#hold up I'm talking about when I'm actually writing not

[smallnico]

i'm literally so flattered by this. i wish i'd come up with a more thought-out argument so i could properly fight your student. i can do the counterargument now if you'd like.

i'm not scared of generative ai. i'm genuinely concerned for the impact it'll have on the neurological development of young people if they become overexposed to the instant gratification of "bringing their ideas to life" and never practice or develop the skills and labour actually associated with creating something from nothing. it means that if the ai gives you dogshit (and it will), you don't have the ability to fix it, because you're so alienated from the process of creating (writing an essay, drawing a picture, organizing a playlist, composing a song, listening to and analyzing and summarizing the art you're examining) that you don't know what isn't working or how to make it work correctly. if you don't learn how to analyze, if you don't train your brain to do these things, they don't stop needing to be done. you will be dependant on ai, or on others to do these things for you. others, you can sometimes trust, but it really helps to be able to really grok the difference between a grifter, an ignorant person, and a person who knows what they're talking about -- and again, the more you alienate yourself from the construction of their arguments, the less you are able to take them apart and see what isn't adding up. and ai is dogshit, frequently incorrect and incapable of doing the small calculus the human brain can do (if you train it to) to tell the difference between quality of sources and reliability of data, so it should never be trusted, period.

the only part of this "new technology" that i'm scared of is based on a history of ideas that i have actually studied. historically, the more we alienate ourselves from the process of labour, the less we are able to grasp it as a reality, and the more people are able to use that fact to exploit us. if you look at, say, the paper coffee cup on your desk, really look at it. where did that come from? it didn't spring fully formed from someone's imagination. someone had to design the shape of that cup, engineer it so it could contain a hot beverage and keep it hot, come up with the sleeve to make sure the drinker could actually hold it, but there's even more to it than that. someone had to make the cup. someone had to source the paper (or the compound) for the body, the material for the lid, the glue that holds it together. someone had to harvest those materials, in whichever country they were sourced, and someone had to package them and transport them to the company responsible for assembling the cup. someone designed the logo and the pattern on the outside, and someone is monitoring the machine that prints those images on the cup. someone will be responsible for picking up the waste and transporting it to a recycling plant, or to the landfill where it'll end up. let's not even start on the drink inside it. farming, harvesting, shipping, receiving, assembling, serving. it takes time to manifest something, and you are in a position of immense privilege to not have to think about where it all comes from on a regular basis. but what happens when the supply lines get shut down? what happens when there's a failure of irrigation or something in the paper mill and the glue holding the paper together doesn't work? do you know? i don't, personally. but there is someone along the line whose job it is to know, and i appreciate the work they (probably aren't paid enough to) do so that i can grab a coffee on my way into my own work. i have to appreciate it because i know that if the process goes wrong somewhere, i have no fucking idea what to do about the problem.

but i'm not pretending to know. i'm not applying for a job at the papermill to work for pennies instead of someone who does know the perfect chemical makeup of coffee cup cardboard because i can order a ton of coffee cups online from amazon in bulk. that's why generative ai offends me. the work that goes into creating art and writing still has to be done, because all generative ai knows how to do is steal, and it doesn't steal like an artist. artists look at the works of others and think, oh, i see how they did that, i want to try doing that, and then they can, because they learned how to appreciate the process. they've actually worked, and practiced, and spent time engaging with the process step by step to create something they find pleasing. generative ai looks at art and spits out a copy by comparing one image to another and assuming based on Uncredited Data that sometimes, pictures have hands in them, and hands sort of look like this. and the computer doesn't have a goddamn clue how many fingers the hand has, or how to translate that data into a visual. you know what does? the human brain. you know what you can do instead of bemoaning that you, a high school junior, can't produce a rembrandt on your first try? you can actually try drawing something.

you can actually try to turn your ideas into a drawing. you can do research into how to make it look the way you want it to. who knows? you might actually have fun doing it. because the creative process can be fun! it isn't for everyone, but unless you actually sit down and try, you won't find out, and if it's not for you, you'll never grasp on that physical experiential level that the creative process is actually a lot of fucking work, and we should respect artists for being able to sit down and do it so we don't have to, same as we respect the farmers who grow our food or the plant workers who mix the slurry that becomes our coffee cup cardboard.

i'm not scared of spotify for pushing ai bullshit down my throat. more than anything, i'm kind of offended, because i do put a lot of work into my playlists, and i have a lot of fun doing it, because i like listening to music and analyzing lyrics and relating the themes of songs to my little characters. i took it so personally because i Want to be involved in the process. i'm paying spotify a lot of my real adult money to have access to music and the tools i can use to entertain this pastime of mine, and it's kind of fucked up that they're raising their monthly fee to fund a tool that makes me, the user of their product, motivated to use their product less. insulting, even. why should i pay more for a computer to do a worse job than me at Having Fun? making a playlist isn't even that fucking hard.

i'm just tired. stuff takes work to make. it takes care and time and effort to create something from nothing, and a lot of the time, the process is necessary to make the thing good, because it forces you to take the time you need to spot and fix mistakes. i hope by now that it's self-explanatory why i don't want an entire society run by a dipshit program that doesn't know how to do what it's doing and doesn't know how to solve the problems it creates faster than human hands could ever manage, and i hope the dipshit machine and the grifters who push it are inextricable from each other in the minds of anyone who's read this whole post. i don't want them to run society either, because they Know that generative ai sucks and can't do anything right, and they're still trying to tack it on to everything to devalue the labour of artists and make a quick buck for themselves.

the best quote i've ever seen about generative ai is "why should i bother reading something nobody bothered to write".

we are a social species. alienation from labour alienates us from each other, from our communities, and makes us feel alone. when we're alone, we're vulnerable down to our core psychology, and there are a lot of people out there who know better who want to take advantage of vulnerable people to manipulate society at large. they want to make money off of your suffering. they want to reduce you to a number for their own convenience so they can use the One Life You Have On Earth to play their own personal tycoon game and get a slightly higher score. they want you to spend less time having fun, creating art, spending time with your family, thinking about what they're Doing to you, so you don't ruin their good time. i'm not scared because it's new, i'm pissed because it's the same old late capitalist shit i've already been dealing with, and i'm sick of seeing it everywhere because it stands a very real chance of turning everyone's brains to even more detached-from-reality mush than late-stage capitalism already has already.

