#honestly your art inspired me to make this part

[glorious-blackout]

Introduce yourself! What’s the story behind your username/what should people call you? 

Picked the username Gloriousblackout for my fanfiction.net account at the age of 15 because those were my favourite Muse songs at the time. Twelve years later, I'm simply too attached to bother changing it 😅

(I also answer to Rachel)

How will you be participating in the Shadowmonkeys Big Bang 2024 (e.g. organiser, artist, writer, artist, reader etc)? 

I'll be a writer, and also looking forward to taking part as a reader 🥰

What are your favourite fic tropes? 

I'm a sucker for a good 'Friends to Lovers' fic or anything with a 'Sharing a Bed/There was only one bed' trope... I also just love angst and hurt/comfort in general more than I should.

If you’re a writer/artist, what’s your favourite piece of work you’ve created for this fandom? Feel free to link it! 

It's been a long time since I revisited it so I'm not sure how well it's aged, but I'm still very proud of my 'You've Always Been Here' series for being my gateway into writing for this lovely fandom and for marking the first time in many years where I was writing a fic purely for sheer self-indulgence. The fact that other people seemed to like it was a lovely surprise 💖

What’s a fic/piece of art in this fandom you’ve loved recently?

I absolutely adore 'Four Walls' by @uhbasicallyjustmilex which I recently binged while stuck in bed for a few days with a chest infection - it was a beautiful, gorgeously written distraction which I was very grateful for and can't wait to read more of 💖

Can also highly recommend 'Maybe Tomorrow' by @applysome which is the most recent fic I read - it's such a beautiful little piece 🥰

Do you prefer reading/writing from Miles or Alex’s POV? 

Don't have a strong preference! I have more multi-chaptered fics written from Alex's point of view so I suspect I'm more naturally drawn to him, but I've finally broken that pattern with my Big Bang fic 😅

What’s an album that you love reading/writing/drawing to? 

'Songs of Leonard Cohen' was an album I kept revisiting during the writing of my Big Bang fic, but my writing playlist changes with every fic. 'Tranquility Base Hotel and Casino' has been an endless source of inspiration in the past and I find classical or instrumental music quite helpful as there's no lyrics to distract you from what you're writing.

Here are some of the songs I listened to on repeat or referenced during the planning/writing of my Big Bang fic 💚

If you’re a writer/artist, what do you struggle with most in your creative process? Is there anything that helps? 

Mostly just motivating myself to write that first paragraph - honestly that stage alone can take months. Once I've gotten over that hurdle I tend to really enjoy the planning and writing process and working through the first couple of drafts is enormous fun. The stage I'm at right now (i.e. the final few edits) are when it starts to feel a bit like a chore - the novelty's worn off and my eyes are more drawn to the flaws in the text rather than anything that makes it good 😅 Chatting with other writers certainly helps me though, as does creating a good writing playlist that fits the mood of the fic.

Have you participated in a fandom big bang before? 

I have! I wrote this fic for the last Shadowmonkeys Big Bang which was immensely rewarding, not least because it inspired the cutest artwork ever from @rock-n-roll-fantasy:

On a scale of one to ten, how excited are you for the Shadowmonkeys Big Bang 2024?

9/10. I'm docking a point for the fact that I'm also a little nervous after working on my fic for so long and the fact that the week I want to start publishing it is a nightmare in terms of my work rota 😅

✨ SHADOWMONKEYS BIG BANG GAME ✨

As we're now officially into the second posting window and the gloomier half of the year, we thought we'd share something hopefully a little fun to keep everyone feeling motivated!

If you're taking part in this year's Big Bang in any way (whether that's as an artist, writer, beta-reader, or just as someone who's going to be reading and supporting the collaborations when they're posted!) and feel like sharing a little about you and your relationship with fanfic/fanfart then please reblog this post with your answers to the questions below 🥰

Introduce yourself! What’s the story behind your username/what should people call you? 

How will you be participating in the Shadowmonkeys Big Bang 2024 (e.g. organiser, artist, writer, artist, reader etc)? 

What are your favourite fic tropes? 

If you’re a writer/artist, what’s your favourite piece of work you’ve created for this fandom? Feel free to link it! 

What’s a fic/piece of art in this fandom you’ve loved recently?

Do you prefer reading/writing from Miles or Alex’s POV? 

What’s an album that you love reading/writing/drawing to? 

If you’re a writer/artist, what do you struggle with most in your creative process? Is there anything that helps? 

Have you participated in a fandom big bang before? 

On a scale of one to ten, how excited are you for the Shadowmonkeys Big Bang 2024?

[magicspace114]

New Guardians part 4

You think you've made progress with Tillen. She doesn't hate you now. In fact, you think she's actually starting to care for you. She was anxiously pacing as your mother saw to your injury. She'd already built a nest and put Toby and Lovik in it. The pair huddled together, Toby eventually falling asleep and Lovik blinked out of sync as he fought to stay awake. Tillen never settled, glancing at you every time you hissed in pain.

It was basically a large burn. It wasn't the shoot-a-gaping-hole-through-your-chest laser. Still, it wasn't just a little singe. The skin had turned pale and was starting to blister. It hurt every time your mother touched it but she had to apply ointment.

"How long will it take to heal?" Tillen asked.

"Can't say for sure," your mother said, "it can be a week or maybe three."

"I don't know what weeks are."

"7 days," you said, "I'll be fine."

"As long as you don't aggravate your injury." Your mother said sternly.

You went quiet while your mother continued to care for your wound. It was a rather large burn and your mother had made you take your shirt off so she could tend to it, meaning your brother and father were not allowed in the room.

Without your shirt, Tillen could see more scars on your body. You could feel her eyes linger on the largest one that ran from the top of your left shoulder, diagonally down to your mid back on your right side. It was still red and raised like you'd got it recently.

"What are you thinking about, Tills?" You asked, not looking round at her.

Tillen paused at the nickname but having heard one already with Toby, she didn't dwell on it. "That's a back stab. Right?" She asked.

You nodded. "Yeah, it's an old one now."

"Was it that man who broke into your home?"

"Yeah, Freddy." You said, "he uh..."

"Got angry?" Tillen asked, clearly remembering what you'd said about him. Your mother silently nodded while continuing her work.

"He gambled money, he lost it. He took it out on me." You said shortly, not really wanting to explain it.

"Neighbours called the police about the screaming." Your mother said, "that was the last time she lived in the same place as him."

"Did he suffer for it?" Tillen crept closer, her tail swishing in agitation.

"I dropped the charges," you said, "I wasn't in the best place to pursue the issue with the law. Living under him, I didn't have the strength to fight back at the time. I'm better now though."

"Her brother and father paid him a visit after she'd moved back in with us," your mother said, "so he didn't get away unharmed."

Tillen hissed lowly, "but not as hurt as her."

"Correct," your mother nodded.

You just smiled at the pair, "oh, he will be soon. Once they find him again. I know I'm back to fighting strength."

"You're not fighting anybody, little missy." Your mother said.

"What?! Not even to knock him out?!" You huffed, "I think I'm entitled, it's me he kept harassing. Do you know that idiot thought that because I dropped the charges that meant I was still interested in him?"

"You need rest." Your mother said, wrapping your shoulder in dressing, "I trust that Tillen will make sure you stay in bed." She looked at the alien expectantly.

Tillen seemed a little surprised to be given the task but gladly accepted, "definitely. I'll take care of her."

Your mother smiled at her, "be careful, she's a slippery one when she wants to be."

"No more slippery than my younger siblings after bedtime," Tillen's tail wagged as she guided you to the nest with Toby and Lovik.

"Is this you starting to like me, Tills?" You grinned.

Tillen twittered scoldingly at you, "absolutely not." She wrapped you carefully in blankets, padding up your injured shoulder and immobilising you.

Your mother just smiled, watching Tillen's rather practised ease at settling you to the point that you started getting tired. The warmth from the nest and the warm bodies inside made you want to drift off. Toby rolled over and onto you which made you glad that Tillen padded up your shoulder so well. You curled an arm around Toby, closing your eyes.

As your mind faded, you could hear your mother talking lowly and Tillen's melodic twitter respond to her. Toby's sleepy bleats made you smile as you rather quickly fell asleep.

< Previous

[hephaestuscrew]

"With a goddamn harpoon": The significance of Minkowski's weapon of choice within the narrative and characterisation of Wolf 359

TL;DR: Despite its initial comic role, the harpoon becomes a important symbol of Minkowski as a character; it is particularly associated with her desperate need for control, her desire to keep her crew safe, her stubborn determination, and her occasional unpredictability. These associations add to the narrative significance when Minkowski kills Cutter with the harpoon. 

