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rich-info · 1 year ago

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Building Dreams, Crafting Homes: The Excellence of Harrington Homes, Your Victoria Home Builders

A house is not just a structure; it's the place where dreams are nurtured, where memories are made, and where the story of your life unfolds. When you embark on the journey of building your dream home in Victoria, one name stands out among the rest: Harrington Homes. This esteemed home builder has carved its name into the hearts of homeowners, not just with bricks and mortar, but with an unwavering commitment to excellence, personalization, and craftsmanship. So, why should you choose Harrington Homes as your Victoria home builder? Let's explore the compelling reasons that set them apart.

1. A Tradition of Excellence: Harrington Homes isn't just a builder; they are creators of architectural masterpieces. With a long-standing tradition of excellence, they have established a legacy of crafting homes that are as aesthetically pleasing as they are functional. Each project is a testament to their passion for the craft.

2. Unparalleled Personalization: Your dream home is a reflection of your aspirations, and Harrington Homes understands that. They take the time to understand your vision and work with you to ensure your new home is uniquely yours. From the layout to the finishes, they bring your dreams to life.

3. A Commitment to Quality: Quality is the cornerstone of every Harrington Homes project. Their dedication to using premium materials and employing skilled craftsmen ensures that your new home is built to last. It's not just about a house; it's about a home for generations to come.

4. Innovative Designs: Harrington Homes is at the forefront of design innovation. They stay abreast of the latest trends and architectural advancements to ensure that your new home is contemporary and functional. Every detail is carefully considered to make your life easier and more enjoyable.

5. Exceptional Customer Service: Building a home can be an overwhelming process, but Harrington Homes makes it a breeze. Their commitment to open communication and providing support throughout the project sets them apart. You'll feel heard and valued every step of the way.

6. Local Expertise: As local Victoria home builders, Harrington Homes understands the unique character of the region. They know the local regulations, geography, and climate, which enables them to design and build homes that are perfectly suited to the Victoria area.

In conclusion, choosing Harrington Homes as your Victoria home builder is more than just a decision; it's an investment in a lifestyle. With a reputation for excellence, a passion for personalization, and a dedication to quality, they are the craftsmen who will bring your dream home to life.

So, the next time you dream of building a home in Victoria, consider Harrington Homes. Their commitment to creating extraordinary living spaces ensures that your dream home isn't just a house; it's a haven of comfort and a sanctuary for your family's future. With Harrington Homes, your dream home is not just a vision; it's a reality that exceeds your expectations.

#victoria home builders

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ndispropertyaustralia · 1 year ago

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fairhaven-homes · 1 year ago

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Maximising Space in Smaller Victoria Homes: Design Ideas and Inspiration

Introduction

In the world of real estate, smaller homes are becoming increasingly common, especially in bustling areas like Victoria. While limited square footage may pose challenges, it also offers an opportunity for creativity and innovation in maximising space. Fairhaven Homes understand the importance of efficient design in smaller homes and are here to provide you with inspiring ideas and guidance. Whether you're searching for a small house and land package, considering a knock-down and rebuild project to downsize, or simply looking to visualise a small home design, Fairhaven's display home village is the perfect place to find inspiration and seek the expertise of experienced home builders. In this blog post, we will explore design ideas and inspiration to help you make the most of smaller Victoria homes.

I. Space-Saving Furniture

Investing in space-saving furniture is key to maximising space in smaller homes. Consider multifunctional pieces like sofa beds, nesting tables, or ottomans with hidden storage. These versatile furniture items not only save space but also provide functionality and flexibility.

II. Smart Storage Solutions

Incorporating intelligent storage solutions is essential for organising and decluttering smaller homes. Opt for built-in cabinets, wall-mounted shelves, or under-stair storage to utilise vertical space. Fairhaven Homes' experienced home builders can guide you in creating customised storage solutions tailored to your specific needs.

