#his character development is neat as well
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Najlepšy chłopčyk sezonu: Očy ź Ziamli.
#najlepšy chłopčyk sezonu#wosień24#i'm simply in love with his eyes#he looks like a babygirl to me#his character development is neat as well#i'm glad we got him for more than three episodes#but that freaking necklace tells me the time to pass the torch has come again
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can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest
like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!
#me.txt#jjba#i'm going to ramble in tags actually. excuse me#ok. rereading sdc and so confused at the general perception of jotaro and his friends/family. he's not NEARLY as flat or as dickish#i understand that the anime (particularly the dub) tends to slander him but even then he still clearly cares for them! i'm confused#i also understand that a lot of people dig against jotaro and kakyoin as a dynamic because 'they're popular' and that generally disliking#popular things across media is a thing that i've seen consistently everywhere but the discredit to them simply as a DUO and not even as a#pairing is so..... odd..... like they're considered to be a duo that clicks for a reason. i enjoyed them even before i got into the fandom#every time i see someone say jotaro is overrated/dull i take a shot and assume they're an anime-only or only read the manga like once btw#joseph and jotaro also have a neat dynamic and they obviously both love and care for each other. like they're not going to go around loudly#or anything but literally the entirety of the lovers and the prelude to the dio fight IS jotaro being worked up over joseph getting hurt#equally i don't know if it translates to the anime as much but joseph is VERY complimentary when it comes to jotaro. like he sings his#praises so often and reminds everyone that he's his grandson so frequently (d'arby the gamer is a good example of this). either way it's so#peculiar....... there's not enough avdol and jotaro content btw (also in canon) because jotaro obviously looks up to him and avdol jokes#around with him on the occasion they interact after their intro which doesn't start very well. it's very cute#i do think an important thing to note about jotaro's character is how he acts AFTER his intro because he's so drastically different. early#jotaro and later jotaro aren't the same character and i do not mean this in a character development way. excluding the jail incident he's#completely different and probably shouldn't really be taken into account (especially considering the amount of slapstick in araki's intros)#and i think that's really???? what people center on for his character? Which sucks balls bad!#anyways. i could ramble more about this if asked i have so much to say but sigh. jotaro cares so much for his friends and family he's not a#flat fully cold asshole character regardless of whether you watch the anime or ova or read the manga. you just have poor media literacy#i wouldn't recommend watching solely the anime for his character though. the dub also changes a lot so it's... questionable#i love the anime and it's still important for him though. also adds neat stuff. i need to stop myself. i have many thoughts on the matter#jotaro kujo#joseph joestar#noriaki kakyoin#adding in case anyone sees: i am not saying that he is perfect about this. in fact he is very ass about it with jolyne and holly and that's#very important. he also is in fact an asshole sometimes. NOT as much as you guys are making him though!#please don't get me started on how much of a dick etc people make kakyoin to veer away from the 'woobified' characterizations of him#in fact i think that's bad if not worse because it CLAIMS to be in character. hes a prim asshole at times but not that angry or dishevelled
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Finished TGAAC around 2 1/2 weeks ago but only finished the doodles today. but still, here ya go!
#caluuart#art#dgs spoilers#dgs2 spoilers#tgaa spoilers#tgaa2 spoilers#ace attorney#the great ace attorney#tgaa#dgs2#not tagging characters bc it's a lot#RAMBLE TIME. so ever since I finished dgs2 I have been listening to the soundtracks and MAN these bang so much#esp as a person who plays the piano and likes music. it's just. good. yeah. some of these do give me psychological dmg tho lmaoo#like kazuma's nocturne theme or his prosecutor theme. or the secret trial theme.... the partners - the game is afoot! theme.... I am normal#WHICH SPEAKING OF! man I love the sholmes + mikotoba partner twist so much even if i got a bit spoiled about it. i just think they're neat.#The partners of all time I think.#Also also the found family!?!?!? I am A SUCKER for found family. they fed me so well.#funny thing was the barok character development surprised me despite the fact that I also expected it since the first game lolol.#I do think he's an interesting character and probably one of the best character development in the game. And that I find his design cool.#oh yeah I didn't draw it but when I saw that albert mentioned that barok is “the darling of the van zieks family” I was genuinely like.#huh? wdym. like man at the time “van zieks” and “little darling” feels wrong in the same sentence. that was until I saw his pre-#-trauma pictures n well. albert isn't wrong. which was a slight surprise to me.#In conclusion: I liked it a lot. and now occupies parts of my brain along with my other brainrots.#They fight for priority in my brain whenever I try to sleep or disassociate lol. Well at least there's more material to think about.#off topic time: arlecchino animation. for the sake of the tag's length I'll just say a few things:#I am very very interested in her story and oh my god father.#My brain has stopped braining now; good night my fellows
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still haven't moved on from zane in this episode (aka I hit tag limit again and am unhappy about it)
#alek insanity#not gonna main tag this but prepare for a tiny rant#home is actually really good zane characterization and its super cool to me how it holds up to this day#s1 characterization is very specific to me because the behaviors displayed by the ninja there (mostly) isnt bc thats how they really are but#its due to societal pressure. cole originally being more 'stone faced tough guy' -> 'down to earth' -> 'really sensible easy to talk to guy'#is because hes always been a sensitive guy... but he felt he couldnt express that true version of himself. thats the whole thing behind his#true potential. jay going from s1 -> s6 -> now is less of societal pressure and more teenager figuring himself out but it still applies. ish#seeing how much the ninja have changed or grown from then to now is amazing because back then they all wore masks. they didnt know each#other all that well. but theyve gained that comfortability with each other and also have grown and matured as people#some seasons / eps characterization for certain people im not a fan of (lloyds random misogyny arc in s13) but i mean the overall trend here#and then there is zane. zane in home was pretty dead on to how he behaves now (at least... when it comes to his faults?) and i dont want to#say people skim over that but i am the sf proclaimed n1 s1e2 fan and overthink every scene. zane's early characterization is some of my fav#for him period. he also goes through a ton of traumatic stuff and a ton of bad writing bouts but why he acts so 'weird' or 'distant' has#always been a thread sewn in. he changed so much he stayed the same in a way... if that makes sense. -> ohhh the ninja get mail and he#doesnt? oh he has no family? he quite literally walks away from that situation. oh the ninja are yelling in his face and asking whats wrong#with him? he literally walks away from that situation. he says its to follow the falcon but seeing how he apologized to them by not only#baking a ton of pies (cough... the food fight is what led to him leaving at first) but he also found them a whole entire new house.#zane is unable to truly value what he does for others. insert him in s11 saying he 'tried' to fufill his goal of protecting others.#everything he has ever done still isnt good enough. then the ninja tried to apologize and he didnt really... let them.#that one post about characters putting on facades and that facade being how people really see them. even in fandom. thats zane to me#the guy who lies about being upset and avoids his problems ran away after being yelled at? and he said he wasnt really mad? that is a lie!!#him being a ~360 when it comes to his character development is neat to me because he never hid behind a mask in the same way the others did#cole wanting to seem tough vs being really soft? kai wanting approval so bad he starts being selfish? kai isnt selfish usually!#he is self centered but that is a whole different thing. just wanting to fit in and breaking free of that. zane's true potential came in the#form of 'i finally know why i am not normal' instead of 'i will be my true self'. zane never pretended to not be weird#(instert book) states he literally didnt know why people got mad at him. he just existed and it was 'wrong'. the mask he hid behind was#avoidance. he was pretty open about how he actually was (most of the time). when he was upset he would audibly sigh and walk away lol#but for him saying he wasnt upset / saddened by the ninja... it felt like a moment of selflessness. if that makes sense. he blamed himself#for the monestary burning down. so he didnt deserve the apologies (ish) in the virtues of spinjitzu zane is shown as the generous one iirc#he puts the needs of others over his own. he will bear whatever burden he needs if others are happy. at that same time he doesnt allow
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*remembers what they did to Vanny* 500 FUCKING PIPEBOMB ATTACK.