[Tagging people who said they wanted to be tagged: @browncoatparadox @captain-lovelace @goblincaveofvibes ]

~~~

Ep21 Minkowski Commanding

First appearance 

We first encounter the harpoon in Minkowski Commanding, which is a significant episode for Minkowski's characterisation because it's the first big departure from Eiffel's point-of-view into Minkowski's. It's arguably the most Minkowski-centred episode in the whole show, so it stands out when we think about her as a character.

EIFFEL (over comm) Um, Minkowski? Why is the armory wide open, and also, apparently, robbed? Where's the tactical knives kit? MINKOWSKI Don't worry. I've got that. EIFFEL Oh. And the M4 carbine? The, like, really-dangerous-in-space, select-fire M4 carbine? MINKOWSKI Yeah, I've got that too. EIFFEL And this empty rack I'm looking at right now with a label that says "harpoon" suggests that... MINKOWSKI Yes. I have it, Eiffel.

The harpoon is introduced as part of a list of over-the-top weapons that Minkowski takes on her plant-monster-hunting mission. It's initially just a funny moment to emphasise how seriously she's taking this mission. The weapons arguably increase in unlikeliness as Eiffel lists them, and it's a comic image to think of Eiffel deducing the situation from the empty rack labeled 'harpoon'. It could have been an entirely throw-away joke that was never brought up again. The M4 carbine never comes up again. The tactical knives kit is mentioned in Knock, Knock, but not in a plot-significant or symbolic way. 

'Goddamn harpoon' speech

So why does the harpoon become such an iconic part of Minkowski's brand (and I'm pretty certain it was seen as significant by fans long before the finale)? It's got to be because of the next time it's mentioned, when Minkowski talks to the plant monster in the same episode:

MINKOWSKI (getting psyched up) You wanna play with me, huh? You wanna run rings around me? The joyless, boring, predictable old Minkowski? She can't stop you, right? Not someone as smart and powerful as you. You've got her pegged. Good. Get complacent. Get smug. That's right when you'll find me waiting for you. With a goddamn harpoon.

There's so much to say about this speech and what it reveals her character. For one thing, it's all projection - we have no real indication of what (if anything) the plant monster thinks of Minkowski. We don't even really know how much understanding it has when listening to her talk. She imagines that this silent adversary would call her "joyless, boring, predictable". I suspect that these are all things that she's been called a fair bit in the past. (To be honest, I wouldn't be surprised if they are all things that Eiffel called her at one point.)

But the harpoon is proof against - if not the accusation of joylessness - the idea that Minkowski is boring and predictable. Boring and predictable people don't opt for a harpoon for fighting on a spaceship when plenty of more conventional weapons available. A harpoon is unexpected, and there's a kind of power in that.

Another interesting thing about that speech is that the whole thing would make at least as much sense - if not more - if it was directed at Cutter. In Sarah Shachat's episode commentary on Minkowski Commanding (part of the bonus material available to buy here), she says that Minkowski "is really speaking to Cutter in this moment". It's made clear that Minkowski's behaviour in Minkowski Commanding is not just about the plant monster itself. She tells Eiffel, "I have to take it seriously! If I can eliminate one threat, just one, then we are that much closer to going home!" 

The specifics of the plant monster's location, abilities, and origin are mysterious, but - unlike many of the other forces threatening the safety of Minkowski's crew - it is at least tangible and harpoon-able and not light years away. Hunting the plant monster is a way for Minkowski to assert control when so much is outside of her control. It's an attempt to demonstrate that she is - as she puts it - "in charge of this disaster". Minkowski treats the plant monster as a physical symbol of all the threats her crew are facing, and so the harpoon becomes a physical symbol of her fierce (if sometimes misguided) determination to take control of the situation and fight back against those threats to protect her crew.

The line "you'll find me waiting for you. With a goddamn harpoon" is one that sticks in the mind, especially since - with one notable exception - 'goddamn' is about as potent as swearwords get on this show. And it's the harpoon that she uses to give specificity to the threat. 

Absurdity

A harpoon is powerful and threatening, which is exactly what Minkowski is trying to convey to the plant monster, but in this context - not only on dry land but on a spaceship - it's also kind of absurd. From the way we hear it fire in the finale, we can tell that it's more like a speargun than a hand-thrown harpoon spear, but it's still an out-of-place weapon for space-based combat. Minkowski's already been shown to have a penchant for archaic weaponry, after her drunken enthusiasm over the cannon during the talent show incident, which is largely played for laughs. Similarly, in the episode commentary for Minkowski Commanding, Sarah Shachat says that the harpoon was introduced mostly just because it was funny; "[including a harpoon] was me sort of embracing the Moby Dick of it all. And I had no idea at the time how much importance that silly harpoon would take on." 

Eiffel makes a Moby Dick reference himself ("10 days of Captain Ahab's Space Walkabout"). I haven't read Moby Dick so I can't properly analyse the significance of this reference, but the initial prominence of the harpoon (traditionally a whaling tool) enables that connection. It feels like a good example of the classic Wolf 359 thing where something comedic has the potential to take on a deeper significance. It conjures an image of Minkowski as a Captain with the potential to be consumed by a single-minded mission to destroy... A potential that she resists in the conclusion to Minkowski Commanding when she chooses to leave the plant monster alone. The harpoon also fits with the sprinkling of nautical imagery and language in Wolf 359 (e.g. the repeated use of the word 'boat'), as well as the retro-futuristic feel of the Hephaestus.

We never learn why there's a harpoon on the Hephaestus. It seems like yet another of those bizarre unexplained quirks of the station, like the items in the storage room where Eiffel finds Box 953. Even when the weird mysterious features of the Hephaestus are depicted in a comedic way, these features are still a demonstration of the fact that the characters are in an environment that they don't understand and that their surroundings have been shaped according to the whims of Command.

I think we can assume none of the members of the Hephaestus crew brought a harpoon up with them. For whatever reason, someone at Goddard Futuristics must have decided to put a harpoon in that armory. Like most things in the crew's lives, the harpoon is owned by Goddard Futuristics. So the way Minkowski uses the harpoon could be seen as an instance of reclaiming something from Goddard and their control over her surroundings (in a similar way to how her crew are able to utilise the maze-like structure of the Hephaestus to their advantage when hiding first from the SI-5 and later from Cutter and the crew of the Sol).

Other mentions of the harpoon

The harpoon doesn't actually make another physical appearance until the finale, when it truly comes into its own. But there are a couple of little hints before then that it has become a part of Minkowski's brand amongst the other characters as well as to the listeners. These mentions remind the listener about the harpoon, so we don't forget about it before its big comeback in the finale.

Ep27 Knock, Knock

EIFFEL [to Minkowski] Like getting rid of all the weapons, for a start. We should gather up all the guns, the tactical knives, your harpoon. Put it all in the arms locker, seal that sucker up, and put the key in one of Hera's service canisters.

In this quote, Eiffel refers to it as "your harpoon" - the only weapon he ascribes ownership to here. He sees it as something she's laid claim to. He also thinks the harpoon is worth mentioning specifically, which suggests that he thinks that Minkowski would reach for it first if she was feeling particularly violent. This reinforces the idea that the harpoon has become a symbol of Minkowski's character. This connection is also strengthened by the fact that the harpoon is also never mentioned in relation to anyone other than Minkowski using it.

Ep45 Desperate Measures

LOVELACE [to Kepler] Yeah, right. Nobody knows this station like Alexander Hilbert. He knows every nook, cranny, hidden room - everything. And as back up he's got the only woman's who's ever turned outer space monster hunting into a recreational sport. You'll never see them coming... until all of a sudden there's a harpoon in your face, and you end up on the operating table of the finest medical sadist that Goddard Futuristics ever produced.

Lovelace mentions the harpoon and specifically refers to Minkowski's plant-hunting exploits, even though she didn't witness them. So we know that someone has told her that story. And what she's taken away from hearing the story is an emphasis on Minkowski's harpoon and an admiration for her determination. I don't think Minkowski was the one to tell Lovelace about her plant-monster-hunting mission, because I don't think she's necessarily proud of it. I suspect it was Eiffel who told her - he's the most natural storyteller of the group. In Mutually Assured Destruction, soon after meeting Lovelace for the first time, he says "Nobody's told you about the Plant Monster yet? So, funny story..." And I believe  Eiffel would have told the story of Minkowski's plant monster hunt in a way that conveyed both the ridiculousness of her behaviour but also a kind of awe at her boldness and persistence.

The tone of "all of a sudden there's a harpoon in your face" is pretty similar to "That's right when you'll find me waiting for you. With a goddamn harpoon". Once again, the harpoon is portrayed as something that the Hephaestus crew's adversary won't expect, something that will play a key role in that adversary's defeat. You might almost think something was being foreshadowed here…

Characterisation through Weaponry

When we think of the harpoon as a symbol of Minkowski as a character, it seems worth drawing a comparison with the only other Wolf 359 character who I think has a form of weaponry as a big part of their brand: Jacobi and his explosives. While a harpoon certainly has a lot of potential for violence (a potential which Minkowski utilises), it is targeted and intentional in a way that bombs don't tend to be. It's harder to have collateral damage with a harpoon, and I think that reflects a difference between Minkowski and Jacobi's approach to conflict.

A harpoon isn't really designed for combat - it's for hunting whales and other marine animals. It feels significant that Minkowski's key weapon of choice - the one she threatens the plant monster with and kills Cutter with - isn't the weapon of a soldier. She took an assault rifle with her to hunt the plant monster, but that wasn't the weapon she held onto. She's not a natural soldier, even if she'd sometimes like to think she is. 

Maxwell's Death

When Minkowski kills Maxwell, it's with a gun, not a harpoon. She's trying to be a soldier there. She's trying to do what she has to. I don't know much about how a harpoon is fired, but I've a feeling that there's less uncertainty about whether a harpoon was fired deliberately than a gun; the ambiguity around Minkowski's agency in Maxwell's death is a key part of the story that wouldn't work with a harpoon. But perhaps more importantly, I don't think there's meant to be a sense of victory or relief in Maxwell's death, unlike Cutter's. The harpoon - as a weapon that has become strongly identified with Minkowski as a character - is saved for moments when Minkowski is asserting her power in an active way that she isn't conflicted about. 

Ep61 Brave New World

About a third of the way into the finale, there's another indirect mention of the harpoon:

RACHEL Y-yes, sir… Umm, we also picked up some chatter on their weaponry supplies… Firearms, explosives, something about a harpoon…

This is a nice little reference which reminds the listener of the harpoon in anticipation of its big moment later on in this episode, while once again playing with its incongruity in a list of more typical combat weapons. Given that Minkowski and co. have guessed that they are being listened in on here, their choice to talk about the harpoon might be seen as their way of having a bit of fun, or it might be seen as their way to imply the same threat that Minkowski made to the plant monster. Cutter had warning, but he didn't heed it.

Which brings us, of course, to the harpoon's most significant moment:

Cutter frowns. Then he hears it: CLA-CLUNK! His eyes widen.  MINKOWSKI Let's see you catch this.  FWUUUMP! An ENORMOUS THING IS SHOT. A moment later, Cutter COLLIDES AGAINST THE WALL, IMPALED.  MR. CUTTER ... a... harpoon? That's not... how this is... supposed... to... He struggles for a few more moments...and then he stops.

This scene is a classic instance of Wolf 359 utilizing the audio medium to leave a significant element of the situation unknown to the listener until the right moment. We don't know that Minkowski is carrying the harpoon. We don't know that she's readying it as Lovelace talks. When we hear something fire, there's a moment where a listener might or might not have realised exactly what just fired. It's Cutter who delivers the glorious revelation. It gives the moment an additional burst of triumph that Cutter's final words are an expression of shock, not just that he has been defeated but at the weapon with which the killing blow was struck.

Human unpredictability 

It's not just that Minkowski kills Cutter with a harpoon; it's also that she wouldn't have been able to kill him without it. He can catch bullets after all, so Minkowski and Lovelace's guns are basically useless. Cutter thinks he's therefore invincible, but he hasn't accounted for the possibility that Minkowski might have a less conventional weapon on hand, one which fires larger projectiles that he can't catch so easily. The fact that she's carrying an unexpected weapon - a weapon that might have seemed ridiculous - is what allows her to defeat Cutter and therefore to survive. 

It's a repeated theme in Wolf 359 that the protagonists' strength is not that they are the most powerful or they behave in the most logical ways, but that they are complicated and human and unpredictable and very much themselves - all of the things that Cutter and Pryce don't want in their 'ideal humanity'. When Minkowski kills Cutter with the harpoon, it's a victory for human unpredictability and individual idiosyncrasies.

Making good on her promise

Thinking back to Minkowski Commanding, we can see that the threat Minkowski made to the plant monster absolutely came true with Cutter. He got complacent. He got smug. (I'd argue that smugness has always been one of his key attributes.) And he found her waiting for him, with a goddamn harpoon. The return of the harpoon for this moment suggests the defeat of Cutter is a culmination of some of the motivations and traits that Minkowski showed when hunting the plant monster, now channeled in a more suitable direction. She continued trying to get them "that much closer to going home". Her - sometimes absurd - determination provides a throughline from an episode that was mostly comedic (Minkowski Commanding) to a dramatic emotionally powerful finale. As Sarah Shachat put it in her audio commentary, Minkowski "makes good on her promise [that she makes in her harpoon speech in Minkowski Commanding]. That's why she's a hero."

It's significant that Cutter dies from an unlikely weapon that is so strongly identified with Minkowski. It makes that moment feel like truly hers (although she is of course right that she couldn't have done it without Lovelace - that's called being part of a crew). 

As the Commander, it feels apt that Minkowski is the one to kill the long-standing 'big bad'. Pryce is arguably the same level of antagonist as Cutter, but he's the one that we've been aware of since we became aware of larger sinister forces at work in this narrative. 

And if Minkowski has a personal nemesis, it's Cutter. He's the one who recruited her into the hellscape that is the Hephaestus. He played on her ambitions to get her where he wanted her. She trusted him the way she trusted the official chain of authority at the start of the mission. And that trust was extremely misplaced.

The significance of Minkowski being the one to kill Cutter is highlighted by the fact that she kills him with a weapon that only she uses, a weapon that links us back to her behaviour 40 episodes earlier. The sense of control that she was desperately seeking in Minkowski Commanding might not be completely within her grasp by the end of the finale, but she's reclaimed a piece of it by defeating the man who has been exerting control over her life for so long. And she did it with that goddamn harpoon.

[the-brainrot-central]

Writing over 30,000 words worth of content for a fic only to realize it’s all pointless because you have no interest in it anymore and you were never gonna finish it anyway….

What even is The Point anymore

[toxooz]

Hi Toxooz, how do you get yourself to draw so frequently? 👀👀👀

bc i have literally 84 things going on at once in my brain at all times that my highly visually obsessed brain Has To physically get in front of my eyes so that i can see or else will i think abt it over and over again and Brother I'm always envisioning things characters scenes scenarios outfits designs colors all of it in my cranium like angry itchy itchy ITCHY bees until i draw them out lmfao even if i don't know what to specifically draw at the current moment imma still end up drawing somehow ¯\_(ツ)_/¯ I think at this point it's literally hardwired into my brain that I Gotta draw its what I've been doing since I could hold a pencil tbh it's how i cope with being -gestures vaguely- Here and alive, i actually gotta force myself to take a day off and schedule days where I DONT draw bc I know it's wearing on my hands and wrists 😬 I guess physically drawing grounds me in a way and keeps me (mostly) sane like if I don't draw for a few days i start getting Vaguely Antsy it's fukkin weird and i think at this point my love for my characters has surpassed like any form of art block if that makes sense??? like they literally take up 92% of my brain if not more, and the only way to see them is to draw them but yeah it's just what i do it's my jelly n my jam which is why I'm literally so glad i realized that i don't want to make drawing a job/career bc God help me if i start dreading drawing bc of the stress of money I've been drawing like crazy for like 2 decades straight and I only wanna draw more man idk!!!!! It's just one of them 'how the brain formed around what you do an assload of times' thangs

Answer translation: idk I just like to draw a lot lmfao

[dickgraysonsbitch]

shopping with the batboys ( + bruce )

to my pineapple pizza haters: know you are valid

warnings: none | divider by @cafekitsune | requests open!

With DICK GRAYSON, the most mundane of shopping trips turns into an expedition—leaving your heart rushing and blood pounding. He shoots you a flirty wink before steadying the grip on his shopping cart. “Ready, sweetheart? Because I don’t think you are. I’ve got the bread isle memorized like the back of my—”

“Go!” You exclaim, snorting when you see the shocked expression on his face, like he wasn’t expecting you to cheat to try to beat him. Hey, he was a super-fit vigilante, how else were you going to get a head start against Nightwing? Pushing off of a rack of magazines, you let out a shout of victory as you grab the milk from the fridge. One down, two to go. You quickly place the eggs into your cart, but not before you make eye contact with your menace of a boyfriend, who smirks at you before grabbing the last bag of whole wheat bread. Damn, he really did have the bread isle memorized like the back of his hand, didn’t he?

He bats his eyelashes at you innocently, but not before flashing you a crooked grin. “I think that’s three, sweetheart. 3-2, if you know what I mean, so…” he smiles, but there’s a glint of mirth in his eyes that absolutely melts your heart.

“I’m still calling a foul. It’s your walk-in pantry, and there’s no way that you didn’t have an advantage over me.” You huff, crossing your arms, trying to replicate the cute-but-hurt puppy dog eyes that Dick seemed to have mastered.

He shook his head, chuckling to himself. “Sorry, but a deal’s a deal. I mean, I guess you could go back on it, but…” he looks up at you, with those eyes that could melt even the coldest of hearts, and probably a physical ice statue as well.

“Fine,” you grumble. “We can have pineapple on your stupid pizza. Do you want cereal for dessert?” The last question is supposed to be sarcastic, but the light in his eyes shifts from mischievous to downright carnal.

“Actually, I was thinking of having something else for dessert.”

Oh, boy.

You always knew that JASON TODD was going to spoil you rotten, and that was before you found out that he could cook. It wasn’t fair, actually, that he was probably the most gorgeous, intelligent, and caring person that you knew, all while being kick-ass and super talented at… basically everything. To some, God gave in abundance. Sighing dramatically, you propped yourself on his shoulder and leaned against him with your elbows.

His eyes twinkled at your new position. “What’s wrong, princess? Tacos not your scene anymore?” He was lying, obviously, because you demolished tacos like they were your last meal and you were on death row, but you still huffed and buried your face in his bicep.

“Jus’ thinking ‘bout how fuckin’ perfect you are, Jay,” you mumbled, your voice muffled by the muscle that somehow managed to stay defined under a leather jacket. “You’re really awesome, you know that? I’ve never met someone as amazing as you. They should put a picture of you up at the Met—‘cause you’re a work of art, baby.”

It’s obvious that he’s holding back laughter, from the way that his broad shoulders are shaking, but something inspires him to keep entertaining this though. Probably your endless supply of charm. “Yeah, babe? I knew you wanted me just for my pretty face.” It’s interesting, honestly, how his relationship with you made him more comfortable with… all parts of himself.

You slap his chest, (not that it does anything), a s pout, your brows furrowed. “You’re not funny.” He send you a soft smile, something that should be uncharacteristic for a man of his size, but it works on you, like it usually does.

He presses his lips together before hoisting you up onto an empty display, tucking a piece of your hair behind your ear and out of your face. “Well then, it’s a good thing I’m pretty.” Within a minute of staring at your unamused face, he’s howling in laughter, snickering to himself like he’s the comedian of the year.

And without a moment of warning, you’re sealing his lips with a kiss, sending a tingle all the way to the tips of your fingers, and he’s parting his lips to deepen it even further. His hands palm just above your ass, and you gaze at him with half-lidded eyes, softly running your thumb over his rough cheek, and it feels like paradise until—

“Hey! I thought this was a roommates only grocery trip?”

You and Jason both roll your eyes at the voice, and with varying levels of intensity, reply in unison.

“Shut up, Roy!”

Nothing made you shiver like the husky, low voice of BRUCE WAYNE whispering in your ear from behind you. It was an action that sent your poor heart into overdrive, but here, in this shop that was clearly out of your tax bracket (they had mannequins for diamond embellished puppy collars, for God’s sake) it was as if he was doing it just to show that you were at his mercy.

Not a bad place to be, if you thought about it.

“Try on the dress,” his voice is baritone, and he isn’t using his usual, suave business tone. No, this is the voice he uses when he wants something, and when he’s sure that he’s going to get it. It was like a spell was cast on you, and all you wanted to do was exactly what he said. You weren’t sure you really needed a spell for that anyway.

But still, you hesitated. The dress in question was an Oscar de la Renta mermaid cut gown, in pitch black, no doubt matching Bruce’s own personal aesthetic. The only hesitation? The price. You balked instantly when you glanced at the bill for the first time. Shit, you knew that a custom made dress that didn’t even have a tag on it would be more than your yearly rent. “It’s… 15,000 dollars! Bruce, I can’t accept this.”

He frowned, making you notice the soft wrinkles starting to appear on his face. God, that man took way too much stress for his own good. You’d tried warning against it, but when did he ever listen to anyone but himself (and Alfred)?

“Pocket change, darling. And it’s your first gala, I don’t want you to be wearing something you’ve worn before.” He lightly rubs his fingers against your waist, a promise of something else to come once you accept.

“It’s…” you look down. “It’s a lot. Are you sure?”

“Never been surer. Now, why don’t you look at matching jewelry?”

[comicaurora]

Do you have any advice for trying to avoid ripping off other people's works in original stories? I've been stuck in a weird writers block where anything I do to try and string plots together end up just being plots of other stuff I've read. Is that a problem you've come across before?

Honestly? This might be a hot take, but just get it out of your system. Write the story that's just your three favorite plots in a trenchcoat. Any writing will make you better at writing. To me, this is the storytelling equivalent of doing frame redraws or art style challenges. Art done for practice doesn't need to be free of all influence, and in fact pursuing that total originality is detrimental to the learning process because it forces you to continuously reinvent the wheel.

In my experience, through the process of just writing what you want to write how you want to write it, you'll find both that it's easier to find originality in the execution than you expected, and that originality has very little correlation with what makes a story good. When you go to write the plot you recognize as the plot of something else, you'll probably find yourself making changes. A different character moment to highlight an overlooked concept that spoke to you, a slightly more cruel twist of fate for a character to wrangle. Little original concepts will find their way in, because having ideas is the driving motivator behind creating art. It's always there, even if it's being sneaky or uncooperative.

Most of the time, inspiration is less "this story is good I think I'll replicate it in every detail" and more "I love parts A, B and C of this story, which tells me valuable information about the kinds of story elements I find compelling, which helps me guide my own writing towards things that involve the parts I like most about A, B and C." You'll always be able to recognize your own influences, but from the audience's external perspective, the you-ness that defines your art is much more obvious than it'll ever be to you.

[majorblinks]

DOWNRIGHT ICONIC (aespa karina)

(smut, male reader, screenwriter you, stranger karina, public sex, rough sex [choking/slapping/biting/spanking/hair-pulling etc], oral, anal, facefucking, titfucking, facial, bondage, degradation, name-calling, other weird stuff, 26k words, it's been 1 million years..., BUT WE'RE SO BACK BABY <3)

Hey, turns out the critics really are onto something:

You’re going to win an Oscar for this.

You aren’t surprised when the nominations are announced. It’s all anyone’s been talking about. You’re this up-and-coming screenwriter, this newly-minted visionary, and - cue the applause - you’ve just made the movie of the year. Clips go viral everywhere; the reviews are calling it extraordinary. They all want to know how you - a relative nobody - managed to pull it off. What’s your secret? What’s your inspiration? Where’d you get this billion-dollar box office idea? 

And here’s one version of the truth:

“Well,” you’re quoted saying in every single interview: “honestly, it’s about a girl.”

Everyone eats this up, of course. It’s so fucking romantic.

You’ll tell an abridged version of this story for the rest of your life. A blip in time in early January - a certified slow-motion movie moment. You’ll say things like she was the most beautiful girl you’ve ever seen. You’ll say things like, I know it sounds lame, but that’s how it went. She took my breath away. She fascinated me. I saw her and I don’t think my life has ever been the same. 

You’ll never once say her name. 

“It’s weird, actually,” you’ll say in an interview after the news of the nominations drops. “Making this movie about her. She’ll last forever there, you know? She’ll always exist in this film, in this one moment in time. She’s in all of it, basically - every scene, every line. It’s all her.”

“You make it sound like she’s dead,” the interviewer will say, all open-mouthed melodrama.

You’ll laugh. “Oh, God, no,” you’ll say. “She’s alive and well.” As if it hasn’t been years since you last saw her face, watching you from down the corridor, looking lost and torn apart and very, very small. “She’s okay. I mean - I think - yeah, she’s okay.”

As if you’d know. 

Because here’s another version of the truth:

You’re going to win an Oscar for this. You’re going to stand up on that stage and thank your family and your friends. You’re going to stare at all those faces until they swim together into one golden, glittering blur, and then all you’ll see is her - her dark eyes, her glossy hair, her wrist in your grip, her throat between your fingers - her in your sheets, her smiling in your doorway, her shivering in your shower, her sobbing into her hands, her bleeding in your bed, her walking away. Her, her, her. Immortalized forever in this perfect thing you made, winning awards off the reconstruction of a memory. Art imitating life; reality warped into something magnificent, and beautiful, and better. 

And the only thing you’ll feel like doing is throwing up. 

Sure, you’ll bask for decades in the thrill of it: the fame, the fortune, the glory; the adoration, the worship, the attention; the eternal, endless love. You’ll be able to look back on your life when you’re decrepit on your deathbed and know that you - brilliant you, utterly superior you - were divinely blessed with earth-shattering success, and no one will ever be able to take that away from you. You made your mark. You meant something. You were the best, for fuck’s sake, and you have the accolades to prove it - you really, really were. 

So here’s the full truth - the final bottom line:

You’re going to win an Oscar for this. You’ll live the kind of life people beg God for. You’ll get everything you ever wanted. 

It won’t be worth it at all. 

-

First, though, there’s this. 

-

Disturbingly enough, you’re in the romance section of a bookstore when everything starts. 

This is really not your genre - that’s the funniest part. Historically, you’re bored to death by the cartoonish pastel covers; you don’t get your kicks from seeing the same delightfully quirky heroines fall for brooding bad boys, or whatever the fuck goes on in those books. You have your standards. You prefer your art a little gritty, a little fucked up, a little more interesting - the kind of thing that can leave you shellshocked in a movie theater, overcome with the sort of full-body, lightning-struck epiphany only truly good work can manage. It’s not a judgment call - you’re not trying to be pretentious. It’s just that you prefer something with some fucking bite.

The second funniest part is this: 

You’re pressed against the shelves, surrounded by the cutest, chastest love stories ever told-

“Are you serious?” 

-and Karina’s on her knees, about to take your cock down her throat. 

Maybe this is what your contemporaries call cinematic irony.

That’s gotta be the only phrase for it, really. The scene itself dripping with classless, crude, erotic filth - the way she ducks her chin to spit on her hand, the slow pump of her fist around you, the rough hum in her mouth at how achingly hard you are - nasty and irredeemable, too fast and too loud. The gross lack of subtlety in her sex appeal: all pale thighs and porn-star tits, the wet pink flash of tongue. Seductive in a way that screams at you. It’d be so easy to write this off as some deliberately controversial opening scene, gory shock value, horror-film suspense - starring you and the slut you’re about to ravage and ruin and potentially leave for dead. 

“Baby - are you sure?” 

It’d be so easy, if Karina didn’t look like an angel incarnate.

“I mean, you-” You’re stammering. You’ve got both hands in her hair, fingers sliding through the glossy black in petting, soothing motions - your clumsy attempt at reassurance. “You don’t have to, if you don’t - we’re in public - I’m not expecting you to - I don’t need it-” 

Karina’s fine, sculpted eyebrows twitch upwards. Her lips are a twist of scarlet, distinct and amused. She doesn’t quite smirk, doesn’t give a voice to the sarcasm, but the sentiment is the same - yeah, right. 

And then she lowers her mouth to lick. 

“Jesus fucking Christ-” 

Scratch that, then. This is the funniest part. The most inhumanly beautiful girl you’ve ever seen, debasing herself in public like some sort of desperate common whore - come on, bring in the laugh track. 

Not that anyone’s laughing now. 

You’re no poet - they’re a few sections over, Plath and Yeats and Dickinson - but Karina’s the kind of thing that makes you understand the motivation completely: only capable of being captured in metaphor, without context, painstakingly interpreted hundreds of years from now by people who will never get this right. All carved-out cheekbones, fluttering lashes; tight fuckable body clad in a little low-cut dress, feet tucked neatly behind her like she’s simulating worship. Dirty and religiously devoted in how she stretches her full glossed lips around your cock and lets your grip tangle in her hair and- 

“Karina,” you get out, but her only response is to blink sweetly up at you and suck. 

Well, who gives a shit about the poets, anyway? You doubt any of them ever got to fuck a mouth like this. 

There’s an unfamiliar caution to the rut of your hips, a wincing fascination every time she gags - and she gags loud, choking and heaving, saliva dripping slick around you and down her chin - that seems to both entertain and confuse Karina. A skeptical crease in her forehead, saying everything she can’t: you don’t wanna fuck me up? Ruin me? Cloudy spit falling in strands to her tits, seeping into the crimson fabric of her dress; she’s wearing a worn black sweatshirt that’s slipping off one shoulder, exposing the clean line of her collarbone. The hollow of her cheeks, the obscene painful sound of your cock clogging her throat - it’s subtext, explicit suggestion. A preternatural understanding. I know what this is. I know what you want from me. 

Which - she couldn’t possibly. 

“Baby.” You sound so wretched that it’s humiliating. Karina’s sharply lined eyes seem to flash with humor, smug and lazily self-satisfied. “You’re gonna make me fucking cum.” 

The thick, sloppy, choked noise she makes is the closest she’s gonna get to a laugh. 

Oh, sure, whatever, it’s not like you’re not thinking about it: digging your fingertips into her scalp and really fucking her face, relishing in the way those eyes would go wide and glassy with unshed tears; refusing to let her have control, to let her lick and lap and breathe. You’re scripting it in your head already. You’d strip her bare and make her sob. You’d wreck her throat and cum all over her face and force her to walk out like that: coated in the sticky, filthy evidence of everything you’ve made her - look at this, you’d say, look at what I have. Look at what I did - all this, all me. 

“God.” Your thumb braces against Karina’s temple, like the gentle stroke of a brush, like you’re painting her right into existence. “You’re just-” A harsh gag; a fall of dirty, drooling spit. “You’re really enjoying this, huh? Getting on your knees in public for a fucking stranger?” 

That’s why the fantasy of fucking her into brutal submission is actually so understandable. You don’t know her. You don’t owe her shit. You could destroy her and it’s not like she could do anything to fight back - not when she’s already below you, looking up. When she asked for this. 

Except-

“Karina.” You can’t stop saying her name. “You’re - fucking perfect.” 

And it’s true.

So you cum. 

Karina swallows it all with the same amount of sultry grace she seems to do everything - how she laughs and walks and talks and takes your cock like a fucking professional - languishing in the practiced bob of her throat, the preening flicker of her eyelids, her face shiny and pale. It tugs the same feeling out of you as a flawless shot in a film, a well-timed bit of dialogue: watching an expert at work, pulling out all their stops. One hand through her hair. Her nails the same rich color as her mouth and her dress. Nasty, slutty, impressive attention to detail - Christ, get this girl in front of a camera, get the moon to be her limelight - you’re breathless, you’re enthralled, you’re so fucking far gone. 

Then: the sticky retreating glide of her pouty mouth, lipstick smeared badly down her chin, stark and arresting as blood. 

“In my experience,” Karina says, finally, “being perfect’s never gotten me anywhere good.” 

She pulls the sleeve of her sweatshirt up and wipes her face with her wrist. 

“You’re unbelievable,” you say, dizzy.

“Thank you,” Karina says, sweet like she means it, and sits back on her heels. 

You can’t help yourself; you’re petting back her hair again, cupping her face softly in your hand, caught on the dark glint of her irises. Angel was an understatement. She looks more than that - looks like something holy and all-powerful, something omniscient and blindingly beautiful, something who knows exactly what you need and knows exactly how to follow through. Something worthy of mythology. Something like a god.

And any sort of rough, ruthless, fucked-up fantasy - it’s never going to happen. 

You just can’t ruin a girl like her. 

“So?” Karina’s voice is a smoky bombshell lilt, like she’s just stepped out of some film noir from the 1950s. Hands folded primly in her lap, fingers interlocked like a lady. She could be a pop culture icon, an eternal sex symbol - a Marilyn, a Bond girl, a timeless universal beauty. “What now?” 

You think your brain actually short-circuits. “Sorry?” 

Head tilted, lids dropped low. Smirk still sharp and scarlet. “Are you gonna take me home?” 

You open your mouth to respond, but then a customer walks by the aisle. 

You’re a panicked flurry of motion - zipping up your pants, turning away, frantically patting down your clothes - but Karina just stays kneeling on the floor, little chin on an incline, utterly incriminating. It doesn’t matter. The customer passes you by. The world returns to the way it should be: just the two of you.

“Karina,” you say, flabbergasted by her composure. 

Karina’s lips quirk. “What?” 

You shake your head and offer your hand to help her up, but Karina laughs instead - actually laughs. It’s peculiar, beautiful: raspy like a chronic chainsmoker, as though there’s something foreign she’s trying to dislodge. The raw, gravelly aftermath of a skinned knee, a grisly scrape over skin. 

“Wow,” she says, and stands all on her own, tugs the sleeves of her sweatshirt over her fingers. “That’s a yes to taking me home, then?” 

“What are you doing?” You’re laughing too - you can’t help it - reaching for Karina’s tiny waist to pull her in. “What are you - what do you want?” 

When Karina smiles, it seems to set her eyes aflame. Bright and dancing, lashes like a shroud of smoke. “What do you mean?” 

“You just met me.” It sounds feeble, somehow: a thin, useless excuse. Nothing against the way her body slots between your hands, a smooth effortless fit; nothing compared to how she kisses you between sentences, so quick and easy it already feels like a habit. “You don’t - you don’t know me.” 

Karina’s mouth puckers, coy. “No?” 

“No,” you shoot back, grinning, but it doesn’t sound convincing at all. “Come on, baby, seriously. What do you want?” 

There’s gotta be some motive, you’re thinking. There’s gotta be a reason. Karina is so still, so soft and pliant under your hands, all the carved porcelain perfection of a marble sculpture but with none of the cold stiffness. Spine curving under your fingertips, jaw tilting into your touch. 

A complete stranger, maybe - but every part of her body is begging to be known. 

“Don’t you get it?” Karina says. “I want whatever you want.” 

It’s so simple and earnest it takes your breath away. 

“I - Jesus.” You’re biting on the inside of your cheek, drinking her in. “What if I told you I don’t know what I want?”

Another rasp of a laugh, sound like the serrated edge of a blade. “I’d say fine, okay.” Karina’s voice is low, conspiratorial. “But I’d think you’re lying.” 

And here’s the thing you know for sure:

The very second you saw Karina you swear you saw the next hundred pages of a manuscript unfurling in front of you, lines and themes and gorgeous dark-eyed heroines, tragically beautiful endings and stunning cinematography - infinite narratives in the glossy sweep of her hair, in the seductive stretch of her legs, in the way she looked at you in a crowded room and smiled a lovely, secret smile and told you she’d follow you anywhere. She’s worth making art about. She’s worth devoting lifetimes to. The most honest thing you could say to her right now is baby, I’m writing a movie about this one day, and I think you’re really gonna like it.

Karina couldn’t possibly know any of this, but it still feels like she does - impractical knowledge in how she loops one arm around your neck and kisses you again, no hesitation. Like she actually knows you. 

“I want to fuck you,” you murmur against her mouth, because it’s the next most honest thing. “Is that enough for you?”

You’re a screenwriter. You know your horror movies. A small part of you recognizes that this is precisely how they start: fanged vampires, wicked succubi, femme fatales out for blood. Karina’s so gorgeous she can’t be human - teeth so sharp there’s no way her intentions are pure.

“Sure,” Karina says, smirk glimmering like starlight. “Then I want that, too.” 

It’s a murder plot waiting to happen. 

You take her home anyway. 

-

(Oh, and about your Oscar-winning script-

In theory, this is how it begins.

It’s classic. There’s a stranger and there’s a beautiful girl and they’re both sitting at a bar, talking for the very first time. The girl has a rose tucked behind her ear; it matches the crimson color of her lipstick perfectly. The stranger had asked her what the deal with it was, but she’d said something vague and nonsensical about it being a gift, so now they’re talking about normal, average things. Jobs, names, flirtatious pickup lines. It’s obvious because it’s meant to be, like a set-up to some predictable porn - everyone watching knows they’re going to fuck. 

She keeps getting closer to him. At one point he thinks she’s going in for a kiss.

Instead, all she does is pluck the rose from behind her ear, and hand it to him. 

It’s okay, she says. No thorns. 

He stares at the rich furled petals and the whittled-down stem. 

Thanks, he says, amused, charmed. He thinks there’s something odd about her. He likes it, though; if she were as beautiful as she is - which is very beautiful, exquisitely fucking beautiful - and she behaved like most people do, he’d find her terribly boring. 

He takes it from her. Turns over the rose in his hands absentmindedly as she keeps talking. She’s got all this hair: wild and glossy black, pouring over her thin shoulders, her ribs, her tiny waist. After a moment he feels the sharp prick of a thorn against his fingertip and releases the rose in surprise. 

You said there weren’t thorns, he tells her, laughing. Ow. 

Whoops, she says. Then: Did it get me too? 

She turns her head, pulls her hair out of the way. There’s a scarlet bead of blood trickling down the side of her perfect pale neck. He can’t quite tell where the point of entry was, where the thorn had dug in and broken skin. It’s bleeding a bit too heavily. Covering its tracks. 

She swivels, slightly. She sees the look on his face. Is it bad? she asks.

No, he says, though he can’t really tell. But - couldn’t you feel it, though? The thorn? 

The girl presses her hand to the side of her throat. It comes back bloodstained, a neat smear of red along the lifeline of her palm. 

No, she echoes, though this can’t possibly be true. Hey, you wanna get out of here or something? 

Alright, he says, smiling. They both stand. They leave the rose where it is. Let’s go. 

He cups her cheek instead of her neck when he kisses her for the first time, so he doesn’t have her blood on his hands.

It starts simple like that.) 

-

Karina’s so out of place in your apartment that it’s almost laughable - or it would be, if you were capable of thinking about anything but her mouth and her hands and her tits crushed up against your chest as you pin her to the doorframe. She keeps making these little sounds into your mouth: low and throaty, almost agonized. You swallow all her moans off her lips - oh, baby, you’re okay - and you only kiss her harder. She doesn’t belong, among your carpet worn-down from pacing and your laptop still open and idling and the mess of incoherent colorful post-it notes pasted to your fridge. She doesn’t fit here. Here kissing your mouth, here in your arms, here on fucking earth with the rest of you heathens-

“You wanna fuck me so bad,” murmurs Karina, chin on an incline, staring up at you, “then do it already.” 

She doesn’t squirm or fidget; she doesn’t get needy or start begging. She stays pinned down by your body, lips parted, and stands completely still. 

It’s like she’s telling you to make your move. Waiting for something inevitable. 

“What happened to patience?” you say, anyway. 

Karina’s mouth curls. She palms your cock through your pants. “What the fuck is that?”

You try to laugh, breathless and turned on, but all she does is kiss you again.

You’re a creative - you’re ready to attribute meaning to every movement - but there’s nothing so profound about it when you get Karina on your bed, all that thick black hair fanned out on your sheets, her hands grasping to get your shirt off - off, she murmurs, off. Even that comes out measured. She never shakes. She’s so sure. You kiss her everywhere you can reach, her face and her neck and her collarbone and her tits, drunk on the soft, humming sounds she makes when you do. You’re so fucking gorgeous, you can’t stop saying, and Karina keeps laughing that same raspy laugh, like it’s the most hilarious thing she’s ever heard. 

“You told me you already know that, right?” You’ve got her face cupped in one of your hands and your other one at the neckline of her scarlet dress. “So what’s so funny?” 

“Everything.” Her teeth glint the way fangs would, a deliberate trick of the light. She’d be villainous if she weren’t so content to be trapped underneath you. “All of it.” She presses her palm to the side of your neck. “You’re too nice.” 

“Fuck.” Your thumb accidentally digs too hard into her cheek. She doesn’t wince, but you feel it - the stomach-turning thrill, the possibility of leaving a bruise. Your hand drops low - lower, down her throat and her tits and her flat midriff - and slips between her thighs, up her dress. It feels safer, somehow. “How do you manage to make the word nice sound like an insult?” 

“It’s not,” she says, simply, and spreads her legs. 

And it must not be - because Karina’s so wet. 

She makes another low velvety sound when you first touch her, seems to melt into the stretch of your finger in her cunt - just one finger, and her back arches faintly, prettily, hips lifting to take more. “Jesus,” you mutter, but Karina’s not looking at you: her eyes are shut tight, lashes fluttering black, tits heaving in her dress with each draw of breath. You’ve fucked girls who’ve seemed unsure of themselves - embarrassed by their own wantonness, how wet they are, how bad they want it - but all Karina does is wrap her hand around your wrist and tug, once: a clear soundless plea for more.

For a second you’re actually, positively certain that you’ve lost it. 

It’s abject fantasy. It can’t be real. You in your apartment with the dream girl - the personal Aphrodite - the muse; God, if anyone was ever made to be a fucking muse, it’s her - underneath you with her ridiculous tits and her tight little pussy, face like a Hollywood dream. Ludicrous. Impossible. Bucking as she tries to fuck herself deeper on your fingers, all the way to the knuckle - slowing down only to say you wanna fuck my cunt open with your big fat cock or what? 

“I,” you try to say, strangled - her mouth’s so fucking filthy. “I was - I mean - we could take it slow-”

“How romantic,” says Karina - and this, too, sounds like a heinous insult coming from her - but she drags your wrist to her lips and sucks her own slick off your hand anyway. 