III. Open-Plan Living

Creating an open-plan layout is a fantastic way to maximise space and create a sense of openness. By removing walls or using partial dividers, you can achieve a seamless flow between different living areas. Open-plan designs enhance natural light, create a spacious feel, and provide versatility for various activities.

IV. Utilise Vertical Space

Maximising vertical space is crucial in smaller homes. Consider utilising high ceilings by installing tall bookshelves, suspended storage systems, or loft areas for additional living or storage space. Fairhaven Homes' expert builders can help you design and construct vertical storage solutions that optimise your home's footprint.

V. Clever Lighting Solutions

Strategic lighting can make a significant difference in creating an illusion of space. Incorporate ambient lighting, task lighting, and accent lighting to enhance different areas of your home. Well-placed mirrors can also reflect light and create the illusion of a larger space.

VI. Embrace Light Colours

Opt for light and neutral colour palettes for walls, furniture, and flooring to create an open and airy feel. Light colours reflect natural and artificial light, making the space appear more expansive. Accentuate with pops of colour through accessories or artwork to add personality to your home.

VII. Outdoor Living Spaces

Maximise your living space by extending it outdoors. Utilise balconies, patios, or small courtyards as additional areas for relaxation or entertaining. Consider incorporating compact furniture, vertical gardens, and creative lighting to create an inviting outdoor space.

VIII. Seek Guidance from Experienced Home Builders

When embarking on a journey to maximise space in a smaller Victoria home, it's crucial to seek guidance from experienced home builders. Fairhaven Homes' expertise in small house and land packages, knock-down and rebuild projects, and small home designs ensures that you receive tailored advice and solutions. Visit Fairhaven's display home village to visualise different small home designs and discuss your ideas with their knowledgeable team.

Conclusion

Maximising space in smaller Victoria homes requires careful planning and innovative design solutions. By incorporating space-saving furniture, utilising smart storage solutions, embracing open-plan living, and optimising vertical and outdoor spaces, you can create a comfortable and functional home regardless of size. Fairhaven Homes, with their expertise and display home village, is the ideal partner to guide you in visualising and constructing your dream small home. Seek the guidance of experienced home builders when exploring small house and land packages, knock-down and rebuild projects, or small home designs. Visit Fairhaven's display home village to gain inspiration and receive personalised advice. Let Fairhaven Homes assist you in maximising the potential of your smaller space, creating a home that suits your lifestyle, and making your dreams a reality.

#home builders #fairhaven homes #melbourne homebuilders #home builder victoria #home design #house and land #knock down rebuild #home rebuild #downsizing

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hometoursandotherstuff · 1 year ago

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You must see the tacky, over-the-top decor of the "Chateau Jardin Perfume" in Sassafras, Victoria, Australia. It has 4bds, 3ba and the price is listed as $4.2M - $4.5M. (Maybe for $4.5M you get the furnishings?)

The grand entrance hall. I don't really like it. The railings look kind of builder's grade, like those standard newel posts that you see in so many homes.

Black & brass kitchen. Interesting countertop choice. Do you like the black tiles? They look like bricks, with that rough surface. And, of course the chandeliers.

The dining room. A lot going on in here. I never cared for crushed velvet fabric. Looks like the ceiling embellishments are painted purple to match the velvet.

The living room ties in w/the dining room decor. I wonder how they wound up with 2 fireplaces in here. The one on the left looks like a rustic stone one, and the other one is marble.

Here's a lounge. More crushed velvet. Is that tile on the wall? Shiny wallpaper? Have you ever seen this many chandeliers in one house?

Home theater. I like the art deco floor.

The main bd. I don't know, they have all this elegant decor, but the wood looks modern rustic and informal.

This bath has sleek modern elements and a baroque sink vanity, plus classic stained glass windows. Some of their mixes don't work.

Have you ever seen a more fancy garage? Looks like a chapel.

The gated entrance.

