Y'know the thing about writing feral/unhinged versions of Orion/Optimus, is that you can't go too far into the feral/unhinged direction to a point where OP's core character traits are lost or become too diminished. After all, in a multiple-continuity franchise like TF, part of what makes the stories make sense is that even if details change (sometimes major details), the characters are still recognizably themselves to one degree or another. (Although this isn't always the case due to executive meddling or some characters being such blank slates from their initial G1 appearances that there's basically nothing to model them off of, but I digress.)
It's pretty much another reason why I love IDW1 Optimus, bc he literally is a canonical feral/unhinged Optimus who's unhinged as a direct consequence of who he is as a person and what he's been through. Like, he still has those fundamental character traits of trying his best to be moral and make good choices, trying to be a role model, etc, except after 4 million years of war and untreated depression he's basically holding onto his sense of self by his fingertips. So when he "goes feral" e.g. losing his temper and beating up/killing people or saying hurtful things, he's feral in a way that's directly tied to his normal personality and not just as a random quirk he has.
IDW OP's feral moments arise from the gaps between "Optimus' attempts to be who he thinks he needs to be" and "the reality of the world that he can't fix/seems to only make worse" that cause him to lose hope, or become cynical, or lose his temper. But in this case, the unhinged-ness makes perfect sense because it arises out of Optimus trying and failing to be the best person or to make the most morally good choices he's trying to make. Basically, the "feral/unhinged" label is just another way of me trying to say that he's not just unhinged because he's weird or because he's a bad person, but because it's an emotional reaction (more like an emotional explosion due to pent-up emotions) to the context he exists in.
I'd also say that IDW OP's personality being generally reserved/stoic and (trying to be) noble works in tandem with those moments he has of going feral because it makes him more realistic. His psyche is treated in a way where the writers are like, "Hey what if the pressure of having to be everyone's idol and be the best person in the galaxy at all times actually broke Optimus down mentally and emotionally?" It makes IDW OP far more relatable. Instead of naturally being a perfect Christ-like figure who never wavers in his morals or convictions and is just naturally a nice person who always has the wisest and best answer, being a good person is something that IDW OP has to consciously strive to be. Even when he feels like it's useless, or the cycle of violence will never stop, or any attempts he makes to help only ends up with things becoming worse.
And I feel like this does a service not only to IDW Optimus as a character, but also as a sort of moral/philosophical perspective for the reader to ponder upon? I feel like culture at large (or at least my experience of it) tends to believe that "goodness" in a person is simply an innate feature that people are born/not born with, and that being "good" means that you must be good at all times, both in your actions as well as the way you feel emotionally about yourself and the world. Like, there's a tendency for our vision of "a good person" to be good in every aspect at all times without having to try to be a good person. So I think IDW Optimus' character stands as a good example of how someone can be good at heart but still struggle to maintain those feelings of optimism and hope and justice. It's a good idea to have such a paragon of a character (in-universe and out-of-universe) be so conflicted and to even be mistaken, misguided, or make things worse because it shows that goodness is as much about "trying to behave/act in a way that is good" and not just "existing as an innately good person."
It's way more realistic for a person to want to be good, try to be good, and sometimes/often fail than it is for them to just be a good person. I enjoy the fact that IDW Optimus is both a good person at heart, but also has to strive to be a good person and live up to other people's expectations of what they see in him. I like how he wants to be a good person and change society for the better, but he also spends a good amount of time either feeling hopeless and alone or being angry at/detached from other people because of how frustrated they make him. He's realistically portrayed as someone who wants to be good and hopeful and change things for the better, but is also mentally and emotionally broken by that burden because of how impossible it is for him to Fix Everything and be the Perfect Prime/Leader/Autobot that people see him as. It's this fascinating mixture of "yes, this is who he is as a person" but also "there are things he desires to be that he could never possibly become or live up to."
This got really far off based from feral/unhinged Optimus sdklfjaslkdlfkas. The TLDR is that if people want unhinged OP, I feel like they should give IDW OP a chance because he IS unhinged but he's unhinged in a way that's a realistic/thematic representation of how being an Absolute Good is impossible. And how being a good person isn't just about Existing And You Are A Good Person, but rather goodness is a constant state of flux in which you adjust, you make mistakes, you lose your temper and feel hopeless, but then you pick yourself up and try again.
Also IDW OP really likes climbing in dangerous wilderness and jumping out of flying vehicles which I think is very feral and sexy of him to do.