You choke on your next breath. “Karina-” 

She looks up at you, unflinching, tits half out of her dress and cunt dripping down her thighs. Lipstick worn-down, kissed-off. All over your mouth, or your throat, or your shirt. Mouth chapped from the cold and stained marvelously pink. There’s something in the way her smile forms slight and crooked every time you say her name, as if there’s some private joke you’re not in on. 

“You’re such a gentleman,” Karina purrs, all syrupy-sweet condescension. Then: “You really don’t have to be.” 

She licks the pad of your finger. She’s so completely shameless. You feel monstrous on top of her, in this sick, superior way, like she’s just too small to be so sopping wet and slutty and fuckable - too beautiful to be anything but treated just right. 

“If you want me to fuck you like a whore, baby,” you tell her, half-joking, “then just say that.” 

It’s a mistake the moment it leaves your mouth - a line crossed. Because all Karina does is cock her head, your wrist gripped delicately in her hand, her legs parted underneath you, and stares. Almost droll, bemused. Like you’re so goddamn predictable.  

“Didn’t you hear me?” That perfect face sears right through you. You’d nearly fucked that face. Not quite. Not yet. “I want whatever you want.” 

She’s even tinier than you originally thought she was. You only realize this now, tracing her stomach under your fingertips, feeling the sharp relief of each rib straining beneath her skin. You don’t know it until you touch her, but you can span the width of her thigh under one hand. It sends a strange shiver through you: mapping every jut of bone, every startling edge. She’s tiny. Breakable, practically. Men meaner than you have probably thrown her around, fucked her up against walls, used her like a toy. 

“So,” says Karina. “What do you want?” 

Your fist clenches tight in her grasp, right in front of her face, knuckles going horrifically white.

Like you - like you’re going to-

An accident. A primal sort of gesture, like you’re less than human, turned under her touch into some feral hot-blooded animal who can’t control itself: carnivorous, predatory. You stare at your own hand and then the sharp scythelike curve of her mouth and feel revolted embarrassment crawl straight up your spine. 

It’s abhorrent. 

It also doesn’t even seem to matter.

Karina doesn’t go wide-eyed and nervous; she doesn’t look at your wound fist like she’s scared of what it could do to her. She clicks her tongue, once. Like this, too, is something she already saw coming.

“I thought so,” she says, anyway. Maybe this is it, what does it for her; looking the devil full in the face and begging to be burned. “Then do it.” 

“I can’t do that to you,” you mutter, but you tug her dress up, and you fuck her anyway. 

-

She’s a stranger. This is the point of fucking strangers. To do things to them that you’d never do to anyone else - to take out your worst impulses and tell your best lies and know that none of it matters, in the end. Because they’re nobody, and because you’ll never see them again. 

But you just can’t. 

She’s too indulgent and stunning and soft, with her low moans and the addicting drenched heat of her cunt, hand gentle and careful on the nape of your neck so she can keep pulling you into a kiss. She’s made up of curves, delicate edges - those hips and those tits you can’t keep your hands off of and her lips in a dreamy smile - and you find yourself stroking her hair back from her face so you can drink it all in: the blush in her cheeks, the almost serene way she lets her eyes slip shut and her mouth drop open, slack and enticingly wet. So good, baby, you keep telling her, because she is, her entire body warm and wanting and so easily fucked open, little pussy swallowing your cock right up. She doesn’t fidget or plead. She’s so sweet, such a perfect fit, humming into your mouth as your cock eases her open; so wet you can hear it, the sloppy squelch of her cunt when you bottom out. Your voice comes out coaxing. You like that? That feel good? Taking my cock so nicely, huh?

“Mmm,” Karina breathes, in an exhilarating moan, right into your mouth, against your tongue. “Mm, mm-”

She never quite manages full sentences. Never finds it in herself to make any more obscene demands. Just gets all small and soaking underneath you, licks messily at your bottom lip, and lets you do all the talking - lets you draw a careful hand through her hair and drop your other one between her thighs, clenches tight around your cock when you rub at her clit, keens low in her throat and listens. To the good girl, to the I got you, baby, to the that’s it, there you go, this is what you wanted - I know, honey, I know, you just needed to get this cunt fucked right, you just needed to cum real bad. I know what this is. I know what you need. 

“Fuck.” She’s flushed pink to her chest, delightfully ineloquent. “Yes-” 

Well - good thing you’re decent with your words, when it counts. Let Karina blush and drool and slick up your cock with every stroke. That’ll work just fine with you.

It’s the kind of juxtaposition you’d really lean into - the kind of thing you’d write just to get so self-indulgent with, a personalized note to the director, a wink and a nudge to every audience member. Look at that. Look at her eyes like something straight out of poetry. Look at her body like a pornographic fantasy. Look at how she gets so tamed and docile and compliant when she gets her tiny pussy stuffed full, creaming all over that cock, huge tits bouncing - look, that’s art, isn’t it? What else would you call it? What else could it be?

“You gonna cum, baby?” She’s so fragile underneath you. Color staining her cheeks apple-red; lips swollen and begging to be kissed. Fictive little fairy tale. “You gonna cum for me?”

“Yeah.” It’s breathy and barely-there. Her chin trembles, jerks in a weak nod. “I’m - I - fuck-” 

See: you just can’t rough her up. It’d be blasphemous. Sacrilege. Taking one single look at the stained-glass windows of a church and tearing it all to the ground.

Still, you’re mesmerized by how utterly vulnerable she looks: the glossy shine to her irises; the way she inhales all slow and shaky, body slipping from some sort of precipice. Not just like she’s near-tears, but like she’s stunned - struck dumb from a violent blow, mouth wide open in the aftermath. And it’s just sex - and, fuck, you’ve said it, you see things the way every obsessive artist does; sex is never just sex. Every one thing means something more. A metaphor. An allegory. You get nasty and debauched and dirty because you know exactly what you can spin it into. Put the entire scene in a silent film and everyone can swoon about the things you might be saying to her, this impossibly captivating stranger in your bed with her graceful name, her dizzying moans, her shuddering frame in her orgasm. Don’t you get it? you could be telling her, hand brushing gently over her sweat-damp hairline. Don’t you feel that? You’re a stranger to me, baby, but you don’t have to be. There’s a reason we met. There’s a meant-to-be here, somewhere. I’m not a believer, sweetheart, but you could make one out of me - I swear you could, I promise-

But that’s the reason why these things are best left to the imagination, anyway. 

A million scripted sweet nothings - and none of them manage to make it out of your mouth. 

“Karina.” Your hips jerk hard. You sound half-possessed. “So pretty, cumming all over my cock like that. Such a perfect little cunt, baby - so fucking good-”

Her eyes suddenly shut tight; her body arcs into your touch, lips parted in a silent gasp. And for a second it seems like such a snapshot of innocence, like she’s brand-new to getting fucked quick and rough and dirty - though you know this can’t possibly be the truth, not with the way she flirts and whines and drips for more like she’s made for it - but she’s trembling under your fingertips, and you can dream. She’s your beautiful stranger, your pristine muse; you can pretend she’s whatever the fuck you want. 

“God,” Karina murmurs, so soft and weak it makes your head spin. 

Before you know what you’re doing - before you can even think twice about it - you’re pulling out, and cumming all over her stomach. 

You can’t help it. You shouldn’t have had that thought about innocence. Jesus. This is what you mean, about you and your own painful humanity; you’ve got all the same vile desires. When you see a pure thing - all that porcelain skin, all that thick glossy black hair, all those gleaming white teeth in her open mouth - your very first instinct is to fuck it up bad.

You’d do worse, if you were worse - you’d make a real fucking disaster out of her. 

“Baby,” you say, breathlessly. “Are you…”

And Karina, then, does something truly evil: 

Sighs luxuriously, stretches her arms above her head, eases those gorgeous eyes open, and smiles. 

As if she’s reveling in it. The scent of sex - the defiled tautness of her tummy - the way you’re not sure where her little red dress or her shoes or her panties are, how her cunt’s dripping wet onto your sheets, her hair a glorious mess. Grinning in the face of utter filth. 

“You,” you exhale, running your palm down her side. “You’re so…” 

Karina’s mouth pulls up at a corner, like she’s daring you to finish the sentence, but you never do. 

You can’t stop staring at the stretch of cum-covered skin before you. Coating her belly, pooling into her navel. You realize with a start that there’s a new bruise blooming on her chest, a vicious sort of bite mark. You can’t remember when you did that. You’d been kissing her - of course you kissed her - her mouth and her neck and her tits, but you’d been so gentle, sucking light and soothing her skin with your tongue after-

“You didn’t want to cum inside me?” Karina asks, hoarsely. 

You blink so hard your vision blurs. “What?” 

“Right.” Her eyeshadow’s smudged dark underneath her eyes, making her look deliciously used up. “You did want to cum inside me.” 

“Karina,” you warn - or, at least, you mean to make it sound like a warning - but her name comes out too faint. It’s horrific. Your hand traces her hipbone so reverently. You’re no match for her. 

Karina arches a brow in unhurried challenge, ghosts her hand across her tummy. Takes two fingers and drags them through the cum you spilled, pulls back with it clinging thickly to her skin. Drifts down, down, down. 

“Karina,” you try to say again, even more pathetic than last time. “Jesus-” 

But you saying her name holds no weight here; she’s made that more than obvious. Nothing to stop her as she smears her cum-slick fingers across her glistening pussy, gaze locked amusedly on your face, tracking your reaction. She’s still so fucking wet - she rubs your cum in circles across her clit - tossing her head back a little, chest heaving and falling, fingertips just barely dipping inside her cunt-

“I can’t.” Karina lifts her hand to pop her fingers in her mouth, sucks them clean. Pointedly flashes her too-sharp nails at you like she’s unsheathing claws. “If you want it, you’re gonna have to do it yourself.”

“You,” you say, though your hand’s already pressing hard into her ribs, “are fucking cruel, baby.” 

“And you,” replies Karina, head tilting, “just want to see my cunt all filled up and leaking your cum.” 

Oh, she hasn’t been wrong about you all night. She certainly won’t start now. 

“What?” A sly, languid smirk tugs at her lips. “Afraid you’re gonna knock me up or something?” 

Your breath halts right in your lungs.

You’d been right about her too, it seems. Succubus. Vampire. She must be; she’s bloodthirsty. Tits gleaming with sweat, the scarlet stain of that bite mark you can’t remember leaving, cunt all dripping wet and desperately empty - body like a fatal fucking blow. 

Karina’s eyes glint. I want what you want, she’d said. 

With the way she spreads her legs, she’s gotta be ready to prove it.

So you never stood a chance. You give in and scoop up cum with one finger and sink it deep inside her aching cunt, feeling as she clenches down, as she takes it so well; like a good girl, you tell her, letting me do whatever I want with this needy little cunt; that’s my good girl. Karina lifts her hips - goes so still and so obedient - and lets you repeat it over and over again, fucking into her with your fingers until the plane of her stomach is bare and sticky and her cunt’s dribbling your cum onto your sheets. It’s completely nasty. It’s hot. It’s Karina craning her neck back and shutting her eyes as you bury three fingers inside of her and fill her with your cum, every part of her in utter surrender, entirely at your mercy, breathing out hard through her nose until your thumb rubs at her clit and she’s cumming again, all over your hand. She gets this look on her face, afterwards - exhausted, every line of her face gentle and lax - staring up at you like you’re the only person still left on this planet. Adoring, almost. As if you’re something out of another world. 

It’s an expression too sweet for a scene like this - and it’s exactly what men like you make art about. 

“There,” you say, soft and mesmerized, wiping your hand across her chest. “Satisfied?” 

Karina laughs her strange, gravelly, gorgeous laugh. 

“No,” she says, shamelessly. “But that’s not your fault.” 

Your fingers curl around the curve of her jaw. “No?”

She barely looks like she belongs in your bed - she must be something divine, lit from within, god-blessedly gorgeous. She’s a fucking fever dream: stunning eyes and the bob of her throat and her tits and her curves and all that hair. Stay, you think of telling her. Let me see what I can make of you. I don’t know you yet but I could, baby, I really could. 

“Nope.” Karina smiles, and somewhere, soliloquies are writing themselves. “I always want more.”

“Okay,” you say, mouth hovering over hers. “Then stay.” 

-

So she stays.

-

(An update on your script:

The stranger and the girl are back at his place. They’re sitting on his couch. Nobody has cleaned off her neck. He’s been too busy pawing at her: at her face, between her legs, at her tits in her tight dress. I need you, he’s been murmuring to her, and it feels like he really means it: like he’ll die if he doesn’t get her desperate and whining underneath him, his cock stretching her tight little cunt wide open. He doesn’t feel too bad about it. She’s a dirty slut. She’s said as much. She’s got her own needs, too. 

What happened to your window? she asks, suddenly.

He pulls back from her chest, his spit clinging shiny to her skin. 

She isn’t looking at him. He has the sudden, unnerving feeling that she hasn’t been looking at him the whole time. Not like she’s had her eyes closed in blinding, overwhelming pleasure - but like she’s deliberately been trying to look at anything else. 

But his hand falls between her thighs, and he realizes she’s already wet. 

A bird flew into it, probably, he says. That happens, sometimes. 

They’re talking about the stain on the once-clean glass of his window. The backdrop of the night sky behind means it’s barely visible, but the suggestion of it is enough. Implicit gore. Tiny little black feathers, caked in blood from the impact, dark and dried. It’ll be scrubbed off soon enough, he knows. It’ll be all gone eventually. 

Oh, she says. She doesn’t apologize for potentially killing the mood. She hasn’t, anyway, not really. She’s still wet and small underneath him, begging for it. Poor thing. 

Yeah, he says. 

She turns back to him. Her hair’s everywhere, all over the arm of his couch, wayward strands beneath his fingers. She’s clearly expecting something - to be kissed, to be fucked hard, to be called baby and angel and good girl. It doesn’t really matter either way. Those are the only things he can give her. 

He stares at the blood on her neck. 

Let me clean that off for you, actually, he says, and goes to the kitchen to get a washcloth.)

-

Much, much later:

“I admire you,” Karina says, all tucked up in your bed, underneath your sheets, half-buried into your side. Moonlight bleeds into the room. Her eyes gleam like galaxies. “For showing some self-control.” 

“What?” 

Karina’s hair pours over your pillowcase. She takes your hand and brings it close to her face, working your fingers into a tight fist. 

“Fucking bitch,” you mutter, and then regret it immediately. It lands too harshly, too strange and serious. “Sorry. I didn’t - that came out weird. I don’t think you’re a bitch.” 

Karina’s lips brush your knuckles. “Not the meanest thing I’ve been called.” Her voice twists with humor. She shouldn’t be so comfortable curled up with a man she doesn’t know in the middle of the night. You think of kissing her hard, of scraping her neck with your teeth, of warning her about self-preservation - sweetheart, you could tell her, this is how people end up dead. “Not the meanest thing I’ll be called, either.” 

You shift. Your fist, unconsciously, goes tense in her hand. “What’s your deal?” 

Her mouth tilts. “What’s yours?” 

You huff out a laugh. “You’re unbearable,” you say softly, which feels much kinder than calling her a bitch. “What are you - what do you mean?” 

I’m not hard to figure out, you want to tell her. I’ll let you in if you ask me to. But you - you, you imagine saying, cupping Karina’s face in your hands and saying her name like you’re praying to her, drafting scenes in your head with each whispered syllable - you. Look at you. I’d fill a thousand pages trying to find a way to understand you. 

“If you want to hurt me,” Karina says, “then hurt me.” 

Your throat dries up. Your fist falls open. “What?” 

“I wouldn’t blame you.” Her voice is matter-of-fact. You see her tongue dart over her bottom lip, the slick glimmer of spit. “If that’s what you wanted.” 

You stare at her, hard. 

It’s not difficult to make out her silhouette in the dark; she’s illuminated so distinctly by the moon, like it’s her own on-set spotlight, professionally arranged - she’s got the cosmos calling her shots. You think about how careful you’d been with her: doing what she wanted and making her cum and kissing her like you have history and maybe fucking her like you love her, just a little.

You think about that bruise you left on her chest, her skin between your teeth, the feeling of biting down. 

“It’s not,” you say, and the lie tastes acrid in your mouth. “It’s - it’s not, Karina.” 

“You fucked my face in public within like an hour of meeting me. And fucked me and came on my stomach. And fingered your cum inside of me.” It’s far past midnight. She sounds more alert than she should. “You’re gonna start being polite now?”

It sends an odd knot to your gut, the way she puts it. Equating all of that to hurting her. Laughing in the face of your clenched fist - not because she thinks you won’t do it, but because she knows how bad you want it. 

Hurt me. She says it like it’s so easy. Fuck me. Let me stay the night. Hurt me; you’ve earned it. 

“I’m not polite.” The truth doesn’t taste much better. “I just have, you know, common fucking decency.” 

“Hm,” Karina says, a nonchalant little noise, and nothing else.

You brush her hair off her neck and your fingertips graze the hollow of her throat. You feel her swallow under your touch. You open your mouth, though you’re not sure what you’re about to say - Karina, like a chant, like she’s consumed you in a matter of moments, Karina - but she shuts her eyes delicately, and curls close to you, and just like that the moment is over. 

I have common decency, you’d said. I won’t hurt you. I promise. I can control myself.

So maybe you weren’t right about everything. You’re not the devil. That’d be a delusion of grandeur - the idea that you’d ever have that kind of power over a girl like her. 

Not for long, she’d replied, in the knowing tilt of her smile. Not if I can help it.

-

In the morning, it’s a picture of crime-scene proportions. It takes a little work to piece it all together.

Karina’s not in bed when you wake up, but there are traces of her everywhere - telltale, incriminating bits of evidence. Strands of her hair on the pillow. Blood-red lipstick stains on the fabric. Her crimson dress crumpled on your bedroom floor, sporting a tiny tear in the hem that you don’t remember leaving; you can still smell her perfume all over your sheets, like a calling card. If this was a TV drama - a clichéd police procedural - she’d probably be dead in your living room right now, blank-eyed and beyond saving, rigor mortis deforming her perfect body into something grotesque. 

This is also probably not a thought you should ever relay to Karina, but you do anyway.

“Sorry to disappoint,” she replies. She’s perched on your kitchen counter, dressed in one of your t-shirts, bare legs swinging. “I’m very much alive.”

“I was being dramatic,” you try to say, gesturing with your hands to set the scene - the lighting, the fake blood and the special effects, the potential pallor of her face. “I’m - I’m a screenwriter. It’s in my nature. I didn’t mean I wanted to find your fucking corpse out here-”

“It’s okay if you did.”

You choke. “What?”

“I’m right with you, babe.” Karina leans forward conspiratorially. There’s a sharpness to the dark glint in her eyes that kind of makes you think she really does understand: that she has the same tendency to jump to the worst possible conclusions. A kindred, morbid spirit. “I get it. I’m pretty devastated that I’m still breathing, too.”

She says this all in a scratchy, sultry voice, hoarse as though she’s been sleeping for years instead of hours. Lashes fluttering like she’s just told you something very adorable and sweet.

“God,” you say, desperately charmed, and laugh until you feel light-headed. “You’re sick.”

Karina’s mouth curls. “Right.”

“I’m serious.” It’s surreal: her wearing your clothes and sitting on your counter like this is an everyday occurrence, indulging every fucked-up thing you say to her. Maybe you’re still caught somewhere in a dream, just waiting to wake up. “You’re, like - not normal.” 

“Hey.” A light, careless shrug; her palm rests over the back of her neck. “No arguments here.”

You rub a hand over your eyes, smiling like an idiot, and take a breath. 

It’s late January, and cool sunlight drips into the room, over your furniture and your floors and the angel right in the middle of your kitchen. It should wash her out, blur her at the edges; it doesn’t even come close. Turns her to a freeze frame instead, carefully color-graded, every hue just a bit too intense: skin ghost-pale, lips pouty and pink, hair jet-black and tangled to her waist. Your shirt hangs off of her slender frame like it aims to swallow her up. You thought you’d been stunned by Karina before, lulled by the late night, the electric rush of touching her - you’d assumed you could blame it on the alcohol, the slutty dress and the sultry makeup and the long-held habit of artistic romanticization-

But it’s nothing compared to seeing her now. 

Karina crosses one leg over the other, and waits as though expecting a rating: to be starred out of five like a film. 

Face scrubbed clean. Bone structure a study of faultless symmetry, delicate in a way that feels both inhuman and invulnerable. She’s so classically breathtaking - a miraculous second coming of a tragic, iconic movie star, a phenomenon back from the grave; jaw and nose and mouth all clean lines, aesthetically precise art - but God, those eyes. Enormous without the thick liner, suggestive only of impossible innocence. Like some darling baby animal, some long-lashed lamb to the slaughter - something pristine and completely untouched. 

The morning after, the direct light, the exposed behind-the-scenes - she’s still beyond beautiful. 

And somehow she’s still here with you. 

“That’s insane, by the way,” you say, unable to stop yourself. “That you stayed.” 

There’s a loud cracking sound. 

You squint, disoriented. “What-” 

Karina blinks at you, wide-eyed; her jaw shifts. The sound echoes again, startling and sudden. “What?” 

“Are-” You step closer. “Are you chewing on fucking glass or something?” 

“Or something,” Karina replies, smile’s tiny and closed-off. She gestures to the cup next to her. “It’s just ice.” 

She’s so calm watching you approach her. You’re waiting for the other shoe to drop, for the freakout, for the breakdown - or, at the very least, the scrambling excuses before the walk of shame. Here’s the truth: she doesn’t know you. Here’s an even worse truth: judging by her hickey that looks like you might’ve tried to rip her throat out earlier, she’d have every right to take one look at you and run. 

Karina doesn’t do any of it. Just raises her cup to her lips and tips it back, the arc of her neck so inviting. 

“That’s so fucking bad for your enamel.” You’re laughing again. You’re in front of her now, settled between her legs. “You’re gonna break a tooth.” 

Karina sets her glass down. Wipes the corner of her mouth with her wrist, eyes locked amusedly on yours - heavy-lidded enough to seem lazy, but pupils blown enough to be a siren call, a deliberate suggestion.

“Oh, no,” she says, all smoky sarcasm. “Who’d ever want me then?” 

She parts her thighs the second you touch them; her body’s so obedient under your fingertips, like a doll’s, something to be dressed up and posed and played with. Daring you to do everything you’re already thinking about doing. 

“You’re ridiculous,” you murmur, and give in completely.

So:

Look, you know exactly how the movies would frame this. Pandering to the wide-eyed teenagers and hopeless romantics; adding the swell of strings every time your eyes or hands or lips meet, each motion accompanied with unsubtle cues - there’s the meet-cute, there’s the moment, there’s the love-at-first-sight. It’s ridiculous to drag any of that into your real life, of course. It’d be like believing in God. Giving up logic to put your faith in something silly and mythic and implausible - to follow true love like a religion, expecting it to save your soul; to pray to the one like a healing property, a benevolent higher power. 

You can’t believe in that. You can’t. 

But-

Karina pulls back the barest amount, eyelids fluttering open like a new day dawning, and smiles when she sees the look on your face. So sweet and gorgeous; so struck and adoring. So comfortable wrapped up in your arms.

“Hi,” she murmurs. 

And - as though it’s some bone-deep instinct, saturating your bloodstream - you just have to kiss her again. 

Don’t you feel that? you think of telling her again, your hand slipping to cup her cheek - the sentiment always seems to come back around. You swear you can see scenes flashing behind your eyelids, the beginnings of a creative epiphany; it must be seeping through your fingers, staining her skin with ink, every possible action depicted neatly between brackets. A laugh, a look, a touch. A version of Karina projected across the silver screen to a wild, wanting audience. Don’t you see what you could do for me? What you’re capable of becoming? 

You can’t believe in any of this, but it’s gotta be something close. 

The feeling doesn’t end when the kiss does: only intensifies, made tangible somehow. Sculpted into the spit-slick curve of her lips, the flinty gleam in her eye. Like she feels it too. Like she knows. 

“And it’s not insane that I stayed,” Karina says, belatedly. “You asked me to.” 

For a moment you just stare at her, seconds from her mouth and speechless. 

It’s the truth without difficulty. It’s a confession with no strings attached. It’s the fucking dangerous way she says it - as if whatever you want extends to a lot more than sex. 

“And you don’t-” Your throat closes over a swallow; you find your eyes darting between hers, searching for anything but honesty. “You don’t think that’s insane? Doing whatever a stranger tells you to?”

Karina only laughs her strange laugh, gritty the way good music is, demanding to be heard.

“Nope,” she says, like this is all so simple. “That’s just what I do.”

It’s unbearably filthy in its implication - and it’s exactly what you need. 

The room seems to fill with potential, fantasies pouring in from the ceiling, enough to bloat any manuscript to its breaking point. You let out a breathless laugh, loud and unabashed. You think of pushing for even more, pressing your nails in and digging deeper - why me, why this, why now - but Karina leans in close before you can and slots her mouth to yours, and you’re no fool: there’s no line of questioning worth giving that up. 

Seems like you’ll have to come up with this character motivation all on your own. 

-

“Look at us,” she murmurs against your lips - meaning this very minute, the chemistry, how every glittering star must’ve conspired to get you here. “Kinda feels like this was meant to be, huh?” 

She’s clearly kidding, because it’s too soon and too fucking crazy, but-

Well, the way you kiss her then is absolutely your version of a yes. 

-

Here’s something people should probably know about artists like you:

You’re rather enamored with the idea of a magnum opus. 

It’s a natural thing to reach for, to visualize - the concept of your one great masterpiece. Something you can pour years and years into, water into roaring reckless oceans; time transforming the things you make into something worth remembering forever. Everyone you know - your sculptors, your songwriters - has their own version of this, somewhere. When I finally create this one perfect thing I’ll be - go on, fill in the blank. Fulfilled. Gratified. Happy. When I finally do this, I’ll feel whole. 

It’s strangely fantastical. A lifelong dream a kid would have - a childlike, storybook aspiration. 

Yours - as far as you’ve figured out - looks a little like this:

“It’s not as romantic as it should be,” you admit, now. “I’m not really into that as a theme. True love, I mean. Or optimism. Or hope. I want something more…” Something rougher, you mean. Something with pain. Something with blood and bruises. “Nuanced, you know? Complicated, messy.” 

“I get it,” replies Karina. She has her hands twisted in her lap, watching you very closely. You’re obsessed with the way she looks at you - like she’s drinking every word in with those smoldering dark eyes, greedy for more. For you. “All the best art is about pain, huh?” 

You snap your fingers, pleased to be understood. “Exactly.” 

Karina smiles, small and knowing, and gestures you on. 

In your vision, your magnum opus is always about a girl. Like you said, it’s the way it goes with all the best films ever made: not about love, but the futility of it lasting. Think of all the famed examples - think of the filmmakers and their obsessions, sneaking the great loves of their lives between each line: there’s something she said, there’s a dress she wore, there’s a conversation they had in the middle of the night, tangled up in sheets and whispering against skin. Your future muse will be just like that. A reincarnation of the infamous women who haunt all the greatest artists - an amalgamation of their bodies contorted into narratives and replicated in loving, graphic detail. Someone with skin like marble, a statue you could take a sledgehammer to. Someone who looks unfathomably pretty when she cries. 

Someone like-

“Uh-huh,” says Karina. She must’ve just gotten out of the shower before you found her, because her hair’s damp enough to have left wet patches on your t-shirt. She licks her bottom lip, once. “Sure.” 

Someone to be what you’ve always wanted: a flawless girl to fall from the sky into your lap. To fulfill your promise to yourself: when I meet her, I’ll know. I’ll be able to make this movie. When I meet her, everything will slip exactly into place. 

Karina cracks another ice cube between her teeth.

“So,” she says, low with insinuation. “When you told me last night that you found me inspiring…”

She doesn’t need to finish the question. She knows exactly what you want.

“You’re…” You shake your head. “You’re the most beautiful girl I’ve ever seen. I saw you and I just - I felt like I knew. I knew. I wanted you.” You shrug helplessly, smiling. “Do you think I’m nuts?” 

She should, probably. You’re a total stranger, a practical lunatic, an artist talking of your visions like you’re possessed. You don’t know her - that’s the reality of the situation. You don’t know her. 

But then there’s everything else.

The unbelievable sex, the staying the night; the way she lets you touch her, blinking slow and subservient, like you already have a claim to her body. You think muse and you think in abstract concepts, glittering stars, guiding lights; you think of skin cut up and sewn together, of creators and their finest monsters, of the implicit poetry in the undoing. You think muse and you think of the way Karina smiles at you now, full lips and frail bones, a painter’s portrait reference. Unmoving, unafraid. Too otherworldly for your day-to-day but just right when she’s in your arms, like a trial-run demonstration: this is what we’re capable of. You could make it happen. You could make me fit.

You swear you’ve been dreaming of someone like her your whole fucking life. 

You think muse, and now you can only think of her. 

It’s a sign. It must be. And this, the next one:

“No,” Karina says, easily. “I think you’re just like everyone else.” But she raises an eyebrow, so you know it’s a joke. “I think you’re all the same.” 

You laugh, delighted; Karina’s smile widens, shows her teeth. “Shut up.” 

Karina acquiesces immediately - claps a hand over her mouth like it’ll keep any other words from escaping. It’s so adorable that you can’t keep yourself from pouncing, suddenly all over her like an animal: wrenching her thin wrist down, fingers threading through her hair, tugging her lips to yours as if you’ve been starved and she’s something to devour. She’s so cold, ice still melting on her tongue; even her body feels glacial, more porcelain than real. It drives you wild - the stunning impossibility of her. The desire to see it all reworked, unwound, shattered. 

“So,” you breathe over her mouth. “I can write about you?” 

“Babe.” Karina’s dark eyes sparkle, frozen-over streets in the mid-winter sun. “You can do anything you want with me.” 

That’s the whole point of having a muse, after all. Everything they are becomes yours. 

-

“But,” you can’t help saying right after: “you don’t have to be, like - concerned. About what I said. About art and pain. I mean…” You falter. You’re standing in between her spread legs now, thumbing the sharp curve of her jaw. “It’s fiction. I’m not that kind of guy in real life - I’m not going to hurt you.” 

Karina just stares at you, sentiment clear and unspoken. 

“Not like - not seriously.” You roll your eyes, laughing it off. “Not like that.” 

“Not like that,” Karina echoes. The hickey on her neck seems to flush redder every time you look at it - a photograph in a darkroom, developing. “But in other ways.”

Your mouth opens, but whatever defense you might’ve had gets traitorously stuck in your throat.

Karina laughs hoarsely, lets you trace her bottom lip with a finger. She seems to get the picture - that you’d love to see it bitten and bloody, but only ever in the name of art. There’s a kind of sick, sadistic beauty in destruction, battles waged and lost. She leans into your touch like she’s seen all the war films and knows precisely why they’re so well-loved. 

“For the record,” she tells you, arms looped loosely around your neck: “I look very pretty when I cry.” 

“Jesus Christ.” You’re smiling. She couldn’t be more perfect if you’d dreamt her up yourself. “Then I guess I’ll have to make it happen.” 

-

It’s like fate, probably. 

-

(Up next in your script:

The girl is standing in the stranger’s bathroom. She’s turning a little glass perfume bottle over in her hands when he stops in the doorway. He’s perfectly content to watch her; she’s the kind of beautiful that deserves to be observed, like some exotic wild animal caged between four walls in an elaborate exhibit, mildly unaware of all the attention. Her hair is messy; her head is tilted down. Unseeing. 

Oh, he says. That was my-

Except he doesn’t even get the rest of the sentence out before the girl whirls around, and the bottle slips from her hand and shatters on the floor. 

Jesus. The stranger jolts back. Jumpy. He’s not too concerned about the broken bottle; it’s not his, anyway. Why the fuck did you do that? 

Sorry, the girl says. She’s leaning rather casually against the counter, observing the glass covering the ground, the sickly-sweet smell of the perfume sticking to the tile. Honeysuckle and the sharp note of alcohol, rendered unrecognizable. You scared me. 

He looks down. A crystalline stretch of tiny little shards - if she tried to move she’d slice her foot open. 

No worries, he says. Hold on. 

He ducks into the kitchen to get a broom and when he comes back he stops in his tracks. There’s something slightly off about the picture in front of him. She’s small against the background counter, frozen, barely blinking. Everything about her looks suddenly frail, fair skin ghostly underneath shitty bathroom lighting, cheekbones gaunt and sunken-in, hair pouring ink-black in endless waves. A vengeful spirit. An incorporeal haunting. 

Did you…? he starts to say, thrown. 

She blinks, finally. Did I what? 

He pauses, reassesses. She’s gorgeous. She’s art. She’s vibrantly alive. 

Never mind, he says. 

It seems kind of like she’d moved, but he can’t tell. He forgets about it. She’s still beautiful and she seems okay and so he steps forward and clears the worst of the glass out of the way. 

It’s silly, she says, watching him. I used to know someone who wore that perfume. 

It was my ex-girlfriend’s, he says. She left it here a while back. I think it’s a common brand or whatever. Hey, let me help you. 

He’s very chivalrous about it, sweeping her off her feet, cradling her bridal-style across the possible remnants of glass. She laughs all the while, playing into it - a princess out of a fairy tale, being carried to safety by some gallant knight. But then he sets her down and cups her ass and says, You gonna pay me back for the property damage or what? and she laughs harder, because there’s nothing funnier than that: sweet moments turned filthy, a startling hairpin turn in intention. 

Or - conversely - a revelation of the absolute truth. Because what else could he ever want from her?

So she says, Yeah, sure, take everything, and leans in to kiss him.

It’s a normal kiss, mostly. It’s just that it begins pointedly erotic but seems to turn strange after a second, like he might be gripping her hair too hard, like she might be corpse-limp in his arms, like at any moment he could unhinge his jaw and sprout fangs and swallow her whole, cannibalistic, viperous. There’s too much spit and sound. There’s too much teeth and selfishness. It stretches on too long and lingers where it shouldn’t and overstays its welcome terribly - the score seems to fall off-beat, the lighting seems to shift dark and discolored-

But then the kiss breaks, and it’s over. 

When he pulls off of her she looks like the perfect picture of flushed contentment. Eyes half-lidded and lashes fluttering, her pouty lips swollen and rosy. Smiling like she wants more, like she wants it so, so bad. 

It didn’t get you? he asks finally, looking at her neck, thinking of thorns and pinprick pain and the rivulet of crimson that’d decorated her throat. The glass? 

No, she says. Don’t you wanna fuck me now? 

Oh, God, he says, grinning, and every other thought melts away into nothing. He likes how she doesn’t play coy. He likes how she’s smaller and has to tilt her chin up to look at him. He wants to fuck her, so he does. 

It’s excellent sex. The blood on the tile doesn’t really matter.)

-

Before you really start writing, there’s just one singular problem: you don’t know anything about her. 

“That’s not true,” Karina replies, right away. 

You open your mouth, then close it, because - okay, she’s not completely wrong. 

For about an hour now you just haven’t been able to stop talking to her. About anything, everything: your start into screenwriting, your favorite novels, your greatest inspirations, your neverending passion for eerie, erotic art. You can’t seem to shut up. And it would be bad - would be making you feel self-conscious right now, if it were anyone else - but it’s just not. Because it’s, well-

It’s you, you told her, thoughtfully, watching as the sun climbed higher into the sky, golden light grazing each scalpel-sharp edge of Karina’s body. You’re easy to talk to. Has anyone ever told you that?

Karina blinked at you. Tucked a strand of silky hair behind her ear and looked away, considering it. 

She has this way about her: this serene openness to her big eyes, her body language. Leaning back on her hands, humming and nodding and saying I get it, I feel that way too, I understand with such sweet sincerity that you can’t help but believe her. Like a Catholic confessional, a pristinely blank page - something you could pour hours and hours of words into that would never, ever complain. 

Yeah, Karina said, finally. She pulled one leg up to her chest; you could see the lacy black of her panties. I get that all the time. 

Just one of those people, huh? Her character was taking shape already. A vault for everyone else’s thoughts and ideas, cradling them between her fingers like something infinitely precious. A listener. Such a lovely trait; a perfect protagonist characteristic. An observer. 

Yeah. Her cheek rested gently against a knobby knee. Exactly. 

It’s something of an art study. You’ve been filing away these details about Karina since the moment you met her, unraveling her bit by bit.

She always seems to think deeply before she speaks, a sort of charming self-scripting, like she wants to make sure she gets every sentence just right. She makes silence seem like the most natural thing in the world. She doesn’t laugh nervously or blush or get embarrassed, ever. She’d mentioned offhand during one of your tangents about your most beloved movies that she tends to like films about gorgeous, dangerous, scarily self-possessed girls: Thirteen and Black Swan and Girl, Interrupted. She seems both intensely present and consistently lost in thought, there one moment and gone the next, her long-lashed gaze falling in and out of focus like a camera lens. A contradiction, you think to yourself. An enigma, even. Profoundly complicated. Not just a girl but something more. 

Art in and of itself, displayed deliberately on your kitchen counter, waiting to be understood. 

“No, you’re right.” Your fingers have strayed to your open laptop; you’re seconds from typing Karina’s name like a title, something you’ve created all on your own. “I know…”

You’re trying to think of something nonchalant to say and failing. I know you - the first instinct, somehow. I know you’re something brilliant and remarkable and new. I know I’ve never felt this way before about anyone. I know there’s something here, I know what I feel, I know what I want - you, you, you. 

Karina stares at the ice melting in her glass. 

Then she says, mouth tripping up at a corner: “You know I’m a world-class fuck.” 

“Jesus.” You laugh out loud, surprised. “Okay, yeah. That.” A pause. “And, obviously-” 

“Obviously,” Karina echoes, like she knows where this is going. 

“I know that you’re, like - outrageously fucking beautiful.” 

Karina hums once, letting the compliment wash over her, and turns to look out the window. 

You bite down on your lip - bite back all the other too-soon things you could say about her, threatening to claw their way out of your mouth - and go in on your script instead. 

It’s shockingly easy to write with her in the room. The details seem to stitch themselves together on-page, the restorative aftermath of an autopsy: sealing the slit chest cavity back up, prepping a corpse for an open casket, making something disconnected whole and beautiful again. You’d pulled these specifics from her like pulsing, throbbing organs - her tits, her tone, her tiny waist - and now all you’re doing is repurposing them. You know her body now. You turn stretches of pale, bruised-pink skin into prose, the curl of her little fingers around her thigh into dialogue. You imagine taking that perfect frame and picking it apart again, bit by bit; not just undressing her but peeling back layers of flesh, familiarizing yourself with the stark scarlet of her bloodstream. Until there’s nothing to hide and you can finally say it - I know you - and it’ll feel earned, and real, and honest. 

All very melodramatic, of course. It’s just the process: the natural consequence of being a writer. 

Your eyes trace the jutting protrusion of muscle in Karina’s throat, and you think about fucking her again. 

“Also,” you say, as though your earlier conversation isn’t long over. “I want to know-”

Karina makes a huffy, half-impatient noise.

You grin, gaze flicking back to her face. “What?” 

“You want to know more?” Her brows furrow in exaggerated confusion; her smile is absurdly self-deprecating. As if there’s anything she could possibly be insecure about. “You already got the two most interesting things about me, babe.” 

“Stop.” Your mouth twitches. “No way.” 

Karina’s smile stills in place, expectant. “No?”

“Come on.” Your hand slips from the keyboard to trace her knee. “I’m sure there’s all kinds of interesting things about you I haven’t learned yet.” 

The laugh she lets out is quiet and nearly secretive, legs parting to let you touch her. You’re already half in some faraway daydream, wondering if you can bottle the color of her eyes and turn it loose on the page.

“Okay,” Karina says, easily. She nudges your laptop away, scoots closer to you, her sharp chin pointed down at you. “Come and learn them, then.” 

“God.” As if that’s what you’re doing. Memorizing her body as some private education; taking her apart in a classroom dissection. “Can I - I’m trying to write, Karina. I’m being productive. I…” You’re shaking your head as though you’re not already giving in, fingers slipping up her thighs - she’s smirking at you like she knows it. “You’re fucking insatiable, you know that?”

“Then satiate me.” Karina’s head tilts, lids heavy. “Fuck me. Use me.” She leans down like she’s telling you a filthy, sordid secret. “Cum in me like I know you want to.” 

There’s something surreal about how certain she is: never tripping over her words or waffling over intentions, the most practiced actress you’ve ever seen. Every move - her tongue wetting her bottom lip, her hand sliding gracefully through her hair, her mouth forming a sweet little pout - all clean, choreographed precision. 

I know you, she says - like it’s earned, real, honest. Inexplicable, but there anyway. I know you want to. 

“Karina.” Her name comes out embarrassingly strangled. You’re pulling her thighs further apart, toying with the edge of her underwear. “You’re such a fucking - you’re so needy.” 

Her smirk sharpens even as you tug her panties roughly to the side. “I’m what?” 

“Needy.” 

“No.” She’s so wet - she’s probably seconds from dissolving into a whimpering breathless thing, begging to be underneath you, begging for more. That damn smirk is probably seconds from shattering completely. “What were you going to call me?” 

“Nothing.” You drag a finger down the slick drenched heat of her cunt.

“A slut.” Her voice is a purr, gravelly and sensual. “You think I’m just this fucking slut who needs your cock all the time, huh?” 

But it’s the kind of question that you already both know the answer to. Karina takes your finger-fucking so well, hips raised and rutting, hair cutting across her cheekbones - seems to give herself over to desire so fucking easily, with her whole body, back arching and neck craned and hot little cunt a sloppy mess. Never puts up a fight, never demures or acts shy; never says wait or don’t or stop. Only spreads her legs, and drips down your hand, and waits to be fucked good and hard.

And - hey, there’s one dirty word for a girl like that. 

“Well.” You raise your eyebrows at her: a challenge. “Are you?”

It’s dangerous. This is all dangerous. Stumbling down a treacherous path, asking a stranger something like this. Are you what I think you are? Do I know you? Do I really? 

Karina makes a low, luxurious noise at the stretch of your fingers in her cunt, buried to the knuckle. 

“Sure,” she says - and the gleam in her eye tells you she knows exactly what she’s getting herself into. “I’m whatever you want me to be.” 

-

So, it’s possible this is really the most interesting thing about her: she’s the kind of girl who never says no. 

-

That scene goes down how all scenes should:

“Fuck, fuck, fuck-” 

Karina’s choking out curses like she can’t recall any other words, head lolling back to expose the pretty bob of her throat. You thrust deep right then and she lets out a sound like an aching gasp, like you’ve doubled down with a fist to her gut, like you’re knocking the the air right out of her; you might as well be - oh, she moans, like she could be in shock or awe or pain - with the way you’ve got one of her thighs pulled up so you can fuck deep into her tight dripping cunt. It’s not nice, not really. Her back keeps hitting your counter. You keep staring at her neck and her hair and her face: the faint flush of her cheeks, the flawless construction of her bones underneath - there’s so much unmarked skin - God, she’s so clean, it’s like she’s never been fucking touched-

“You gonna cum for me?” you murmur, voice coming out thick and half-animalistic. 

