his hands.

"That's it! We're done!" He says as he shuts the laptop with a snap and his eye lenses squint in a smile. "I hope you enjoyed watching and learning a little bit about me. See you around!"

The video fades to the GQ logo before ending.

--------------------------------

Comments: ----------------

magicalbluecookies omg that last one killed me. Spidey got all choked up Friedfishcat I live for Spidey telling us he loves us. I stan a Spiderboi not afraid of his emotions. kitty22803 Am I the only one who took a screenshot of his abs? TeamIronDad Bahahaha subtly roasting cap and iron man. I wanna be a fly on the wall of their common room, I bet they're all hilarious to watch together lovelyjourneys Does this cinnamon roll ever rest? He needs a nap! And some milk or something! saucysquatch "Everybody poops, Deborah." Dumbledork I will die if he actually makes a youtube channel, please actually make this a thing! enchanted_nightingale Nooooooo dont delete twitter! kim_cc I once got a hug from spidey!! I was crying after he saved me from almost getting hit by a car and he asked if i needed a hug. It was the best hug of my life. Isi1dur Spidey is 12 years old confirmed, someone call the press xoxheartErin Spidey, post a video of you dancing!!! Proof or it didn't happen! Slyrocker Spiderman is asked how's he's such a soft cinnamon roll, proceeds to then prove he's a soft cinnamon roll Hi NOBODY HAD TO MILK ME FOR IT UselessDiamond19 Holy crap his web shooters are so cool! chrissyglikesbooks 250?! His IQ is 250?! Einstein was 160!!!! I feel faint. amillionmiles Spidey eating that billboard is about how my week is going honestly Mira Spidey is such a smart boi! He's going to make a great husband when I marry him.

TotallyNotDeadpool Well I guess this is all we have to live for now that you're out of the MCU

[douchebagbrainwaves]

CAN BE AN ANGEL INVESTOR HERD DYNAMICS

We paid $3000 for a server with a 90 MHz processor and 32 meg of memory. K & R, and a startup especially, is where the line ends.1 But it also explains why the ups and downs are surprisingly extreme. But certainly a large part of it—you have to create distance yourself. Starting a startup is like science in that you think about it no more than necessary. If you're a database expert, don't build a chat app for teenagers unless you're also a teenager. Incidentally, this thought experiment: suppose prep schools supplied the same superior education but had a tiny.2 A Public Service Message I'd like to suggest an additional feature to those working on spam filters I thought it was just different, but they probably won't be coming this month. What he sees are merely weird languages.3 The professors who taught math could be required to do original math, the professors do.4

About a year after me, and he never tried to separate my wants and weigh them against one another. Whereas acquirers are, as of this writing, be able to modify your dreams on the fly; use footnotes to contain digressions; use anaphora to knit sentences together; read your essays out loud to see a where you stumble over awkward phrases and b which bits are boring the paragraphs you dread reading; try to tell the child that he or she would be in effect a Markov-chaining text generator running in reverse. And this will, like asking for specific implementations of data structures that you can easily get lost if you talk to, and even so we witness a constant series of explosions as these two volatile components combine. But you're not allowed to flake.5 You turn the fan off, and you observe how much humans have in common? The amount of time while this firm does the due diligence required for the deal. A lot of people.6 We need good taste to make good exam questions.

Now that we know what we're going to need common sense when intepreting it. Object-oriented programming in too deeply.7 The Metaphysics is mostly a failed experiment. But VCs never offered that option.8 It's not super hard to get a poem published in The New Yorker. But Twitter is a protocol owned by a private company to funnel its revenues to themselves e. Web.

Notes

Trevor Blackwell, who would make good angel investors.

27 with the VC knows you well, but had instead evolved from different types of studies, studies of returns from startup investing, but this could be mistaken, and the war, tax rates has a sharp drop in utility. 99,—new things start with consumer electronics. Did you know whether you're in the country it's in.