#em.txt#WHY#how can you see the fucking absolute fire that is building up & go. 'yeah douse it. now bring back peepaw AGAIN'#BUILD HER UP 2 GAMES EARLY --- & THEN DO NOTHING!!!!!!!!? FUCK#WE CAN'T HAVE WOMEN DO THINGS IN FNAF I GUESS#the company's scop was too big & they developed the game seperately from the environment & made the environment above the game#cut playable vanessa sections. cut vanny appearances.#remove all the plot make vanessa a bitch throw in some invisible walls call it done. 30 dollars now please#security breach isn't just bad. it's not fucking done.#the thing normally with cut content is i can usually agree like 'okay this game cut this but that was a smart choice'#it can be better for time or budget & it can make for better writing.#for instance all the cut content in ahit is neat & as much as i like moonie it's smart to cut his character to build up other ones#& makes for a tighter story & less convoluted area that's more fun to play#when i look at the cut content for security breach their are obvious issues.#it's obvious the company's scope went too far. you built too big an environment. you built the environment before your game.#you prioritized a cool area to the point you expanded the mall from 1 story to 3. do you think that time could have been speant elsewhere#& the other problem is the insane fucking crunch that scott cawthon as a dev placed on himself & others to maintain relevancy#a single person locking themselves ina room for months to stay relevant is fucked. a game studio physically cannot do that.#you see shit in the prerelease like they wanted a bowling minigame a kart minigame a freeroam minigame etc#what about vanny? what did you want with this character? you clearly had something in mind#but we needed to cut it so we can fit in mazercise i fucking guess or chica's bakery or trash heap#here's what we have: less than 1 minute screentime. the 2 vanessa ending comic. that's it#oh wait i forgot. 'vanny. sounds like vanessa & bunny. this cabnot be a coincidence ' & THEN IT NEVER COMES UP AGAIN#princess quest used to be about that bitch in golden freddy you retconned it to be about vanessa SO DO SOMETHING WITH THAT#her whole shit is apparently in service to william afton. why isn't she in the afton fight at all#does she not know he's down there? is he unrelated? does she know she's working for the mimic? is she not working for him?#is she at all related to the fucking bunny from ruin or like what#what about the rainbow hair. what about her tech prowess. what about the cut missing kids only referenced in duffle bag messages now.#fuck you & fuck me as well why can't i be passionate about hvac systems#why's it gotta be this shittass gsme.
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He is a. Um. Idk he's ugly. And ace too.
I don't know who Alastor is and at this point I'm too afraid to ask.
#hes a part of the main cast of this popular show#that takes place in hell#the premise is that the princess of hell who is a happy go lucky optimistic character#wants to redeem people into heaven#so she funds this hotel#to rehabilitate demons#alastor is a powerful demon who is not interested in redemption but pops up and starts to help the princess#his thing is that he's sketchy#and he's also a vintage guy so they call him the radio demon#alastor#the thing is um#A. the writer made him ace and some people are mad because they wanted him to be aroace#and are calling her transphobic#and some other people are just ignoring his asexuality and doing whatever smut they want in fandom#coz hes supposed to be a sexyman#(even tho hes kinda ugly idk)#B. he is supposed to be of mixed race#but despiste the writer doing a lot of nice stuff#she has a problem with writing black characters#hes well developed#but his magic has a thing that vodoo simbles appear when he does his Powerful Demon thing#and thats pretty racist#aside from that hes neat#he's a copl ace character#but i prefer the gay demiace jester#alastor the radio demon
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Writing Notes: Character Development
Rick Riordan's Writing Tips
Rick Riordan:
Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:
RICK RIORDAN'S TOP 5 TIPS ON CHARACTER
Define a character first through action, second through dialog and description, never through explanation.
A character should be primarily defined by the choices he makes, and the actions he takes.
How does he respond to violence?
How does he respond to love?
Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.
Never stop to explain who a character is when we can watch him in action and decide for ourselves.
Be impressionist rather than realistic.
Describe characters as Dickens did – with a single deft stroke.
A laundry list of physical traits is realistic, but it is neither memorable nor compelling.
A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.
Example: She was a human tornado.
Do not be afraid to use real people as models, but do not be constricted by your models.
It is very natural to use parts of ourselves or the people we know when creating characters.
Do not be afraid to do this because someone might get mad at you.
At the same time, let your character develop.
Do not force them to do what the real-life model would do.
Characters seldom end up exactly like the real people they are based on.
The reader does not have to be told everything you know about the character.
It may be critically important to you that your character has blue eyes, or went to Texas A&M.
But if these details have no part in the story, the reader will not care.
Leave them in your subconscious.
If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.
Your character must act, not simply be acted upon.
We care about characters because we are interested in the choices they make.
We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.
A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.
Remember, plot is what the characters do next.
If the characters do not create the plot, the plot is hollow.
Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:
Character Profile
Name:
Height:
Age in story:
Birthplace:
Hair color, length, style:
Race/nationality:
Regional influences:
Accent: (include voice, style of speech, slang, signature phrases or words)
Religion:
Marital status:
Scars or other notable physical attributes:
Handicaps: (emotional, physical, mental)
Athletic? Inactive? Overall health?
Style of dress:
Favorite colors:
How does the character feel about his/her appearance?
Brothers/sisters:
Relationship with parents:
Memories about childhood:
Educational background: (street smart? Formal? Does he/she read?)
Work experience:
Occupation:
Where does the character live now? Describe home (emotional atmosphere as well as physical)
Neat or messy?
Sexual preferences/morals/activities:
Women friends/men friends:
Pets?
Enemies? Why?
Basic nature:
Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):
Strongest trait:
Weakest trait:
What does the character fear?
What is the character proud of?
What is the character ashamed of?
Outlook on life (optimistic, pessimistic, cynic, idealist)
Ambitions:
Politics:
How does the character see himself/herself?
How is the character seen by others?
Do you like this person? Why or why not?
Will readers like or dislike?
Most important thing to know about this character:
Present problem:
How it will get worse:
What is the character's goal in the story?
What traits will help/hurt the character in achieving this goal?
What makes the character different from similar characters?
Why will readers remember this character vividly?
Source ⚜ Writing Notes & References
#rick riordan#on writing#character development#character building#writing inspiration#writeblr#dark academia#spilled ink#template#writing reference#writing tips#writing advice#literature#writers on tumblr#poets on tumblr#writing prompt#poetry#light academia#george romney#writing resources
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I finished Veilguard btw so here's my long thoughts (be warned I've been writing notes during my entire playthrough so this is very long) for folks who want it:
My favorite parts of DAV:
Best level design in any DA so far. The platforming grew on me, and I think the levels were well-thought out and mostly fun to navigate. Arlathan Forest was exhausting but other areas felt nicely balanced with branching paths, hidden rooms, etc. Exploration in smaller contained maps done right imo.