She has one hand curled around the back of your neck. She’s got those ridiculous clawed nails on her but she never presses down. Her pussy can’t stop clenching around your cock but she takes it so well, lets you make room inside her little cunt, shuts her eyes and trips over her own breath as you force her spine hard against your counter over and over again. 

“Karina.” 

“Yeah,” she exhales, raspy and strained, as your cock stretches her out. “Fuck, yeah-” 

“Cum for me, honey. Cum all over my cock - oh, there you go, good girl-” 

It’s hypnotic. The tiny bitten-off sounds spilling from her ice-cold mouth - that small pristine face and all that hair tangled to her waist, just available to be knotted and tugged and fucked all the way up - Karina clings to you when she cums, and you feel so much bigger than her when she does, like you’ve got her sloppy and open around your cock and you could do anything to her, that’s what she told you, and even if she hadn’t, it’s not like she could stop you - she’s gorgeous but she doesn’t have it in her - she’s just too fucking delicate-

It happens too fast to process. 

One minute you’re buried inside her pussy and the next Karina’s on her knees, on the ground, and you’re jerking your cock until you’re cumming all over her. 

It’s obscene. It’s fucking inevitable. Thick ropes of creamy cum coating her forehead, her cheekbone, her nose and mouth and getting all in that hair-

Her hair. You don’t realize how hard you’re gripping her hair with one hand - balled in a brutal fist at the back of her head - until you disentangle your fingers from it and Karina sinks to the floor like she’s just been cut loose from marionette strings, breathing fast and hard. She doesn’t even say anything: doesn’t comment on the fact that you’d just shoved her straight to the ground or complain when the head of your cock smears cum across her jaw. Doesn’t even flinch when your cock slaps heavy across her cheek, at the indecent sound of the impact. 

You’re staring at her, open-mouthed. At her gorgeous, breathtaking, defiled face. 

Karina’s not looking at you. Instead, she’s preening in the most lewd, pornographic way possible: swiping her thumb through the cum streaking across her forehead, popping it into her mouth to suck. Halfway through she seems to remember you’re still in the room - seems to recall the value of a performance - and she redirects her gaze up at you, lids heavy, and smirks. 

“Did I…” you start, without knowing how the sentence will end. “Did I - was I-”

Karina lifts a cum-covered eyebrow. Her mouth’s an arresting pink, puckering around her thumb like it puckered around the cubes of ice, how her lips formed a ring around your cock back in the bookstore yesterday. She lets it slip free, shiny with spit. 

“No,” she says. “You’re good.” 

You can’t stop looking at the cum caught in her hairline. She’d been so fucking clean. 

You glance down and realize there are strands of black hair broken off in your clenched fist. 

Karina’s looking at her hair in your hand too, now, but with a sort of amused detachment. She stands shakily, using the counter for support. There’s cum all over her. Her knees are red from how hard she’d been pushed down.

“You’re so cute,” she tells you, grazing the side of your neck with her fingertips. “There’s no shame in being rough with me, babe.” 

“Right.” There’s an unnamed pressure coiling in your chest. “But - but you-” 

“Hey.” The word comes out in a rasp, and then Karina laughs, pushing the low hoarse lilt of her voice to its limits. She steps closer, angles her little cum-stained chin up at you. “Are you really gonna tell me you don’t like seeing me covered in your cum?” She’s tonguing the corner of her mouth. “Turning me into a-” her smirk pulls wicked; your next breath hitches so badly- “messy fucking whore for your cock?” 

“God,” you get out, because she’s winding an arm around your neck, and her pretty face is still sticky with your cum. “I-” 

“It’s what you wanted.” Karina blinks, in a show of such doe-eyed naïveté that saliva begins pooling hot in your mouth - like you’re feral, like you’re rabid. “Isn’t it?” 

You’re looking down again. Her knees are going to bruise. Black and blue, as if someone’s bullied her in the schoolyard, pulled her pigtails and knocked her to the asphalt. An echo of something teachers could’ve told her years ago: oh, look, he’s mean to you because he’s got a crush. It’s okay, really - he only hurts you because he likes you.  

“You like me like this,” Karina murmurs, dangerously low. “All sloppy and slutty for you.” Her gaze is trained on your mouth. “Marking me up.” Her hair slips from your hand. “Owning me.” 

Her name clogs your throat, cloying and candy-sweet. “Karina-”

Karina’s head tilts. “Yes or no?” 

She’s too close to you. She’s so filthily beautiful she seems somewhat alien, some kind of foreign invention. Her jaw is smeared with your cum and her flawless teeth shine like jewels and she’s like every creative vision you’ve ever had cut in clips and playing back in a movie theater, made to be scrutinized. 

“Yes,” you tell her, winded. “You’re fucking - you’re unreal, you know that?”

You’re smiling like it’s flattery, like it’s an exaggeration. Like she’s not living, breathing, visionary art. 

She smiles back, like she knows just how much you really mean it.

“So I’ve been told,” Karina says, and taps your neck, lightly. “Go make breakfast.” She shakes her hair out; some of it gets stuck to the cum on her cheekbone. “I’m taking another shower.” 

“Right.” You bite into your bottom lip, hand skimming down her side. “Go get clean.” 

“Clean?” She steps back and flashes a disbelieving grin, gestures pointedly at herself - her creamy thighs, her porn star tits in your t-shirt, her body like sex itself. Dirty by design. “Never happening.”

Some cynical part of you keeps waiting for a slip-up, some mistake in a masterfully crafted script - no one can be that gorgeous and still be here with you. But Karina moves and your eyes are hopelessly drawn to the disheveled curtain of her hair spiraling down her back, the sharp distinct lines of her calves, the flex of muscle in her thighs. Her hands, balled into little fists. She’s alluring as if manufactured that way: engineered to be perfectly bruisable, ruinable. It defies logic. It’s movie magic.

“Well.” You snort with laughter, swat at Karina’s ass as she turns to go. “At least you can try.”

You don’t even think she can help it - that’s the thing. It’s just what she was made for. 

-

“What would you have done if I said no, though?” you ask after a moment, as she wavers in the doorway. “Like - what if I told you I didn’t like you like this?” 

Karina shrugs.

“I would’ve been something else,” she says, and closes the bathroom door behind her. 

-

(Next:

The stranger and the girl fuck and afterwards he promises her breakfast and then he realizes his cabinets are bare, his fridge painfully unstocked. Sorry, he says, as she pokes around his kitchen. I don’t know how that happened. I usually have something to eat here, I swear. 

I don’t mind, she says. Her fingertips sweep his shelves. She seems fascinated by the emptiness, admiring the vacancy. Oh, wait, look. 

She finds a half-eaten jar of honey that she ends up scooping up crudely with her fingers, dripping sticky amber down her hand. He’d tell her that’s disgusting but she makes it - as she seems to make everything - into a pointed seduction, her tongue pink and wetly visible, her skin gleaming as she licks it off. It’s funny. He’d never thought it possible to turn eating into some sort of sexual performance but she manages it anyway: meets his eyes, sucks loud and lewd, smacks her lips and wipes her mouth with her thumb, ill-mannered and stunning. 

I can’t imagine that’s very filling, he says, delighted by her commitment. 

Yeah, well, she says. It’s a good thing I hate feeling full. 

But it seems like a moment of hilarious irony when ten minutes later he’s got her bent over his kitchen counter, tits pressed punishingly to the flat surface, honey stuck to her neck and collarbone as she’s fucked hard again and again, stuffed with his cock, his fingers everywhere, like her own body barely even belongs to her - all mine, he keeps saying, and means it; you’re all mine. All filled up. Overfed. Bursting. 

Sex is a manner of consuming, it seems. He might as well be eating her alive.)

-

“Do you do this a lot?”

Eventually, it turns into one of those lazy Saturdays. An afternoon of sitcom plot points. 

It’s just so easy to fill the time, the space, the page - you tell Karina some inane story from your college years and she reacts in all the right places like your own built-in studio audience; she says something off-handed and enticingly vague and suddenly you have a new thread of dialogue to explore. You’re both sprawled out over your couch, Karina’s got her thighs tucked over your legs, wearing another one of your t-shirts, a fresh hickey bruising over her throat. There’s something delightfully domestic about it - like you’ve been doing it for a lot longer than you have, or like you could do it eternally if given the chance, holding all the silken comfort of an old routine. When you’d mentioned it - I kind of feel like I could do this forever - she’d laughed her scratchy laugh and said forever’s nowhere near as long as you think it is, babe. A perfectly cinematic line. You stared at her, leaned over, and added it immediately to your draft. 

“This whole…” You’re trying to elaborate now, staring at the blinking cursor on your laptop screen. Your knuckles skim her bare, bony knees. “You know.” 

“Eloquent.” 

“Shut up.” 

“I thought you were a writer.” 

“Karina.” You’re charmed by the drawl of her voice, the raspy roll of sarcasm. “I’m just wondering.”

Karina shifts in your lap. You’ve got one hand sneaking up the hem of her shirt - your shirt - skating up her tummy, her ribs. You’re probably about five minutes from snapping your laptop shut and pulling her on top of you and saying something crass about her tits and passing it off as a character study. 

“What do you mean?” She’s as close to clean as she can be. You made sure of it - licked the hollow of her collarbone earlier after she got out of the shower, tasted nothing but soap and skin. “Do I have a lot of sex with strangers? Or do I stay the night a lot after I have sex with strangers?”

“Both.” You think of taking her hair down, sifting your hand through it, wrapping the strands around your fingers. “All of the above.” 

Karina shoots you a look, fluttered lashes, suggestive understanding. You hear it without her having to say it. You want me to tell you that you’re special. 

“I’ve kind of been going through a phase,” she says instead, nonchalantly. 

Your eyebrows fly up. “A phase?” 

“I’ve been, you know.” She gives an airy sigh. “Trying to find myself in the big city. Running wild. Terrified of monogamy but being very brave and quirky about it. Sordid past with love and romance and general human connection. Doing the whole manic pixie dream girl thing.” Her eyes flick to your open laptop, abruptly too wide and innocent. “That sound about right?” 

“Fuck off.” It’s a complete non-answer. You run a hand past her stomach, laughing. “You’re fucking with me.”

“What?” Karina inches closer. “Isn’t that what you wanted? Your textbook rom-com love interest?”

You make a rather disparaging sound in the back of your throat. “Ugh.” 

“Oh, my bad.” Her mouth curls, contradictory. There’s nothing apologetic about her. “I forgot. You don’t believe in art about love. You wanna see broken people and broken people only.” 

“See?” You’re obsessed with her tone; all flirtation, some distorted version of come-hither charm. Talking of suffering like it’s a seduction tactic. “You get it.” 

Karina rakes a hand through her hair; her fingers fall to the back of her neck and linger there. She pulls herself out of your lap and turns, hooks one bare long leg over you until she’s straddling you. Your hands find her hips. You’re disarmed by her strange weightlessness, like she’s seconds from either shattering or taking flight.  

Then she asks, “Is that what you’re doing with me?”

It’s gotta be a very roundabout request to fuck her stupid, because she follows it up torturously: ducks her chin, parts her lips, rocks her hips down until you groan. You watch her throat, the way muscle works over bone, picturing unspeakable things: taking her by that pretty neck and pinning her to the wall, ripping your shirt right off of her with your fingertips leaving bruises - bending her over to fuck her fast and cruel until her cunt’s raw and aching and leaking your cum - until she’s begging pathetically, saying please, God, please - and you’re triumphant, victorious. Telling her you asked for this, didn’t you? You said anything. You said anything I want. 

“Depends,” you reply, when you can breathe again. “Are you a broken person?” 

Karina stops, moments from your mouth. 

“Depends,” she echoes. “Is that what you want from me?”

It actually takes a beat for the question to sink in. Then two, then-

“No,” you say, loudly. “Obviously not, Karina, Jesus. Why would I…”

You falter. 

Karina only looks back at you, patient, tolerant. Like if right now you said that’s exactly it: I want you broken, I want you ruined, I want you decaying and dead and buried, she’d smile and say do your worst. Flashing those white, white teeth, perfect like pearls, ready to be knocked right out and strung together. 

You blink the bloody vision away. “Why would I ever want that?”

Karina studies you for a second longer, expression indecipherable. 

“Okay,” she agrees, breezily. “Then I’m not broken. I’m just going through a phase, like I said. I don’t like being tied down.” Her shirt rides tantalizingly high up her thighs; her hand slips down to palm your cock. There’s a twist to her lips, a dirty sort of smirk. “You understand that, right?”

You stare at her.

“Right?” Karina prods, again, low and sultry. 

“Right,” you say, unable to fight your sudden smile. 

The pout of her mouth’s an inevitability; her little body in your lap’s a seductive form of foreshadowing. You dig your fingers into her protruding ribs, playful, and you don’t quite get the squeal of laughter you were expecting - all Karina does is curl closer, expecting more, expecting harder. She knows what you’re capable of. You’re both just biding your time until you cross the same line you’ve been crossing and you fall back into bed again.

“A phase,” you add, considering. It intrigues you, anyway - the casualness, the connotation. “So - I’m not special, then. That’s the moral of this story.” 

Karina’s fingers sift gently through your hair. “You wanna be special?”

“I mean, yeah.” Your palm falls to her neck, presses down. She doesn’t seem to mind. “Doesn’t everyone?” 

Her eyebrows rise in vague, unconvinced amusement. It makes sense: she’s the most special of all, a cosmic glitch, an angelic fluke. Someone like Karina wouldn’t understand the aching, clawing, consuming desire to be extraordinary. She’s already there. 

Your hand on her throat looks even bigger now, tendons straining from underneath skin.

“I think we all want to feel important,” you mumble, thumb grazing gently across her jaw. “Don’t you?” 

You’re pretty sure the wry, glittering smile that sits at Karina’s mouth is an answer in itself. 

-

Alright, forget your television metaphors - you’re not sure there’s any sitcom out there that goes quite like this.

“By the way,” you say, grinning against her hair as you pull her to the bedroom. “Did you say you don’t like being tied down?” 

Karina turns in your arms and doesn’t even flinch when you force her too hard against the doorframe and its edge smacks into her shoulder blade, digging in hard. You should apologize but you don’t; the possibility of her in pain seems laughable, a distant fantasy. This is how it goes, fucking a girl who looks like a god - your brain is convinced she’s wholly immune to hurt. The universe wouldn’t actually let someone so pretty bleed. 

“Oh, sorry,” she says, voice raspy with insinuation. “Let me rephrase.” 

“Karina,” you say, not really like a warning - more like you’ve got something to prove. This is real. You’re really here. You’re really this perfect, gorgeous, greedy thing. You’re really made for me. 

Karina only lets her lips tilt in a smirk, devilish and knowing.

“I meant that I don’t like commitment,” she says. “I love being tied down.”

She’s still smiling when you shove her through the doorway, across the threshold - across that same old fucking line.

-

Not that it makes a difference now, but one of the reasons you and your most recent ex-girlfriend broke up was because of what you’d both referred to as sexual incompatibility. Actually, there were about fourteen other things, too - she was a trainwreck and a textbook attention whore; you spent all your time writing and she took offense to the fact that you found your scripts more interesting than her - but the crux of the sex problem between the two of you was that she thought you wanted too much power over her. She seemed to assume that was the point of potentially tying her up and shit like that: to exert power. To put you and only you in control. To make her into this helpless little toy - and I hate that, she’d said, working herself into a fit, I hate feeling helpless. 

You hadn’t pushed her. You’d also tried to justify it in a number of ways. It isn’t about that. It’s not about control. I’m not trying to make you feel bad. But it hadn’t made a difference and she hadn’t believed you and you’d come to the reluctant, inevitable conclusion that that particular dream would never actually get fulfilled. 

Until-

“Look at you, baby.” 

Until now, when you’ve got Karina stripped bare and tied to your bed, thighs parted as you kneel over her, pretty little cunt glistening wet and tits heaving with every breath as she waits, and waits, and waits. 

Eyes half-lidded. Utterly fuckable. A curated collection of every salacious desire you’ve ever had. 

“You’ve been looking at me forever,” murmurs Karina, her tone still humorous, like the reason her voice is run so ragged is because she’s holding back a fit of giggles. “You gonna fuck me anytime soon?” 

To Karina’s credit, the idea of tying her up didn’t seem to bother her one bit. She’d let you knot her wrists to your bedframe and only grinned sharply when you asked her if it was too much. She didn’t seem to care about feeling helpless or feeling bad. Actually - judging from the wetness that collects on your fingers as you rub two of them over her cunt - it all seemed to turn her on either way. 

“You’re so fucking mouthy.” You lift your hand only to ghost it over her stomach, leaving a lewd shiny streak across her skin. “It’s like you want to be punished.” 

“Well, you put in all this work.” Karina yanks at the ropes tethering her wrists to the bedframe until they bite so severely into her skin that it turns white. “I’d hate to see it go to waste.” 

“Not a waste.” 

“No?” She’s got that seductive little smirk on, legs spread shamelessly, head back and throat bared. 

“Nope.” Your eyes rove down her body. “It’s a great view, actually.”

You’re shocked by the sound Karina makes, then: harsh and derisive, scratchy and painful, like she’s choking badly around some injury in her throat. You’re half-expecting her to turn her face and spit blood onto your sheets - all murder-scene evidence, horrifically vibrant gore. Coughing up her own vocal chords. 

It’s so awful it actually takes you a minute to realize that she’s laughing. 

“Karina?” you say, perturbed.

“Oh, please.” Karina hacks out one more horrid laugh. “Cut the shit.” 

You draw your hand back uncertainly. “What are you-”

“Come on, man.” There’s a glint to Karina’s gaze as she looks up at you: bored, mocking, infuriating. Irises flashing like the darkest corners of haunted houses, set-ups for a summoning; lashes like cobwebs, self-spun and delicate. “Fuck me or leave me alone.”

For a second you just stare at her, unmoving, something caustic and furious threading up your spine. 

And then-

Look, none of this next part is on you. You can’t blame yourself. It’s her - her tiny hands in tight clenched fists, tummy so flat it seems caved-in, hollowed-out; her own glimmer of slick smeared on her belly, physical proof of how desperately slutty she really is. The bruise on her chest; the one on her throat. Her goddamn eyes. Her lazy, lilting drawl, the exact matter-of-fact casualness she’d had last night when she’d told you to hurt her - fuck me or leave me alone. 

It’s so obvious what she’s trying to do - provoke a reaction out of you. It’s gotta be the only reason she’s talking to you like that. Like, what else are we here for? Like, what else could I possibly want from you? 

So - no, God, it’s not your fault. 

But-

It’s over before you can even think about it. Before you’ve even rationalized doing it, before you recognize the sound ricocheting through the room as the perfect violent land of a blow, the hot whiplash of skin on skin, your palm connecting with its target. Before you blink, and recalibrate, and you take in the rapid reddening of her cheek, and her angled jaw, and her hair falling starkly past her chin - it’s too late. It’s already done. 

Because you’ve just slapped Karina clean across the face - hard. 

“Oh.” You’re babbling as if on autopilot, all your nerves on shutdown. “Oh. Oh, God. Karina-” 

Karina licks the corner of her lip, like she can taste the impact. 

“Jesus Christ,” you’re saying, panicking; you can’t shut up. You don’t know what to do with your hands; you find yourself kneeling carefully in front of her, cupping her face, stroking her temples with your thumbs like it’ll soothe the sting. You can’t believe you hit her. All the things you could do to a girl like that, and you - “I’m sorry. I didn’t - fuck, baby. I’m sorry.”

Karina blinks up at you, expression placid and blank, porcelain-doll cool. 

“For what?” she asks. 

You freeze, her face still between your palms. “For-”

But the serene tilt of her mouth makes the words die in your throat. 

“Seriously.” Karina’s voice is softer now, a kind twist of mirth. “Isn’t that what you wanted to do with me this whole time?” 

Her features seem to fall out of alignment, occurring to you in cut, edited fragments - the baby-animal eyes, the bone-white glint of teeth, the pretty blooming flush of her cheek, blood rising underneath skin but never breaking through. No evidence of a limit breached; she doesn’t wince or wail or cry. She wears the hit so well. She’s smiling. A you-don’t-need-to-be-sorry smile, a you’re-forgiven smile: I’m strong, I’m good, I can take it. Whatever you need. Whatever you have to give. 

You blink and Karina reassembles, stitched up at the seams, beautiful and uninjured and intact.

“You want this,” you exhale, a wondrous revelation.

“Of course.” Karina’s shoulders rise as much as they can with her arms so tightly tied back. “You do, don’t you?” 

The panic recedes, and something else - something electric and brutal, visceral, intoxicating - takes its place instead. 

It’s the way she says it: rhetorical, all-knowing. As if she’s seen exactly what’s in your mind - what repulsive daydreams have settled right behind your ribcage, clawing to be set free - and she’s offering her own body in sacrifice. Saying here, put them here. 

So you do. 

She doesn’t even look surprised when you slap her again. 

“See?” Karina’s chin tips upwards in delicious, submissive invitation: eyes darkly pleased, pale skin a burning wildfire, curled mouth a beckoning. Like it’s been what she’s waiting for, all along. “There you are.” 

And when you’re finally able to catch your breath:

Oh, you think, in some exhilarating epiphany. Here I am. 

Every single reservation falls out the window. Karina’s smirk slants viciously and then you’ve got your hands all over her, on her shoulders and her tits and her hips and her throat and her face, thumb digging hard into her cheekbone. Any sort of gentle caution is gone when you’re getting on top of her and burying your cock deep inside the suffocating vice of her aching little cunt, half-drunk on the high mewling moans you’re forcing out of her, head swimming at the drenched audible sound of her pussy every time you fuck into her - at how tight she clenches down around your cock. Fuck it all, then, it’s not like it means anything - hurt me, she’d said, running through your head on loop; I want it so bad, I need it, hurt me - and so you do, wrapping a hand around her delicate neck and pressing down, slapping hard against her heaving tits, salivating over the marks that you leave. She doesn’t even struggle. Takes it like a good girl, an obedient girl: something meant to be hit and torn up and pulled apart. A hands-on art piece. A disassembling, made purely for audience consumption; a sign hung around her neck that says leave your mark, that’s the point. You’d been so naïve, thinking of being careful with her - like she’d ever even fucking want that-

“You like it like this.” Your voice sounds raw, almost unrecognizable; your fingers press into the base of her throat. “This is all you needed, huh? You just needed to be roughed up real hard.” Your hand trails up to grip a fistful of her hair, merciless. Karina shuts her eyes. “Like you’re just a slutty fucktoy-” 

Karina chokes out a small, wet gasp.

“Oh, baby.” You yank harder at her hair. “It’s okay to admit it.”

But in a way, she already is. Doesn’t fight against the restraints tying her wrists, doesn’t flinch at how rough you’re fucking her, doesn’t whine or blink back tears at the harsh graze of your thumbnail against her nipple. Like she’s a plaything, here in your bed for your pleasure alone. Like-

“Like you were just fucking made for this, yeah?” She comes undone so easily: cunt a wet sticky mess when you reach down to rub her clit, teeth pearly-white where they’re caught on her bottom lip - though nothing can hold back the anguished noise Karina lets out at your pace, the thick stretch of your cock, your palm smacking at her tits over and over. “Look at you. That face, these tits, this little fucking cunt-”

Like it’s her one and only purpose - to have all her fair skin turned searing red and bruised under someone else’s hands. Her cunt just begging to be split open and stuffed full, railed so hard she could break. It’s gotta be what she was created for. She’s more than mortal, so above the concept of imperfection; a nasty little fuckdoll of a girl, meant to be used hard and licked clean. She looks too irresistible all fucked-out and ruined. It has to be in her nature. Made for this, you keep telling her: to be fucked until she can’t walk. To be treated forever how you’re treating her now. 

Your ex-girlfriend couldn’t have been more wrong. It’s not about power or control at all.

“You’d really just let me do anything to you, huh?” you murmur, awed, but you’re holding her throat too hard for her to reply. 

You fuck her, and fuck her, and fuck her. Rub at her clit until she clamps down and cums around you, until you can really get on top of her, force her to hold those huge tits together so you can fuck them. You can’t handle how tiny she is underneath you, her face and her mouth slack with lust, eyes glazed over entirely. She squeezes her tits around your cock. She’s hardly even human. It’s the best thing about her. 

“That’s how I know you’re a fucking whore.” Your grin feels wide and manic on your face. You’re gonna cum all over her - again. “None of this even matters.” 

And it’s only after - after you’ve painted her collarbone and chest creamy white and let up on her throat so she can fight for air; after you’ve groped her tits and grabbed her face after just to see your cum glistening all over her perfect slap-marred cheeks; after you’ve rolled off of her and you finally leave her alone - that Karina gives you a response. 

“No,” she says, hoarsely, staring up at the ceiling. “It really, really doesn’t.” 

-

Power just isn’t the right word for it. It’s something much more beautiful than that. 

Desire. You’re dozing off, halfway in a sleepy fantasy. You imagine rolling the word around in your mouth, using it in speeches, citing it as an obvious central theme. It’s about desire, you’d say, in interviews, at film festivals, patiently explaining your motivations to the masses. That irrational animal instinct. That innate human greediness. You’ll maybe even throw in some fun anecdote about how people in past relationships never agreed with you. It’s never been about power, though, you’d explain: how foolish, how crude. It’s about the ache of truly wanting something. Isn’t that so much more romantic?

So you’ll make a movie about this one day. So you tied Karina to the bed and slapped her hard and fucked her senseless. Actually, you picture yourself explaining, foggy and on verge of falling asleep: actually, it’s about hunger. Irrepressible, all-consuming hunger. That’s why I did this. That’s why I’ll keep doing it. You’re all like me; you get it. That makes sense, doesn’t it? 

And it will, to raucous, riotous applause.

Good. You’ll laugh so hard. You’re dreaming, now; you can’t tell if you’re talking about the sex or the hypothetical future movie. I’m glad you understand. Anyone would’ve done what I did. 

Because - honestly - what’s the point of starving yourself of something that’s right in front of you?

-

(Let’s pull back from your script for a second. Here’s a real story:

A few months back you were visiting a museum with one of your friends when you got into this conversation about performance art. He’d told you about a woman back in the seventies who walked into a gallery and laid out various objects and let the audience do whatever they wanted to her for six whole hours. Her as the artist, in title only; herself as the art. A free, untethered canvas. 

And what happened? you asked, morbidly curious. 

Your friend grimaced. What do you think happened? 

It was a rhetorical question. The performance had been a test of what the general public was capable of - a reflection of their moral compass, of what they’d do if left unchecked. The setup spoke for itself. You didn’t have to get all the gory details in order to understand. 

Seriously, though, your friend said, about the artist: I don’t know what’d compel someone to do something like that to themselves. He’d shaken his head, baffled. Like - I think it takes a deeply fucked up person to just give up their body like that. Like it doesn’t even matter to them. 

It’s strange. It’s an almost universally accepted fact that, at least on some level, artists are inclined to put pieces of themselves into the things they create. A memory; a feeling. Condensing twenty different emotions into a single acrylic painting, or a lyrical reenactment of heartbreak into a song - something personal and unique and lovely. Often inspired, sure, but yours. 

I think that’s what’s funny about it, you told your friend, before you realized that funny was a fucked up word to use here. There’s nothing personal about that. It’s so detached. It’s about the rest of the world, whatever they might make of her - it’s not about her at all. 

You were both quiet, thinking. Visualizing what it might’ve been like. To be there, one of many in the audience, watching this woman who had thrown herself to the wolves and asked to be ripped apart. 

She’s just - material for them to use, I guess, you said, after a moment. A blank page. 

Removing her own identity; becoming nothing, no one. A ghost. An empty vessel. A slab of clay, taking on the impression of everyone who’s ever touched her: the ridges of fingerprints, the half-moon cuts of nails, molding her into something new. Even if it took some force. Even if it hurt. 

Still, it’s what she’d asked for. 

You can’t imagine she’d ever expected anything else.)

-

There’s this fascinating complaint people have about films these days, you’ve found. It’s actually quite the phenomenon. You talk to your colleagues and scroll through social media and read comments on movie trailers trying to get a grasp on it all: market research. This isn’t realistic, people gripe. It’d never sound like that. She’d never look like that. This would never, ever happen - God, are you kidding? Who are they trying to fool? As if they’ve somehow missed the point of fiction - of a sweet, escapist fantasy. As if they’ve convinced themselves that the real world is better. 

Which is moronic, obviously. 

“So what’s the solution?” Karina asks.

Well, you’re no expert; it’s been a while since you’d finished your last movie.

“But you have an idea,” Karina interpets. She’s perched on the edge of your coffee table, nursing a new glass of ice. She’s watching you with her head at an angle, eyes shrewd. “Otherwise you wouldn’t be telling me this.” 

As with most of her guesses about you, she’s right. 

“It’s all about the details,” you say, after a moment. “It humanizes a person. Having little bits and pieces about who they are - it makes them alive. Their likes, their dislikes. Embarrassing stories. Things that make them laugh. Diary entries, favorite foods - first loves, first heartbreaks. So on and so forth.” You’ve got one of Karina’s ankles between your hands; your thumb brushes against the bulbous protrusion of bone. “It’s what makes people real.” 

Karina’s mouth twists, sharp and strange; it takes a second for you to realize that she’s grinning. 

“Oh, right,” she says. “You want me to spill my guts to you.” She pushes her ankle further into your grip. Her legs are just like the rest of her: thin and pale, waifish. Like a nineties catwalk model. “That’s how you’re gonna make me real. In your movie.” 

You pull a face, letting her ankle slip from your hands. Spill her guts; what an ugly figure of speech. As if you’re doing something much more invasive and violent than just writing about her. 

“Basically,” you agree, anyway. “I mean, it helps that you’re already, you know - a real, whole, living person.” 

“Ugh,” says Karina, dry and amused. “Barely.” 

You wonder if she’s also thinking about this morning; you, stunned and staring at her cum-streaked hair, calling her unreal.

She’s got a point, in a way. There’s something slightly uncanny about her sitting in front of you, as if she’s been taken straight out of some wildly different scene - some spotlit stage, some movie set, some glossy high-budget existence - and haphazardly edited into your life. You reach out and press two fingers to the side of her neck, like they do on television if they think someone’s bleeding out. 

Karina tips her head to allow you access. Her pulse throbs hotly under your touch. 

“I don’t know,” you say, smiling at the swanlike line of her throat. “You seem pretty alive to me.” 

“Sure.” Her hair tickles your wrist. “But you want more.”

She says it like it’s this given - as if she’s always faced with people wanting more from her. You wouldn’t doubt it, little tease she is. You can picture her in motion so easily. Always running. Letting people pine and plead for more. 

“Yeah,” you say. It seems pointless to lie to her. “I want more.” 

Karina leans in closer. She reaches up and touches one of your knuckles with the pad of her thumb. Without makeup, you can see the shadows of dark circles underneath her eyes, but even those look painted-on, pre-planned; a study on the aesthetic allure of bruises. She lets her gaze drop to your mouth, then bites down on her bottom lip. Impish.

“Karina,” you say, grinning wider now. 

It’s one of those unspoken things: the translation of body language, the transcription of the tilt of her mouth. Then have me, she’s saying, almost certainly - like a swooning melodramatic heroine, throwing herself into your lap, wanting to be saved. You want more? You want me? I’m right here. I’m yours.

“Fine,” Karina purrs, and kisses you again, like sealing a contract. “Take it all.” 

-

You don’t fuck her again - not at first. There’s more than one way to take someone apart. 

Karina says she’s got a story for you and then she pulls out her phone. 

“This was back in high school,” she explains, scrolling back through her photo gallery. There don’t seem to be a lot of recent additions to it; you’d expected selfies, pictures of her with friends. There are more photos of food than anything: plates of pasta and donuts and burgers and pastries piled with whipped cream. It’s cute. It makes you laugh. “When I won prom queen.” 

You splutter. “When you what?” 

“What?” Karina gives you a bemused, sideways look. “Does that surprise you?” 

It floors you, actually. At first you can’t quite put your finger on why, but then you look at Karina again - at her intense dark eyes and pouty fuckdoll lips and the exaggerated pinup proportions of her body - and you realize you’re making that mistake writers often do: buying into archetypes. It just makes sense that she’d be some kind of brooding bad girl. Mysterious, promiscuous; in your creative vision she’s probably cutting classes and chainsmoking in the girls’ bathroom. A favorite of the rumor mill. A pretty little delinquent.

“Wow.” Karina makes a funny noise in the back of her throat when you tell her this. “No. I was - I did fine in school. Perfect attendance, almost. And I can’t stand the smell of cigarettes.” But she doesn’t look offended, either; you imagine people make these assumptions about her all the time. “The prom queen thing - it wasn’t my idea, though. My best friend did all the campaigning for me.” 

“That’s sweet.” You watch as she reaches the year she’s looking for. Flashes of her in a sparkly dress with her arms thrown around another girl - a tiny doe-eyed brunette - slide by. In one of them, Karina’s got her head tipped back, clearly mid-laugh; in another, she and the girl have their heads bent close together as if they’re trading secrets, unaware that they’re being photographed. “Well - I think it’s sweet.” 

Karina’s fingers stall. “Why wouldn’t it be?” 

“I’m just saying-” You shrug. “It’s a nice gesture if it’s something you wanted, I guess. Seems like a lot of attention, otherwise.” 

“Oh.” There’s a pause. “Yeah. It was - I didn’t get to go to junior prom, so it was kind of - this was - senior year. Senior prom.” Another pause. “Yeah. She did it to make me happy.”

“And did it?” She passes by pictures that fill up with more people: friends with big grins who stick close to her side, wrapping her up in an embrace. “Make you happy?” 

“Of course.” Karina’s thumb pauses on a video, the preview dark and unfocused. She says it like she doesn’t even have to think about it. “She was my best friend. She always knew what I wanted. Hey, look at this.” 

The video’s of her in the back of someone’s car, prom queen tiara askew on her head, satiny sash falling off one shoulder. She’s yelling, laughing; the sound isn’t on, but her mouth’s wide open and her dark eyes are crinkled to half-moons, creased underneath heavy false lashes and glittery makeup that’s begun to smudge and fade. It makes her whole face look very soft. Young, too - cheeks full and flushed pink with excitement, hair blown-out and everywhere, glossed black. As if she’s having the time of her life. 

“How old were you here?” you ask, in awe. 

“Eighteen. Just turned, I think.” 

“You look-” Like a baby, you almost want to say. It’s true, though. Big brown eyes, scrunched little nose - grinning like the rest of the world hasn’t quite dug its claws into her yet. Skin unmarred and infant-smooth. “You look pretty.” 

Karina doesn’t look at you, but you can see the slight, entertained upturn of her lips. All the nasty things you’ve called her - all the irredeemable ways you’ve touched her - and now, inexplicably, you’re going for pretty. 

“Thanks,” she says, and clicks the volume up.

“Shut the fuck up,” baby Karina is saying, delightedly. Her voice sounds high, childish and carefree. “You’re so dumb. It wasn’t - it wasn’t even like that, I swear!” She flaps one hand in the air, her nails all short and painted the same rich deep maroon as her dress. “No - you’re just saying that because you’re jealous, you idiot, I know you - you just-”

The person behind the camera says something that you can’t quite make out. 

Baby Karina presses one hand to her sternum, pearl-clutching, and gasps. 

“I would never,” she admonishes - over-the-top like an actress from a movie - before she throws her head back and laughs. 

It’s a startling, wonderful laugh. A little-kid laugh. A mess of wild, unabashed giggles, hiccupy and sweet, so loud and infectious you can hear the other people in the car start cracking up with her; out of frame, someone reaches out to interlace their fingers with Karina’s, waving their joined hands until they smack against the car window and Karina only laughs harder. With her whole body, shoulders shaking and all. Streetlights flashing across her face, making her look sort of blurry and surreal, like something out of a painting. 

“Your laugh,” you find yourself saying, stunned. 

Karina’s touching the back of her neck, completely engrossed in the video. “My what?” 

You don’t laugh like that anymore. That’s what you mean to say. That scratchy, almost painful laugh that she’s been gracing you with since the moment you met her - there’s no trace of that in how baby Karina wriggles with laughter in the backseat of the car until her happy, breathless blush spreads to her neck and her chest. Head tipping back against the seat, like she’s all tuckered out. 

“Um,” you say, voice caught in your throat. 

On the screen, her eyes fall shut, lashes fluttering so delicately. 

You can’t do anything but stare. Brilliant, past-life, prom-queen Karina - grinning at nothing, and sleepy from a perfect night, and laughing as if she’ll exist as this version of herself forever. As if she just doesn’t know any better, yet. 

“You,” you start to say, again-

Karina shuts her phone off, and turns.

And you’re about to say something - something about the gnawing, uncertain feeling you get when you watch this former self of hers. It’s on the tip of your tongue. You don’t laugh like that. Something happened to you. For a moment the whole image just seems off - like the way people make posthumous holograms of pop stars, superimpose faces of long-dead actors on stunt doubles. A kind of intense wrongness. A murmured, uncomfortable: that’s not really you, is it? It can’t be. I barely recognize her. 

“What?” Karina asks. Her smile reveals her teeth. “Why are you looking at me like that?” 

Then reality hits you, all at once. 

“Sorry.” Your hand finds her thigh. You laugh because you’re being ridiculous - how would you know who she really is, anyway? “I was just thinking - I don’t know. Never mind.”

She seems to take that at face value. You like that about her. How she seems to trust so easily - going home with you, winding up in your bed, staying when you ask her to stay. Giving you whatever you want: her body, her story.

“So,” you say, eventually. “I can put in my movie that you totally peaked in high school, huh?” 

Karina snorts. “Yeah,” she says, playing along, and taps her dark phone screen with a clawed nail. “Say it was the last time I was happy.” She pulls a face, like the thought of it is just unspeakably pathetic. “That’s a tragedy if I’ve ever heard one.” 

“Shakespearean,” you agree, and let her clamber into your lap. “It’s perfect.” 

But you know she’s kidding. You’d like to think that you understand girls like her. They live in a different world than the rest of you - the kind of world where every person on earth looks at them and falls to their feet, falls madly in love. You’ll write about it one day; you’ll feel out the narrative for her, a curious exploration. That rose-tinted life she must flourish in, closed-off and flawless like a snow globe, her spinning and protected in the glass.

“Perfect,” echoes Karina, and kisses you - like she’s proving she really means it. 

That’s the reality, here. That’s it. This is all there is. 

-

Well, almost.

-

Karina lets you scroll through the rest of her photo gallery, front to back. You take the opportunity, because you’re greedy for as much as you can get. 

There’s a lot of photos that are just her, funnily enough - selfies posed in front of the same full-length mirror, over and over again, clad in unholy outfits. Swimsuits, sports bras and little running shorts, lingerie: shit that makes your mouth water, eyes lingering, groaning out loud as she laughs at you. But it’s also her in faded old t-shirts, holding the hem up to expose her stomach. Body angled to the side in girlish sundresses. Hair pulled up, showing off her neck, her gorgeously sharp collarbone - in makeup or out of it, stare intensely focused and sultry. 

“That’s hot,” you comment. “Self-obsessed as fuck, but hot.” 

Karina smiles - her tiny private-joke smile - and doesn’t say anything at all. 

There’s one video in particular that catches your eye. It’s recent, relatively - the date reads late December, last year. Less than a month ago. Christmastime. You click on it, curious. 

Karina’s immediately recognizable in it, black hair winding past her shoulders, drowning in a large black sweatshirt. She’s smiling, but it looks sort of tense and tired - bags under her eyes, like she hasn’t slept in a while. She’s got both hands balled up into fists, held close and protective to her chest; her sharp chin rests on her pale knuckles. There’s a tiny smear of red across her mouth, lower lip bitten bloody. 

“You just got here,” she says. She’s looking at something behind the camera. “The first thing you wanna do is hear me sing?” She laughs once, scratchy and hoarse. “Why are you even filming this?” 

The answering strum of guitar strings, a pretty, perfect chord. An invitation, or a demand.

“You’re kidding.” Karina’s voice is flat.

Another chord - evidently not. 

“Wow,” says Karina. Her smile, out of nowhere, goes very soft at the edges. “You just do this because you know I can’t say no to you.”

“What?” you ask Karina now, laughing. “Is this - what is this? Do you - are you really going to sing?” 

And then - crazily enough - she does. 

“Oh,” you say out loud, adoring, and Karina turns her face into your shoulder. 

Her voice in the video is breathy, sweet. Shyly unpracticed, raspy from disuse, completely and utterly gorgeous; lids slipping shut and open again, laugh leaking into her melody line in lyrics about black eyes and kisses and wanting someone who’s just so, so bad for you. But what surprises you more than anything is the look that dawns on her blurry on-screen face - irises sparkling and smile bashful, hiding her mouth behind the sleeve of her sweatshirt, curled up with her knees to her chest. You see now that she’s wearing pajama pants, fuzzy and patterned with snowflakes. 

She looks radiantly pretty. She looks vulnerable. And not even in a sweaty, satiated, filthy post-fuck kind of way - actually, genuinely vulnerable. Soft and wide-eyed and tender.

Suddenly, you just can’t tear your gaze away. 

“Stop.” 

The song’s over. On-screen Karina’s fully grinning now. Porcelain-fragile, but undeniably happy, too. 

“I hate you,” she says. “Baby, I really do.” 

“You love me,” says the person behind the camera. “You’ll love me for the rest of your life and you know it.” 

And in the video - in vivid, fluid motion - Karina laughs. 

Whole-hearted, lovely. Familiar. For a moment, you swear she’s still that girl sitting in the backseat of a car with her prom queen tiara on, giggling free and uninhibited, unhurt, untouched. A month ago - less than that, even - looking like she’s coming back to life. 

That’s where the clip ends. 

It doesn’t change anything, if you actually think about it. It’s just another version of reality. A Karina from a whole other universe, laughing like a child, and so, so far away from whoever she is now. 

-

(Back between the lines of your script-

The stranger and the girl drink to get drunk and that’s about it. She reads the label of his wine; he makes fun of her for being a snob. She doesn’t really drink, she says at first, but he laughs like this is a challenge, and pours her a glass anyway. She flushes pink and fidgets around. She seems to shed hair like a cat and he thinks this is the most hilarious thing he’s ever seen, picking up thin black strands off of the arm of his couch, teasing her about girls and how they really like to leave their mark, huh?

Leave their mark, she repeats. There’s some trick of the lens here, some sort of strategic camera work - he’s in the forefront and she’s in the background, and she looks so much smaller than him. Why do you say that? 

He still had his ex-girlfriend’s perfume in his cabinet. He probably still has some of her clothes in his closet. Not out of any particular emotional attachment, but sometimes this is just the way things are: when you spend years intertwining your whole existence with someone else’s, it’s hard to rid yourself of that connection. You’ve grown into each other’s spaces, tangling limbs and heart lines, putting down roots. It’s gonna take a little force to get them out. 

They’re just so much, he says, gesticulating with his hands. And they affect everything in your life, like a fucking infection. And then it doesn’t work out, and you - he makes a wide, sweeping motion here, attempting to encompass the wreckage. You have to fix everything they broke. Purge them from your system and all that. It’s so fucked up. 

It’s like this, he means to say - you love someone and then they leave you behind and you’re left staring at the blown-up decimated crater that used to be your life together. You love someone and they don’t love you back and all you have now is the debris.

They’re both drunk. There should be music here and there isn’t. It’s only eerie, too-still silence, suffocating the both of them with every passing second. 

Well, she says, laughing, and takes another sip. You and I can agree on that, at least.)

