#horror movie reference
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skulldeermate · 13 days ago
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Happy Late Halloween!
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crazycoke-addict · 2 years ago
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Horror Movie References in Scream (2022)
A youtuber named Zack Cherry whose a big scream fan made a 4 videos where he list movie reference that were mentioned or payed homage for a scene in the scream franchise. He has done one for Scream (2022), So I decided to make one for my self. I found only 25 movie references in Scream (2022). I also notice one tv show reference.
1. Vertigo (1958): directed by Alfred Hitchcock. There's a poster of the movie behind the couch in living room at the meeks-martin home
2. The Blob (1958): there's a blob poster in the meeks-martin home.
3. Psycho (1960): directed by alfred hitchcock. Wes taking a shower is reference to the shower scene. There's a poster of psycho in the meeks-martin home.
4. Last house on the left (1972): directed by wes craven, which was his first movie he directed. Vince has a tattoo of symbol in reference to the movie. There's a photo of a movie theatr in the meeks-martin home.
5. The hills have eyes (1977): directed by wes craven. There's a photo of a movie theatre in the meeks-martin home.
6. Halloween (1978): Tara and Sam's last name is Carpenter which is a reference to John Carpetner who directed Halloween. When Mindy is watching Stab, where Stab Randy is watching Halloween.
7. Friday the 13th part 2 (1981): Richie mentions Jason Voorhees by saying that killer got their inspiration from horror movies. Vince also has tattoo of Jason.
8. A Nightmare on elm street (1984): directed by Wes Craven. In Dewey's contact list, there are names Nancy T (Nancy Thompson) and Tina G (Tina Grey). Vince has a tattoo of the number 1428 which is the number address in elm street and a duck dressed up as freddy krueger. Tara mentions Sidney use to live in elm street.
9. Shocker (1989): directed by Wes craven. Vince has a tattoo of a person in an electic chair getting shocked.
10. The people under the stairs (1991): directed by wes craven. In Stab, there are two vhs tapes. The people under the stairs is one of them.
11. Scream (1996): directed by wes craven. Because the movie's topic is requels, there are a lot of references in the first film.
- the macher house is in the third act.
- the opening sequence is similar to the drew barrymore opening scequence
- Gale's red suit is similar to the one she wore in the original
12. Scream 2 (1997): there are references in the second movie.
- richie and amber targeting legacy characters is similar to mickey and mrs loomis targeting characters who have the same names as previous Woodsboro victims
- Richie plays the supportive goofy boyfriend who is pretty similar to Derek
- Judy saying she prefers Musical and animated films is similar to Randy saying show girls is his favourite scary movie
13. Scream 2000 (2000): there are a few references from the third movie.
- amber wearing a bullet proof vessel is similar to how roman wore one
- sam being Billy's daughter is similar to sidney finding out she has a brother name roman. Roman and Billy are ghostface killers.
14. Scream 4 (2011):
- Sam mentions that last ghostface murders happened 11 years ago.
- Scream 5 talking about requels is similar to Scream 4 talking about remakes
- final girls (sidney and sam) saying this isn't a movie where ghostface (richie and Charlie) replied by saying it will be.
15. You're next (2011): one of deputy officers, Deputy Vinson could be a reference to actress Sharnie Vinson who played final girl Erin in the movie.
16. The Babadook (2014): Tara says this is her favourite horror movie. What interesting the movie is about a grieving mother and son who are in a strained relationship which is like Tara's family issues.
17. It follows (2014): tara mentions this movie.
18. The VVitch (2015): tara mentions this movie. The movie is about a family being banished, where strange things start to happened and Thomasin whose the oldest is being blamed. This is another movie that goes through a lot of family issues.
19. Flatliners (2017): Mindys mentions how remakes don't work like they use to and mentions flatliners as being one of them.
20. Hereditary (2018): another movie that Tara mentions and another movie feels similar to the family issues.
21. Halloween (2018): Mindy mentions how the killers are making a requels where she mentions Halloween which is a long-awaited sequel to the first movie.
22. Childs play (2019): another remake that mindy list as how remakes don't work. Ironically there were positive feedback from this movie despite the low expectations.
23. Black Christmas (2019): another remake that mindy mentions.
24. Ready or not (2019): the other deputy, deputy Farney could be reference to actress Tara Farney who stars in the movie. Ready or not shares the same production as scream 5 and 6, Radio Silence.
25. Spiral the book of saw (2021): mindy mentions it as a requel.
The tv show I was talking about Riverdale (2017-2023). Betty Cooper is similar to Sam Carpetner. Where they both have fathers who are killers that wear a mask during the killings. They also wonder if they may end up like their fathers because of the darkness in them.
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cacklingpumpkins · 1 year ago
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Maybe Elizabeth should check the screen size before trying to make a spooky entrance. Does she NOT realize how big she is down there?
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389 · 3 months ago
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1. Alien 3, directed by David Fincher 2. Girl’s Head beside a Skull by Rex Whistler
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jacqueline314 · 4 months ago
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While everyone wants Moxxie to give them head,...
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...I can't unsee the reminiscence of the location and the building they were in.
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imbecominggayer · 3 months ago
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How To Scare Your Readers
tw: mentions of murder and other horror media, its not specific or gorey but I just wanted to mention it
Today is one my hardest asks as it is a highly individual process to freaking out your audience with @differentnighttale asking: "How do you write horror, and how do you write it good nail biting and very unsettling type of horror."
Specifically, we are focusing on supernatural horror and dark fantasy. Due to the fact that there are numerous ways of scaring an audience, I'm going to focus on more diverse and interesting ways to freak out the readers. There are obvious tricks like "focus on the tactile senses" and stuff like that but let's cover something not as cliche!