Mage combat is really satisfying at higher levels. Pure ranged combat is totally impossible unless you have Davrin and Taash popping taunts back to back, but dropping a massive AOE while fighting close-range feels good too.
Being able to auto-equip and compare new gear is great.
Same with the codex entries. Not having to hunt down whatever note I just picked up is a huge improvement.
Upgrading equipment via duplicates incentivized treasure chest hunting, which I would have otherwise skipped lol. It really helped me slow down and take time exploring areas, and I appreciated that.
The final act didn't make the previous 70+ hours feel better, my fault for spoiling most of it for myself, but it was neat. Cool set pieces, cool fights. I was worried Elgar'nan was gonna have the same moveset as the Regrets, but his final battle was great.
Oh, I forgot Felassan! His notes were a tragic delight. Such a good man. Funny too. They didn't need to kill Varric to make Solas less sympathetic...I think Felassan's betrayal(s) serve that purpose well already.
Rook & Their Faction:
Without rehashing what I've said over the past few weeks: this is my least favorite protagonist.
Being a funny and sarcastic and irreverent hero in a DA game is not new. Not having a choice in the matter is. The Inquisitor was pretty fixed in their tone too (cant even choose a personality for them in CC) but even they had better aggressive options available.
Folks say not to judge Rook's depth by a Lord of Fortune playthrough but since factions are asymmetrical on purpose here are my impressions:
The Lords of Fortune didn't contribute to my run in any meaningful way other than getting Emmrich hot which is not unique, as it turns out, to any particular background. In fact, learning Natalene was a galley slave as an aside detracted from my experience. Being a former galley slave, former Circle mage (again: Rivain doesn't have Circles), semi-Dalish city elf with DIY vallaslin is unreal. Especially as characters continuously imply Rook is a young 20-something. The fact this wasn't immediately caught and course-corrected shows -- to me -- how hectic and spread-thin DAV's development really was. :(
Story & Antagonists:
Elgar'nan and Ghilan'nain have cackling witch disease. No motivations outside of power. That was a little disappointing. Was also hoping they'd at least comment on Rook/Davrin/Bellara's vallaslin but they're too busy plotting world domination to really notice. Love their designs though. I'd love to hear a deep dive on how they animated Ghil's tentacles.
Veilguard feels like an immediate follow-up to Trespasser, not the ten year timeskip it says it is. I wonder if that's a symptom of adapting the live service story (content that was likely meant to stretch, similar to Anthem and Destiny, over a decade) for single-player.
I miss the politically-motivated meddling. Every villain is allied with the Evanuris. We needed some that aren't. The Right and Left Hand of the Black Divine, corrupt brothers of the Imperial Chantry, the agents of the Archon, a Minrathous street gang, some Rivaini pirates, anything, anyone.
It's crazy how all elven resistance seemed to evaporate with the dissolution of the Dread Wolf Army. As much as I'd hate seeing them duped and betrayed by Solas…I prefer that to just pretending everything's fine now. I could easily see alienage elves and slaves take Cyrian's path, desperate for change no matter the source, especially since oppression is all they've known and there's no end to it in sight. Especially with their gods confirmed as the source of the blight. All downhill from here I fear.
The Butcher. Would. That voice and that frame....it purred I fear. But even he was not immune to cackling witch disease. Wish he stuck around longer for personal reasons. My South is under siege and I aint talking about Ferelden.
Combat:
I found myself switching builds a lot, which was nice and kept things fresh. That being said: DAV needed loadouts for skills and equipment and a menu showing active passive skills + enchantments. A QOL update for this stuff would have been amazing. I want to try an archer run, but I dread (🐺) fussing with skill tree nodes again.
After fighting Mythal (my first full dragon fight) I was disappointed how all dragons share her same attack patterns. They didn't have to reinvent the wheel or anything -- this was the case with dragon battles in DAI and I thought it was fine -- but Mythal of all enemies should have been unique.
High-level demons are limited to Rage and Pride. High-level darkspawn are limited to Ogres. I miss those little scrungly lookin' despair demons and nasty ass hurlock emissaries. After 60 hours I did get a little tired of the same handful of mobs over and over.
Companions & NPCs:
The Veilguardians feel like my kids. Except Emmrich who's absolutely convinced he's in an age-gap relationship with my older lady Rook. It's not that they're uniquely dependent or rudderless, it's that their struggles are solved with nurturing pep talks. Reaffirm their worth, give them a hug, and all that inner turmoil is cancelled. Rich coming from the 'I should have been able to influence my companions more in DAI' girl, but Rook's impact on the Veilguard, the way their doubts vanish completely via some life coaching, feels off.
Speculation: I think the companions were originally planned to be NPCs. Their written banter in some of the notes, their verbal banter throughout the Lighthouse, they feel like they're meant to stay in the hub and act as quest-givers in the live service game. Especially with how Rook is excluded. That's fine btw it just helps explains some things. (Just remembered something else: when you talk to quest NPCs out in the world and the camera focuses in on the conversation, you can't see your companions. They chime in with disembodied voices, always hidden out of frame. That also gives me the feeling they were added later. Not confirmed btw just my hunch!)
Torn about Taash. I love them for breaking the 'agreeable companion' monotony but hate the ~animalistic race~ tropes they were saddled with. I've had issues with Weekes' handling of race and culture in the past. I'm disappointed to see it continue a decade later. I'll leave it there. Sten cannot smell ovulating coochie!
I tried to kill Lucanis during the final assault. Had full faction strength but I didn't complete his personal quest. It didn't work. Sorry Zevran!
Shathann's VA was acting her ass off. Great performance. Absolute bars from Taash's VA during their scenes too.
I dreaded (🐺) opening the Lighthouse map to see who wanted to talk. I usually love chopping it up and getting to know my party; that's my favorite part of any DA game. But so many conversations were just spent restating the obvious (Bellara is worried about The Gods and her brother, Harding is worried about her powers and Solas, Davrin is worried about the griffons and Gloom Howler, you know like in case you forgot). Running person-to-person-to-person and feeling no sense of accomplishment or progress for it seriously drained me.
The Inquisitor… I assumed vowing to stop Solas would block my Lavellan from pining and questioning herself after a decade apart and two very clear rejections. She kept asking whether he could still be reasoned with even in the midst of the final operation. I'm disappointed how little that choice mattered in the end. The second-hand embarrassment was crazyyy.
Romance:
Now this part is a little unique. Sorry for what I'm about to say about Emmrich. If it helps: I found him the most fun of all the companions. He's handsome, thoughtful, and has a fascinating past. But I ended up being dissatisfied by the end, and not just because of being soft-locked into a May-December fling, cringe commentary from Rook, and feeling like I was straight-up harassing Emmrich in early flirting dialogue.
The main issue: I don't care for the Mourn Watch. I like the Mourn Watch characters, but the organization makes me crazy. We hear so little about how they function in the context of an Andrastian nation like Nevarra. Summoning the dead in a world that still believes souls join the Maker's side in the Fade is huge. I wanted to really dig into discussions on the afterlife but in the end I'm supposed to go 'waow cool skeletons' and forget that religion is such an important facet of Thedas. I was so bummed!
I made him a Lich because he didn't seem to care either way. Reuniting him with Manfred is morally good, turning him into an eternal protector of the Necropolis is morally good. Emmrich is happy with whatever, so I gave him whatever, and I said 'whatever' when it was all over. My god is that man cute, but the romance overall just didn't do it for me.
