#hip hop dance classes in miami

[stateofkid]

Fun-Filled Fiesta: Exploring Top Classes & Kids Birthday Party Places Miami

Miami offers a remarkable array of options when it comes to Kids Classes Miami and birthday party places. From unleashing creativity through art to fostering athleticism through sports, parents can find the perfect fit for their child’s interests and aspirations. 

[mayamiwynwood]

Nightlife in Miami: Mayami Wynwood Night Clubs, Bars & Party Place

Miami is a city that never sleeps, renowned for its pulsating nightlife, chic venues, and vibrant party scene. Among the city’s top hotspots, Mayami Wynwood stands out as a premier destination for those seeking an unforgettable night out. Located in the heart of Wynwood, Miami’s eclectic arts district, Mayami Wynwood offers an unparalleled nightlife experience, combining cutting-edge design, world-class entertainment, and a lively atmosphere. Here’s why Mayami Wynwood is your go-to spot for the best night out in Miami.

Electric Nightclubs

Mayami Wynwood is home to some of the most dynamic nightclubs in Miami, each offering a unique vibe and energy. The clubs feature state-of-the-art sound and lighting systems, creating an immersive environment where the music and atmosphere come alive. Whether you’re into electronic dance music, hip-hop, or Latin beats, the DJs at Mayami Wynwood spin a variety of genres to keep the dance floors packed all night long. Special guest performances and themed nights add an extra layer of excitement, ensuring there’s always something new to experience.

Chic Bars

For those who prefer a more laid-back but equally stylish setting, the bars at Mayami Wynwood are the perfect choice. Each bar boasts a unique ambiance, from sleek and modern to cozy and intimate, catering to all tastes and moods. Our bartenders are mixology maestros, crafting innovative cocktails that are as visually stunning as they are delicious. Whether you’re enjoying a classic mojito or one of our signature creations, the drinks at Mayami Wynwood are sure to impress. The “Wynwood Mule,” a refreshing twist on the traditional Moscow Mule, is a must-try.

Vibrant Party Atmosphere

At Mayami Wynwood, every night is a celebration. The venue’s vibrant party atmosphere is contagious, drawing in a diverse crowd ready to revel in the night. From bachelorette parties to casual nights out with friends, the energy at Mayami Wynwood is always electric. The spacious dance floors, stylish lounges, and outdoor patios provide plenty of options for mingling and dancing, ensuring you’ll have an unforgettable time no matter where you are in the venue.

Exclusive VIP Experience

For those looking to take their night to the next level, Mayami Wynwood offers an exclusive VIP experience. VIP guests enjoy access to private areas, personalized service, and premium bottle packages. The VIP sections are designed with luxury and comfort in mind, providing an ideal setting for special celebrations or simply indulging in a lavish night out. Our dedicated staff ensures that every detail is taken care of, allowing you to enjoy your night without any worries.

Artistic and Trendy Setting

Wynwood is known for its artistic flair, and Mayami Wynwood perfectly encapsulates this spirit. The venue is adorned with striking murals, contemporary art installations, and stylish decor that reflect the creative energy of the neighborhood. This artistic setting creates a unique and visually stimulating environment, making Mayami Wynwood not just a nightlife spot but a cultural experience. The blend of art and nightlife attracts a hip and trendy crowd, adding to the venue’s overall allure.

Live Music and Performances

Adding to the nightlife allure, Mayami Wynwood regularly hosts live music and performances that elevate the party experience. Local and international artists take the stage, delivering captivating performances that range from live bands to solo acts. The live music nights in miami are a perfect way to kick back and enjoy top-tier entertainment in a lively setting. For something truly unique, don’t miss our themed performance nights, where the entertainment is paired with immersive decor and special effects.

Convenient Location

Situated in the heart of Wynwood, Mayami Wynwood benefits from its prime location amidst Miami’s most exciting attractions. Before hitting the clubs, you can explore the nearby art galleries, boutiques, and restaurants that make Wynwood a must-visit destination. The central location also makes it easy to continue your night at other popular Miami spots, though once you experience the magic of Mayami Wynwood, you might not want to leave.

Experience the Best of Miami’s Nightlife at Mayami Wynwood

Mayami Wynwood encapsulates everything that makes Miami’s nightlife legendary—dynamic clubs, chic bars, live entertainment, and an unbeatable party atmosphere. Whether you’re a local or a visitor, a night out at Mayami Wynwood promises an unforgettable experience that captures the essence of Miami’s vibrant nightlife. Ready to experience it for yourself? Join us at Mayami Wynwood and discover why we’re the ultimate destination for nightlife in Miami.

[boricuacherry-blog]

The 28-year-old embraces her Afro-Latinidad with her culture, her style, her music and her name.

But for the six years she was on the show, Amara says she was the only dark-skinned child in the cast and that producers would always place her either way in the back of the stage or smack in the middle "like a bug in the middle of a cup of milk."

The comments from people working on the show were constant. Amara's mother, Ana Maria, encouraged her daughter to embrace her natural beauty. As a native of the Dominican Republic, Amara's mother came to the U.S. and raised the singer on her own in Miami, working multiple jobs - cleaning houses, cooking, selling flowers on street corners - to pay for Amara's dance classes and singing lessons.

"I may have big dreams, but her dreams for me are even bigger," Amara says on Love & Hip Hop: Miami.

And despite early stardom, growing up in South Florida came with challenges, she said.

"I was homeless in Homestead. I used to live in this community called Waterstead by Speedway, and I would park in front of the McDonald's or the Walmart close to Florida City," she said. "I would bathe with wipes in the bathrooms."

She was born Diana Danelys de los Santos but it's the meaning behind the stage name she gave herself that explains her rise and platform.

"Originally, it was because nobody would remember my name," she said. "And then years after, you know, everyone kept telling me, 'Oh take La Negra off, it sounds racist.' It sounds this and I was like 'It doesn't sound racist to me at all.' I love to be called Black. I enjoy when people say that my melanin and my blackness is beautiful."

"I just grew up with my mother. I think that also that isolation made me become even more focused and more driven with my goals and my visions in life," she said.

Amara also explains that racism and colorism run rampant in the music business, and not just from white Americans, but from other Latinos, too. Amara proves this point early on the Love & Hip Hop show when she meets with a Puerto Rican producer known as Young Hollywood.

"Instead of asking me about my music...he was too concerned about my hair," she says. He told her to look "a little bit more Beyoncé, a little less Macy Gray."

The Young Hollywood debacle sparked a conversation about colorism and the racist notion of mejorando la raza within the Latino community.

"I know that nobody wants to talk about it, but we suffer a lot of racism, we suffer a lot of colorism, amongst ourselves. You know, I get it all the time: 'Oh whenever you get married, don't get married to no black man because you want to better the race," she says. "Somebody needs to say something!"

Amara thinks more positive media representation can help the Afro-Latino community. Growing up, she remembers that Afro-Cuban salsa singer Celia Cruz was the only famous Afro-Latina who looked like her that she had to look up to.