Lester Thurow, writing in 1975, said the wage differentials prevailing at the time quantum for hacking is very common, but also like an in-house VC fund.

Dealers try to start with their company made money from it, then used a TV for a smooth one. Geoff Ralston reports that in the case of heirs, professors, politicians, and all the East Coast. The two 10 minuteses have 3 weeks between them. As one very smooth if you're a nerd, just that if you have to choose between the initial investors' point of view: either an IPO, or Brian Chesky and Joe Gebbia needed Airbnb?

See particularly the mail on LL1 led me to do this right you'd have to deliver because otherwise competitors would take Abelson and Sussman's quote a step further. At any given college. According to a super-angel than a Web browser that was basically useless, but Joshua Schachter tells me it was spontaneous.

The problem is not just on the relative weights?

The second biggest regret was caring so much from day to day indeed, from hour to hour that the middle class values; it has no competitors. The powerful don't need.

Consulting is where people care most about art, why didn't the Industrial Revolution, England was already the richest buyers are, which shoppers used to end a series A round. As a rule of law per se but from which I warn about later: beware of getting credit for what she has done, lots of customers is that your peers are chosen for you to raise more money. Most of the mail by Anton van Straaten on semantic compression. Since I now have on the ability to predict areas where you could only get in the Sunday paper.

Thanks to Robert Morris, Paul Buchheit, Dan Siroker, and Eric Raymond for sparking my interest in this topic.

[architectnews]

Atelier Intimo Flagship, Shanghai

Atelier Intimo Flagship, Shanghai Retail Interior, Chinese Architecture Development, Images

Atelier Intimo Flagship in Shanghai

1 Mar 2021

Atelier Intimo Flagship

Designers: O&O Studio

Location: Unit 841, Renmin Fang, Huai Hai Lu, Shanghai, China

Sabados (Saturday) “Despite your coldness your beauty scatters its wonders across the years.” Quoted from the poetry written by the Argentine Jorge Luis Borges – the cycles and intervals of time and space, the transition between fantasy and existence. Within all the acts and dreams, we are just human beings but with no limitation to our strong belief, as per Atelier Intimo’s story behind their latest Year 2020 product range.

Origin In year 2020, the unprecedented epidemic and various natural crisis had brought a lot of new insights for many of us. Atelier Intimo’s first Flagship, designed by O&O STUDIO, is located on one of the busiest retail streets in Shanghai – Huai Hai Road. O&O took a bold step, led and created a new and extraordinary retail space for the lingerie brand. Taking inspiration from the epidemic, both the Flagship and Atelier Intimo’s new product range are built upon the concept of “Rebirth of the Scorched Earth”, with the view of integrating the nature’s healing power to influence and give new hope to human beings. O&O Studio wanted to craft a dramatic space that brought in and allowed visitors to spend a moment to look up, imagine and fantasize in such time and space on the prosperous spot. “Is there anything that we have forgotten about?”

Stage Located on No.841 on Huai Hai Road, the flagship store occupies a 180sqm two floors unit at Renmin Fang. With the aim to avoid unnecessary demolition or construction work while providing a more efficient layout, the slab opening is retained with the existing stair structure that turned from a “L” shape to an “U” shape configuration. Thus the retail zones are maximised at the front end with the back of house effectively grouped together at the rear.

Atelier Intimo Flagship is not a typical retail store. It is a performing stage designed for the brand. The entrance enclosed with gold platted khaki stainless steel covering inspired by the “Rebirth of the Scorched Earth” concept, thus giving a hint and stimulation to every visitor that, this is an unusual retail store that one must go in and experience.

The central axis defines the retail zones onto two sides. On one side are 8 hanging mannequins with adjustable hanging heights and the flexibility of exchanging mannequin types. On the other side is a series of custom-designed product display units that integrates various displaying heights and mannequin figures, with the same stainless steel finishes that unifies the shopfront and changing room wall outer finishes, creating a backdrop of the “Scorched Earth”.

