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animebw · 1 year ago

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Seasonal Reflection: Spring 2023 Anime

Now that’s more fucking like it. I was feeling pretty down on anime after a disappointing winter season, but spring has come in like a freight train to remind us why this medium is so damn important (just in time for summer to let us down again because my god this new crop of shows is looking thiiiiiiiiiiin). Making the choice not to stick with shows I wasn’t enjoying just for the sake of completion was clearly the right call, because not only did that leave me with fewer bad shows sucking my my free time and motivation, it meant I was able to much more happily appreciate the bevy of excellent offerings that Spring 2023 had to offer. From an absolute top-tier run of rom-coms to a slew of entrancing fantasy series, I was never at a loss for things to enjoy. I’ve already shared by thoughts on Vinland Saga’s flawed but excellent second season (8/10) and the abysmal, overrated trash heap that was Oshi no Ko (3/10), as well as quick thoughts on all the series I ended up dropping. But if you want to know my thoughts on the other shows I watched to completion? Then read on, and see which spring offerings are worth checking out!

Uma Musume To the Top: 4/10

One of these days, I’ll be able to better articulate why this franchise leaves me so cold. What is it about Uma Musume that made fans go gaga for historical racehorses anthropomorphized as cute anime idol horsegirls that I’m not getting? Cause from where I’m sitting, the whole thing is just a bloated, overwrought exercise in hacky melodrama and shrink-wrapped moeblob pandering with the occasional actually pretty decent sports anime arc thrown in there. The whole thing just feels so cynical and calculating, from its lazily slapped-together premise that feels like three random popular anime genres shoved in a blender with no rhyme or reason to the obnoxious soap-opera histrionics that define its attempts at tugging your heartstrings. And while this 4-episode OVA certainly has the best, most exhilaration animation of the bunch- seriously- it is stunning how good the racing looks- it also makes the unforgivable mistake of having zero Gold Ship content. They got rid of the funniest character in the show and I will never forgive them for it.

Kubo Won’t Let Me Be Invisible: 4.5/10

I think 2023 is the year that something officially snapped in me. I have just entirely lost patience with middling rom-coms that exist for no other reason than to sell the fantasy of a perfect manic pixie dream girl who’ll love your totally bland forgettable self. I mean, not like I had much patience for them to begin with in the first place, but watching Kubo Won’t Let Me Be Invisible felt like staring the futility of mindless wish fulfillment itself in the face. Does it have some good jokes? Yeah. Is the animation pleasing enough? Sure. But between the embarrassingly forced whimsy in the soundtrack and the treacly sweet presentation that tarts up this bargain-bin Takagi-san like some sweeping, romantic ideal, the inherent emptiness at the heart of the fantasy it’s selling just becomes impossible to ignore. Boys, I beg you: get higher standards for yourself and the shows you watch. You will not cure your loneliness by losing yourself in the illusion of a perfectly sweet, doting girlfriend who’ll never ask you to outgrow the things you hate about yourself. You deserve better than settling for endless self-indulgence at the hands of an industry that doesn’t believe you’re capable of more than that. Or just, you know, at least only watch anime of this kind that actually are good, compelling stories in their own right with more to say than “Gee, wouldn’t it be great if Kana Hanazawa was the only person in the whole world who I mattered to?” There’s even one of those later in this list! You don’t have to settle for mediocrity! Seriously!

My Home Hero: 4.5/10

I feel bad for this show, because it’s one of those cases where it’s obvious you’re getting a vastly inferior version of the story. The concept of a cat-and-mouse thriller where the protagonists are just a normal family of everyday middle-class busybodies trying to outwit a yakuza conspiracy after killing one of their goons is a pretty unique one, and the writing goes a long way to sell out on the fact that these are just an ordinary middle-aged couple thrust into a hectic situation and doing their best with the limited skills at their disposal. Even if the writing can be overly convenient at times with how much they’re able to plan ahead, there’s some good stuff here. Unfortunately, it was adapted to anime by Tezuko Productions, one of the most bafflingly incompetent studios to still get reliable work. So the animation falls apart any time it has to depict anything more complex than characters talking and walking, the art direction is uniformly ugly and stilted, and the horrendously conceived score tries so hard to sound epic and edgy that it turns every potentially gut-wrenching moment into a laughingstock of poorly executed melodrama. If you’ve got any interest in this story at all, just go straight for the manga and forget this turd exists.