Should've known when I saw his rotunda lol Bioware you sly dogs you got me again!
Personal final thoughts:
Well? I don't think I'm sad anymore, but I am left with complicated feelings. Obviously things are a little different for me being an EA Partner and getting an idea of just how much work has gone into making the game exist period. And I think because I can't blame it all on one person, shit all over it, and move on that these feelings are just kinda churning with nowhere to go.
Things could have been handled better. Didn't like the attempt to hide the world states until launch, or the dismissive comments from writers about it. Didn't like the AMA answers. And this isn't really my business but I'll say it anyway: I feel like the community council was thrown to the wolves, having to base their DA4 impressions around the sliver of content they were allowed to see, and having a much more hands-off role than implied.
I hope DAV is taken as an opportunity to refocus, double-down on what makes Dragon Age so beloved, and lean into those strengths unapologetically. Easier said than done -- as much as I loved Swen's speech about creating games free of marketing expectations and mimicking the latest trends that's often times impossible -- but I want to believe it can be done in this case.
Anyway both Sabine & my antibiotics are complete and I'm overcoming my moodiness and getting back to work on commissions! I've cured the Blight in more ways than one! 😄
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Rook is so full of love, I think we should all strive to be a little more like Rook honestly | book 5 animatic 👸🏹❤️🍎🐍☀️|
(This animatic doesn't have a very amazing structure, so just enjoy the pretty pictures and the RookVil teasing/ book 5 content!)
I think we can all learn something from Rook, because I think no one truly understands just how much he loves almost everything- especially Vil. He saw the beauty in Vil's overblot while also acknowledging that it wasn't Vil at his most beautiful. He loves him so much and genuinely wants the best for him; he sees Vil’s beauty! Remember, even when Vil was at his ugliest, he still saw beauty.
He sees the beauty in pimples, in fat, in tears, in color, in wrinkles, in smile lines, in every single "flaw" a human body can have. He sees beauty in something as simple as a flower or a well-crafted chair, and also in something as complex or horrible as trauma or anger and hatred. He sees beauty in everything that today's beauty standard would call "not beautiful", but Rook knows better. He knows that beauty standards are doodoo! He believes that the most beautiful person is a person that loves themself. Ironically a stark contrast to how Vil sees it, since he relies more on external ways validation to measure beauty. Rook truly believes that a person is only ugly if they're very ugly on the inside.
Rook is optimistic, curious, kind and positive. Yeah the guy may be a little very weird, but at the end of the day he's definitely not a bad dude! He wants to seek and protect beauty and spread it to the world :)
I know we're all mad that he voted for Neige, but it was the right thing to do. If he voted for NRC, he wouldn't have been honest, the main trait vil likes in Rook. He wasn't biased, he simply knew that their performance wasn't as beautiful as it could've been. This doesn't mean that their performance wasn't beautiful of course!
Also the fact that what Rook tells Vil after the competition is so important to his character development! Vil shouldn't need an audience to tell him that he's amazing and beautiful, that’s what Rook means.
If NRC had won it would've ruined the entire point of Vil's character arc in my opinion (though of course I would've loved for us to win). In conclusion, Rook is a neat dude who we should learn from (minus the stalking part cough cough)
Remember, this is just my interpretation of Rook! *drops mic, all your ears explode*
#twisted wonderland#twst#disney twisted wonderland#rook hunt#vil schoenheit#animatic#fanart#art#my art#jamil viper#noahsart#animation#ace trappola#epel felmier#kalim al asim#scarabia#pomefiore#ディズニー ツイステッドワンダーランド#ツイステッドフンダラーンド#ジャミル・バイパー#ヴィル・シェーンハイト#ルーク・ハント#エ���ル・フェルミエ#book 5#overblot#twst vil#twst rook#character analysis#rook hunt analysis#twst animatic
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why do you ship Braime ? What attracts you to them ?
like a hundred reasons i like them!!! but shortlist off the top of my head:
I like that they're both fully realised characters who can be enjoyed individually as well as together. i always get bored quickly w a ship if one of them feels kind of under developed and it's only one half of the ship that i really care about, it's not fun
I like that there are themes within their relationship that go beyond the romance itself, or rather the romance also encompasses those themes, e.g. knighthood & honour, beauty, legacy, the romance of the forest, etc
they have everything like if you want to enjoy them as a more light-hearted romance you can bc they're both daft as hell in their own ways and there are plenty of things that are weirdly sweet about their relationship, but also they have plenty of heavier themes if you want to indulge in angst
so many fucking crowd pleasing scenes that u can't really go wrong with. bearpit? banger. white sword tower? banger. bathtub confessions? banger. red ronnet? banger!!! like in many ways they're wildly unconventional but in others it's like, they just have some classic romance tropes going on like i've always thought of the bearpit chapter as the westerosi equivalent of a romcom airport dash lol i just love it
grrm writing them as his own BATB!!! this was so so real of him and i will never shut up about it
literally just everything like the matching swords the weirwood dreams their genderbend grandparents there's just a lot going on here
also generally i love their particular ship dynamic, it's a commonality across a few others i've liked in the past and i think jb just happen to be the strongest case study of that particular dynamic. so like. ofc i like them
idk i just think they're neat they just don't get old for me. still staring into space sometimes like wao..... jb
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I’m really happy that Black Sails is experiencing a bit of a renaissance, but (predictably) some of the takes I’m seeing online are so busted. It’s wild to me that anyone would complain about the fact that Anne Bonny kisses Jack after she’s developed this life-changing relationship with Max. It’s absolutely wild to see anyone roll their eyes or feel uncomfortable about the fact that Flint has sex with Miranda when he returns to her in season one or that Max is most likely a lesbian but actively has sex with men for pay and knows how to make that pleasurable. It’s crazy to me that some of the very audiences who claim to want queer representation feel so discomforted when they actually see the mess and seeming inconsistencies of queerness that they asked for.
The reality is that there are lesbians who have had (and will have!) meaningful, mutually-gratifying, and deeply sexual relationships with men. There are gay men who’ve enjoyed having sex with women, who are gay as the day is long and nevertheless feel sexually attracted to a woman or two and are nevertheless gay men, full stop. There are gay cis men who are happily married to trans women. There are femme dom tops and butch bottoms and there are mascs afab people who like femme boys. There are non-binary people and trans men who actively identify as lesbians. There are ace and aro people who enjoy thinking about and engaging with sex — sometimes in fiction and sometimes in real life. Queerness, in fiction and in reality, defies neat categorization. That is the beauty, power, and (perceived) unorthodoxy of queerness.
Now, I’ll say this — do I think the straight men behind Black Sails were actively thinking deeply and insightfully about the paradoxes and fuckery of queer identity when they wrote Black Sails? No! By their own admission, Steinberg and Levine have owned up to the fact that some of the writing of the show was really hinged on their own blind spots as people who are not (to my knowledge) members of the queer community. If I want to be generous, I think that the beautiful mess of Black Sails is that, in not feeling like experts enough to designate specific identity labels to any of their characters, the writers stumbled their way into more authentic representation of lived queer experience, which is to say that the notion that James Flint was actively thinking of himself as a gay man was anachronistic. As many lesbian archivists and theories have noted, the notion of a queer identity — as in, queerness is who you are, not what you do — was patently unthinkable for most cultures in the past. In other words, the idea that Anne Bonny operates in the eighteenth century as a lesbian and thus would not willingly engage in relationships with men is not only untrue of the series, but untrue of most recorded lesbian experiences in the real world. The notion that a lesbian would operate her entire life without engaging sexually or romantically with men, for instance, is a very new privilege that some of us are very lucky to enjoy, but it is not true for the vast majority of human history — hell, it’s not even true of our present world.
