#honestly i love this idea a lot more

[bibibbon]

I feel like Fuyumi should've saved Natuso, instead of Endeavor and the trio. But, like, in the worst way possible.

Ending and Natuso are actually in a even fight. Endeavor, the trio, and Fuyumi arrived from the commotion. Natuso gets distracted, Ending lands a heavy hit, and Fuyumi panics. Fuyumi goes for a "full power, no control" move (basically Snowgrave) and Ending is frozen in a block of ice with lethal hypothermia-level temperatures.

The Todoroki children have minimal screentime so I wanted to establish a few things. First, their quirk capabilities, so it seems like less of an as**pull later. Second, the more unhealthy side of Fuyumi wanting to keep her family together and safe.

And third, if possible, more of an explanation regarding civilian quirk control. Like, more Endeavor going "we need to keep Ending alive because my daughter will be arrested for murder by a non-hero," less "we need to keep Ending alive because I'm such a good guy and it's technically ok if we fail."

Actually I really like this idea and rewrite.

The todoroki kids specifically natosu and fuyumi lack screentime therefore they lack development but they, unlike rei still feel like actual characters with real flaws and realistic reactions.

The series clearly establishes both natosu and fuyumi's feelings and dynamic to their dysfunctional family.

Natosu is the rightfully angry one who tries to continually distance himself from enji and rightfully both despise him and blames him for everything like touya's death (which happend due to his neglect)

Fuyumi is the one who wants to ignore all of it so she just tries to pretend that it's not true and that she does have a happy perfect family. Fuyumi tries to live up to the image that the public expects of a hero family but she also deeply cares for her family and a part of her deeply longs to make those thoughts a reality.

It is exactly that reason that we see fuyumi trying her best to connect everyone and keep a brilliant image when todoroki invites izuku and bakugo over.

However, reality hits fuyumi hard and there are a lot of things she feels when she isn't pretending to uphold the image of a perfect daughter of a perfect family. One of the feelings being an attachment and close relationship with natsou. heck if we are being realistic I think that their relationship could be explored in an unhealthy way for example the series could show us that fuyumi and natsou are so close that it may effect their relationship with other people and its something that they slowly learn to develop out of as they trust and meet more people.

Every time we see natsou on screen fuyumi will be mentioned or be present and the same applies for fuyumi. The narrative introduces them as an inspereable pair even from early on in childhood where we see fuyumi covering natsou's ears to both of then visiting their mother and more.

Having fuyumi be the one to save natsou establish and help emphasise a lot of thing within the narrative like:

Fuyumi's strong desire to keep her family together and uphold the image of a perfect family

The ice powers that the himura's have

More world building within quirk use and heroes wanting to keep their reputation spotless at all cost

This also helps shine the dangers of being a heroes child or family member and how it can put them in danger

Also if the aftermath of the fuyumi vs ending fight is dealt correctly it can show the more corruption side of heroes specifically enji

[chloesimaginationthings]

The death of Vanessa and the birth of Vanny in FNAF

(Inspired by this art by Yuto Sano)

[turtleblogatlast]

Leo getting hit with a truth curse but instead of forcing him to admit to super sad or worrying things it’s things like “it was me who broke the remote” “I saw Mikey prank Donnie and helped hide it because it’s way funnier if he didn’t know who it was” “I rip my clothes to look more like Raph’s because he’s really cool” “my stripes aren’t even red they’re pink!”