-

It happens like this:

There’s a monologue you want to write. 

You tell Karina this after you’re finally fucking her again, when she’s balanced on the edge of your glass coffee table with her legs spread and your mouth slick with her cum. Well - not after, technically. She’s between orgasms and you have your thumb on her clit, tracking the expression on her face, the split-second moment where she comes apart. It’s then when you realize so badly that you want to write some great speech for your heroine - something about the sweat beading on Karina’s midriff and her tits that you can’t stop touching and the jerky movements of her hips, trying to get your tongue back on her clit, panting and delightfully desperate. Something about desire. 

“Desire,” repeats Karina, voice halfway into a raspy, worked-up moan. 

“Yeah.” You’ve replaced your mouth with your fingers, fucking up into the obscene tight heat of her cunt. She’s trembling, dripping everywhere; she’s the very picture of what it means to want, probably. “But I just can’t figure it out.” 

Karina laughs roughly, and then she cums. 

“Is that funny?” you ask her, after, when you’re wiping your wet mouth with your wrist and she’s sucking on your glistening fingers, licking the taste of her own cunt off your skin. Her eyes big, lips all full and pink - slutty angel on her pedestal, perched above you. “Me writing about desire?” 

Karina lets your fingers free with a loud pop. She’s still clutching your hand close to her mouth, thumb dragging through the sticky gleam of her spit. “No,” she says, eyes distant. “It just reminded me of something. There’s this Anne Carson quote, about men and desire…” She shakes her head. Presses her lips once to your fingertips in a small, startlingly sweet kiss. “It doesn’t matter. Tell me more.” 

There isn’t much to tell, truthfully. Except that you’ve got this love for movie lines that are just so utterly quotable - things that make their way into the pop culture consciousness. That’s the kind of work you want to be doing: creating something that has an impact, something that’ll exist long after you’re gone. Everlasting. If you had to pull for an example, you’d say-

“You ever seen Closer?” 

“Yeah.” Karina drops your elbow into her lap. “Oh, I get it. He tastes like you but sweeter. Lying’s the most fun a girl can have without taking her clothes off - et cetera.” She hums the melody line. “So you want an early 2000s pop-punk band to make a song about your movie? Ambitious.” 

“More or less,” you say as she shimmies her shirt back down, hem falling back over her midriff. “But like I said, I’m kind of stuck.”

Karina rolls her neck. Her hair is everywhere, sweet-smelling; snapped-off strands decorate your table, looking like cracks in the glass. 

“Any suggestions?” you ask, thumb skimming along the pale bruised inside of her thigh. 

She smiles, mischievous. “Maybe.” 

That’s how you both end up curled on your couch together with your laptop in front of you, Karina’s eyes glued to the movie playing on the screen, watching as the four main characters fuck and flirt and cheat on each other and scream at the top of their lungs. Melodramatic dialogue. How do you feel about him using your life? You’re lying; I’ve been you. This will hurt, which Karina laughs at - as if announcing the pain will make it better, playacting at exoneration. 

It’s also - predictably - how you end up fucking again. You barely make it an hour in, and then-

“Hey.” Karina’s breath tickles your ear. She’s already seconds from climbing in your lap already; her thigh is hooked over yours, bare and inviting. “Are you inspired?” 

You’re swallowing back a grin. “Sure.” 

“Oh. Great.” She’s no actress herself, clearly. She couldn’t be subtle if she tried. “Do you wanna be more inspired?” 

And - whatever. It’s a movie about sex. If anything, at least you’re sticking to the theme. 

The dialogue plays in the background as Karina rocks her hips down on your lap - you can feel how wet she is again, like she never stops wanting to be fucked. You’re telling her something about how she’s the most insatiable girl you’ve ever met; the sound of the film saturates the room, setting the tone like it knows its purpose. How? How does it work? How do you do this to someone? This big, infidelity-ridden confrontation. Did you phone her? Beg her to come back? Asking him why he falls for another girl, getting this ridiculous answer - it’s because she doesn’t need me.

“Huh.” You smile into the curve of Karina’s neck, already palming her ass. “That one’s funny.”

“Is it funny?” Karina’s sharp jaw brushes against your cheekbone. Her eyes are so dark, shadowed by her long lashes. “I think it’s pretty realistic. People don’t like needy girls. It’s a burden to be loved so hard.” Her tongue darts across her teeth; her smile’s somewhat caustic. “Too much to handle, I guess.” 

“What are you talking about?” This strikes you as fairly fucking ridiculous, too. “What men have you met who don’t like needy girls?” 

Karina just laughs and leans in for another kiss. 

It’s easy to let the rest of the film float away in the background, the lines coming disjointed, unconnected. A spoken-word soundtrack, tone perfuming the air: the angst and pain and eroticism seeping into your clothing. Once in a while you’ll pull back from kissing Karina’s neck or tits or mouth and see a thoughtful little quirk to her mouth. Like she’s genuinely listening, even as you’re taking off her shirt, slipping a hand back between her legs. Where will you go? Disappear. I can’t still see you - if I see you, I’ll never leave you. I amuse you, but I bore you. 

“I bet you’ve never felt that,” you say, half into the silk of her hair. 

Karina pauses. Her shirt’s on the floor; she’s gloriously naked on top of you. “Felt what?” 

“I amuse you, but I bore you,” you recite. You already sound sort of fuck-drunk, far gone. “You’re the farthest thing from boring.”

Back in the movie, the female lead sobs into her fists. Karina studies you, fingertips grazing the nape of your neck. You try to imagine it - her as one of those heartsick heroines, crying herself to pieces, begging a man not to leave her - but you draw an utter blank. Some people just aren’t breakable in that way. 

“You’d be surprised,” Karina says, after a moment. “People get bored of me all the time.”

“Oh, please.” Even when she’s the one top of you, you can’t help feeling so completely in control. It’s gotta be the look in her eyes, dying to be obedient. “I bet you have lots of ways of keeping guys interested in you.” You smack her ass hard just to make a mark. “I bet you let them fuck you however they want.” 

“Exactly,” Karina agrees, without missing a beat. She moves in close until your noses bump together. Lets her voice go all smoky and suggestive. “Wherever they want, too.” 

You open your mouth - probably about to say something very rude about what a dirty whore she is and how you should’ve realized it the second you saw her; I knew it, I know you - but then your hands slip lower and Karina presses her lips to yours and licks into your mouth, over your teeth, making you swallow your words. Filling you up until there’s nothing but her and the movie, playing on.

I think I’ll be happier with her. 

You won’t. You’ll miss me. No one will ever love you as much as I do. Why isn’t love enough? 

“Romantic, right?” murmurs Karina, sweet against your tongue. 

“Shut up,” you say, and grab her by the hair, tugging her off your lap as you stand. “Bedroom. Now.” 

Later, you’ll take the time to consider the different ways filmmakers illustrate a power dynamic - it’s playing on your laptop screen right now. The heroine’s sitting on the arm of the couch, clutching desperately at the hero’s jacket. Gorgeously emotional and pleading for another chance, her tiny chin tilted up, eyes so large and watery. Made fragile and fearful by everyone: the protagonist, the narrative, the director, the audience beyond. By herself, even. It’s a stylistic choice - she wants to look that pathetic.

And you-

Well, you’ve got Karina’s long hair wrapped up in your fist, tits bouncing as she stumbles to her feet, ankle knocking hard and horribly loud against the leg of your table. Cute little ass all red from your hand. Thighs shimmering from how drenched she is, cunt dripping from how you’ve treated her. She hasn’t managed to work her mouth into a trademark smirk fast enough: when she looks at you over her shoulder, her eyes are abyss-dark and bottomless, crease between her brows, lips parted in pained surprise. 

The definition of pathetic, too - but that’s exactly the point. She’s just so much more fuckable like that. 

“Ouch,” you say, touching her hurt ankle with the side of your foot. 

“It’s fine.” Karina’s skin feels clammy and cold. Her smirk’s intact now, camera-ready. “I’ve been through worse.” 

Her ankle throbs under the pressure of your touch; you still haven’t let up on her hair. You’ll go through worse, too, you think of telling her: a sly comment about how rough you’re about to fuck her, what vicious marks you’re about to leave. How you’re gonna hurt her exactly like she asked you to. 

You don’t say a thing.

She must already know all of that, anyway.

-

So, Karina’s not breakable like the helpless, weepy, soft-hearted girls in the movies - but that’s alright. She’s breakable in much more enticing ways.

Case in point:

“Oh, get real, baby. Don’t pretend you don’t love it.”

Well, breaking someone down doesn’t really get better than this.

It’s all a scene of your own making, a perfect pre-arrangement. You on your bed, Karina limp and bent belly-down over your lap - you in control and Karina as the most impressive toy you’ve ever gotten your hands on, creamy ass and needy cunt and skin that turns bruises to artwork. You’re goading her and failing - trying to get her to just admit to what she is, what a filthy slut, what a nasty eager fuckdoll - but it’s hard to get a response when even breathing seems to be a chore for her right now. Every noise out of her mouth is nothing but a gasping, choked-out whimper. Her face is buried in her forearm, hidden. And through the shine of lube dribbling down your hand and her ass and into the sticky wetness of her cunt, you’ve got two fingers stretching out her little asshole - and you’re just getting started.

“I know you fucking need this.” Your other hand slides up her back, slips to tangle in her hair. “You’re just too good at it.” You pull hard, wrenching her head from the crook of her elbow. “Too good at being an obedient fucking whore for me, huh?”

Karina’s whole body stiffens when you fuck your fingers deeper, as if tugged taut on a string: the flex of her feet in the air, shoulder blades straining, neck craned back almost painfully. You pull harder. It’s a buzz at the base of your skull, live-wire thrilling: the knowledge that you can yank her into whatever position you want - fuck her anywhere, work her ass open with your cock, fill her up with cum - and she’s just going to have to take it. Like she’s this pliant, powerless thing. Like she’s yours. 

Your self-satisfaction seeps right into your voice. “Answer me.” 

You hear Karina gulp down a breath. “I,” Karina mumbles, but she can’t do anything but babble. “I - fuck-” All teeth-clenching nonsense; she shoots a baleful glance over her shoulder, desperation clawing its way into every word. “Please-”

Your fingers pause. “You want more?” 

Her cheeks are splotchy and pink; you swear there are tears wobbling in those big dark eyes. The heavy arousal in your stomach turns to violent hunger, as though your mouth could start watering at any second. You can’t help it. The thought of seeing her cry is fucking exhilirating. “You - oh-” 

“Answer me. You want my cock?” You’re waiting for the breaking point. “You want me to really fuck your ass?” 

“Fuck-” 

But that’s not a proper reply and Karina knows it, so she doesn’t protest when you pull your glistening fingers out of her and smack your palm hard across her ass. Once, then twice, and then you just don’t stop. She yelps like a hurt animal - trembles uncontrollably, her thighs and her shoulders and her quivering bottom lip - and makes a sound in the back of her throat that might be a sob, but she still lets you hit her: gives into the harsh crack of skin on skin, over and over again. Listens as you tell her that she deserves this, that she wanted this, that you’re making her into a good girl and this is what good girls get when they’re too cock-hungry to follow orders or answer a fucking question, you know that - you know I’m this rough for a reason. It should hurt. It’s so much more fun that way.  

“I’ve been too fucking nice to you,” you mutter, teeth gritted in an effort to hide your grin - as if you even need to. It’s obvious how much you enjoy this. It’s the point. “That’s the problem with girls like you - you never learned your fucking place, huh? Never really been punished for anything?”

Karina mumbles out something unintelligible, slurring from her drooling mouth to the sheets.

“Yeah.” Your hand comes down again - she flinches just before her body goes slack. “That’s what I thought.” 

And after you’ve spanked her so hard that her fair skin is ravaged and raised with goosebumps along the slope of her back - her whole body in revolt - you finally, finally stop. 

Karina doesn’t budge except to breathe, and even that releases shallow, unsteady. You read it all in the shaky lift and fall of her thin shoulders, her hands in white-knuckled fists, her face pressed to your sheets and hidden - her hair coats everything, all ink, all words written but left unsaid. She shivers beneath your fingers. Her cunt’s dripping all over your lap. She’s a masterpiece. She’s a wreck. 

You’re filled up with thick, swollen pride. “Karina.” 

Karina. Your own personal creation, transformed under your touch. Might as well have your name carved into her, too. A brand right across her back, slicing through tissue, scarring to seal her fate - this is who you fucking belong to. 

“Poor baby.” You follow the sharp ridges of her spine, tracking notches, keeping a tally: counting how many times you’ll hit her, how many days she’ll stay in your bed. How many movies she’ll let you make out of her, being your brilliant muse for decades. “It’s painful when you don’t listen to me, huh?”

But then - inexplicably - you think of her bruising ankle. Her twist of a smirk, detached and humorless. I’ve been through worse. 

You’re abruptly glad you can’t see the look on her face. 

“Come on, sweet girl.” You dig the heel of your palm into her lower back, half a warning. “Pull it together.” 

Between the strands of glossy hair tumbling over Karina’s skin and your sheets, you spot a reddish mark on the back of her neck. Like the impression of a thumbprint, small and round. Blurry enough in the dim light that your brain starts conjuring up strange theories; an old wound, maybe. A birthmark or a burn, a childhood injury.

You graze her shoulder blades with your fingertips, exploratory. She feels so small draped over you like this, a tiny wet wisp of a girl. A doll. 

She still hasn’t moved.

“Karina.”

Nothing.

“Karina,” you say again, suddenly uneasy. Your hand stops. “Are you-”

For a few terrible seconds, you can’t even hear her breathing. 

But then Karina shifts. Slow, sensual, deliberate. Pushing herself up off your lap, arching her back, the slick pucker of her asshole obscene from where you fucked it open with your fingers. Her bruised knees dig into your mattress as she straightens up, and her gorgeous pale face seems to glow in the midday light - heavy dark eyes, bitten-pink mouth, black hair curtaining her cheeks like a frame to a portrait.

“You,” you start to say, feeling suddenly like you’re looking at her for the first time. 

“I’m really sorry,” Karina murmurs.

She doesn’t look close to tears at all. She’s so unfazed, as if having her ass spanked punishingly raw is something that happens to a girl like her on the daily. A run-of-the-mill occurrence - a consequence of having a body like that, made to be brutalized. She’s already reaching towards the nightstand for the lube. 

“I just wanted it so bad I couldn’t think straight,” Karina tells you, with erotic-film certainty - reciting all the lines that’ll make her seem the most insatiably slutty. “I’m sorry. I’m sorry.” Her lips form a pout; she leans down to press them to the tip of your cock, all sweet and demure, like she thinks she needs to convince you. Eyes flicking up at you through her thick lashes, molten-hot. “I should’ve listened.” It’s only a breath, warm and torturous. “I deserved that, I know.” 

Your hand winds tight in her hair. You want to force your cock down her pretty throat, make her gag and choke over her simpering apologies, spitting up your cum until it trickles down her chin, her tits, her tummy. Both a game and a power play: prove how sorry you are. 

Karina pulls back before you can, and holds up the lube. 

“Babe,” she says, the term of endearment almost a singsong - a lilting reminder. “I thought you wanted to really fuck me now.” 

“Uh-huh.” Her tits heave as she moves, crawling closer, offering herself up. “And I always get what I want, right?” 

You feel drunk with power. You forget that this isn’t supposed to be about power. You watch as Karina coats her palm with lube and pumps your cock, her fingers slick and hot, her veins starkly blue at her delicate wrists. Expression delighted at how hard you are, pink little tongue poking out between her teeth - seduction down to an art form, meticulously calculated. 

“With me?” Her smile burns. “Obviously.” 

You pull her in by the neck to kiss the smirk off her mouth. 

It’s interesting. There’s this other thing regular critics and moviegoers have been saying about films these days: sex scenes need to have a purpose. Some sort of coherent motivation. Strip your lead actress down to nothing and get her keening and moaning and you’ve got to explain it away somehow. It forwards the plot, you could insist, pitching it to producers and directors. It does something for the character dynamics. It’ll draw in just the right audience, the ones dying to see their favorite celebrity debauched and getting dirty on-screen - they’ll see it over and over just to get a taste. Isn’t that enough? To satisfy the masses? Isn’t that why we’re all here?

Because otherwise all people are staring at is a play at pornography: useless half-convincing make-believe. The heroine can writhe and whine and arch her back all she wants. Everyone knows she doesn’t feel anything. 

“Tell me the truth.” 

Oh, if you two were a movie - you don’t know how anyone could justify a sex scene quite like this. 

It doesn’t matter what artsy angle you take. It all comes down to the same unforgivable details: Karina face-down ass-up on your bed, the perfect bowed curve of her spine, the depraved wide stretch of her asshole around your cock - the sweat shining along her shoulder blades, the hard smack of your palm against the red raw skin of her ass, your other hand at the crown of her skull with your fingers wrapped entirely in her tangled hair - her cunt fucking ruining your sheets, wet all the way down her thighs, each brutal shift of your hips sending her little body into full-blown shudders-

“Tell me that you fucking love it.” Your hand slips lower until you’ve got her pinned down by the back of the neck, fingers pushing down: a grip she couldn’t escape even if she wanted to. “Whoring out your slutty little ass like this for a stranger. Getting on your hands and knees for me just because you’re so fucking needy for cock, baby - don’t even try to deny it, you’re so wet, nasty fucking girl-”

You just can’t stop yourself. It’s so easy. She really is so fucking pathetic. Too fragile to get free - too easily manipulated and manhandled. Trembling and drenched and giving way as you make room inside her, forcing space. She’s just so tight - it’s godless, how you make your cock fit in her lube-slicked asshole, how she moans like a bona fide bitch in heat over it: needing faster, needing harder, needing more. Cheek pink and pressed hard to your mattress, sharp nails digging into the sheets rough enough to tear through the fabric. Giving herself up to be fucked cruelly and stupid and senseless. 

Like she’s a real-

“Natural fucking cockslut, huh?” 

Look, seriously - you can’t be held accountable for the things you say to her here. 

Because when you say shit like you’d just let me do anything - like you’d let me fucking tie you up and keep you here forever, be an eager fucking cumdump for me whenever I want you, I know it, I know you - that’s just the moment talking. The circumstances. The pretty arch of her back and the drooling wetness of her cunt and the indecent tightness of her ass, conspiring to make you lose your mind mid-fuck - that’s the whole reason you even tell her any of it. You think you’re good for anything else? Right at her ear, your body covering hers, your cock buried deep. You’re not. Just made to get this slutty ass fucked open, and your mouth, and your cunt - this is all anyone’s ever gonna want from you and you know it - better get used to it now, baby. This is all you got. This is all you are. 

It’s Karina’s fault, really. She just takes it - all of it. She doesn’t even try to fight it. 

“But that’s okay,” you murmur, as she gasps and squirms and cries out like you’re killing her. “I’m still gonna make you cum.” 

And with your cock filling her ass and your hand between her legs, slapping hard at her sopping cunt until she can’t do anything but collapse - shaking, shattered - her whimpers fucked-out and drool-soaked and bleeding into one big nonsensical mess, everything about her used and ruined-

“You’re mine,” you tell her, laughing as she falls apart. “You get that? You’re mine.” 

-then, you do.

When it’s all over, Karina rolls over to face the wall, breathing hard. She’s slick everywhere, sweat and saliva and lube, your creamy cum dripping out of her well-fucked asshole and trickling down her thigh. You trace her lower back and grin at the way her skin seems to give into you, turning pink with a press of your fingertips. You’ve come to realize you adore her like this, the fugue state after you fuck her: utterly dead to the world. 

Like she could become a permanent fixture in your bed. Too tired to move. Too tired to ever leave. 

“Mine,” you say again, softer.

Karina doesn’t argue. 

It’s basically all the confirmation you need. 

-

So, really, if you two were a movie-

It goes like this: life can imitate art, too. It happens all the time. The line between fiction and reality blurs together until it’s indistinguishable - until you can’t tell where the fantasy ends, or if it ever did at all. 

-

(It goes like this: the heroine smiles sleepily and tells the hero he’s the best she’s ever had. You’ve seen this film before. The movie stars with their fake on-screen fucks might not feel a damn thing, but at least it’s still fun to pretend.)

-

Also, the mark you saw on the back of her neck isn’t actually what you thought it was. 

“It’s a tattoo,” you realize out loud, drowsily awed, brushing her hair away so you can get a better look. You’re both tuckered out, an inevitability when you fuck like you do; you’re seconds from dozing off. Karina’s looking away from you, on her side to escape the soreness of her ass, sheets loose across her chest. She lets you touch her wherever. “I can’t believe I didn’t notice that before.” 

“You don’t know me,” mumbles Karina, half into your pillow. “It’s not your job to notice anything about me.” 

The tattoo’s crimson-red, all delicate linework. It really does look like it hurts: like someone painstakingly cut the shape into her skin. It’s of a heart, rendered in anatomical detail - valves and ventricles and arteries. It’s beautiful, you realize belatedly. Bright instead of faded, and obviously cared for. Lovely. 

The only permanent stain on her perfect body. You press your thumb against the ink, fascinated. 

“What does it mean?” you ask, but Karina’s already fallen asleep. 

-

(In your script, the girl and the stranger watch some gory crime show, except they don’t pay very close attention and he tugs her into his lap and makes her ride his thigh. The episode they’ve got on is about a serial killer who murders so-called sinners - liars, adulterers, the like. Slaughters them like sacrifices, cutting their throats with vicious efficiency. Fake blood drenches the screen with every crime scene: a form of fucked-up baptism, a psuedo-religious cleansing. 

The girl’s putting on an equally decent show on top of the stranger: head thrown back, eyelids fluttering, high-pitched little moans. He sinks his teeth into her shoulder and keeps watching the TV.

Hey, he says, a murmur against her skin, a close-up on his mouth. You’re a sinner, right?

She’s got her hands on his shoulders, hips rolling. Sure am. 

How do you think this guy would kill you? 

He thinks this’ll shock her, but she doesn’t even pause. Like he kills all the rest, she says. Like an animal.

I think he’d be more careful with you, the stranger muses. You’re too gorgeous. He’d have to use, like - a scalpel, or something. Something cleaner. Something that’d keep you intact. 

It’s no use. Nothing he says seems to scare her. Her eyes are far-off, almost glazed in recollection. Like she’s thought about it too - her own untimely end. Her own vivisection, skin flayed and organs visible, viscera and bone. There, hold the shot: now the audience can consider it with her, ponder all the ways she could be torn apart, all the repulsive things they could do with her desiccated body. All the ways flesh can warp under a human touch: the blue-black yellow-green purpling of bruises, a whole palette on one tiny girl. There’s value in that, isn’t there? There’s something intimately, incomparably beautiful in suffering. There’s art. 

Isn’t that why everyone’s watching? 

I get it, the girl says, still soaking his thigh, smiling as if it’s an inside joke between them. You want me dead. That’s been obvious since the moment you met me. 

I don’t want you dead, he says, and grabs her by the jaw. I just want to fuck you. 

Okay, she says, uncaring, like there’s barely a difference. Fine. Whatever you want. 

They don’t turn the TV off. They let the characters scream and bleed out in the background; he fucks her like she’s got a death wish. It’s funny - he expects her to get louder the harder he fucks her, ruthlessly working over the tight clench of her cunt - but she keeps getting less and less responsive, as if he’s pushing her little body into some sort of trance: expression vacant and blank, body limp and lifeless, mouth open and speechless. It makes him angry. Give me something, he’s saying, frustrated, clawing at her hair: baby, it’s not fair, it’s no fun like this. The on-screen shrieks aren’t enough - he wants it from her. Actually, he keeps saying he needs it - as if fulfilling desire is on the same level as food or air, as if he’ll drop dead in seconds if he doesn’t get her sobbing. He gets his overlarge hands on her face and starts contorting it, pushing her mouth open, her eyes wider, his fingers down her throat until she spits and gags and chokes. Oh, the audience will love this one: it’s reminiscent of those filthy exploitation films with their cult followings, so cleverly referential. Look at her pathetic and pinned down. Look at her helpless and struggling. Think of your favorite on-screen murder scenes, and then think of this.

Anything I want, the stranger reminds her, yanking back her hair as she drools down his wrist. You asked for this, didn’t you? You said anything I want. 

Except now the girl can’t say anything at all. 

This moment will start rumors, invite horrified scandal the same way some purposefully marketed horror movies are passed off as snuff films - that really went down, they really died like that. This scene’ll get a similar response. Did he actually fuck her? Did he actually hurt her? Did everyone - the writer, the director, the crew, the captive audience - actually just stand by and let that happen? 

Sure. Or she might just be a really, really good actress.

There. The stranger’s murmuring to her now, watching her manufactured expression, watching the tears fill her eyes. There you go. There’s my girl. And she is his, she really is - transformed into something all beautiful and new under his clumsy fingertips, molded right into art. The camera will zoom in close on her gorgeous, cadaverous face, a perverse little gift for the audience: here, have this, take a look. She’s all yours now. 

There’s something to be said here about the manmade link between sex and violence - inescapable, brutal, primeval; bodies in all shades of red - but he forgets it the second he touches her, and she’s being fucked too hard to remember.

Maybe they’ll get to it next time.) 

-

AND WE'RE BACK!!!!!!!!!!! <33333

all my luv ever to @capslocked @worldsover @passingnotions @braaan for beta reading my dumbass shenanigans and also for being the best ever I LOVE U!!!!!! AND ANYONE WHO IS READING THIS I LOVE YALL TOO.................. PART 2 COMING SOON!!!!!!!!!!!

[solbaby7]

Make You Feel Something

pairing: azriel x reader

warnings: sexual tension, some anxious themes, probably typos, some swearing, and two best friends—they might kiss

summary: You paint a certain Shadowsinger like one of those French girls

[ inspired by that quote “Art isn’t supposed to be perfect, it’s supposed to make you feel something.]

—

“Just stay still.”

“I don’t know—I feel like I’m not doing this right.”

You sigh, a soft smile stretching across your features watching Azriel attempt to stop his fidgeting. “You’re doing perfect, just get comfortable and lay there—I’ll do the rest.”

The paper was thick, a little yellowed but the charcoal in your hand seems to enjoy such conditions. Your back settles into the plush cushions on the couch, a throw pillow tucked against your thighs and every now and then you glance over the sketchbook to peer over at the partially bared body before you. “What’s this for anyway?”

“Practice,” You mumble, clearly distracted when roughly outlining the shape of him, the throne of a seat he was splayed over, shirtless with his fighting leathers hanging dangerously low on his hips and large wings shuffled behind him. “Why are you so nervous? You’ve been shirtless around me a million times.”

His left arm shifts again before you can draw the outline of it. “No one’s ever painted me before.”

“Technically, I haven’t gotten to the painting part yet. This will eventually become my reference photo for that.” The words don’t soothe him how you’d hoped and after a while Az is moving enough to have you settling down the charcoal, eyes sliding to his own. “What’s going on in your head?”

“I don’t know where to put my hands.” The shadowsinger sheepishly admits, looking more boyish than you’d seen him in centuries. Dark hair falls over his forehead and judging by the neat lines along the perimeter of his head, Az had recently gotten a haircut.

He attempts to hide his hands, tucking them behind his head or shoving them under pillow until you make a move to shuffle off the couch and finally it all makes sense. The fidgeting wasn’t because your best friend laid half-naked before you but the creeping insecurity of his scars ruining the final product. “Lay like this,” Azriel’s like putty in your grasp, malleable and easy to guide when you shift one leg to casually drape over the arm rest. He’s at a bit of an angle but the way you position him gives off attractive arrogance, effortless masculinity mixed with a boyish charm. “They’re beautiful,” Your voice is filled with uncapped love, lips soft when you take both of his hands in your own and press a kiss on the back of each. “Art isn’t supposed to be perfect—it’s supposed to make you feel something.”

Hazel eyes take you in, memorizing the slight furrow of your brow as you make a few final adjustments; his hands on full display while you mumble under your breath, something about the lighting and your nose scrunches a little when his shadows tickle at your cheeks. “What do they make you feel?”

There’s a brief pause and you can’t make eye contact for a few seconds, fearful that if you did your resolve would break and you’d be too busy trying to take his clothes off to worry about the poor beginnings of your drawing. “I couldn’t tell you honestly without ruining our friendship,” His brow quirks, throat bobbing with a gulp. “—but if I didn’t like them I wouldn’t have asked you to model for me.” Relief spreads when a smile tugs at his mouth, head dipping down to hide the warmth that blooms at his cheeks when you waggle your brows at him. He’s much more relaxed when you return to your seat, a slow breath releasing from you as you twist your neck, fingers gripping around the charcoal once more and Azriel can’t seem to take his sights away from you.

Painted toes wiggle softly at the edge of the cushions, bare knees drawn up and your hair is gathered in a ponytail. You hum when you focus, some song Azriel’s never heard of before seeming to aid in alleviating the self-consciousness and pleasantly distracting his brain. Five minutes turn into ten, then fifteen before Azriel breaks the silence, being sure to keep his body exactly as you’d placed it. “What’s that song?”

“Not sure,” His body was an artists dream, all hard lines and alarmingly perfect symmetry; the golden light casting through the room, scattering moody shadows along the angles of Az’s face and your thighs clench slightly when you’re forced to pay such close attention to the plush curve of his mouth. “My mom used to sing it when I was really little—can’t remember all of it but it calms me down.”

“You’ve seen me shirtless a million times, what’s there to be nervous about?” Your eyes roll at his harmless teasing, huffing at the way he’d thrown your words back at you and it’s become increasingly harder than you make it look to get a fucking grip on your body’s reaction to him.

The response is instinctual, fingers rubbing the page to soften edges and your brain wanders to what it would be like for real. “You’re not exactly hard on the eyes and I’m not used to having a reason for examining your body for this long.” The warmth of his skin beneath your hands. The free will to travel the contours of his muscles and kiss each and every scar, ripple and divot formed by countless hours of training and dedication. He’s easy to draw when you spend so much time oggling, bottom lip caught between your teeth when mimicking the lines of his abdomen, the inky trail of hair that disappeared beneath dark grey fabric. “It’s truly annoying how perfect you are—could probably get some sort of sexual gratification from how satisfying it is to draw you.”

There’s no room for embarrassment when Az is so easy-going, the same laugh you’d always yearned for pulling from his throat and you have to swat away a few creeping shadows from sneaking a peek before the final result. “I’ve never heard that one before.”

“It’s true,” The fireplace crackles behind you, a warm glow filling the room and kissing at the exposed skin of the model before you. Sharp jaw, soft smile; the hard line of his brows smoothed out by the light in his eyes—like sweet honey and sunshine. “I’ve never once drawn someone like you.”

“I’d hope not.” Azriel’s head tilts just a little, brows furrowed in thought. “Who else do you ask to get half-naked for the sake of practice?”

He’s fully aware of how it sounds—the jealousy lacing his tongue and you have to pull your hands away from the paper a moment before the slight tremble threatened to ruin the flow of the strands of hair you’d been steadily shaping around his head. “Not many seeing as I usually prefer painting models that are nude. I figured for the sake of our friendship I’d spare you.”

“Spare me?” He scoffs in a way that reminds you of Rhys, a little cocky and entirely too confident. “I’m not sure your heart would’ve taken seeing me nude. Certainly, it was me doing you the favor keeping the rest of my clothes on.”

Azriel’s skin goes hot at your lack of response, gaze sliding thoroughly over the length of his body from the top of his head to the very tips of his toes and a slow smile appears. “You sound awfully confident,” You shift in place, adjusting your legs and stretching out to see him better. “Take it off then.”

His mouth parts, words caught in his throat for a few beats of time before letting out a breath. His hands hesitate before untying the leathers and shimmying them down his thighs. There’s no hiding the desire that clouds your vision when taking in the simple black material that held snug against his cock. His thumbs hook in the waistband, shoving them down and tossing them aside.

It’s not the most simple task to tweak at the preexisting sketch, snuffing out dark lines and fading them into the background enough to make it easier to map out the thick lines of his thighs and calves—the generous length hanging confidently between it all. “I wasn’t sure you’d actually do it.”

“Should I not have? Are you uncomfortable?”

Your head shakes in denial, brows furrowed in focus and Azriel can’t place how it feels to be looked at as a specimen rather than a person. Your gaze is admirably respectful, quick glances with your tongue peeking through when perfecting soft lines and adding shading here and there. “Believe it or not, I couldn’t be more relaxed.”

He believes it too, your heartbeat is steady and controlled, limbs perfectly lax and Azriel is more than grateful for the view when you’re all laid out; sleep clothes shifting with each move and desire burns in his belly when you flick your ponytail off your shoulder, exposing the curve of your neck. “Where do you plan on putting this?”

“Nowhere, it’s private.” For viewing pleasure only, for those late nights when picking up a random male from Rita’s didn’t quite scratch the itch. “Once the painting is finished I’ll give it to you and keep the sketch for my portfolio.” You move on to his wings, tongue clicking against the roof of your mouth when you slide from the cushions, bare toes sinking into the throw rug when you stand before him. “Can you put those up higher?” Azriel complies with ease, craning his wings higher but the furrow of your brow doesn’t subside. “Spread them a little.” Your head shakes when he moves and you reach up, fingers millimeters away before glancing down at him. “May I touch?”

He should’ve said no—maintaining some sort of boundary because drawing him naked was one thing but standing before him asking to touch; all the resolve in the world wouldn’t be able to save him. Azriel’s mouth opens, intent on saying no but by some sick sense of self-indulgence he nods in agreement, eyes fluttering shut when the scent of your shampoo enters his space. Warm skin grazes his own and while the shadowsinger is a tense mess beneath you, you’re the picture of serinity, completely in your element when carefully adjusting the membranous wings how you pleased. He tries to hold it back but your hands are so soft and the rough groan that fills the silence has goosebumps raising.

“You can feel all of that?”

Azriel traces a finger up the outer side of your thigh, pausing at the hem of your shorts. “Can you feel that?”

“Right, stupid question.” Maybe you linger longer than necessary, tracing over a texture you’d never felt before; not leathery, softer than that but just as sturdy. Warm to the touch and they shudder when you smooth over the thin seam at top that fused everything together. “They’re beautiful.”

“I’m flattered, really,” His voice is strained, hands clenched in tight fists and when you glance down past inky strands, his cock is standing at attention against his stomach. “—but I think you’re overestimating my self-control.”

“You wouldn’t hurt me.”

“Not unless you asked me to.”

The swallow you force down is audible, hands shaky when you tuck them back at your sides but you don’t make a move to step away this time. Instead, you stand before him, fingers coated in charcoal and there’s a little smeared at your collarbone. His hand is up and touching before common sense can deter him; pure fire burns beneath each fleeting touch, knuckles grazing at the curve of your jaw and there’s no hiding the rising beat of your heart when he wipes your skin clean. “Thanks.”

“You shouldn’t be thanking me,” His head falls back, words low and barely contained. The hands he pulls away keep drawing back like a magnet, touching greedily at the sides of your thighs and stopping at your waist. “I’m supposed to be helping you and my thoughts are not very helpful.”

Years of denying himself the simple pleasure of touch and the powerhouse of a male on the battlefield is reduced to a simpering baby, grappling for more touch, more of your silky clothes shifting against his skin and the sweet smell of vanilla and cocoa, sugar cookies and warm milk filling his nose when he pulled you in closer. Better judgement makes you wonder if you should pull away, find a way to comfort him and keep it friendly but the more distance that closes between you the more of that hard length you begin to feel against you. “Az—“ He doesn’t let the warning fully come to life, hands twisting behind the back of your knees until you’re sat above him, resting on bare thighs and your hands brace at his shoulders.

“I know,” Azriel repeats it over and over under his breath, face buried in the dip of your throat, mouth grazing at the sensitive skin there and the little whimper he draws from you has that hard cock between you twitching against your stomach. “I thought I could handle it but you just feel so fucking good.”

It was wrong.

So fucking wrong.

Shit like this never ended well; mixing fucking and friendship but while you kept thinking no your body stubbornly arched into his touch. You bared more of your throat to him when he buries his nose there, taking in your smell while he memorized the feel of you. The slope of your shoulders, the flare of your ribs and the soft curve of your stomach. You grind onto him, searching for more friction when Azriel follows the length of your legs down then up to cup the fat of your ass. “Take it off.”

You feel weak; too captivated to acknowledge your backbone when you tug the shirt from your head and throw it somewhere behind you. His mouth is insatiable when pressing kisses to every inch of exposed flesh, holding you closer with each breathy moan and whispered plea for more, more, more. Nothing could’ve prepared you for his mouth finally slotting over your own.

Azriel’s careful now, slow and attentive, maintaining a pace as you got to know one another in ways you’d only thought about when you’d snuffed out the fire for the night and shuffled under the covers, fingers hiked up your nightgown for a few minutes of uninterrupted pleasure. He groans into your mouth when tongues touch, fingers tangling in your hair to keep you close.

You hand slides between the two of you, wrapping around the stiff length of him and the moan he lets out has him sinking back into the chair. Preening under the attention you continue, gaze locked on the half-lidded hazel eyes before you, his arms flexing at his sides, hands holding onto your thighs for stability because your hands were so soft, holding him so firmly and the steady drags up and down was enough to have his thoughts muddled and hips bucking up into your touch. Swears spill from his mouth like prayers, pleading and begging for you to keep going and watching him crumble beneath you was a greater high than any smokes or powders. “Feels so fucking good.”

“You look good under me,” Draped across a throne like some entitled High Lord finally receiving his birthweight as promised. “You close already?” Azriel’s cock throbs in your hands, pre-cum oozing from his slit and the thumb that curls to swipe over it is torturous. “Poor Illyrian baby—I’ve barely even touched you yet.” A cruel laugh accompanies the choppy breaths and hazel eyes kept falling victim to the backs of his lids. “The High Lords spymaster. The feared Shadowsinger. A great warrior with seven Syphons to hold onto all that power and here you are,” Your pace speeds up, pure feminine satisfaction building when watching such manly power submit beneath a woman. “—falling apart just for me.”

You feel his release coating your palm and you use it for better slip when you keep going, riding out his pleasure until he’s pulling your hands away, chest heaving.

He watches you slip from his lap while he catches his breath, catching a towel tossed his way for the mess. “Clean up for me, I need to finish this before the lanterns burn out.”

Azriel doesn’t listen though, rising from the throne and clearing the distance between you in no more than three steps and his mouth is right back on your own.

Fuck it, some of the best art was left unfinished anyway.

[art]

Creator Spotlight: GDBee Art (@prinnay)

Geneva Bowers is inspired by the wonders of the natural world around us, and enjoys manipulating colors to create art full of mood and feelings.

Check out our interview with Geneva below!

How did you get started with art? Did you originally have a background in art?

I’m going to say yes because that’s all I’ve known how to do. It started because I wanted to draw better horses than my sister, and it just spiraled from there. People started asking me to draw things because they saw me drawing horses. I was like, well, I can draw things that aren’t horses, and then it was just kind of all I did. 

Have you ever had an art block? If so, how did you overcome it?

I have one right now! Honestly, with time, and I also collect art books; I think I have a couple hundred. If I really want to draw something, then I just flip through those and try to steal some ideas.

Which three famous artists (dead or alive) would you invite to your dinner party?

I mean, of course Van Gogh…I’m really inspired by Impressionism and Post-Impressionism, so I would invite Van Gogh, Monet, and Julie Dillon to a dinner party.

Have you ever wanted to dive into another medium before?

Yeah, actually, I currently am! I’m trying to do more traditional painting. I used to do a lot of acrylics, but I haven’t done it in years, and now I’m kind of bad at it. I’m trying to get into actual impressionistic art with oils and oil pastels. I’m like failing, but you know, you get there. Just fail until it looks presentable. 

If there is one thing you want your audience to remember about your work, what would it be?

I guess it’s more of a feeling. I create art because I’m inspired by things around me, like certain video games. For example, I have been inspired by a Japanese RPG called Chrono Cross on PlayStation 1. They make me feel a certain type of inspiration to create something, so that’s kind of like what I’m hoping to leave behind. 

Have any of your projects surprised you with their outcome?

Yeah! I did this Weapon Faerie series where I took three prompts: a weapon, a winged insect, and an herb, which I combined to make different characters. So, a faerie with a spiked club or a butterfly faerie with a katana. I made 13 of those, and they kind of took off! I wasn’t expecting that at all.

What is the hardest part of your process?

My whole art style is coloring, like the way it’s colored… but I hate the coloring process, haha. I like doing the color combos, but I don’t like the blending and shading. That takes like one-trillion years. It’s the part where I’m most likely to give up. You know how art kind of looks ugly before it looks good? I’m trying to trust that process. 

What do you wish you knew when you started creating art that you know now?

I guess one big thing would be knowing how to use lights and darks. When I do color, it is definitely colorful, but when you switch it to black and white, you see that everything’s the same tone of gray. I’ve learned that if you just use some brighter colors and some darker shades, you create a bigger impact in the end. So, now, when I paint something digital, I make it black and white for a moment to see where all the hues are, and if something is weirdly dark or not dark enough, I can change it.

Who on Tumblr inspires you and why?

Oh, @feefal definitely inspires me. She does a lot of spooky art.

[artists-ally]

{Fake It Like You Love Me} Azriel x Reader x Xaden Riorson x Cassian

*slowly creeps up from the depths of hell* Heeeeeeeey, glad you guys remember I still exist 😭😭 First off, THANK YOU for 600 followers. That's insane and I don't deserve you all so thank you so fucking much. SECONDDDD, here is another part of my Fuck Away The Pain series!! Sorry this has taken me so long to do, but I think you for your patience. As always, let me know what you think and feel free to drop a request if you have any!!! Enjoy! Title and series inspired by this song.

Part 1: {Show Me Where It Hurts} Part 2: {Dirty Little Curse} these do not need to be read in order to be enjoyed!

Word Count: 7,630

Warnings: Smut. Like... an alarming amount of smut. ACOTAR x FOURTH WING, Dom/Sub, MMMF, use of the nicknames "pet" and "sir", oral (M and F receiving), pet play, degrading, praise kink, choking, spanking, cum eating, unprotected sex.

Tagging: @lees-chaotic-brain @thelov3lybookworm @needylilgal022 @librafairy @cyrygher @agent-anna @blessthepizzaman @bubybubsters @highladyofterrasen7 @annabethgranger123 @acourtofbatboydreams @thatacotargirl @berryzxx @throneofsmut

Summary: It is just after the legendary snowball fight. Azriel, Cassian, Rhys and Xaden are in the sauna while you, Mor, and Feyre are inside the cabin. Once Rhys leaves, it seems that there is a vacant spot that needs to be filled.

