#hot chocolate arc
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starkittnd93 · 1 year ago
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Saw the posts of the Hot Chocolate and now I'm sad. We need to make Hikari feel better and all I can think of is just him getting an Octopuff plush. I don't know in the modern or just in canon but plushes make things better. You can hug them and sometimes if you're feeling spicy you can make the most dramatic storyline ever with a plush penguin and a octopuff plush.
Bruh this hot chocolate thing is becoming a whole thing lmfao maybe I should make it a tag lmfao
but damn this idea is so ;-; <3 hikari deserves good things fr
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Akxbjksbdkjhdkjdhjkc there was also a bit I wanted to draw where Temenos and Hikari made the penguin plushie and the octopuff plushie get married (Temenos being the officiant lmao) and right after the plushies kissed, Shadow Hikari took over and made the octopuff plushie kill the penguin plushie (aka smack it out of Temenos’s hand-) and say “HehehehHHAHAHA the throne is MINE!!!!”
Temenos goes “Oh dear…”, and there’s an awkward silence as Hikari snaps out of it.
Hikari’s like “I’m sorry, that was-” before Temenos cuts him off and says
“Nonono, this makes for an interesting plot!”
Buuut I got too tired :,D
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here-comes-the-moose · 8 months ago
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Crosshair: I’m mean and cold-hearted. I don’t need anyone or any comforts.
Echo: Shut the fuck up Crosshair, you get hurt if one of us doesn’t tuck you in and cry every time you watch Lilo & Stitch.
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solargeist · 28 days ago
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Does kid xelequa like star wars? And is scar trying to get any version on xelequa to watch star wars? Has it worked? Do they let him yap about Star wars?
(I really want him to have someone to be nerdy about star wars with)
Haha see I thought abt that before a little, but I don’t know anything abt Star Wars !!! So I couldn’t say anything !
I still don’t know anything rly, but I do think kid Xelqua could like them tbh, he gets to hang out with Scar ! Xelqua gets into it solely bc Scar likes it so much, it’s a nice bonding moment.
This just happens one day while Scars babysitting, it’s a long day so, movie marathon ! Grian shows up later and Xelqua immediately tells him abt Star Wars, and Grians like "ohhhh nnnno Scar you didn’t."
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gentlyevilvt · 2 months ago
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Interacting with the hypno community on tumblr more lately and being finished with college work until January is a pretty deadly combo. I feel like at some point in the next couple of weeks there is a significant risk of me entering what proffessionals have called "sillymode".
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pink-tk-a-latte · 5 months ago
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WE ARE WINNING SO HARD
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daisyachain · 1 year ago
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This is generalization but it does make me feel like I’m losing my mind. Anglo-American romance novels aimed at women—‘what if you, a normal person, were forced into proximity with the smuggest most self-satisfied person who physically invades your space, insults you, acts like an attention whore at best, borderline sexually assaults you, isn’t that great’ and then you go to romance manga aimed at young women—‘what if you, a normal person, we’re forced into proximity with a two faced bitch who tries to control your every move and also refuses to speak or engage with you unless it’s to isolate you from your peers or get mad at you for talking to another living person’
#obviously there are variants but it drives me insane how even stuff aimed at women is like. isn’t it nice when men treat women horribly.#wouldn’t you love to be treated horribly except the horrible guy in question is hot#literally the extent of straight women’s fantasies is that they get some enjoyment out of looking at men who hate them#aim higher! aim anywhere other than the floor! read yuri for crying out loud#can we not get women to fantasize about getting along with someone and having a good time with them.#save me LoveCom you’re my only hope#kelsey rambles#romcom discourse was dead five years ago but the point remains that if the male lead of your average love interest existed in real life#he should not be allowed within 10 ft of any woman but his grandmother#this isn’t talking about the way romance is used in fiction or the way relationship arcs work or anything#this post is strictly limited to romance as a projection of women’s fantasies out into the world to be consumed for pure self-indulgence#if you’re having a cheat day you shouldn’t be eating stale chips ahoy.#if you’re indulging why not have a crème brûlée! have the world’s densest chocolate cake!#have an almond slice with cream and strawberries. self-indulgence ought to feel good.#I have a sister who likes men so I am assured that the despicable shoujo love interests of the world are attractive in some arcane way#I just can’t fathom it. if a man even half hinted at me that treatment like that was on the table I’d move cities.
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theafrochick · 18 days ago
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I just want some chocolate 😞
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luv4fushi · 1 year ago
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omfg i litr read everything uve written off ur masterlist I NEED MOREEEE. i love the way u write megumi especially, i couldn’t get enough of it. i hope you write more of him, my heart aches for more tbh 🥹 tysm for being such a good writer and feeding us starved readers well
tysm! i'm sooo glad i can be a good source of megumi content for you >_< i looove writing megumi so you'll be seeing sooo much more of him, dw! happy holidays!
this december
jjk fushiguro megumi x fem!reader
it’s always colder on your own, especially around this time of year. you should be at home, bundled up with a warm cup of hot chocolate, but here you are in shinjuku, exorcizing curses with your ex boyfriend two weeks after your breakup with him. great.
content: post break up, aged up megumi (19/20), megumi is terrible at feelings, getting back together, fluff if you squint, a bit of angst, miscommunication, one bed (but it isn’t the main plot point sorry), megumi calls you baby like once, gojo is the best wingman, SHIBUYA ARC NEVER HAPPENED AND LIFE IS GOOD, not proofread im very sorry guys pls forgive me, kinda a word dump sry
word count: 5.8k (sigh this was supposed to be 2k words max)
click on my masterlist for more & merry christmas to those who celebrate!
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it’s december 19th when satoru gojo tells you that he has a mission just for you. you’re less than ecstatic about it to say the least. the last thing you want to do is be sent to your death just shy of christmas day. you just want to rest your sore muscles and bask in the presence of your best friends. you’re not in the mood to kill any curses, mainly because you’ve just recovered from a previous mission.
“why me?” you groan.
gone are the days where you used to be a goody two shoes for satoru. you’re old enough to talk back now, not like when you had been a shy fifteen-year-old girl. besides, you’ve been around the silver-haired sorcerer long enough to know that he doesn’t mind the bite.
“sorry, kid,” satoru says with a shrug. at least he sounds genuine about it. “the higher ups requested for you specifically. they say you’ll get the job done in the cleanest way. we can’t have things getting messy before the holidays, right?”
“and you wouldn’t be the best choice?” you quip.
satoru only laughs. he ruffles your hair. even with your growth spurt and merciless training, he still towers over you. in a way, he’ll always be your mentor. “hey, i’m going out of town that weekend. give me a break.”
you huff petulantly. something about this mission seems fishy to you. you’re not nearly the strongest sorcerer out of the bunch of kids under satoru’s wings (not that you guys are kids anymore, but sometimes it’s hard to feel otherwise). hell, there’s the kyoto students. it feels like they never have to do anything. you wish that you were rebellious enough to chew utahime out for it.
“why couldn’t they just make yuta or megumi go?” you mutter under your breath. you stammer out megumi’s name and hope satoru doesn’t catch on to the way you can barely say it.
satoru knows about the breakup. why wouldn’t he? he’s basically megumi’s dad, even if the raven haired boy refuses to admit it. satoru’s six eyes mean you can’t hide anything from him (he’d been the first to know that megumi was head over heels for you).
satoru raises a brow. “oh, right. megumi’s coming along too.”
your face twists and you immediately whip around to glare at him. “you’re lying.”
“i wish,” he jokes. “i was really hoping i’d get a wedding invitation one day, you little rascal. i can’t believe you two broke up. maybe this’ll be a good thing!”
“i appreciate your honesty, but—”
“but megumi’s an emotionally constipated kid, yeah, that i know,” satoru laughs. he makes his way to the exit of his office which has you furrowing your brows. is your former teacher actually gonna just leave after making you come all the way here? how rude and so very in character of him.
“please, gojo,” you call out after him, “i don’t wanna go with him.”
“sucks for you,” satoru responds halfheartedly. “merry christmas. try not to take more than a week on this. you’ll have to pay the rest of the fee for accommodations if you do.”
“gojo!” you whine.
“it’s not a hard mission!” satoru insists like it’ll make your life any easier. “y’know, this time of year is when things get ugly. think of it as saving as many people as you can while putting in the least amount of effort!”
and then he teleports. your former teacher teleports away rather than being normal and walking out of the door. you roll your eyes and hope that he can sense it (you know he can’t).
so that’s why you’re here now. with your ex. on the elevator to your assigned room on the tenth floor. you’re so glad that it’s a normal hotel and not a love hotel. lord knows what you’d do if you had checked into a love hotel.
megumi hasn’t spoken a word to you since he broke up with you two weeks ago. it had been in the doorway to your apartment a few days after a particularly rough mission assigned to the both of you—the one you’re still recovering from. he’d pulled you in for a hug, whispering sweet words into your ear. he gave you a look, one of those looks that made him soften his usually sharp eyes.
“i think we should break up.”
and then came the pathetic whimper of yours. he had wiped your tears, even kissed them tenderly, before telling you that it wasn’t your fault—it was his. how cliche.
now as you stand next to him, you want to beat yourself up for not asking for closure. neither of you had explicitly stated that you two were going to be no-contact, but it hurts a lot less to push the idea of forever with megumi away to the back of your mind. besides, you two aren’t confrontational like that. not with each other, anyway.
“need help?” his tone is soft, tender—the tone he reserves specifically for you, the one that tells you he still cares.
you stare down at the luggage at your feet. you’ve always been a chronic overpacker, a habit that megumi knows of by now. he watches you curiously, hands itching at his sides. you can tell that he wants to reach out and grab your suitcase like he always does. he thinks he isn’t obvious, but you can always read through the lines, especially when it’s megumi.
“i’m okay,” you croak out, clearing your throat awkwardly.
the elevator dings and you make your way to your room. as much as you hate to admit it, you’re sort of glad that you and your ex boyfriend are sharing a room. perhaps his’ll be a good way to get closure, though you’re not really sure what closure entails.
what you don’t expect is to unlock the door and be met with a singular bed.
if satoru gojo didn’t have a layer of infinity coating his body (and if he wasn’t the strongest sorcerer alive), you would’ve wrung out his neck.
megumi simply walks into the room, setting his duffel bag down on one of the dressers opposite from the foot of the bed. he doesn’t comment on the lack of double beds, seemingly already aware of the set up.all he does is puff out a weary sigh. you suck in a breath and follow him inside, slipping your shoes off at the entrance.
you lug your suitcase in after you along with your duffel bag and backpack. you stumble forward and megumi’s arm snakes around your waist, steadying you.
“careful,” he mutters, nonchalantly taking your bag off our your shoulders.
it’s a quick series of movements; he swings your bag over his shoulders and places it on the dresser next to the one he’s claimed while guiding you softly to the side of the bed so that you’re not standing in the middle of the doorway.
you scrunch your face, feeling your heart thump against your ribcage. it’s stupid how he still has such a hold on you, even after two weeks of not seeing or talking to him. he’s just so caring, so gentle. it stings, like little the little cuts you get when fighting curses, when you realize that this is something you’ll have to learn how to lose.
“thanks,” you manage to mutter. you don’t trust yourself to say anything else. you know from the way your throat tightens that you’ll be crying soon if you force yourself to talk any more.
“i can take the couch,” megumi says.
it’s that easy with him; he’s a gentleman, so of course he’d take the couch. that’s the way megumi fushiguro is—he offers a solution before you even have the chance to complain. in your year and a half long relationship, that skill of his had been a saving grace.
“no, don’t bother,” you croak. “i’ll book another room.”