Again, there are many ways to instill horror.
One: Combine Beauty And The Macabre
While this is a common trick seen in visual horror such as the works of Junji Ito or Midsommar, it's also an important and useful element in other beloved horror media.
This can be useful for a myriad of reasons.
The ability to combine the fantastical beauty of the scenery with death or the lovingly detailed imagery of a victimized body might be just the thing to elevate the scenery and visuals.
It also works to surprise your readers. If you are reading horror, you expect the murder and terror to appear in dark hospitals and obviously disgusting places. But what if the horror was in a cherry blossom field? In the church? In the character's childhood bedroom during the sunset?
It follows the perversion of the familiar. Most people internalize certain environments are seperated from society which might assist you if you are going for that specific type of horror. BUT! If you have horror in the supermarket, in the coziest little cottage, in the beauty.
TWO: Focus On A Specific Brand Of Horror
This is especially important for horror that is based off of pop culture spooks such as ghosts, ghouls, witches, zombies, and werewolfs.
Doing some research into why these monsters have survived in the public mind and what exactly is frightening abou them can influence your settings, characters, and horror.
There is horror about isolation.
There is horror about losing yourself.
There is horror about the female body.
There is horror about puberty.
There is horror about gender dysphoria.
There is horror about everything.
Decide what is the core fear you are proding at.
THREE: Be Ambiguous
Readers are comforted by linear stories with a beginning, clearly laid out morality, and a clear cut ending which provides either a happy ending or a sad ending.
Messing up any one of these things can lead to your story haunting the minds of your audience for a long time.
Midsommar is constantly debated about over if the ending is happy or sad.
Joker(2019), a thriller but not a horror, is infamous for it's amazing usage of hallucination and delusion to tell a non-linear story with a confusing ending.
Leaving the ending, villain, characters, or plot ambiguous and not clearly detailed might elevate your horror :)
FOUR: Use Your Own Fears
When you write about what scares you, that natural fear tends to radiate into your writing more naturally :)
This fear can be a lot of things from the specific phobia of bugs to the fear of being mistreated by a loved one.
Conclusion:
I hope I gave you some interesting advice that you haven't heard before @differentnighttale
p.s: at what point does something become "Mature"? I did mention "murder" throughout my post somewhat frequently but I never went into specific detail so I can't tell if it's "Mature" or not?
If it is mature and I mislabeled it then I can edit it to be "Mature"
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avephelis · 2 months ago
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@t3rm1n0s yo this concert kind of ass
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daughter-horror · 3 months ago
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SABRINA CARPENTER
She’s got “Taste” in horror films!
Addams Family Values (1993)
Kill Bill (2003)
Ginger Snaps (2000)
Death Becomes Her (1992)
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tea-n-ink · 6 months ago
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Homesickness is where the heart is
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cupcakeshakesnake · 8 months ago
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Not exactly how the AU goes but had to make the reference.
Does anybody recognize it
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hauntingjasper · 22 days ago
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Only them matter (Halloween Edition!)
The old 2023 version ฅ⁠^⁠•⁠ﻌ⁠•⁠^⁠ฅ :
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sweeterthanficstion · 1 month ago
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— between here and there || l.s.k
pairing: ghost!leon kennedy x ghosthunter!fem!reader
tags: set in 2001, graphic depictions of dead animals one is right under the cut, mentions of death, mentions of grief, mentions of violence, themes of obsession and love, implied/referenced childhood abuse inflicted by a parent, typical horror topics. (if i missed anything pls dm me and let me know!!)
summary: Even if it is full of love, all a ghost can do is haunt. Or: The year is 2001, and you've just found out about a haunted homestead on a prairie, sure to hold a million mysteries within its rotting walls. You've chased rumors of the supernatural before, but this place feels... different. Maybe this time, you'll find the evidence you need to prove the existence of the other side—and finally go viral. But quickly you come to learn that some doors, once opened, can't be shut.
word count: 6.6k
a/n: i wrote 80% of this fic on my phone, so i'm sorry if it reads badly 😔, i hope you enjoy regardless though! and things will make more sense in the coming parts, i promise <3 also; thank you claudia for beta-reading for me!! n also thank you @/uhlunaro for bone-chill, go read their work!! it's so good n inspired this fic.
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playlist ⭑ AO3 || back to the party ⭑ next (coming soon) »
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You were eight when you saw your first ghost. Your mother had found you with your face pressed up against the living room window, eyes wide as you stared out into your backyard, convinced there was a dog by the fence that was staring right back.
Your mother had ushered you back to bed, murmuring about how there was no dog out there, and you needed to sleep. But you saw him! You swear it! Floppy ears and a bone between his teeth.
You couldn’t sleep that night, tossing and turning and anxiously waiting for morning to come. By the time the sunlight had crept through your window, you scampered outside to prove it. You’d spent nearly an hour out in the early morning cold, digging, digging, digging with your bare hands, until eventually, you found it, something that wasn’t a dog—not anymore, anyway.
Wrapped in a plastic bag you found it, decayed skin clinging stubbornly to yellowed ribs poking through like splintered wood. Its jaw hung open, snapped and crooked, patches of fur still clinging to the skull, matted until it resembled something more like melted plastic. There was a sense of grief that came with finding its body, a suffocating presence that weighed down over your little lungs, tightened your oesophagus, made your stomach clench.
You gave the rotting dog carcass a proper burial. 
A grave by the oak tree, dirt pressed down gently over its brittle body as if the dog might still feel it, a ring of daisies set atop in remembrance. When you finally stood, wiping mud-stained hands on your pants, you could feel your mother’s eyes on you, her silence heavier than her words ever were.