This is all to say that think that there’s something really funny about how we want queer characters to fit into neatly organized boxes. This isn’t a new problem, either. When the show was still airing, the BS fandom would get itself into tizzies about wether or not Flint is gay or bisexual, wether or not Anne Bonny is a lesbian, wether or not Silver is queer when his only canonical relationship is with Madi, etc etc. We’ve been having these discourses for years and I don’t know. I get that much of it is fueled by how badly some people want to see themselves represented in media, but . . . well. The siloing of queer characters and queer narratives into neat little boxes has never felt very authentic to me and nine times out of ten, it’s also just so damn boring.
#black sails#anyways I gotta stop yapping#its just wild seeing the same arguments play out on twitter and other corners of tumblr when like#lmao I was there for the day when like 2.5 people got very angry that I referred to Max as a queer woman ONCE#and interchangeably with calling her a lesbian lmao#when I tell you … I love this show but those writers were not being that intentional with any of this lmao
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does ikalgo have deeper significance to killua's character? i get that hes like a new friend for killua but why does it feel like he was portrayed so importantly to killua's character during caa? its like theres a deeper meaning, why did killua go out his way just to save ikalgo from those two chimera ants when they entered the building? and why did he look so hesitant? he had thoughts that said "what am i doing..? why the hell am i going the opposite direction?" or something like that. idk it just feels like togashi was implying something abt killua there but i cant figure out what that is. do u have an idea?
Hello! This is a great question!
Ikalgo's friendship with Killua is vital both to Killua's development and also to Chimera Ant arc as a whole! I can explain that significance.
Throughout much of the series, Killua tags along with Gon and primarily focuses on him. He befriends other people, certainly, but he generally does this through Gon--it's not like he's going out of his way to make these friends on his own.
In Chimera Ant Arc, the connection between Gon and Killua gets somewhat disrupted by the events that happen, and Gon's focus shifts primarily to saving Kite and his revenge on Pitou, leaving Killua to worry and feel somewhat left behind and helpless (partly as a result of the the Palm situation as well).
When Killua splits off from Gon to try and save civilians, he meets and a battles an enemy at the time, Ikalgo.
During their fight, Killua gives Ikalgo a choice: Either sell out his friends by revealing their nen powers, or die. Ikalgo chooses to die rather than betraying his friends, and Killua is able to relate to this loyalty. He spare's Ikalgo's life and tells Ikalgo that if they'd met another way, maybe they could have been friends.
Killua's kindness in empathizing with Ikalgo and sparing him is the only thing that saves his life later when he's bleeding out from the needlefish darts. Had Killua not extended that mercy and said those kind words to Ikalgo, Ikalgo would not have saved him, and he would have died.
It's interesting/neat how the scene right after Ikalgo saving Killua from the needlefish involves Gon having his own encounter with another friendly Chimera Ant, and the tone of their conversation is quite a bit different:
Contrast is so important in Chimera Ant Arc!
Anyway, when Killua shows Ikalgo mercy, makes it clear that they're friends now, and invites him to come along and be part of the human side of the war, he essentially becomes to Ikalgo what Gon has been to him: Someone who represents light, and who represents a path forward to a better life. In this arc, Killua worries that he doesn't deserve a place at Gon's side, but at the same time here he extends the same kind of light and hope that Gon gave him to someone else.
As for the scene where Killua breaks off away from Gon in the Palace Invasion in order to protect Ikalgo, this continues to show Killua's world expanding outside of Gon. Notice how in this page, it clearly shows Killua leaving Gon behind--they have their backs to each other, which is a frequent image in this arc. His mission was to protect Gon and make sure Gon could complete his revenge against Pitou, so deviating from that mission is both shocking to him, and potentially dangerous, but it shows that he's starting to protect and care for others as well as Gon.
Now, I want to be clear that I see this as a positive step for Killua. At this point in the series, Killua had made Gon his entire reason for living, essentially, and him going outside of that and making other friends and protecting and caring about them is a vital step for his character. It's showing that he's becoming a more expansive, mature person who can care for multiple people (or ants) at once rather than centering his entire existence and sense of self around one person. He made this action as quickly and efficiently as possible so he could get back to Gon's side, but he did go out of his way and leave Gon behind momentarily, and even he is surprised by this.
And while obviously I adore his nearly single-minded love and devotion for Gon, with what happens between them in this arc he needs to have others in his life besides Gon, and it's part of his transition into also being the light for Alluka and Nanika. It's a result of Killua's own innate kindness and empathy and the choice he made to leave his previous life behind, but also, he was able to reach this point partly because Gon showed him the love and encouragement he needed to become the person he is.
Now, as for Ikalgo's role in the arc as a whole: He's part of a chain of kindness and mercy that ends up changing the entire outcome of the Chimera Ant arc. This post puts it incredibly well. The chain of kindness started at the beginning of the series, with Gon befriending and rescuing Killua in spite of his background, which then eventually leads to Killua sparing Ikalgo (who then saves Killua right back), and then Ikalgo sparing Welfin, and then Welfin giving Meruem Komugi's name so that they got to be together in the end. Ikalgo shows the consequences of Killua's kindness, which are also the consequences of Gon's kindness, in part.
A major theme of the series and of Chimera Ant arc is that love and kindness are transformative, and Ikalgo has such an important role in demonstrating that theme.
#hxh#hunter x hunter#ikalgo#killua#gon#welfin#chimera ant arc#killugon#gonkillu#meta#long post#anonymous#my posts
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SPOILERS FOR ULTRAMAN:RISING
i know people have been talking about it but i’m going to lose my mind if i don’t say anything. the new ultraman:rising movie is SO SO GOOD. SOOOO GOOD. i’m genuinely losing my shit because i didn’t expect it at all. i was just looking for something to watch with my sisters. imagine my surprise when we played it and it was more emotional than i thought it would be. first of all: the reluctant father trope is gonna get me EVERYTIMEEE. and they did it so well. in fact i think it’s my favorite portrayal of the trope so far. ken had me tense as hell for the first bit bc i wanted to see how they were gonna redeem him, but honestly, the pacing and character development was amazing. watching him progress felt natural, and i absolutely adored seeing how emi made him a better person.
the scene when he met her for the first time and the clouds cleared?? ARE YOU KIDDING ME? he loved her from the moment he met her. and i love love loveddddd that he actually treated her like his daughter. he called her baby, he called himself her dad, he played with her, he fed and washed her, etc etc. i feel like it’s very common to see the father figure still keep that distance, especially when they’re not raising a human, but for the most part, he went all in. you couldn’t tell that man he didn’t birth her! i so badly want to see more of them together, even if it’s just a mini series of him raising her on kaiju island. she impacted every area of his life. he needed her just as much as she needed him.
dr. onda did drive me insane, but i did feel for him just a little bit. i understand why he let his vengeance fuel him. also maybe i’m overthinking it, but i like the parallel of him and ken with their sunglasses. they both hide their sadness, grief, and vulnerability with them. i think it’s neat that they know they can’t hide how their eyes express their feelings.
ultradad and mecha gigantron messed me UP. i was so scared his dad would actually die, but i was also very happy to see gigantron was actually alive. she was very valid in attacking the kdf for stealing her baby!! i hope they can fix mina because emi needs her grandmas. every single scene of ken and emi nearly brought me to tears. this movie was made with so much love. i heard it took 25 years for them to get this movie actually approved and going, so congrats to shannon tindle for having a vision and seeing it through!! thank you for sharing it with the world because it’s easily one of my favorite movies of the year. i hope the end credit scene actually leads to more of this universe, because this movie has truly blown me away.