“really?” he asks. he stands up a little straighter, awkwardly reaching up to scratch the back of his neck. “i mean, i don’t mind sharing a room with you… we’ve..”
we’ve shared a room countless of times before.
megumi doesn’t have to continue his sentence for you to understand what he’s implying. you part your lips to speak, but nothing comes out except for a long, heavy sigh. your shoulders drop as you let the exhaustion seep into your bones. there’s no use arguing about it, not when you don't’ mind sharing a room with megumi, either.
“we’ve broken up,” you remind him in a quiet voice, like you’re afraid saying it out loud will make it truer than it already is.
megumi pauses. you see his adam’s apple bob as he swallows thickly. “i know that, but … it’ll be fine. we’ve shared a room as friends before.”
he’s right, like he usually is. you two have shared a room before as just friends, but that had been as teenagers—back when you both harbored such hardcore crushes on each other that you two somehow didn’t notice.
“right,” you find yourself agreeing with a small nod.
“you should go get ready for bed.” megumi begins grabbing a few or the decorative pillow off of the bed. he places them gingerly on the brown couch tucked in the corner of the hotel room. “we’ll be getting up pretty early to deal with the brunt of the mission.”
to finish this mission as quickly as possible, you think.
and so you oblige and head to the bathroom. it’s december 19th, just a few days shy of christmas day, and you’re in bed with your ex boyfriend on the couch just a few feet away.
december 20th greets you with megumi hovering over you. he peers down at you with his messy bangs covering his eyes. they’re piercingly blue as he blinks. his lashes flutter perfectly, even in the early morning. your eyes meet his and you jolt awake.
“good morning,” he says. “your alarm has been ringing for a bit now, so i turned it off.”
you blink rapidly, getting the tiredness out of your eyes. “oh.”
he chuckles softly, just enough for you to catch it with your ears. he rises from his crouched position and heads to the front door. he spares you a glance over his shoulder before he heads out, presumably giving you the privacy you need. you let out a strangled breath before you swing your legs over the bed and head to the bathroom.
by the time you’re finished putting on your uniform, you swing the door to your hotel room open and see megumi leaned up against the wall, tapping away on his phone. his dark blue eyes flicker up to you and he turns away to head down the hall.
you furrow your brows. you can’t help but think that he’s being a little cold to you. it isn’t like you initiated the breakup. despite your frustration with his behavior, you can sort of understand why he wouldn’t want to be sweet around you; you two aren’t dating anymore and so it makes sense that he’d go back to being aloof in your presence, the usual way he acts around everyone else. losing that position in his life makes your stomach churn for reasons you’re less than willing to uncover.
your mission is a vague one; all you know is that it’s a clean-up mission. rather than a level 1 curse (or even a special grade), the mission consists of an acclimation of weak curses surrounding shinjuku. these missions are normally given to younger, more inexperienced sorcerers with the help of a senior sorcerer, but for an odd reason, it’s been given to you and megumi this year. megumi could’ve probably handled it himself. actually, you could’ve handled it yourself.
you bite your tongue to hold back on your complaints as you walk just a step behind megumi. he pauses regularly, waiting for you to catch up to his side. you roll your eyes in secret. does he not realize that you don’t want to walk next to him?
“it’s all just bars,” you mutter.
with that, you earn a tiny laugh from megumi. “well, yeah. this is the red-light district of shinjuku.”
you pale. “this sucks.”
“why do you think i wanted to come out here in the morning rather than at night?” he says, his tone strangely light.
“to deal with the brunt of the mission,” you repeat his words from last night sarcastically. you’re unsure as to what he’s talking about, so you think that it’s okay to give him a little bit of attitude.
he raises his brow but doesn’t comment on your sarcasm. instead, he says softly, “no, stupid. it’s because this is the red-light district. it’s unsafe for anyone, especially a pretty, young girl alone at night.”
your first thought is to coo and tease him. you think i’m pretty? it takes you half a second to remember that you two are broken up. you scoff, “i’m perfectly capable of handling myself.”
“i never said you weren’t,” megumi shoots back. “it would just be annoying explaining to the higher ups why you were fighting people and not curses.”
“i’m sure they’d understand,” you retort, frowning. you cross your arms.
“don’t be so pouty,” he says in that stupid, gentle tone he uses with you when you’re acting bratty.
you both decide to split up. well, it’s more like you demand the two of you to split up. you say it under the pretense that it’ll get the job done faster. besides, you both want to be home before christmas day, right?
there’s about two curses you cross paths with every hour. you’re starting to lose your mind. shouldn’t the streets be infested with them? you don’t even need a veil! all you have to do is give the weak curses just one punch and they vaporize on the spot. your head is running with hundreds of thoughts.
that’s when it hits you: the first years at the tokyo jujutsu school did come out here a week prior! maybe they did a bad job? but you remember nobara had been the one to lead the group. she may half-ass almost everything in her life, but she wouldn’t jeopardize her underclassmen for the sake of her freetime.
so why on earth are you here? it’s not like there are enough harmful curses for a mission to be assigned to you right before christmas, and to you and megumi of all sorcerers. you’re both strong enough to the point of having some kind of importance in the jujutsu world. the higher ups wouldn’t send the two of you on some stupid mission for the sake of it unless they’re planning some sort of secret execution. but even then, satoru gojo should’ve known through their lies to not send you or megumi. unless…he wants you two dead…?
you shake your head and bite your nails. the sun begins to set and you realize that you’ve been out here for longer than you expected. you’re starting to feel a chill in your bones—you had argued petulantly with megumi earlier about not wanting to wear your jacket despite it being the dead of winter; “it’s gonna get in the way!”
you always seem to forget the the sun sets earlier in the winter. it’s stupid how bright all the lights are in shinjuku. there isn’t a square foot of anything that isn’t lit up with neon signs reading out the names of clubs and bars. you see couples and large groups of people walking along the streets.
it’s lonely, you realize. it would’ve been less lonely with megumi.
you make your way to the meeting spot with megumi. you both share a few small words before retiring for the night. megumi says he wants to go sightseeing, even though there’s really nothing much to see. he doesn’t return to the hotel room until late at night.
when he slips into the only bed that the room offers, you chalk it up to the slight alcohol you smell on his lips. it feels so natural that you don’t push him away even though you should. his body is warm and you fit so perfectly against his broad chest that you think it’ll be okay for you to be a little selfish tonight.
“g’night,” megumi mumbles in his sleep.
you smile and nuzzle closer.
it’s december 21st as you realize how late it is in the day. megumi is back on the couch. you feel a tinge of disappointment in the bottom of your stomach.
to no one’s surprise, the sun is barely peeking over the buildings when you’re finally back in the red-light district. you’re doing the last bit of cleanup, but there’s really nothing much for you to clean.
tomorrow, you’ll be heading to a shopping mall, so you suppose you should do your best to sniff out the rest of the curses littering the place unless you want to stay here an extra day. the day is, yet again, slow.
it’s nearing 8 PM and you're finally sure that you’ve gotten rid of all the curses in the general area. you’ve been done for quite a while now, but you just haven’t found the courage to let megumi know that you’re ready to go back to the hotel room. a little sightseeing on your end wouldn’t hurt, right?
“hi, pretty.” a gravelly voice, battered by cigarettes, whispers in your ear.
you jump in surprise. you need to remember not to get too far into your head. you should’ve felt his presence coming from a mile away. it’s a terrible habit and satoru has scolded you for years about it.
“hi,” you mutter, pushing past his larger frame.
the man isn’t as nicely built as the men you know (but then again, your friends are jujutsu sorcerers, so it’s kind of hard to beat that), but he still towers over you. he’s got a squad of rough-looking guys behind him, smirking down at you.
“why’s someone like you alone?” he says, shoving his arm to loop around your waist.
you roll your eyes, getting ready to punch the man square in the nose. will you get in trouble? probably yes. will it be a funny story to tell? also probably yes.
“don’t touch my wife.”
the group of men turn their heads along with you to see megumi. his expression is shrouded with a mixture of anger and frustration. you blink in confusion—megumi usually looks pretty pissed off, but this is the most angry you’ve seen him in a while. and ‘wife’? what’s up with that?
“oh, my bad,” the man chuckles. “didn’t know this pretty thing was married.”
“this ‘pretty thing’ wants you to let her go,” you say with an overly sweet smile. your teeth clench and you hiss, “right now.”
the guy scurries down the sidewalk with his buddies trailing along, making fun of him for hitting on a married woman. nobody mentions the lack of a ring on your finger. nobody mentions the lack of a relationship, either.
“wife?” you scowl. “we’re broken up.”
“guys tend to back up when they know a woman is married. it’s the only way you can really, uh, get them to go away around here.”
you glare at him. “and how would you know? you come here often with girls?”
“...no?” he blinks, unable to comprehend your sudden burst of jealousy. “i sometimes get missions around here, though. pretending to be married was the easiest way—”
“we aren’t, though. we’re not even in a relationship.” you seem to be throwing that into his face a lot more than you should. you can’t help it, though. you still feel a little bitter about not getting a real reason as to why megumi wanted to break up.
“i was trying to help you.” he’s calm and collected, as heard through his voice. he walks up to you and takes your freezing hand into his much warmer ones. “let’s go home.”
“i don’t want to,” you argue.
“stop being a brat,” he says, but there’s no bite to his words. “you’re cold and you’ve been out here all day. if i hadn’t stopped those guys, you probably would’ve beat them up pretty badly.”
“i’m not a fucking brat!” you try to retract your hand, but megumi’s grip only tightens.
“baby, stop,” the pet name rolls off his tongue with ease. megumi sighs softly and pulls you to his chest. “why are you so worked up, hm?”
from the way he speaks, you can tell that he already has an inkling. the breakup. cuddling last night. hugging you now. everything.
you don’t realize you’re crying until he gently wipes his thumb under your eye. he has the audacity to have an amused grin plastered on his stupidly pretty lips. your vision is blurry but if it hadn’t been, you would’ve thrown a punch.
“i’m sorry,” he whispers into your hair. “it’s all my fault.”
“it is,” you whimper pathetically. all the tears and the emotions you’ve been holding back bubble up to the surface.
“don’t be upset,” he almost pleads. “let’s go back, okay?”
the night ends with megumi on the couch. neither of you bring up the argument or the fact that he had slept in your bed with you last night. you two don’t talk about the usage of pet names, either.
when you open your eyes on december 22nd, you’re surprised to see that megumi has already headed out for the day. you click your tongue in annoyance—he’s always been good at avoiding his problems when it comes to dealing with them, especially problems involving his emotions. you already know where you’re supposed to be headed, so you suppose that it’s for the best that he’d left before you.
the shopping mall is a long line of vendors and stores among other things. the snow on the ground is fresh—it must’ve snowed late last night after you’d fallen asleep. it crunches underneath your beat-up sneakers with each step you take. you’re not shocked when you end up wandering aimlessly, dipping in and out of stores with no real urgency to finish your mission.
there’s nothing to do anyway.
you’ve killed about 3 curses total and it’s really starting to look like you’ve been sent out here for busy work. you really should’ve figured that out the first day of the mission when you had to practically beg the curses to come out and fight you.
you find yourself in the front of a jewelry store, eyeing a pretty bracelet that you know would look stunning around megumi’s wrist. it’s one of those bracelets that clasp tightly. there’s a thicker band in the center with pretty carvings that seem to resemble some sort of swirly heart. it’s pretty, you have to admit.
without much thought, you buy the gift.
the seller has to clear her throat to get your attention when you don’t answer her question. “um, would you like this to be wrapped?”
you nod absentmindedly. “oh, yes. sorry. please wrap it.”
she nods in return and proceeds to wrap the bracelet in a tiny box, adorning it with a festive bow. you ask her to change it out for a different color, explaining that it isn’t a christmas gift and instead, it’s for someone’s birthday. she offers you a warm smile before switching it with a muted blue ribbon.
you return to the hotel, having to take an expensive taxi. you don’t mind—the bracelet has already made a decent-sized dent in your wallet. why not spend an extra amount on getting home? it’s not like jujutsu sorcerers are paid poorly.
reality hits you when you finally get back to the hotel room. you want to punch yourself for being so stupid. did you really just buy a birthday present for your ex-boyfriend?
you’re thankful that megumi hasn’t arrived yet. he seems to be determined to avoid you for as long as he can. you can’t blame him, either. you did give him quite a hard time yesterday.
you toss the box on to the dresser and head to the bathroom to splash some much needed cold water on to your face. maybe that’ll wake you up enough to clear your mind. you’ve acted out once during this trip already and you’re not really looking forward to any other possible outbursts.
you rinse your face and pat yourself dry with one of the face towels provided to you by the hotel staff. you hang it over the rack again and tiredly make your way to your bed. you halt your movements when you see megumi standing by the dresser, admiring your gift.
he looks up at you in surprise with the smallest grin on his face. it’s so subtle that you would’ve missed it had you not been dating him for nearly two years.