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barton being awkward at first or even completely throughout a whole interaction whenever he's trying to comfort people is so in character for him TBH and let me tell y'all why because i think it's important to his character:
he can fake a lot of things. barton can fake being nice to people, he can fake being innocent, and he can even fake having a much stronger sense of morality around people if he wants to — but whenever it comes to empathizing with someone on an emotional level... barton finds himself often struggling with faking it because of the nature of it. and this is due to it being different than whenever he's trying to feign something easily comprehensible like innocence. but empathy is something that's usually viewed as innate in us as humans and has to do with love, which doesn't depend on logic. it's something that comes from within, so it doesn't have clear parameters as to how you should do it, so whenever barton tries to fake it in the event that he's trying to make someone feel better; he'll stumble. and so although barton can cognitively empathize with someone, his efforts to actually put himself in other people's shoes fall flat, as he just can't physically imagine himself being in someone else's position probably more than half the time.
so if your muse were to ever come to him seeming upset, barton would likely not know what to do / how to comfort them, at least for a bit before referencing back on how he's seen other people do it. because i hate to say it (i don't, in reality, but y'all know what i mean LOL) but barton does actively mimic behaviors that he sees people do whenever he feels the absence of a certain emotion. he especially does this whenever he's trying to appear charming to other people, but like i said, he'll also try to use what he's seen his peers do as a guide as for what he should do in regards to empathy. and sometimes he may even seem a bit flustered before he's able to do this because he knows that it is expected of him to be able to empathize with people and can identify it in other people BUT knowing how to approach faking it has always been sort of hard for him even as an adult.
but yeahhh, that's just my own two cents about how barton sometimes break character that he is quote unquote ' normal, ' though he does try to mask this around people who aren't really familiar with him as simply being social awkwardness. however, it is part of a larger thing with him as despite the fact that he can blend in with the population REALLY well and also is pretty good at manipulating others, i suppose you could say that barton is still not an expert at ' constructing empathy ' because whenever someone is visibly hurt in front of him... he is more liable to act like he isn't sure what to do, than to put on an act immediately since he is likely to feel nothing first before anything else. and i realize that that is a rather unsettling thought, but i think that he is a lot more suspectible to doing this with people he doesn't know well / who he isn't particularly close to, as he's got a lot more practice with being falsely empathetic towards friends and/or sometimes even family members.
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Oc question! What was Condor's childhood like? Or if that's a spoiler, how does he feel about his scars?
not spoilers! Condor grew up in a totally normal family, with his mom, his dad, and his two sisters. They lived out in the woods on their own, outside of a colony. Condor has always had a crazy high prey drive. like. a REALLY high prey drive. anything smaller than him he wants to catch and kill and such. This at first was great because he was a great hunter for his family and they praised him all the time for how much food he brought in. Now, condor isn't. the smartest guy. I hope i've gotten that across. Awful stats in both Wisdom and Intelligence.
Hunting prey was fun but it wasn't all that exciting after a while. So eventually he started hunting other cats! He kept it a secret from his family, just a side condor funtime, until his sister found him killing a cat, so he killed her! He couldn't stand the idea of the rest of his family hating him for the rest of their lives, so he killed them too! They can't hate him or be afraid of him if they're dead! Condor's scars from his ear, his lip and his front leg are from the tussle.
That whole thing did deeply traumatize Condor, but it also started Condor's extreme cheery nature. He was always a bit jolly and such, but it ramped up really bad after that. Without the worry of his family not liking what he was doing, he was able to go full hog on anything he wanted to do. You can be happy doing anything when you don't have to worry about the disgust and fear in your mother's eyes as you tear someone to shreds.
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I would like to know about your disaster tiefling! Backstory, current romance, what drives them, anything youd be excited to share!
thank you for indulging me! I cannot express enough that I am like a vampire in that I have to be explicitly invited to do something, so I'm grateful
This is my disaster tiefling Mercury, they're a mephistopheles tiefling rogue (assassin specifically) and they're allergic to making wise decisions
I have a hard time grabbing good screenshots from my console sometimes so a few of these are Crunchy™ but I genuinely love the range of lighting the game has that makes them go from somewhat well-adjusted looking to mostly just glowing eyes. I'll put the rest about them under a read more!
Mercury usually sticks to decisions that will benefit themself or their friends above all else (and usually not through honest means), but they've been known to freely help children with no clear end gain. They had a great time around Mattis, the tiefling child, out-conning him. It's probably the closest to playful their group has come to seeing them be playful (save around Scratch/the Owlbear), since Mercury was using it as an opprotunity to teach the kid rogue techniques that would benefit him later from someone who's been at it for quite some time. It'd be cute if they weren't such an awful influence
Mercury's backstory is admittedly not something I've been able to work out past large overtones or some general character defining events, but they're a character that likes to keep their privacy and hold things that matter to them close, so I think it works out in the long run. They were fiery and loudly defiant against the world and its cruelty when they were younger, but as they grew older and realized that the only person they could rely on was themself, they grew more cunning, quiet, carefully composed, and discarded the intense emotions that once drove them. This change most likely came from being used + discarded by a disguised devil, and they have an extreme discomfort and distrust for devils or the Infernal as a result
I like to call Mercury a mirror - they're a reflection of the general harshness the city had on them (being a scrappy tiefling with nowhere to call home), but once they're surrounded by people who offer them kindness (Wyll/Karlach/Gale particularly being huge influences) they actually almost habitually return kindness + favors to the small group close to them. Their friends are one of the only noted exceptions, though; they still don't really do great in the empathy department otherwise
I could write several pages about Mercury's romance, BUT I'll try not to ramble too long (narrator voice: this was a lie). Mercury is romancing (spawn) Astarion + their dynamic drives me up the WALL. The two of them had a weird push and pull to their early relationship - Mercury was well familiar with the song and dance Astarion was performing when he targeted them and knew he certainly had ulterior motives, but they... truthfully, between the empty meaningless void that had become their existence and the inevitable certain death they would now be facing as a result of being tadpoled, and the fact that they could never remember a single moment in their life in which they were wanted (let alone desired by someone), they didn't care. So they let him use them and they played along as coyly as he did, fully aware that the more that they got involved with him or the others the higher the chance they might end up walking away caring. Which, unfortunately, happened.