After that, her patience thinned. She’d catch you whispering to empty rooms, her voice sharper each time, the snap of her voice was soon paired with the snap of a belt. The corners of your room were just corners, she’d say. The shadows were just that; shadows. 
You stopped talking about it, but the flashes of something stayed—the fleeting movements, the whispers, the shadows that lingered in the corners of your vision. The haunting weight of it all clung to you like a thick blanket, creeping in with every bump in the night, until curiosity bled into something deeper. 
Eventually, you gave up waiting and started searching, looking for answers between ghost-hunting forums and haunted houses. 
And now, years later, you’re chasing a truth you’re still yet to prove. 
You jolt from your thoughts the same time the van does over a potholed, eyes snapping to the stretch of dirt road before you. The homestead comes into view, your breath catches in your throat at the sight of it—looking every bit more eerie when bathed in hues of twilight than it did in the grainy two-bit photos on your laptop screen. 
Luis lets out a low whistle from the driver’s seat, before he clicks his tongue and puts the car into park. “Well, we’ve seen worse.”
Luis says it with an air of carelessness you struggle to stomach under the looming shadow of the homestead. He’s never believed in the paranormal the same way you do, always the wind, always a shadow to him, everything has an explanation. Never a ghost, never a spirit.
Yet, he sticks with you, out of what sense of loyalty you’re not entirely sure, but you’re grateful all the same. Maybe it’s the remnants of a childhood bond that keeps him tethered to your side, echoes of sleepovers and whispered secrets, of nights spent laughing over nothing, long before you were chasing shadows and seeking the dead.
It’s not that Luis doesn’t care—he does, more than he’ll ever admit. He just doesn’t see the world the way you do. And that’s okay. He doesn’t have to believe. You do.
He slides out of the car easily, no doubt eager to unpack the camera gear. You hear the back of the van slide open, before you finally make the decision to move, feeling as if your bones have stuck themselves together—rigor mortis.
The homestead looks like it’s rotting from the inside out. Once-grand pillars holding up the front porch that have long since bowed, wood that rots and splinters from years of neglect. The windows, fogged over with dust, are cracked and warped as if the house itself has been trying to keep the world out for far too long.
“What even happened here?” Luis asks, eyeing the decayed structure with a grimace as the both of you step onto the creaking front porch.
In truth, the research had been thin. The house didn’t show up on any official ghost-hunting registry, and there wasn’t much mention of it in local history. But there were enough stories, enough pieces of something to make you believe it was worth the three hour plane trip.
If no one else could get proof, then maybe you could. This could be your big break, could be your skyrocket to supernatural stardom—If that was even really a thing.
“A lot. Murders, disappearances, all the fun stuff.” You joke, flashing a wide grin over your shoulder, trying to ease the pit in your chest, and find amusement at the way Luis shivers at the mention of murders. His shoulders stiffen enough to make you bite back a laugh.
Luis fixes you with a hard stare. “You’re not right, anyone ever tell you that?”
“Plenty of times,” you reply, grin only widening. You reach up and give his cheek a playful pat, “You’re not special.”
He rolls his eyes and you’re well aware he doesn’t buy your teasing, but that’s half the fun. You slip past him to check out the entryway, Luis trailing behind with his camera over his shoulder.
Luis keeps his distance as you wedge the door open. A thick layer of dust comes loose with the movement, swirling with the fading light and wafting straight into your face. You cough violently, waving it away with a grimace.
“This place gives me the creeps,” Luis mutters, adjusting the lens of his camera.
“Nothing’s going to happen—” And as if infuriatingly on cue, the door slips from your gasp and slams shut with a bone-rattling thud.
The both of you jump despite yourselves—Luis lets out a yelp that he stifles with a cough, while you freeze, hand still hanging in the air where the door had once been.
The silence that follows is deafening. You stare at the door for a beat, pulse-quickening as if it might just spring open again on its own, while you feel the burn of Luis’ gaze in the back of your neck, waiting for you to explain it away with your usual bravado.
You lower your hand slowly, give him a sidelong glance. You take a step back from the door as if daring it to open or slam shut again. “Well. That’s one way to make an entrance.”
Luis glares at you. “Yeah, real funny. Can we leave now?”
Rolling your eyes, you reach for the handle and tug the front door open again, choosing to ignore Luis’ insistence. The homestead is as quiet as you imagined it’d be, even so you can’t shake the eeriness of the silence. You swear you can hear static in your head.
Luis hands you a flashlight, which you flick on before toeing the warped floorboards. The wood groans beneath you, but it holds, so you plant your foot fully inside, waiting for the house to react. One second. Two.
Nothing.
With a relieved sigh you step deeper into the homestead. The pale remains of sunlight filter through grimy windows, while dust swirls lazily in the beam of your flashlight as you sweep it across the room.
“Are you recording?” You whisper over your shoulder to Luis, who gives a quick nod, a thumbs-up flashing in your periphery.
The homestead opens up around you—parlour to the left, kitchen and dining room through the door on the right, and a staircase, old and worn, curling up toward the shadows in the back.
“We’ll set up in the parlour,” you murmur, moving toward it. Your hand brushes against the wall as you reach for the light switch, fingers hesitant. You flick it, expecting nothing. But then the chain bulb overhead sputters to life, casting a weak, flickering glow across the room.
“Huh,” you breathe. “Not bad.”
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Nightfall comes sooner than you would’ve hoped, and you’re starting to understand why there’s so little about this homestead online. In the two long hours you and Lewis have been here, the silence has remained unbroken. The EMF reader has not spiked once and the camera has picked up nothing. No doors have slammed, nothing has creaked strangely, not even an unsettlingly cold gust of wind. 