[batsplat]

Wait what’s the tea on Valentino’s sleep patterns 👀👀 (fellow insomniac / recent motogp fan always looking for more representation)

oh yeah, if you're looking for representation for poor sleeping habits you've very much come to the right place. his sleep patterns are pretty remarkable you have to say. way too nocturnal for a professional athlete, reliant on naps to get through the race weekend, all power to him for somehow making that work and winning all those titles. pretty sure I've read somewhere that he's still known for doing sim races at ungodly hours these days, just how he lives his life

tbh I can't remember off the top of my head where I'd actually read about his sleeping patterns, but I've cobbled together a decent selection of quotes from the usual sources. the most interesting stuff he's said on the topic is in his autobiography - where he goes into rather a lot of detail about his preference for the night. given that it's quite a lengthy passage, I've chucked it under the cut. he frames his nocturnal inclination as not only suiting his natural body clock better, but also as a way of escaping the rest of the world - of being able to move around in peace and silence and anonymity. plus, he liked to spend his nights in the garage to... *pinches bridge of nose* have some special personal time with his bike, when it was just the two of them. take that as you will

before that, let's just start with a few more general descriptions of his sleeping patterns. from early in his career, jerez 1998 (from oxley's vr files):

The camper only holds two people, but that's okay. I don't like my dad to sleep with me, because when it gets to ten o'clock he starts saying: "Vale, Vale, got to bed!", but I can't go to sleep before one or two. We did share a motorhome in '96 and it made life very, very difficult for me.

and about brno 1999 (from oxley's vr files):

On weekends when I'm not racing, I never go to bed before six or seven on Sunday morning. If it's a party, maybe even later, but going to bed at six in the morning is quite normal for me! Even when I was 14 I used to go to bed at 4am. Quite often I'd be riding around the local minimoto tracks until after midnight! If I go to sleep at 11 or 12 I just lie there, my eyes wide open. Maybe I would be good for 24-hour racing!

and then a few years into his premier class career, valentino says the following (x):

'I have a lot of energy after 2am,' Rossi agreed. 'I like to sleep in the morning. I have some problems at the start of the day.'

we've also got a description of crew chief jb's influence in terms of making sure valentino wasn't slacking off by sleeping in (from oxley's vr files):

Burgess' talents aren't restricted to getting the best out of a 500. The Aussie has been in GPs for decades and knows how to extract the best from riders as well. He expects 100 per cent commitment both on the track and in the pits, and when he doesn't get that, he gives 'em hell. Some other crew chiefs won't do that - they're too overawed by their riders' superstardom. JB laid down the law last summer when late-sleeper Rossi turned up late for practice. Rossi suggested that in future one of the crew should be despatched to his motorhome each morning to make sure he was out of bed. No way, said Burgess, I'll be there to give you your wake-up call. Rossi's not overslept since.

and from 2001, in valentino's own words:

Q: Tell us about your sleeping habits, JB has had to wake you a few times for practice... VR: I never go to bed before 1 o'clock, and there's no limit on when I go to bed, but even when I go to sleep very late I always wake up at 8.30, though when I do wake up I always have a big confusion for the first five minutes, then after that I remember: "Oh fuck, I'm at world grand prix!" So I have a shower and then I'm okay. I never get up too close to riding time because the 500 is a dangerous bike so it's necessary to be awake when you climb aboard. Back in the afternoon after practice at four or five o'clock I'll sleep for another hour.

only semi-related but valentino's also talked about... you know, this generational shift - where the sport has become more professionalised, which is reflected in certain lifestyle changes (from barker's rossi biography):

"The next generation is always stronger. They are more professional, they put more effort in, they make a perfect life, they eat in a good way, they don't drink, they go to sleep early, they train every day from the morning to the night... I come from an era where the riders drank beer and smoked cigarettes!"

also plenty of talk of jet lag obviously... doesn't struggle with it too much headed westwards because he says he basically lives on american time anyway. the other direction is tougher, but in his youth he decided that he might as well try to continue living on italian time. so he essentially went racing at 5 in the morning (about phillip island 1998, from oxley's vr files):

I don't have a problem with jet lag, I always sleep. Last year in Indonesia I stayed on Italian time for the whole grand prix - so I was racing at five in the morning! But the difference is too great to do that in Australia.