And, on top of all of that, spotify's algorithm sucks shit already, so why on earth would i want it to make my playlists for me. the other day i saw it put zombie by the cranberries on a halloween playlist. she doesn't know dickety shit about my ideas or vibes or anything. so

no, spotify, i don't want to use ai to "turn my ideas into playlists". i already fucking do that with my brain and hands and i do it for fun. what, should i get ai to pet my cat for me? to play my silly games for me? to spend time with my beautiful wife for me? how about i rend you asunder

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[mosneakers]

Alex: [Smiles warmly] Hi Coraleye…

Coraleye: [Smiles back] Hi Alex…

Alex: Ready for one last take before we officially call it a wrap?

Coraleye: I guess so! Alex: So how’s life treating you now? You adjusting okay?

Coraleye: Oh… well it's been a whirlwind, to say the least, heh. But I’m finding my footing again. Finally finishing up school. Just barely keeping my head above water some days, but yeah, I’m getting by. Trying to find my new normal.

Alex: [Nods thoughtfully] I want to talk about that a little bit. You’ve had to deal with the aftermath of everything that happened on election night. Do you remember when Cam and I came out to visit you in Brindleton Bay?

Coraleye: Mhm. I sure do. You interviewed some girls I went to school with.

Alex: So, Mackenzie, Briella, Logan… I’m not sure how much you’re aware of, especially with how quickly the media coverage was shut down after election night. But I’ve gotta ask—have you reached out to Coraleye at all since then? Offered any kind of support?

Logan: [Quickly glances at Mackenzie] I’m not sure if we got the chance to reach out yet, have we? Mackenzie:[Feigning innocence] She hasn't filled us in completely, but we’ve heard bits and pieces... Briella: We heard about her and her boyfriend. They broke up, right? [Big grin] Life has a cruel way of teaching us lessons!

Mackenzie presses her lips together, appearing to hold back a laugh, but finally cracks as a sharp cackle spills out.

Mackenzie: Oh my mod, Briella, stop! You can't say that! I just love you. So sorry about her, she's so crazy. Anyways, yeah. We wish her the best. I hope it all works out for her, I really do.

Cam: Well, I think that will probably do it for now, thank you ladies. Alex: Cam's right, thank you for your time. We'll be in touch. Have a happy Harvestfest.

Several weeks later, Britechester-

Alex: Cam and I try not to get too involved with work matters, but I'll be honest, that interview was upsetting. I wonder if they'd still be snickering if they saw what you've been through in these past few months.

Coraleye: Nah, they're the least of my worries. Pretty sure I got the last laugh when it comes to them. [Mischievous grin]

Alex: I'm in awe of your optimism, Coraleye. After all this, you’re really not bitter? I mean, look at Tycho—he lied, tried to erase your memories. And you still take the high road?

Coraleye: Oh no, please don’t get me wrong, Alex! I definitely went through—and sometimes still go through—my naughty phase, from time to time. Alex: [Leans in] You have my attention... Coraleye: Maybe it was for revenge, or a way to cope, or maybe deep down I was just really lonely and had a void to fill. Either way, it got me through some dark times. Perhaps you should book a follow-up interview with Briella, ask her if she found my panties in her boyfriend's room yet. [Waves at camera, winks, and mouths, ‘Hey, Pierce!’] Alex shakes his head amusedly and softly chuckles.

Alex: Damn! You really don't mess around. I'm guessing this doubles as punishment for Tycho as well?

Coraleye: Nope. Actually, his punishment is even better. I'm giving him exactly what he wants. After this documentary is over with, I'm erasing all of our shared memories together. He wanted to mess with my mind so badly, I'll do it for him. Alex: And how do you do that?

Coraleye: Through a spell, of course. You didn't forget that I'm a spellcaster, did you? I'll put the memories in an amulet and give it to our sage of untamed magic. They'll perform a ritual to destroy the memories. Alex: Wow. Remind me to never break your heart... Coraleye: [Smiles] Oh, I will. Alex: [Sighs] Well... Last question we're asking everyone else: Is there any question that you have, after all of this, that still haunts you?

Coraleye: [Tilts head, as she pauses to think] Hmm… I’ve still got to write that paper on my ten-year plan, and somehow I feel even more lost than before. I guess it’s time to start figuring that out now.

[wileycap]

Special Instructions For Luke Skywalker

(approved by hon. Sen. Organa, Gen. Solo, entirety of Rogue Squadron, Adm. Ackbar, hon. Sen. Mothma, distributed to Cmdr. Skywalker)

1. No acrobatics, except in designated excercise areas.

1.1. Not even if you can "jump really high, the Force is so bright right now, look!"

2. Absolutely NO mind reading.

2.1. If you do it on accident, try not to get a weird look on your face and also tell us what you learned. Proverb: It's better to know than to wonder about it until one ends up doing something stupid.

2.2. Yes. I'm talking about that. I can't look General Madine in the eye anymore.

2.3. It's still allowed for intrasquadron prank purposes. But you can't do it to the others, they freak out.

3. No posing. Yes, you pose. It's annoying and wrong. The rest of us are dirty and want to slump down into our own filth and sleep. We don't need to see you being all heroic.

4. No claiming "the will of the Force" when you do something weird. Yes it's saved all our lives more than once. Yes it's still offputting and just plain disturbing.

4.1. "The universe is telling me that..." is not an acceptable substitute.

4.2. "I have received an omen" is also out.

4.3. "The vibes speak to me" is funny but no.

4.4. "Hey guys, guess what came to me in a dream" might be okay but it was in the middle of combat. And you said it over the general comms. And then you did an unannounced microjump into actual hyperspace in the middle of actual combat. Admiral Ackbar nearly had a medical event.