[ketlin-r]

VMA 2023 Nominees

Video of the Year 

Doja Cat - "Attention"

Miley Cyrus - "Flowers"

Nicki Minaj - "Super Freaky Girl"

Olivia Rodrigo - "Vampire"

Sam Smith & Kim Petras - "Unholy"

SZA - "Kill Bill"

Taylor Swift - "Anti-Hero"

Artist of the Year

Beyoncé

Doja Cat

Karol G

Nicki Minaj

Shakira

Taylor Swift

Song of the Year

Miley Cyrus - "Flowers"

Olivia Rodrigo - "Vampire"

Rema & Selena Gomez - "Calm Down"

Sam Smith & Kim Petras - "Unholy"

Steve Lacy - "Bad Habit"

SZA - "Kill Bill"

Taylor Swift - "Anti-Hero"

Best New Artist

GloRilla

Ice Spice

Kaliii

Peso Pluma

PinkPantheress

Reneé Rapp

PUSH Performance of the Year

August 2022: Saucy Santana - "Booty"

September 2022: Stephen Sanchez - "Until I Found You"

October 2022: JVKE - "golden hour"

November 2022: Flo Milli - "Conceited"

December 2022: Reneé Rapp - "Colorado"

January 2023: Sam Ryder - "All The Way Over"

February 2023: Armani White - "GOATED"

March 2023: Fletcher - "Becky's So Hot"

April 2023: Tomorrow X Together - "Sugar Rush Ride"

May 2023: Ice Spice - "Princess Diana"

June 2023: FLO - "Losing You"

July 2023: Lauren Spencer Smith - "That Part"

Best Collaboration

David Guetta & Bebe Rexha - "I'm Good (Blue)"

Post Malone & Doja Cat - "I Like You (A Happier Song)"

Diddy ft. Bryson Tiller, Ashanti, Yung Miami - "Gotta Move On"

KAROL G & Shakira - "TQG"

Metro Boomin ft. The Weeknd, 21 Savage, Diddy - "Creepin' (Remix)"

Rema & Selena Gomez - "Calm Down"

Best Latin

Anitta - "Funk Rave"

Bad Bunny - "Where She Goes"

Eslabon Armado & Peso Pluma - "Ella Baila Sola"

Grupo Frontera & Bad Bunny - "un x100to"

Karol G & Shakira - "TQG"

Rosalía - "Despechá"

Shakira - "Acróstico"

Best Pop

Demi Lovato - "Swine"

Dua Lipa - "Dance the Night"

Ed Sheeran - "Eyes Closed"

Miley Cyrus - "Flowers"

Olivia Rodrigo - "Vampire"

P!NK - "Trustfall"

Taylor Swift - "Anti-Hero"

Best Hip-Hop

Diddy ft. Bryson Tiller, Ashanti, Yung Miami - "Gotta Move On"

DJ Khaled ft. Drake & Lil Baby - "STAYING ALIVE"

GloRilla & Cardi B - "Tomorrow 2"

Lil Uzi Vert - "Just Wanna Rock"

Lil Wayne ft. Swizz Beatz & DMX - "Kant Nobody"

Metro Boomin ft. Future - "Superhero (Heroes and Villains)"

Nicki Minaj - "Super Freaky Girl"

Best R&B 

Alicia Keys ft. Lucky Daye - "Stay"

Chlöe ft. Chris Brown - "How Does It Feel"

Metro Boomin ft. The Weeknd, 21 Savage, Diddy - "Creepin' (Remix)"

SZA - "Shirt"

Toosii - "Favorite Song"

Yung Bleu & Nicki Minaj - "Love In The Way"

Best Alternative

Blink-182 - "Edging"

Boygenius - "The Film"

Fall Out Boy - "Hold Me Like a Grudge"

Lana Del Rey ft. Jon Batiste - "Candy Necklace"

Paramore - "This Is Why"

Thirty Seconds To Mars - "Stuck"

Best Rock

Foo Fighters - "The Teacher"

Linkin Park - "Lost (Original Version)"

Red Hot Chili Peppers - "Tippa My Tongue"

Måneskin - "The Loneliest"

Metallica - "Lux Æterna"

Muse - "You Make Me Feel Like It's Halloween"

Best K-Pop 

Aespa - "Girls"

Blackpink - "Pink Venom"

Fiffty Fifty - "Cupid"

Seventeen - "Super"

Stray Kids - "S-Class"

Tomorrow X Together - "Sugar Rush Ride"

Best Afrobeats 

Ayra Starr - "Rush"

Burna Boy - "It's Plenty"

Davido ft. Musa Keys - "Unavailable"

Fireboy DML & Asake - "Bandana"

Libianca - "People"

Rema & Selena Gomez - "Calm Down"

Wizkid ft. Ayra Starr - "2 Sugar"

Video for Good

Alicia Keys - "If I Ain't Got You (Orchestral)"

Bad Bunny - "El Apagón - Aquí Vive Gente"

Demi Lovato - "Swine"

Dove Cameron - "Breakfast"

Imagine Dragons - "Crushed"

Maluma - "La Reina"

Best Direction

Doja Cat - "Attention"

Drake - "Falling Back"

Kendrick Lamar - "Count Me Out"

Megan Thee Stallion - "Her"

Sam Smith & Kim Petras - "Unholy"

SZA - "Kill Bill"

Taylor Swift - "Anti-Hero"

Best Cinematography

Adele - "I Drink Wine"

Ed Sheeran - "Eyes Closed"

Janelle Monae - "Lipstick Lover"

Kendrick Lamar - "Count Me Out"

Miley Cyrus - "Flowers"

Olivia Rodrigo - "Vampire"

Taylor Swift - "Anti-Hero"

Best Visual Effects 

Fall Out Boy - "Love From the Other Side"

Harry Styles - "Music for a Sushi Restaurant"

Melanie Martinez - "Void"

Nicki Minaj - "Super Freaky Girl"

Sam Smith & Kim Petras - "Unholy"

Taylor Swift - "Anti-Hero"

Best Choreography

Blackpink - "Pink Venom"

Dua Lipa - "Dance the Night"

Jonas Brothers - "Waffle House"

Megan Thee Stallion - "Her"

Panic! at the Disco - "Middle of a Breakup"

Sam Smith & Kim Petras - "Unholy"

Best Art Direction

Boygenius - "The Film"

Blackpink - "Pink Venom"

Doja Cat - "Attention"

Lana Del Rey ft. Jon Batiste - "Candy Necklace"

Megan Thee Stallion - "Her"

SZA - "Shirt"

Best Editing 

Blackpink - "Pink Venom"

Kendrick Lamar - "Rich Spirit"

Miley Cyrus - "River"

Olivia Rodrigo - "Vampire"

SZA - "Kill Bill"

Taylor Swift - "Anti-Hero"

[lboogie1906]

Alexander Emanuel Simon (November 27, 1980) was born in Christiansted, US Virgin Islands to Rufus Emanuel Simon and Martha Maria Santiago. He has two older sisters and a younger brother.