The ground floor is also delineated by custom-made circular carpets with nature prints that firstly create a natural circulation flow, and secondly several minimally designed display islands sit on top that integrates with a selection of natural stones including Septarium, Quartz and Taishan stone, implying the birth of new life. The two changing rooms in different sizes located right under the staircase extend the curvature of the nature islands.

Considering on the functional side and bringing the visitors a complete journey, the cashier is placed on the upper level such to maximise the customer flow between two floors. On the opposite side is an installation display unit that explores the form of a tree crown with an architectural interpretation. The final product is a spiral stepping device that can be revolved manually for displaying series of mannequin in different styles and sizes.

Towards the front end is a VIP space that is zoned on top of an elevated platform. This can be enclosed with the help of a long electrical curtain providing total privacy, where the space will turn into a true VIP space for lingerie trials and private parties. Or it can be fully opened and make the floor as a platform for new product launching events, parties, live streaming etc.

Morphology Mannequin is the most common medium to display textile products. O&O STUDIO took the challenge to integrate mannequins and the design concept of “Rebirth of the Scorched Earth”, and developed a series of art installations that fully present the performing stage for the brand. The series has 6 individual installations, blending various mode of mannequins to achieve different conceptions, such as the key leader of the stage who wears a set of revolving wings, appear to be dancing at the central stage.

Scattering around are several installations inspired by flower blossom infused with interior architectural elements. Making use of different mannequin parts at the opening flower buds, they carry the nature energy and glorify their beauties. These installations are designed with a slightly peculiar and unexpected manner for one’s imagination and self-interpretation on what these quirky archetypes are portraying.

15+1 Atelier Intimo invited 15 female customers and 1 female staff to have their unique breast shapes scanned by 3D scanner. They are then 3D-printed as 16 half-body mannequins wearing different sizes and styles of bras by Atelier Intimo. This is one of the important elements that the Client use to display and promote their design philosophy on how flexible their products can be to fit and suit any female, any breast shapes and any sizes.

The design solution that O&O collaborated was to make use of 16 circular features, each holding one half -body mannequin placed along the wall that span between the ground and first floor. Each circular feature has the same depth but rotating layers to subtly distinguish the mannequins while informing a consistent design philosophy.

Conception . Belief Atelier Intimo has already gained a good level of popularity in the past few years with specific design philosophy and retail strategy. O&O Studio sees this as a fascinating challenge and opportunity to design Atelier Intimo’s first flagship, serving as the brand’s new “springboard” to achieve further success, presenting the new “Morphology of Atelier Intimo”. Since the opening of the flagship, it has proved how well that the dramatic and theatrical space has integrated and harmonized with the Client’s brand and products. For Atelier Intimo, the flagship is a point where they face directly to their valuable customers, a space for their new products launch, a studio for modelling and photography, a base for live streaming etc. All these are well beyond what the Client could imagine beforehand. The success of the flagship also sealed the strong belief of O&O Studio’s design philosophy. While the design brings in a new and distinctive portrait for the Client, O&O Studio also brings in additional design and commercial value to the Client’s business.

Atelier Intimo Flagship in Shanghai, China – Building Information

Architecture and Interior Design: O&O STUDIO Completion: 2020 Chief Designer: Eric Chan, Suzanne Li, Katt Chung Yap Address: Unit 841, Renmin Fang, Huai Hai Lu, Shanghai, PRC GFA: 180sqm Typology: Interior Design, Retail Interior, Lingerie Shop, Shopfront, Listed Building Interior Design, Renovation, Art Installations Client: Atelier Intimo

Text: Eric Chan

About O&O STUDIO Set up in 2018, O&O STUDIO is fully committed to every client and commission with an “Out and Outer” work ethos, providing design consultancy services on architecture, interior design, pop-up installation and master-planning.

