#hettie smith

[egret-orchids]

alternately artemis is the lead singer of a band named huntress which basically consists of sftg's versions of the virgin goddesses. not sure what to name athena yet as only apollo and artemis really share their gods' names. like hestia is hettie. and ares is aaron (vaguely similar names to me) but i can't come up with athena's first name. shes 'a____ thompson' though

(someone please send me an ask on school for the gods it has my SOUL)

[sgt-mark-smith]

I'm so sorry.

[rookheeya]

NCIS Los Angeles

S03 ep22 Neighborhood Watch

Poor Nell...

[ncisladaily]

Since the show is wrapping it’s 14 Season run tonight, I would like to say a lot of thank yous today to a lot of people. 🥰

1st, To all the Series Regulars this show had over the years! A very special thank you to letting us get to know you all and to love you for so long. Linda, Chris, Todd, Dani, Barrett, Peter, Adam, Eric, Renee, Miguel (NEVER FORGOTTEN!!), Nia, Medalion, Caleb and Gerald, thank you all so much for all the memories! 🤗

2nd, To all the followers this blog has amassed over the years! I’m glad you all found this fun site and decided to stick with it.

3rd, To all the wonderful fan content creators on here for all your fun stuff!

4th, To the OG admins of this wonderful blog. Thank you for making and preserving this blog for as long as you did, and to Megan for passing this on to me in 2020.

It’s been a real blast to get to report on this show and to make and share fun content on here for so long of a period.

And not to worry, this blog ain’t going away anytime soon. :) New content will always be welcome (just keep being inspired!). Plus, we enjoy getting to talk about what the cast is doing! We’ll always gladly report on any future cameos in other NCIS’s.

And plus, if a Hetty prequel, or any kind of prequel or spin off to this show happens (it’d be soooo wonderful though if a Hetty prequel was made though!), we’ll gladly report on it with vim and vigor! 

Cheers to everyone 🍷, and I hope you all enjoy the final episode and the 1 hour retrospective!

-Maria ( @blogger360ncislarules )

[badmovieihave]

Bad movie I have Jabberjaw 1976-1978

[stardreamer28]

so I’m sure everyone’s heard by now of the cancellation. thankyou for all the years of fun, adrenaline, and heartpounding action! NCISLA was one of the first shows my sister & I watched and even my mom got into it. I started in s2 and went back to s1. and while I haven’t watched much of the past 2 seasons I still love the show. I also found Kurt, Vyto and many other guests who've become favorites. I’ve enjoyed watching David be Eric’s stunt and now a character. Kensi was so amazing and Dani’s a wonderful actress. I grew up on Chris O’Donnell and naturally loved the Callen/Hetty dynamic. also everyone knows of my Nallen love. it’s been many ups & downs, great moments, frustrating times, but we all loved it. can't wait to see what's next for everyone!

btw since I haven’t watched much this season, did they ever confirm if Hetty was the one whose body was found when that military person called Kilbride? last I saw a full episode Callen was convinced Hetty raised him basically an assassian like Anna ugh. which I never thought was true. I looked at it as she taught him to protect him, the same way she did from the Comescus

[flufallo]

How the hell did I attualy do that I'm confused.

I basically just copied my oc but without the hearing aid wut.

Might as well re name my oc stars then 🤷‍♀️

Here's attempt 2, except the only thing I know about you is that your ginger, and I'm tired so t looks like a five year old drew it 👍

[stargirlshojo]

What are songs that remind you of HMoney?

okok 1. i’m so EXCITED to be getting a genuine ask about them omg

and 2. this was really hard for me but here’s some i think kinda fit

Give up the ghost - Radiohead

idk this just reminds me of the emotional aspect of their relationship that we don’t see much on screen but it’s very clear to me that the #1 thing hetty is afraid of is being hurt. this often leads to issues where she doesn’t think of trevor because of her self preservation, i imagine she would eventually learn to unlearn this and feel safe and secure in their relationship and this song is just one of my favorites ever so i must relate it to them.

It’s hard to turn me on - Quasi

hetty has a certain amount of shame in letting her allow herself to be in a relationship. and i think trevor wouldn’t understand this at first. idk i think they would have to work through this because of hettys repressed-ness and trevor’s seeming openness (but he’s actually not all that secure himself!)

Big me - Foo fighters

OK this one is happy finally. idk i love the idea of trevor pining for her for years and her being completely oblivious until they start hooking up and she’s like… yeah… that’s why he was like that…

A certain someone - The sundays

this one a silly one lol idk i just like the idea of hetty being like “well i’m still better than all of you… except maybe him i guess…” obviously not being truthful but eventually i think her trevor would stop acting like they weren’t completely and utterly devoted to eachother even if it’s still in private

Is it really so strange? - the smiths

basically trevor likes her a lot and hetty has a hard time understanding why so she’s like “quit it!!!” and he’s like “no!!!” because it’s all so much for her on an emotional level seeing as she hasn’t had a genuine romantic relationship since the painter like a gagillion years ago. not saying she doesn’t like him just as much she just has a hard time processing it.

stutter - elastica

just for the dynamic of him being totally obsessed with her lol

ok that’s it sorry if these aren’t like all lovey dovey for the most part but i had fun enjoy!