~~~~~

“So, explain this to me again?”

“Every year, they have a snowball fight. They just keep going and going and going until there’s a winner,” Feyre explains. “This is the first time you and Xaden are here so I think they’re taking it easy.”

From off to the side of the cabin, we hear a shout and then a chorus of laughter. 

“Maybe not,” Mor says, peeking out the window. “Cassian just decked Riorson in the face.”

I giggled, sipping my warm tea and curling my legs under myself. “Probably made fun of Cassian’s hair or something. Called him a wet dog.”

“You know damn well that animal will come in here and shake like one too.”

“And after the sauna? Yuck, it’s going to smell for ages in here,” Mor shakes her head.

“The sauna?”

Both of them stop dead in their tracks, exchanging a knowing glance. Feyre looks at me with a twisted smirk. “You don’t know about the sauna?”

“Should I be afraid?” 

“Definitely,” Mor grins, setting down her cup. “After they get done, they all go into the sauna together.”

“Naked?” I dare to ask.

“Terribly so,” Feyre adds. “A few years ago, on my first trip to the cabin, I got Rhys kicked out because… well, he just couldn’t stop thinking of me.”

I damn near choked. Then I burst out laughing. I can imagine it. Rhys, Azriel and Cassian sitting in the sauna together. It must be some sort of rule they have. If one of them gets a little too hot and bothered, they’re out. But the thought of them all in there, Azriel and Xaden sweating… does some pretty magical things to my brain.

And the space between my thighs.

“Gods you are just as bad as they are, Yn,” Mor fake gags, coming to sit next to me. “Don’t get too excited. None of us have ever been in, and none of us ever will.”

“Really? That’s kind of shocking, honestly.” There hasn’t been one exception? “I know Cassian is a bit of a…”

“Male whore?” Mor fills in the blank. It makes me giggle. 

“I don’t quite know everyone well enough to make those assumptions, but Cassian definitely gives off a certain… aura.”

“Oh please, he’d take it as a compliment,” Mor smiles, playing with some of my loose hair. “But no, not even him. Now, what I cannot believe is how you ended up with both Az and Riorson. That is truly a work of art.”

I can’t help the smile that blooms onto my face. “Some are just more blessed than others.”

Feyre barks a laugh, “I’ll say. You got lucky with those two, you know.”

“I know. We’re not like– together together, but they take very good care of me. I honestly kind of like it. It's all the best parts of a relationship without having to worry about if everyone is getting enough attention. They give me what I need, and I give them what they need.”

“Have you ever asked for more? To be in a real relationship?” Mor asks, curiosity getting the best of her. Feyre smacks her in the shoulder. “Ow!”

“Don’t be insensitive,” the High Lady reprimands. 

“Don’t be silly,” I wave them off. “I’ve thought about it, but I don’t think that’s what I want. Sure, being in love is great and all, but why complicate it? We work flawlessly together right now, why change? If either of them brings it up, I’ll be open to the idea. But for right now I’m thriving. They are far too generous anyway. They constantly bring me gifts or invite me out to dinner. They’re doing enough for me. Far more than enough.” “Not to mention the world's best sex,” Mor wiggled her eyebrows at me. “What’s it like with the two of them? Are the rumors of the Illyrian true? What about Xaden, is he packing too? Gods I bet he is, isn’t he? Now, I am the last Fae in Prythian who’d want to be taken by two males, but… for the both of them? I might reconsider. Tell me, does Az-”

“Cauldron boil me,” Feyre sighs. “I’m getting a drink.”

“Ooh! Will you bring me-”

“No,” Feyre scolds, heading into the kitchen.

“Crony bitch.”

“I heard that!” Feyre shouts from the other room. 

Mor and I share a laugh, snuggling in close together. “This is so fun.”

“Isn’t it?” Mor says, “You’re always welcome back, Yn. I’m not sure I’ve ever seen Az so relaxed. He looks… happy. And I can’t vouch for Riorson but he looks like he needs this too.”

“Yeah it’s been a stressful couple weeks for Xaden. There was a huge issue in his homeland and he nearly lost his life. His dragon is bonded to someone else in his squad, and her dragon almost died. It was scary. I’m just glad he’s okay. On the flight up here he was giving me all his strategies on how he was going to win.” There’s a loud cackle from outside and the sound of bodies running into each other. I looked over the back of the couch, seeing Xaden at the bottom of the pile, snow being shoveled into his face. “Guess they didn’t work so well.”

“They’re probably done now,” Mor explains.

“Sauna time?”

“Sauna time.”