He started his artistic career at 12, performing as Puck in A Midsummer Night’s Dream at Island Center for the Performing Arts in Sunny Isles. At 13, he began Ballet Technique with Pointe Dance Academy in La Grande Princesse.

He was active with the Mixed Concert Chorus, Drama Ensemble, Graphic & Fashion Design, Pageantry, and Modern-Jazz Dance Company with Lisa Lenhardt. He was noticed when he performed a principal role in Lorraine F. Joseph’s Purgatory Experience of Booker T. Washington Jones. He earned a scholarship to study at Ballet Concierto de Puerto Rico. He received a scholarship for summer intensive summer training at the Joffrey Ballet School. He has studied with the Music and Motion Academy of Dance and Street Theatre Dance Ensemble.

He enrolled at the University of the Arts in Philadelphia, where he majored in Dance Education, qualifying for a teaching certificate. He auditioned and became a member of the Eleone Dance Theatre. He was invited as a guest choreographer to the V.I. Hal Jackson Talented Teen Pageant. He worked with The Merriam Theater. He became the principal dancer with the internationally renowned Koresh Dance Company.

He performed with the ensemble at Cerritos Performing Arts Center and he was at Annenberg Theater. He performed at the Reichhold Center for the Arts on St. Thomas and conducted a master class. He returned to his native island to found Cruzan Dance, Inc., comprising Classical Ballet, Modern Jazz, Cultural, Tap, and Hip Hop. The name changed to Cruzan Dance Company.

He held annual presentations at Christiansted’s Island Center for the Performing Arts and The Reichold Center for the Arts. He performed throughout the US and the Caribbean, including the Capitol Arts Theater and Coral Spring Center for the Arts.

He performed in the 1st Anniversary of Patrick Swayze’s Dirty Dancing Celebration fight against Pancreatic Cancer. He was a guest choreographer for the NBA Miami Heat Dance Team. #africanhistory365 #africanexcellence

[mr-jones-nightclub]

Experience the Ultimate Nightlife at Mr. Jones in Miami Beach

Miami Beach is famous for its exciting nightlife, and at the heart of it is Mr. Jones, a premier nightclub offering a luxurious and energetic atmosphere. Located on 320 Lincoln Rd, Miami Beach, FL, Mr. Jones has become a go-to destination for locals and tourists seeking an unforgettable night out.

VIP Experience:

Mr. Jones is well-known for its exclusive VIP service. With private seating, dedicated bottle service, and personalized staff, VIP guests enjoy a luxurious and comfortable experience. The club’s VIP areas are designed for those who want to party in style, often attracting celebrities, influencers, and Miami’s elite.

Music and Entertainment:

The club’s impressive lineup of DJs and live performances keeps the energy high throughout the night. Whether you love house, EDM, or hip-hop, Mr. Jones plays a variety of music to cater to different tastes. The state-of-the-art sound system ensures that every beat resonates, making it impossible to resist the dance floor.

Exceptional Atmosphere:

From its stylish, sleek design to its modern lighting system, Mr. Jones creates a captivating and immersive atmosphere. The lighting at Mr. Jones enhances the mood, pulsating with the rhythm of the music and creating a dynamic environment that evolves throughout the night.

Signature Cocktails:

Mr. Jones offers a selection of expertly crafted cocktails and premium drinks. Whether you’re craving a classic martini or something more creative, the bar team at Mr Jones Miami is renowned for mixing the perfect drink. Additionally, the club offers bottle service with a variety of high-end spirits, wines, and champagnes.

Special Events and Themed Nights:

There’s always something happening at Mr. Jones. The club hosts special events and themed nights, such as celebrity-hosted parties or music genre celebrations. Whether it's New Year's Eve or Halloween, you can count on Mr. Jones to deliver an epic experience.

Prime Location:

Mr. Jones is perfectly located on Lincoln Road, an iconic street in Miami Beach. This makes it easily accessible for both tourists and locals. It’s close to several hotels and other attractions, making it a convenient nightlife destination for anyone exploring the city.

Guest Reviews:

Guests rave about their experience at Mr. Jones, praising the music, service, and overall atmosphere. With countless positive reviews, it’s clear that Mr. Jones consistently delivers an unmatched nightlife experience.

Booking a VIP Table:

For those looking to enjoy a truly exclusive night out, booking a VIP table at Mr. Jones is the way to go. VIP reservations include premium seating, bottle service, and direct access to everything the club has to offer. To book, you can call 305-565-5691 for reservations.

Conclusion:

Mr. Jones nightclub offers a unique blend of luxury, music, and entertainment, making it a must-visit destination for anyone looking to experience the best of Miami Beach nightlife. From world-class DJs to VIP service and signature cocktails, Mr. Jones Miami guarantees a night to remember.

[getmybuzzup]

Nick Cannon links up with Rock The Bells to announce Rock-N-Out on the Rock The Bells Cruise (Events) - Rock The Bells and Nick Cannon Join Forces to Present Rock-N-Out Onboard Rock The Bells Cruise: A Hip-Hop Experience Rock-N-Out will feature Nick Cannon and Wild ‘N Out cast members for a special improvisational comedy show during the cruise Rock The Bells, the global platform dedicated to elevating Hip-Hop culture from its roots to the modern day, in partnership with Sixthman, the leader in festivals and music cruises for more than two decades, presents Rock-N-Out on the “Rock The Bells Cruise: A Hip-Hop Experience" starring Nick Cannon with Hitman Holla, Emmanuel Hudson, Justina Valentine, and Radio Big Mack. The unforgettable and hilarious show will include music, stand-up comedy, and improvised games that feature special surprise guest appearances from the Hip-Hop icons and legends on the cruise lineup. This is just the latest announcement from the Rock The Bells Cruise, in partnership with Sixthman, the leader in festivals and music cruises for more than two decades, which sold out in less than a week. The cruise is the first of its kind, offering an all-inclusive immersive 5-day Hip-Hop experience aboard the Norwegian Pearl. The cruise will set sail from Miami to the Bahamas on November 13 - November 17, 2023. Hip-Hop will be taking over every corner of the ship with themed parties, MC & DJ battles, rap karaoke, interactive graffiti, live podcasts, open mic nights, movie screenings, masterclasses, art galleries, custom grillz, Hip-Hop dance classes, basketball and much more. https://wp.me/p1PuJR-5xDY Please Reblog!

[miamiturnupent]

Witness The Epic Miami Yacht Party Experience @ Miami Turn Up Entertainment

Planning a trip to Miami this 2023? Don’t miss out on the most amazing cruise and yacht party of Miami. Miami Turn Up Entertainment is known as one of the dynamic party boat entertainment companies specializing in creating unique and memorable experiences for its customers. 

We offer a variety of events, including Miami yacht parties, Miami booze cruises, and hip hop boat parties, as well as exclusive events at LIV Miami, one of the city's premier nightclubs.

Our Miami Party Boat offers a unique and exciting way to experience Miami's stunning coastline and vibrant nightlife. With stunning views, top-notch sound systems, and a carefully curated selection of music, our boat parties are the perfect way to party in style. 