“is this for me?”
“no,” you quickly deny. his face falls and you cough out, “um, i mean.. yeah. i-i didn’t… i… happy birthday.”
he brightens, lips pulling up into a real, genuine smile. “you remembered?”
“why wouldn’t i?” you blurt gently. you bite your inner cheek to stop yourself from saying anything more.
“i dunno.” his voice is distant and low, like he’s trying to hold back his tears. “i just…i didn’t think i was deserving of a gift from you. thank you. i like it.”
you stand awkwardly, shifting your weight onto your other foot. “yeah, well…”
“can you help me put it on?” he asks, sitting at the edge of your unmade bed.
you feel your body heat up. part of you screams for you to stop. you shouldn’t do that. it’s far too intimate and you two are broken up. you’ve never been good at making decisions, though, so you sit next to him and feel the mattress dip.
he gives you a grateful look, one that you willfully ignore, and gives you his wrist. you clasp the bracelet on, fingertips just barely grazing his skin. your heart skips a beat and you have to inhale sharply before pulling away.
“thank you,” he whispers.
december 23rd is a sore reminder that life goes on. you had half-expected something to spark between you and megumi. perhaps he’d beg for you back, or maybe with less wishful thinking, he’d give you his real reason as to why he doesn’t want you anymore.
“i don’t think we need to go anymore,” megumi says when you come out of the bathroom after freshening up.
“huh? why not?”
“there’s nothing out there.” megumi’s voice is flat.
“i know, but we’ll get in trouble if we…”
“gojo probably sent us out here for fun.”
your lips part. megumi turns to you with a slight frown.
“don’t you think so too?” he asks, but you know it isn’t a question he’s looking to find an answer to. “why would the higher-ups assign a mission like this to a special grade sorcerer and a grade 1 sorcerer? if they needed that much manpower, this mission would’ve been deadlier. instead, we’re playing cleanup crew.”
“yeah, but..” you trail off, unable to think of a statement to refute his words. “if we go back now, we’ll get chewed out.”
“it’s just a scolding. you’ll be fine.” megumi stands up and stretches his arms.
you watch him cautiously as he begins to fold his clothes and throw them into his duffel bag. he doesn’t say anything else, letting the silence overtake the room.
“...are we leaving, then?” you ask meekly, not bothering to hide the slight quiver in your voice.
he pauses slightly. “do you want to stay here until christmas? this mission is stupid and you know it. there’s no point.”
why is his tone so cold all of the sudden? it’s as if you two hadn’t shared a moment last night before bed. does your gift not mean anything to him now that he’s cleared his mind with a good rest?
your eyes flicker to his wrist. the gold glimmers underneath the light and you realize that megumi doesn’t seem to hate wearing it. so why is he acting so … unpleasant?
you feel a lump in your throat. it’s embarrassing how quickly he’s able to upset you from just the tone of his voice. even his body language, usually fluid and smooth, is rigid with your presence. you want to tell him that you’ve enjoyed your time with him. you want to shake his shoulders and tell him that if you two cut your mission short, you might not get another chance to be near him again.
“do you still care about me?” you whisper instead.
he stills completely. “what?”
“this entire time,” you begin shakily, “you’ve been nice to me. you treat me like you always do. you’re always hovering over me even though you pretend you aren’t! you obviously still care, megumi.”
his adam's apple bobs as swallows. a beat of silence. then two. then three.
“i do care,” he admits sorely.
“then why did you break up with me?” you blurt. there it is, the question you’ve been meaning to ask. you both had seen it coming.
“because…” megumi winces as if he’s the one getting hurt from the ordeal. “because you deserve someone that’s normal. someone that isn’t a sorcerer. i can’t give you that life.”
you feel your chest swarm with anger. why does he always think he needs to sabotage himself to make others happy? this is something you’ve tried working with him on, but it seems like old habits are hard to kill off, just like your habit of loving him.
“why the hell would you decide that for me? when did i ever say i wanted a normal life?” you snap. your hands clench at your sides.
“it’s too early for this,” he says, his voice straining as he finally musters up the strength to look at you in your eyes.
“tell me, megumi. if that’s the real reason, then that is the most pathetic excuse for a breakup i've ever heard.” your voice cracks and you gulp down the oncoming sob that’s threatening to explode from your throat.
he inhales slowly and makes his way to you, holding you close against his chest. you should push him away, but you would rather let him hug you. you know that you can’t fight him, anyway.
“you…once said you wanted a regular relationship. when you got hurt a few weeks ago, i realized i couldn’t be that for you,” he confesses lowly. “i knew that you’d never find it in yourself to leave, so i figured i should just let you go for your sa–”
“are you kidding me?” you shout incredulously. “i said that when i was fifteen, megumi! before i even knew what being in love was like!”
he flinches against you. “but i…”
“you and your damn savior complex! i don’t need to be in a regular, normal relationship! i don’t need any of that, megumi! i’m a sorcerer, I won't ever get to be normal! in fact, it’s even better that i’m with you because you at least know what this life is like, you idiot! you’re always ruining the good things in your life because you—”
he takes his fingers to grab your chin and he pulls you in for a kiss. if the kiss is a ploy to shut you up, you hate to admit that it’s working. his tongue slips into your mouth and you melt against him. your arms loop around his neck as you desperately drag him down closer to your body. his hand grip your waist while the other clings to the small of your back.
you whimper out of instinct and he pulls away, lips bruised and breathless. it’s been so long since you’ve tasted him and you frown, tiptoeing to capture his lips again. you need to savor him, to feel him lips against yours again.
“baby, wait.” his chest heaves as he looks down at you. “don’t…don’t do this to me.”
“do what?” you ask, an edge to your voice. did he just reject you? even after all that?
“w-we gotta report back to—”
“we’re supposed to leave tomorrow,” you interrupt.
the gears shift in his head. “fine, but—”
“i’m still really fucking mad, but i just need you to kiss me right now,” you whine impatiently.
all megumi does is laugh when he swoops down to press his lips against yours.
it’s december 24th when you two find yourselves in satoru’s office. steam is practically rising from your ears as you try to compose yourself in front of your former teacher.
“... i wanted a wedding invitation.” satoru shrugs.
“you set us up!” you whine angrily. “gojo, are you serious?! isn’t this a little immature?”
megumi stays silent, averting his gaze. he suddenly finds the succulents on satoru’s desk very interesting. he’s never noticed that they’re all nearly dead! how cool.
your eyes shoot daggers at megumi's silence.
"we aren't gonna get married any time soon..." megumi mutters when he feels your pointy glare on him.
satoru raises his hands in mock surrender. “you two can’t blame me! it worked out! you two are back together now, right?”
“but did you have to make us look like fools out there?” you groan.
“you should’ve figured it out on the first day that the mission was a sham!” satoru exclaims, offense taking over his features.
“but still!” you’re borderline hysterical at this point, unable to believe that your former teacher of all people had to set up an entire fake mission so that you and your ex could talk your feelings out. “we would’ve figured ourselves out sooner or later!”
megumi nods. he feels like he should at least give you a little support even if he’s embarrassed out of his mind.
“oh really?” satoru’s voice drips with sarcasm. “you guys should be thanking me—”
“you’re so not getting an invitation to our wedding!” you grumble.
“wha—hey! i’m the one that got you two back together! besides, i’m megumi’s guardian! you can’t just not invite me.”
“watch me!”
“megumi, tell her that she can’t do that—hey! where are you guys going? invite me, you rascals—why are you guys leaving? we aren’t done discussing this! megumi, don’t you dare take her side! she isn’t even your wife yet—don’t slam my door!”
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phantomrose96 · 1 month ago
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(A Breach of Trust)
[I am putting the rest of the ask under a ReadMore because it IS long [and now super-long with my responses added] but I am biting and chewing this ask I am biting everything it has to say I love this ask I have things to say]
But yes responding to this first chunk! First THANK YOU second I loved writing just the inherent comedy of each chapter being like "[Scene 1] Ritsu spitting blood: I have to save my brother. He's dying. [Scene 2] *Happy domestic montage of Mob petting a kitten and maybe drinking some hot chocolate*" It was a great way to keep some emotional balance in each chapter and also. Funny.
I was crawling the wallllls getting to the makeshift reveal. I think it was about 5 years between coming up with it and getting to the reveal. So I just had to bite my tongue and dodge any suspicion in Makeshift's direction leveraged in the ABoT discord (ABoT discord! BTW! If you want)
I ended up making this to channel the energy somewhere
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[Rest of ask under the cut!]
i was nervous for a hot second early on (around when reigen first takes mob in) that it was gonna be the kind of story that would get frustrating because "oh if the characters literally just told each other anything it would all be fine" but i didn't end up feeling that way at all? like yeah a lot of the plot relies on characters not knowing things and technically a lot could have been solved if idk all the characters decided to meet up and sit in a circle to politely explain everything to each other but it never feels like that should happen. even besides them all generally having reasons for lying or not explaining things or not talking to each other it's like. all their decisions feel very natural even when they're bad or unreasonable, and also crucially when the characters do learn things or w/e it usually doesn't fix things (ie when reigen learns mob's real identity and tells mob the truth and it kind of fixes some problems but also adds a host of new ones). in general despite it being a story that hinges on all the characters making bad decisions it rarely gets aggravating bc all the choices they make are understandable and make sense for them -- it doesn't feel like anything is happening simply because the plot demands it. everything is constantly getting worse but that's because the characters are making it worse it's not just Happening. and then the characters have to confront and deal with the consequences of all their actions and learn from them and it's very satisfying
YEAH!!! YEAH YOU GET IT!!!!!!
It is VERY important to me that the story in ABoT is character-driven. There should virtually be no "it happened because the plot demanded it." If it happened, it happened because a character's choice caused it. And if a character made a choice, it was due to their own motivations and not because the plot demanded it.
So, YES, there is this scenario where so much of what is happening comes as the result of each character having, at most, a 20% understanding of what's going on. But the withholding of information, CRITICALLY, cannot be because of Idiot Plot reasons.