There's a mosaic rose on the bottom of the pool. Now, remember the garage? That's not a chapel, there, that's the garage. Isn't that an interesting idea?

An outdoor living room.

What a lovely patio.

The grounds are stunning. Look at that cute little shed.

Set on a hillside, you get a great view of the city.

I wonder if all the statuary conveys.

#mansion australia #ornate decor #houses #house tours #home tour

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punks-never-die205 · 7 months ago

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What do you find most attractive on Kid? Looks and Character ❤️‍🔥

Hmmm...

Looks-wise, I mean the scars are hot, but honestly I appreciate the punk-vibes. Also, that post-time skip THICC is... yeah. Yeah, I like my big boys.

Character-wise, I love the attitude. I love the scenes we get that show he knows how the world "works", and while Luffy has decided to ignore that part, Kid keeps it in mind.

I don't know if either or is better or right, that's beside the point, but Kid's defiance of it while being painfully aware of it is interesting to me. The loyalty born from it, the way he defends his crew, the fierce choices and risks taken because they're alive.

They're ALIVE because they're pirates. There wasn't any real living on that island, even after it took Victoria, even after they tamed it and took it over - it wasn't living. They were just existing inside the lines of how the World Worked.

Kid says the island was too small for him.

So he goes out, some island punk with, currently, no sailing knowledge save for whoever he got for the crew aside from Killer, Heat and Wire. When we see him in Wano he's not just a punk on a boat, he's someone who fights on the seas - he's a pirate, a captain - knowledgeable and accomplished.

With no mentors.

Six months with Rayleigh and Kid would be a demon. Just knowing how to use all the haki he has available with some level of efficiency that wasn't "figure it out as I go".

I love that you could switch Luffy and Kid as the protagonist of the series and it would still work. One Piece with Kid as the lead would be a much darker title, sure, but the other themes fit. That no existence is illegal, that freedom is paramount, etc. Kid doesn't buck the ideal of "piracy" the way Luffy does, but honestly we don't know how much of what and who Kid is, is propaganda. There's no canon to run off of, but I'm fine with that.

We don't know if he and his crew have done good deeds. I can see the Kid Pirates rebuilding a town - Kid especially is a builder. Luffy overthrows a government for a bowl of food, Kid overthrows a government because fuck the WG.

And yeah, there's assumptions in there, but it's all based off what we do know. We know that Luffy and crew are perceived by the public different from who they are - people know, sure, cause they've done great things, but the general populous sees them as terrifying and violent pirates.

Same as the heart pirates, the kid pirates, etc. People are terrified of Shanks and Whitebeard, 100%. Because government propaganda.

The only acts of violence we see from Kid (and Law) that aren't directed at Marines are directed at pirates. We're just not following those two cause it's not their story.

And there's something like 3,000 islands? I think I read somewhere. So there's plenty of places where Kid and Killer and the crew have stellar reputations. Maybe Kid deals with the underground to keep from being surprised, or to buy someone to free, who knows?

But Character-wise, that's why I love him. It's why I love writing him, because we have this Big Bad Guy who wants you to know he's big and bad, but he's also making like mechanical butterflies and letting birds nest in his hair, he's naming his ship after a dead friend who probably called their home island too small, and he's learned from every hard lesson he's experienced.

Which I won't get into in detail, cause it's not released in anime and I try not to spoil anything that's still manga-only.

#eustass kid #quin answers #side blog #julez7 #... maybe ran that a little long

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rurpleplayssims · 6 months ago

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When in doubt...renovate🤣...and record everything in a spreadsheet! 📰📝

Update on Campbell Quay progress, lot reno pictures and spreadsheet-praising under the cut as I have written a bit! 🤣🙈

I have become a much better TS2 builder when I'm imagining my characters using/living in the lots I build. I was an awful builder before I started my BaCC, but seeing as these lots are almost sets/backdrops, I've become a lot better at creating places, or trying to recreate things I've seen in real life, such as this build.