#thank you animators for making ken so fine#ken sato#my man my man#ultraman: rising#ultraman emi#emi#netflix ultraman#kaiju#monsterverse#i think#idk#but happy father’s day to ken sato#the girl dad to end all girl dads#ultraman#i’m gonna be thinking about this forever#ultraman rising#spoilers#ultraman rising spoilers
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Shen Qingqiu triple trouble!
So, System Possession AU of @artsarasp is going through, stuff let's say. Angsty stuff. So of course my mind was like.
Let's make shen triplets!
The situation is, Shen Jiu has his fatal Qi deviation, Shen Yuan dies by choking on food and all is normal. But, some error occurs, and both Shen Jiu’s and Shen Yuan’s souls are in danger of disintegrating from the Qi deviation. The System notices this and tries to fix it, forcing the soul to generate a body to occupy from basically thin air. But there’s a problem, since there’s two souls that are now generating a body, meanwhile the original body is still functional, though has been metaphorically dragged through the mud. Thus, both Shen Jiu and Shen Yuan materialize with new bodies while the System is absorbed into the spare body.
So now we have three Shen Qingqius. And the System is Not Happy.
Neither is Shen Jiu to be honest.
Shen Yuan somehow convinces both the System and Shen Jiu that they should pretend to just be brothers, make some bullshit about trapped consciousness to fool the peak lords, while he wacks his brain to try to avoid death or punishment from the enraged System. Which can still give both points and punishments. The problem is that since he got the short end of the stick in the body lottery, he has to be very careful of exerting the body’s limits, so he can’t get agitated. And giving punishments is very agitating. Shen Yuan is basically trying to make the System care. If Wall-E can love, so can the System, wouldn’t it be better for the story if he becomes an active member? It would also be better to leave the story to develop itself organically, think about all the character development! So the protagonist can have a more round support cast! If he read something like that, he wouldn’t have criticized so much the papapa scenes since he could just focus on that! What do you think System-bro?
Meanwhile Shen Jiu is very conflicted, since these, what, fakers? Clones? Some type of demons? Are stealing his face and seem to have some ulterior motive, but both seem eager to ‘help him’ somehow. Granted, the blue eyed freak is creepy as fuck, a fake cherfulness that all his instincts scream to get away from, but he’s mostly… nice. The definition of the word, at least. The other fake is snarky, doesn’t really back down from a verbal dispute, and, while infuriating, it’s more real. Safer, in a way, more honest. Besides, the blue eyed one is useful when trying to find synonyms while writing or finding the name of a song he couldn’t remember well. They can stay, for now.
System is actually scared. They saved the scum villain character, but made a bigger problem while also becoming… vulnerable. How could they make sure the story functions if they have a weak and frail body? They are forced to play along, become a more direct support to the characters to make sure they stay in line. But [User02] seems to have other ideas, and while they must punish him, they really can’t without suffering themselfs. The original scum villain for the most part follows the script, but he also seems perturbed by their presence, which is fine. All is fine, they should be able to fix it.
Somehow.
The three of them are mostly the same in appearance. The major difference that the peaklords catch on is the mark on the forehead (I don’t remember what it is called). Shen Jiu has a lotus flower painted, Shen Yuan has a dot while the System has an empty circle, resembling a zero. Both Shen Jiu and the System have their clothes correctly, while Shen Yuan doesn’t really know how any of his layers of clothes work, so he fastened the belt around everyone, even the outer robe. Finally, the System has their hair tight to their head, Shen Jiu has it a little loose to let it flow but staying neat and clean. Shen Yuan just, tries his best. Finally, the System’s face is kinda cartoonish, they make faces that shouldn't be possible, stretching his smile wide and making their eyes a little too big. Both Shens don’t mention it much, they just say they’re special.
I don’t know what came to me to do this shit, but now’s here, deal with it.
Spanish rambling when this idea just came barreling through my brain.
#system possession#svsss au#svsss#shen qingqiu#shen jiu#shen yuan#This was all made in like an hour#don't judge me
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Unwanted Soul _ Part 9 = Requested
[Yandere!Alastor x Owner of his Soul!Reader]
Part 1 — Part 2 — Part 2.5 (ask) — Part 3 — Part 4 — Part 5 — Part 6 — Part 7 — Part 8 — Part 9 (here)
The days when you worked for Lucifer were dull and boring, you saw nothing to gain even though you’re the one doing all the information searching and collecting. You went belong Lucifer’s expectation when you said you’ll infiltrate and plant yourself close to the source so that the information collected was reliable
Lucifer told you directly that he expected for you to just listen and gather what rumors were around and tell him, or what information was available then you report to Lucifer in a neat pile. Never did he think you’ll go above and beyond, considering your mood and status of wanting to get yourself a second death
Well, you didn’t really mind it all. Back when you were writing your novel, you had a ton of characters, each with different backgrounds and personality. You tried just researching online to get the information, but there wasn’t that feeling when you were writing them. You needed to get the feel of it. So you actually tried out part-time jobs from all over the place to get it
Turns out it worked since even a copy of the novel got such fame and wealth…
Now, you realized you didn’t need to create something for you to know what you have. With your new power, you seem to have something akin to photographic memory to the point you’ll be able to keep what you see and know like a compute file system. Very convenient and steal-proof
Your main target happened to be Vox, the TV Demon and an Overlord that is acquainted and in alliance with another two Overlords Velvette and Valentino. Lucifer requires newer information of the modern Overlords, so you went to the V Tower to sneak within their ranks
That was before your charm abilities from your pages developed to what you have today, so Lucifer gave you an entirely new look and some common powers so you didn’t make an impression on Vox or the other two Overlords
It was through Vox that you learned of Alastor as well. While you never saw him, you heard plenty from Vox to know they weren’t overly fond of the other. Alastor seem to tolerate Vox and didn’t even see Vox as a treat since it was all so childish from on outlooker’s perspective
But what you learned from within was even worse. Vox was controlling, very controlling. He not only hypnotizes the customer and reporters to boost his fame and gain loyalty, he treats his employee the same and than some. His people were treated as slaves, dehumanized, and worse than animals. All for Vox’s entertainment
“Don’t.” You firmly declined, “Let’s just get on with it.”
“Wow, you’re really into all that redemption thing? Goody-two-shoes huh.” Vox smirked condescending, “Can I get your name or?”
You glared, feeling the shadows riled up by the second, you back up away from Vox. “No. This is strictly business. I hope we don’t see each other after this.”
“Hot and feisty. I like that in a demon. Let’s see how you’re at persuasion.” He turned to the lift and gestures for you to follow him. “Well, come on then, representative.”