how on earth are you racing motorcycles like that. mind you, he won that 1997 indonesia race

so yeah. king of disordered sleeping. given the nature of motogp schedules and how they do kind of require you to actually get up in the mornings, congrats to him for being remotely functional during race weekends. crazy how he even won the odd race

and here's the autobiography passage:

My day, usually, begins in the afternoon. It’s as if I exist inside my own personal time zone. I live at night, because I love the night. Now, this might make you think I do goodness-knows-what in the wee hours, or that I don’t live the life of a professional athlete. It’s true, I don’t live the life of an athlete in the traditional sense — early to bed, early to rise and all that — but this does not mean that I’m not careful about what I eat and drink or that I don’t train. In fact, I train a lot, both in the gym and on the bike. It’s just that I go to the gym in the afternoon, rather than the morning. Equally, when I’m training on the bike, down at the quarry, I always go in the afternoon, never at nine o'clock in the morning. My body has a certain type of metabolism. It is used to living according to a different body clock. That’s why, even if I’m travelling all over the world, I don’t experience jet lag and I rarely go to bed before 3 a.m. It’s much more likely that I’m just tucking into bed as people are leaving for work. As I say, I have a special relationship with the night. I like moving in it, living in it, thinking in it, relaxing in it. The night fascinates me, because it’s the period of least confusion. The world calms down, it goes quiet. And, besides, I’m Valentino Rossi. I’m wanted... I'm a fugitive. Yes, I’m always running away from my _ beloved countrymen. The Italians. I’m proud to be Italian, I'm proud of our merits and I regret our shortcomings. Italians are exceptional people. In every way. Even when they start loving you. Because that’s actually when problems can arise — if it’s you that the Italian falls in love with. Italian people are warm, empathetic, spontaneous. But they can also be excessive, oppressive and disrespectful. I don’t know who said that Italians will forgive everything except for success. Whoever it was, they were right. Because it’s absolutely true. After the 1997 season, I could tell I was becoming popular. Year after year, that popularity turned into fully fledged love. They’re in love with me now and, as a result, since the 2004 season, I’ve been a man on the run. And there’s no escape, no end in sight, because wherever I go they find me. There are simple things, the little pleasures in life, which I simply can’t engage in when I’m back in Italy. I can’t go to the bar and have a cappuccino, because I would not be able to drink it. To be fair, I can do it in Tavullia, but that's the only place. If I go more than a few kilometres in any direction from the centre of town, that's it, everything changes and I become, once again, a hunted man. I can’t walk into a store, look at something and decide what I want to buy. In fact, I can’t stop anywhere, not even at a petrol station. If I stop, I’m screwed. Somebody will recognise me (Italians are exceptionally good at recognising people), make a lot of noise, call other people and then, before I know it, I’ve been swallowed up by the crowd. If I schedule a meeting with someone, we have to meet in a secret, out-of-the-way location and, even then, we can't linger. I can't go to a restaurant if there are too many people inside. And if I do go, I can't go at a normal time, say eight o'clock. I have to go later, much later, when people are leaving. And I can't sit where I like, I have to hide away in a corner, in the shadows. As for places like cinemas or the beach, forget about it. They are just always off-limits.