5. If somebody wants to hold your lightsaber you should let them.

5.1. You're officially allowed to disregard that. Never give Janson your lightsaber again. We have no idea how he snuck that in in the first place.

5.2. If Princess Leia requests to inspect your ceremonial weapon (commonly known as a 'lightsaber'), you should let her. For reasons for legitimate cultural intrest and archeological research. And because as your superior, she has the right to inspect your weapon as set down in the Alliance Charter, section General Conduct, heading B4467, subheading BA561-33. By permission of Princess Leia. I approve of this. Luke give it to me for a second you get to have it all the time.

6. If you need to "have a conversation with a ghost", do it in a private place.

6.1. If you agree to have your ghost conversations in private, we promise to stop referring to our "private time" as "having a conversation with a ghost."

6.2. In fact, we could just stop announcing it altogether. It was funny the first time and it hasn't been funny since. Guys, I don't want to know.

6.3. But please don't talk to thin air in front of us.

7. Luke, you are a hero of the Alliance. We are also friends. You don't need to bow when you see me, even if I am technically royalty and your superior.

7.1. It's very sweet that you do it and I appreciate that you want to show your respect, but the new recruits are getting confused.

7.2. NO, ADMIRAL ACKBAR DIDN'T WRITE THAT. It was obviously me, Leia!

7.3. If you're doing this on purpose and hiding it behind your innocent farmboyishness, I'LL KILL YOU. I'll kill you until you're dead.

7.4. STOP BOWING STOP

8. Don't work on the Falcon unsupervised.

8.1. Me being in the general area isn't supervision.

8.2. Me being near you but working on a different part isn't supervision.

8.3. Apparently me looking over your shoulder isn't supervision either. Just don't do it, kid.

9. Cub. You are very small in comparison to other humans. If you are having trouble hunting I can do it for you.

9.1. Apologies. Han reminded me that you are an adult by the standards of your species. I travel with him and I am often confused that he is an adult. You understand.

9.2. No asking Chewie if his relationship with me is "kind of like adopting a tooka" for him. For one, no, and for two, everybody else already made that joke.

9.3. He is very much like a badly behaved tooka.

[earlgreytea68]

its just one of those days where ive had coffees for closers on repeat

sighhhh

have u ever done an analysis of the song? if not what r ur thoughts?? hope ur having a good day btw xx

Ugh, this song is such a gutpunch. I've talked about it briefly in the context of how it reworks lines from Pete's poem "to you (unfinished, off the top of my head)" in THE MOST PAINFUL WAY POSSIBLE:

He does the same thing with the lyrics he borrows for (coffee’s for closers). Pete’s poem sets the tone for fairy-tale storytelling right at the beginning: “It all started with some friends and a van, a kick drum inside my ribs, preaching electric into a microphone stand.” These beginning images are fond: holding up red cups at house parties, falling asleep together on the grass during festivals, laughing. But Patrick carves those lines out and brackets them with “I will never believe in anything again, we will never believe again.” What an answer to this poem out of Patrick: to take those words and slap them between endless proclamations of not falling for that fairy tale again. Even worse, he tops it off with a rewrite of the “read the charts” line: the poem reads “you can get lonely when u only read the charts.” This feels like more on the theme of “you can get everything you want [but it’s never enough], but it won’t actually make you happy.” You can read the charts, and FOB would be on top of them, but it’s lonely up there, and you need more than that. But the line in (coffee’s for closers) goes: “Only get lonely when you read the charts.” The movement of that “only” shifts the line for me. There are a bunch of ways to read it, but for me it reads like: “You only get lonely when you remember you’re in a band. You’re so busy running around being the life of the party, you’re never, ever lonely unless you’re paying attention to your band.”

The thing is, I consider that poem a fond and wistful love poem from Pete to Patrick, trying to reach across a great chasm, and at first the pain of it is how Patrick initially writes songs that take those lines and rejects them, twists them, spits them back out. Eventually he doesn't. Eventually he soothes the lines back into answering love songs. But in the beginning, he writes songs that are fiery rejections of the mood of this poem, and (coffee's for closers) is one of them. Pete's poem reads all us believers still believe. Patrick in this song writes, over and over and over again, slamming it home, I will never believe again. Take that, Pete Wentz! Never! Again!

To me it's just a brutal song about hating how everything turned out but not seeing a way out of it (I want everything to change and stay the same). The Genius annotation says throw your cameras in the air is about how people always film concerts these days, but I think that's wrong. I mean, maybe, although the song was written in 2008 when cell phone taping was still a fairly new phenomenon. But I think this line is really a rumination on fame, on feeling like everywhere you look there are cameras in your face, and it's not about concerts, it's about your life. Girls used to follow you around...until you got cold, and you were no longer the current big thing, and then it's lonely there in the spotlight, where no one's having a good time, the hands they wave in the air are all cameras pointed at you, hoping to catch the next mistake, and everything that was supposed to be good and great, all those pretty promises Pete Wentz made back in the summer fest days when you fell asleep on the grass turned into this. You've become something I don't even recognize, and I'm just your mascot, some laughable gimmick everyone makes fun of, and you love the mayhem more than the love that was all around you, you threw all that love away like you didn't even want it, and I will never believe in anything again. Change will come, and nothing good is going to come of that, either, because you don't like things the way they are but you know that changing them isn't going to turn out well, either.

This song is just so much. It's so angrily hiatus. It's such a demonstration of how much they had broken down around each other.

But it's okay. Because on the other side of it, eventually, Patrick takes this same poem and makes it into "Favorite Record," so it turns out all right in the end. Happily ever after (below the waist)

[incomingalbatross]

Thoughts on Ghost Days by Jim Butcher (and possibly the earlier books, if they spill over into this post)

All of this is, as Harry observes, absolutely typical of his existence. Of course he can't just die, he gets sent back as a special unknown type of ghost to solve his own murder. And of course he shoulders like three different new obligations, makes a new friend, and adopts a criminal teenager within his first 24 hours of unlife.

Kinda love how quickly and understatedly he's incorporated the very latest familial revelation into his narration. He says something like "I'd lost the scar on my arm that I got while skinning a fish on my grandfather's farm" and it's so casual it almost slips by.