Throughout the entire time Vox was bringing you to the ‘meeting room’, he had been so annoying with his small talk. There were a few times he tried hypnotizing you already but you acted like nothing happened, it was fun to see him try
You declined any drinks and food he offered, he set them on the coffee table between the two couches you two were sitting on. This setting was quite perfect for him to try a more direct hypnotizes, even if you were to accuse him of so, he can say it was a glitch in the system or it’s just his screen acting up
Everything was set to give himself the advantage he needs and wants
As expected the only thing he had against the hotel and Charlie was the fact that his merchandise were all destroyed without his knowledge. Though he even come clean as to why he would be aware of they were gone or not, he lied and said it was to ensure his services were top-notch and that he could send his employees to repair or replace them with new ones
Why he was doing this was to show his appreciation to the epic battle Charlie and the hotel put up. To defend all of Hell and the other sinners even when no one asked, to give everyone hope that there was good in this hellhole. It moved Vox’s metallic heart beyond words
Such flattery. You know information that Vox tried to watch the battle, you panicked when you wonder if Vox saw your powers when you defended and saved Alastor. It doesn’t seem like he knows by the annoyance and degree he went to ensure the hotel was under surveillance. He’s finding that one demon that interrupted his show. He’s looking for you
To compensate, the hotel is to either send someone to work for Vox, of course without a soul contract but a business deal only, or give them Angel. What it means was that Angel was to stay at the V Tower for as long as it take for him to individually produce all the cost of the materials used to make the devices Vox installed in the hotel
It was basically a contract that would ensure that Angel doesn’t get redeemed, stays under the Vees’ or rather Valentino’s hold, and continues to bring profit or even more to the three Overlords. You heard that Angel’s boss was Valentino, you also heard about the little stunt Angel did to his boss outside of the studio. Valentino sworn revenge. This was it
When you weren’t agreeing immediately, you were in for a shock when Valentino and Angel appeared through the doors. They took a seat in the couch between yours and Vox’s, Angel forcefully gapped between Vox and Valentino so that if anything happened, they’d have a hostage. Because unlike them, the hotel and its people are oh so very kind
“Angel here volunteers to work on top of our contract on this little mishap.” Valentino grinned, playing with his pipe as he released a puff of red smoke. “Angel came all on his own too.”
“Then why isn’t he speaking on his own?” You challenged, it’d take a blind person to ignore the nervousness and uneasiness Angel was displaying. From what you observed, Angel truly likes it at the hotel. He wouldn’t willingly leave it and everyone. “Why are you speaking in his place?”
Vox raised a hand, answering as if it was all rehearsed. “Val is Angel’s boss, so it only makes sense he speaks on Angel’s behalf on something so important.”
Your eyes narrowed, “You got it backwards. On matters as important as this, the one directly involved should be the one talking.” You glared at Valentino, “Not to be spoken on behalf by.”
Vox laughed, “You forget. You’re at our mercy now, we don’t need to care for your wants.” He got up and strolled over to you, “You know, you’re quite talented. We could use someone like you here. If you agree to take Angel’s place, then Angel can go free from this deal. I’m sure with your talent, you can make up that number in no time.”
“That wasn’t what you offered.” You hissed, you could feel Alastor growing rage as well.
“Oh, need more incentive?” Vox smirked.
The moment he said that, the doors opened and revealed Velvette though it was what was dragged behind that caught you off guard. Husk, all beaten up and bantered, was being pulled into the room by some hellhounds that was in servitude to Velvette, or maybe the Vees.
Velvette gave a cunning grin, “You called?”
This was obviously a bad situation. Two hostages and three Overlords, one of them were in the worse pairing possible as well. This was all a trap
There was a high possibility that Angel didn’t want to answer Valentino’s calls and was dragged to the V Tower where he’s be powerless. Husk most possibly saw what happened and tried to stop it since you were going to the same place later on
In the end, two were caught and used as leverage to convince you into servitude of Vox. Maybe you shouldn’t have came, but you didn’t want them to get hypnotized again and this was their domain so Vox holds more power here
You’ll admit, you’re cornered. Do you call for Alastor? But Alastor couldn’t care less about Angel or Husk went you were on the line. He’d even agree with the deal Vox offered just because you would be out of harm’s way. You just know Alastor will do that. While he cares for your decision, but when it was your time away from him on the line, he’ll do anything to keep you within his hold
In that case, you’re left with one option
“You want compensation for your broken devices, yeah, I can handle it. But I will not be working here.” You spoke firmly, “The hotel has a 16 floors, each floor has around 10 rooms, each room has a VoxTech TV and a pair of speakers that were installed, in total that’s 160 TVs and 320 speakers. The lobby has a large screen made of 6 TVs and 8 pairs of speakers to provide high quality sound transperance, the top floor has a cinema that is made with 10 TVs and 10 pairs of speakers aligning the walls.”
As you were listing, everyone was surprised with how well you knew everything. Especially Angel and Husk since you were rarely out of your room or around. How you knew all this was a mystery to them.
“So in total, you require the compensation of 176 TVs and 356 speakers. I can provide all of them back to you in the newest condition, but I will not be working here.” You concluded.
“Wow, crazy math, but how can we be sure you can give us high quality goods?” Vox questioned, “We can’t trust that you’ll leave us high and dry after we agree. You can even give us cheap knockouts like some copycat off the streets.”
You opened your hand, “Give me something, anything.”
The Vees all looked at each other, then Valentino passed a gun of his to you. They eyed you suspicously while you plainly inspected the object, Angel and Husk watched in confusion of what you were doing
You ignored all the stared. This was your last result. You’ll show them your power and ability with a page, they wouldn’t know how you did it and they wouldn’t be able to control you since you have Alastor’s protection and you could always put Lucifer on the table. They wouldn’t dare touch a servant of the King of Hell
Your fingers brushed through the curves and texture, feeling where the edges were and how they felt. Then you began taking it apart. Vox kept Valentino in place when you began, Vox keeping an extra close eye on what you were doing. You laid out the parts in front of you, then you inspected each part like how you did to the gun as a whole
When you were done, you reassembled it all. You quickly aimed a shot into the wall behind you so they wouldn’t say you attempted assassination to add compensation. You got the gist of what was used to make it and how it was made. You remember the parts and you remember how to assemble and take it apart. The conditions are set. You can do it
You moved away your oversized coat and took out your book, writing the words ‘Valentino’s gun’ on the page before tearing it out and blew on it. Then in your hand appeared the exact same. You gave to Valentino to inspect them
He was surprised his gun was replicated to perfection. He didn’t mean to say it since he was shocked and covered his mouth
That’s all you need to hear. You took Angel and Husk to your side, telling Vox, without giving him the room to deject your offer. You will reproduce those TVs and speakers, Vox just need to wait patiently and you can have it done within a few days. Someone will come delivery them. End of story
“It’s you! Hahahaha! So it’s you all along!” Vox laughed, falling back down into the couch, “You win this! So you’re not bad at persuasion too.” He grinned, “Now I really like you.”
“Well, I still don’t like you.” You snarled.
“Playing hard to get, huh.” He waved his hand, “Sure, I’ll wait and see. If it’s not delivered in time, I’ll expect you to work for me.”