Having said that, I do mix with people. I do it because I like doing it. It’s just that I wish I could do it as a normal person, because, deep down, I am a normal human being. This is part of the reason why I have to live at night. It would be that much tougher during the day, with all those people about. Plus, I don’t like the traffic, the chaos, the noise, all those people running all over the place, stressed out and out of breath. The night is different. Everything is softer, there are fewer people around and you are much more free. It’s like a parallel dimension. The world is different at night. Everything is different. That’s why I’ve assimilated the lyrics of a song by the Italian artist Jovanotti, “Gente. della notte” (“People of the night”). It has become my personal anthem. Jovanotti is one of my favourite singers and I find myself agreeing with him on most things. I love his work. What else can I say? The night is my reality. And I don’t change just because Grands Prix are scheduled during the day. My way of being and living is reflected in what I do during races. I don’t really change. Obviously, I don’t go to bed at dawn, but let’s just say that when I do, finally, go to bed, there aren’t many people around. Everything is better at night in the paddock. There is silence, the people _ have disappeared and, with them, the chaos. I can wander around freely, most of all I can enjoy the empty pit area and my bike. Yes, my bike. Because at night I often slip into the team garage. At some races I do it every single night, because I love being with my bike. My night-time activities can be traced back to the years racing in 125cc, and are directly tied to my passion for aesthetics and the stickers, which would later become my obsession. I don’t leave anything to chance'when it comes to choosing the colour or the stickers for my bike. That’s why I’ve always been central to any and all discussions when we were deciding the aesthetics of my racing bikes. I’ve done it always, with every bike, at every level, with every team. And, naturally, I still do it today. Nobody has ever been allowed to attach a single sticker to my bike, unless it was the logo of a technical sponsor. Until a few years ago I was totally inflexible about this. Now, Roby takes care of the number: he attaches it because then he needs to cover it in transparent paint. But apart - from -this, which is primarily a technical procedure anyway, I take care of everything else to do with the stickers. And this takes time and planning, which is why I started going to the garage at night. During the day it is packed with people. There are mechanics, technicians and others around. I would just get in the way, if I wanted to get near the bike just to check the stickers. As I got older and progressed from 125 to 250 and then to 500 and on to MotoGP, I maintained that passion for aesthetics and stickers, as well as the habit of dropping in on the team garage at night. I enjoy the bike during the day _ obviously, but my relationship with the bike is so special that I can spend hours with it, just looking and admiring it, making sure that everything is in order. Those are very personal moments which I find difficult to describe. The Japanese guys, both the executives but also the engineers never knew this, not the guys at Honda, not the ones at Yamaha. I don’t think they would really understand. They would probably view it as a waste of time, since I don’t actually do anything concrete. I never touch anything to do with the bike itself, beyond, obviously, the stickers. And yet I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. It’s a complicated concept to explain: the risk is that people will think that you're crazy.

During the day everything happens so quickly, frenetically, neurotically. However, there is a sacrosanct moment when I need to step away and isolate myself. Once my commitment to the team is over, usually around 5.30 p.m., I retire to my motorhome, relax and take a nap. It usually lasts a couple hours and then I go out. There’s always something to do after dinner. Of course, the range of options depends on how many friends are around. I really start enjoying the paddock around ten o'clock at night. Before going to sleep I check on the bike again and then I go into the team motorhome, which serves as an office. Now that I’m at Yamaha, I have an office all to myself. That’s where I keep all my race gear. I do this for two reasons. My own personal motorhome is an absolute mess, nothing more fits in there and I probably couldn’t find anything amid all the junk. Plus, the office is where I change into my racing suit before going out on to the track. Thus, at night, after going to the pits to see the bike, I go to make sure that all my stuff is where it should be: gloves, suit, socks, boots . . . everything needs to be perfect, because I just don’t have time in the morning to hunt around for stuff. Thus, each morning I have to follow a very precise routine. I’m like a robot, everything is the same each day. Because the truth is that I need to be like clockwork. I just don’t have the time to think. Somebody generally comes to wake me up — usually it’s Jeremy, because he doesn’t trust my ability to wake up on my own! I then get up, wash my face (my eyes are still shut at this point) and try to stay awake as I ride the scooter from the motorhome to the pits. I then go up to the office and get dressed. There too everything is done mechanically. It takes the slightest hiccup to throw everything off, forcing me to be late to the testing.