After completing my military subhood, I've loaded back into and - wait for it - I've started a spreadsheet. 🙉🤣 I know, I never thought I'd have the time and energy to input it all in, but I have! It's been quite fun and I used this template, but I did look at a few others, along with adding some things I want to track in my story.

For example, I use the Colour traits mod, along with the Traits Project mod, so I track those, as it might be relevant at some point in the story...possibly. I also track their skills, along with badges and the BV, AL and FT life skills as well. As it's a BaCC, I needed to figure out how many sims had the Fire Safety, which meant that I could unlock a Fire station, for example.

I need to go back and update all the unlocks/who and what unlocked careers and lots. This process has already given my some fresh ideas for the story. For example, going through SimPE and looking at my character's personalities, I was reminded of who and what their interests are. This was especially interesting when I saw what One True Hobbies were for my new babies that have just been born.

I've been building...again. There are a few player-owned businesses that I wanted to tweak and build fresh. Ones of those was this lot here. Try to guess the owners and what the business is!

I've also taken a step back and realised that some of these homes deserve a bit of reno! Briony and Jed's home was extended in the last round (as I ran out of space in the actual house so moved Briony's office above the new garage!).

Seeing as Tyler recently got married to Victoria, I felt their home needed to look more like a young family home for these two executives, and less like a bachelor pad. They both have a lot of money, from their personal bank accounts and they deserved a house remodel. The main goal was to add an upstairs and I tried (not sure I succeeded 🙈👀) to keep the main look of the original home. In the end, I was pleased with the floorplan and how it came out. You can be the judge.

So, this is what it was like when I started (don't mind the random rug, I was moving things around the house randomly)...

...and here's what I finished with!

Downstairs...

and then Upstairs! (Don't mind the unfurnished room, I haven't made up my mind on wallpapers in there yet!)

I've also renovated Althea's home and most of that was the back garden but you'll see it in the screenshots when we get to her round, as it's the Townie household next!

In case you need a recap, this was the latest drama to have happened...🙈

#CQ BTS

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kingsbridgehomes1 · 11 months ago

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#eco-friendly homes #home builders melbourne #custom home design #expert home builders #home builders victoria

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justforbooks · 2 years ago

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In a spoof obituary written while he was still in his 40s, Barry Humphries, who has died aged 89, described himself as “an ancient comic” who had long since become “a self-indulgent and inaudible has-been” with no sense of progressive social relevance.

The Republic of Australia’s Art Squad had, he said, banned Humphries’ work in his native land. He had endured his last years of ��exile and obloquy” in the tarnished splendour of “a Lusitanian spa”, where he occasionally gave clandestine performances to his dwindling, reactionary and hard-of-hearing followers. He was survived, the obituary concluded, “by innumerable wives, great-grandchildren and creditors”. It was a generally appropriate death notice of a satirist who delighted in guying both himself and his critics.

Never a genial humorist, there was always a whiff of sulphur in his comedy. “What is there to say about me?” he would gull his interviewers. “I don’t smoke. I don’t drink. I am Church of England – I wash my car on Sundays. There must be some way you can jazz me up.” This was Humphries disguised as a candid interviewee. Being oneself, he would add, is a form of disguise.

There were many other disguises. One minute he would be a monocled Edwardian dandy or a mad scientist or a sad, sexless suburbanite. The next he would assume the mask of a beach bum or a shady art dealer or an embittered intellectual. But the most famous masks of all were his hellcat, the housewife megastar Dame Edna Everage, and his alcoholic political freeloader, professional adulterer and family man Sir Les Patterson.

Humphries grew up in suburban Melbourne, the son of Louisa (nee Brown) and Eric Humphries, a prosperous builder. He was an old boy of an exclusive school (or as he put it: “self-educated; attended Melbourne grammar”) and was briefly a student at Melbourne University. He began his extraordinary career on the back of an arts council bus touring the country towns of Victoria in 1954. It was his first professional role – the lovesick Duke Orsino to Zoe Caldwell’s Viola in Twelfth Night.