Yuri is My Job: 5.5/10

Something to know about me: I hate cringe. And if there’s one type of cringe I can’t stand above all others, it’s watching performers mess up on stage and ruin the show for the audience. As a former theater kid, nothing makes we want to curl up in a ball and die more than a stage play going off the rails and the actors being left lost and adrift while the audience stares and murmurs in worry. I say all this to tell you that I watched Yuri is My Job- a show that is primarily focused on watching actors almost fail in live performance over and over again in the messiest. most emotionally charged ways possible- and I almost managed to make myself like it. What can I say, I’m a sucker for subversive yuri deconstructions that explore the liminal space between ambiguous Class S-style stock yuri tropes and real feelings of lesbian love. Especially when they’re willing to let their characters be this messy and difficult. But man, there were times I had to watch this show with my hands over my eyes from sheer concentrated cringe. Do not let the yuri fool you into thinking this is just another soft and sweet gay girl romance, this shit gets rough. But as long as you have a stronger stomach than me for this kind of thing- and if you don’t ask too many questions about what these girls’ lives are like when they’re not play-acting for customers in a yuri schoolgirl cafe because we never fucking leave this location- you might find something really worthwhile here.

Otaku Elf: 5.5/10

Every season, there’s one anime that sneaks under the radar at first but slowly accrues more and more good will over time, establishing itself as an underappreciated gem for anyone smart enough to go looking for it. And this season, that show was Otaku Elf, an inconsistent but enjoyable blend of chill slice-of-life antics- centered on a young shrine maiden looking after the titular shut-in elf who serves as her temple’s local deity- and bite-sized history lessons about the life and culture of people in Japan’s Edo period. It’s got some surprisingly warm and nuanced character writing for its two leads, and their relationship as they push and pull from different perspectives on life leads to a handful of emotional moments I’d genuinely consider magical. Sadly, the further the show strays outside that central relationship, the less interesting it gets, with most of the side characters- the maiden’s perfectly angelic younger sister, other elves enshrined as deities as their caretakers- coming off as half-baked in comparison. It’s a bit of a crap shoot whether any given episode will pluck at your heartstrings or bore you to tears depending on what it chooses to focus on. But when it’s good, it’s really good, and it’s worth a look for anyone who enjoys historical trivia mixed in with their comfort viewing.

The Ancient Magus’ Bride Season 2: 6/10

In retrospect, I’m really glad I went back and re-evaluated my opinion on Magus Bride season 1 before this new entry came out. Not just because it helped me realize how much I’d underappreciated one of the most captivating fantasy anime of the modern era, but because it drives home that this second season’s sluggish pace is, in fact, an issue. Magus Bride has always been a very slow and ruminative series, trickling through moments like streams through a mud-clogged riverbed en route to its big character moments. But even by those generous standards, this has been sloooooooooooow going. Lots of table setting, lots of new characters with new conflicts, lots of buildup for multiple different plotlines that don’t always feel meaningfully connected and will require a damn good payoff to make this slow start worth it. Luckily we’ve got a second cours coming in the fall, so there’s still plenty of time to turn Chise’s experience at magic college into another worthwhile entry in this powerful series. Until then, I’ll hang tight to the things this series still does well- its primordial depiction of magic, a wonderful soundtrack, the complexities of Chise and Elias’ relationship, Chise’s continued journey toward understanding and cultivating her self-worth- in hopes the end result will be just as magical as what came before.

Birdie Wing Season 2: 6/10

Is there a point where a series who’s primary appeal is how brazenly over-the-top it goes starts to run out of steam? Believe it or not, being stupid and bonkers is an art unto itself, and it takes real talent to sustain. For every Akiba Maid War that constantly ups the ante until it blows its stack with an absolute barn-burner finale, there are countless Highschool of the Deads that slowly dribble away their incredible manic energy over time, leaving nothing behind but the same tired anime cliches as always. And as much as I enjoyed seeing the rollicking madness of Birdie Wing come to close, I can’t deny that I felt my interest starting to slip as this second and final season went on. It just doesn’t do enough to surpass the bar it set with the insane high-stakes golf mafia death matches in the first season. Which I acknowledge is a high bar to clear, but for all the hilariously overdramatic soap opera twists and sudden power-ups that dominate the matches in this season, it never quite manages to measure up to that wonderful madcap energy that made its first season such a lightning-bolt success. Or, I dunno, maybe they shouldn’t have split up the main goddamn couple for basically the entire season. Especially when the same studio was already doing another, much better handled lesbian separation arc over in G-Witch. Seriously, Sunrise, anything you want to get off your chest? I feel like you might have some issues.