Maybe this place is a waste of time, another dead end to add to your already growing list. You contemplate if packing the van up now is a good option. But yet, yet—you can’t shake the feeling that there is something waiting for you here, just beyond reach. A presence. A secret.
There’s still upstairs, a voice nags at the back of your head. Rooms yet to explore, yet to be turned inside out so you can find what’s hidden in the confines of this home’s brittle bones.
Luis follows behind as you carve a path up the stairs, flicking the stairwell light on and waiting for the flicker of the bulb to cease into a steady hum. It takes a moment too long, and your fingers twitch at the edge of your flashlight.
You never did shake your fear of the dark.
Upstairs, the floor is dappled in the pale glow of the moon. You sweep your flashlight through the shadows, the light catching on each warped surface, every peeling edge of wallpaper, casting lonesome shadows across the splintering floors. You watch the EMF reader calibrate and tick in your hand as you tread further down the hallway. The air up here feels heavier, like it’s holding its breath, waiting for you.
That’s when you see it.
Or him, rather. 
At first, you make out nothing but a vague shape standing at the end of the hallway, a shadow where there shouldn’t be one.
But as your eyes adjust, you make out the figure’s skin; a sickly pale, marred with crawling veins like rivers of ink. He has hair like dull flaxen straw, eyes that are such a piercing blue you make them out even in the dark. You freeze, your breath catching in your throat as a chill crawls down your spine. You take a step back, stumbling into Luis, who nearly drops the camera.
The light overhead flickers dramatically before the bulb bursts with a sharp pop, plunging the hall into sudden darkness. Your EMF reader spikes violently in time with your heart slamming against your ribs, and in the panic, you scramble to bring up your flashlight—but as the beam sweeps over him, he vanishes, parts of his body disintegrating into the light, like bend the rules of physics themselves, like something wrong.
“Is that—?” it hits Luis the same time it hits you. Not a person. A ghost.
But there’s no haunting glow, no cloud of smoke. He doesn't float; in fact he doesn’t move at all. Instead, the air grows thick, an oppressive weight that threatens to shatter your ribs inwards and pierce into your lungs.
You hear him. The sickly sound of breathing, a rasping inhale followed by an exhale, like a death rattle. The noise crawls under your skin, itches against your bones.
Your own breath catches in your throat in favour of hearing his. The sound swells, crescendos, then tithers to nothing. Silence, like buzzing in your ears, is all that’s left behind. Slowly, you peel your  eyes open, the ghost is nowhere to be seen.
You come back to reality like ungluing yourself from a fly trap—slowly, sticky, the numbness in your body ceases.
“Did you.. Did you get that on tape?” You ask Luis between bated breath, eyes still glued to the wall where he had been.
Luis swallows hard, his breathing ragged. He fumbles with the camera, fingers trembling, flipping through settings with a frantic sort of urgency. His face drains of colour as he checks the screen. The camera blinks, sputters.
Panic surges as you rush downstairs, tripping over your feet. Luis yanks the camera from his shoulder, flipping it open to review the footage. His hands move fast, flipping through buttons…
Then, the camera shuts off with a mechanical click, the small screen fading to black.
"No, no, no," Luis mutters, voice tight with frustration. He pulls out the tape reel, and the acrid smell hits you first. He stares at it, brow furrowing. You step closer, peering over his shoulder. The reel is ruined—burnt and blackened beyond recognition, as if scorched by something unseen.
Neither of you says a word.
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“Sorry, we’re full.”
The words feel like a death sentence this late at night. Luis sighs sharply, his breath fogging up the plexiglass screen between him and the motel keeper. “There’s got to be something, no? Just one room,” he mutters, pushing the crumpled fifty across the counter one more time, almost pleading.
The motel keeper eyes the money, before shaking her head. “I’m serious, hon,” she says, her voice flat, tired. “We’re booked solid. You can try the highway if you’re desperate.”
You’re really only half-listening to the exchange, shivering from the cold as you lean by the side of the van parked under the carport. 
The motel sign above flickers weakly, casting uneven shadows across the parking lot, the words The Black Dog barely legible in the failing neon glow. Cerberus snarls from the sign like a bad omen, one head flickering on and off as if it’s ready to give up entirely.
After the encounter at the homestead, neither Luis nor yourself could shake the feeling of dread that had settled like a thick fog, a weighted blanket that provided more unease than comfort. The decision to leave for the night had been easy, but now, standing outside in the frigid air, you’re starting to feel the sting of bad luck. There are only two motels in this entire town—one’s closed for maintenance, and this one, The Black Dog, is fully booked.
Luis pulls back from the counter with a groan, stuffing the money into his pocket as he joins you outside. “No luck,” he mutters, breath curling in the chilled air.
But you're distracted, focused on the yellowing photographs lining the walls behind the motel keeper’s desk, town history captured in fleeting moments behind dusty glass. Your eyes widen in realisation when you note the homestead is in one of them. A farmer’s family stands at the front of it; a husband, a wife, his daughter and two sons.
You quickly rush up to the window, leaning down closer to the little cutout in the plexiglass as you rest your elbows on the counter. “That photo,” You start, finger pressed to the plastic surface, “do you know who the people in it are?”
The motel keeper swivels in her squeaky office chair, her eyes widening with a sort of realisation. “Them? Well they’re the original settlers of this land,” She hums, turning back. “Their family were the first to come this far east, their father built that homestead with his bare hands.”
“What happened to them?” You ask, your curiosity piqued. Desperate for more, desperate for answers. Although, your ghost looks nothing like any of the men in the picture.