The door opens and the four males clamber in, shaking snow from their hair and clothes. 

“I’m gonna get you back for that Rhys,” Xaden grins, evil intent behind those onyx eyes. 

“I’d like to see you try. Hey Mor, hi Yn. Where’s Feyre?” Rhys pats the top of Mor’s head, offering me a kind smile. 

“In the kitchen!” She calls, the High Lord following the sound of her voice. 

Cassian makes a b-line for the couch, shaking his head like a mutt. Mor squeals, I just shut my eyes and take the damage. When I open them, he snickers and sits on the floor, sighing loudly. “And that makes 181 wins for yours truly.”

“Then he must have cheated,” Mor gags, wiping off Cassian’s grime with the bottom of her shirt. “For fucks sake Cass you stink.”

“I’m a hard working male,” he begs to differ.

“Only thing you’re working is gonna be my foot in your ass,” Mor chides, standing up. “I’m going to shower, I smell like a dog.”

“You wish you smelled as good as me. Sorry to catch you in the crossfire, Yn.”

“It’s all good,” I smile, rubbing the few drops I got off on my sleeve. 

But the look on Xaden’s face when he comes to sit next to me reflects anything but. He’s got a scowl directed at Cassian, but he makes quick work of masking it, planting a kiss on my cheek. A moment later, Azriel does the same thing. 

“Should you be sitting on the couch?” I ask. Xaden’s hair a soaking wet mess, his clothes more the same. 

“Trust me,” Azriel chimes in, “There have been far worse things on this couch.”

I blink at him, wondering if I would need to burn my clothes after this. He plops down next to me, slinging an arm over the back of the couch behind my shoulders. 

Cassian looks between all three of us. Clearly seeing the size difference and taking notes about it. “I should probably keep my mouth shut.”

“That would be wise, brother,” Azriel grumbles, stretching out his legs. “Where's Rhys? Im fucking freezing and I wanna go in the sauna.”

“He’s in the kitchen with Feyre,” Mor said, rounding the corner from the washroom. She clearly didn’t shower, but she smelled much better. “And we all know what happened the last time the two of them were left alone here.”

“What happened?” Xaden and I asked at the same time. 

“Nothing,” Azriel, Cassian and Mor responded in unison. 

The dragon rider and I shared a look, a silent promise to ask Az about it later. We had a nice evening planned, dinner with everyone, and then they were going to let Az, Xaden and I spend the night in the cabin. We’ve never been here before today so it was a generous offer. I can tell how much this place means to all of them. 

No one needs a vivid imagination to get an idea of what’s going to happen later. 

“Fuck him,” Cassian pushes to his feet, binding his hair back with a strip of leather. “Come on, let's get started. He can decide later if he wants to join.”

Cassian and Xaden head out the door, but Az stays seated next to me. “Having fun?”

“Of course,” I reassured, patting his thigh. “Mor and Feyre are very kind. And this is a lovely cabin.”

“Good, I’m glad.”

“Looks like you two had a lot of fun,” I smile, resting my cheek on his damp shoulder. “You smell far better than Cassian.”

“Naturally,” Az smirked. “And yes we did. Xaden needed it, you needed it. It’s always just been the three of us every year, but it felt right to have Xaden here in the mix. You too, obviously.”

“Glad I could make the cut,” I joked, receiving a pinch on my ear. 

“Brat.”

“That’s not even close to me being a brat and you know it.” “Don’t I ever,” he grinned, covering my mouth with his. Despite the chill coming from his body, his lips were warm and soft. Full of life, vibrance, and need. “By the sound of it, Rhys won’t be joining us in the sauna. We won’t be in there long, will you bring us some towels around four?”

I looked at the analog on the wall, the hands reading 3:22pm. I nodded, “Sure.”

He curled my hair around his fingers before standing, following the other two outside. 

In the meantime, I hung out with Mor and we talked about random stuff. She tried to get more details about Az and Xaden, but I wasn’t willing to give them up. We played a few card games, had a snack and a glass of wine before she winnowed off the mountain and back to Velaris to meet some friends at Rita’s. 

Just as I was curling up with a book, I felt a cool whisper circle my wrist. A strand of Azriel’s shadow wrapped around and around in a never ending bracelet. I smiled, looking at the clock. Just seven past four. I head for the closet, grabbing three thick, soft tan towels. 

Damn, it's cold out here. How do they not freeze to death? I carefully step in their footsteps so my toes don’t get frozen off. There is a little stone path to the sauna and I gladly jump from stone to stone. With the towels under my arm, I knock on the door. 

“I brought your towels, they’ll be out here on this chest,” I shouted, unsure if they’d be able to hear me through the thick wood paneling. There was a small jut out from the roof over the door, ensuring they wouldn’t get covered with snow.

“Will you bring them in?” Xaden calls.

I skidded to a halt, damn near knocking myself over. Did he just say what I think he said? “I thought no females were allowed in the sauna?” 

“Don’t be ridiculous,” Cassian’s voice boomed. “We just need the towels so our bits don’t freeze off. You can close your eyes if you’re scared.”

Scared? I wasn’t scared, but I didn’t particularly care to see Cassian sprawled out with all his glory on display. Well, okay that's a complete lie. Ever since I first saw the Lord of Bloodshed, I thought he was… well… hot. He’s tall, all thick muscle and confidence. He knows he’s hot shit. I’d imagine if he were a closer friend that confidence might piss me off, but I think he’s funny. He knows what he’s got and he’s not afraid to show it. 

“Are you going to bring them or not?” Xaden shouts.

Oh. Right. The towels. 

I take a steadying breath and push open the door. A wave of humid, damp air blasts me in the face, instantly melting the flecks of snow on my hair and lashes. There isn’t a light save for a few windows to let some ventilation in. It's dark, but I can make out the three figures. Azriel and Xaden are to the left, and Cassian is to the right. 

I keep my eyes on my boys and place towels in Xadens open arms. “Thank you, my dear.”

“Of course,” I smile, carefully avoiding any glimpses of Cassian in my peripherals. Just before I can reach the safety of the outdoors, Azriel’s hand wraps around my wrist, gently tugging me in front of him. His other hand curls around my hip, pinning me still. “Yes, my shadow?”

He all but purrs at the nickname. “Stay.”

Stay. Stay? As in… in here? With him and Xaden and Cassian? “You guys enjoy your time together.”

I tried to take another step, but he sat up, gripping my body to keep it positioned between his powerful legs. I trailed my eyes down his torso, seeing a bit of a surprise waiting for me. “I told you to stay.”

Heat flooded my body, a different heat than the one coursing through the sauna. I quickly glance at Xaden to see him exchanging a glance with Cassian across the way.

“I- I wouldn’t want to kick Cassian out just because you want me, Az. That’s rude,” I say, my breath hitching when he slides his hands under my thick wool sweater. He rakes his nails down my back and I momentarily forget that there is a third set of eyes watching. 

“I don’t think Cassian would mind the show, would you, Cass?” Azriel looks around my torso at the Illyrian, and I have to force myself not to do the same. 

There isn’t a verbal response from him. 

Az roughly grips my hips, forcing me to sit down in his lap. His mouth attaches to mine before I can make a sound. I flinch momentarily when he bites down on my lip, his pace fast and aggressive. The sauna is silent save for the sound of our lips meeting. 

Sweat begins to swell around my hairline, trickling down the back of my neck. He removes my sweater and tosses it towards the open door. I wasn’t wearing a bra, and the hot air coats my bare back. Azriel breaks the kiss, latching onto my neck and collar bone. 

“Az,” I say, already breathless. “Wh-What are you doing?”

“Are you telling me that you’ve never thought about Cassian before?”

Shit. SHIT.

“I- well I didn’t- not in the way you think I would’ve I was just-”

“That certainly didn’t sound like a no, Yn,” Azriel looks up at me, a knowing glint in his eye. “Did you think I wouldn’t notice?”

“I- I didn’t think… I would’ve never thought that-”

“You have five seconds to tell me to stop. One.”

“Azriel I-”

“Two.” He pushes me back to my feet. 

My knees buckle and it’s an effort to keep myself upright in the sweltering humidity. “Why would I have thought that you and Xaden would want-”

“Three.” He stands, towering over me.

I huff in annoyance. “Azriel, stop counting-”

“Four.” Az makes me take two steps back, advancing on me.

“Xaden will you please fucking-”

“Five.” His fingers wrap around my throat and push me back. Directly into Cassian. A second set of hands find their way onto my body. Cassian grips my hips, keeping me from falling. I am deathly still. I hardly breathe. I don’t dare make a noise. “You’d like it if Cassian joined, wouldn’t you?”

I don’t respond. 

“She looks petrified,” Xaden points out very matter-of-factly. 

“I like it when she’s scared, she obeys when she is. Isn’t that right pet?” 

One word. One stupid nickname and I’m under his spell. Fuck, of course I want Cassian to join. I haven’t ever seen him without clothes, but he doesn’t leave much to the imagination. “I- I umm-”

“Just admit it and I’ll let you go,” Azriel demands, tightening his fingers for emphasis. It’s nowhere near a dangerous amount, but it makes my breath hitch.

“Yes yes,” I rush out, senses on fire. 

“Yes what, pet? Come on, you know the rules. If you want Cass to join you have to tell him.”

Azriel releases me, and if it weren’t for Cassian holding me up, I would’ve keeled over. The combination of the restricted airflow and the density of the heat in the sauna was going to make a lethal combo. 

And I craved it. 

I quickly slipped under, fully ready to play with the three of them. I gently turn and look down at Cassian. His bronze skin is shining with sweat, hair still bound behind his head. I take a deep breath, swallowing. “Would you like to play with us, Cassian?”

His eyes dilate, tongue darting out of his mouth to wet his lips. “I thought you’d never ask, darling.”

Relief floods me and I smile. I am so thrilled he said yes. I look over at Az and Xaden, waiting for their command. I desperately need them to tell me what to do. This is already so overwhelming in the best way possible. 

“Why don’t you be a good girl and welcome Cassian, okay?”

I don’t need to be told twice. Like he knows what I was thinking, his knees spread apart, inviting me in. I sink down to the floor and stare up at him through my wet lashes. “Messy or clean?”

A grin spreads across the Illyrians mouth. “Oh, she’s good. Messy, darling. I want to see you ruined.”

Cassian’s finger separated my lips and I sucked on his thumb. He pressed down on my tongue, and I swirled it around his digit. Meanwhile, his other hand fisted himself, and I couldn’t help but take a glance. 

Cauldron boil me alive–

I delicately reach a hand out and replace mine with his. The warrior's head falls back and he shuts his eyes. My hand is so much smaller than… well, every part of him. I stroke up and down, gently thumbing the small slit at the tip. A few drops slide down onto my finger and I generously lick them off. He definitely tastes similar to Az, but nothing like Xaden. 

The moment my tongue circles him, he cuts loose a moan deep from his chest. 

“Fuck you’re so warm,” Cassian lifts his head, taking in the sight of me taking him in. I swallow around him, drawing more sounds out of him. 

“I think what makes it so good is she loves doing it. Don’t you, Yn? You love being stuffed full,” Azriel comes up behind me, his presence stealing my breath away. Maybe it’s the added heat that makes my head dizzy. “That’s right, work him all the way down. Get him nice and deep.”

I push and push my head all the way down his cock, taking a moment to stay still, just emphasizing exactly what I can do. Cassian laughs at me, full on laughs. A mocking sort of sound that spreads goosebumps all across my skin. He bucks his hips, really testing how far he can push me. 

“Oh, she’s good,” he grunts, head tipping back again. “Keep that perfect mouth moving, darling.”

My ears are ringing a little. Whether that be from the heat or the sheer overstimulation, it’s hard to tell, but I didn’t react right away. The next thing I knew, one of Azriel’s hands was fisting my hair, the other braced at the back of my head. I nearly choked when I was ripped away and then slammed down onto his cock a few times. 

“You heard him, Yn. Take his cock like the good slut you are,” Azriel reprimanded. He continued to overpower me, making me work up and down on Cassian. I let my jaw go slack, along with my hands braced on Cassian’s thighs. I let out a content sigh as I was fucked on Cassian’s cock. 

I rocked with Azriels movements. His grip singed my scalp and an ache formed in my jaw. It was familiar, ignorable, but present nonetheless. I was glad to have them doing all the work, it was far too hot in here to think clearly… even without the added exertion.

When Az decided I got the memo, he let go of my head and I continued the motions with steady practice. I closed my eyes, feeling every drop of sweat on my body. My thick, fleece lined leggings were beginning to soak through. Xaden’s calloused hands found their way to my waste and began to slide them off. With a pop, I pulled off of Cassian, giving my jaw a much needed break. Xaden peeled them from my legs, taking my underwear with them. But, before he let me sit back down, he laid down on his back, beckoning me to ease on top of him. 

“Surely you’ll suffocate, it’s already unbearably hot in here,” I huff, catching my breath. 

“Then I shall go doing what I love most,” the dragon rider replies. “Sit.”

I looked to Az, silently asking if this really was a smart decision. He just gave me a pointed nod with narrow eyes, a promise that if I didn’t listen he’d make working for my release miserable. So I obeyed without a second thought. 

The moment his tongue curled into me, I sighed. Aimlessly, my hand worked tentatively up and down Cassian’s shaft, drawing a few sounds out of the General. “Let me fuck your throat, darling.”

There must’ve been a sparkle in my eye because I grinned, opening wide for him to do so. His length was thick. Almost too thick. And long. Fucks sake everything about him was big. I was up for the challenge. As it hit the back of my throat, I relaxed, letting his hands fall around my ears. It was gentle at first, his thrusts long and even. I moaned in tandem with the licks I was receiving from Xaden, my mind a melted, scrambled mess of ecstasy. With a particularly hard suck on my clit, I jerked the opposite way Cassian was going.

“Ah ah ah,” he chided, clicking his tongue. “You don’t get to run away from me. Take what you’ve been given. Be a good fucking girl, Yn.”

I glance up at him, throat too full to make any noise. A third set of hands– Azriels, so experienced and commanding, settled on my breasts, plucking and pulling. I could feel everything and nothing at the same time. My entire body was numb with pleasure, numb with exploration of the three of them. 

Azriel. Xaden. Cassian. All three of them, the most powerful warriors of their respective worlds, all focused on one thing. One goal. 

Me. 

Cassian picked up his pace, the thrusts less deep, but far more firm. It was clear he was chasing his high, thick veins beginning to bulge in his arms… up his chest… in the column of his throat. 

“She does such a good job at taking it,” Cassian praises. “Doesn’t gag, doesn’t complain. Look at all those pretty tears. All for me, darling? Do I fuck you so good you need to cry? It’s okay, I’ll lick them clean. Then make them spill down your neck again when I get to fuck your pussy.”

My heart thrashed in my chest, thighs shaking with the force of Xaden’s tongue against my core. I writhed my hips, breathing harshly through my nose every other thrust because that’s all Cass would allow. At some point Azriel’s hands left the mix. I couldn’t see him anywhere, but his presence remained. Those shadows replacing his skilled fingers. 

My body was wound tight. I was already anticipating a fun night with just Azriel and Xaden. But now? With Cassian? A new fire had been set ablaze inside me. And it needed– no, demanded, to be let out. I tried to warn Xaden, I tried to ask for permission, but I couldn’t with Cassian’s grip on my head. I fiercely moaned, hips shaking so badly that Xaden had to lock me in place. 

“You can let go,” Azriel commanded from somewhere behind me. I silently thanked him. 

Like a crack of lightning, my release barreled through me. I came so hard my vision whited out, a faint ringing bounding between my ears. Moans of pure pleasure spilled out of me and right onto Cassian. The extra vibrations must’ve done wonders from him because his grip faltered, as well as his pace. His head slumped forward and his eyes rolled shut. 

“Fuuuuck, whatever you’re doing to her, Riorson, you better not fucking stop. Keep her moaning like that. Fuck I’m gonna cum so hard. Want it, pretty pet? Want my cum down your throat, filling your belly?”

He released my head, bidding me to give a verbal answer. After what Xaden just did to me, I’m not sure that’s physically possible. “P-Please, sir” I sigh out, my voice in an atrocious state already. “Wanna make you feel so so good.”

The use of ‘sir’ must’ve really done something to him. He sat up, a corrupt, unforgiving smile creeping onto his cruel lips. “Sir? That’s a dangerous game, my darling.”

“She doesn’t mind a little bit of danger, does she?” Azriel grips my hair again, pulling my head back so I have to look up at him. I nod carefully, the strain in my neck almost too much. “Yes she does. Now get to it, I'm getting impatient.”

Bad things happen when Azriel is left uncared for. And who was I to make him suffer?

I stuck out my tongue, a silent beg for Cassian to slip back in. He did without further coercion. The first time my nose brushed the soft hair on his pelvis, I could’ve sworn it was an accident. The second time, I realized it wasn’t. I couldn’t breathe, a small panic settling in every crevice of my body. I tried to keep calm, but between a relentless Xaden under me and a ruthless Cassian in front, it was near impossible. 

“F-Fuck fuck fuck fuuuucccckkkk,” Cassian shouted, the muscles in his thighs and abdomen flexing. “Gonna take it all? It’s gonna be a lot, can you handle it, darling? Yeah I think you can. I’ll make you either way. Stay niiiiice and still for me- oh fuck-”

At the last second, he pulls me off about an inch and the humid, sweat filled scent of air floods into my nose. I drink his release down. It’s thick and warm, salty and abundant. I hum around him as I swallow and swallow and swallow. My eyes fill with tears yet again and they escape down my cheeks. 

Cassian shudders. With gentle laps of my tongue, I clean him up. He watches me attentively. I can’t help the smile that forms on my lips when our eyes meet. 

“You…” he breathes heavily, chest swelling and falling. “You are a little devil, aren’t you?”

The Illyrians hand wraps around my throat and he pulls me to my feet, and off of Xaden. The way our tongues met could’ve moved mountains. He was not shy in showing how much he wanted me. I melted into him, straddling his thigh and letting my arms drop to my sides. 

Azriel played with my hair, hands caressing my ass. Together, they brought me down, content to let me relax for a few minutes. 

“You did so well, pet,” Azriel cooed, dragging his tongue over the shell of my ear.

“So fucking good,” Cassian murmured against my lips. “Such a good little girl.”

I could hear Xaden climb to his feet, the sound of his hand stroking his cock loud in the otherwise quiet room. “I will never, ever, get tired of making her cum on my tongue.”

“Should I have a taste?” Cassian asked, placing small bites on my throat. 

“I actually had something else in mind,” I sighed out, getting lost in all the hands and tongues. He gave me a curious look, but I just smirked, easing onto shaking legs and turning around so my ass was in Cassian’s lap. “I want to play a game.”

“A game?” There is an obvious hint of danger in Cassian’s voice? “What kind of game?”

“I want you and Xaden to fuck me, and I want Azriel to tell you when to move and when to stop.”

I haven’t yet brought it up to Azriel and Xaden, but I’ve always wanted to do this. A game of red light green light. To give full control and power to him, making us work for our pleasure. I look at Azriel, gauging his response, but he just grabs my chin, bringing our faces level. 

“Yeah? You wanna play a game? Want to be treated like a literal pet? Taking commands and performing tricks?” His voice is thick with desire, so low only we could hear it. 

My heart skips a beat. I hadn’t thought about it like that before. But the idea is… it’s-

“Look at her face, Cass,” Xaden tilts his head mockingly. “She wants it so bad, don’t you, pretty girl? Would you like a collar, that way if you get lost they know who you fucking belong to? Gods she’s so red. Don’t be embarrassed, pet. We know just how much you love being fucked full of cock and cum.”

“Sit on his dick, Yn,” Azriel orders. “Now.”

Silently, I hover over his lap, letting Cassian guide my hips. At the first press of his tip, I gasp. A new thrill thrummed through me. 

Azriel comes and stands in front of me, cupping my cheeks. “I know he’s big, but you’re gonna take all of him. And you’re going to like it because you asked for it. So, here’s your first trick. Sit.” 

The Shadowsinger pushes on my shoulders, leaving no option but to take Cassian all the way. All. The. Way. My breath is lodged in my chest with no room to escape. I can’t think. Can’t hear. Can’t see. Can’t even begin to process what is about to happen. 

“Oh, good girl Yn,” Xaden praises, still stroking himself. “Look at how pretty she looks, Az.”

Cassian grunts behind me, hooking my legs over his knees so the others can see him buried inside me. I cry out at the shift, feeling him go deeper and deeper. Gods, he feels like he’s everywhere.

“Cassian, why don’t you play with her nipples,” Azriel instructs, walking back and forth in front of us. “Xaden, give her something to suck on.”

“With pleasure,” Xaden grins, those onyx eyes narrowing on my mouth. I go to protests, but then I realize just how hard he is. How flushed his skin is. And I need to taste it, to relieve him of his torture. 

He traces my lips with the tip, coating them in his slick. With a heady pant, I stick out my tongue to invite him in. 

A hand cracks down on my thigh. I scream out, more in shock than in actual pain. Azriel’s hand was the culprit. 

“Did I say you were allowed to taste it yet?” His eyes are swirling with lethality. I bite my tongue to keep myself from saying something stupid. “Well?”

“N-No,” I say meekly. “I’m sorry. May I taste it, Az? Can I please taste Xaden?”

After a minute of letting the question hang in the air, building suspense, he nods. Greedily, I take Xadens hips and bring his cock towards my mouth. 

It’s such a glorious sound to hear when Xaden curses low. A deep rumble in his chest letting me know this is exactly what he needed. Without moving– fearful I’ll get another smack– I look at Az, awaiting my next instruction. 

“Fuck her throat, Xaden,” Az says, eyes scanning out bodies. “Start fucking her nice and slow Cassian. Really savor her, make her moan just like Xaden did for you.”

At the same time, both of their bodies start sliding in and out of me. They find a rhythm instantly: Cassian fucks me forward onto Xaden, and Xaden fucks me back onto Cassian. It’s easy enough to let them do all the work, my bones and liquid at this point anyway. All I know is pain, pleasure, and unfiltered need for these males. 

I moan deeply as Cassian hits that spot inside me. Xadens hip stutter, his head tipping back as Cassian hits it over and over again. 

“Does that feel good, Xaden?” Azriel asks, gripping his hair at the root, whispering right in his ear. “To have our girls' mouths all around you?”

The dragon rider nods as best he can with Azriel’s grip. “Fuck yes.”

“Make her stop.”

“W-Why?”

“Because I told you to. Yn, stop,” Azriel demands. I instantly pull my mouth away from Xaden, even if it makes me want to scream and thrash and beg for it back. I need it, need to taste it, need to feel him cum down my throat. “See, she listens to me. Do I need to punish you too?”

“No,” Xaden shakes his head. “I’ll listen.”

“Yes you will.” Azriel gives a fake smile. “On your knees.”

Xaden sinks to his knees. 

“Suck on Yn’s clit. Make her cum on Cassian’s cock.”

The sight of Xaden, on his knees, cock leaking continuously, does something to me. It gives me ideas for later. He helps push open my legs, even when the first brush of his tongue makes me see stars. Cassian has to wind his arms around mine to keep me from sliding off. I know he’s strong, but to be able to hold me still and keep fucking me is…

“Good boy, Xaden,” Azriel praises, brushing his hair away from his face. “Just like that, make our pretty girl cum.”

It’s not going to take long. His laps are so soft, so gentle, and it works far faster than I’d like to admit. 

“Az- Az can I cum?” I ask, just to be cautious. I do not want to have this taken away from me. I can’t have it taken away from me. 

“Yes, pet. Cum as much as you want.”

It’s like music to my ears. It’s building and building. In my core, at the base of my spine. Behind my eyelids. It’s fucking everywhere. My vision goes white and an embarrassing noise tears from my soul. I writhe on Cassian, driving him further and further inside me. Sweat is dripping off me in buckets. Fuck it is so fucking hot in here.

“Very good Xaden,” Azriel says. “What a good boy, making our pet cum so well. You can stuff your cock back down her throat. She looked so sad to see it go. Go ahead and cum, fill her up nice and full. Cassian, get up.”

Suddenly I’m on my feet being steadied by several pairs of hands. The way Cassian is looking at me, the way he’s breathing, tells me I’m in trouble. The glances passed between Az and Cass worry me. The next thing I know I’m on my knees and elbows, ass up in the air.

“Sit on the floor, Xaden,” Azriel commands. “Right in front of Yn. Yup, there you go, now just let Cassian fuck her onto you.”

A shudder runs through my entire body when Cassian slips back in. I swiftly take Xaden down, mainly because if I don’t I’m going to go crazy. The delicious, sweet taste of him fills me once again and I hum in content. 

“Don’t hold back Cassian, chase exactly what you want. Fill up her pussy as much as you want, she can take it.”

“Fucking hell, Az. Are you trying to kill me?” Cassian chuckles, letting his motions pick up pace. Every snap of his body into mine sends waves of pleasure down my spine. It rolls through me and allows me to take even more of Xaden in my mouth. “I’ll never get over just how fucking tight she is.”

“Malek spare me…” Xaden curses. I get to watch Xaden fall apart and a new thrill fuels my motions. I lose all concept of time, I have no idea what is going on. All I know is Cass is fucking me like his life depends on it, and that Xaden is holding on for dear life. 

I suck as hard as I can, pressing my tongue into the bottom side of his cock. I can’t pay attention to the most sensitive areas of him, mainly because Cassian if fucking me too hard to let me. Hopefully I can make him see stars anyway. 

“F-Fuck Yn, I’m gonna cum,” he warns, knees falling open. “Oh fuck I’m gonna cum.”

“Give it to her, Xaden,” Azriel kneels beside Xaden, hand trailing over the muscles in his chest. 

I watch the muscles in his abdomen clench with every breath. He scrunches his eyes closed and I brace for him, letting his hips rut as fast as he wants. With a long, drawn out growl, Xaden releases down my throat. I do my best to swallow it all, but between the angle and Cassian's relentless thrusts, I let a few drops spill out. 

Xaden is throbbing on my tongue, his sounds of pure pleasure fill my ears, filling me with deep satisfaction. 

“Can’t fucking take it anymore,” Azriel rips me off of Xaden and takes his place. I’m hauled up onto my palms, Azriel’s cock bobbing in front of me. Before I can take it between my lips, Azriel bends down to my level, licking the droplets of Xadens cum off my lips. 

I went as still as a statue. Tingles spread from the tips of my fingers to my toes. I watched him swallow, his Adam's-apple bobbing. I was at a loss for words. If he wanted me to speak, it’d be impossible. 

Thankfully I didn’t have to. He filled my mouth, not wasting a second. 

“Xaden, will you go grab those towels?” Azriel asked, hands trailing over my shoulders. 

“When I can move,” he responded, making the Shadowsinger and the General laugh. I swore I could feel the rumble of his laughter through his cock. 

“Not gonna last much longer,” Cassian warns, adjusting his grip on my hips.

“Wait.” Azriel urges, “Give me one minute.”

Cassian stills, and I whine in discontent. A second later, his hand smacks my ass, undoubtedly leaving an imprint of his hand. “Don’t complain, pet. Or you won’t get anything at all. You should be grateful to be stuffed full of our cocks. That’s no way to disrespect a guest.”

Azriel is unforgiving as he fucks my throat, his pace fast and hard. To be fair, he has been waiting a long while for his turn. It doesn’t take long for him to start showing signs of nearing his high. He grabs both sides of my sweat-soaked head, and I feel drops from his own body–and Cassians–land on me. 

“Want my cum?” Azriel asks, pulling me off. “Want me to cum down your little throat, pet?”

“Yes yes yes,” I slur my words together. “Please gimme all of it, need all your cum. Wanna taste you so bad.”

“Yeah you fucking do,” Azriel’s grin is sinister. He knows exactly what to say to make me squirm. “Drink it all up, slut.”

When he finally gives me what I want, I don’t dare waste a drop. I leave no mess to clean up as he cums all the way down. There’s nothing I can do but swallow, swallow, swallow.

I begin to lose some consciousness, the heat and over exertion finally catching up to me. I feel Azriel slip out, praising me and telling me how good I did. I think I nod, but Cassian resumes his motion and I forget about everything. I can only focus on him pounding into my pussy, getting so deep I have to let out little noises every time he does. 

“She’s so fucked out,” Xaden says from… somewhere. 

“Yeah she is, she looks so good. Limp and used. So fucking hot, Yn,” Azriel agrees. 

I moan in response. It’s about all I’m capable of at this point. And it feels so good. Everything they did to me, every thrust from Cassian feels like I’m floating. I close my eyes and let him finish me. 

As Cassian lets go, I feel him pin my shoulders to the ground, ramming his hips as hard as he can into me, filling me up nice and tight full of his cum. There's a big stretch, and then an almost immediate release. His warm slick flows out from around him and down the inside of my thigh. Tears or exhaustion and pleasure streak down my cheeks and fall onto the wood floor of the sauna.

Eventually, I’m laid on my back. I can barely open my eyes, but I feel a tongue lapping between my legs. I try to inch away, but firm hands keep me from closing my legs. I whine. 

“Ah ah,” I hear Cassian chide. “He’s just trying to clean you up. Be still. Here, drink this.”

A cup is pressed to my lips and I hungrily drink down. The salty, briny taste is washed from my tongue and my blurry vision begins to steady. I look down, seeing Xaden between my legs, his curly head soaked with sweat. 

Cassian’s thumb brushes my cheek, collecting a small tear. “Aww, poor baby.” I watch as he licks it from his digit. It… gets me going faster than I’d like to admit. Then his tongue trails the length of my cheek. I shudder, letting out a tiny squeak. “Told you I’d lick them clean.”

“Alright that's enough, Xaden,” Azriel says from up above. “Let’s get her inside and cool off.”

“I just couldn’t help it, her pussy looked so good full of cum,” Xaden winks at me, and I can feel a flush of my cheeks and neck. “Even after all we’ve done together, I still make you blush.”

“Zip it,” I glared at him, failing to keep my smile at bay. 

Cassian lifts me up, hugging me close to his chest. We’re all covered in sweat, but I don’t give a fuck. I just want to take a nice bath, curl up with my boys, and sleep into next week. A cold burst of air greets me as we step outside the sauna. 

“Is she doing okay?” Azriel asks. I think it’s him that brushes hair away from my face. 

“Mhm,” Cassian responds, giving my body a squeeze. “She's gonna be alright?”

“Yeah,” Xaden added. “She always recovers really well. She’s not afraid to tell us what she needs. But by this point we know what she needs.”

“My only request is a bath.”

“See?” Xaden chuckles, then plants a kiss on my head. “Feeling okay? Not too lightheaded?”

I make a noise that sorta sounds like an ‘mhm’, but it kinda comes out as a garbled mess. All three of them give a laugh. 