Ranking of Kings: Treasure Chest of Courage: 7.5/10

It feels like we’re heading into a very bizarre trend in side story “season 2″s lately. First Ranking of Kings, Horimiya next season, and the Quintessential Quintuplets somewhere down the line, so many shows are spending entire seasons on side content going through stuff from the source material they either skipped over or rushed through. And I can’t help but worry that sets a bad precedent for anime adaptations; we seriously do not need to legitimize shows hacking their source material to pieces for the sake of modern broadcast standards any more than they already are. On the other hand, though... man, it’s hard to complain when the end result does such a great job living up to its source. The Treasure Chest of Courage is every bit as whimsical, emotional, and gorgeously animated as the first season of Ranking of Kings, all the same heart and imagination in bite-sized pieces exploring the finer details in ways that make you appreciate the base story even more. It even fixes a few of my big issues with the main show’s back half and sets things up for an apparent proper season 2 sometime in the future! We’ll see if Horimiya and Quints can keep up those high standards, but for now, this is an exceptional interquel that’s bound to make you fall in love with one of anime’s best modern fantasy yarns all over again.

The Dangers in My Heart: 7.5/10

If you started watching The Dangers in My Heart only to drop it after the very first scene, I can’t blame you. The prospect of putting up with a school-shooter level misanthropic loner of a protagonist gleefully fantasizing about brutalizing his crush was almost enough to make me nope out right away. But thank god I kept watching, because once you get past that horrifically unrepresentative opening scene, it quickly becomes clear that The Dangers in My Heart is actually a genuinely wonderful little rom-com that fully understands just how much edgelord middle school nonsense is just insecure kids trying to figure out their place in the world. So few rom-coms like this really get the precise blend of hormones, awkwardness, insecurity, and cringe that defines so many middle school foibles, let alone one that understands the interiority of its female characters well enough to make them feel more fleshed out than trophy wives. But this show nails that early adolescent hellscape without ever coming off exploitative of it (well, almost; there are some obnoxious fanservice moments that really didn’t need to exist, thankfully few and far between). And really, who else but the director of the similarly true-to-life Teasing Master Takagi-san could pull that off so well? Just make it through that opening scene and you’ll very quickly find yourself falling for these idiots just like I did.

My Love Story with Yamada-kun at Lv999: 8/10

God, it’s so fucking good to have shoujo rom-coms again. We went through such a drought period where the genre basically faded into nonexistence save for the Fruits Basket remake, but it feels like they’re finally coming back into fashion. And what better way to remind the world how marvelous the world of shoujo romance can be than another collaboration between the studio and director that graced us with the masterpiece My Love Story back in 2015... with another show called My Love Story? You couldn’t ask for a more surefire winning formula, and sure enough My Love Story with Yamada-kun at Lv999 is a delight from start to finish. It’s nominally about failgirl extraordinaire Akane meeting the socially awkward and emotionally distant hot boy Yamada through the RPG they play together, but the game stuff is actually a pretty small part of it. At heart, this show is about the messiness of young adulthood, and the ways people fumble through the highs and lows of coming of age as they develop into fully concrete people. And it captures that chaos with all the sharp, creative direction, thoughtful character writing, and feel-good romantic fireworks you should expect from this creative team. It’s a gut-busting, feel-good, achingly sincere gem of a show, and I recommend it to everyone in need of a little more whimsy in your life.

Skip and Loafer: 8.5/10

It’s absolutely insane to me that the Skip and Loafer manga is published in the same seinen magazine as Vinland Saga, because this is one of the most authentically shoujo teen coming-of-age delights we’ve had in a long time. Small-town girl Mitsumi moves to the big city to excel at a prestigious high school and make her dreams of rebuilding her hometown come true, only to have her perfect plans derailed by the chaos of growing up, from friends to crushes to high school curveballs. It’s so rare for a story to capture adolescence this authentically, the moments both big and small that define our paths toward maturity as we begin to figure out who we want to be. Watching Skip and Loafer made me reflect on my own high school experiences, good and bad alike, and be grateful for all the steps I took that brought me to where I am today. And any show that can get me so introspective about myself is a show worth celebrating. Plus it’s got the legendary Tomoyo Kurosawa in the leading role, and it’s got a prominent adult trans side character (Nao-chan is perfect and needs more screentime in season 2 or I riot), and the OP makes my cheeks hurt from smiling too hard... yeah, PA works has once again knocked it out of the park. Somebody stop them, they’re growing too powerful!