At each town, a patron of the arts, often the lady mayoress, would welcome the company over refreshments. Later, to help pass the time on the bus, Humphries invented a character to lampoon these municipal occasions. She was a drab, mousey and relentless hostess, simply named Edna.

The character was thought amusing enough to try out on stage in a Christmas revue in Melbourne. So it came about, on 13 December 1955, that Mrs (as she then was) Edna Everage made her stage debut – a volunteer hostess for the Melbourne Olympics, six feet tall, with brown basilisk eyes and a large chartreuse cabbage rose pinned on her charcoal suit. Her family – husband Norm, son Kenny, daughter Valmai, and mother (in a twilight home) – were given honourable mention, although their miserable fates in Edna’s triumphal backwash were not yet evident. Humphries, then as always, wrote the script.

The sketch was only a moderate success, but enough to point Humphries away from dramatic acting and towards the revue, music hall or cabaret. Also in 1955 he married Brenda Wright, and the following year they moved to Sydney to join a London-inspired theatre of “intimate revue”. He had found his metier, although Sydney satire was still too bland and self-congratulatory to satisfy his dandiacal rage. What Australia still needed, he said, was not mild satire, but a heroic act of espionage.

He finally found it playing the anguished Estragon in a 1958 production of Waiting for Godot. Humphries tramped the streets of Sydney in a sandwich board advertising the play, stuck Godot stickers on posts and windows, and scoured the scrap yards for trash with which he designed the stage sets. The audiences received the play with overwhelming indifference, but Humphries said it changed his life.

When he returned to revue, it was a new Humphries and a new Edna. She became at last a fully ad-libbing monologuiste, teasing if not insulting her audience. This was Edna’s breakthrough. She never looked back.

Australian theatre, however, remained in the doldrums. One critic said there was better theatre in a march-past of lifesavers on Bondi beach. In London, meanwhile, Beckett, Brecht, Osborne and Pinter were leading “the great uprising” from Sloane Square to Stratford East. Humphries found it irresistible.

His first marriage having come to an end after a couple of years, in 1959 Humphries married the ballet dancer Rosalind Tong, took a steamer to London – and into a decade of obscurity (and deepening alcoholism). He found some small parts, notably the undertaker in the original production of Lionel Bart’s Oliver! (1960). But his future fame lay with the one-man shows which at that point only his faithful Australian audiences would even contemplate. Three years after arriving in London, he returned to Melbourne and staged, in mid-1962, A Nice Night’s Entertainment, in which he again paraded Edna and her family, along with some of his other creations, from a tortured, expatriate-hating journalist to a nose-picking, guitar-toting beatnik.

The popular success of the show emboldened Humphries to try out his characters in London – at the Establishment Club in May 1963. It was a flop (or as he put it, “a highly successful five-minute season”). He returned to small roles, notably in Frank Norman’s A Kayf Up West, at Joan Littlewood’s Theatre Royal, Stratford East (1964). He also created for Private Eye the randy hobbledehoy Barry (“Bazza”) McKenzie, whose boozing, vomiting, urinating adventures, narrated in comic-strip form in a largely invented vernacular, reflected and mocked Humphries�� life in the swinging 60s. A film based on the character, The Adventures of Barry McKenzie, was released in 1972, and a sequel, Barry McKenzie Holds His Own, two years later, with Humphries taking several small roles in each; in the latter, the Australian prime minister of the time, Gough Whitlam, apparently invests Edna as a dame.

Humphries did two more Australian tours before testing the water in London again. The first – in 1965 – was the triumphant Excuse I, which filled huge Australian theatres for weeks on end. No one-man show had ever done such business in Australia. It was on this tour that Humphries introduced the gladioli-hurling finale. The next tour – the 1968 Just a Show – introduced further variations. Edna now abandoned her dowdy appearance and came on stage smiling like a shark in a red Thai silk coat over a green dress. (“Am I overdressed?” she asked, looking around. “No, I don’t think so.”) She also began entering from the stalls chatting to her “possums”.