“Well they died,” The motel keeper says, something akin to god-fearing in her voice. “But whatever malevolent force has been haunting that place never did.”
You stare at her, wide-eyed and unblinking. Luis fills in for you where you can’t. 
“You’re not serious,” he says, but it comes out more like a question than a statement.
“Dead serious, hon. That place is no good. They say the prairie wind drove that family mad—” she states, sticking a thumb over her shoulder to point to the picture “—we’re just not so sure it was the wind that did it.”
You decidedly spend that night in the back of the van, parked right outside the homestead on that old gravel path. 
The wind whistles terribly and you begin to understand what they mean by prairie fever—you can’t fathom what it would’ve been like, out here, all alone with nothing but the wind and the wolves.
“Something’s wrong,” Luis murmurs just loud enough for you to hear. You turn your head, watching as he stares at the ceiling of the van.
There is a sudden unease that settles in your chest, watching him like this. Luis has never been rattled by the dark, never questioned the supernatural because he didn’t have a reason to. In many ways, he has been your anchor.
And what is a ship without its anchor?
You hum, mirroring his movements and righting your neck to stare up at the ceiling. “Luis, you say this every—”
“No, I mean it.” He cuts in, a certain urgency to his words. “We saw something, I saw it. He was–” His words die, fizzle into nothing on his tongue as if it’ll be a sin to refer to the shadow as anything more than just a shadow. “We can’t go back in there.”
You understand… yet you don’t.
“This is the closest we’ve ever been Luis, what do you mean we can’t?” Your words are oddly calm despite the desperation they clearly convey, “You know how much this means to me.”
Luis sighs, “I get it, I’m just not sure this is a good idea.” He hesitates. “I think… I think we’re way in over our heads this time.”
“I’ll be careful. I promise.”
Luis holds you to it.
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A car crash—that’s what you see in your dream. Although, it feels more like a vision; a premonition or maybe a memory. 
You’re trapped behind your own eyes, sitting rigid in the passenger seat. There’s the sound of tyres screaming against the asphalt, a horrible blur of red and blue, glass and smoke. 
The car swerves hard, jerking your body with it, weightless, floating, falling. The ground falls away, and for a split second, there’s nothing. Just the sound of your own heartbeat pounding in your ears. 
You try to catch a glimpse of the driver, but your eyes are glued to the chaos that unfolds before you. You catch a glimpse of the side of his face, shadowed in the flickering lights. Just the curve of his jawline—sharp, familiar.
And then you slam into a tree.
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The night is much less forgiving than day. In moonlight, your mind is left to fill in the gaps, pulls at the seams of reality, and paints over it with every fear you’ve ever had the cowardice to bury. A creak in the floor becomes footsteps. A sigh of wind becomes a distant cry. 
But daylight? Daylight spills over the horizon like a gentle promise. In daylight, things feel explainable. Safe. You do not falter and question the shape of shadows, each one is tethered to something, tangible and real, solid in your grasp.
Yet the homestead does not follow these rules.
The walls bleed with secrets you’ve yet to learn, each groan of the floorboards underneath your gentle footsteps sounds like another pair is following closely behind. Light spills through windows, but  it dies before it reaches the corners, and does not fill the room the way it should.
It’s that morning, one hour into your second investigation, that you smell it—something faint at first that quickly grows stronger, souring the air with each breath you suck in. It’s familiar but unwelcome, the unmistakable stench of decay. Luis notices it too, his nose wrinkling as he glances toward the far end of the hallway.
“Do you smell that?” he asks, his voice quiet.
You nod. 
The smell rots. It festers the further you walk down the hallway, intensifying until it clings to you like a second skin. It seeps through the floorboards, through every crack in splintering wood, and it leads you to a door. The one at the end of the hallway from the night before. The one you didn’t manage to open because he had been there.
Luis nudges you with his elbow. “Ladies first.”
“Very brave,” you mutter, pushing the door open.
Inside, the room is cold, the air heavy with dust. Yellowing and peeling wallpaper lines the walls, a dusty bed in the corner, a dresser by the opposite wall and a wardrobe by the adjacent one.
But what draws your attention are the walls—every inch covered in horrifying jagged scratches, as if something had clawed at the walls in a frenzy of desperation.
N-O-E-L.
The letters are scrawled over and over, the same pattern repeated a millennia of times. They twist and turn, written backwards and mirrored, as if whatever had left them behind had longed for a voice it had forgotten how to use.
“What the hell…” Luis murmurs, stepping closer with his polaroid camera, the shutter sounding as he snaps a few photos of the scratches. “What are we dealing with, the ghost of Christmas past?”
You swallow, admittedly now confused. “What does that even mean?” You muse, walking towards a wall and running your fingers over the splintering wood.
“His name, maybe?” Luis supplies, lifting his head from behind the camera.
Without thinking, you speak. “Is your name Noel?” 
Silence answers.
You decide to move around the room, keen to find answers where your ghost refuses to give them to you. Your fingertips grazing the walls as if you could pull the truth from the cracks in the old plaster.
“I know you did this,” you say, your voice firm but edged with a strange softness, like you’re coaxing something fragile from the dark. “Why won’t you tell me your name?”
The lights flicker. Luis begins to pray.
The stench grows, grows, grows, more potent with each step you take towards the bed. You fear you’ll find rot when you pull the covers back—a body, perhaps. But what you find confuses you more. You fall to your knees by the bed, crane your neck to peer beneath it, and your eyes catch the glint of silver.
Your hand stretches out, inching under the bed as your teeth catch your lip. When you pull the object free, you look up at Luis, who meets your gaze with the same confusion. In your hands you hold a hunting knife.