(Side note: I need to see his grandfather and his brother find out about each other now. I realize there has been no opportunity and these aren't exactly Harry's secrets to tell anyway, but please.)

Mort going "all cats can see ghosts, they just don't usually care" checked out completely, of course, but it was also perfect setup for Mister's "HELLO YOU'RE BACK MY HUMAN HI." Which. Oof.

Ways you can tell it's really Harry Dresden: 1) Mister hits him in the invisible shins, 2) he opens the conversation with a Star Wars quote, 3) he's talking a teenager into turning his life around.

Love all the Bob content in this one. Harry got to see how the other half lived and everything. (Though his amorality credentials are slightly tarnished by that heroic last stand of his. Which he'd better have survived.)

Everyone here seems like they're an inch from cracking, and I'm concerned for all of them, but they're DOING THEIR BEST. (Butters isn't an inch from cracking. He seems to be doing great, I'm very proud of him.)

Very glad and also a little amused that the Super Secret Safe Witness Protection Home for Maggie is... the Carpenters. I mean it absolutely should be, but it's also funny.

Of course Mouse exists equally in the physical and spirit world. I'd be more surprised if he didn't.

I DID have several moments where I went what about Thomas. why isn't your narration even mentioning Thomas, but the payoff of "I couldn't stand to face even the thought of what I'd done to him" made it make sense.

More general/Thematic thoughts:

Uriel and/or the narrative really said "You're going to take a good, hard look at the unintended consequences of your actions. And you're going to do it disembodied so you can process a little better."

There was something that really struck me at some points in the Lasciel period, and it's back again now: I love that when Harry crosses lines, not only is he capable of seeing it, but the reaction of the people around him is, "yeah you sure did cross a line! you did wrong. so stop doing it and get better, because you can. this isn't a slippery slope unless you decide it is."

He has! Free will! Contrition is always meaningful! Change is always possible! Harry is never allowed to write himself off. He is always told that he's capable of picking himself up and doing better - because he is. He's alive and human and that means he has as much hope as he chooses to hold onto.

That said, I also really appreciated the weight his choices in the last book are given here. It's so easy to just go along with "it was for Maggie, it was his JOB" (and it was his job), but this book made Harry and us stop and linger on both the lines he crossed and the unintended harm he caused.

(Though he is taking too much weight on himself. Martin maneuvered a lot of this into play, not to mention the ACTUAL Red Court. And there is something to be said for the SG-1 approach of "stop worrying about ramifications and just kill the ancient evil first.")

(Oh, now I remember! I was also thinking of Hunger Games re: this. Katniss and Peeta's defiance of evil was personally motivated and sparked a lot of unintended harm to others - but it was also the only spark that could have destroyed the machinery of evil. Not quite the same but made me think of it.)

ANYWAY. Speaking of crossed lines and harm caused: I was NOT prepared for the murder reveal.

It DOES explain so much about this whole book, especially in combination with the (not as shocking :P) reveal that he's only mostly dead. He NEEDED to know this. He needed to know and understand all the choices he made, and their results - and the lie that influenced him - if he was going to be allowed back to his body.

First, he needed to know there was no outside killer to worry about. He also needed to know that HE did this. All of it. Part of accepting culpability and facing his choices meant facing that there was a third murder on his account - because that is how he frames it - what he did to Molly and what he did to himself and everyone who loved him.

He also, most crucially, needed his free will reasserted, both by the manipulation being revealed to him and by Uriel balancing the scales.

Because a Harry Dresden who had given up on himself as the Winter Knight is a nightmare the world's not ready for.

Instead he's ready to give Mab new problems. :) She gets what she paid for.

Closing thought: If, when he finally gets back to the world of the living, he does not make at least one "mostly dead" and/or "really most sincerely dead" joke, I will be very disappointed in him.

[biblicallyaccuratebrainrot]

Family Reunion; Part III

Dad!Ford x GN!Reader (Familial)

Everything builds up into one weak moment where your mind is vulnerable. A certain triangular being is prepared to take full advantage of this. In the end, it may be too late to realise that mistakes have been made.

CW: I got bored and skipped a bunch to reach what I wanted to write, deceit, Bill Cipher

You followed Ford and Dipper back to the shack. They spoke to each other the whole way back-- going on and on about how cool the alien spacecraft was and Ford talking about way back when he used to go there all the time. You walked behind them, staring at their backs. They both had genuine smiles spread across their faces while they spoke.

"When was the last time I smiled at him like that?"

You stopped following them when you reached The Mystery Shack. The sun was beginning to set. Ford and Dipper continued into the shack, even shutting the door behind themselves. You took a deep sigh before you redirected your steps and made your way to your pond.

"When was the last time he smiled at me like that?"

You sat by the pond, legs up to your chest, and your arms resting on your knees. You flicked pebbles into the water, watching the ripples even themselves out.

"You're older now-- he can't bond with an adult. He can bond with a kid like Dipper,"

"He probably prefers a kid that's actually related to him, too,"

"Dipper's more like him than I am,"

"Maybe, you shouldn't have opened the portal,"

You shook your head at the last thought, groaning out loud. "He's your dad!" You reason to yourself, now holding your head. "He wouldn't just abandon you, right?"

You sighed and grabbed a stick nearby. "We can still hang out," you whisper. "Me, dad, and-- and Dipper, I guess,"

You draw stick figures in the dirt. A tall one, a shorter one, and then, a good distance away, another tall one. "Why are you being such a baby about it? You're a full-grown adult!" You toss the stick, now angry with yourself.

"Just move on, like everyone else,"

"[Y/N]?"

You shake in place and spin your head around to face the unexpected visitor. "Oh--! D-Dad, sorry," you say quickly. "I-- I didn't see you there, I thought you and Dipper were fixing the rift,"

Ford walked over and sat beside you. He glanced at the drawing in the dirt. "It was a quick process, we already patched it," he responded.

"Oh, good,"

There was a pause. "Are you alright?"