As quickly as you came to the bright studio that blinds your eyes, you left with Angel and Husk hand in hand just in case they tried something. The moment you were out of the building, Alastor reappeared and hugged the living daylights out of you, you returned the hug, melting into his hold
It was such a scary experience, but you know you got through it because Alastor was watching and listening all that time to support you
Alastor sent Husk and Angel back through the shadows to retell the message of a smooth negotiation and nothing else. They were to have the cover story of meeting you and Alastor on the way back and to pass the message along while the two of you enjoyed a stroll for the hardwork. Needless to say they agreed easily to that plan
You walked with Alastor arm in arm, leaning against him for a more physical support. You closed your eyes to rest a bit since it was way too bright in the studio and you trust Alastor enough to lead you on the right and safe path
Being the radio host he is, he talked and talked about anything and everything he could to fill the silence and give you the perfect voice to listen to. At the sight of Alastor, a number of demons left the area and stayed clear of him
Everything was very peaceful, just you and him strolling down the streets. It reminded the two of you during those days when you both were in your home area. You’d sometimes want to just stretch your legs and walk around. Alastor would accompany you to keep you safe
In the beginning, it was just you and your music while Alastor was busy with whatever bloody methods to keep the demons’ eyes off of you. Then you and Alastor made small talk so Alastor’s attention wasn’t on destroying some poor demon that was minding their own business. Turns out, that was one of moments that got you to see another side of Alastor
You smiled as you hugged onto Alastor’s arm, you felt Alastor’s miniature jerk before he relaxed again. You really wanted to tickle him, but you’ll save it for when you two are back behind closed doors to have more fun
“You! You in the giant stupid coat! Stop!” A voice shouted behind you and Alastor.
Alastor looked down to you, you nodded as you opened your eyes again. Alastor turned around, shielding you from the unknown demon’s sight. “What is it that you need from us?”
“I’m not talking to you, f**ker!” The demon exclaimed at Alastor, “Move aside or else.”
“Else?” Alastor’s head tilted to the side with his smile growing to a threatening grin, “Quite bold of you to assume you have a chance here.”
You peeked from behind Alastor, this demon was unfamiliar to you, not someone you messed with nor did you gather information on them for anything in discriminating. You wonder if you should let Alastor have at her since you already dealt with Vox today. But something bugged you with how desperate she was acting, very familiar. So you stepped out, “What is it?”
Her eyes seemingly light up and came over to you, gripping onto your shoulders tightly with that crazed look in her eyes. “You’re the one he wants. It was never me. Whatever he wants with you has nothing to do with me. It was all a lie. The contract, the flattery, the money, everything!”
“Huh?” You glanced over to Alastor with confusion, Alastor didn’t return the sentiment as he looked ready to rip the demon apart. “Uh, what do you mean?”
“I saw your powers over the pages, you’re the one he wants! I don’t know how we have similar powers, but yours is much more superior. Trade places with me, I’m begging! I can’t work for Vox!”
You backed up and slapped away her hands, retreating back to Alastor’s side. “Similar powers?”
You wondered if it was her, that friend of yours. You watched she continued to rant on about the benefits of working for Vox like she prepared to pitch it to a customer. This desperate plead was like her asking (demanding) that you continue writing that novel she stole so she can go publish it in her name
Do it in the name of friendship, she said. It started small, she asked for some tips to writing, it moved to asking for character reference sheets, then ideas on a sequel, last was your help to write the entire thing
She knew you have written it beforehand, she was aiming for that in the beginning. Again, she stole it while you were distracted with setting up a sleepover for her. You remember that empty look you had when you saw the barely closed front door, the pillow you were hugging fell from your grasp
The next week or so, the sequel to her (your) novel was out. Millions and billions of people flooded the bookshops, mass sell out signs for that book was taped to the display for the novel. She came back and praised you for a job well done, you hanged out with you and shared so much with you
All that time, you smiled and enjoyed the peace. Anything to help a friend, you innocently spoke. After all, she was there for you when you broke up with your boyfriend. She was your closest friend, things like these happen. See? She’s back at your side
She appeared on TV, she appeared on podcast, she appeared in interviews, she appeared in best selling author signing sessions, she appeared as a professor to teach young aspiring writers. She was everywhere. That was because the novel was everywhere, it was adatped into movies, TV shows, cartoon series, it has audiobooks and was references in a number of places
People loved your work. You were content with that. It was fine. As long as your friend is by your side. You can take it all. Yet you can’t help it when tears flow down your face in the dead of night. You hugged your pillow so tightly
It was all supposed to be yours, yet it wasn’t… You gave it all up to someone that’s not worthy of it
“See?” She threw a bunch of papers into the air from her side bag, with a snap of her fingers, the pages turned into paper daggers and flew around her at command. “If you can summon things, then you’re a such better fit! Please, come back with me to the V Tower and take my place.”
“Shut up.” You spoke, your hands unconsciously gripped onto Alastor’s wrist tightly that it could have snapped. Reacting to your obvious hatred, Alastor snapped his fingers and fires burn down the pages that she was so proud of. “Ha, I can’t believe you haven’t changed.”
She raised a brow, “What?”
You sighed, “Karolina, so you died, huh. Did you have a good life? Must be good as the famous author, right?”
Kat’s eyes widened, now it was her turn to back up, “No way… You can’t be serious…”
“Dearest, do you know her?” Alastor inquired with a cute head tilt, his ears moving along.
“Yeah, I know her.” You smiled, you know what will happen after your words because you know Alastor, “Meet Karoline, my former best friend while I was alive, but most importantly… The one that stole my precious writing.”
Note: Another one~ There's one more part to this and the involvement of Kat arc is done. I think I might end this series after that. The unanswered questions could be counted as trivia or extra mini moments. Cause I feel like this series is getting a bit too long. What do you guys think?
Circe Y.
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One of the greatest developments in Bob’s Burgers imo is that Rudy is just… there now. There’s this unspoken rule around Rudy that he’s practically an honorary Belcher, and he casually slots himself into their lives so effortlessly. His character has been so well developed over the years that he now fits into any circumstance the Belcher’s find themselves in.
He ditched two separate Thanksgiving meals with his Mom and Dad just to see how The Belcher’s Thanksgiving played out, ended up eating with them, and probably stayed the whole evening.
He’s made multiple appearances in the kid’s fantasies, especially Louise’s. Gene and Tina even included Rudy in their renditions of Louise’s future, because of course Rudy is going to be there. Why wouldn’t he be?
When his family’s dinner took a turn for the worst, his first port of call was the restaurant. He knew he’d be safe there and would automatically click into whatever situation the Belchers had going on. He’s such a natural fit.
Tina, Gene and Louise have always sat by themselves at lunch; it's their tradition to hang out over their breaktime. Rudy sliding his way into their conversation here feels so natural and unforced, like he was always a part of their family. They're so used to him being around, they don't even question when he turns up out of nowhere.
The only other character who comes close to what Rudy has with the Belchers is Teddy. Teddy has been a constant since season 1, but he is yet to have an episode based solely around him without the Belchers looming over the storyline. "Thanks-Hoarding" was about Teddy, sure, but the Belcher's still had a huge role to play within that episode and was from their POV as opposed to Teddy's.
"The Amazing Rudy" was from his POV throughout, and the Belchers were a secondary narrative. He's the first character outside of the main five to have an episode of their own, and I think that's a statement in itself.
Idk, man. I just really think he's neat and deserves the absolute world. I could talk about him all fricken day tbh.
#regular sized rudy#rudy stieblitz#rudolph stieblitz#bob's burgers#bobs burgers#running down a gene#bobs burgers season 14#gene belcher#tina belcher#louise belcher#the belchers#character analysis#episode analysis#bobs burgers gif
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