The enormous success of Just a Show encouraged him to try again in London – at the Fortune theatre. Once again the show was a flop. Harold Hobson dismissed it in one devastating sentence: “Most of Barry Humphries’ Just a Show will give pleasure to most Australians in London.”

The great turning point in Humphries’ career came in 1970 when he collapsed, an alcoholic wreck. That June, he was arrested in the streets of Melbourne’s leafy, affluent Camberwell and charged with being drunk and disorderly. A sensible magistrate adjourned the case for six months, ordering that charges be withdrawn if there were no further “incidents”. Humphries booked into a private hospital specialising in alcoholism. The man who for more than 10 years had started the day with a “grappling hook” (brandy and port) became an abstainer – and one of the great comedians of his age.

Still he had not yet conquered London. His Australian shows of the early 1970s (A Load of Old Stuffe, in 1971, and At Least You Can Say You’ve Seen It, in 1974) further refined Edna. She was now a name-dropping predator of radical views and treacly-trendy sentimentality, wearing glittering scarlet hotpants split to the groin. Soon critics were ransacking the dictionary for adjectives to describe her: psychotic, hysteric, Dionysiac, Amazonian, crypto-fascist, anally obsessed, a piranha, a hectoring Medusa, a blue-rinsed beast of Belsen, the Australian daughter of Torquemada.

As her curtain raiser, and to incarnate his disgust with alcoholism, Humphries also created a new character, half Sir Toby Belch, half Apeneck Sweeney – exuberant clown and revolting drunk, the cultural attache Sir Les Patterson. Staggering down the aisle, whisky in hand, he would invite his audience to give Edna the clap she so richly deserved.

In 1976 had come yet another assault on the West End, this time succeeding sensationally when Housewife-Superstar opened at the Apollo. It ran to packed houses for four months and almost 500,000 people saw it.

This was the first of Humphries’ enormously popular one-man shows in London, which included A Night With Dame Edna (1978-79) and Back With a Vengeance (for a number of seasons 1987-89 and 2005-07). Critics now acclaimed him as the greatest one-man showman since Charles Dickens and perhaps in the history of theatre.

He reached an even wider audience on British television, including two series of The Dame Edna Experience (1987-89) for LWT, a highly successful comedy chatshow in which Dame Edna interviewed celebrities – or delivered monologues interrupted by total strangers, as she herself described it. On both stage and screen a silent, doleful background presence was provided by her “New Zealand bridesmaid” Madge Allsop, played from 1987 to 2003 by Emily Perry.

The US took longer to conquer. In 1977, Humphries presented Housewife-Superstar at West 55th Street, off Broadway, where the critics dismissed it as “abysmal”, “pointless” and “like the litter on 42nd Street, something worth missing”. It was to be 20 years before the New York critics submitted to the Humphriesian tornado. In 2000, he was awarded a special Tony for the “theatrical event” of the year – a category invented for the occasion since his show, Dame Edna: The Royal Tour, was neither play nor musical. His success led to subsequent US tours, and a role in the TV comedy drama Ally McBeal in 2002.

In March 2012, Humphries announced a farewell stage show, Eat Pray Laugh!, which toured Australia, the UK and the US. It featured his best-known characters – Dame Edna, the stoic old convalescent Sandy Stone, and Sir Les Patterson (with a bit part for his brother, Gerard, a paedophile priest). But in an eerie finale, there were glimpses of other unforgettable creations: among them Lance Boyle, the trade union racketeer; Brian Graham, the 1960s Sydney executive and closet homosexual in navy blue shorts and long white socks; and Phil Philby, the lefty experimental film-maker.