Reigen "could" just ring up the Kageyama's and send Mob home, cutting short the first like 2/3 of his and Mob's arc. But he doesn't. And not because he's an idiot. He tried. Mob freaked out. And that was a good enough reason to just delay this until tomorrow, surely. But we watch as Reigen gets to experience was feels like genuine accomplishment, genuine joy, genuine meaning, by helping this kid experience life again. From the very start that's what Reigen wanted--to feel like he mattered. At the beginning this is what drives him to take up the Tetsugami case, despite knowing it can get him killed. (Because maybe Reigen can do something, this time. It's not just another doomed marriage or unsolvable missing person. Maybe he can make a difference. Maybe he can matter.)
And it manifests in what looks like heroics, but in the case with Mob, it drives Reigen to stall... more and more. He knows on some fundamental level it's wrong to be keeping Mob this long, but he can justify it in how this IS what Mob wanted.
And the same extends to the other characters... Tetsuo doesn't tell Reigen about Shigeo Kageyama's link to the Mogami case because he can't bear to admit HE was probably Shigeo's captor. Mob keeps secrets about Mogami because Mob knows he "killed" Reigen's "friend." Ritsu withholds information because it's the only power he has, and giving up information allows other people to stop him. Gimcrack and Slipshod keep quiet about Mob's location because their free lunch would end if they told.
And when these characters make bad decisions instead, it is CRITICALLY important to me that those decisions were the organic result of that character's complexes, goals, misunderstandings, and absent information. It's a train wreck and God Dammit I do everything in my power to ensure each character is their own conductor.
and the Themes. okay first of all i am a huge fan of stories that are like "no, heroic sacrifices are Not the answer, please stay alive so you can actually get better and fix your mistakes and be there for the people you care about", so obviously i adored that. i loved reigen confronting ritsu about this and urging him to stay alive, and i'm also obsessed with how reigen immediately Does Not Take His Own Advice. reigen's self-sacrifice plan makes a lot of sense with his character and given the circumstances it's definitely understandable why he and teru would be willing, however reluctantly, to resort to that, but of course it's not that actual solution because that's the whole point. (shout out to mogami being the one to save him. congrats on accidentally doing one (1) good thing.) reigen, ritsu, mob irt to being imprisoned rather than death -- none of them can just sacrifice themselves and expect that to fix everything and everyone to be fine without them, because that's not how this works. (also i can't wait to see ritsu inevitably be pissed at reigen about him trying to do exactly what he talked ritsu out of and reigen having no excuse except "yes i know, i am a hypocrite, please do as i say not as i do.") the story is dark but it's also so full of hope -- you can live, you can heal, you can move forward from all of this, no matter what you've done or what's happened to you.
YES!!! ANOTHER RESOUNDING YES!!!!
I've talked in the ABoT discord about how Reigen's sacrifice didn't work because it couldn't work. Because, if Reigen intentionally killed himself in order to end Mogami too, and Mob was saved and went home, then that means you DO save what you care about by sacrificing yourself. Which would be fine in other stories, but not this one.
ABoT's message has pretty loudly been "you don't save things by sacrificing yourself. you save them by living long enough to fix what you've broken." And even when Reigen is the one SAYING this to Ritsu... he doesn't believe it for himself. And he does not get to get away with not believing it for himself.
In earlier planning stages of the Reigen sacrifice scene, my plan was to have Reigen's knife slip before he could slice his throat (palms sweaty, grip slipped, parallel to what happened in the struggle-for-the-knife in the original chapter 8 Reigen-vs-Tetsugami scene).
But I thought about that and I said "No, actually." If Reigen fails because his palm slips, that suggests this COULD have succeeded, and Reigen just botched it is all.
So instead, the scorching fire around them (the blaze Reigen set) has dehydrated him to the point that his sweating has stopped. He is salty dusty skin and dry lips and his grip on the knife handle is perfect (anti-parallel to the first struggle for the knife scene). His execution is perfect. Reigen sacrifices himself perfectly.
...And then it's Mogami, who is well-practiced at controlling a maimed possessed body, who snatches back control and cauterizes the wound shut. Mogami (the antagonist of this story) cannot be defeated by self-sacrifice.
There is no "if only Reigen did it right" ambiguity. There is an absolute statement about where the themes stand.
(And yes, I'm sure Ritsu will have only positive emotions about what Reigen tried to do once this is made clear to him. :))
one of the other themes i found most interesting was the theme of lies and people trying to act like something they're not, and how that factors in to all the characters' stories. of course mogami is right there (and the parallels between him and reigen in how they both lie to mob for different reasons are super interesting) but i was particularly thinking a lot about reigen, teru, and ritsu and the different sorts of false lives they live -- reigen the con man playing the part of the confident, powerful psychic, constantly lying about his abilities and his accomplishments; teru keeping up the appearance of being totally in control and untouchable, surrounding himself with friends he can't stand and a girlfriend he doesn't care about; ritsu trying to maintain his reputation as the perfect, model student and constructing increasingly elaborate lies to convince his parents that he's doing fine.
i was thinking especially abt the parallels between reigen and teru -- their identities as liars are both emphasized, literally having teru saying "i was lying. i lied to you. i'm a liar" and reigen saying "i lied to you. i've been lying the whole time. i'm a liar" in the same chapter. both of them have grown accustomed to being alone and having a life that's more an expertly crafted facade than anything with substance, but both find in their respective kageyama brothers someone who they genuinely care about -- and they both doom these relationships from the beginning because they can't let go of the facade they're used to keeping up and their desire to feel important/superior. teru continues to be the same smug, uncaring asshole he's designed himself to be even after he starts to see ritsu as a friend, and because of this ritsu remains antagonistic towards and distrusting of him; reigen pretends to be the "21st century's greatest psychic" with mob even when he's starting to care about mob and want him as a permanent fixture in his life, causing things to fall apart when he reveals the truth. they both say the right things to point mob/ritsu in the right direction, but the way they act does the opposite: teru tells ritsu the dangers of what he's doing and reigen tells mob that they should call his family or the police, but at the end of the day, no matter their good intentions, teru likes feeling superior to ritsu and reigen likes having mob depend on him, and so they're not actually going to do anything that would upset that balance. (and, of course, they reassure themselves with the knowledge that it's not their fault, ritsu and mob just won't listen to them! which isn't technically untrue, but nonetheless frames the situation in a way that ignores their own role in it.)
Aaaaaaaaaaaa honestly I don't even think I have anything to add here because your analysis is already so 🤌🤌🤌. They are Liars they are Liars living through a Mask they are Liars who Say one thing and Do another they are Liars who convince themselves this Lie is fine.
all the characters are so good but my favorite has to be ritsu his whole storyline is fantastic. from the start i was enjoying the fic a lot but it was when it started to really get into ritsu's story and his whole deal that i started being like "oh yeah this is the good shit." seeing him go further and further down his self-destructive spiral, constantly digging himself deeper as he hurts himself and the people around him more and more, is so fascinating and painful. and then seeing him get better and start actually wanting to live as he talks to reigen and later teru! and then in the confrontation with mogami when he decides once and for all that he wants to live and remember and try to find a way to fix his mistakes rather than forgetting them or giving in to them! just. he is thirteen years old and he just has all this rage and grief that he's been holding onto and repressing for so long and he finally gets the chance to do something with it, something he can do to find his brother at the low low price of bleeding himself dry, and so he throws himself into that, tearing himself to pieces and not caring who else gets hurt in the process, until he reaches rock bottom, what should be the point of no return -- but it isn't, because teru saves him, because reigen convinces him to try to stay alive, because mob is waiting for him, because he has people who care about him and he's just a desperate, hurting kid and no matter how badly he's fucked up he can still come back from it. just Such a compelling and painful and beautiful character arc
Thank you for stating exactly the reason I loved writing Ritsu's arc so much 😭😭😭😭😭😭😭🥺❤️
When I was about 13, I got really into Naruto and I really liked Sasuke's character. Even seeing him now makes some inner part of me point and go "It's Sasuke!" Brooding, stoic, over-achieving, entrenched in family trauma, is swayed over to the darkside because of the rage and grief he's been sitting on.
And because it's Ninja Fantasy World, Sasuke gets to do this and be really cool the whole time.
Ritsu is... actually just a 13-year-old, with psychic powers which he didn't even want after his brother vanished. He IS smart and he IS a model student and he IS powerful but... he's scared. He's scared, and he's 13. He NEEDS to be smarter than everyone (he's not, and he knows this, and it's scary) and more powerful than everyone (he's not, he knows, he's scared), because he knows that anyone with power over him can control him. And he's at his wit's end being controlled.
So he needs to be COMPLETELY in control and have COMPLETE power. And every instance that proves to him he's actually weak, actually clueless, actually being taken advantage of drives him to panic.
And he finds antagonism on all sides... Teru who loves to pick apart and mock Ritsu for every weakness he has. The spirit horde who eat him within an inch of his life. Isa trying to shut him down. His parents trying to control him.
No one is helping him with his grief... No one is finding his brother... No one is saving him... He does not want to keep living like this. And "no longer living" isn't even an option with how heavily his parents rely on him.
So what does he do. He's so alone. He doesn't have a single soul on his side. Every day is torment. ...And then he has this opportunity that shows up like "if you hurt yourself real bad, kill yourself doing it maybe, you can solve the very thing that ruined your life"
So of course he does it. He grabs onto it like a hot stove or a live wire because he's been wanting to hurt himself, and now he can do it in pursuit of the very thing which will save his brother and fix everything. The risk of dying isn't even a risk. It's an escape. He can do this and he can BECOME more powerful and he can GAIN control and he can USE and MANIPULATE whoever he wants (namely the people who've proven again and again they'll hold him down and force obedience out of him).
Of course he spirals. Of course he hurts people...
And then he finds rock-bottom. Teru chews him out and abandons him. Ritsu flips on Gimcrack and exorcises him out of paranoia (Teru turned on him, Gimcrack probably betrayed him too.) He NEARLY kills Reigen under that same absolute fit of paranoia and fear. ...And then he finds his brother. His brother. Alive.
And grabbing his brother shreds his hand. It does not fix him. It does not save him. It maims him.
And now Ritsu is nothing. Not powerful. Not in control. Not certain. He's someone who just hurts people. He's someone who destroys. He drives everyone away and they're RIGHT to leave him because of how horrible he's been. He can't save his brother, and his brother won't save him. ...So Ritsu wanders back to Reigen. The only person who seems to have a semblance of direction in this whole thing. Broken and beaten, Ritsu joins Reigen because he does not know what else to do.
But there is an up from rock-bottom. As much as Reigen and Ritsu are just The Worst to each other, it's actually that childishness in Reigen that starts to work on Ritsu... This is not a typical adult, using adult-speak and adult-authority to make Ritsu comply. Ritsu can't even fall into his typical masked-up behavior against an adult because Reigen is a fucking nuisance and an irritant and Ritsu, for all his "maturity", riles easily.
This is... really just Some Fucking Guy. A loser, at best. But it's someone Ritsu's brother cared about, and who Ritsu knows gave kindness to Mob where Ritsu couldn't. And it's someone who isn't forcing Ritsu to do anything. Reigen is, in fact, letting Ritsu make these decisions to change on his own. Teru comes back with an apology. Ritsu is staring at the chance to do better, and the chance for some future that doesn't involve killing himself.
And he gets to make that decision against Mogami.
And--here's the thing--Mogami was WITH Ritsu for so much of Ritsu's spiral. He knows what sort of kid Ritsu is. So he "knows" Ritsu will accept what Mogami has to offer...
But when "makeshift" vanished was exactly when Mogami got Mob back, aka exactly when Ritsu went to Reigen. Mogami did not get to see Ritsu's healing. So he got to be blindsided by Ritsu's ultimate decision.
and ritsu's dynamic with teru is just. so good i adored every single scene they had together. first of all they are so fucking funny. they're just these two psychic middle schoolers who both suck so bad and just cannot stop trying to murder each other on the soccer field and i love that for them. ritsu's terrible decision-making reaches new heights every day and teru's just standing there watching him and being right about everything in the most annoying way possible. literally the worsties ever <3
I have, consistently, referred to them as "the two worst middle schoolers ever". Like "you're a horde ghost and you're stuck doing the bidding of the two worst middle schoolers ever."
