#himiko lore

[girlatrocity]

toga's middle school friends 🤞🏻

momo and toga went to the same school and were in some of the same friend circles in my head 🫶🏻

[heartillycore]

blood warning ?!!

i need to catch up w this show I haven’t watched since 2018 …

[marronje]

FINALLY, 13 hours and I'm doooone... The process was tough but the result is pretty satisfying. As I always say (I don't), if ya can't come up with a fan oc, you can insert some canon characters into your story instead 👌

And while I can share my lore... (some text and more pics below, text is google translated but I tried to edit this into something decent haha)

The story centers on one of the outstanding feudal families (the European influence in this setting is more pronounced).

Lore (raw, very raw): an alternative Russian Empire of the 18th-19th centuries, where the aristocracy seized power due to outstanding magical abilities.

The magic of the Ilyinsky family is one of the most unsettling in this regard, to the point of other families barely having any interaction with them. Since ancient times, there has been a traditional ritual in Ilyinka - each family in service must give the Ilyinskys one deceased person once every 100 years for eternal service in the estate (in fact, it only lasts until the death of the owner, so when the head of the family dies, an urgent cleaning and replacement of personnel is carried out in the estate).

Seeing a long-dead relative in the costume of a maid or a footman is not at all surprising for the locals. The magic of the aristocrat who rules here allows to 'revive' a voluntarily given body — it will behave plausibly and even retain parts of the personality of the deceased. You can recognize such a puppet by a faded eye — necessarily the left one. Each member of the Ilyinsky family also has this feature.

An example of such a connection are my main characters — Katie (the left one, some old peice if ya wanna see more of her) and 'Mistress' Ilyinsky (the tired gorgeous woman, a recent art yeah).

The old reference pic is so ya can understand the general aesthetics of the universe

Wearing black clothes is a sign of noble origin or service to a noble family btw

Reference pic yeah (Himiko looks pretty proud of herself and Ochaco is kinda judging us all, I like it :3)

Now to what Himiko does here – she is in the service of this family, but the case is unusual — often outsiders are not taken into service, but this exception was unexpected and pleasant. The foreigner who's died as a result of a mystical incident retained most of her character and magical powers and it let her save the connection with her cursed weapon — Ochako.

'Satellite' is a magical contract of the infamous Japanese Toga clan, from whose grip Himiko tried to escape by illegally making a deal with the soul of the deceased daughter of the Uraraka clan. The contract works on the principle of being a sacrifice — the weapon helps to quench the insatiable thirst for blood of the carrier, while receiving a semblance of a corporeal form (and imperceptibly shifting the master's moral orientation). If initially Himiko thirsted for blood out of pure lust for murder, now it has become a reflection of her love for the world and people in such a... particularly twisted manner.

With Himiko practically dead, the connection begins to fail, and she stays with the Ilyinskys not only out of lack of choice, but also out of a need to receive valuable help from the hands of unfriendly (or not) Russians.

Role in the plot — minor character-element of chaos.

Tarot card — Two of Pentacles, Page of Swords.

Ah, and a more lore-fitting version (the mask and the eye are IMPORTANT)

[il3x]

The perfect big sister! <3

Ft. my "Toga Himiko is a Bonesaw" take under the cut:

I'm not very familiar with the superhero genre beyond Worm and MHA, so I might be missing a pre-existing trope - but I think these two share an archetype: Little Girl Villain who juxtaposes extremely gory, visceral acts with a happy and innocent demeanour. Their villain personas epitomise idealised archetypes of girlhood; frilly-dress-and-tea-party '50s little-girl for Bonesaw, and lovesick tween schoolgirl for Toga. These archetypes are anchored to a specific age - the age they were when they lost the chance at a civilian life.

On that note, neither of them got much choice in life, with Toga branded a villain for her Quirk and Bonesaw groomed into villainy by Jack. They both lost their families, and seek a surrogate family in their villain group, whose goal is (ostensibly) mindless destruction.

Is it any wonder that they're frozen in stasis at the age when they were traumatized? I find it interesting that they're both older than their archetypes (Bonesaw, at 12, is pretty much the age of Toga's archetype!) but are unable to move past these personas.

[mmani-e]

So stupid question, How did Himiko react to y'know...(Chapter 1)

Abject horror and pain, similar to Shuichi. Slightly different because, unlike Kaede, Kokichi doesn't have healthy communication skills. Kokichi and Himiko have a more tsundere-douchebag kind of dynamic where Himiko would rather die than admit any of Kokichi's playful teasing and flirting in chapters 0 and 1 got her to care for him at all.