You feel your face heat up and you began to fiddle with your fingers. "I-- I mean, yeah--," you stop yourself. "--No, no, actually, I-- I'm not,"

Ford sighed. "I know what it's about,"

"Do you?" You turn to him. "It feels like every time you 'know', you don't actually know,"

Ford's face softened when he turned to you. "It's about me and Dipper, isn't it?" Your eyes widened as he continued. "I offered him that apprenticeship and you feel like I accept Dipper more as my kid than you-- my actual kid,"

"Wow," you say without thinking. "Y-yeah-- sorry, I-- I'm just... I'm upset,"

Ford chuckled quietly. "I understand. That offer I gave Dipper? It doesn't mean anything," Ford explained.

"Wh--what?" Your brows raise. "Dipper's gonna be really disappointed if you go back on your word,"

"In what world are a boy's parents going to allow their son to run off with his estranged uncle?" Ford asked, a humorous look on his face. "No matter how many PhDs I have, I am sure they would prefer their son closer to home and safe,"

Your lips tighten to a line and you look down at the dirt in front of you. "W-well, when you say it like that," you began, "I-- I sort'a feel silly, now,"

Ford stood up. "Don't worry about it." He smiled and offered his hand. "It's going to be all right, I promise,"

You smile back and accept the help, rising to your feet. Your smile drops. You look around the area-- finally noticing the halted movements in everything. The dragonfly stopped mid-air, the water's ripples stopped in motion, and the bird stuck in the air above you. You look back at "Ford" with wide eyes and try to pull away-- but the grip is stone-tight.

"W-Wait!" You yelled. "Stop! Y-you can't do this!"

"Ford's" face began to melt as the all too familiar laugh rang out into the grayed mindscape. Ford's hand turned into Bill's hand, his large eye staring a whole into you.

"Thanks for the body, kid!" Bill laughed and pulled you forward.

You felt yourself spiral through the air. You managed to even yourself out and turn to face your body rising from the ground.

Yellow eyes and a large smile, not natural to yourself, looked up at you. "What're you doing!?" You screamed, rushing to follow.

"Bringing about the end of the world," Bill replied bluntly. "What else?" He laughed and walked off smoothly-- but not towards the shack.

You watched Bill walk into the forest. You froze in place-- not by any outside power to try and prevent you from following your body. You froze out of fear. Your mind sped around you at a million miles a minute. "I-- I need to tell Dad!"

***

Mabel was stuffed inside her sweater and rocking herself back and forth. A plain beige backpack sat beside her-- failing to provide any comfort. The only sounds to be emitted were the sniffles of sorrow.

"Mabel?" Your voice called out. "Are you alright?"

Mabel poked her eyes out to peer at you. "Sweater-town isn't accepting any visitors." She buried her face back into the sweater. "How did you even find me?"

You approached. "I wasn't really lookin', kid." You explained and sat beside her. "Sort'a came out to get some fresh air,"

"Why is this happening?" Her voice cracked and squeaked. "Summer's ending, school is gonna be horrible, and I won't even have Dipper back home!"

Mabel cried and shook. "Ah-- jeez, kid, I-- I'm sorry," you tried to comfort. "I-- I get it, y'know? The one person that's supposed to always be there with you isn't there-- it hurts,"

"I wish Summer wasn't ending-- I- I wish at least Dipper wouldn't accept that stupid offer!"

"I hear'ya," you agreed. "Dad's more interested in mentorin' Dipper than he is interested in hangin' out with his own kid-- I wish I had more time with him,"

Mabel sniffled and removed herself from the sweater to look at you. "Isn't there something we can do?"

You sighed and shrugged. "Not unless you got some orb on a small pedestal," you chuckle.

Mabel brightened. "I-- I think Dipper has some weird nerd thing like that in here." She grabbed the beige bag and began to rifle through it before pulling The Rift out. "Is this what you're talking about?"

You smiled widely. "Oh! Yeah! Do you know what we can do with this?" You held The Rift tightly. "Mabel, you can get a longer summer with Dipper and I can get my dad back!"

"Really?" Mabel smiled-- hope fluttering in her mind.

"Of course!"

Your grip tightened around The Rift. Your smile became more and more unnatural the longer it stayed on your face. Your eyes weren't quite reflecting the correct colours anymore. Just as Mabel's mind began to wonder-- The Rift shattered in your hands. The glass pierced through your skin and the contents of the orb spilled onto you and the ground.

"What!?" Mabel yelled in shock.

She almost couldn't hear herself over your deranged laughter. Your yellow eyes brightened-- connecting the dots in Mabel's mind.

"W-wait! No!"

You flicked your fingers-- causing Mabel to collapse into unconsciousness. Your body began to float before Bill released it and allowed it to fall to the ground.

You flutter your eyes open and wince as pain flies from your hands and up your arms. You roll onto your stomach and spot Mabel's body. "I--I'm so sorry! Mabel!" You tried to crawl and reach for her.

Your movements are halted though as both your body and Mabel's body were lifted through the air. Mabel's body became encased in a ball of rock-- a shooting star branded onto it.

Your eyes began to fall heavy-- your hand weakly shaking towards the rock flying away from you. The last image to haunt your mind was Bill's eye shooting a red beam at you. The final thought before you were thrown into your own mind;

"Dad, please help-- I'm sorry!"

_______

》 END

[ashroomy]

Can't stop thinking about fnv ocs so I'm gonna ramble about them alllll

Jasper: He's my courier who's yes man aligned. He tries to be extremely upbeat and cheerful (think, useless ray of sunshine). He always tries to see the best in people's which means he's very good at getting scammed. If someone were to overcharge him for some medicine he would go "aw must have taken them so much time and effort to produce, and they're offering it to me, worth every cap :)" He also will see actual horrors unfolding and still try to see the good in a person. Like in Nipton seeing Vulpes. Whilst horrified at the crimes, he looks at him and goes "oh :( what made you this way. You can be better. I'm sorry they made you like this" despite the fact that the whole town is actively on fire. He believes in peace and diplomacy but can be a huge pushover. However he is extremely good at bandaging wounds. If he didn't get shot in the head and demand answers, he'd be a doctor.