And as quickly as it had come, the stench subsides.
You turn the knife over in your hand as you push yourself off the dusty floor, a strange emblem is etched into the heel of the blade. 
“Well that’s not weird at all,” Luis mutters, taking the knife from your hand to inspect it himself. You bite the inside of your cheek, about to say something more, when a faint creak draws your attention. The wardrobe. The door swings open, as if nudged by an unseen hand. You meet Luis’ wary gaze, your heart thrumming with anticipation.
Drawn like a moth to a flame, you rise to your feet, walking closer, pulling the door open by its rusting brass handle. Inside hangs a tarnished mirror, and in it you catch your own reflection—dark circles ring your eyes, your reflection looks as drained as you’ve begun to feel.
Luis hums over your shoulder, a spark of realisation lighting his expression as he clicks his tongue. “Not Noel, look.”
You squint into the mirror, making out the jagged inscriptions in the wall that are now mirrored. “Leon?”
There’s a knock on the wall behind you, too loud to be mistaken for the walls of the house adjusting. 
“Is that a yes?” You breathe.
Two knocks.
Luis stares at you, his voice hushed, disbelieving. “Are you talking to a ghost?”
“Holy fuck, I’m talking to a ghost.”
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Your ghost isn’t as terrifying with a name to its haunt. Leon, you’ve come to find, is gentle. You and Luis have spent the past three hours communicating with him; knock once for yes, twice for no. A language of patience.
You’ve been documenting it all in your notebooks—entry after entry of everything you’ve learnt. It's all you can do, considering the tapes you’ve tried to record burn out. You figure he doesn’t like the notion of being seen. Being known is different, though. You can feel that—he wants to be known.
He cannot leave.
He doesn’t remember how he got here.
He knows only his name.
You find he also likes to move things.
First, it was the photos. Luis had left the polaroids from the bedroom out on the dining room table to develop, safe with the windows drawn. You’d found them around the house later, one in your bag, another nestled between the equipment. Harmless. Cute, almost.
Then Leon started to move bigger objects. Your torch was found in the bedroom closet, Luis’ lighter in a kitchen cabinet, your hairpins scattered like breadcrumbs on the mantle of the fireplace. It’s a game to him, one that you find yourself eager to indulge. 
You slip into the kitchen, carrying a small wooden figure you’d picked up from the general store—nothing too special, a simple carving of a bluebird. Ghostly fingers might appreciate the weight of its worn edges, you think.
“Alright,” you say aloud, speaking to the empty room, “I – uh, got you something.”
You place the bluebird on the dining table, straightening the figure before taking a few gentle steps back. The temperature in the room drops suddenly, a chilly cold that you no longer mistake for the prairie wind, a denseness in the air that can only be explained by experience. 
Your EMF reader ticks up, and you itch to jot down the reading, yet the moment you turn your back, there’s the sound of wood scraping against wood. You spin back on your heel, only to see that the little bird has moved, facing the window with its beak pointed towards the fading sunlight.
“So you like the bird then?” You nearly laugh, low and under your breath.
There’s another scrape, this time longer. The bird moves again, right before your eyes, closer to the edge of the table.
Despite the absurdity of it all, you continue to talk. “Careful, you’ll knock it off.” You warn softly.
For a moment, nothing happens. Then the bird stops just short of tipping over the edge, as if Leon has taken your words into consideration. You watch as the bird drags back across the table to the centre. 
The lights flicker with your laughter, as if your ghost finds amusement in the cadence of your voice.
You begin to wonder how anyone could’ve thought this home was malevolent at all. The unease that had come with your first encounter has long since given way to something deeper—an ache, a yearning, a quiet desperation to understand. You don’t want to leave. You want to stay, to uncover every secret this house holds. 
How did he die? Was it peaceful, or something violent? What kind of life did he lead? Did he love? Did he lose?
You sit on the living room floor, your back pressed against the wall, clicking your pen twice as you jot down tonight’s meeting in your notebook. From the wall beside you, two soft knocks answer in return.
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There is a difference between an architectural haunting and a hereditary one. There’s a certain comfort in knowing a haunting is bound to a place, that its roots lie deep within the dirt that make up the home’s foundation. That it cannot follow you home.
But when a haunting becomes hereditary—when it latches onto you, burrows under your skin, sinks its claws into your soul, twisting, festering—when it’s tethered to you, that's when the fear takes hold. You cannot outrun a hereditary haunting.
Last night, you dreamt again. The homestead, its walls bleeding dark and thick, like wounds seeping into your memory. The flashes came in fragments: the house, the woods, a clearing bathed in moonlight. A glint of a knife to match the gleam of his eyes. And then, the sensation of cold mud pressed against your skin as you lay in the dirt, helpless, hopeless, dead.
You wake in the middle of the night and wonder when this haunting stopped feeling architectural.
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Luis finds you on the third day in the parlour, your fingers curled around the edge of an old, weather-beaten box. It drags across the warped floorboards with a groan, sending up a small cloud of dust. 
He pauses in the doorway. “What are you doing?” His voice cuts through the otherwise quiet home. 
“Cleaning up.” You keep your eyes on the box, focused as you rifle through its contents.
Luis steps further into the room, his boots crunching on the debris-strewn floor, nearly tripping over the marbles you had laid out earlier for Leon to move. “Cleaning up?” His brow furrows. “Jesus, I thought we were here to investigate.”
“We are,” you mutter, your hands brushing off the dust clinging to your clothes as you turn to face him. “I’m just helping out.”
“Helping out?” Luis stops mid-step, his confusion sharpening. “Helping the ghost?”