"I find it hard to explain to an engineer that I enjoy simply being near the bike, even when I’m not doing anything. it’s a complicated concept to explain: the risk is that people will think that you're crazy" well -

[tobythetrashyartist]

I got some markers a while back, and I decided to use em. I usually draw small, so doing a full page was kinda fun ngl 💪

[magicpiano]

I have seen a few DCxMarvel dimension travel fics, and quite a few of them are of them are Peter Parker post-blip. Which gives me a crack fic idea: everyone who got snapped ended up in the DC universe. Yes, all of them.

The current world population is around eight billion, so half of that would be 4 billion... Yeah that would cause so so so many problems. But the DC universe is used to crazy shit.

Obviously there would be a sudden influx of "new" heroes and villains but with absolutely no context it is hard to figure out who is who.

Batman immediately trying to make contingency plans for all these new heroes and villains as well as figure out their civilian identities but this is very difficult because literally no records exist yet.

Magic users from both worlds team up, but I think they were still unable to fix it, the infinity stones were just too powerful. Also I think Dr. Strange and Constantine can't stand each other.

While I am at it, Wonder Woman and Loki would probably hate each other too. DC is more Greek but it has had their own version of Norse mythology, so maybe they are the same and have beef?

They would struggle to feed and house that many new people, but getting them jobs and integrating them into society would be hard too. And good luck proving anything anyone says. "You swear you have a law degree from Harvard? Okay I guess."

Do doubles exist? Yeah a lot of people probably don't have an alternate universe double, but it stands to reason some do. How do you deal with having a new kind-of twin? Or a dead friend or relative coming back, but different? Or even someone you never knew/doesn't exist in this world insisting they are family.

Some au double ideas I have seen people toss around are: Dick Grayson as Richard Parker, Kara Danvers as Carol Danvers, Steve Trevor as Steve Rogers, and Slade Wilson as/being somehow related to Wade Wilson, but I am sure there are other fun ideas out there too.

The snap didn't just affect humans/earth! So other planets are having the same problems.

Then randomly, five years later, just when people were getting used to the change, they all disappear again without warning. This causes as many problems as the original appearance did.

[actuallyjustabiscuit]

You know, you’ve been a good…friend to me.

Friend! I like the sound of that.

Ever since @endomentendo finalized Ragatha’s role in their Digital Wonderland AU I’ve been dying to do a redraw of one of my favorite pages from the graphic novel Wonderland by Tommy Kovac using these characters!

I love love LOVE Ragatha as Mary Ann!

[myokk]

fast sketch of ominis & fast intro to the ominis longfic I'm working on!! This is going to be the most self-indulgent pride and prejudice ripoff that ever existed, 100% based on the ominis of my oneshot💘

I am just OBSESSED with exploring the idea that he’s a natural legilimens & OBSESSED with the thought that he thinks too much for his own good🫶🫶🫶

Ominis Gaunt has always suspected he is cold-blooded.

It makes sense, really.

He always seems to be cold: frigid, long fingers that are often stiff and difficult to move; goosebumps raising the skin of his arms and the back of his neck any time he walks through the drafty halls of the dungeons; even his eyes, he has been told, are reminiscent of ice. They are apparently quite unsettling. The only time he feels comfortable in his body is when he basks in the heat of the sun.

His earliest memory is of the cold. It went like this: he was four years old: his older brother, Marvolo, had led him outside as a joke, he swore up and down that it was just a small joke, and how was he supposed to know that poor, blind Ominis would not be able to find his way back home? When his parents had finally found him, his frail mother sobbing and holding his tiny, blue, hypothermic body to her chest, Ominis remembers feeling quite perturbed at the disturbance. Couldn’t he just be left alone, in the silent soft snow?

He does not know if he has ever felt warm since.

As he strides through the dungeons, the copious amount of warming charms he casts on himself do not seem to be enough, but he keeps casting them anyways and also: wrapping his wool scarf more tightly around his neck, quickening his pace in the hopes that blood flows more easily through his limbs, wishing that he had remembered his gloves. Winter is always a terrible time of year (this winter more terrible than usual), and every breath of warm air leaves his lips reluctantly. How he wishes that he could just hold on to it a bit longer and yet the warmth leaves him precisely fifteen traitorous times a minute, the frigid air gleefully entering and burning its way down his throat in response. Maybe it’s a punishment of some sort.