Whether you're looking for a hip hop boat party or a booze cruise Miami boat party, our events are designed to offer you the ultimate Miami party experience.

Experience Miami’s Most Electrifying Club @Liv Miami 

Wanna enjoy the most electrifying party club in Miami? At LIV Miami, we bring the excitement of the club to a whole new level. 

Our events feature world-class DJs, state-of-the-art sound systems, and an electrifying atmosphere that is sure to keep you moving all night long. With a spacious dance floor, VIP areas, and a variety of drink options, LIV Miami is the perfect place to turn up and let loose.

Find Your Biscayne Bay and Downtown Miami Fun Today! 

At Miami Turn Up Entertainment, we are dedicated to providing our customers with the best possible experience. Whether you're looking for a wild night out or a more intimate event, we have something to suit your needs. 

Our experienced team is dedicated to making sure that every event is a success, and that our customers leave with memories that will last a lifetime.

So whether you're looking for a Miami boat party, a Miami booze cruise, or an unforgettable night at liv nightclub, Miami Turn Up Entertainment has you covered. 

Come join us and experience the ultimate Miami experience you had never before.

[madysdance]

Dancing has been a form of expression for thousands of years dating back to the ancient Greeks and even before! Originally for religious purposes, dance or movement to music has always been something humans have done.

[centerstagemiami-blog]

CENTER STAGE MIAMI DANCE ACADEMY- hip-hop dance classes by best dance academy!

At Center Stage Miami Dance Academy one can learn different styles of hip hop dance classes in Miami. Our dance classes in Miami help you to keep on bodily and spiritually healthy. Additionally, dancing on a regular basis can get better your general health, enhances your confidence and has as well been revealed to build up your social skills.  

HIP HOP DANCE

Hip hop dance classes in Miami is an extensive type that comprises a variety of styles.  This dance refers to street dance styles chiefly performed to hip-hop music or that have grown as element of hip-hop society. It includes a broad series of styles mainly breaking which was created in the 1970s and made well-liked by dance crews in the United States.

What differentiates hip-hop from other types of dance is that it is frequently "freestyle" (improvisational) in nature and hip-hop dance crews often engage in freestyle dance competitions—colloquially referred to as "battles". Crews free styling, and battles are identifiers of this style. Hip-hop dance can be a form of entertainment or a hobby. It can also be a way to stay active in competitive dance and a way to make a living by dancing resourcefully.

Area of expertise of CSMDA

At Center Stage Miami Dance Academy (CSMDA), we teach our students in classical dance technique, but more prominently we develop a gratitude for the society, the history, the music and the live theatre experience that transforms dance movement into performing arts. Our closely controlled guidance allows all students to make stronger them physically as well as mentally, which sequentially take care of healthy confidence, focus and stability in a lot of aspects of life.

CSMDA is not only run by skilled dance teachers, but by proficient teachers who have gone through rigorous preparation to work well with children and guarantee that each one gets the most out of each class. Therefore, get up, put on your dancing shoes, because this is the place to get you moving right through the red carpet and into the spotlight!

Zumba is an exercise fitness program created by Colombian dancer and choreographer Alberto "Beto" Perez during the 1990s. At CSMDA, our Zumba classes Miami involves dance and aerobic elements. Zumba’s choreography incorporates hip-hop, soca, samba, salsa, merengue, mambo, martial arts, and some Bollywood and belly dance moves. Squats and lunges are as well included.

CSMDA focus to take care of and give confidence each and every child to do their best. Here at the academy we will instill each bit of those ingredients to assist all students trust in them so they may turn into the dancers they’ve for all time dreamed of. We consider in an atmosphere of family and friendship where one and all is important.

At CSMDA our instructors will increase your dancing level as per learning skills and performance in the class and may recommend you for reality shows and competitions. For more details please visit our website.

[softiedancers]

Isabella Kouznetsova

Solos & Titles Results:

2018:

I’m A Lady (age 6 solo)

KAR Riverside 2- 13th overall top primary solo 8 and under, miss petite 7th runner-up

Showstopper Anaheim 2- 9th overall mini 8 and under advanced solo solo

2019:

I Wanna Be Evil (age 7 solo)

Showbiz Riverside- 2nd overall petite diamond solo

Spotlight Dance Cup- emerald overall petite

NUVO Long Beach- 7th overall nubie solo

2020:

Roxie (age 8 musical theatre solo)- Molly Long

Radix Anaheim- 5th mini solo

NUVO Long Beach- 7th mini solo

24/7 Anaheim- 5th mini solo

Radix Nationals Live- did not place

TDA Live- did not place

2021:

Trouble (age 9 contemporary solo)-Chelsea Jennings

Radix Phoenix- 2nd mini solo

JUMP Anaheim- 4th mini solo

NUVO Houston-3rd mini solo

24/7 Houston- 1st mini solo

Radix Nationals Las Vegas Finals- 6th mini solo

TDA Orlando- top 12 mini female best dancer

Almost There (age 9 musical theatre solo)- Molly Long

24/7 Reno- 2nd mini solo

JUMP Provo- 3rd mini solo

NUVO Glendale- 2nd mini solo

Radix Nationals Las Vegas- top 20 mini female core performer

TDA Orlando Finals- 5th mini solo

2022:

I Gotcha (age 10 musical theatre solo)- Molly Long

JUMP Miami- 3rd mini solo

24/7 San Diego- 1st mini solo

JUMP Las Vegas- 1st mini solo

Radix Anaheim- 1st mini solo

NUVO Anaheim- 1st mini solo

Revel Los Angeles- 1st junior solo

Revive Los Angeles- 1st mini solo

KAR Redondo Beach- 1st top elite solo 9-11, Elite Miss Junior Dance, Elite Solo HDE All Star, KAR Convention Scholarship

Radix Nationals Las Vegas- Mini Protege Top 15

Wake Up (age 10 contemporary)- Timmy Blankenship

Revel Los Angeles- placed with other solo

NYCDA Las Vegas- 4th mini solo

KAR Redondo Beach- placed with other solo

Radix Boston- showcase

24/7 Bellevue- showcase

Radix Nationals Las Vegas- Mini Top Soloist Winner ($500)

Scholarships:

2019:

NUVO StandOut in Jazz & Contemporary Winner

2020:

24/7 High-Five in Jazz

NUVO Mini Female Breakout Artist Runner-Up

Radix Cutting Edge in Jazz & Contemporary

2021:

JUMP Mini Female VIP Winner

JUMP Hip Hop and Jazz Funk Class Scholarship

NUVO Mini Female Breakout Artist Winner

NUVO Standout in Tap

24/7 Mini Female Non-Stop Dancer Winner

Radix Mini Female Core Performer Winner

Radix Nationals Class Scholarship

2022:

24/7 Mini Non-Stop Dancer Winner

24/7 High-Five in Hip Hop

24/7 High-Five in Ballroom

24/7 Weekend Warrior (Blake McGrath)

NYCDA Mini Outstanding Dancer

NYCDA Steps Youth Program Summer Intensive Scholarship

Radix Mini Protege Winner

JUMP Mini VIP Winner

NUVO Mini Breakout Artist Winner

Revel Junior Unlimited Tuition Scholarship

Revive Mini Honored Dance Nominee

Combo Videos:

P21 Season 7:

Oops!... I Did It Again

Sisters Are Doin' It for Themselves

Underneath the Tree

I Feel the Earth Move

Looking Good, Feeling Gorgeous

The Man

P21 Season 6:

Waves

Illicit Affairs

Man In The Mirror

Solo Videos:

Roxie studio filmed

Roxie 24/7 version

Trouble

Almost There

I Gotcha

[stateofkid]

kids Birthday Party Packages Miami | State of kid

Planning the perfect birthday party for your child can be a daunting task, but at State of Kid, we want to take the stress off your shoulders. Our kids' birthday party packages in Miami are designed to provide everything you need for a fun and memorable celebration. From decorations to entertainment to delicious food options, we have it all covered. With our expert planning and attention to detail, your child's special day will be a success they'll never forget.