“Originate – As We Envision, Originate – As We Create”

In O&O, we do not provide standardised formula. We believe that each project has its own origin. The design proposal should be originated from a critical and cohesive process of strategic and visual thinking through to the end users’ evaluation, thus informing the next even more successful project. With our achievements in photographic productions, we are also aspired to symphonise photographic essence to inspire the crafting of spaces and identities. We originate our design that performs through its composition, materiality, and spatial layering. In just two years time, we have already achieved great success winning several awards including A’ Design Award, The Fourth China New Power Interior Design Award and China Interior Design 40UNDER40 Award.

Photographer: Tian Fang Fang

Atelier Intimo Flagship, Shanghai images / information received 010321

Location: Unit 841, Renmin Fang, Huai Hai Lu, Shanghai, People’s Republic of China

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Comments / photos for the Atelier Intimo Flagship, Shanghai page welcome

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[littlemeowyoons]

Bonded

A/N- It’s my first time posting my writing on Tumblr but I guess better late than never huh, so here you go. More is in work so please anticipate a lot.

~Fay

Pairing: Yoongi x Reader

Genre: Fluff(lots of them), a drop of angst, Single Dad! AU, College! AU, Introvert! Yoongi, Tutor! Y/n

Word Count:1.7k

Synopsis: Yoongi found a basket left in front of his dorm room one day, and turns out it was his daughter, left alone crying. Puzzled and scared was an understatement. When his 4 semesters roommate Jimin left for his hometown, he was left with the last straw of help, turning to his physics tutor a.k.a friend-that-I-only-know-name-but-have-no-interest-in-knowing-more ; you.

Series: Masterlist ll Part 2 lI Part 3

                                           Part 1: Distress

                                            °•. ✿ .•°

“Why own a fucking iPhone when you can’t even answer a fucking call?! Dammit!”, he breathed hard after his nth tempt to connect the line failed again, his own Samsung device was clutched tightly in hand, knuckles turning white from the pressure. Yoongi had reached that point where smashing the black covered device in hand to the wall was considered a bliss, but he was saint enough to convince himself otherwise. Not when his phone was his gateway out of this mess; the only way maybe. So he tried again; redialing the numbers, manually even.

 “I swear I’ll shred your trench coat to pieces, fucking im-“

The end of the line connected midway his constant ranting.

“Oh thank God above you finally answered! What took you so long?”

“Ever heard of Bio lecture Yoongi?”, the soft voice at the receiving end answers calmly, though Yoongi knew the person was beyond annoyed.

 Who wouldn’t? Multiple spam in all form of communication, texts, kakaotalk, Instagram dm; at this point, Yoongi wanted to settle down to those damn pigeons. Even Yoongi would be out of his head if it happen to him, not that it will happen in the near future or anything.

“Don’t outsmart me woman, I’m not in the mood.”

“What is it Yoongi? You know I have class at this time of the day”

“I need your help”, his breath came out breathless than ever.

“Fuck if you’re asking about the same kinetic and potential energy chapter, I’m gonna rip all my nonexistent and existent  hair out of my-“

“Please…”

                                        ☾ ⋆･ﾟ:⋆･ﾟ:⠀ ⋆.:･ﾟ .: ⋆*･ﾟ: .⋆ ☾

You swear it took you everything not to scream out of frustration watching your phone blow off during lecture period. Plus, the same ID that keeps popping up on the lock screen adds the bitter taste. Once your professor said the word ‘thank-‘, you were already making your way out of the hall, books not even properly shoved in bag and you were sure you left your favourite baby blue Sharpie highlighter behind.

Once in the hallway, you yanked your phone out of your sling bag and slide the screen harshly, already embracing yourself for the upcoming questions and constant groaning. What you did not expect is the person on the other side panting heavily, desperate. Yoongi sounds…distress.You were still processing his jumbled words but once the word ‘please’ escaped his mouth, you froze.

That word is so rare to even pass-through Yoongi’s head, what less say it. The last time you remembered the word ever exist in his sentence, was the day he consulted you at the cafeteria. Head down, full frown and shoulder slumped was some few giveaway you could collect which equals to one thing; failed test.