His whole life has been defined by punishments and sometimes he preoccupies himself with the thought that it is the only way he can view the world. Most of the punishments are manifested in curses inherited from his family. (His parents and Marvolo insist that they are gifts, but Ominis begs to differ.)

First, his blindness: the only true punishment-curse that even his family rejects: caused by inbreeding, no doubt. He did not cry after his birth and his mother cradled his tiny body in silent arms, lovingly whispering nonsense-evil-Parseltongue to him but when he opened his eyes and she saw a brilliant celestine blue with no iris, she screamed in horror and shattered the frigid peace of the room. His parents tried everything to fix him, make him whole, throwing money at various possible solutions to no avail. Magically induced disabilities are not, apparently, curable by magic.

Ominis is not sure that he hates being blind, although he suspects everyone thinks that he should. It is as much a part of him as his fifteen-breaths-per-minute, and he thinks that vision is not all it’s cracked up to be. He is always terrified at the thought that his tenuous hold on sanity is only due to the fact that he cannot see, until he realizes he shouldn’t be terrified of hypothetical situations that cannot come to pass. He consoles himself with the thought that maybe, if he has had to give up his vision for his sanity, it is a small price to pay. Although, he also thinks sometimes that it would be nice to live a life without any morality holding him back.

He is entirely too introspective, after all.

It is precisely this introspection that is his downfall in this moment (and his cold blood). Ominis is so busy casting warming charms on himself and thinking in circles that he cannot use his wand to help him sense his environment and so he should not be surprised when he crashes into her.

And yet he is. Terribly surprised.

Maybe if he were not so caught up in his own thoughts he could have paid more attention to his surroundings. Instead, he spent too much time ruminating on his reptilian heritage and has now barreled head first into his arch-nemesis.

Rosalie Harris.

The girl who has stolen his oldest friend from him.

The girl who is currently making angry noises as she clambers to her feet and is picking up the things that he has crashed everywhere. Even if he could see, Ominis is not sure he would help her. Helping her would be akin to betraying himself, after all.

“Hey! Watch where you’re - oh, hello, Ominis.”

“Rosalie,” he says shortly, nodding his head where he thinks she might be standing and stepping to the side. He tightens his grip around his wand, feeling the texture of the wood change from rough to smooth as he runs his thumb down it. Smooth where he always seems to worry it, rough where the wood refuses to yield to the brushes of his thumb.

He surreptitiously casts the spell - he has at least done it so many times he no longer needs to say it out loud - and his surroundings light up. Or, he supposes that is the most apt description, considering he cannot actually differentiate between light and dark. He senses Rosalie’s silhouette to his left - she is standing with her arms crossed and her foot taps impatiently as she waits for him.

Waiting for what? he thinks, slightly irritated. She never seems to leave him alone and he wracks his brain trying to think of something, anything he can say to get rid of her.

Maybe if he speaks in Parseltongue, she would finally be scared away for good. He does not really want that second reminder of his family’s curse, though.

His family preferred speaking in Parseltongue with each other, believing the ability made them morally superior to everyone else and Ominis had not even realized until he had arrived at Hogwarts that no, it was not normal. When his name had been called at the Sorting, furious whispers had erupted amongst all the students, and his every step (terrified, confused, unsure - he had still been getting used to using his wand to navigate his surroundings) to the stool at the front of the Great Hall was plagued with a susurration reminiscent of snakes. Except these whispers, sneaking their way into his mind, had been unkind and overwhelming.

(He had not realized in that moment that he was also hearing their thoughts.)