Kokichi admits to killing Maki, but because he's still a massive liar, nobody believes him. He plays a liar's game where he tries his best to fluff himself up as a real villain and not someone to think about executing, doing anything he can to seem as evil as possible, even taking shots at Himiko when he can.

Unlike in V3, where Kaede tries to prove herself innocent while Shuichi disproves her, the opposite happens. Himiko attacks every angle Kokichi approaches to make himself seem more evil first, before approaching the truth slowly, until she's shed every extra layer to him to reveal a scared little guy who has no other option but to speak honestly.

And of course, now that Kokichi is in a state where he's actually healthily communicating, it's execution time. Leaving Himiko fucking devastated because she feels she was juuuuust finally getting to know him :)

[wyrm-with-a-why]

I have been crying for hours about doomed yuri bro it got me ok

[ultimateplaylistmaker]

*Sees Himiko edit* *Remember that Tenko is canoncially transphobic* Oh no...

Tenko is going on a LOVELY training arc with some VERY nice older trans ladies who saw her and went "free daughter" because we here in the house of the playlist maker believe in PATIENCE and KINDNESS for the naively ignorant so now she's got like three moms and they're all giving her a crash course on gender and she doesn't fully get it yet but shes working on it!

[gradelstuff]

Urgent Orders! Recover the Hidden Fortune (2/5)

Story Description:

Re-Destro asks Geten, Toga, and Mr. Compress to retrieve a secret package from a sketchy bank. The three reach the bank, but it's surrounded by Heroes due to an ongoing bank robbery!

Preview:

[divineslcyer]

waking up at 5 am again gdi.. anyway, I think I've got a basis now for Honkai!Mish, been torn on her being with the Stellaron hunters OR the express. But she looks like she could legit be related to Himiko so, gonna write up how Himiko could be cousins.. or that she was the first Himiko took in on the Express. ( pending ideas but i like my gurl on the train and also pom-pom is precious).

Her element would be fire, her path.. possibly destruction. Possibly.

[ectterna]

AHHHHHHH THEY ARE RIGHT HOW DID I NOT THINK OF THIS…

so im a die hard fan since 2018/19 around the time season 2 came out and i know like mostly everything although the war arc made me not finish the series.

OKAY THIS IS WHY TOGACHAKO IS KILLER AND COLOR.

(this is made by a non togachako shipper i view them as platonic)

why killer is toga; Toga was like hated by her family because for her quirk (due to the blood thing), this led to her being a mentally ill teen who killed a boy bc he didnt love her or smth from what i remember. She kills people bc like she just wanted to be loved and now she doesnt care anymore. She basically has a similar personality to fanon killer (in the sense shes bubbly over the top and ‘always happy’)

Color comes in when ochacko starts to realize how little of a chance toga got to be loved/has a reason for her wrong doings. Ochako is becoming morally grey for toga because she doesnt think toga is invalid. Like she knows toga cant redeem herself but she wants to help her realize she isnt a bad person just because of her quirk.

Himiko realizes in the end that her live would have been better if she didnt resort to villany and if she decided to try to be good she might have actually had a chance.

The whole ur cute stuff was ochako just saying toga was human too.

So basically color saying “youre the cutest” would mean “you can choose what you want, its not your fault”

color just having one big ole hear me out for killer <33

The scene but in their words:

Color: “But if you still feel for even a little bit that you want to talk to me, I’ll sit with you no matter the stage, I want to talk about what you want in life Killer!”

Color: “I just want to touch you, the hate and sadness inside of you, *color talking ab his lore and why he is here idk much about color to tweak this part*. Thats why im here killer, tell me what you think! Tell me what you thought until now, everything!

*Killer going to kill color but stops*

Killer: “Chara, she changed my code… I- I Killed everyone, Over, and over, and over. When Nightmare saved me I thought that it was the only way out, that he was the only way I could escape my AU. I was told I couldn’t be happy anymore, I was blinded, you knew what it was like to love without LoVE.”

Killer: “I had to get my soul morphed to force a stage two, Nightmare would get so angry if I felt too much. He would say that ‘I was just a tool’ he’d think I was worthless. He told me that you were a bad influence, you were foolish and I shouldn’t be near you. Thats why I’m with Nightmare, I thought it was my only option! I never got a chance to choose what I wanted!”

Color: “You were sending me those signals the whole time, it took me so long to realize.”

Killer: ‘Oh no, I’m reverting back to stage one...’