Kid Birthday Party Places

[transparenttriumphzombie]

Jordana LeSesne, formerly known as 1.8.7, is an American musician and producer from Pittsburgh, Pennsylvania.[1] She now produces and performs as Jordana. She became known in the mid-1990s as a drum and bass producer.[2] Vibe magazine called her "one of the most respected Drum ‘n' Bass producers in the US."[3] In 2015, she was named as one of "20 women who shaped the history of dance music" by Mixmag.[4] She is transgender and came out in 1998.[5][2]

She has released over 50 tracks, including four albums, several EPs, and remixes under the alias 1.8.7. The 1997 album When Worlds Collide became known for its "dark pummeling assaults". She has licensed tracks for compilations as well as the Sci Fi Channel. Three of her albums charted in the Top 25 of both the CMJ (College Music Journal) and Mixmag U.S. (later Mixer Magazine, now defunct) for 1997 as well as 1998[6] and 1999. Her third album "The Cities Collection" debuted in the CMJ Top 5 climbed to the #2 position on CMJ Music Monthly's dance chart for June 2000.[7][8][9]

Her works have been reviewed by Billboard,[10] Spin, Rolling Stone, Urb, Mixer, Mixmag, Raygun,[3] as well as Knowledge – the U.K. Drum and Bass magazine. In 1999, she was listed in Raygun's Who's Who of International DJs. She was one of the headlining DJs on Knowledge Magazine's 28 city Kung Fu Knowledge tour in 1999.[11] She also made Out Magazine's OUT100 list for the year 2000.[12]

Contents

1Impact on music

2History

3Hate crime in Ohio

4Additional work in music industry

5Literary mentions

6Personal life

7Vinyl

8CD releases

9Videos

10References

11External links

Impact on music[edit]

Her work has influenced other artists such as well-known dubstep producer Bassnectar, who heavily sampled 5 A.M. Rinse (feat. MC Sphinx), the last song on her first album When Worlds Collide for his song Here We Go of his 2010 EP and single Timestretch.[13] Since the sexual allegations of Bassnectar have become known to her, Jordana has publicly condemned his actions as well as called out the fact that he never delivered contractually promised royalties for the above mentioned work.[14] Additionally, electronic rock act Celldweller sampled "Wake Up" off of her first album as well as "San Francisco" off of her third album "The Cities Collection" in their 2013 song "Uncrowned".[15]

In 1999, Drum & Bass/Hip Hop producer and label owner Hive approached Jordana to remix her song Defcon-1 also off of When Worlds Collide. Hive's remix appears on his 2001 album The Raw Uncut.[16] Jordana collaborated with Lady Sovereign on a song early in Sov's career after the two met through an internet chat room for StrikeFM.co.uk, an online radio station which Jordana had a show, and the now defunct UKGarageWorldwide.com forums. The two would later team up when Jordana under her Lady J alias, had Lady Sovereign MC for her radio show on Flex FM London.[17]

History[edit]

She first came to the attention of the music industry when she was asked to remix Blondie's "Atomic." Her remix appeared along with Armand Van Helden and Diddy’s remixes on the single.[3] A little over a year following that release, Mac McFarlane, the promoter of the well established and legendary New York City club, Konkrete Jungle, contacted her to create a themed song for a CD compilation/mix-CD. Jordana created the song "Konkrete Jungle" for that purpose. Described by CMJ as containing "menacing hardstep attacks",[18] it was released on the Ultra Records compilation, Konkrete Jungle - Maximum Drum & Bass, mixed by BBC Radio 1 Drum'n'Bass show host Jumpin Jack Frost. Following extensive touring throughout North America and abroad as a music producer, Liquid Sky Music, an indie label distributed by Caroline Distribution signed her to a three-album contract in late 1996.

Hate crime in Ohio[edit]

On the night of February 22, 2000 in Kent, Ohio, Jordana was attacked and brutally beaten in a transphobic hate crime by a group of men including Matthew Gostlin.[19] Gostlin and other assailants vaulted her in the parking lot outside of the Robin Hood nightclub where she had just performed on the Cities Collection tour. The attack took place while she was escorted from the event with the event promoter to his car. The group of men attacked suddenly and Jordana lost consciousness almost immediately after being struck in the face. She suffered nerve damage to the lower part of her face from her lower lip down as a result. She was quoted, saying in the May 2000 issue of CMJ New Music Monthly that in the seconds just prior to the attack: "I saw his face. I remember the look on his face. It was this look of utter hate, like 'I'm going to kill you.'"[20] In an interview with the Village Voice, George Meesig, a man from Cleveland, Ohio who defended her during the attack, stated that Gostlin had misgendered her, saying “this is personal”.[21] Other reports noted by the Village Voice on the message board for Breakbeat Science (a Drum'n'Bass record store) mentioned transphobic slurs being shouted during the attack. She subsequently cancelled the tour to recover.[19] Gostlin, while charged, was never arrested nor spent any time in court. Her family was told by the Portage County (Ohio) prosecutor's office that attempts had been made to serve the warrant but Gostlin's whereabouts were unknown. She felt that justice would not be served so she left the United States for England due to concerns about personal safety and well-being.

Additional work in music industry[edit]

In addition to music production, Jordana is a DJ, musician and singer. From 2001 to 2002, she worked at Flex FM in London, England as Lady J, with Lady Sovereign performing for her during her radio show.[22] In 2002, she held a club residency performing UK garage, 2-step garage and house music at the club Trinity in Vauxhall neighborhood.