Maybe now, with Rosalie standing in front of him and just annoyingly waiting for Merlin-knows-what, Ominis should use his Legilimency to find out what Rosalie wants. (He hates it, though.) It would not be difficult. (The thought makes him shiver in horror because he doesn’t want to abuse the ability.) He can feel the edges of her mind, her magic, and all he has to do is reach out - she is right there, and -

“Ominis?”

Her arms are crossed, he hears an impatient huff.

Why hasn’t she left him alone yet?

Hadn’t the Hogwarts Express already left the station, bringing all of the students home for the winter holiday? Ominis had thought he would be one of the only students left in the castle, and if he is being honest with himself, he had been looking quite forward to having the place to himself.

Ominis’s winter has just gotten infinitely worse.

Going to Gaunt Manor for the holidays is out of the question (he will not think about the nightmares that have been plaguing him ever since he received the owl demanding he go home), and Ominis does not want to be more of a burden to the Sallows. They already do enough for him over the summer, and Sebastian and Anne have convinced him to go to Hogsmeade with them at least twice over the next two weeks. Besides, with Anne’s curse progressing, Ominis does not want to be in the way.

“Why are you still here?” Ominis asks. He knows his voice comes across as cold as his blood, blunt, but he cannot help himself. Ever since Rosalie arrived - her entrance to Hogwarts also causing quite the stir - Ominis has been intensely annoyed by her presence. She is too happy. Too carefree. Too…well, everything he is not.

And, she does not seem to leave him alone.

Rosalie is always there, always hanging around Sebastian. (Taking Sebastian away.) He even showed her the Undercroft, which had almost caused a rift in their relationship. Ominis could not believe that Sebastian would be so careless, showing someone who for all intents and purposes is crashing her way into their lives, forcing them to pay attention to her. They barely even knew her, and yet Sebastian thought it was a good idea to show her such a sacred place?

(It does not help that she is intelligent, and Ominis has caught himself on more than one occasion about to ask her about her opinion on something before he catches himself.)

“I was looking for you.”

Ominis tilts his head at that and fiddles with his ring. He considers walking away, leaving -

“I mean…Sebastian said that you were also going to be here over the holidays and since everyone else just left I thought -”

“Thought what?” Internally, Ominis winces at the biting tone to his voice. It came out harsher than he intended, his voice loud and echoing through his mind, bouncing off the cold, stone walls surrounding them.

[blue-eli]

Ink October day 11: Firebreak

A strip of land that has been cleared, plowed, or planted with fire-resistant vegetation to prevent a fire from spreading.

[sysig]

Two big softies(?) (Patreon)

[camellcat]

sometimes I think about dawn being like. she IS it takes a village child. except the village fucking sucks and is not equipped to raise her in the slightest bit

[weaponizedmoth]

"Ladies and gentlemen, what we have here is a vampire in love with a human. Better integration than I could possibly have dreamed."

(just some Sundown The Vampire in Retreat fanart. More details and B&W vers. under the cut, etc).

:)

[quillpokebiology]

Any Pawniard facts? I would like to own one, so what advice do you have for me to start?

Pawniard Facts

-The scientific name for Pawniard is "similus acutis" which roughly translates to "Sharpened Similar"

-Pawniard live in packs on rocky mountains or badlands, with numbers ranging between 10-30. They're most often led by a Bisharp, and when one evolves, they'll find lone Pawniard of their own to form a pack. Sometimes, female Bisharp will form small packs with their children if they have any

-Because of this dynamic, Pawniard only evolve if something happens to their Bisharp or there are no other Bisharp evolve

-Each Pawniard pack has their own dynamics and cultures. When caught, it can be hard for Pawniard to adjust to Pawniard's of other groups, but it can happen

-Pawniard sharpen their claws by rubbing them on sharp stones. Getting a scratching post for them is advised

-Biologically, Pawniard are omnivores, but in practice, they mostly eat meat. They eat larger prey that they take down with their pack, and their prey can consist of pretty much anything