Color: “I can’t bring back your old life, but I thought I’d tell you how wonderful my time with you was.”

Killer: ‘Im glad I met color.’

*insert the image above*

Have you seen season 7 episode 20 of my hero academia? I think Toga and Ochako are very Colourkiller

I’m sorry to say I haven’t watched beyond S3, cause to be completely honest I kinda lost interest in the Anime as it went on, I watched a very unique and beautiful story become another Dragon ball with the stakes (somehow) just going higher (even more than All for one??? Which doesn’t make sense to me?????) and with no end in sight, so I kinda just dropped it ngl hcchchhcvh

So I honestly don’t know anything beyond some designs for the characters that appear afterwards chchch

But since you’re mentioning Toga and Ochako, I’m assuming you might be referring to that scene in the manga that’s something like “you think I’m cute?”, “the cutest in the world”, I at least saw that around

And while I do not know the context, I still think it fits to an extent, but not fully?? I just find it a bit hard to connect them cause I don’t really feel like Tago and Killer or Ochako and Color are alike in any sense? (But that’s just me talking about how little I saw of their characters up to S3, I obviously missed a lot of characters arcs dhhdhd)

And when it comes to Toga and Ochako’s relationship, I honestly don’t know anything about it to form an opinion on whether I think they represent Color and Killer’s relationship chchhchc

Still, I think that specific scene is adorable so have a sketch of it

[futurefind]

//no fgo mood quite like worrying abt a half-proper backend for your party in a CQ....... and just rolling right through it w.o losing a single servant dhdhdhsghdsgh

(or: noris gacha boxes are busted as ever but fgos is the og + most busted of all)

[girlatrocity]

i see ur a momo and toga friends/knew e/o in middle school fan too….. do u have any Thoughts on postcanon redeemed toga (w/ ochako. Ofc. yuri wins.) meeting momo again….

I actually think about Ochako introducing Toga to her friends (specifically the 1-A girls) a LOT lol

so firstly! I don't think Toga and Momo were bffs or anything in middle school, kinda just like friends-in-law? Plus, their families were acquainted. The middle school toga friendship circle looks like this in my head:

tho they definitely giggled together at lunch enough times that when Toga attacked their classmate and became a villain, Momo was shook abt the whole thing.

so Momo NEVER talks about knowing Toga to her friends (except to Jirou ofc yuri wins.) and Ochako literally has no idea until she sees an old photo of them together and starts to make her evil plan.

Ochako invites them both over for something (maybe a mall trip idk) and when Momo shows up, Ochako is ready w her former terrorist girlfriend :D

AND IT'S SO AWKWARD LIKE IT'S THE WORSE THING EVER bc Momo has been experiencing so many weird and complicated feelings about the whole thing and Toga still doesn't really wanna confront things about her past.

Toga is cordial for Ochako's sake and Momo is cordial for her sanity's sake, but it's still super tense and Ochako decides to abandon the two for half an hour so they can sort it all out.

the confrontation goes from weird air, no words spoken → steadily more passive aggressive remarks → full out arguing and fighting in the middle of the mall

I'd imagine Toga says something about how Momo would never know what it's like being someone like her (perfect, pretty, honorable, likable, normal girl) and that makes Momo pause for second and she begins to ACTUALLY think about how Toga acted when they went to school together + how her parents treated her.

Then they start to open up and have a good long convo about everything (Toga's family, Momo's insecurity, being "normal", etc) and maybe Momo even tells Toga what's going on w the rest of her old friends.

Ochako comes back to retrieve her ankle monitor girlfriend and Jirou comes to drive Momo back home and idk maybe they hug it out or smth.

just know at the end of things, they're nearly friends and definitely have a better understanding of each other than they did in middle school ♥️

[deusvervewrites]

I’ve been working my way through your stories and your lore posts. I’m also finally catching up to the end of the MHA manga. My thoughts on the endings of various character arcs is something you might vibe with. Sometimes, mercy to the guilty becomes cruelty to the innocent. It’s great writing when the villains are people you can sympathize with, but it’s weird that the heroes are this focused on saving the villains that are causing so much death and destruction. Your thoughts?

The entire point of My Hero Academia is saving people.

From the first page of the first chapter until now that has never changed.

I've seen people criticizing Midoriya for not going out onto the battlefield to personally and deliberately murder Shgiaraki and I wonder if they're the same people who think Aang should have killed Ozai.