August: My legion frumentarii who hates the legion! He got taken by the legion when his village was invaded. He's not violent by nature. But he knew that being peaceful would lead to his death. He did what he could to survive and discovered his knack for spying. Allowing him to become a frumentarii, he was pleased, hoping he wouldn't have to kill anymore. He was extremely devastated when he found out this wasn't always the case. A skilled actor. He uses this to his advantage, if he had his way, he would be performing on stage in many shows. Has a habit of taking notes on everything he sees. This has a tendency to wind up the other people around him.

Noah: Originally a joke character between me and a friend who became his own decently serious character. He works for the NCR designing propaganda for them. He likes being left alone and drawing hunched over. Has a strange relationship with the legion, as he knows he should despise them, but he has friends and family who are surviving in there. So he believes there must still be good people in there somewhere, despite the atrocities. In his propaganda, he will draw people who loosely resemble those who got taken by the legion so that on the off chance those people see the posters, they know he's still thinking of them.

Claire: Noah's older sister and dedicated NCR soldier. She takes extreme pride in serving the NCR and is passionate about following all orders to a T. She attacks most tasks with a frightening zeal and many are pleased she's on their side. Unlike her brother, she holds nothing but disgust for the legion for taking her family and friends, and vows to crush the legion to prevent anyone else going through the same fate as her loved ones. Every time there is a potential chance for a NCR and Legion clash. She is the first to volunteer to step in.

Ferox: My horrible horrible centurion, he holds the legion in high regards and vehemently believes in their ideals. Ruthless and bloodthirsty, he has little in the way of friends in the legion due to his offputting and intimidating air. He doesn't mind. As he believes that he is the most loyal person in the legion and everyone else is below him, he refuses to talk to anyone he believes is "lesser" than him. His violent nature and arrogance make him highly detested and feared in and out of the legion. From the same village as August, he fought hard to survive, but came to appreciate the legion over time, losing sight of how he even got there in the first place. Claire later defeats him. (Which is good because I hate him and he's only a character so I can practice writing awful people)

[starxiaos]

dreamscape by nct dream: the review

— preface: i am still a relatively new fan, so i don't recognize all their voices yet. i also do not speak korean, nor am i fluent by any means. this review is solely based on vibes, instrumentals, and english phrases. the translations are not out yet at my time of posting this. this being said, this review is also for shits and giggles, and i could be entirely wrong. however, this is my opinion and my review, so if it bothers you, write your own. special thanks to our favorite dreamzen, @jenoslutie , for helping me with vocal recognition.

— details. release date: november 11, 2024. # of songs: 11 total listening time: 34 minutes note: eleven songs...released on 11/11..i see you. — overall rating: 9.2/10. favorite songs are marked with ☆, regardless of rating.

— track 1: INTRO : DREAMSCAPE rating: 8/10 thoughts: guitar in the beginning is nice. this is sweet. i don't know who is who but i assume that haechan was the second vocalist in the beginning. "trying to wake up, up, up. fly away." was adorable. this beat was very cute and warm, in my opinion, while still keeping their sort of edm/trance trademark.

— track 2: When I'm With You rating: 9.8/10 live reaction: love this beat, what? i don't know enough korean but this shit feels like men yearning, based on the english parts and their tones alone. the syncopations for "when i'm with you" are really good and smooth. 1:49-1:56 WHO IS THAT??? (it was haechan) "when i'm with you…day and night…" VS "when i'm with you…i'm so blind.." oh you're in LOVEEE!!! 2:50-3:00 WHO ARE THOSE TWO??? (it was renjun and haechan, then jeno) whoever didn't like this is fucking stupid. it's fun and funky and a little refreshing.

— track 3: Flying Kiss rating: 10/10 live reaction: "like a fanta-zzzzzy" BRO? "baby i know that you love me." oh my? that's so…this beat CHANGE HOLD UP! "I LOVE YOU FOREVER" OOOOH OMG THEY'RE EATING WAIT!? these beat changes are GOOD! it changes the vibe for a moment then right back, it's like a rollercoaster dip. "girl you're my DREAM." who is fucking him bc they're doing a GOOD job. the way they're throwing in "i love you forever!" is so boyfriend sneaking out of his gf's house because she has school the next day and blowing her kisses type shit. this is VERY cute.

— track 4: i hate fruits ☆ rating: 10/10 live reaction: BERRY TASTE TASTE TASTE? i like this instrumental a lot. "trynna hate you" i love when a man cannot admit to himself that he likes a girl. i love that, because it's so obvious that he DOES. "lo-lo-love you so bad." THAT'S WHAT I'M TALKING ABOUT WHATTTT I LOVE YEARNING? "love is super sweet, sweet, sweet, sweet in my mouth" that's fucking cute as fuck what the hell. "whole world mine, you're mine" HELPPPP JAFBSLJCKBHLFB THATS SO CUTE AWWWWW WHAT THE HECK GUYS!! "like a grapefruit, sweet and sour" OMGGGGGGG!!!

— track 5: No Escape rating: 10/10 live reaction: this beat is eating. that ricochet sound in the back is GOOD, that'll get stuck in your head fr. this is a song that makes you feel like you're drowning in someone else's problems because you're listening about them and don't really know what to do, forward slash can't do anything about them because you're on the outside. so really, it's like watching THEM drown. even though none of them have writing credits for this one, i get it. "never know why this anxiety keeps coming for me" is a serious statement but the way they've mixed this, it just sounds like a warning, if that makes sense. musical genius here.

— track 6: Best of Me rating: 8/10 live reaction: oh fuck this instrumental already fucks. are all these songs just about yearning? do these boys get no pussy? ….nvm this shit is definitely about sex bro, and if not, at least some sort of intimate moment. haechan writing cred, love that, good boy. this is good! i like their beat a lot for this.