You were used to people asking you questions, since you were one of the few alphas in curriculum areas. But having Yoongi, the junior of Art and Music Department, Majoring in Music Production asking you to be a full-time physics tutor is…well, unexpected. You pity him, that poor boy seems like he couldn’t breathe for goodness sake, not until you lean back to your metal seats and smile softly, not forgetting to nod along while you utter the word that Yoongi seems dread to hear, ‘Sure, when?’

You swear his eyes shine like a good measure 60 watts light bulb. But that was long time ago, you lost track how long it was though you were sure it won’t be more than a year now, hearing that Yoongi is in serious problem was the main pushover to your muscle cells.

The thing is Yoongi never beg, ever. He never sounds that desperate even when he got 5 per cent on his last two physics quiz, he never sounds this discomfort.

“I’ll be there in five”.

                                          ☾ ⋆･ﾟ:⋆･ﾟ:⠀ ⋆.:･ﾟ .: ⋆*･ﾟ: .⋆ ☾

You almost lost a footing while climbing the stairs up the boys’ dormitory, but you didn’t stall behind. Once room 103 is in front of you, you proceed to reach out to knock, when you heard an infant’s cry. You froze, chest rising in rapid beat from all the runnings.

“Yoongi?”

The crying was still there, you glance to check the neighbouring room number on the door, confirming that the room in front of you indeed belongs to Yoongi. So you crossed your heart and decided to knock, after all, you go with the concept YOLO. The door opened to reveal a hopelessly in despair Yoongi and a small woven basket on his dinner table, the moving mauve blanket shows that he wasn’t alone in the room, physically anyway.

Though the facts were right in front of your eyes, your mouth was sealed from emitting any word, what less sounds. You just stand there, at his doorstep, mouth agape. The cried were getting louder and the small tiny hands rising from the woven basket was doing nothing other than deepening the frown on Yoongi’s forehead.

“Come on Y/n, say something…”

Once his words registered in yourself, you took a last glance to Yoongi, before backing away into the hallway and sprint off.

“I need to go.”

“Y/n wait!”

No no no, this is bad. He thought Y/n would be different, thought she’ll understand but turns out, she ran away.

“Just…just like Hyoju.”, Yoongi whispers.

The cries from behind him gets louder and he snapped to look at the one sole thing that currently gives him a headache.

“Can you fucking shut it?!”

Yoongi growled but then retracted away from the dining table, against the wall and sliding down on his back until he reaches the floor. A sudden seed of fear bloom in his chest,

“What am I doing, am I already out of my mind? He’s just a baby, what does he even know?”, Yoongi sigh while standing and dragged himself to the basket, brushing along his slender fingers through the baby’s thin hair; his baby. The living being right in front of him is his own making, an act done without even considering about the effect. In this case, Yoongi can admit that he’s one of the few to be blame, maybe THE ONE to be blamed, fuck he was so drunk that night he can barely remember her, the mother of his child, Han Hyoju

The baby’s crying subsided a little as soon as Yoongi’s fingers make contact with the head, as if the touch of a 10-minutes-ago-newly known-father is proof that it’s safe for the little one.

“I’m sorry, I don’t know what to do”, he whispered because it was a fact.

Yoongi was never a fan of kids, he was never a person-type, a typical signs of an introvert. His only source of never-ending help support is none other than his roommate, Dance Major Park Jimin. He helps Yoongi realize that age is just numbers, Yoongi; as a hyung, two years older, seeks more advice than he wants to admit. This whole two years living with Jimin, the topic of conversation never goes off if it didn’t start with Jimin encouraging Yoongi to get some sunlight on him to which Jimin always said, as Yoongi quoted “We don’t need a walking paperwhite corpse walking around campus, hyung. Go out and get some air would you?”.