The idea of mercy to the guilty leads to cruelty to the innocent is what caused the entire plot. Had the people at the Dawn of Quirks not immediately started murdering children for being born "wrong", All For One wouldn't have had to cope by doubling down on their propaganda to justify his own existence to himself. But those people were "guilty" of being born wrong, and if they showed mercy to them, then what? What if those people turned on them? No, no. Better to not take that chance.

If Kotaro had forgiven his mother, Shigaraki would never have happened.

If the Togas had accepted their daughter, Himiko would never have become a murderer.

Spinner never left the house because he was seen as "guilty" of the sin of being a mutant. People were massacred for that sin.

Civilians nearly murdered Ippan Josei, a civilian herself, because they believed that mercy to the guilty is cruelty to themselves.

The greatest flaw of the Hero System is that it dehumanized everyone under it. The Heroes were flawless paragons who could never live up to their own hype and swiftly abandoned for failing. The Villains were deemed to be inherently bad and punished for it.

Endeavor was allowed to abuse his wife and all four children and faced no repercussions. Because he's a Hero and Heroes are good. Touya wasn't born correctly enough and was punished over a one-sided feud a generation before him.

Nobody was seen as human. That's literally the point of the final battle. Midoriya, Uraraka, Todoroki, they all had to recognize the humanity of the people they were fighting and remind them of it.

The thesis of My Hero Academia, of every single arc of My Hero Academia, is that Heroes are not "good" and Villains are not "evil." That failing to recognize that fact leads to dark places, like a government that doesn't bat an eye at murdering its own citizens to maintain power. Laws that strip you of your own bodily autonomy.

During his battle against All For One at Kamino, All Might states the the reason Heroes never lose is because they have people to save. The chapter titled Bakugou Katsuki: Rising, his origin chapter, is about 300 chapters into the manga and the first time he saves someone.

All For One and the HPSC are both cruel relics of the past doing their best to manipulate their way to power, viewing everyone in their way as disposable pawns. They're the same. You could even make an argument that the laws against Quirk use means the HPSC is literally giving and taking away Quirks via licenses. And they both completely crumble in large part because of their refusal to see people when it is so much easier to see the enemy.

My Hero Academia is a story about extending your hand to those in need.

[azure-arsonist]

U know what if they are gone I think himiko and Tomura are...

They're okay. The karaoke bars don't close in the afterlife, big sis Magne is sure to let them know that.

The internet is always fast. They have time. Tomura will listen to Himiko sing Chappell Roan ten thousand times and she'll let him explain fallout lore to her while she scrolls her phone and Jin will come home from his day job with snacks and sure you don't need to work in the afterlife but he likes having something to do when he isn't trying his stand up comedy on them.

And the days are easy and the nights are long and Himiko got so many compliments on her outfit today she can't wait to talk their ears off about it.

And they have time, and patience for their comrades to join them, whether that be in two months or twenty years.

And when the time comes when they're all together and bored of the afterlife, Tomura will stand on the precipice of Again, with his league, his comrades, his friends his family. And he will take that first step into something new. Sure and proud, leading the others into tomorrow, the next life with the promise of finding each other again.

He still needs to be a hero to those guys after all, his League of Villians.

[dangan-stuck]

We're here, dammit. This is DanganStuck, and these are the V3 character casts!

SPOILER ALERT. This whole thing contains major spoilers for V3! 

So, this all started when we found a dead body in the Lab… 

Sorry, it’s an inside joke!

Hello, I guess? I don’t know what I’m doing, but here I am, telling you about the Danganronpa x Homestuck AU crossover.

I’m developing this project (?) with [ @happy6machine , @julia-bunncat ] and with the help of some other cool guys as a support team. Lots of headcanon material has accumulated, and progress in the development of the au has simply... stalled, and I thought I’d try to share it >_< because I haven’t seen anyone else doing something like this so extensively!

I’ll start with V3 (my current fandom fixation) and castes, I guess!! The choice for some characters was pretty obvious and straightforward (ex: olive cast for Ryoma and Tenko, purple for Kokichi, indigo for Gonta and etc.), others were more unusual options (violet for Kaito, whaat?), but I swear I have an explanation behind them :Ъ

But first, I’d like to make a small remark: We hadn’t set a specific lore for the whole thing. Sometimes we experimented with transforming characters into trolls during gameplay to see how it would work, leaving the game plot, killings, interactions and so on untouched. Other times, we made up certain plot snippets and events as if they all lived on Alternia. Occasionally, we’ve stayed in the session area (which we’ll discuss further), prescribing classpects, castes, quadrants, and so forth—all these options were considered.