— track 7: YOU rating: 8.5/10 live reaction: this beat is nice and mellow. this is yearning, actually. this is like, actual true pining. "i'm in you" can be understood as sexual, and while i'm sure it is, it also is said…like, in an emotional way. "i'm in you" in your heart, "i'm in you" in who you are as a person, "i'm in you" in the way that you buy takeout and get my favorite dishes even though i'm not there. "i'm in you" in the way you listen to our playlists when you miss me, "i'm in you" in the way that there is a piece of me in you, and a piece of you in me because we're lovers and bound together by the love we feel. this is good, i like the fact that they'll never confirm that it's about sex because there is also so many other ways to process it, and i like the beat change when that part of the song started for mark. good job.

— track 8: Heavenly ☆ rating: 8/10 live reaction: "heavenly, heavenly, heavenly, yeah." was SO pretty. this vocal tone is beautiful, very soft but still coming in with that rap that holds purpose. that's good, i like the tonal switch up between not just their voices but the parts of the song. the instrumental is a solid 7/10 but they definitely know how to bring it higher, with the vocals it's a good 9.5/10. should be longer, in my opinion!! i love the way they say heavenly.

— track 9: Night Poem ☆ rating: 9/10 live reaction: another nice and mellow beat, this is good! this is also definitely about sex, "babe every morning, every night, everyday". this isn't about one night stand sex, casual sex, fwb sex, this is 'i'm in love with you and the universe conspired to help me find you' sex. this is 'i wanna make babies and have a two-story house and a golden retriever with you' type sex song. their tone is so soft and pretty, can never say they're bad vocalists because that'd just be a fucking lie. WHOEVER THE FUCK DID THAT SPOKEN PART AT THE END NEEDS THEIR DICK SUCKED.

— track 10: Off The Wall ☆ rating: 10/10 live reaction: i'm not sure why, but the beginning of this instrumental reminded me of highway to heaven. however, this is very funky and i love that DOWNNNN. this is something you get FUNKY to, i'm talking you play this at the roller rink and skate with your lover. but also, this is 'off the wall,' in love with you. 'off the wall,' obsessed with you. 'off the wall,' losing my mind because i want you so bad. this could also not be about love at all, instead telling listeners to just 'let loose, live your life, who gives a FUCK'. that's hot shit, i love that. good job.

— track 11: Rains in Heaven ☆ rating: 10/10 live reaction: this is a PRETTY song. this is directed at everyone and anyone, but again, can be thought of as a song for a lover. this is so, so sweet and encouraging. this beat is so melodious and their voices are soft and gentle and reassuring. this can be an inspo for a friends-to-lovers fic, something where one of them goes through so many struggles and they're vocal about them but the other does their own stuff in silence until they break? idk. this is very very sweet and cute and i think that it adds to the fact that they can dominate just about any concept. "crawl then we walk so we run" is SO encouraging, because the world is just chronically depressed. THAT HIGH NOTE WHO IS THAT OMG? ATEEE!! the fact that mark has a writing cred for this song also eats, I knew that guy had a soft heart. aw. i hope he knows he's loved. "i love the, the way you are" is so sweet and reassuring. awwww ugh this was so cutie.

— closing thoughts: despite not being new to kpop and casually listening to nct/wayv for a handful of years, i think i still have a lot to learn. however, with dreamscape being my first comeback as a dreamzen, i cannot say i'm disappointed. i've seen an array of opinions on the album, with a lot of negative feedback about the album, the concept, the lyrics, and the instrumental. it's not the vibe, and i genuinely think that if you didn't like it, you simply didn't get it. and that's okay - but making it a point to send hate and say that the album wasn't good/was 'trash' in order to make it known that you didn't get it is a stretch. i hope those of you who took the time to listen and understand the album enjoyed it just as much as i did.

this being said, the album was a mix of really, really melodic songs and comfort, with no escape and off the wall being two of the songs that throw you off course in the best way. the funky mix of off the wall and when i'm with you compliments the overall vibe of the album, and no escape adds an edge right in the middle. intro: dreamscape keeps that staple nct edm vibe, where it's just noise but it is still very soft and it really makes you zero in on the instrumentals.

overall, this album showcases a mix of love songs, inspiring songs, and a sprinkle of something human. each of these songs has that human touch, and has a feeling that you can either relate to or someone around you can relate to - or even better, something you can yearn for. it shows growth, and what can be deemed as an 'escape' into the softer, more intimate parts of adulthood. they really hit the mark on this one, and i look forward to settling more into their little nook of the music world.

[icewindandboringhorror]

I made a few new wax seal stamps out of clay (like the ones I did for my worldbuilding stuff forever ago), this time just of random symbols that I thought might look good done in the style of painting over the raised part of the wax or etc. :0c Some of them aren't carved deep enough to really show up that well, but overall they worked okay for being clay lol

[psychomusic]

oc time again! + her town & culture (heavily inspired by pre-roman italic populations)

she is suri sauthon. her story is linked to my swtor imperial agent, tar'x, but most of her life except for the one year away where she meets him, is spent in a town in the mountains of mirial.

despite mirial being cold and desert, and many cities developing underground, her town flourishes thanks to a force nexus, venerated in the form of an ancient, sacred, alive crystal. the ecosystem of that mountain depended on what "the horned crystal" was capable of giving them, but mirialans couldn't live off of that alone, so they developed trade and some rudimental technology, even if oftentimes it was bought thanks to the highly profitable trade of a plant used to make medicines that slowed down aging and had overall healing properties.