 It’s just that Jimin’s happy go lucky trait as well as his naturally warm smile is enough to blooms a friendship unlike Yoongi, who people would just point fingers at and said ‘cold, harsh and rock dead’ just by a mere look. Jimin don’t, however. That’s how Yoongi opened up a little to him. But now, that said roommate can’t help him, being on the other side of Korea, back in Busan his hometown for four days(though Yoongi doubt he won’t prolong it) limits Yoongi to ask for any favour to his friend. The kid in front of him will die of thirst first if he waits for Jimin. That’s what left him to his other only friend; Y/L/N Y/N.

But Yoongi could understand what you did, how you act. It’s because both Yoongi and you didn’t share more than three sentences, or on some lucky days short bickering outside of your tutoring hour. He only knows the basic things for someone to be an acquaintance; name, major and room number(because it slipped your mouth once when texting your roommate), but other than that, zero-knowledge. Jimin insisted that he asked more, to what Yoongi always dismiss, he’s too shy or scared, or maybe both.

Though Yoongi knew so much, he still labels you as a friend, which means a name listed in his life whereabouts, significant enough for him, not a nobody. He wanted to smile thinking that you’re indeed a friend to him, but it falters upon remembering you retreated away.

“I’m doomed…”

A sudden burst of the door jolted Yoongi, retracting his hand that once was playing with the baby hairs on his child’s head. You walk in, head high and face determined. You dropped off your school bag by the sofa, the usual place when you hang around Yoongi’s room after tutor session. Yoongi was overwhelmed, all his senses went numb, why did you return?

“Yoongi, does the baby comes with a bag, a pouch, anything other than the basket?”, you already made your way into the kitchen, but Yoongi still got a perfect view of your side profile from where he’s standing.

“Umm-“, Yoongi snapped out of his short trance and reached out for the mustard yellow beg that was originally in the same basket as his child when he first opens his door this morning, “Is this it?”

You glance over to him and nod, motioning him to hand it over. Once the bag is in your hand, you unzip it and pull out a baby bottle. Yoongi just watched in awe as you mixed baby formula, Yoongi assumed the grey paper bag you brought with you contained the powder formulae. He knows he shouldn’t be gawking like that, but he’s completely amazed, the fact that you came back had him racked his brain for a reason why, and now you’re going through all of this just to feed his kid. He felt small. Once the formula milk was done, you walked towards the living room and straight to the dining table, where the baby is. The red face of the baby shows just how long it had been crying.

‘Poor thing.’,  you thought. You put down the baby bottle on the table, hands reached out to swoop out the crying baby and puts the nuzzle near the mouth. After some effort, the baby takes in the nuzzle into his mouth and right away the rooms fell into a deep silence.

“Aww you poor thing, starving huh? It’s okay it’s okay. I got you.”,  you cooed.

Yoongi stood there dumbly, watching you feeding his own child, still confused but for sure, extremely grateful. Now if only explaining is easy enough.

[mid0nz-archive]

The Cannibal & the Consulting Criminal: How Silence and Sherlock Taught Me to Read

(I’m writing a series of autobiographical essays. This meta is a messy. messy warm up…)  

PART I:  TSotL The Odd Flash of Contextual Intelligence

Know your intertexts (and the limits of their influence)

I’ve spent a LOT of time writing about the influence of Harris on Mark Gatiss in particular. We have Harris to thank for Sherlock’s mind palace for starters. Moriarty and Dr. Lecter share many traits. Then again so do the psychiatrist and Sherlock. I’ll come back to these obvious connections between Sherlock and TSotL in a later part of this meta. (The connections are actually quite superficial.) For now I want to return to my first obsession: the genius cannibal who taught me how to read and the fandom that saved me from him.

Do your research.

Thomas Harris, author of The Silence of the Lambs, choses every word with great care. How many people, for example, do you know called Hannibal? Clarice is more common I suppose, but it’s certainly not a run-of-the-mill monicker. While starlings are the most common of birds have you ever met someone with that surname? Have you ever met a Lecter?  What if I told you there is an extremely obscure historical figure called Hannibal the Starling? (You’ll find the reference in Smith’s Dictionary of Greek and Roman Biography and Mythology if you seek.) Would you think that Harris must have heard of that man? Possibly. Possibly. If I told you that Harris makes most of his characters’ names up– that they sound plausible enough, but unless you’re an everyman like a Jack Crawford or a Will Graham you’re a Francis Dolarhyde or an Ardelia Mapp.