Heavenly Delusion: 8.5/10

To summarize Heavenly Delusion in a single sentence is, I’m afraid, impossible. I could say it’s a post-apocalyptic mystery thriller that feels like the love child of Shinsekai Yori and The Promised Neverland, but that doesn’t quite do it justice. I could say it’s a dizzying double-track story that does a better job than pretty much any other series as letting you pick up clues on your own, but that’s doesn’t tell you enough either. I could say it’s host to one of the most staggering, masterpiece anime productions ever put to television with no shortage of the greatest singular episodes and individual cuts I’ve ever seen, but even that falls short. I could even say it’s a deeply flawed, intensely problematic series that’s trying to unpack so many different ideas about gender and sexuality with no guardrails to keep it from hurtling off track, but even that leaves out so much. Ultimately, though, the only way I can describe Heavenly Delusion is that it is Heavenly Fucking Delusion, and it’s one of the single most mesmerizing anime I’ve ever had the pleasure to watch. It’s a tour-de-force capital-E Event the likes of which we so rarely get nowadays, and if you think you can stomach the dark places it goes in its exploration of humanity’s corrosion and reconstruction, then you absolutely owe it to yourself to give it a watch. Just be aware there’s a content warning for an incredibly upsetting scene of sexual assault near the end, and I mean that seriously. I like to think I’m pretty desensitized and even I felt kind of sick and unclean by the time that scene was over. Watch at your own discretion.

Insomniacs After School: 8.5/10

So fun fact: this is the rare series where I’ve actually read the manga before the anime was even announced! One of my Discord friends introduced me to Insomniacs After School, and despite my normal aversion to manga, I fell helplessly, recklessly head over heels in love with it. And if this adaptation made you feel any inch of that magic, then you owe it to yourself to check out the manga right away. Not just because there’s more story to cover beyond the anime’s admittedly pretty perfect stopping point, but because Lidenfilms’ workmanlike production is only able to capture, like 70% of what makes this series so special. And this stirring tale of two insomniacs learning to navigate the trauma of their sleepless nights together deserves to be experienced at its full, unblemished power. It’s an absolutely wonderful slow-burn romance that captures the nuances of teenage friend groups and coming of age like so few series I’ve consumed, and its portrayal of Nakami and Magari’s growing companionship under the night sky is sure to melt your heart into a sugary-sweet puddle. It’ll make you learn for your lost youth more palpably than any other show you’re likely to watch this year. And even in a season already jammed to the gills with exemplary rom-coms that really, truly get what it means to be a teenager or young adult, this slightly subpar take on the material still stands head and shoulders above them all.

Mobile Suit Gundam: the Witch from Mercury Season 2: 9/10

Be honest: did any other show even have a shot? For all the wonderfully realistic rom-coms and ambitious seinen mindfucks this season gave us, there was only ever one true contender to the throne. And I’m thrilled to say that after a fantastic first season putting all the pieces in perfect order, Gundam: Witch From Mercury stuck the landing with a riveting second season that smashed the game board and sent everything spiraling out of control in the best way possible. It’s like Ichiro Ookuchi took all the right lessons from his work on Code Geass- a seamless blend of high school melodrama and gut-wrenching mecha warfare, dizzying plotting that leaves you gasping for breath at the end of every episode, a sheer unrivaled confidence in the chaos of love and war- and refined them to a razor’s edge, delivering a never-ending roller coaster of jaw-dropping battles, explosive emotional payoffs, stunning twists that all make sense in retrospect, tears, laughter, hard choices, flawed characters overcoming their weaknesses, and a true coronation of Suletta and Miroine as one of the all-time great anime yuri couples. At times you can’t help but wish for more time to explore the many worldbuilding details and side characters that fall by the wayside as the chaos takes hold; two cours just isn’t enough to do justice to all the complex, interconnecting ideas this series is juggling. But the fact it works as well as it does, and bring it all home for such a satisfying finale, is proof of just how damn miraculous this series has been from start to finish. I couldn’t ask for a more perfect introduction to this storied franchise, and I couldn’t be more excited to see what this creative team will come up with next. And if you somehow haven’t gotten around to watching it yet? Fix that as soon as possible. You won’t regret it for a second.

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