note: everything that's generated by this nexus has these healing properties BUT they have to be processed, except for those who bathed in the waters of the cavity under the crystal - the "real" nexus, but not the worshipped one. the waters were sacred but they were not thought to be miraculous, unlike the crystal, who instead was thought of as the keystone of the ecosystem: without it, everything would fall apart (and that is partially true: the cavity was the "real" nexus but thanks to the crystal, also strong in the force, the properties were spread all over the mountains). those who bathed in the cavity's waters - so, all of the town, who had a sort of baptism there - could eat the plant, make whatever food with it, and not only that plant, but everything generated by the nexus, that, again, had similar properties. this allowed people to live up to normal life-spans without advanced medicines or, much, really. to those who didn't live there, though, after the processing, had incredible effects, slowing down aging - for those who took it regularly - and making people able to live up to half a century more than the average]

originally, there were four tribes of nomads that lived thanks to horned farm animals that decided to settle down into one bigger town and other smaller settlements, to live off of transhumance. this division of the tribes stayed into the political and social organization: every person belonged to one tribe specifically, and had slightly different rituals and culture. for examples, each tribe had their own priests and healers, with different techniques and traditions. the town, tho, was guided by a group of people in the high priesthood, a position you could reach only by having earned the trust of all tribes. those high priests had many roles: they guided the people into sacred processions common to all the tribes, they managed the trading with outsiders, they did the maintenance of the temple of the summit (the one that functioned as casket to the crystal) and created a special liquid to offer the crystal that helps it grow.

this particular temple was important because 1. it was very visible, from every angle of the town, and it became an important identity symbol; 2. it stored the venerated horned crystal; 3. it had the altar where sacrifices were made for the crystals. that altar had a hole connected to the cavity, that allowed the liquids to reach the underground; 4. it had various symbols: statues representing each tribe + the high priesthood, and typical mirialan tattoos carved into the wood of the trees that served as columns for the temple, symbolizing 8 values that who dared to enter HAD to have; 5. it was on the way to an important lake (called "mother lake" because the lake the town was built around to depended on the waters of that other lake) where they traveled to in important processions; 6. it was said that a the wizard who unified the tribes made it with its magic, making the plant grow to hold the temple's roof. this wizard was, actually, a force user, obv.

BACK TO HER THOUGH: she's daughter of one of the high priests, who was in charge of managing the trades with outsiders, and lives in a house on the mountains with her mother and him. her parents are from different tribes (that's one of the things that earned him trust from the 4 tribes): when a child is born from two different tribes, they don't pick one to allign to, but they're usually linked automatically to the one with more relatives in it (in her case, the father's tribe: she had many uncles and aunts on his side while her mom only had one sister).

later, though, she got quite tied to her mother's tribe due to a mysterious illness that only her mother's tribe healer was able to cure. she spent 4 years (from 10 to 14 years old) living with the healer and learned her secrets. to better study, she wrote them down. when she returned home, she studied to become a priestess with her father. at 22 (the average age: you can't become priest before your 20s), she was supposed to take a test and become a priestess, but the healer of her mother's tribe died and the tribe asked her to take her place. she couldn't technically do that, but both tribes estimated both her and her parents and she was allowed to become both. she then decided to try to become a high priestess, and became one at 25 (a quite young age). being part of the council, she tried to convince the various tribe healers to unite their knowledges and write them down, and eventually made it. healers still remained tribe based but they now had an "upper, inter-tribe level" similar to high priesthood.

years later, the sacred horned crystal is stolen from the temple by some Hutt mercenaries looking for a profit. given the trust she has earned from all the tribes and the fact that her father is the high priest that deals with outsiders (and she's been hearing stories and advice about it since she was little), she is the one tasked with getting it back. without the growing crystal, the keystone to their ecosystem, the village would have lasted only a few years. in hrr quest, she meets imperial intelligence agent tar'x laran and, as they "solve the mystery" and fight to have it back, they get closer. they'll get married and have a daughter, Vegoia (who's the only one who actually will get to the plot of my story. this was all background)

[demodraws0606]

People complaining about Tsukasa5 already are pissing me off, because like, it's so unbelievably obvious what this event is trying to do and the fact that people are so hung up on "urgh dur tsukasa strong why can't he do a wall climb".

Like, first of all, a lot of Tsukasa's strength has been used as comedy before and also it's never been said that Tsukasa could specifically do a wall climb before so people calling this a retcon or a stretch is really dumb to me.

Sure we can make jokes about it, but this is not like a serious writing problem or anything.

Also are we just gonna ignore the fact this event is literally just a reference to his 3rd event in a silly trenchcoat. Or the fact that this is obviously meant to be WxS's downtime and training arc to prepare them to face the loose plotpoints in the future?

His inner dialogue when chasing the ninja is very clearly a reference to the whole Pheonix thing, how he can't reach it no matter how hard he tries.

The wall climb is like an extremely fucking on the nose metaphor to him climbing over his issues as an actor.

THERE IS ALSO THE WHOLE THING THAT HINTS THAT TSUKASA CAN ONLY OVERCOME HIS PROBLEMS IF HE HAS HELP FROM OTHERS (AKA tsukasa would've literally BEEN INJURED, if it wasn't for the fact the troupe's leader was there).

In fact this literally followed an event aka Tsukasa 4 where he FAILED to do his role correctly.

It's almost like this event is meant to be a transition point between Tsukasa 4 and 6, where Tsukasa builds up the knwoledge on how to face his problems.

But no this is just mid event because it's very silly and "wow plot is stupid why can't tsukasa wall climb".

WxS fans are slowly just turning into VBS fans in terms of how whiney they're being i swear

[crystalkitty1220]

Man I wonder where the leader of the fear realm could've gone, it's alMOST LIKE NEVIN HAS AN

[plantenjoyer]

I SWEAR I KEEP TRYING TO DO ART BUT THEN SOMETHING GETS IN THE WAY AND THEN I PROCRASTINATE AND THEN SIX MONTHS PASS

[magentagalaxies]

nothing makes me feel like i've lived a thousand lifetimes more than seeing "the buddy cole documentary" and "other girls" and "antisocial media" on the same list. like what do you mean i'm only 21 i should be at least eighty

[ehlnofay]

wip wsunday (night)

tagged by @wispstalk (thank you kindly!) tagging back @ervona and @everybodyknows-everybodydies if you so please.

I put my long-ish tes piece on the backburner to take a break and write shorter things featuring my best friends elder scrolls characters from my mind and then I put THAT on the backburner because my very sweet grandmother paid for me to buy bg3 and. alas. look I can't play a game of this nature without fleshing out my player character far more than necessary and then I get curious. so here's a very shoddily scribbled bit from my very first playing-around piece (a rambling description of my character's extremely abandoned house)