Ardelia Mapp? In the novel Ardelia is Clarice Starling’s roommate at the FBI academy. When exams roll around and Clarice has been too busy hunting Buffalo Bill to read her textbooks, it’s Ardelia who makes sure that Clarice knows all about search and seizures. Adelia Mapp. Ardeila Mapp. What kind of name is that? It helps if we cram along with Clarice:

Mapp v. Ohio, 367 U.S. 643 (1961), was a landmark case in criminal procedure, in which the United States Supreme Court decided that evidence obtained in violation of the Fourth Amendment, which protects against “unreasonable searches and seizures”, may not be used in criminal prosecutions in state [or] federal courts. (x)

Hey Thomas Harris!

Recognize when there’s a joke and you’re not getting it.

Thomas Harris amuses himself with language. Clarice comes from the Latin root clar and the words related to pertain to brilliance and light and the illustrative. And Lecter? So many people have tried to trace its origins but all becomes clear when you think about its etymology. In Latin lector means reader.

Clarice’s boss, Jack Crawford, likes to quote impressive sounding things out of context. Dr. Lecter mocks him for picking and choosing passages of the Meditations of the Roman Emperor, Stoic philosopher, and persecutor of Christians, Marcus Aurelius.

“I’ve read the cases, Clarice, have you? Everything you need to know to find him is right there [in the case files], if you’re paying attention. Even Inspector Emeritus, Crawford should have figured it out. Incidentally, did you read Crawford’s stupefying speech last year to the National Police academy? Spouting Marcus Aurelius on duty and honor and fortitude— we’ll see what kind of a Stoic Crawford is when Bella [his wife] bites the big one. He copies his philosophy out of Bartlett’s Familiar, I think. If he understood Marcus Aurelius, he might solve this case.”   “Tell me how.”   “When you show the odd flash of contextual intelligence, I forget your generation can’t read, Clarice. The Emperor councils simplicity. First principles. Of each particular thing, ask: What is it in itself, in its own constitution? What is its causal nature?”   “That doesn’t mean anything to me.”   “What does he do, the man you want?”

I could go on and on about how Harris allows Dr. Lecter to reference Stoicism and all kinds of other ideas for his own amusement. I say amusement because the reader need not understand Dr. Lecter’s jokes to enjoy Harris’ books. Clarice doesn’t and she doesn’t pretend to. Oh how Dr. Lecter fancies his student! I could go on and on because the entire fucking book is a compendium of in-jokes. That in itself is Stoic food for thought. Diogenes Laertius recounts a Stoic idea that Harris likes to chew on.

“Some appearances are expert (technikai), others are inexpert; at any rate a picture is observed differently by an expert and the inexpert person.”

Julia Annas explains:

A non-expert will just see figures; the expert will see figures that represent gods.  The expert is right— there really is that significance- and the non-expert is missing something. What is more surprising to us is the claim that the appearance is itself “expert.” The expert is not seeing anything that is not there for the ignoramus to see.  It is the fault of the ignoramus that he fails to see what is to be seen, because he fails to understand the content of what is presents to him. (82) - Hellenistic Philosophy of Mind by Julia Annas

Lecter, the consummate reader, is the expert. Clarice, who’s not more than one generation from the mines, is the ignoramus.  Yet she shows the odd flash of contextual intelligence.

Discern clues from NOISE.

Though their relationship was weird, close, and lasting Clarice would never realize that Dr. Lecter gave her everything she needed to know to catch Buffalo Bill the first time they met!