-Pawniard are very smart pokemon and are capable of using wood and stone to craft various items

-Because of their pack mentality, Pawniard are very clingy pokemon when it comes to their trainers. While they don't show much physical affection (they literally have blades all over their bodies), they show affection by giving food and following you around. Be weary though, because the food they give you can range from berries to a dead dedenne

(Art by matazo)

-When freshly hatched, Pawniard have very soft metals that are sensitive to heat. The other Pawniard will protect them by keeping the young Pawniards in caves or in shade

-When looking for mates, Pawniard will sometimes leave the packs; either to prevent inbreeding or because there's no one in the pack they like. It can be difficult since their mates often come from different packs, so one has to choose to leave the pack to join another, but the new pack might not accept them or their mate. When this happens, the two Pawniard will make their own pack, usually with only one evolving into Bisharp but sometimes, both will evolve. It can be even more dangerous if a Pawniard chooses to court a pokemon of another species as there's a higher chance that they won't be accepted. But, they are accepted sometimes (I once saw a Pawniard pack that included an Illumise, I bet it was a situation like that)

-Pawniards mark their territory by leaving markings on rocks or trees. Each pack has a different marking symbol

-I've been calling them packs the entire time, but a group of Pawniard can be called a board

-Pawniard don't like the Tinkatink like at all as all members of the line attack them for their metals. This hatred runs so deep that pawniard packs will murk any Tinkatink they see, even if they leave them alone

-Bisharp make their homes in caves or at the bottom of large trees. They'll make separate rooms for eating and sleeping

-Despite Galar having a lost history of trying to keep pokemon away from their settlements, Pawniard were viewed highly because of their pack mindset and their unquestionable loyalty to their leader. While many commoners disliked them, as they had dangerous blades and would scratch settlements, Galarian knights were known to have a few Pawniards train amongst them

If your curious, here are some Bisharp facts!

[alpacacare-archive]

Not to post knight papyrus on main or anything but

[oswaldthatendswald]

This is not a new observation, but I think One Piece handles Doflamingo's backstory-- how it continues to affect his behavior and choices, as well as how it fits into the overall story-- exceptionally well. The villain who is evil due to a tragic past is a very well-established trope, but it is increasingly done quite poorly. Attempts to flesh out a villain and garner sympathy for them can become misguided justifications for their actions or goals, muddying the themes and tone of a story. My point isn't that morally complex characters can't be interesting when done competently and purpose; it's that when the villain with a tragic past is meant to be evil but his past becomes a justification, the writers' intended dynamics of the story are damaged.

Doflamingo's story never has that problem. His backstory makes it perfectly clear why he does the things he does, but it never implies that he is right to do them. It is a reason, not an excuse. The reader gets the sense that Doflamingo is very much the product of his childhood: first the golden excess of a Celestial Dragon, then the abrupt fall from grace into hatred and pain. It's the perfect storm to set a person down the worst paths possible.

But I think the reader might also feel (or at least I did) that this wasn't a fate set in stone. Doflamingo could have unlearned the ideology of a Noble and perhaps that the harm done to him doesn't justify further harm-- except that the only guidance he ever got was worship by Trebol and the other Executives, who were the nail in the coffin for any redemption Doflamingo might have had. Their appearance only validated and affirmed the beliefs Doflamingo already held regarding his place in the world.

Instead of ham-handed sympathy bait, Doflamingo's backstory is a beautifully executed extension of the worldbuilding and themes already present in the story. It is another tragedy in a world of tragedies, another story where children are put through hell. But without the external guidance and support the heroes get, Doflamingo takes the other path, becoming another perpetrator of tragedies, and a reminder that our heroes are the people they are as much (or more) because of the love and mentorship they had than due to innate goodness. It's the road less traveled, but they still might have traveled it.

[puke-ur-gutz]

i will cashapp $10 to the first person who can name 3 real life harmful things bob bryar did without accusing him of thought crime