A lot of factors contributed to changing Mercury's apathy toward the group and ultimately swayed the change to caring romantically about Astarion, almost none of which was even Astarion's doing himself. It started with Wyll, who was always kind and selfless without a second thought, who willingly chose to risk losing everything against Mizora because he'd rather stand by Karlach. And Karlach herself was easy to get along with - she cared deeply and loudly about those around her and wasted no time or consideration into treating Mercury with the same warmth as she did the others. Gale, maybe surprisingly, was the ultimate catalyst, though. He had formerly been a wizard Mercury kept at the same distance as everyone, one of the companions Mercury actually thought less often about despite traveling with him among the most, before they met Elminster along the roads to the Shadow Cursed lands. Mercury is hard to sway, but a goddess telling her most devoted follower that he only stands to make something meaningful of himself by killing himself ignited some long since extinguished anger in them - anger at the gods, anger at the world, anger at the shitty hands they and these people they're around were dealt - and Mercury drunk themself to sleep that night following the realization that fuck, this anger in place of apathy meant they cared. Astarion was next to show them a little vulnerability by letting them read his scars to him (and it drives me insane thinking about the level of trust he would've reasonably have had to have in them to turn his bare back to another rogue), revealing that he is only one part of an unknown whole, and that that unknown whole could very well be an Infernal pact. And so it goes - suddenly, Mercury was in over their head. Suddenly, they cared.
They both end up stumbling through figuring what a relationship (and even the full scope of what either of them truly want) means later, when they're both forced to face the fact whatever was between them is now real (and dangerous, Mercury reasons, because to admit they want to care and be alive means they have to invite back in all the hurt it could bring - hurt they're intimately familiar with - but they can't deny that what they have is nice.) Mercury is very much a deeply touch starved person, so they offer Astarion a lot of small, quiet moments of physical intimacy like leaning against him in camp, resting their hands on his, soft touches against his face to brush against his hair, stuff that, in general, he probably has no lasting memories of ever having. In turn, Astarion offers them a quiet sanctuary - a gentle reminder - that they have others they can lean on and rely on and that they don't have to bear their burdens alone. There's a lot of push and pull in this stage of their relationship, too, but it's less about a game they're performing and more about learning boundaries, limits, and the depths that they're both willing to admit to themselves about whatever it is they have.
By act 3, Mercury has no doubts about where Astarion stands to them, and truthfully I don't think Astarion does about Mercury either, but it's a bit harder for him to think about with certain looming disaster hanging over his head. Reasonably. He sort of lashes out the closer they get to dealing with the inevitable, not in the way he's harsh, but in the sort of defensive "I feel like a cornered animal so I'm reverting back to trying to pull the strings (new strings at that!) to use/manipulate you into doing what (I think) I want because I genuinely can't believe in a kinder future for myself" sort of way. Mercury by this point can see right through him and offers a constant, steady pressure by always pointing out "If you do this, you'll have to do a lot of difficult things, are you sure you're prepared to do that?" and by the point of the crypts, it's clear he'd be really fucked up by carrying through with it now that he's had to come face to face with both what he's done and what he stands to become by taking Cazador's power, especially after finding the scroll about the other vampire masters. So Mercury stands firm and becomes his reminder that things don't have to end in bloodshed, lashing out, and bared teeth - a lesson Mercury themself was taught by the kindness (a kindness they had always lacked) their companions (now friends) never gave up on. Their relationship is stronger for it and they're genuinely good influences on each other (somehow, Astarion has become some sembalance of the voice of reason and is a good 90% of the reason Mercury has stopped doing things with no regard to their own self preservation now) and they're both extremely well adjusted partners despite the so many issues both of them have. Who would've thought the local pair of murderers are an exceptionally sweet couple???
I have rambled for far too long and I have a thousand more things I could say about Mercury but I'll spare you because it is very early in the morning, but thank you for letting me speak a little about them!! I have a playlist and a pinterest for them if anyone is seriously further curious about them and my inbox is always open for more questions but I must sleep for now
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