Before the final curtain, Humphries himself took the stage, thanked the packed house, and ambiguously urged them to come to his final “farewell”. In a wave of emotion while the band belted out “Wish me luck as you wave me goodbye”, his tearful fans delivered a standing ovation.

In 2015, Humphries was artistic director of the Adelaide Cabaret festival, where, with characteristic panache, he announced that he had banned the use of the word “fuck”, which too many comedians, including some good ones, use in a desperate attempt to get a laugh. (Humphries himself had often done so.) The patrons, he said, would be relieved and delighted by his new espousal of censorship.

As intended, the resulting controversy generated enormous publicity for the festival, but nonetheless he continued “to defend to the ultimate my right to give deep and profound offence”. Remarks of his on transgenderism – including dismissing it as a fashion – led in 2019 to the Melbourne international comedy festival dropping his name from its major prize, the Barry award.

Perceptions of what was considered either cutting edge or decadent in the jazz-infused music of Germany of the 1920s and 30s had fascinated him since finding a bundle of sheet music in Melbourne. In Australia in 2013 and in London seasons in 2016 and 2018, he explored it in the show Weimar Cabaret, with the chanteuse Meow Meow.

Humphries was based permanently in London from the late 1960s, although he visited Australia frequently, maintaining good relations with fans, friends and family. “To live permanently in Australia,” he would say, “is rather like going to a party and dancing all night with one’s mother.” He collected art and books, describing himself as a “compulsive bibliomaniac”, and owned 25,000 volumes.

Over the years, he made recordings, wrote books, a novel and a volume of verse, and in 2007 he held an exhibition of his paintings in Melbourne. He had roles in several films, including Finding Nemo (2003) and The Hobbit: An Unexpected Journey (2012). He dismissed most his books as trifles and promotions, but not his autobiography More Please (1992), which is less a comic story of an actor’s life than a de profundis or an alcoholic’s almanac; it is also noteworthy for its piety towards his family. It won the JR Ackerley prize for autobiography in 1993. Humphries was the subject of several biographies, including John Lahr’s Dame Edna Everage and the Rise of Western Civilisation (1991), One Man Show (2010), by Anne Pender, and my own book, published in 1991, The Real Barry Humphries.

He was appointed OA in 1982 and CBE in 2007.

From his marriage to Rosalind, Humphries had two daughters, Tessa and Emily. In 1979, he married the artist Diane Millstead, and they had two sons, Rupert and Oscar. Following his third divorce, in 1990 he married Lizzie Spender, daughter of the poet Stephen Spender. She survives him, along with his four children.

🔔 John Barry Humphries, comic actor and scriptwriter, born 17 February 1934; died 22 April 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS #Barry Humphries #in memoriam

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elitenewhomes · 1 year ago

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Investing in Double-Glazed Windows: The Long-Term Financial Benefits

Double-glazed windows not only offer practical advantages, but they can also improve the aesthetics of your house or place of business. They come in a variety of traditional and modern styles and designs, allowing you to pickchoose the one that best suits your tastes and the architecture of your home and buildings. Additionally, they can be customized with various glass options, like tinted or frosted glass, to add more privacy or aesthetic appeal.

#Double-glazed windows #home builders victoria australia

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victoriahillsblog · 8 months ago

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Exploring the New Homes in Victoria Hills For Embracing the Serenity

Located in the tranquil landscapes of Victoria Hills is known for several new homes. The welcoming atmosphere and the pocket-friendly budget for new homes in Victoria Hills aid more features to the potential home buyers that would rightly match all their expectations. Here is all about the beautiful features that you can get from the new homes at this serene locality.

The contemporary style and meticulous craftsmanship of the new homes in Victoria Hills are among its main selling points. Modern homeowners' requirements and tastes are taken into consideration in the construction of these homes, which feature open-concept floor designs and elegant architectural lines. High ceilings lend an appearance of openness and spaciousness, while large windows let in an abundance of natural light. In order to guarantee both elegance and functionality, every detail—from the finishes to the fixtures—is meticulously chosen, giving inhabitants a living area that is both elegant and useful.