After returning to the United States, Jordana returned to rock and fronted a goth metal band in Seattle. Prior to that, she was asked to play bass in another band briefly where she met and became close friends with singer/songwriter Shelita Burke. She has toured the world and played many DJ sets. She has been billed alongside Arca for Planet Zolean: Un/Tuck + Hot Mass on the Currents.FM Common Multiverse Initiative.[23] She was featured on the Dekmantel Podcast.[24] She was featured as Mix of the Day for Resident Advisor.[25]

In 2014, Jordana scored the documentary Free CeCe, produced and directed by Jacqueline Gares and Laverne Cox. The documentary details the struggles of CeCe McDonald, an African-American transwoman wrongfully incarcerated for murder for defending herself against a hate attack on her outside a Minneapolis bar.[26][27]

Literary mentions[edit]

She has been featured in several books. Her success in rising from living in a "rust belt" city to being an MTV-featured electronic music artist was mentioned in "The Rise of the Creative Class" by economist Richard Florida. She appears in two books detailing American electronic dance music scene history: Michaelangelo Matos's The Underground is Massive,[28] and Rave Culture, an Insider's Overview by Jimi Fritz and Virginia Smallfry.[29]

An interview with Jordana was featured in multiple books, including a book published in 2012 by rock journalist George Petros.[30] She has spoken on her personal life in interviews for publications such as The Festival Voice,[31] The Brooklyn Rail[32] and href zine.[33]

Personal life[edit]

She currently lives in Seattle, Washington.

Vinyl[edit]

1995 Blondie "Atomic (The Beautiful Drum and Bass Mix)" VV58320 Chrysalis Records/EMI

1996 RockStone Foundation "Dis Soun'" JS007 Jungle Sky

1997 V/A – Nirvana EP "We Are Not Alone" JS114 Jungle Sky

1997 Soul Slinger-Don't Believe "Abducted (1.8.7 Remix) JS118 Jungle Sky

1997 Soul Slinger-Don't Believe "Ethiopia/JungleSky (1.8.7 Megamix)" JS118 Jungle Sky

1997 1.8.7 – When Worlds Collide full-length album EP1 "Defcon 1"/"When Worlds Collide"/"Blueshift"/"Dragonfly" JSK121 Jungle Sky

1997 1.8.7 – When Worlds Collide full-length album EP2 "Wake Up"/"Distant Storm Approaching"/"Ghetto Style"/"Ghetto Style (West Philly Mix)" JSK122 Jungle Sky

1998 Murder 0ne (1.8.7)/T.Farmer "Annihilate"/"Memory" BOOST002 Boosted Records

1998 This is Jungle Sky Vol. 5: Rock N Roll EP Disc 2 "Break In"/"The Return of Shaft"/"Konkrete Jungle" Jungle Sky JSK131

1998 This is Jungle Sky Vol. 5: Rock N Roll EP Disc 3 "Atmosphere Remix"/"The Jam"/Beastie Boys – "Sabotage (1.8.7 JS Remix)" JSK132 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP1 "Quality Rolls"/"Relax Your Mind"/"Phobic" JSK136 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP2 *"Jerusalem"/"Get Amped" (215 Remix)/"Stigma" JSK 137 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP3 "Rock The Party"/"Deep Stealth"/"Cross the Line" JSK138 Jungle Sky

1998 1.8.7 – Quality Rolls full-length album EP3 "United"/"Blue Nile"/"Reboot" JSK139 Jungle Sky

1999 Jordana – "Pure Funk"/Stardust – "Music Sounds Better".. [With Bass] (Jordana JS remix) *whitelabel* JSK149 Jungle Sky

1999 Jordana – Cities Collection 12" 1 "Hollywood (courtesy of Lucasfilm)"/"Los Angeles"/"New York" JSK157 Jungle Sky

1999 Jordana – Cities Collection 12" 2 "Pittsburgh"/"Miami"/"San Francisco" JSK158 Jungle Sky

2000 Loki and Jordana – "Murder" 12" *whitelabel*

2001 Jordana – "Tampa Tantrum"/"In Your Arms" 12" TECO008 Technorganic

2002 Lady J feat. Lady Sovereign – "The Intro Dub" (Flex FM)

2002 Jordana – Full Colour 12" 1 *whitelabel* ConceptAudio

2002 Jordana – Full Colour 12" 2 *whitelabel* ConceptAudio

CD releases[edit]

1994 V/A – Interstellar Outback "Jungleman" ROM01 RomHyperMedia

1995 V/A – Scotto Presents: Drop Beats Vol.1 "Ravestock Anthem" DROP001 Drop Entertainment

1996 V/A – This Is Jungle Sky Vol.2 "Dis Soun" JSK008 Jungle Sky

1997 V/A – This is Jungle Sky Vol.4 "We Are Not Alone" JSK116 Jungle Sky

1997 V/A – Future Groove "We Are Not Alone" ?74321 50089 2 Ariola/BMG

1997 V/A – New York Junglist "We Are Not Alone" AVCD11540 Avex Trax

1997 Soul Slinger-Don't Believe CD "Abducted (187 Remix)" JSK120 Jungle Sky

1997 Soul Slinger-Don't Believe CD "Ethiopia/JungleSky" JSK120 Jungle Sky

1997 1.8.7 – When Worlds Collide CD album JSK124 Jungle Sky

1998 V/A – This is Jungle Sky Vol.5 "The Jam" JSK130 Jungle Sky

1998 V/A – This is Jungle Sky Vol.5 "Atmosphere Remix" JSK130 Jungle Sky

1998 Soul Slinger – Upload: A Continuous Mix CD "Rock the Party" JSK142 Jungle Sky

1998 V/A – Nu Balance: Domesticated Drum & Bass CD "5am Rinse" COA70016-2 City Of Angels

1998 1.8.7 – Quality Rolls CD album JSK135 Jungle Sky

1999 V/A – Sci Fidelity: This is Sci Fi. CD "Deep Stealth" SciFi Channel/Jungle Sky

1999 V/A – This is Jungle Sky Vol.6 CD "Pure Funk" JSK150 Jungle Sky

1999 V/A – This is Jungle Sky Vol.6 CD "Unite Remix" JSK150 Jungle Sky

1999 Jordana presents 1.8.7 – The Cities Collection CD album JSK162 Jungle Sky

1999 V/A – E-Sassin Absolute Friction CD "Worlds Apart" 21C.3007 Quantum Loop

2000 V/A – Digital Empire: DJ Girl "Deep Stealth" 6454-2 Cold Front Records

2001 Hive – The Raw Uncut EP CD "Defcon-1" (Hive Remix) VTXCD-002 Vortex Recordings

2002 Jordana – Full Colour album ConceptAudio Limited Release

2003 V/A – Girls In Space CD "In Your Arms" CD-9213 Urabon Records

2005 Jordana – Jordana EP CD "In Your Arms" TECO CD001 Technorganic Recordings

2005 Jordana – Jordana EP CD "Tampa Tantrum" TECO CD001 Technorganic Recordings

2005 V/A – DJ Psycle-Back From The Future CD "In Your Arms" TECO CD-9213 Technorganic Recordings

2005 V/A – DJ Psycle-Back From The Future CD "In Your Arms" TECO CD-9213 Technorganic Recordings

2008 V/A – What the Bleep & Foi Oi Oi-Feelings For Detroit Vol.3 Yabette – "Babylon (1.8.7 Remix)" EEMIX003 Electronic Enlightenment

Videos[edit]

We Are Not Alone (1998) – directed by MSKW1 aka Michael Whartnaby

Defcon 1 (1998) – directed by MSKW1 aka Michael Whartnaby and DBIDWA aka Dan Bidwa

Worlds Apart (1998) – directed by Gerard Ryan

Atmosphere (1998) – directed by Gerard Ryan

Ring Me Back (2002) – directed by Trevor McKinley

References[edit]

^ "VH1 Biography". Vh1.com. Archived from the original on February 14, 2011. Retrieved September 8, 2010.