Now back to the castes, let's go in order:

• Himiko is the weakest, slowest, and laziest member of the V3 cast. She isn't very bright, or at least she's too caught up in fantasies. She's also, well, red. I didn't see the point in making up something special for her, so I just put her in the rust caste. It also makes the dynamic between her and some of the other characters very intriguing, which I'll discuss later. Her desire to perform tricks can be interpreted as 'service/entertainment for the people', literally a jester for the public, which suits the lower castes. But what are the tricks? Well, rust and psychic powers, right? :D So Himiko has psychic powers, though not very powerful ones... And still calls it magic, of course.

• Kaede was a… difficult case. OK, my excuse: I wanted to include a representative of every caste (except Fuchsia) at least once, and Kaede got caught in the hot seat. But she's bronze for more than just that reason!  There's a joke that I'll tell you about some other time, because I want to hold its punch for a while. As it is, we're hooked on the scene in the first chapter where Kaede immediately falls on her knees in front of Miu (instinct of subordination??). Also, the music is associated with birds, and all animals are associated with the bronze caste. Of course, Kaede is extremely... feisty and enthusiastic for such a caste, but luckily she has many highblood friends—including Kaito, who stood up for her in-game, and if they were trolls, it would work perfectly ;)

• /heavy sigh/ Keebo.

I originally drew this art [link] when my friends and I were just starting to get through V3, and I just liked the sort of black dynamic between the three of them. I didn't think much about the castes at the time, but ironically they haven't changed.

There are some problems with Keebo, because he's obviously a robot, and I want to keep him as a robot in this AU. The most realistic option is that Keebo is a prototype for a new kind of drone to be used on spaceships. After all, he is an advanced AI imitating a troll, so it makes sense to give him some blood color. Gold blood is often associated with the "trolls are used as batteries on ships” theme, and Keebo was literally created to maintain ships. It's... a bit of a stretch, really, but that's all we have for now. I think the lore will be expanded upon in the future.

• Korekiyo. Giving him gold blood was sort of a joke at first, playing on the fact that Korekiyo, like Sollux, has a point that grants him duality—his sister. However, as we fleshed out the lore, the choice felt increasingly fitting. I'll be writing separate posts, probably more than one, to outline his lore because, folks, this is FIRE. I never particularly liked Kork in the game, but now- hell, I LOVE him. Have pity on the poor boi; he's suffered a lot.

• Ryoma and Tenko. Since they both get the olive caste on the same principle, I will combine them. Guys, It's literally a catboy and a catgirl; what other questions could there be?

Okay, technically, Tenko also receives olive blood because she is combative and strong, which are characteristics of this caste. She generally looks like a cat herself ([EN] we’re referring to her fangs and headband with ears in the beta design, her collar with the bell and some of her facial expressions on the sprites), and her temper matches her caste. I'm not sure how to adapt her hatred of men to Homestuck... yet. Maybe she'll hate highbloods instead? That's something to think about.

Ryoma, for his part, with his whole cat theme (his Lusus is a cat, of course), the resemblance of cat ears on his hat, and his tendency to stare into space—he's a good fit too. And despite his small size, he is quite strong.

• Maki. And that's where the problems and doubts begin to unfold. We were deciding whether to make her olive or maybe jade, given her backstory. After all, she disguises herself as a caretaker in canon, and you wouldn't expect a girl from an orphanage to turn out to be a professional assassin. On the other hand, you might expect that from an olive caste troll. Actually, there are indeed olive assassins. But several factors convinced me to give her this particular caste:

- Maki herself is like a wild cat. Her killer stare, mouth shape, quick reactions, strength, agility, grace.

- raising jade trolls as ''assassins'' sounds not only ideologically dubious (after all, the jade caste has a special place in troll society), but also illogical. Jade's killing instinct is probably suppressed, otherwise there would be complete bloodbath in the brooding caves, they wouldn't get along with each other, they wouldn't be able to take care of wigglers.

- yeah, we've sort of canonised Maki being raised by a group of trolls to be an assassin. And raising an olive for that purpose is a perfectly reasonable idea, given their natural abilities.

- the idea for the jade caste came from the fact that children are attracted to Maki. However, Maki gets surprised by this fact every time. She calls it silly, paradoxical, and strange. Well, it wouldn't be strange at all if wigglers were attracted to a jade blood troll; that's natural. But the fact that they are attracted to an olive one should come as a surprise, even to Maki herself.