Your hands still. The air shifts, colder than before, almost as if something is standing beside you. You glance over your shoulder, but it’s just Luis, a mix of disbelief and frustration in his gaze.
“Yes, Luis,” You sound annoyed now. Tension thick in the air.
His laugh is short and bitter. “This is crazy,” he mutters, his voice rising slightly. “You’re growing too - too attached, we need to leave.”
“No.” You straighten up, the words more defensive than you intend. “He needs help. Look at the state of this place!” You gesture to the peeling wallpaper, the broken furniture scattered, the oppressive sense of neglect.
“He?” Luis tries to be your voice of reason, tethering you back to reality, to the here and now because currently you seem like you’re in a different plane of existence entirely. 
“Yes, he.” You drag the box into a corner, your back to him, and run your hand across its lid. The texture feels wrong—too damp, too cold, as if the cardboard itself is rotting from the inside. “He’s trapped here,” you murmur, more to yourself than to Luis. “I don’t know how long, but... it’s been years. He doesn’t even have anyone to mourn him.”
Luis exhales sharply, his breath fogging the air. When did it get so cold? “You don’t know that,” he snaps, his voice louder, louder, louder. “You don’t even know who ‘he’ is!”
The words hit you like a slap. Something shifts, as if the chain binding his anchor to your ship has snapped and broken all at once.
“I’m not—” You stop, swallowing the words. “I’m not crazy, Luis.”
You can see the flicker of regret in his eyes, the way his expression softens, but it doesn’t erase the sting of his words. He hesitates, lowering his voice as if it could take back the hurt.
“I didn’t say that,” he murmurs, “But you’re not thinking straight. You haven’t been since that night. The ghost—or whatever it is—has you hooked. And you don’t even see it–”
Each word feels like a knife twisting deeper. The betrayal coils inside you, bitter and raw. You trusted him to believe in you, to see you, even when no one else did. You open your mouth to argue, but your ghost has better timing.
A sudden, violent knocking echoes through the house, an urgency to each rap. This time, it’s not coming from within the walls, and oddly, that unsettles you more than if it were. The sound pounds from the front door, growing louder, louder, louder with each second that passes. When both you and Luis rush to the foyer, you stare blankly as the door handle rattles on its own.
You don’t think when you walk forward, as if compelled by an unseen force, your hand wrapping around the crystal handle before twisting it and tugging it open. There, crumpled on the porch, lies a bird.
It’s ruined. Feather slicked by a sheen of its own blood, some still fluttering in the wind, others matted to exposed bone. The body is split open, like something had torn it apart with its bare hands, its innards spilt on the rotting boards. Thin ropes of intestine, wet and glistening, loop over themselves. 
The head, nearly severed, hangs at a grotesque angle, twisted so far back it looks as though it were straining to see something beyond its reach, connected by just a thin sinew of flesh. One of its glassy black eyes remains open, dull and lifeless, its beak parted in a scream that never came.
The bird has blue feathers. A bluebird, you realise.
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Leon doesn’t speak much the rest of the day—if you can qualify the knocks and the flickers of light as speech at all. When you ask him about the bluebird, there's only silence. When you press him on whether he caused it, a vase shatters like fallen stars at your feet.
Perhaps he’s not all gentle. Neither are you, though, so you give him grace. You pick up the shards of glass one by one, wrap them up in a handkerchief, and discard them in the garden. 
It’s only when you return inside that you realise you’re bleeding. A thin line of red trails from the split in your thumb, the sting arrives after, delayed but insistent. You watch it drip, swirling with the water as you rinse it away, the crimson draining down the sink.
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You’ve grown used to seeing Leon in your periphery. His shadow is a presence that has grown comforting. Unknown to know, unfamiliar to familiar. You find yourself looking forward to the night even more now, eager for a glimpse of him. But tonight, he doesn’t visit.
You think you might’ve upset him. Between the dead bird and the silence, maybe he didn’t like all the arguing, how loud the house had gotten today. You don’t blame him. 
“Luis wants to leave tomorrow,” You hum softly into the darkness. You don’t need to see Leon to know he’ll be listening. “I have to go with him.”
Silence.
“I’ll miss you,” You try again, your voice holding a sense of urgency. Please, please, please.
Again, silence.
You ignore the tears that prick at your eyes, upset that your ghost is ignoring you. You fall asleep with a headache and a heartache to match. But when you dream that night, it’s much more alarming than any of the ones before.
You wake in the darkness, your body stiff in your dream like you’ve lost your flesh and have been made up of bones. Rigor mortis once more. For a second you think this might be some sort of horrible sleep paralysis,but before the panic can set in, your eyes focus on the cracks of light in your vision, seeping through the darkness of your mind.
You’re not sure what part of your brain comes to the conclusion, but you realise you’re stuck under something, in something maybe. A coffin? Something wooden. You can smell the musk of the cottonwood.
When you wake from the dream, your headache is pounding twice as hard, you sit up, groaning as you press a hand to your head. When your eyes open, your breath catches in your throat. 
Leon.
He's there. Right there.
Closer than he’s ever dared to get, standing beside your bed, watching, waiting, like he always is. Yet, he looks more solid, more here than you’d ever seen of him before. You could make out the shape of his nose, the curve of his eyes, the length of his lashes.
Your heart beats wildly in your chest, bated breath caught in the cavern of your throat as you try to comprehend what you’re seeing. 
“Leon,” you whisper his name, your voice shaky, barely more than a breath.
He doesn’t move, but his eyes soften, just slightly, a weight behind his gaze that you can’t quite place. You watch his chest rise and fall with breath that should not be there, lungs that have no reason to expand, a heart that doesn’t beat. And yet, yet, he is here, in front of you, as vivid as anyone else would be.
