#hope he dies again

[wikoymi]

[lotus-pear]

ace detective more like ace DEFECTIVE

[thegunslingerletmedrop]

[seagreenstardust]

I cannot believe the canon bkdk dynamic though.

Katsuki, completely whipped, 100% on board to spend the rest of his life with Izuku, living the dream as heroes.

Izuku, completely oblivious to his own worth, oblivious to how Katsuki really feels about him now, just so oblivious to it all.

[loneleeghost]

ok so... i have this headcanon...

[softiedingo]

✅️ new character

✅️ think about him 24/7

✅️ fall completely in love with him

[foryourownbosom]

portrait of a young artist, c. 1760s

(happy birthday dear john! 🌻)

[casualavocados]

You've never done that when I got close to you before. Why? None of your business. Tell me, or you can't leave.

KISEKI: DEAR TO ME Ep. 10

[maegalkarven]

We know what it wasn't a big secret to the cult of Bhaal what their Chosen (Durge) is a lil (a lot) obsessed with the Chosen of Bane.

Orin def told everyone who would listen about it, as Balthazar's note on "Prayer for Forgiveness" might imply.

But have we thought about the other side of this?

How many of Bane's servants present at Gortash's coronation saw Durge and went "Ugh, not them again. ANYONE but them. Dark Lord Bane, we serve you well and do not deserve this".

How many of banites had to watch their Chosen act like a lovesick fool at his own coronation and tried very hard not to cringe?

Like bhaalists were not pleased with their Chosen's affections, but I bet Gortash was INSUFFERABLE with Durge by his side.

[puck777]

Cunty ass triangle

[killjoy-prince]

House M.D. but it's when a character says the name of the episode

[little-pondhead]

Danny moved to Gotham.

Freakshow is touring in Gotham.

Freakshow knows Danny is in Gotham.

Danny knows Freakshow is still after him.

Danny's faith in heroes has been shattered.

Danny turns to the only person powerful enough to run Freakshow out of town, hopefully for good.

Danny turns to the Joker for help.

The Joker is looking for a new punching bag sidekick after Harley Quinn left him.

Danny is just the perfect person to be shaped by the Joker's hands.

Danny becomes the new Joker Junior.

[feltcreature]

i hate him

[nausicaaandhermouth]

"I understand now the message hidden with the pattern, the reason for our failures in the commune. The doctor was right: it's inescapable. Humanity, our very essence, our emotions. Rage. Compassion. Hate. Two sides of the same coin. Inextricably bound. That which inspires us to our greatest good is also the cause of our greatest evil." Viktor, End Monologue, Episode 6 Season 2

[windcarvedlyre]

I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.

In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.

But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.

The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:

The actual perpetrator.

We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.

And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.

Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.

For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.

It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:

But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.

He died afraid.

If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.

Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.

The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.

[concert-bflat]

ONE THING THAT FUCKING KILLS ME ABOUT IVAN AND TILL SINGING MY CLEMANTIS THAT I'M NOT SEEING ANYONE POINT OUT??

IN THE ORIGINAL MY CLEMANTIS MIZI AND SUA SING THE FINAL “MY CLEMANTIS” TOGETHER BUT IN TILL AND IVAN’S VERSION IVAN SINGS IT ALONE???

You know. Because. Unrequited Feelings and All.

THE FACT THAT HE SINGS THAT LINE AFTER SINGING "Oh my Clemantis, please stay by my side"

TILL DOESN'T EVEN SEEM TO HUM THE LAST PART WITH IVAN, NOR DOES HE SING THE LAST LINE WITH HIM LIKE MIZI AND SUA DO TOGETHER. HE FUCKING DOESN'T STAY BY IVAN'S SIDE

ALSO. IVAN'S VOICE TREMORING AT THE VERY END OF HIM SAYING THE FINAL "CLEMANTIS"

I FUCKING HATE IT HERE