“That was… more fun than I thought it was going to me,” Cassian sighed contently, padding down the hallway to one of the bedrooms. I'm set gently on the bed, propped up against Cassian. I am way too tired to open my eyes, but my ears track them all around the room. I can smell the soft lavender wafting from the bathroom. Hallelujah. 

“Yeah, I’m glad you joined,” Xaden agreed, his fingers beginning to braid sections of my hair. “We’re just waiting on the tub to fill up, pretty girl. Then we’ll get cleaned up and go to bed. You did such an amazing job, taking us all like that. And the game? We’re going to have some more fun with that, aren’t we?”

“Yes we are,” I nodded, peeking open my eyes to find them all huddled around me. Azriel smiles sweetly, cupping my face, stroking his thumb back and forth across my cheek. “Hi.”

“Hey,” he whispers. “Feeling better?”

“Yeah,” I nod, clenching my hands to get some of the tingling to go away. “It was so hot in there.” 

“We even turned down the heat before you got in there,” Xaden explained, tucking some hair behind my ear. “Did you have fun?”

“I always do, did you?” I asked, looking up at Cassian.

“In the beginning I was a little unsure but… now I’m hoping you’ll send word any time you wanna play again,” He grins, pressing a kiss to the top of my head. “You were unbelievable.”

“Isn’t she something else?” Azriel looks at me fondly. “Baths ready, want to be by yourself or do you want one of us in there with you? Or… well, I guess we all can fit if that's what you want.”

“Well I’m certainly not going to wash my own hair,” I grin.

They all share a look, smiles creeping onto their mouths. 

“I’ll get the shampoo,” Azriel winks.

“I call the conditioner,” Xaden stands, following Azriel into the bathroom. 

I can’t help but laugh. 

“Are they always like this?” Cassian watches as they root around in a cabinet, smelling the different bottles. 

“Yes, they’re too kind to me.”

“I think it’s well earned,” he smiles, helping me stand. “Come on, let's go.”

I let him lead me in, making sure I get a good look at his ass. Damn. just… damn.  

“I could ask Feyre to commission a painting, it’ll last longer,” he says cockily. 

I give it a smack. With a helping hand from Azriel, I sink into the tub, and let the water cool off my skin. I lean back, wondering how I got so damn lucky.

[meanbossart]

LORE ASK COMPILATION: "Still not banging Halsin, Squid Games, Sun King, Failing at love quizzes, Bottoms, Tops, and Cats" Edition

He didn't, Halsin wasnt around for act 3, too busy healing land and saving ghost children or something!

THANK YOU/I'M SORRY, I'm surprised there isn't more Bhaalist Dark Urge/Spawn Astarion stuff out there. Don't get me wrong, I love a good evil power couple, but who can resist the good ol'heartbreak of a vicious unending cycle brought on by your own senselessness!

That wasn't something I was interested in previously just because acquiring the slayer form isn't part of his canon, but I've been looking at enough fromsoft games' monster designs that I might be a little inspired to try LOL

Also I am just a fan of the canon design and never before thought it needed altering. But I'll let it cook ;)

God damn it.

DU drow was VERY antagonizing towards the emperor since the moment he dropped the facade, which made the attempt ESPECIALLY hilarious - that poor guy is so, so lonely.

I don't recall the exact wording in-game, but once the emperor took his shiny squid pecs out and shot his shot, DU drow recoiled and called him disgusting. After having the visions of Stelmane forced upon him to make whatever baffling point the emperor was trying to make, DU drow smugly asserted that he had finally let the mask slip and their very terrible date ended with the Emperor enforcing their reluctant need for one another, for the time being.

In-prose, that would honestly be pretty much it. DU drow would have reacted with absolute revulsion at the prospect of being hit on by a mindflayer, and taken the Emperor's (miscalculated) moment of lashed-out vulnerability as a win - as proof that he was exactly as duplicitous as he always assumed the Emperor to be.

I can assure everyone that I am as entertained by the thought as the rest of you and it is in the cards for future art, I just have... So many prompts... I have at least 5 different mini-comics I want to make, BESIDES singular pieces, BESIDES the fanfic... I wish I had more time and more hands.

But DU drow's unlikely semi-success as a parental figure is hilarious to me. I think about it constantly.

I haven't entertained that thought much because its antithetical to DU drow's character. Whether "good" or evil, he wouldn't allow Astarion to ascend because of his fear of no longer being needed and his reluctance to watch his partner be consumed by out-sourced power and changed into something he despises. Realistically, in a world where Astarion is allowed to ascend they could only break up and inevitably kill each other soon after.

That said, I am fascinated by the Sun King and the implications that path has for his character. So far that is an arc that I can only really see Astarion taking on alone, though - that might change in the future, might not. We'll see!

IF I CAN MAKE IT NOT ENTIRELY MISERABLE, I JUST MIGHT.

He got 2 out of 3 questions wrong - which is to say he was way too honest and Astarion didn't like that.

Except for the "when is he the happiest" question, which he correctly answered with "when he's neck deep in gore".

This is not even a lore-embelishment, this is actually how that scene went for me and I cackled about it for ages.

He would love to get tied up for old-times' sake. I doubt he knows much about fancy knots but Astarion might (though I might be in a minority that doubts his enforced "sex life" was actually that interesting at all.)

Thank you so much!

You are mostly correct. Bhaalist drow, both pre and post tadpole would be much more keen on the idea of having people around who fulfill their every desire - EXCEPT for killing. That is a joy they take on for themselves.

"Canon" DU drow values his independence a lot, on the other hand. He's neutral on the idea of slavery (what a sentence) and wouldn't be opposed to temporary servicing, but the idea of having someone around waiting for orders doesn't attract him at all, or at least would get on his nerves quick. He much preffers to do things himself and makes sure that other people see how much he does not need assistance.

The answer is yes, basically LOL.

DU drow both adores and despises Sceleritas presence and he doesn't know why. It very much reflects the type of relationship they used to have prior to DU drow's memory loss, and it's one of those things that he has conflicting feelings about but not any context for them.

I sadly doubt that the boys would become parents during Shadowheart's lifetime (it's for the best, they have a lot of work to do before I would trust them not to drop a baby), but honestly she strikes me as really liking kids as long as she doesn't have to, well, have them LOL.

And thank you so much for enjoying them and humoring me!

I think it is less about bottoming-topping and more about enjoying a more submissive role during sex, as well as in other scenarios. He believes that giving control away is, in a way, a show of devotion that goes both ways - his own for the willingness to do so, and his partner's for not taking advantage of it despite his wanting them to do so.

With one-night-stands (which he occasionally had pre-tadpole) he would still bottom without any of the submissiveness. This is because he didn't have the capacity to understand what it was about bottoming that attracted him, and led him to feeling constantly unfulfilled and frustrated (he just isn't build for no-strings-attatched type of arrangements, lol.)

This means that he really could operate either way depending on the partner as long as he got that fix of docility, whether it be from the bottom or top.

I think of Astarion as being similarly versatile but leaning more in the opposite direction when it comes to power-dynamics - though it being less about dominance itself and more about being pampered and catered to - and, of course, getting to do what he wants. Though he's willing to try most things a partner is particularly enthusiastic for just to see how he feels about it.

That said with DU drow he does prefer to top for a plethora of reasons.

I didn't have this piece of lore thought-up at the time, but I should have made them look like the lady he lost his virginity to.

Him and Astarion were gobbling those things up until the emperor reveal, then they both quit it cold-turkey after DU drow stomped the astral-tadpole dead (and back then you didn't have to roll any dice to do it, because otherwise we would have weird veiny DU drow to deal with for sure because he would NOT have suceeded that save.)

DU drow's feelings towards animals is a constant in every iteration of his character. They are organic little pieces of art wandering about the world that act upon their own laws and regulations, ones which humanoids aren't privy to - except for when they intrude into that world through magic and try to understand it through their overly-complicated systems and concepts. If a cat made the temple it's home, it can stay.

[thechekhov]

Hello! I'm a big fan of your work. I wanted to ask for advice / thoughts about an art problem I've been struggling with that you seem to have at least some sort of solution for?

So basically I'm an animator and digital artist (hobbyist), and I'm constantly coming up with new ideas for things to make. Only problem is that most of these ideas would take up to or longer than 2 months to make because, yknow, animation isn't quick, especially if you want to take your time to make it good. But with so many ideas that all take so long to complete, I often find myself tied and frozen as I can't decide what's most worthwhile to start first. I passionately want to complete all these projects, but my inspiration for each one waxes and wanes in a way I can't control, and I've just been stuck for several months. You juggle a lot of projects- not all of them art, but it still seems applicable here. This is excluding other life responsibilities like work and stuff, I don't have problems with getting that stuff done. This is purely within my creative hobby.

If u can't say anything thats fine I'm just curious- You have a massive output with great quality. Thank you!

This is a very kind message, and one that humbles me a lot, because although I'd love to bestow upon you some sort of advice that might help, or give words of wisdom..............I feel like that would be fake of me because

I also suffer from this very same thing

That is to say, this part of your message:

my inspiration for each one waxes and wanes in a way I can't control

It rings true for me too! I think it might ring true for many others as well.

There are stories in my head all the time. There are stories, and concepts, and IDEAS and they are all so shiny and new in the beginning, and then they slowly peter out and, since I frequently don't have time to do anything about them, they fade into the background.

I have enough trouble with this in terms of COMICS (also a lengthy medium, though less so than animation, which, OOF, you have my condolences, you are stronger than I) that I have started to just come to terms with the fact that some things are not meant to be.

Which is, I think, one of the small bits of advice I can give.

1. Some things may just be ideas, and that's okay.

I think one of the best ways that I've learned to deal with Idea-Death is making it count towards something in the future. That is to say, using them as compost.

In order for this to work, you have to actively put your ideas into the compost pin instead of the trash. That means maybe investing in either a notebook, or a sketchbook, OR just a discord server for yourself where you organize ideas and dump them all into a channel to scroll back through later.

It may seem useless at first, but honestly, it can be satisfying to PUT them somewhere instead of letting them fade away.

Plus, you may one day scroll through them and rediscover an idea at just the right time. OR you may be inspired to take parts of an old idea and repurpose it for a new idea that you DO have motivation for.

However, there's also this part, right?

I've just been stuck for several months

I.......feel this. Sometimes I, too, feel stuck for several months. There are times when even if I WANT to work on something, I just don't have the time. It takes too long to finish!

.........which is why I recommend the following:

2. Don't finish. Just start.

Now, this is the toughie. I can't exactly say that it would work for everyone. But I have learned that I am WAY more likely to return to a project and work on it again sometime in the future if I actually DO something for it the first time I get inspired.

I have SO MANY things that I have not published in my folders. I have sketches of gifs that are 10 frames long. I have concept art sketches boldly labeled with project names that will likely never get off the ground. I have Googledoc files with summary and plot outlines for stories I'll probably never write. I have discord channels with random ass concepts and a few sketches for characters.

And what I have found is that if I just WORK on these ideas when I feel like it, they are more likely to survive, even if they don't thrive right away.

I'm also a huge proponent of Procrastination Rotation.

That is to say, I have so many projects I COULD be working on, that if I ever feel frustrated or stuck on one thing, I just shift myself slightly to the left and do another thing instead. I almost never force myself to work through a block (save for a few money-motivated deadlines) just to complete a thing.

Stuck on a comic? I'll go write a few lines of fic. Unsatisfied with where the fic is going?

I'll go sketch out an illustration. Incapable of finishing an illustration?

I'll go google some references for another comic project and slap them all into an image file for later, so that I have SOMETHING in place for when I want to do studies.

And so on and so forth.

I have comic ideas, and comic sketches, and 30+ pages of original comics sketched. I don't know if they'll make it. It would take a lot of work.

But it also takes very little work - just a few extra pages sketched while I'm bored for an hour. Or a bit of lineart while I listen to a podcast. Or just a doodle somewhere which I snap a pic of and add to my discord channel for that project.

Will it work for everyone? Probably not. But I think that our creative culture is sometimes too attached to a linear production style. The truth is that art, or illustrations, or animation, or comics - none of it has to be on an assembly line. It can be tinkered with and put aside. And then, maybe, picked apart for scraps.........or maybe made into something new!

I don't know if that helps you at all, but I hope it at least helps someone.

And good luck with your animating!

[miaoua3]

ovulating thinking abt jihoon rn can u make his version of the sfw and nsfw headcanons pretty pleaseee😓😓i love your writing i feel like it matches them so well

honestly you’re so real for thinking about jihoonie while ovulating, he gets me going like that too😭 thank you for saying that, i always try to think so hard about how the boys would be/act, trying to stay as close as possible to the true portrayal of them❤️

Jihoon Boyfriend Headcanons:

•(sfw! hcs):

i already said this but i will repeat it for the people in the back: JIHOON IS A ROMANTIC THROUGH AND THROUGH!!! just because he isn’t overly touchy and calling you “honey boo boo bear” like mingyu and dokyeom do doesn’t make him any less of a romantic, he simply shows his love through actions- writing songs for and inspired by you, always ordering your favourite food when he knows you haven’t had the time to eat, buying all the small and somewhat stupid things that he knows will make you happy etc. when jihoon loves he loves strongly and also gently at the same time

he definitely let you reorganise and decorate his studio because he got bored with all the boring decor he had (plus you spend almost just as much time in there as the rest of the boys and almost every evening with him so he wants you to be as comfortable as possible, and if it means buying a lilac couch that is fluffy and totally not his style, then so be it)

believe it or not, behind the closed doors jihoon is actually very cuddly, he loves to snuggle into you, his face hidden in your neck as you sit on his lap while he’s sitting in his chair in front of a computer, one hand gently running up and down your back while he’s clicking around the screen-it always makes him feel calmer, being in your arms, feeling your breath brush against his neck and tips of his hair. plus if you fall asleep like that? jihoon will literally have to physically grab his chest where his heart is from how cute he finds it

although he’s a cuddly bear behind the doors, in front of them he’s still a grumpy little cat that he always portrays himself as, a little tsundere if you will. but he still wants you to know that he loves you without saying it out loud in front of everyone, so he will proceed to do such silly things like thrusting a cup of coffee he bought for you, his face turned away from you (the tips of his ears red however), mumbling out something along the lines of “for you”, he’s just so dkanosbaoabs i want to squish his cheeks and kiss his little chubby cheeks AAAAAH I LOVE HIM SM

loves hiding your voice in his songs, just a little giggle he recorded secretly, or you saying something cute and/or inspiring, he just loves making you part of his art, especially because he considers you his muse. and this way you get to live forever, in a form of his song and i just think that’s so romantic, like being loved by an artist is such a beautiful thing to experience like hoonie pls let me be your muse😭

you actually didn’t know this until you started spending more time in his studio but he gets really bad headaches due to staring at the screen the whole day, paired up with barely eating and not drinking enough water you get a jihoon that can barely hold his eyes opened due to how bad the headaches are. that’s why you started carrying ibuprofen everywhere with you in case he might need it. but what helps him even more than any medication is when you make him lay down on his couch with his head in your lap and when you gently massage his head while talking to him softly about something. he relaxes so fast any time you do this that it has become sort of a daily routine for you to do this, this makes him feel so loved that he often has to close his eyes in order to hide the tears that are brimming his eyes (you would never tell him this but you still see the tears every time he does this)

going on tour is always the hardest time for jihoon because he has to be away from you for so long. he just gets so used to having you around him every day, to your wide smiles while you call him “hoonie” or “jagi” that he feels like he loses a part of his identity when the fans start referring to him only as “uji” :( and don’t get him wrong, his fans are not the one in fault here, neither are you, it’s just a tricky situation that doesn’t really have a good solution other than bringing you with him while he’s touring for months (which you can’t afford to do) or sucking it up for a few months for a bit until he gets to come home to you :(

•(nsfw! hcs):

“oH hE wOuLd fUcK yOu iN HiS sTuDiO” yeah yeah we all established that BUT WHAT ABOUT YOU COCKWARMING HIM IN HIS STUDIO??? just imagine- he’s sitting on his chair, pants pulled down just enough for his thick cock to be freed, your wet pussy clenching around it in need, your soft whines and moans and begging hitting his ears while he tries so hard to focus on the task in front of him so he can finish faster and fuck you into oblivion right there on his desk i- i fear i need him

another member of the “pussy drunk” club. he uses eating you out as a form of winding down after a hard day, he sometimes won’t even greet you after coming home, he will just pull you to the couch, yank your pants down before letting himself fall onto the couch, picking you up and basically drag you up until your core is hovering above his juicy and hungry mouth. he won’t stop until you’re shaking and crying, begging him to either stop or to finally fuck you until you lose all of your senses

what he even likes more than you cockwarming him in his studio is when you suck him off under the table. just the sheer effort that he has to put into concentrating on his task while your tongue is swirling around his head, the rest of his dick being pumped with one of your hands while the other massages his balls, halfway through he just gives up on trying to focus on the computer in front of him and just fists your hair in his hands, fucking your mouth with his eyes closed and mouth opened, moans spilling out of his mouth without his permission

has a thing for strength, like just seeing the difference in your strength, how easily he can manhandle you into positions he wants you in and being able to pick you up with ease before throwing you on the bed with even less effort- it just makes his brain cloud with desire and need that he goes crazy whenever he hears you either gasp or moan when he picks you up or harshly pushes you against the wall

speaking of, he loves to fuck you against any wall there is, like imagine- you two come home from his studio after you spent hours just sitting on his pretty and girthy cock, you don’t even have the chance to close the door fully before he’s picking you up and fucking you right there against the wall by the entrance door, going at the speed of light, your moans and slapping of skin against skin the only sound being heard in the mostly dark apartment i- i need lee jihoon so badly istg

has a thing for bathtub sex- there’s nothing better than when they get some free time and he gets to relax and spend more time with you, doing all sorts of things together, like taking a bath together, two glasses of champagne prepared for you two to enjoy while doing so. the fact that the glasses end up getting spilled in the bathtub while you ride him, water splashing everywhere due to excessive movements he makes you make with his tight hold on your hips is an entirely different matter

surprise surprise- he has a breeding kink. you can’t tell me he doesn’t, like just the sight of you beneath him, begging with tears in your eyes to cum inside of you, to make you full of his cum and breed you is enough to push him over the edge, spilling his load inside of you to the point it starts leaking even while his dick is still inside of you. he won’t stop until he’s sure that he has succeeded in breeding you, and until he sees that dazed and satisfied look in your eyes, his grip tightening on your hips as he pushes himself inside of you to the hilt, refusing to pull out for the nectar several minutes- I NEED HIM SOOOO BADDD PLS JIHOON I PROMISE I CAN TREAT YOU SO WELL DJDJAKXJAIA PLS GOD SEND THIS MAN MY WAY

[lilisettean]

Tempest in a Bathtub | Rafayel/Reader

About: Rafayel painting while he was bathing wasn't an uncommon sight. But you joining him was.

Pairing: Rafayel/Reader

Notes: Not gonna lie... For me, Rafayel is the hardest of all the 3 current love interests to write... I tried to keep his dialogue in character though! Please tell me if it's off the mark!

AO3: Read here!

Warnings: Hinted no protection. 18+ only please! Enjoy :)

“Weren’t you supposed to paint?” 

“How am I supposed to focus with you in front of me?”

Rafayel wrapped his arms around your torso and pulled you towards him, your back flush against his bare chest. He felt hot, burning almost, behind you, contrasting against the cool water that you two were half submerged in. 

Moments ago, you stumbled upon him painting while in the bathtub again. It wasn’t uncommon for him to do so, as he explained that sometimes inspiration would come to him like a sudden gust of wind, here now and gone the next moment. But it was still a sight to see him paint like this, with supplies strewn all over the place.

He blithely said that you could join him if you wanted, seemingly uncaring at the thought you would have to strip down to do so. That quickly changed however, when he heard the faint rustling of fabric. 

The blush and stammering protests that left his lips soon appeared as you dip your toes into the cool water, his eyes on anywhere and anything but on you.

“Hey.” Rafayel’s voice brought you out of your thoughts. “Are you really spacing out while being here with me?”

“No. I was wondering why you are so shy to see me naked. It’s not like you haven’t seen a naked woman before.”

“That’s because they’re nude models posing for my work. But you are…” His voice trailed off, as if pondering what to say next. “You’re you.”

“Have you heard myths of the inspirational goddesses of old? They are the source of all knowledge pertaining to the arts. Muses are what they are called.” He explained as he toyed with a strand of your damp hair. “And you, my dear fishie, are my personal muse.”

“Should I start posing nude for you instead now? So you would have more inspiration?” You joked, expecting him to agree or laugh at your suggestion. But that was not the case.

“Oh. No. Please don’t do that.” He immediately objected, to your surprise. “I wouldn’t be able to focus at all.”

“Why?”

“Don’t be obtuse. I know you saw it.” Rafayel retorted with a huff. He wasn’t wrong however. 

You could feel his stiff cock pulsing against you, and honestly you already noticed it growing when you sat across him, his gaze fixed onto your breasts before turning away with a cough.

Despite the cool water surrounding the both of you, his cock felt hot against your skin, as though begging you to touch it. And who were you to deny him?

Your heat clenched at nothing, yearning for something to fill its emptiness when he groaned at you wiggling your hips against him. But before you could do anything more, he steadied you with a hand on your hips, stopping you.

“Instead of painting… I would be thinking about other things.” He breathed out a moment later, after attempting to calm the raging storm that was brewing inside of him. He then lowered his head, nipping your earlobe before continuing.

“Do you wanna know what?”

“...What?”

“You know… I love that face you make when you’re moaning my name. I wanna know how I can engrave that into my mind and store it for eternity.” His hands roamed your body as he confessed. One hand cupped your breast, his fingers grazing and tweaking your pert nipple; while the other trailed down your torso, slipping between your thighs and parting them without any effort.

He hummed in approval when he found your entrance hot to the touch, slick not with water, but your own juices. He prodded you, parting your folds and dipped two fingertips inside, making you squirm in anticipation. Before he slipped further however, he nipped your earlobe once more, and whispered.

“Would you mind showing it to me again?”

Instead of giving him the go, you shifted your hips forward, pushing yourself down his fingers.

“So eager.” He commented, breathless. No matter how many times he fingered you, he would never tire of the sight of you coming undone before him. This proper, strong bodyguard of his turning into a whimpering mess because of him.

His long slender fingers prodded your soft walls, reaching places that you could never reach on your own. And before long, your hips started to move on its own, fucking yourself on his fingers. 

“Rafayel–” 

“Mhm?” He may sound calm but his actions were nowhere near but. You were not only riding his fingers, you were also grinding your hips against him while doing so, rubbing the side of his stiff cock. And just like you, his hips moved on its own as well, rutting and sliding the underside of his cock against you.

Water sloshed out of the bathtub you both were in, splashing onto the wooden floor. But you couldn’t bring yourself to care, not when his fingers grazed past your clit with every move. He tilted your head back and captured your lips, parting them with his tongue and groaning into the kiss.

Something clicked within him the moment you moaned his name once more. With one smooth motion, he pulled his fingers out of you and lifted you up into his arms, carrying you as he exited the bathtub.

Before you could ask what he was doing, he propped you onto the counter, your breasts pressing against the cool marble surface.

He gave you no chance to speak. Because as soon as you were on the counter, lying and your heat exposed to him, you felt a familiar pressure against your entrance.

“Sorry… I don’t like waiting.” He apologized, but didn’t sound sorry at all. If anything, he was enjoying your whimpering as he pushed his throbbing cock inside of you, and sighed when you moaned at his short thrusts to get his entirety enveloped with your tight walls.

Planting a kiss onto the back of your neck, Rafayel gently lifted your chin up, and made you come face to face to your debauched state. 

“Show me my sweet mermaid… Show me all the expressions you like to make.”

[callmelola111]

loser!ellie ♡ dating app headcanons

synopsis: totally sfw hc’s of loser!ellie (modern au) on dating apps, including a cute little 1st date scenario. basically just pure fluff !!!

      | 𓆣 | pairing & wc: ellie williams x reader. wc: 1.4k

a/n: never written headcanons before, crazy ass shit. idk if i did it exactly right but i think it will be an entertaining read no matter what. i’ve recently caved and downloaded hinge which is what inspired this---but there’s only like 40 gay bitches on there and that’s it (also like no mascs?? i’m attracted to any kind of non-man but still,,, the shortage is real y’all). ALSO let me know if this is something you’d like a nsfw/smut part 2 of. much loveeee ♡~ lola

| ❀ | loser!ellie who took weeks of convincing from dina and jesse to finally download hinge after she wouldn’t shut up about how she’s “never beating the loser lesbian allegations”. truly she could have any girl she wants but just doesn’t know how to speak to them in real life. they were so fed up with her bullshit.

| 𓆣 | loser!ellie who only has like 3 pictures of her actual face so the rest of the photos on her hinge profile are just art pics and gay memes

| ❀ | loser!ellie who had to beg dina for help writing all the little prompts just to reject all her ideas because she’d “never say something like that!”

| 𓆣 | loser!ellie who started getting so cocky as soon as those likes began to roll in. saying some shit like “ooo i have rizz” in the cringiest way possible. jesse just says it’s cause there’s a masc lesbian shortage and of course she flips him off in response.

| ❀ | loser!ellie whose cockiness immediately leaves her body when she realizes she has to go through the likes and accept/reject every girl. eventually she just gave up and stopped looking because it felt “too mean” and like “too much work”.

| 𓆣 | loser!ellie who SUCKS at responding to messages and likes after she lost all interest about 2 days into having the app. that is until she stumbled upon your profile…

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| ❀ | loser!ellie whose glued to her notifications after she matched with you on hinge. at this point you’re her fixation, and every other message besides yours are going unanswered. as soon as she works up the courage to ask for your number, and you oblige, she immediately deletes the app.

| 𓆣 | loser!ellie who stares at her screen for like 5 minutes straight at the first text message she plans to send you, even though it was literally just “hey, is this y/n?”. she even googled the difference in connotations between hi, hey, and hello. it’s safe to say the girl is straight up mental about you.

| ❀ | loser!ellie who gets more and more unhinged as y’all get better acquainted with each other through texts. eventually she's spamming you with updates about her day, instagram memes that she thinks are funny, and an occasional flirty message—but of course, she’s waiting for that first date to really test the romantic waters. like yes she’s obsessed with you, but to the extent where she’s so scared to screw things up so every little move she makes is with caution and regard to your feelings and boundaries. it’s honestly super sweet.

| 𓆣 | loser!ellie who eventually asked you on a first date after you sent like 3 different flirty memes to get the point across that you like her a lot and wanna be taken out for real. you definitely were sending her some shit like this…

| ❀ | loser!ellie who planned out a whole agenda for y’alls first date so it would be absolutely perfect. she refused to tell you where she was taking you or what you guys would be doing because she thought it would be better as a surprise. and although you were kinda stressing about what to wear and what to expect, the element of mystery was kind of endearing.

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| 𓆣 | loser!ellie who pulls up to your house in her little beat up sedan that she had cleaned for like the first time ever just before she came and picked you up. there was still clearly some reminisce of her mess as seen on the stained seats and crumbs on the floor, but you didn’t mind—yours was just as bad (probably worse).

| ❀ | loser!ellie who took you out for sushi as the first stop on your date, to which she graciously paid for even with you fighting to put your card down on the table first. she looked so adorable with her little california roll, and even cuter when she accidentally got too much wasabi in a bite and was fiending for water while simultaneously trying to play it cool in front of you. you just laughed which immediately made her feel better about the whole thing. 

| 𓆣 | loser!ellie who then took you to your town’s expansive park to walk the dirt trails and just talk. neither of you had ever gotten along with someone so well, the conversation was absolutely effortless. you talked about all your interests, funny life stories, your fears, and so much more. ellie listened attentively with nods and affirmations throughout which made you feel so cared for, something most girls on dating apps could never do. you extended the courtesy back and ellie told you all about her own stuff, including her obsession with space, to which she pulled out her favorite book on the topic to show you. space had never really piqued your interest before, but when it was coming out of the freckled girl's mouth, it seemed like the coolest thing in the world.

| ❀ | loser!ellie who sat next to you on one of the park’s wooden benches. time had flown by and neither of you had realized until your head was resting on her shoulder as the sun set in front of you. the orange cast hit her auburn hair just right and it looked like she was practically glowing. you couldn’t help but stare at her beauty which she noticed and with a concerned look questioned if she had anything on her face. you informed ellie of the trance she had put you in and she blushed the color of your pink nails just before leaning in to give you the most tender, loving kiss you’d ever received.

| 𓆣 | loser!ellie who couldn’t stop kissing you once she started. your lips remained locked with hers for a solid 5 minutes, lips puffy and saliva exchanging, until the sound of a dog barking a few feet away broke the exchange. the energy had shifted in the best way possible and the both of you quickly opened up about how much you liked one another. one thing lead to another and suddenly ellie has out her pocket knife and is carving an E + R (reader) into the wood of the park bench. how lesbian of you guys ♡

| ❀ | loser!ellie who didn’t want the date to end and you were right there with her, so you somehow found yourselves in an empty parking lot at 9:00pm, drinking slurpees while she tried to teach you how to skate. it started off as a real attempt with her teaching you the basics like where to put your feet and the importance of bending your knees. after about 4 different falls onto the dirty asphalt you gave up on your genuine pursuits. discouraged, you sat right down on the board, knees up, before ellie gave you a push and you rolled across the lot. she was laughing her ass off and you were too until you hit a bump and tumbled off. 

| 𓆣 | loser!ellie who bolted into the CVS the parking lot belonged to and bought a bunch of unnecessary first aid items for the small cut on your knee. she came back out of the sliding doors and you died of laughter as she pulled out a box of peppa pig bandaids for your skating “injury”. ellie insisted you needed to be taken care of though, so you let her do her thing and she finished it off with a small peck to the cap of your knee and one on your forehead.

| ❀ | loser!ellie who spent the trip back to your place with one hand on the wheel and the other on your thigh, driving you absolutely wild. you almost had to remind yourself that this was just the first date.

| 𓆣 | loser!ellie who had been parked in your driveway for 10 minutes already but continued to stall your departure with more of her shenanigans. soon she ran out of things to say though and leaned over to kiss you goodbye. this goodbye turned into more and you ended up in her lap before the night was over. it wasn’t until your back hit the steering wheel making the car honk that you finally exited the vehicle. 

| ❀ | loser!ellie who waited for you to completely make it inside before she drove home, giving you a final little wave as you opened the front door. after she was back at her place she instantly texted you about date 2 and thanked you for the best night of her life. in her eyes, you were a keeper!

✄ - - - -   masterlist   - - - -   ♡

taglist...

@endureher @gold-dustwomxn @alexpritch @4rt3m1ss @robinismywifee @sophlovesbooks @97cityy

(taglist is for all callmelola111 works, if you'd like to be removed just kindly lmk)