With huge consistency, the scenes I find funniest end up being Ritsu Teru scenes. Because they are, in fact, The Worst.
but more importantly on a serious note i am obsessed with the complicated mess that is their relationship and the way it and the reader's perception of it change as the story goes on. when they first meet things are seemingly pretty straightforward (mostly. i have thoughts which i will talk abt in a second): teru is the one causing the conflict between them by being shitty, and ritsu's just responding to it relatively reasonably. ritsu's the protagonist, the good guy, whereas teru is a morally gray asshole. them working together is a matter of necessity, with ritsu only going along with it because he needs teru's skill and power on his side and teru presumably having his own secret, self-serving motivations. standard stuff; we all know how this goes.
except then the story keeps going, and it gradually becomes apparent that things are far from this simple. it slowly becomes clear that despite teru's arrogance and callousness, he does have ethical standards and lines he won't cross -- whereas ritsu gets more and more unfettered as time goes on. it also gradually becomes obvious that teru does genuinely care about ritsu and see him as a friend (probably the closest thing to a genuine friend teru has), even if teru himself is pretty shitty at being a friend -- leading to the incredibly striking moment when ritsu himself realizes this, and his main takeaway is just that he has power over teru. by the time they have their second soccer field fight, teru has proven himself the more morally upstanding one, which is pretty wild considering the first thing we ever see him do is beat the shit out of a near-defenseless thirteen-year-old for annoying him. of course, he still isn't supposed to be fully in the right -- one thing i really appreciated about the story in general was that the conflicts between characters are rarely as simple as "this character was Right and this one was Wrong," but rather a matter of all the characters making mistakes at one time or another and then having to deal with the consequences and make amends. ritsu and teru's relationship is a prime example of that with how "ritsu made his own decisions and those decisions were Very Bad" and "teru treated ritsu poorly and never actually did the work to make himself someone ritsu could actually trust or would want to listen to" are facts that coexist and both get addressed. the second fight is a masterpiece of a scene in basically every way, but one of my favorite aspects is how teru is desperately trying to reach out to ritsu but is hit with the truth that it's too late for that, that he should have been doing this the whole time, that all this is partially his fault. and in this scene, he fully accepts that, gives in and decides that ritsu is right: it's too late to make amends, it's too late to save ritsu. but it doesn't end there, because this is not a story in which things are simply unfixable, and so instead teru comes back, decides to make the hard choice and try to fix things instead of turning his back on ritsu for good. during the fight, teru says he wants to help ritsu, to sacrifice for him, and ritsu scoffs at him and rejects the idea -- but then teru actually does it. he puts his money where his mouth is and reaches out to ritsu and offers his own psychic energy to save ritsu's life, along with apologizing to him and offering his help to find mob. like i dunno what else to say that's not just summarizing every scene they have together but god i love their dynamic and its arc. i really hope they manage to become actual friends now because god knows they could both use more (read: any) of those. the text exchange they have at the end of the most recent chapter is delightful i love that they bond by insulting reigen i think that's great for them.
Yes yes yes yesssss. It definitely felt like the most ambitious thing early on in ABoT, where I had early-story Ritsu and early-story Teru, and I wanted, somehow, to pull off "they basically swap moral grounds by their second fight."
It's easy enough to just SAY "Ritsu spirals and does progressively worse things. Teru starts to take objection to these more and more until he's the one who thinks this whole thing has gone too far."
And, harkening back to earlier, this kind of plotline has to be deeply rooted in their characters. There is no "Ritsu becomes evil just because" and there is no "Teru becomes good just because."
So they needed to be consistent in their own characters, but evolving under the pressures of the story. Ritsu I talked a lot about early up, how deeply he fears not having control, how much repressed frustration he has over the ways everyone in his life has failed him. And he's never allowed to speak up, or god forbid lash out, because it is his JOB to be the surviving child. Perfect, mature, composed.
Ritsu takes this WILD leap into something insanely dangerous which he has no understanding of, nor power in. Teru IS his first big painful wake-up call with how summarily Teru curbstomps him. Ritsu goes home desperately wanting to quit.
He pushes through it, afraid and knowing he has so little power and control. Then there's Teru, exacerbating this. Because he loves to point out how weak, clueless, and not in control Ritsu is. He jabs and he teases and he chews Ritsu out and he knocks Ritsu down because Teru cannot pass up the chance to prove he's better.
So... of course Ritsu eats up the first opportunity he's given to improve his power over Teru. Gimcrack offers to train him--Gimcrack who's far more supportive of Ritsu than Teru ever is--so of course Ritsu accepts. Every single tick of power in Ritsu's direction is security. And Ritsu is consistently rewarded. He learns to manipulate, and it rewards him with control. He pushes Teru away and it rewards him with independence. He lets the whole horde possess him and it rewards him with power.
And then there's Mezato in all this, threatening to rip away his control. But he can beat that out easily with possession. And if he possesses people, why should he care? Possession feels nice, to him. That's not even a fraction of a fraction of the pain he's been through. He can do this to other people, because possession is POWER.
And, ahhh, possession was such a great thematic vehicle to spin the Ritsu-Teru face-heel-heel-face turn around.
The first cracks we see in Teru's demeanor are all, subtly or not, around possession. When Ritsu almost blasts the possessed woman (Ritsu, panicked, uncertain how to handle things) Teru tackles him and screams at him. (Killing a possessed woman? Teru oh Teru why might that terrify you?)
So Teru DOES have morals. He does have limits. But of course, his first exercise of this is tackling and SCREAMING at Ritsu for fucking up. Just another tick mark in Ritsu's check list of feeling powerless and antagonized.
And the next time, when Ritsu offhandedly mentions he's had his parents possessed for the night while he and Teru were at the meat warehouse... well it's out of focus, since Ritsu is our POV character and he doesn't notice, but Teru freezes. Teru questions this. Teru, instead of letting Gimcrack phase him through the wall (and he was resistant to letting Gimcrack touch him to phase him in in the first place) Teru instead blasts a hole through the warehouse wall.
But... Teru has a plan. When Isa catches Ritsu in the call center, Teru confiscates Ritsu's spirits and (behind his back) blackmails them into never accepting a command from Ritsu to possess someone. (Teru is also a control-freak, and rather than try to talk to Ritsu directly about not possessing people, he just uses manipulation and threats to make it happen).
So now, Teru can relax, surely :). He invites Ritsu along for the movie. He's mocking and insufferable and cruel to Ritsu but, hey :), that's just Teru proving his place in the hierarchy. He... actually does want Ritsu there. He actually does help Ritsu (cauterizes his wound without asking). (It's still power-plays. Still power-plays all the way down which Ritsu hates.)
And Teru... incorrectly... starts to entertain this idea that Ritsu also thinks what they have is friendship. And after the ice cream thing, is when Ritsu leans into Gimcrack's offer to learn how to start being manipulative like Teru is.
So Teru notices NOTHING is wrong for a long time, because now Ritsu is faking it. He doesn't notice until it is much too late. And, frankly, it was ALWAYS too late for Teru to take the moral high road. And some part of Teru realizes this because what he sees in Ritsu, he realizes, is what it looked like to watch Teru from the outside. Teru was ALLOWED to be manipulative and horrible because Teru, himself, always knew he would stop before crossing a real moral line. (Not that Ritsu knew this.) And now he's staring at Ritsu, a true threat who won't listen to reason and who CANNOT reliably be expected to back down before a line is crossed.
And... to THROW this in Teru's face in the FORM of Ritsu letting every spirit from his own horde possess Ritsu during the fight, giving Ritsu the upper hand.
I always knew, for this second fight, the tables would need to be a lot more evenly matched, with Ritsu coming out ahead more often than not. But I also don't like "some character is morally questionable now, and for some reason that's made them stronger than the master character who pulverized them earlier."
But POSSESSION. The motif that all this conflict is hanging upon, used as a boon on Ritsu's side to smash Teru into the ground, to physically and MENTALLY rattle him to the point that he's lagging on Ritsu's attacks and incapable of subduing Ritsu until Teru puts aside his psychic powers all together...
AND JUST... Teru all the while being forced to realize he IS not blameless in this. That every horrible, callous remark he made to Ritsu was not directing Ritsu to the right path or proving himself cool and powerful. They were all instead only cementing Ritsu's hatred of him.
And Teru does not want to accept this at first. He wants to think he did the right thing, ultimately, and it was RITSU who rejected him. And this is where the scene with Slipshod comes into play. Slipshod, who is shown again and again being good at pressing people's buttons. Slipshod is the one bully bigger than Teru in all this, and behind his dumb demeanor is he really really good at knowing how to get a rise out of people. He does it to Reigen while possessing Mezato. He does it to Ritsu while possessing his mother. And he does it to Teru, for fun, because he loves to rub Teru's face in the mess he created.
Which, on the plus side, was the wake up call Teru needed to recognize how consistently horrible HE had been. How much of Ritsu's spiral (and now, imminent death) happened because Teru gleefully pushed him toward it.
Teru's one and only friend.
After Teru swore off friends and loved ones, because they can be used to hurt him.
So it is a big moment, and a big decision Teru makes, when he chooses Ritsu. chooses apologizing. chooses making himself vulnerable (VERY LITERALLY, with how the power transfusion drains Teru to nothing). Teru chooses to care.
And ultimately, it's not even that Teru went from the bad moralless one, to the moral one. He always had these morals. He had these uncrossable lines since day one. But he hid it behind his horrible antagonistic demeanor and the cracks did not come through until he realized he lost control of Ritsu. Teru's ACTUAL heel-face turn comes in him realizing how awful his demeanor was and making amends for that.
i'm actually not done talking about them though because it's finally time for that tangent about teru and ritsu's first fight on the soccer field now because i just reread it while writing that last section and it's so interesting actually. like okay, like i said before it does set teru up as the problem -- in that scene teru is very much the aggressor; he's being a complete asshole for no goddamn reason, with absolutely no compunctions about beating the crap out of some random kid, and ritsu is the scrappy underdog determined to fight back despite not really having the means to. but then there are the moments hinting at more complexity to teru -- him literally stopping the fight to teach ritsu to use his barrier, giving ritsu the makeup after the fight, and of course his decision to spare ritsu in the end. and then on ritsu's side, he almost actually kills teru -- the only reason he doesn't is that teru manages to break free. (awful awful au idea: ritsu actually does kill teru here. would that be fucked up or what) something that stood out to me when rereading it is that despite teru repeatedly saying he'll kill ritsu, and ritsu's internal monologue being very convinced that he's in mortal danger, teru's reaction to ritsu actually almost killing him -- "you really are trying to kill me. we're done", etc -- seems to imply that his threats were more him just talking a big game, expecting ritsu to give in and surrender eventually, and he didn't actually intend to kill him until ritsu gave him an actual reason to. especially interesting to me is the bit where teru asks ritsu if he really meant to kill him, because ritsu's narration and teru's actual actions are kind of at odds -- ritsu tells teru he meant to do it because he thinks him scaring teru is what's making teru hesitate, and that he needs to make teru think he's dangerous in order to get him to leave ritsu alone, but teru's actual response is the opposite, attacking ritsu more fiercely because "there's no reason for [him] to hold back". in general the scene very cleverly sets up the core difference between them: teru is pretty awful but does have firm moral standards, whereas ritsu is desperate and willing to do just about anything if he thinks it's the only option. also the parallels and contrasts with the second soccer field scene are excellent -- the role reversal with the strangling but also how when ritsu does it both the initial act of starting to strangle teru and the fact that he doesn't end up killing teru are both unintentional on ritsu's part, but when teru does it it's a very intentional choice both to do it and to not go through with it; "we're done" said by teru the first time when he's preparing to kill ritsu and then the second time after he's decided not to. have i mentioned that this fic is good because this fic is good. i'm running out of ways to say that
YES!!!!!! ANOTHER RESOUNDING YESYES YES.