• Kirumi. Wasn’t overthinking it. The caste is given to her at the same time because of the method of exclusion (others don't really fit) and because of her calmness, composure, and desire to care for others. Kirumi can also be very, very dangerous, just like the jades in canon ;)

• Rantaro. Anybody ordered male jade? I love them personally, despite knowing they're very rare. Well, that choice is pretty obvious: Rantaro is filled with the desire to care for and protect his younger siblings. Where else could he end up but in the jade caste? He's also just a handsome guy with the cutest face, and he's GREEN, dammit! I made my choice immediately. And there's already a story about him! It's small, but we're definitely going to expand it.

• Shuichi. Do I have to explain anything??? Well, in case someone doesn't know, teal caste and detective work are two sides of the same (hee hee) coin, there was simply no other way.

• Angie. Blue caste. Uuuh, yeah, the elimination method again, I suppose? At first, I considered gold blood to maintain the original palette, but Angie has a blue caste psycho vibe to me. Damn, she's brainwashed half the class at some point! What else could it be but minor mind control? Also, Angie is quite bossy, feels at ease, and has the markings of a dominant personality (oh, the Love Hotel scene...). Blue caste suits her.

• Tsumugi. So, okay, given all her statements about her being "plain" and "nonexistent," it would seem that she should have been given low blood. But listen to this: she BULLIES MIU!

...okay, this might not be entirely obvious, but Tsumugi often makes all sorts of sarcastic comments about the other characters, most of which you can only notice if you replay V3 with knowledge of the plot. Her tweaks towards Miu are more noticeable, though, and considering that Miu herself is an indigo blood, it goes down well. Tsumugi is high-blooded enough to tease the indigo troll, saying things like, "Hey, why is it that as soon as someone starts talking back to you, you immediately turn into such a wimp?" She's also high-blooded enough to ignore Kaede when she tries to talk to her at the beginning of the game. Her blue caste might be the reason the killing game worked out at all, considering how many mistakes Tsumugi made. Who knows, maybe she also created Flashback Lights with her psychic powers...

And... eh. I confess. I wanted to keep her in blue colors, in addition to all the above reasons, so I didn't really consider any other castes.

• Miu. Indigo caste, wow! Well, considering her behavior and the fact that no one had ever punched her through the entire game, it’s CLEARLY obvious. Only a high-blooded troll, a really high-blooded troll, could afford to be so rude to those much lower down. The funny thing is that she targeted low and mid-bloods more often: Kaede, Shuichi, sometimes Himiko, Korekiyo, and Keebo. She didn’t bother, or almost didn’t, with Gonta, Kaito, and even COOPERATED with Kokichi—as if she had to, as if she were afraid of crossing the paths of those above her in caste. Also, Miu said she liked it when Kaede and Shuichi knelt before her...

You might ask—why not purple caste? Still, Miu’s strange behavior is a bit like that of a purple-blooded schizo, isn't it? Well... Firstly, there's nothing to suggest that Miu belongs to this weird purple cult. Secondly, Miu’s odd behavior when someone insults her gives us an interesting, almost Equius-like, God forgive me, “I'm superior to you, but I want to obey; it's SO WRONG but so arousing” conflict.

• Gonta. There was no reason to even try. I did have a stray thought, due to Gonta's nature and his connection to bugs, to place him in the bronze caste, but...no. Given his immense power and his lack of insanity like that of the purple-blooded trolls, you can't put him anywhere other than the indigo caste. Plus, he's from a noble family himself. And this ALSO creates a cool dynamic and adds interesting lore aspects to Homestuck!Gonta that I like VERY much and will definitely cover in other posts!!!!

• Kokichi. Oooh reeeally, who'd have thought? Of course he's purple-blooded! It's not that simple, though. Kokichi is definitely not a crazy purple cultist like most members of the purple caste. We are going to be talking about that separately, and believe me, I will give this guy a lot of lore, because I freaking love him. There isn't much else to say–no other blood color suits him better.

• AND HERE WE ARE: VIOLET-BLOODED KAITO, WAT???? Okay, let me explain!

1. I have a headcanon that violet-bloods are not as obsessed with the hemospectrum as land trolls. This is due to the fact that they are mostly isolated, living in the sea. In that environment, there are only fuchsia caste above them, and no one below them Occasionally, rare purple-bloods get caught on the shores, but EVEN then, their status isn't significantly lower. They don't live in a society where lower-bloods are constantly stigmatized and killed for no reason. They simply don't have any possibilities to "grow" those oppressive, rigid attitudes. Eridan shows this well: no matter how much he talks about hating land dwellers, he always interacts with other trolls on almost equal footing—for example, by hitting on everyone and asking Karkat for advice.