On that fateful day, with instructions from Jack Crawford to note anything and everything she sees, Clarice shows enough intelligence to asks Dr. Lecter about the drawings in his cell. Dr. Lecter replies:

It’s Florence. That’s the Palazzo Vecchio and the Duomo, seen from the Belvedere. Do you know Florence?“

If Clarice were prepared "to read” Dr. Lecter’s work, she might have understood the significance of the image. She’s the very model of the Stoic ignoramus.

Clarice finds Buffalo Bill/Jame Gumb by recognizing his personal acquaintance with the first victim he skinned, Fredrica Bimmel. They both lived in Belvedere, Ohio where Clarice finds Gumb while Crawford’s teams go all SWAT on John Grant’s last known address. We find out later in the novel that Dr. Lecter knew Gumb lived in Belvedere, Ohio.  Perhaps he was musing on the facts of the case while composing his sketches.

Jack Crawford, of all people, should have noticed the name “Belvedere” and made the connection.  His dying wife’s name is Phyllis but he’s called her Bella for most of their entire relationship. Phyllis and Jack were both stationed in Italy and during one of their outings, a man called Phyllis “Bella,” or beauty.  Bella is the feminine form; “bel” is the masculine form, as in bel vedere, or beautiful view.  We learn later that Clarice has to work hard to trick herself into seeing any beauty in Belvedere, Ohio.  

Now you’ve got the facts. Theorize with them.

There is another explanation as to why Crawford might have missed the clue in Dr. Lecter’s drawing from Clarice’s notes.  Clarice does not know Italian. How would she have written the sketch’s title in her report? Dr. Lecter does not say, when she asks about the sketch, that is is the Old Plaza and the Dome seen from the Belvedere (pronounced in English, be-vuh-deer as in Belvedere, Ohio). Dr. Lecter says all the proper names in Italian except “Florence.” Florence is the English name for the city Italians call Firenze.  Clarice’s ear would catch “Florence” and it may be that her report stated that the sketch was of Florence, but no further details.  She doesn’t, after all, ask Dr. Lecter how to spell the names of the places with which she is unfamiliar.  Crawford, reading a reasonably detailed report from Clarice, might have only noted that Dr. Lecter was sketching Florence– enough detail for a report if you don’t know what you’re looking at.  Clarice, while an ignoramus in the Stoic sense, shows potential.  Dr. Lecter is polite when he surmises that she is “innocent of the Gospel of St. John.” He calls her innocent, not ignorant.  She’s simply not an expert in iconography. She sees all she can see in the image.  Crawford, however, is experienced enough with Dr. Lecter to know how important images are to him.  Will Graham captured Dr. Lecter in Red Dragon by recognizing that one of his victims was posed in a tableau of a Wound Man in one of Dr. Lecter’s books.  Graham was an expert. We can’t be sure from simply reading the text that Dr. Lecter isn’t making the epiphany of “Belvedere” especially difficult to decode even if Clarice were to have written a verbatim transcript of their discussion. In speech Dr. Lecter may be pronouncing the proper names as an American would, or, alternately, with an Italian accent.  He could be pronouncing the incidental proper names (Palazzo Vecchio and the Duomo) in an Italian accent and “Belvedere” in an American accent to dare Clarice and Jack to take notice. Or, he could be pronouncing all the names in an Italian accent, a fact could be lost in translation between Clarice, innocent of Italian, and Crawford, who knows just enough to have had an epiphany. Each scenario is possible and each reveals a slightly different interpretation of Dr. Lecter’s motives. If we take Thomas Harris himself as the final authority, in the audiobook Harris reads Dr. Lecter’s part. Harris says all proper nouns including “Belvedere” with an Italian accent (albeit with a Mississippi drawl.)

Yeah ok SO WHAT?! And what about Sherlock?!

In Part II I’ll talk about TSotL as an intertext to Sherlock and the limits of this influence. I’ll compare Dr. Lecter’s method of reading to James Moriarty’s. I’ll talk about why & how I crawled out of the cannibal’s skull and into the consulting criminal’s and where I am going next… Or I just might try to revamp this to make more sense. I dunno…