^ Jump up to:a b Riedel, Samantha. "This Trans Drum & Bass Musician Was a Pioneer in the 90s. Why Isn't She Getting Her Due?". them. Retrieved September 30, 2020.

^ Jump up to:a b c Vibe Media Group (February 1999). "Vibe". Vibe Vixen. Vibe Media Group: 38–. ISSN 1070-4701.

^ "- - Mixmag". Mixmag.net. Retrieved December 21, 2015.

^ "Roll With the Changes". citypaper.net. Archived from the original on July 7, 2012. Retrieved January 19, 2016.

^ CMJ Network, Inc. (December 1998). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 78–. ISSN 1074-6978.

^ CMJ Network, Inc. (March 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 48–. ISSN 1074-6978.

^ CMJ Network, Inc. (March 13, 2000). CMJ New Music Report. CMJ Network, Inc. pp. 27–. ISSN 0890-0795.

^ CMJ Network, Inc. (June 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 82–. ISSN 1074-6978.

^ CMJ Network, Inc. (June 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 95. ISSN 1074-6978.

^ "Kung Fu Knowledge Tour Cities". Bmotion. Archived from the original on October 4, 2013. Retrieved October 3, 2013.

^ Out Magazine (74): 45. January 2000.

^ iphoneunclockseattle. "Bassnectar's Here We Go sample of 1.8.7 feat. MC Sphinx's 5 A.M. Rinse". WhoSampled. Retrieved November 2, 2013.

^ Avery C Kleinman for Vice News. "The Fall of the Bassnectar Empire".

^ jordana. "Celldweller samples Wake Up and San Francisco". WhoSampled. Retrieved May 9, 2014.

^ "Hive – The Raw Uncut EP". Discogs. Retrieved November 2, 2013.

^ "Hot update | Welcome to the FLEX FM NETWORK". FLEX FM Network. May 19, 2002. Archived from the original on June 1, 2002. Retrieved December 21, 2015.

^ CMJ Network, Inc. (October 1998). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 62–. ISSN 1074-6978.

^ Jump up to:a b Maximum Rocknroll. Maximum Rock 'n' Roll. 2000.

^ CMJ Network, Inc. (May 2000). "CMJ New Music Monthly". CMJ New Music. CMJ Network, Inc.: 13. ISSN 1074-6978.

^ Bill Werde (February 29, 2000). "Top Jungle Producer Attacked". Villagevoice.com. Archived from the original on January 9, 2019. Retrieved January 8, 2019.

^ Sovereign, Lady (May 18, 2002). "Lock in to FLex FM 2nite". ukmusic.com/. Archived from the original on August 10, 2014. Retrieved May 30, 2013.

^ "Currents.FM Common Stream Multiverse Initiative".

^ "Jordana is one of America's most widely respected drum & bass artists". Dekmantel.

^ "Drum & bass made for the biggest rooms, with plenty of soul, nuance and killer vocal hooks". Resident Advisor.

^ "FREE CeCe! Post-Production Campaign". Retrieved December 21, 2015.

^ "AFROPUNK". Afropunk.com. Archived from the original on December 22, 2015. Retrieved December 21, 2015.

^ Matos, Michaelangelo (April 28, 2015). The Underground Is Massive: How Electronic Dance Music Conquered America. Dey Street Books. p. 154. ISBN 978-0062271785.

^ Jimi Fritz (1999). Rave Culture: An Insider's Overview. SmallFry Press. p. 162. ISBN 978-0-9685721-0-8.

^ Petros, George (2012). Lehman, Deanna (ed.). The New Transsexuals: The Next Step In Human Evolution. Creation Books. pp. 247–274. ISBN 978-0-9855018-1-5. Retrieved December 22, 2015.

^ https://thefestivalvoice.com/black-lives-matter-tfvs-series-on-racial-injustice-jordana/

^ https://brooklynrail.org/2021/05/criticspage/Let-Us-Live/

^ https://href-zine.net/technoid-natures-zine.html

External links[edit]

Jordana discography at Discogs

1.8.7 at Rolldabeats

https://jordanaofficial.bandcamp.com/

https://www.mixcloud.com/jordana/

https://soundcloud.com/jordanaofficial

Jordana at IMDb

[ateez-amanda]

Background

Masterlist

trigger warning: mentions of anxiety and racisim

↳Childhood:

She was born and raised in Miami before moving to Seoul, Korea in 2016

Her mom is Korean while her dad is Indian

Her dad changed profession when coming over to Korea. He became a restaurant owner and the members often visit there

Her mom had a miscarriage with her first child and she is an only child, which is why she’s very close with her parents

She got interested in dancing from watching Bollywood movies

She has been dancing since she was 7

She had been born with weak legs, which caused her to be turn down to learn dancing when she went to apply at a dance studio. She almost gave up dancing, but her mom encouraged her to continue.

She then meet another dance teacher who was willing to teach her. After that she started to get stronger leg muscle to help dance better and she improve immensely

She starting learning Bollywood dance then progressed to hip hop and contemporary

She participated in her high school band where she learned to play the flute, saxophone, drums and piano

She moved to Korea in 2016 with her parents to help take care of her grandparents health

She had a hard time adjusting after moving to Korea due to her shy personality and bullying she faced for her darker skin tone

↳Predebut/Trainee Period:

She was taking dance classes at a dance studio in Korea when she got scouted by KQ in 2016 (more on this later)

Her parents were hesitant to have her become an kpop idol, but she convince them

She had no experience in singing prior to joining KQ

She sang Secret Love Song by Little Mix in her audition for KQ

She was the 5th member to join KQ

Even though she was against participating in MIXNINE, the members and KQ convinced her to audition

Upon her audition on MIXNINE, YG complimented her on her incredible facial expression and energy when she danced. He also stated that he was interested to seeing how she improves with her singing and dancing

Even though she ended up ranking 10th, she didn't care about not debuting since she took this show as a way to improve as an artist and learn from experts from YG Entertainment

After gaining international popularity on MIXNINE and having a close bond with the boys already, KQ discussed and decide to have her join the KQ Fellaz

Lia Kim, upon watching KQ Fellaz predebut performances, said that Amanda is a versatile performer and has great presence

↳Debut with ATEEZ:

There were a lot of terrible comments when Amanda was announced to debut with ATEEZ

Many of the comments were racists comments about her darker skin tone

As a result to theses negative comments, she started to developed social anxiety

As she progressed as an idol, she’s been commended by fans and professionals in the music industry for her strong vocals and dance technique while performing

She has also been commended for her amazing ability to write lyrics and her ability to capture exactly what she or the song is trying to convey without much pressure

© ateez-amanda — all rights reserved. do not copy, translate, or repost my work.