2. Kaito has strong leadership skills and a desire to guide, mentor, and support others. He stands up for Kaede, takes Shuichi under his wing, and protects Maki. This demonstrates the attitude of a strong leader willing to take responsibility. It seems very reasonable for an intelligent, thoughtful violet who knows that he is in a position of authority and must be relied upon. He can't afford to appear weak. No wonder he hasn't told anyone about his illness...

3. He conquered the sea... AND CAME TO LAND!!! All these stories about Kaito in Homestuck could become TRUE if he really is a troll with access to EVERYTHING. Fight a pirate king? Hell yeah! And he WANTS to go into space! Maybe not to enslave worlds, but to get off the planet and pilot a ship—why not? He has nothing to fear, unlike many other trolls, as he'd literally be in charge, with only the Empress above him. But back to his travels: tired of his life at sea, Kaito could just go and explore the land, and nothing can stop him. No other troll but a sea troll could afford to do that (although land trolls shouldn't go to sea).

4. Kaito is daring. And combative. He is pretty much the only one in the class who has no problem expressing his displeasure to Kokichi (a purple blood!) regularly and hitting him. Kaito is generally capable of aggression (I shudder to think how Shuichi must have felt when he was punched—minus another protagonist?) and emotion, which is also characteristic of the highblood. Even when he tries to stop Kokichi at the end, he's probably the only one who can do so after Gonta and Miu was killed.

5. COLOUR SCHEME. Let's just leave him with a beautiful violet. Especially as a highblood, he has every right to dress up. Even a star coat :з

Aaand yeah that's it! It has been a bit of a journey, hasn't it? Gosh, I'm really embarrassed. If you made it to the end, I love you guys so much!!!! I hope you enjoyed it!!! I'll develop this thread if there's minimal feedback and people are interested. And, uh, if you have any questions or anything, go for it. Questions help develop this whole thing.

TRANSLATION PREPARED BY MY FAVORITE WONDERFUL FRIENDS SUNSHINES I LOVE YOU WITHOUT YOU THIS WOULD NOT BE POSSIBLE THANK YOU THANK YOU THANK YOU <33333

[pfangirl]

SAAMMM! Why we really should be excited for Season 2 of Tomb Raider: The Legend of Lara Croft

Honestly, as exciting as it’s been to learn that a second season of Netflix animated series Tomb Raider: The Legend of Lara Croft is on the cards; that it will in fact feature a team-up between former best friends archaeologist Lara Croft (voiced by Hayley Atwell) and documentary filmmaker Sam Nishimura (Karen Fukuhara); and that their pairing will revive the decade-old Salara/S.S. Endurance ship regardless of how things actually pan out romantically for the young women…

The greatest thrill actually stems from the fact that Season 2’s first promotional image reveals Lara and Sam glaring at each other. No grateful reunions shown, there’s clearly a lot of unresolved tension between the duo. And with a mountain of issues to scale, it feels safe to say that there’s going to be a lot of meaty emotional content paired with the show’s globe-trotting action. As in Season 1.

Before jumping into that, though, it’s worth remembering that Tomb Raider: The Legend of Lara Croft is playing fast and loose with the lore established in the games (if you take Roth’s revised depiction as an indication), and apparently acting like the tie-in comics and novelisations don’t exist at all. It’s therefore unclear how much of existing canon will filter through into Season 2.

That said, we can assume the former best friends aren’t on speaking terms – even if the series chooses to ignore Sam’s off-screen psychiatric hospitalisation twice(!) for Himiko possession, and a kidnapping or two.

Officially, if we stick to the games alone, we know that in Rise of the Tomb Raider, Sam wouldn’t talk to Lara even if her doctors would let her. By the time of Shadow of the Tomb Raider, Sam is communicating with Jonah again, but Lara simply wasn’t returning her calls. At a certain point after that, we can assume Sam gave up on reconnecting if Lara wasn’t making the effort from her side.

So yes, Sam Nishimura has every reason to be pissed, for two very good reasons.

Lara Croft is a terrible friend

The whole of Season 1 of Tomb Raider: The Legend of Lara Croft is Lara learning to get over her isolating tendencies; to treat the people who care about her with simple respect, like actually asking for help instead of treating it as a given, and communicating her actions instead of simply running out on people.

