#hm. hm. much to consider

[burnthybread]

NEW PHONE + COLLEGE ORIENTATION DONE

[biblically-accurate-dca]

painting test with a limited color palette

here's the moon equivalent!

[carnivalcarriondiscarded]

still unwell over the prospect of Howdy slowly putting the pieces together and having a complete mental breakdown over it. Laughingstock edition!

[canon-gabriel-quotes]

Transcript:

Gabriel : I... Don't recall this scene... Being in the Bible, Machine.

What? No way. Hang on, lemme see that. In-in this Bible? Pff-hah.

I know this Bible. Gimme that.

Okay... Cock and balls 3:14... Kama Sutra 69:69. Oh God, why is this thing so long?

Hm, let me see- *gasp*

Ain't. No. Way.

That shit is right here in the Bible!

That shit is- I am looking at it right- it is right here.

I am sorry. I apologize.

I- I owe you an apology, I was wrong. I- I thought I knew this book, but I missed something.

V1 : I told you, God said to suck as much dick as possible.

Audio Source part 1

Audio Source part 2

[nyaskitten]

the only things that matter in life are boobs and killing the rich

[somecunttookmyurl]

have you ever see someone complete super mario 64 in 23 minutes using an honest-to-god full drumkit as a controller?

now you have :)

[seaofreverie]

Sparkstember Day 18: Balls (Bullet Train)

Sometimes (oftentimes) it's true that all you need are Balls. I personally absolutely love Balls. I'm a big fan! Ekhem. Today I'm using the help of (I mean, copying most of the passages from it) my earlier Balls rant that I have written down after my first listen of it back in January. I really love this album and I don't want to completely skip over saying a couple words on it at least but I really don't think I have the headspace to write anything very good for it today. I'll still try though!

So yeah, Balls. It's a great album, fun and chill (in my sense of what I call and consider chill anyway), consistent, as Sparks albums tend to be, and as I suspected / hoped it does fit this specific vibe of driving around at night somewhere city-like and illuminated. Or being on a train deep at night and looking at the world zooming by (if you'd even see much of it on a train at night anyway.....). And I do think that it's not so dissimilar to Gratsax (I'd say now that it's definitely darker and moodier than its predecessor...). So it's interesting to think about how it's considered to be one of the "weak" ones (by music reviewers at least) while Gratsax is so beloved in comparision.

I will admit, I don't really know what the big problem with this album could be. As I said, it's fun, it has the melodies, it has the energy, it has the theatricality (I like seeing how more and more orchestral instruments such as strings are being incorporated into the music, in a way the jump into Lil' Beethoven two years later doesn't come of as THAT much of a shock because of this. The evolution of sound here is fascinating!) I really like the intense beats, just as much as the more laid-back and moodier pieces. And there's lots of gold to be found in the lyrics department as always.

One more thing I wanna say is that at some point I wondered if this music sounds older than it is. Maybe it does? But then I remembered that this was 2000 and honestly when I think about it, there just IS something about this album that fits so well with the Y2K image and vibe and all. Sparks 2000 and all that.

Favourite songs (and other highlights):

Balls: I mean. It's Balls.

Scheherazade: absolutely LOVE this one and I had the strangest impression of it sounding very familiar when I first heard it. Months later I found out that it was just briefly featured in TSB so I think that explains it (I will talk more about my TSB viewings on TSB day. EVERYTHING has to be explained in excruciating detail, lmao)

The Calm Before The Storm: bugsonas 4ever. Song itself is amazing too

How To Get Your Ass Kicked: how can a song about getting your ass kicked be so pleasant and relaxing, it always keeps cracking me up, how perfect that is actually

Bullet Train: I love it how introducing the topic of the song with a "It's the [topic of the song]" is a reoccurring theme on this album. Thank you Sparks for this ode to technology and art (these lyrics always have me giggling). And also it just goes hard as heck

It's Educational: a perfect fusion of / sequel to I Thought I Told You To Wait In The Car and Progress (it's mostly the vocal delivery that reminds me of the latter)

The Angels: such an odd one here but I still like it a lot, I apparently said that it sounds "surprisingly mainstream for Sparks but somehow in a positive way". It's very sweet and I absolutely love how Russell sings here, it's so different from what we're used to but that only makes it hit you even more in the feels, lol. And I actually prefer the alternative version of this song that's featured as a bonus track, and I do think that's in big part because you can hear Russell better on it (or that was my first impression of it at least and it kind of stuck)

[sysig]

Take care of him (Patreon)

[thesunlikehoney]

Seeing some pretty gross posts about Miguel, and... It's actually pretty important that Miles, an Afrolatino character, is both making friends with the younger generation of POC and in direct conflict with the older generation of POC. Like yeah Gwen and Peter B. are still important figures in his life for good and now also bad reasons, but it is Miguel and Jessica who he has an ideological conflict with. It is Hobie who in some ways takes over as a mentor and guide. Margo helps him escape. Pavitr is someone Miles himself helps and gives advice to. The antagonist is not Latino because they wanted to use stereotype shorthand to make everyone understand how dangerous he is, he is Latino because Miles is Latino. And surprise surprise this movie has a lot to say about-- not generational trauma per say, but community trauma. About what happens when shared trauma starts to define the boundaries of who is and who isn't a member of your community, rather than shared passions and shared dreams and shared missions.

[mysteryampharos]

my friend has started playing eos lately and after we got through chapter 12 i asked him what his predictions were and he hit me with "what if grovyle and dusknoir are also human" and that concept goes HARD actually

[sunsetcurveauto]

Oh, Charles. What has become of you? Where is my best friend? Odds fish, Edwin. You're looking at him. No. No what I see before me is a façade. A shell of the boy I once knew. This is some absurd role you're playing. I don't know why, but I'm sure it is. Perhaps to keep the world at a distance. And now you're shutting me out as well. You once promised me that I shall come to know the person behind the mask, in time. But I know him less now than I did then. Well. Perhaps there's no more to know. I can't believe that. I refuse to believe it.

Dead Boy Detectives x Stories - Charles as Sir Percival Blakeney, The Scarlet Pimpernel

[carnivalcarriondiscarded]

What if yassified Howdy, but in the Lights Out AU? Would he be a pretty moth instead of a butterfly?

i like that moth idea, Yes. however, he'd promptly be (forcibly) Removed from the cast

moths like light a smidge too much. and Sally is a walking bug-zapper

[nyxi-pixie]

sometimes i think abt how shocked chuuya was when dazai was like 'teehee i blew up your car' and its like ??? bro why are you surprised?? he presumably left the pm the same day your car blew up and you never connected those two things😭😭

[raulsparza]

there's something about Izzy telling Lucius that his leg is gone because a shark bit him but then turning around and talking to Stede about how Ed shot him because he confessed his love

[duckiemimi]

between geto and gojo, who's the meister and who's the weapon

[franky-y]

So, in an attempt at calming myself down I ended up drawing these two pictures

and now I'm considering taking them with me to the concert tomorrow, but I'm not sure if I really should? I don't think I'll get the chance to give them to Jere and Häärijä and I don't know if they would even want to have them lmao