[carimemeblog]

Nick DiRamio Watches Cadet Kelly Pt. 1

I’m talking about lesbians for those of you that are still catching up.

An unforgettably spunky dance off between two exotic birds.

Roll that stock footage.

You’ll see my former therapist’s office. which is an emotional landmark for my 2014 mental health crisis.

I actually called the city of New York City to see if they could hang a plaque put in there to commemorate it and they said you actually owe us some tax payments.

I’ve been teaching this class for thirty years and you’re still the gayest kid to come through.

Girl, ______ knew what was up with these ribbons.

Oh, sweetheart, sorry your dad Humpty Dumptied himself to death.

Way to go ______, there better not be a shard of glass in the sushi tonight.

And I choose to believe the latter because that’s the magic of Disney.

Girl, I just want to play with my ribbon and that’s what’s up.

I’m going to call you Sir _____ because that makes you sound like a hip hop artist from Miami.

I just knocked over the plant.

We’re limiting the number of twirls you can do in a single conversation.

You’re doing great, everything’s fine, we’re just making you move through no fault of your own.

I’m never going to enlist in the army.

I think joining the American military right now sounds like the worst group project ever.

Imagine the shared bathroom situation, I could never.

This is the point in the story where Cadet Kelly can start to be interpreted as a queer love story.

It all works with my fantasy.

The meanest sixteen year old in America is that one snapping turtle that tried to bite my toe off.

I can’t help but be like, well that was a choice.

If that blanket were any more of a beacon for gay people it would be singing When I Grow Up by the Pussycat Dolls.

Have fun serving chicken or fish at your straight wedding; I don’t care.

Okay, _______, you can officially be done putting your blanket on the bed now.

Very meet cute.

I think every blanket should scream gay rights because I’m always cold...and I’m always gay.

That’s how she discreetly tells people that she’s clogged another toilet.

Thought I would unpack my bags, but I’m actually ready to stir shit up.

I obviously choose to believe the gay version.

We stan.

I would have walked into the nearest creek and become a swamp monster.

And if any of your clothes feel like a man roughly my size has tried them on recently, it’s all in your imagination.

Her smile makes me want to become a military wife.

Great work soldiers, now we’ll be prepared for our battle against the American Ninja Warriors.

I’m like, honey, just watch your hair. You’re going to get ripped apart.

But, hey, what do I know?

[allthebrazilianpolitics]

Baile funk: the criminalisation of Brazil's funk scene

Baile funk is a phenomena of Black Brazilian music. But despite a huge fanbase and cultural influence, funk is often criminalised in Brazil because of its origins in the favelas of Rio de Janeiro. Raphael Tsavkko Garcia explores the history of the baile funk scene to discover why it’s so celebrated — and criminalised

In the early hours of Sunday 1st December 2019, militarised police broke up a Brazilian funk street party called Baile da DZ7 in the São Paulo favela of Paraisópolis. The party-goers were kettled into narrow alleys and, while trapped, the police used tear gas and rubber bullets to disperse the crowd, which led to a trampling amidst the chaos. Nine people were killed. Gustavo Cruz Xavier was the youngest to die. He was just 14. According to witnesses, the police occupied all possible exits from the street, making it difficult to escape and leading to the panic. 

Many of those who managed to escape were chased down by the police. (The police claim they were chasing armed drug traffickers, but there is little evidence to support this currently.) It was another chapter in the long process of criminalising funk music in Brazil. Despite achieving worldwide success with singers like Anitta and Ludmilla, funk continues to be heavily policed in the favelas of Rio de Janeiro and São Paulo, and its artists and producers have been constant victims of lawsuits, criminal investigations and even imprisonment.

Brazilian funk is an “Afro-diasporic genre of electronic dance music born in Brazil in the late 1980s,” explains Carlos Palombini. He’s a Professor of Musicology at the Federal University of Minas Gerais (UFMG), and one of the genre’s foremost experts. “It combines Afro-American and Afro-Brazilian musical traditions, and belongs to the vast group of derivatives of the musical language of hip-hop, with marked references to electro, Latin freestyle and Miami bass.”

As a racial and sonic melting pot with working class roots, funk has long clashed with the social norms of the Brazilian elites. “It challenges the standards of understanding of musical nationalism,” Professor Palombini explains. It’s a genre that both details and creates a difficult relationship between the social classes, which often leads to violence. Someone who speaks to those populations is DJ Marlboro — widely considered the inventor of funk, with the release of his 1989 album ‘Funk Brasil’.

“Funk is union,” says DJ Marlboro. Its social importance in Brazilian culture comes from the fact that the music “gives opportunity to those who are socially excluded. We’re bad with education, health and security. We are a very rich [yet] poorly administered country,” he continues. “The problem in Brazil is that the political class is trying to take advantage [of us] — of a country that has been robbed ever since it was discovered. The more miserable the favela, the more violent it is. The more urbanised the favela — with more assistance, better schooling — the less violent it becomes, because people have perspective in life. And funk helps to give perspective. Funk can lead to social ascension.”

Throughout the 1990s, bills were presented in Rio de Janeiro seeking to investigate funk performers and ban events. In 1999, the CPI (Parliamentary Commission of Inquiry) was created in Rio de Janeiro’s State Legislative Assembly to investigate funk music and culture. One year later, a law was passed that forced promoters to (among other elements) install metal detectors and have military police guards at bailes, and get written permission from the government to host bailes. Most ominous, music that “promoted crime” was banned from being played at bailes, criminalising performers as well as promoters.

Over time, a culture known as bailes de corredor, or “corridor”, grew. Rival groups organised themselves on either side of the club: forming corridors, aka lines of people, linking arms, until it started to be seen “as a game, almost like [martial arts-style] capoeira”; not dissimilar to a mosh-pit in rock music, as dancers-as-fighters would sweep through the crowd.

The corridors gradually became less about personal fights or gang violence, and more a part of funk’s culture. DJ Marlboro even considered talking to the Brazilian Olympic Committee to transform the dances into a nationally recognised sport. The problem, he says, was that the police became aware of the bailes de corredor. “Not knowing how it worked, the authorities ordered all the dances in the favelas, in 1995-1996, to close,” he explains. “They ruined integration and confined [funk] only to the favela,” where criminal groups could exercise more control.

As funk was pushed back to the favelas, an intense media scrutiny furthered its criminalisation, says Professor Palombini. “A turning point [was] the so-called arrastões of 1992,” he explains, “exploited by [national TV network] Globo Network for electoral purposes.” 

“The term ‘funkeiro’ became synonymous with ‘criminal’ in the media,” says Professor Palombini. “During the first decade of the 21st century, the same legislative assembly in Rio de Janeiro [enacted] no less than five laws to regulate balls,” Palombini explains. “Meanwhile, attacks by the Military Police on favela balls proliferate, and police inquiries like that [in] 2005 — with names and photos of MCs stamped on the covers of the tabloids.”

Continue reading.