With Sam, the ghosting has been especially brutal because out of all the Endurance crew, Lara’s bff experienced the most trauma on Yamatai next to our title hero. Sam was betrayed by both Mathias and Whitman, set up to be burnt on the stake, violated by the invading soul of Himiko, killed cultists in self-defence, and before all that, she pulled strings (via her wealthy treasure-loving uncle) to fund the expedition when investors pulled out. Lara may have provided the directions to the island, but trust fund baby Sam made it happen, making her as culpable for the deaths and disaster as Lara.

The two friends could have found solace in their shared experience, but Lara is so wrapped up in her own guilt and pain that she never once asks Sam how she’s doing. As Reyes jeers back on Yamatai, “It’s always about Lara.” Back then, Sam instantly replied with a “That’s not fair,” but a few years down the line, that reaction is probably no longer the case. This after the pair were clearly each other’s biggest cheerleader, their ride or die, believing in each other and supporting each other’s dreams – typically when no one else did.

It’s notable in Tomb Raider: The Legend of Lara Croft that Lara reacts with especial prickliness when Jonah tells her to talk to Sam instead of using him as a message middleman. As soon as Sam’s name comes up, Lara immediately cuts off the conversation and closes her manor door. And when Lara briefly does calls Sam in the season, it’s solely for her own cathartic purposes. Again, there’s no asking how Sam is doing; it’s all about the “I” that is Lara. As a far more empathetic, less emotionally stunted person, it’s likely Sam will have picked up on the friendship imbalance. And, as a less easy-going and patient figure than Jonah, it’s not a stretch to say that her resentment has been quietly building towards Lara. For very good reason.

Sam isn’t a damsel in distress

This is the biggie. Sam clearly has a chip on her shoulder about being considered useless or inconsequential in comparison to Lara. While the topic is the source of her biggest argument with Lara in the Dark Horse comics – in the Queen of Serpents arc – it even surfaces briefly in the 2013 game when, before a mishap with a mounted machine rifle, Sam is in the process of explaining how Lara isn’t the only one who can be helpful.

The thing is, while Sam may label herself “a ditsy American troublemaker with a camera” in one of the 2013 game’s collectible documents, the reality is that she has kept pace with Lara Croft for years. As equals.

We should never forget that Sam and Lara had multiple “awesome adventures together” in their college years – backpacking, hiking, climbing and exploring the world. And as much as she’s shown enjoying the finer things in life, Sam is revealed to be as serious about work as she relishes play, having already filmed in some of the world’s most extreme environments, including the Arctic, Red Desert and volcanic regions. This attitude, in combination with her extroverted party girl nature, actually positions Sam closer to Classic Lara than the latest iteration of the character.

In 2013, Sam escapes the sinking S.S. Endurance on her own, and later steals a radio to communicate with Lara. In every one of her appearances in Tomb Raider media, barring the Ten Thousand Immortals novel, she’s proven to be driven, spirited, brave and resourceful, whether she’s fighting off an attacker with cupcakes, sassing her itchy-palmed kidnappers, defending herself against a shark, or stabbing herself to finally escape the presence of Himiko (all in the comics). That last one is especially important as Sam ultimately saved herself; not Lara.

Sam’s master improviser and problem solver status is even apparent in the first released image for Tomb Raider: The Legend of Lara Croft Season 2. While Lara is fully kitted out to face whatever is behind the door, Sam seems to be wielding an oversize lock or something similar. If Lara is Fred Astaire, Sam is Ginger Rogers because she does what Lara does… but essentially backwards.

As for why Sam is investigating the black market artefact trade, well, it could be to make a point to Lara, who has consistently sidelined her since Yamatai. Or, it could simply be that Sam is following a great story, in keeping with her professional ambitions; her own hunger for the truth – which once again mirrors her best friend’s primary drives.

As a side note, as we don't hear the conversation, we do maybe have to question if Sam actually called Lara in the final episode of the S1? Though it's likely it was Sam (reaching out to her previous savior in desperation, knotted up in complicated emotions regarding her own capabilities), it could also be a trick from a third party to get the brilliant archaeologist on the case.

Either way, given that Sam and Lara have a very different dynamic to Lara and Jonah, with the latter providing protection, reassurance and stability, Season 2 of The Legend of Lara Croft should have quite a different tone. Get the popcorn ready because if Season 1’s deep dive into Lara’s psychology was any indication, we’re going to get front row seats to the resurfacing of all of Lara and Sam’s resentments and other… pent-up feelings. Finally, after over a decade of dodging the issue.

We just have to keep fingers crossed that they’re both alive and reunited in some capacity at the end of it all. If Indiana Jones and Nathan Drake can have figures like Marion, Sallah, Elena and Sully backing them up in their adventures in various capacities, why can’t Lara Croft?