Apart from their contemporary exteriors, new homes in Victoria Hills also have an array of appealing features intended to improve the standard of living for occupants. While surrounding facilities like restaurants, retail centers, and entertainment venues offer convenience and amusement close to home, community parks, walking paths, and green areas provide chances for outdoor enjoyment and relaxation. Victoria Hills offers a lifestyle that accommodates both exploration and relaxation, whether you're going on a day of adventure in the surrounding area or just taking a leisurely stroll through the neighborhood.

In addition, there is a strong feeling of community in Victoria Hills, as locals gather together to build relationships and enduring friendships. The neighborhood's sense of community and camaraderie is fostered by organized social events, get-togethers, and community projects, which create a friendly and inclusive environment for everyone who lives in Victoria Hills. Home builder in Asheville provides a community where you can really put down roots and thrive, whether you're a young professional, a developing family, or an empty nester seeking a change of pace.

#Home builder in Asheville #New Homes in Victoria Hills

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rich-info · 1 year ago

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Discover the Dreamscapes of Victoria: Acreage Home Builders

Victoria, a state known for its diverse landscapes, boasts picturesque expanses of countryside and rolling hills, making it the perfect canvas for acreage homes. If you've ever dreamed of owning a home with ample space to breathe, build, and cultivate, the acreage home builders Victoria can transform that dream into reality. Join us on a journey to explore the world of acreage home builders in this beautiful state and uncover how they're turning visions of spacious living into stunning dreamscapes.

Embracing the Vast Horizons

Acreage homes in Victoria are more than just residences; they are gateways to vast horizons. These builders understand the allure of countryside living, where open spaces provide room for growth, inspiration, and tranquility. They design homes that beautifully complement the natural surroundings, allowing you to immerse yourself in the breathtaking landscapes that Victoria has to offer.

Tailored Living Spaces

What truly sets acreage home builders apart is their dedication to crafting bespoke living spaces. They believe that your home should be a reflection of your unique lifestyle and aspirations. Whether you're a family in need of ample room to grow, an artist seeking a quiet retreat, or an enthusiast of outdoor living, there's an acreage home design in Victoria tailored to your desires.

A Commitment to Sustainability

Victoria's allure extends to sustainability, and home builders in the state are well-aware of the importance of eco-friendly living. Many acreage home designs incorporate sustainable practices and energy-efficient features, such as rainwater harvesting, solar panels, and green building materials. This not only ensures you're living harmoniously with nature but also reduces your environmental footprint.

Architectural Versatility

Victoria's architectural landscape is as diverse as its natural beauty. Acreage home builders offer designs that span a wide spectrum, from classic homestead-style homes in Ballarat to modern architectural marvels on the Mornington Peninsula. The versatility allows homeowners to choose a design that resonates with their personal taste and complements the regional aesthetics.

Quality Craftsmanship and Durability

Acreage homes are more than just beautiful facades; they're built to endure the test of time. Quality craftsmanship, meticulous attention to detail, and the use of premium materials are the hallmarks of home builders in Victoria. These builders take pride in delivering homes that are not only breathtaking but are also built to last, ensuring your investment stands strong for generations to come.

Your Acreage Dream Awaits

In conclusion, the world of acreage home builders in Victoria is a testament to the state's commitment to spacious, sustainable, and versatile living. Whether you're looking to escape the hustle and bustle, cultivate a serene retreat, or embark on a new chapter in your life, the dreamscapes offered by acreage home builders are a breathtaking reality waiting to be explored.

If you're ready to embark on the journey of owning your own slice of paradise in Victoria, the acreage home builders are here to make that dream a beautiful, sustainable, and enduring reality. Your spacious and tranquil acreage home is not just a vision; it's a stunning dreamscape in this enchanting state.

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