I have slightly pre-emptively answered this question by mentioning it above but Teru demonstrates this hypocritical "rules for thee but not for me" because, internally, Teru knows HE will always stop before the line is crossed.
BUT RITSU DOES NOT KNOW THIS. THERE IS NO REASONABLE EXPECTATION FOR RITSU TO KNOW THIS.
So Ritsu, and we the audience, do NOT know this during the first soccer fight. Teru is going to kill Ritsu is a very reasonable conclusion to draw from the way Teru goes all out on Ritsu. Ritsu is terrified. Out of his depth. He's panicking. This kid is going to kill me and he has every reason to believe it.
We don't know, unless (like you) you look at the smaller details, that Teru is not intending to kill Ritsu. He's talking big. He's trying to force submission in Ritsu. He's not trying to kill.
But Ritsu does go for the kill. Because it is the single break he gets and it's perhaps his only chance to survive (he thinks), and he does, IN FACT go for the kill.
Teru breaks free and he does... even give Ritsu the chance to clarify if that was an intended kill-shot. Teru is giving the chance for Ritsu to essentially say "Sorry, accident, don't escalate to trying to kill me." But Ritsu misreads the room, like you point out, and this is when Teru gets serious.
Strangulation, in the first fight and in the last fight. Exactly as you say. Accidental, by Ritsu, the first time, and accidental in letting Teru live. Intentional, by Teru, the second time, and intentional in letting Ritsu live.
"WE'RE DONE" ECHOED. TWICE. In their first fight and their last. With entirely different meanings.
okay those were my big points but i also had a bunch of smaller thoughts so here's just. a list: - i just think it's really funny that teru saves ritsu by punching him in the chest with psychic power on not one but two occasions. literally their dynamic in a nutshell. (also. the way during the time at the mall ritsu responds by being like "did you cauterize me" really gets to me for some reason. he sounds so offended. like you can't just cauterize someone's wound maybe he liked bleeding all over the place you don't know!) (actually wait that thought is also very funny considering what happens with mogami and reigen later. you really can't just cauterize someone's wounds that's very rude. they worked hard to be that grievously injured) - okay so the burger scene. first of all generally a great scene second of all obviously it's a parallel to the scene with mob and the milk (reigen saying "have mine too" and all that) but also i love the parallels to the scene with isa in the coffee shop (also a great scene btw. have i mentioned this fic is good). they're both scenes in which ritsu has a loud emotional breakdown in a public restaurant (love that that happens twice. ritsu honey can you maybe not) with a major focus on ritsu's insistence on letting himself suffer and refusing any kindness he's shown, but they show ritsu at very different points in his story and have very different outcomes -- isa can't manage to get through to ritsu, but reigen can. ritsu refuses the croissant till the end, but he eats the burger. (sorry to add another side note but i love that that was a very serious sentence i just typed about a very emotional character arc.) also the symbolism in the fact that in the coffee shop scene, ritsu's explosion of psychic powers freezes and then spills his hot chocolate, rendering it undrinkable, but then in the burger scene when he blows up the ceiling the dust explicitly doesn't get on the food, so he can still eat it. good shit - i'm trying to avoid going through every single line or joke i liked one by one but i will say. the "this--" "reigen." "reigen" jokes were both incredibly funny on their own but the fact that they're like 30 chapters apart is what really kills me. the dedication. i saw the second one and was thinking "didn't that joke happen before. when was that. wait was that literally all the way back with tetsuo". countless plot events and several irl years may pass but reigen will never catch a break - the "FUCK OFF" tag reigen made being the one that they exorcise mogami with. perfect - love that ritsu is indirectly responsible for teru's girlfriend breaking up with him (good for mei honestly. sure teru wasn't actually cheating but his ass deserved to get dumped) and i like to imagine that teru never lets this fact go. he's not particularly upset about the breakup but he WILL bring up that ritsu ruined his relationship at every possible opportunity purely to annoy him
I THINK YOU MAY PERHAPS BE THE FIRST PERSON TO RECOGNIZE THE DOUBLE-CAUTERIZATION, and the intentional joke in Ritsu, the first time, declaring "Don’t… perform psychic medical procedures on me without my permission, okay?!" Like sorry bud, this is not the last unauthorized psychic medical cauterization Teru's gonna perform on you.
But not every unauthorized medical cauterization can be a win. Turns out when Mogami does it it's kinda mean >:(. But also necessary, for a not-dead Reigen, so actually thanks Mogami.
ABSOLUTELY THE "HAVE MINE TOO" INTENTIONAL PARALLEL BETWEEN THE MILK SCENE AND THE BURGER SCENE. I'm always glad when someone notices the repeat phrasing that ends both those scenes.
And aaghhhhh I could write a whole other essay about the symbolism that food plays with Ritsu's plotline, but in the smallest nutshell how it tends to represent someone reaching out with care and how often Ritsu rejects it. One public restaurant psychic outburst rendered the offered food unconsumable and the other one intentionally points out the way the food (burger) avoided the destruction :')
THANK YOU YES. "This--" "Reigen." "Reigen." as a repeat joke tickles me so much. Just Some Guy energy. Could've played the most pivotal role all night but he'll still end up somewhere next day where someone needs to figure out who he is. Reigen is here too, btw. His name is Reigen, btw.
Fuck Off tag was delightful... It started as an inside joke for a very early comic that @sandflakedraws drew (and then later redrew), of the (chapter 5 or 6) Reigen Tetsugami confrontation. The ineffective tag Reigen sticks to Tetsugami's cheek has, in katakana, "fuck off" written on it. Hilarious enough joke for me, years later, to incorporate it into the story.
Re: the girlfriend thing. I've joked before "if I had a nickel every time evil spirit possession was mistaken for an affair in ABoT I'd have 2 nickels. Which isn't a lot but it's weird it happened twice." But yeah, Ritsu, you asshole. You cost your bro his girlfriend.
i could just keep going but at this rate i'm going to be going back through the entire fic and just talking about every single scene so i should probably stop before this gets any longer. basically what i wanna say though is that the fic was very good, thank you for writing it, it has given me brainworms. once again i am so sorry for the length of this ask
THANK YOU!!! I think I just spent like 2 hours writing this response because, as you can see, I REALLY LIKE talking about this stuff haha!!
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luvluvsugar · 1 month ago
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Celebrating Christmas with the Mercs!
Merry Christmas and happy holidays everyone! I hope everybody has a safe and fun day with friends and family <3
Just a bunch of headcanons of how I think each Merc would celebrate Christmas, and some of the gifts they would get you Warnings: Alcohol, setting stuff on fire, blowing stuff up, general holiday chaos
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Scout
Wakes up at 5 am, and runs downstairs only to find literally nobody awake so he sits and waits
Accidentally ends up waking everybody up in the process
But he does make everybody on the team a present!
Wraps them poorly in printer paper, or some of Engie’s thrown away blueprints 
He hands you the present he got you, with is in a cardboard box and wrapped with blue paper and tons of clear tape 
Prefers to make you something but will buy you something as well
Such as a duct tape wallet, a drawing, or some music cds he found at the thrift store he’d think you’d like!
Uses this as an opportunity to give Miss Pauling a gift, only for her to be working :(
Give him baseballs or something Tom jones related and he will be crying from happiness <3
Pyro
Is the one who got the Christmas tree
Probably came to work one day with their fire axe in one hand, and tree in the other 
Decorates the tree with lights and colorful ornaments that they made themself!
Adding onto Scouts arts and crafts, Pyro will definitely make their own as well! 
Might accidentally burn the tree down
Super excited to give everybody their presents!! 
You gifted them a pink sparkly lighter, and after opening it, they ran and hugged you so hard off the ground you couldn’t breathe 
keeps their suit on but throws the cutest ugly sweater over it!
Will match sweaters with you too!!
Makes the BEST hot chocolate hands down
Soldier 
“THIS TREE IS NOT AMERICAN ENOUGH!”
Everything he hangs is all American flag themed. Also wakes up wearing his American flag pajamas in the morning 
You can tell exactly what was wrapped by him, because the paper is the American flag.
Has tried to hang up ears as ornaments, but Spy took them down. 
If you are wearing green instead of red he will yell at you for disrespecting the American spirit (he doesn’t no or care that green is a Christmas color)
Gifts you literally the best clothes, weapons and gear, except it’s all american flag themed so just be okay with that
Demoman
“MERRY CHRISTMAS LADS!”
The best person here to celebrate with hands down. 
Greats everybody with a ‘Merry Christmas’ when he sees them in the halls or somewhere in the base
You decided to get him a nice sweater, and another bottle of scrumpy for his present
Obviously he can tell that its a bottle, since you wrapped it in wrapping paper 
Accidently blows furniture up after partying too hard
Also will put on holiday music, before Scout hijacks the vinyl and it’s forced to be turned off because his music taste is garbage. 
Sniper
He’s already awake way before Sis, and waits until half of the mercs are up before going to the base to celebrate Christmas
He can’t fit an entire tree in his camper, but he has a very very small baby pine tree that he found while hunting. He put it in a little dirt pot and has it next to his window.
Doesn’t really expect presents on Christmas, so he doesn’t go out of his way to get into the holiday spirit that much. 
Get him a present and he will be so stunned, it seems like he doesn’t like the gift (he really does!! He’s just shocked somebody actually put thought and effort into it)
Prefers things that are handmade and one of a kind
All though he isn’t partying, he will sit on the couch by the fire and just listen to everyone talk
Medic
Obviously there are mercs that medic likes better than the others
And I think this means the more he likes you, the even more insane of a gift he’ll get you
He hands you a plain white box, and you open the cardboard lid to see one of his doves.
Before it starts flying around the room and getting stuck in the tree
“I heard jou speak about wanting a pet, so you can have Archimedes' brother!”
Sleeps in really comfy pajamas, that are red and patterned in snowflakes
If you mention that you like them, he’ll definitely get you a matching pair and you can join him and heavy twinning :)
Heavy
Has a traditional way of celebrating
Sends letters and postcards to his family
On base though, he will help make things feel like a holiday, and make everyone feel like family (since he does see his teammates as family!)
Gifts everyone scarfs, gloves, and mittens for everybody to keep warm during winter and the nights
The scarfs he gets are soooo warm and comfy that medic wears his 24/7
If you’re into reading, he will get you either some Russian stories that were translated into English, or ones that he translated himself.
Overall literally the best person to spend any holiday with <3
Engineer
Makes the star for the top of the tree, and the lights for the tree all by scratch
Will also bake with pyro! The kitchen in the base will smell so good of cake, cookies, and banana bread
On Christmas Eve, pyro and him go and place a plate of cookies and milk on a table next to the tree for Santa
Seeing Pyros excitement when the plate was just crumbs made his entire day
Gifts you a custom little gadget he made himself
If you want to join him bake and cook he’ll be super happy
This is probably the one day that he’s not inside his workshop, and he’s spending time with everybody as much as he can
Spy
The most reserved out of all the mercs
Comes down to wish everybody happy holidays, before cloaking and disappearing off to whatever he usually does.