You lift your hand, your fingers trembling as they hover just above his cheek. You know he isn’t real, not in the way you are, but in this moment, he feels real enough. The heat of your skin, the cool air between you—it all blurs together until the only thing you are sure of is him.
Slowly, carefully, your fingertips brush his skin.
It is faint—barely a touch at all, like reaching through fog—but it is there. For a second, maybe less, his skin feels solid beneath your fingers, cold but tangible. The breath catches in your throat as your hand lingers, the boundary between life and death blurring, blurring, blurring. His eyes flutter closed. 
But then, just as quickly, the sensation is gone. Your fingers slip through air, the chill of the room returning, and he is nothing more than a ghost again.
No, no, no your mind screams. A desperation in the way you reach for him again only to feel nothing. A hand over his chest is merely a hand in mid-air. You cannot feel the beat of his undead heart.
Yet, the weight of his gaze remains, heavy with something you cannot name. You want more. You want him to stay. You want to stay.
Leon’s lips part, the faintest hint of a breath escaping, and you swear you can almost hear him say something. Almost. His hand twitches, as if he is also trying to reach for you, but can’t quite cross the divide.
It is unbearable, the way you see him see you. 
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You don’t tell Luis of what happened last night, refuse to unravel the complexities of the ache in your being that cannot be satiated anymore. 
It’s not pain exactly—at least not the kind Luis would understand. It’s deeper than that, a longing you can’t explain. You’re stuck here, you realise, tethered not by chains but by something far less visible, yet much harder to sever. 
Luis frowns when you tell him to go without you, that you’ll follow in a day or two. He doesn’t believe you, not entirely. There is scepticism in the way he argues, but you don’t have much fight left anymore. Maybe there isn’t in him, either.
You’d promised yourself this was temporary—a few nights, maybe a week—just long enough to get the evidence you needed. But those days had unravelled into something else. You couldn’t say when you’d first realised you weren’t going to leave. Maybe it was when the lights began to flicker in time with your heartbeat, or when the chill of the air began to feel like a ghost of a touch on your skin.
There was no evidence to gather anymore. No story left to tell but this one.
And perhaps, you think, that’s always been the truth of you—this love of yours, spilling over the edges of your heart until it found something, someone, to hold onto. Living or dead, it didn’t seem to matter. Love for you has never needed a pulse, just a presence.
You walk through the homestead, the familiar creak of the floorboards beneath your feet, and find that the air no longer feels heavy. There’s no longer that crushing weight on your chest, no musk of decay hanging like a warning. You breathe, and for the first time, the house feels still.
"Leon?" you call, your voice fragile, unsure.
The lights flicker in response, faint and distant.
Maybe, you think, this house has always been your grave.
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likes n reblogs r very much appreciated <3
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horror-aesthete · 10 months ago
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Dawn of the Dead, 1978, dir. George A. Romero
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rosewritingprompts · 2 months ago
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25 Autumn Themed Prompts
This is for @wodkapudding! <3
A cup of warm cider
"Do you want my jacket?"
Baking apple pie
"Don't come any closer."
Stepping on dead leaves
"I thought you weren't coming."
Buying them a sweater
"I need a place to stay."
Hiding in the closet
"Where were you?"
Campfires at midnight
"What are you hiding?"
Reopened wounds
"You can't be here."
Thunderstorm just after sunset
"I really wish you hadn't seen that."
Running into the darkness
"You need to hide, right now."
Glowing cigarette butt
"Do you like scary movies?"
Crows cawing from a dead tree
"Did you hear that?"
Someone lost coming to the door
"You're freezing cold."
Getting a phone call too late
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devilsskettle · 1 month ago
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The X trilogy + "psycho-biddy" influences
#x 2022#pearl#maxxxine#x series#strait-jacket#psycho#what ever happened to baby jane#horror#psycho-biddy#hagsploitation#made this whole big thing which i still might post eventually but. in terms of aesthetics. this abridged version is better lol#i'm not gonna finish the other post tonight but consider this a preview of sorts#i can't stop thinking about what if they leaned more into the 'hagsploitation' aspect of it all lol#i actually find it odd + off-putting that they start and end maxxxine with a bette davis reference#with a big significant psycho cameo at the bates motel itself#and there's not really any payoff for those allusions!!#i think if you're gonna try to tie into a legacy of older horror films you should do it in a sincere way#because that just felt like 'elevated horror' bonus points + nostalgia bait#anyway. it's fun to think about the potential it had + how all the building blocks exist within the narrative to do something interesting#and i am a 1960s hagsploitation subgenre apologist lol#what ever happened to baby jane? changed my brain chemistry the first time i watched it as a kid#so maybe i'm just nostalgia baiting myself making these connections lmao#but it could have been so good#it could have been the perfect synthesis of the shared themes across all three movies#but i don't think hagsploitation gets butts in movie theater seats like girlboss 80s nostalgia vaguely true crime related shit#oh wait also i guess calling psycho a hagsploitation movie is like. probably not 100% accurate#but it is though. it's not an inversion of the subgenre bc the subgenre didn't exist yet#but it builds up a mystery 'psycho-biddy' character only to reveal that she's not the murderer#which is also what happens in strait-jacket so i think it counts!!#+ psycho is directly referenced in all 3 movies so it’s a pretty clear influence on the trilogy as a whole
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thecarelessvoice · 3 months ago
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Guess who just watched Exhuma?!
Gusu Lan funeral home's top geomancer lan wangji and renowned shaman wei wuxian are investigating a case near burial mounds, yilling. [But really they're just cultivators in disguise ;) ].
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