When things calm down, and people like Scout and Pyro aren’t bouncing off the walls, he’ll grab a glass of wine and join the rest of the mercs on the couch
Miss Pauling 
She’s working unfortunately :( 
Comes by later at night, and celebrates and drinks with everybody. 
Although she has no interest in Scout, she picked up a couple of Tom Jones CDs to make him happy. 
When I mean comes by, she’s there for like 10 minutes, drinks an entire bottle of wine, and then goes back to work. 
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starkittnd93 · 1 year ago
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MY-
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MY HOT CHOCOLATE-
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crowleyholmes · 1 year ago
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Hello friends, lovers, hereditary enemies, and fellow Good-Omens-brain-rot-afflicted!
Inspired by some lengthy conversations and the need for reassurance regarding a renewal for season 3, the lovely Eena @michaelsheens and I have decided to start a little Project!
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(Sorry, Crowley, we had to…)
THE NICE AND ACCURATE PROPHECIES* WEEK
Running from SEPTEMBER 25TH to OCTOBER 1ST, it’s all themed around season 3 and the assumption we’re gonna get that renewal. (Manifesting, baby.)
✨ THE PLAN ✨
Every day will focus on a theme around which everyone who wants to participate is encouraged to create any kind of content they want to! Art, fanfic, edits, playlists, speculation, meta, go nuts!
(Also please don’t worry if something doesn’t fit neatly into a day’s theme; they’re only meant to give somewhat of a prompt and structure. Ultimately it’s not that strict and serious, we just wanna see your stuff :))
✨ HOW TO PARTICIPATE ✨
Share whatever your big heart and massive brain comes up with and use the tag #gomensnaap
(It’s like a long nap or something.)
You’re also welcome to give shoutouts to other people’s work you love and want to celebrate, but please make sure to link and credit properly (!!!)
Most importantly: have fun <3
✨ THEMES ✨
(under the cut)
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DAY 1: “And there will be great lamentations.”
Let’s talk the Second Coming! We start off and warm up with everything plot-related. Theories, meta, crack ideas, let’s hear your thoughts on where you think the Big Main Plot is going to go!
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DAY 2: “I can make a difference!”
For day two, let’s focus on Aziraphale’s arc in season 3. Did he go to Heaven with a plan? Or is he winging it? (Pun only somewhat intended.) Was he threatened or manipulated or both or neither? Will he tell Heaven just where they can stick it or can he actually succeed? What’s in store for our favorite angel?
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DAY 3: “Hated by Heaven, loathed by Hell. How will our hero cope?”
Day three is all about Crowley and what we think he’s going to get up to. Is he going to go drink himself senseless and have a good cry? Go snek and hybernate for a bit? Hang out with Muriel and do some tempting? Does he have a plan and how will he cope being on his own?
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DAY 4: “There was magic abroad in the air…”
Let’s talk Ineffable Husbands! How are Crowley and Aziraphale going to resolve things between them? Will there be a massive fight? Radio silence for days/weeks/months/years? Will they learn to Actually COmmunicate? Will there be grudges, grand gestures, secret meetings, a big rescue mission from either side?
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DAY 5: “Extreme sanctions.”
On day six we wanna make ourselves anxious, sad and upset. (As one does.) What thing that may or may not happen in season 3 are you most worried about? Dark/depressed/evil/etc Crowley? Memory-wiped/brain-washed/archangel Aziraphale? Book of Life? How could Neil & Co hurt us the most?
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DAY 6: “Do you…want a hot chocolate?”
After day 5’s spiral, it’s time for a metaphorical treat. What are you most looking forward to in season 3? What do you really want to see? Headcanons coming true? Scenes you wish for? Things that’ll make you wanna name your cat/dog/fish/insert other pet here Neil Richard Gaiman or Sir Terence David John Pratchett?
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DAY 7: “It’s starts, as it will end, with a garden.”
Finally, to finish it all up, let’s speculate about the end of season 3. How do you think we’ll leave this story? Will things just go back to how they’ve always been? Will there be peace? Earth hidden from Heaven and Hell with a big 500 Lazarii miracle? Aziraphale and Crowley turned human? Or will they get their cottage in the South Downs for the rest of eternity?
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stagefoureddiediaz · 3 months ago
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I will just be over here screaming until the end of time (and not just because this is a beautiful shot!)
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I am trying not to read into this set too much - because it was clearly filmed during the s7 filming (its Eddies old living room rug - hes changed to a striped one now!)- but man is it hard!! Also that red Persian rug is very heavily tied to Eddie‘s wife and his girlfriends.
It’s very interesting to note that that red Persian rug first appears when Shannon comes back and has now left the moment Marisol has gone and the moment Eddie vocalised to Kim his internal struggles and unresolved feelings around Shannon and her request for a divorce. The thing is Persian rugs are very tied to the concept of status and history and they’re quite symbolic, particularly in western culture, of family and familial expectations (I need to write a matter on the history of the Persian rug and it’s meaning in western Society but that will have to wait till hiatus but basically they were expensive and therefore handed down through the family and became attached to the concept of upholding family values) so there is this idea that Eddie‘s Persian rug is about him conforming to society and familial expectations i.e. marriage before children and being a family - divorce being a bad thing, as well as heteronormativity.
The fact it’s now been changed to stripes - which are heavily connected to the Buckley-Diaz family dynamic, and specifically to Chris, and the concept of change being brought about by struggle or danger. A few examples of this or the fact that Chris is wearing stripes at the beach when Shannon tells Eddie she thinks she’s pregnant, we also see Chris and stripes during the tsunami, Chris‘s room is heavily striped with rug bedding and curtains, he’s wearing stripes in the lead up to Eddie‘s breakdown in season five. We also see him in stripes in the build up to the shooting. With the connection to the Buckley-Diaz dynamic - these are all moments that ultimately strengthen the bond - making the family unit stronger. So Eddie striped rug is suggesting to me that the Buckley-Diaz family unit will become even stronger when they get through this current arc (I mean that’s saying Buddie Canon very loudly to me but I’m a clown so take or leave that as you wish!)
Hello gut stuff still being up on Eddies fridge I desperately need to know if it’s actually still there in s8 filming time!
Plus boxing gloves hanging on the wall above the yoga mat - I see you reference to fighting and to finding inner calm. Eddie fighting - fighting to get Chris to talk to him - to tell him things - to be open with him. Fighting to be a father. But doing it in a calm and measured way - moving through the sequence like one does in yoga.
But its actually the sitting on the coffee table of it all that I am screaming the most loudly about - that is a choice - its a place we see him sit when he talks to Chris when things are serious - think when Chris is playing video games late at night and Eddie finds him and they talk, think when Eddie spills hot chocolate over the gingerbread house and Chris throws the house to the ground - both times Eddie sits on the table - he’s also sat on that same table when he asks Buck to try and talk Chris out of leaving (wearing the same shirt I might add!!). So this Eddie sitting on the table is very much connected to difficult parental moments for Eddie - moments when he is super respectful of Chris (hell even the Marisol phone call at the end of s6 plays into this theme - Chris being included in Eddies potential romantic relationship from the start - the lesson learnt from the Ana of it all and showing Eddie is holding open dialogue with Chris), of Chris’s wishes. It’s indicative of the idea that Eddie will be patient with Chris, but he will eventually win out - and that they will be stronger for it as father and son.
Interestingly Bobby also sits on that coffee table - when he talks to Eddie in the aftermath of him smashing up his room - when Bobby is doing a similar thing to Eddie as Eddie does with Chris - supportive but strong and firm right down to the use of same maroon/burgundy for the ‘parents’ shirt.
Right Eddie house screaming done - now on to screaming about Chris on my next post!
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hexedwinchester · 28 days ago
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Supernatural S05E11 Sam, Interrupted
Huh! You know that starting scene where Dean tries to get Sam admitted to the psychiatrist facility and instead of lying they tell the truth about the apocalypse? So not only Dean didn't say that the apocalypse was his fault too, he straight up exposed Sam's demon blood drinking habit to a stranger?? Just a few episodes ago a couple of hunters tried to force feed Sam demon blood and here is big brother Dean broadcasting it to a doctor??
when we talk about Sam's loss of bodily autonomy, how come no one mentions the gropey examination of the nurse/wraith?
Doesn't Sam just look extra delicious in this episode?! I don't know if it's the setting or the hair or the minimal layer or that white t shirt but oh my damn I wanna dip him in chocolate and eat him up
Not surprised Dean's shrink is a hot doctor
Sam, honey, no! We don't poke swabs into holes found on dead bodies or cut open their skull 💀
Pudding! 🤣🤣🤣🤣
Wendy wanting Sam for all right reasons! Right there with ya, sis! (Although, that's twice Sam got assaulted, so there's that)
I love Sam's rage arc in this episode. Now for most of the show we have seen Dean being the one with anger issues but I found Sam's rage quite interesting. The whole mental asylum effect aside, but Sam's rage is more self destructive in nature unlike Dean where Sam ends up being his punching bag. All the wrong decisions he made affected him more than anyone else: like drinking demon blood for example
Loopy Sam is so cute! Like a toasty marshmallow!! Speaking of loopy Sam, i always felt Sam telling Dean it's okay and he still loves him felt kinda out of place until I saw this scene twice. Just before Sam says that Dean tells him that he made a mistake and he'll handle it. That got me thinking, anytime Sam screwed up Dean wouldn't let him hear the end of it. So Sam is basically just trying to treat him in a way he probably would have wanted to be treated..
Anyone remember that post I made about Jared using different voices for his character?? It's very evident when you see the loopy Sam scene. It's not Sam's voice he is talking in, it's more Jared, loud, chirpy, rough around the edges
Boop! And that cute chuckle that follows it 🥰
So Sam and Rowena both have booped Dean. How come no one ever booped Sam?! Sucha cute boopable nose he has got
That conversation between Sam and the doctor is so tragic, i absolutely love it. It's so sad that everyone points out that Sam is not human, he's a freak and it's even worse when Sam admits to it. I hate it so much that I love it!
What's also interesting is that right after the doc points out that Sam is barely human, his brain sort of holds onto that thought and then when he hallucinates everyone is calling him a freak and blaming it all on him. Kinda like the wraith's effect amped it up
His "leave me alones" are so tragic. Oh Sam!
Y'all don't underStand just how important Sam Winchester locked up in a padded cell is to me. I need multiple fics written on that theme. Somebody write it!!!
what will it take for someone to get a bigger bad for this man?! 😭 If it wasn't for the bent knees his footsies would hang off
Dean being squeamish about the wraith's -stinger is it?- Will never be not funny
It's so freaking sad that everyone gaslights Sam into believing that the problem is him. He is inherently bad. Oh Sam!
Dean, sweetie, I know you mean well but please keep your advice to yourself. Shoving or burying down that crap is not best way to cope
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Where is the "I want him now, he's larger" gif when you need it?!
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deluxewhump · 13 days ago
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The Fundraiser
Cameron takes Zee to a fundraiser and someone from Zee’s home state recognizes him. Middle of frathouse arc timeline.
CW: bbu, previous identity
On an overcast Saturday morning in October, Cameron told Zee to shower and get dressed. He obeyed, and when he came down the stairs a grey windbreaker was thrust into his arms. He followed Cam out the door of their off-campus house and ducked into the passenger seat of his car. The door was stiff with the cold. He had to pull it firmly in order to get it to shut again. It slammed louder than he’d intended and he winced, waiting for a reprimand. None came.
“Cam?” he asked, trying to gauge his mood by his reaction to his name alone.
Cameron turned his eyes to his passenger as he turned the key and his 88’ Mustang growled to life. He was wearing khakis with a navy university hoodie and his green eyes were sleepy but not stoned. “What.”
A what with no inflection was a good response from Cameron. It was neutral, not fake-friendly but not tinged with warning, either.
“Where are we going?”
“Oh.” He actually laughed as he checked his dash’s gas gauge and rpm’s. The needle jumped and dipped as the Mustang idled in the unseasonably chilly air. “Nobody told you, huh?”
Zee shook his head. A few months ago, Cam would have let him ride in mystery or said something cryptic to make him nervous. Something like questions are above your rank, aren’t they? Or why spoil my fun, Z2?
But lately Cam had been more tolerable. Zee didn’t know if this was because he’d finally figured out what it is Cam wanted, which was not a perfect WRU product but a self aware, would-be equal demoted to the rank of subordinate— someone a little afraid of him but not too much, someone who would give him pushback if he went too far, but submit if he persisted. The other explanation was that it could be some strange change of heart after the time he’d come into Alex’s room and hung out with them. Maybe he just got sick of the performative bullying he’d spent so much of his hard earned money on for laughs, and was moving on. Either way, Zee was just glad moving on looked like more eye contact and conversation between them, and not being locked in a room somewhere forgotten, or abandoned to the brothers he considered even worse.
“Chapter fundraiser,” Cam answered mildly as he reversed out of the overcrowded driveway and onto the street. Zee could smell the car’s exhaust, and something like drifting smoke from a backyard brushfire in the dry air.
“A color run. You know, like a 5k but they dump a bunch of colored powder on everyone as they run? I’m manning a photo-slash-donation booth at the finish line today.” He pulled into a Dunkin Donuts half a mile from their street, on a divided highway dotted with office parks and medical buildings, ENT’s and orthopedic clinics with meticulously maintained black mulch landscaping.
The Dunkin had cream siding and tan trim, like it was trying to blend in with a more sophisticated neighborhood than its bright pink and orange colors warranted. Cam parked out front and absently told him “sit.” A few minutes later he returned with two cardboard gallon-boxes in each hand.
“Coffee and hot chocolate,” he said, setting one by Zee’s feet and the other in Zee’s lap. The warmth of its sides felt delicious on his hands. The Mustang’s heat was touch and go. “How anyone goes straight from a 5k to hot chocolate is beyond me, but I do what I’m told.”
Zee didn’t think it would be that hard, for people used to running in all sorts of weather. He’d seen Dominic mainline back to back tuna melts not ten minutes after a practice that had him as soaked in sweat as if he’d been swimming. Cameron was discerning and catlike in comparison— economical with his movements, apt to go a full day without eating and not even notice.
The thought of food made him hungry, but he was with Cam today, which meant he was on a Cam schedule. If Cam happened to eat, he might be offered food. More than likely though, Cam would have nicotine for lunch and not eat until much later when he was high. He put the thought from his mind.
The event site was already packed with people. Zee carried the gallon containers like dumbbells while Cameron got a backpack out of the trunk and led the way to the finish line. Their booth was already assembled. Anthony Shorey, always in shorts even if there was snow on the ground, was there with his hands crossed over his chest and tucked under his armpits for warmth, talking to a couple of girls wearing white hoodies and pastel leggings.
One of the girls saw Cameron and did what was meant to be a cutesy whine of his name, dragging out the N at the end. She saw Zee and her eyes slid to the boxes he carried. “Ohh, what’d you bring?” she asked, ignoring Zee entirely.
“Coffee and cocoa,” Cam answered, lifting his arm as she tucked herself under him into a hug. “Help yourself.”
There were two races scheduled, he learned. One started at eleven and the second at one. Sunlight was breaking weakly through the clouds as Cam set up their gear— a scannable QR code he taped to the table, a card reader, a cash tip jar with their Greek letters taped to the front of it. A cardboard box that had been left under the booth contained color run event lanyards and t shirts, which he set up tabletop in neat rows.
Zee set up the drinks on his end of the table, closest to the photo booth. He sat back in one of the plastic chairs and startled like an idiot when something touched his legs. It was a blanket, and Cam was holding the other end of it. A quick scan of his surroundings told him neither Tony Shorey nor the girls in running clothes from the next booth had noticed his flinch, but Cam had. He gave Zee a centimeter’s tilt of the head that Zee had begun to understand was an olive branch, a momentary reassurance of truce. Zee tucked the blanket around his legs and torso. “Thanks,” he said softly.
The first run brought waves of color-spattered participants past their booth, with many stopping in to take post-race photos together with their magenta, indigo and canary-yellow faces, hair, and clothes. Cam chatted and sold t-shirts. Zee spent most of his energy on just trying to look normal, glad he wasn’t covered in colored powder and made to run with his ankles tied closely together or something equally stupid. They would’ve if it was a frat backyard event. This was too big, too public. For all anyone knew he was a brother.
As the waves of completionists came through following the second race, he was more comfortable. David Shoaf brought new Dunkin containers and paper cups and replaced the nearly empty ones on the table. He took Cam’s place and Cam disappeared to a nearby booth where Zee kept glancing over his shoulder for him, uneasy being left without him in the way he used to be uneasy without Alex or Dominic. He was talking to a group of guys, two of which were covered in powder, and one girl, a ponytailed Amber Malloy who was not.
“Jamey?!”
Zee’s attention snapped back to the booth. In front of him was a twenty-one year old named Marshall Sains. His brain knew it immediately— provided the name with the face that was looking into his with a mixture of surprise and the specific delight that comes with encountering the deeply unlikely. Though Zee knew him immediately, it took a moment to place him. He rarely thought of anyone from before, except for the judge and his own mother, though he tried very hard to block those thoughts, banish them to his subconscious. There was discomfort in his life that he could control and discomfort that he couldn’t. Thoughts of before— of who he really was, belonged to the former category.
Marshall Sains belonged to before, he realized slowly. Not a brother, or a friend of theirs, or a guy someone knew who came around sometimes. Not a teammate of Dominic’s he recognized or one of Alex’s siblings. Marshall Sains was his friend in highschool. They had biology together, and B lunch. He drove a Toyota Camry, and his star athlete older brother had died in a car accident in 2010. People still stopped him and offered condolences when he was a junior in 2014, Zee had witnessed it more than once.
“N-no,” he muttered weakly. Absurdly. Adrenaline flooded his gut like a writhing pile of snakes. A group came out of the photo booth covered head to toe in garish colors like warpaint. Marshall Sains studied him, his smile freezing and dying on his familiar face, a few years older now but not much changed.
He was looking at him like he couldn’t believe it, like he was looking for something that might indicate he’d made a mistake— a cluster of freckles or the bridge of a nose that was not quite right. Zee knew he wouldn’t find it. He was right, of course, he was two feet away from his friend Jamey who’d disappeared from the face of the earth with nothing but rumors of where he’d gone and why.
He’d rather they all thought he was in prison. Or dead, really. Less humiliating that way.
In his peripheral vision he saw Cameron break away from the group he’d been talking to and come slowly back over to the booth, hands in the front pocket of his university hoodie, not inserting himself in the situation but hanging casually back as if to survey the runners as they completed their race. But Zee knew he was listening.
“Jamey. Oh my God. Dude. It’s Marshall Sains?” he laughed uncomfortably, like he was waiting for Zee to admit he was just messing with him and stand up to hug him and clap him on the back. “How the fuck are ya?”
“I’m sorry man,” Zee managed in his most offhanded, who-is-this-weirdo voice. “I guess I have a twin. But I don’t know a Jamey and I don’t know you.”
Marshall grew flustered then. The group that had come out of the photo booth were trying to pour themselves cups of coffee and he was in the way. Anthony Shorey was watching the exchange now with faintly raised eyebrows.
“I’m sorry,” Marshall said. “I could swear…” he looked into Zee’s face one more time, reluctant to accept that his own eyes would lie to him so boldly. Zee stared back, fully committed to his story now that the initial shock and panic of seeing someone from before had subsided. His ears still rang like someone had boxed them from the word Jamey tossed out in proximity to Cameron Byrne and Anthony Shorey and all these people who belonged firmly to after.
“You gonna buy a shirt or something?” Zee asked with a little more sting behind it than he would have liked. Marshall was a good guy. But it did the trick. He gave an awkward hands-up gesture and backed off. Zee watched his friend’s back disappear into the colorful crowd.
Cam offered to take back his post behind the card reader and Anthony gladly gave it up. Cam said nothing at first, blowing warm air into his big-knuckled hands and rubbing them together near his lips. Finally he turned to Zee, which spiked his adrenaline all over again and made his teeth clench in his skull.
“He was right, wasn’t he?”
Lying to Marshall Sains and the rest of the world was one thing. Lying to Cameron was pointless, and it would only irritate him. Zee nodded.
“Who is he?”
“A guy I knew in highschool.”
“Where was highschool?”
Zee swallowed. They’d never talked about any of it, and he didn’t want to get into it here, in the middle of a crowd of people. Cam didn’t like when he acted too much like a mindless boxie, but he didn’t think he’d like him talking about his life before either.
“Kentucky,” he answered flatly.
Cameron scanned the crowd absently. “Mm.”
Zee stared at the fine print on the back of one of the Dunkin boxes, too small to read from where he sat and therefore too small to set off the needling discomfort that reading larger font brought onto his vision like a migraine.
Cam’s hand was chilly but not unpleasant on the back of his neck. It was a gentle weight, and he squeezed lightly with only the pads of his fingers. Zee turned in surprise, wondering what he would find in Cam’s eyes. They met his intently.
“I can call someone to come pick you up,” he said. “Alex is around I think.”
“No,” Zee shook his head. “I’m good.”
Cam gave him a questioning look, and now the pads of his fingers were almost petting the back of his neck, a touch that could be controlling or casual— certainly common among fraternity brothers to clasp each other by the back of the neck like it was a scruff— and turning it into something intimate. His skin tingled.
“You sure?”
“Yeah.”
“Drink something.” He nodded towards the boxes. “Either one, just get a drink.”
Zee reached for a paper cup and fumbled with the lever of the coffee box til steaming black liquid poured out. He hadn’t run the 5k at all but he felt like he’d sprinted it— his legs were shaky and his mouth was thick with saliva. He thought sweet cocoa might make him feel sick, and hoped caffeine would snap him out of his daze.
“Atta boy,” Cameron said under his breath, sliding the hand away from his neck. It wasn’t as condescending as it ought to be, or fake, or even really meant to be heard. It sounded something like simple camaraderie, even bordering on affection.
He sipped black coffee and felt the cold air on his neck where Cameron’s hand had been.
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intothedysphoria · 2 months ago
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Since we’re on the subject of dom billy… what’s his aftercare situation? Are there any rituals he has to do with Steve? How does Steve give aftercare back?
With most subs, Billy is primarily focused on making sure they’ve had food/water, blood circulation is ok and they are feeling emotionally grounded again (usually through cuddles) but Steve needs a far more set routine.
Once they stop the scene, Steve wants a hot chocolate. So Billy will turn on both the kettle and a warm bath. He usually likes having the hot drink in the bathroom and listening to Billy’s “dad music” (Billy likes 1970s punk). Steve likes to get into his pyjamas afterwards and they watch Love Island because “it’s about the arc Billy.” By the end, Steve is generally asleep and just needs to be held for a little bit to fully come down.
Steve makes sure Billy has his nicotine gum, because the process of weaning him off cigarettes is a hard one. Mostly Billy just likes to be talked to. He’s got some serious abandonment issues and internalises him wanting to dom as some sort of character defect on his bad days. So Steve makes sure he knows he’s loved and that Steve enjoyed himself too.
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