[ineffable-endearments]

No Woman No Cry by Rita Marley with Hettie Jones

What could a memoir by Rita Marley, widow of Bob Marley, one of the most internationally renowned musicians of all time, possibly have to do with Good Omens? This is what I was wondering when I saw it on the "book club" list in Amazon's X-Ray feature, and what I was determined to find out by requesting it from the library.

[ID: A screen capture from Good Omens Season 2 Episode 2: several books on Aziraphale's bookshop shelf. From left to right, the legible titles are: I Capture the Castle by Dodie Smith; No Woman, No Cry by Rita Marley; The Crow Road by Iain Banks; The Curious Incident of the Dog in the Night-Time by Mark Haddon; Catch-22 by Joseph Heller; Love in the Time of Cholera by Gabriel García Márquez; Nineteen Eighty-Four by George Orwell; The Big Sleep by Raymond Chandler; The Bible; The Great Gatsby by F. Scott Fitzgerald; The Catcher in the Rye by J.D. Salinger; A Series of Unfortunate Events by Lemony Snicket; Herzog by Saul Bellow. There are a few other books, but their titles can't be seen in the screen capture. At the bottom of the frame are Gabriel's blurred fingers as he removes another book from the shelf. End ID]

Screen capture is from cap-that.com.

As a nonfiction narrative about real people, some of whom are still alive, No Woman No Cry is different from all the other books on the list. It's got intimate details about real people's lives and major historical events, and that is why I'm not going to make one-to-one comparisons to my favorite fictional story.

But I will write a summary and a reflection on it.

Warning for the summary and essay below about racism, colonialism, rape, and spousal abuse. Do feel free to chat or ask me about more specifics, if you're concerned about reading those subjects. Also, though it's a memoir rather than fiction, there are, of course, many spoilers.

So, first of all: I am in so very far over my head when it comes to discussing the deeper themes of this book. I grew up a middle-class white girl in Connecticut, USA in the 1990s and 2000s and experienced neither abuse nor fame in early adulthood; this memoir is written by a woman who grew up a dark-skinned black girl in deep poverty in Jamaica in the middle of the twentieth century, then experienced a dizzying combination of fame and abuse almost all at once. I can empathize with Rita's story as she tells it, but to analyze and extrapolate in any sort of insightful way? No, I don't think I can do that. No Woman No Cry deserves reflection, though. Please kindly bear with a little clumsiness.

I can see from online discussion that a lot of people come out of this book feeling shocked and dismayed to discover that Bob Marley did, indeed, abuse his wife, including an instance she described as "almost rape" when he simply would not accept a sexual rejection. After writing about all this and more, though, Rita Marley continues to miss, love, and admire Bob; per the online comments, many readers seem to have decided that she is misguided, afflicted, or outright delusional for feeling this way. Although I could not forgive Bob's abuses, I also cannot dismiss the positive meanings that Rita has taken from her time with Bob. It's her story, not mine, and she already has her own way of synthesizing the good, the bad, and the ugly.

Summary

No Woman No Cry starts with Rita Marley recalling Bob Marley's death.

But then I started to cry and said, "Bob, please, don't leave me." And he looked up and said, "Leave you, go where? What are you crying for? Forget crying, Rita. Just keep singing. Sing! Sing!" So I kept singing, and then I realized, wow, that's exactly what the song was saying: "I will never leave you, wherever you are I will be..."

Rita Marley's full maiden name was Alfarita Constantia Anderson, but she went by Rita her whole life. Her parents separated, as was common, and she lived with her beloved Aunty Viola for much of her youth. Rita was bullied by her classmates for her dark skin; though most Jamaicans are people of color, eurocentric beauty standards brought in by colonialism still led to a strong bias toward lighter skin.

Rita met Bob Marley in Trench Town when they were both getting into music; Rita was in a group called The Soulettes, and Bob was in a group called The Wailers with his friends Peter and Bunny. They bonded over music. They also bonded over Bob's generosity with Aunty and taking care of Rita's child, as Rita was a single mother at the time and Bob was nurturing toward her baby daughter, Sharon. Interestingly, Rita stated she initially got involved in Bob's personal life because she felt she wanted to take care of him, as he didn't have anywhere comfortable to live.

Bob got Rita interested in Rastafari, which connected with her spiritually and helped her gain confidence in her beauty and worth as a black woman. Rita gives Bob a great deal of credit throughout the narrative for helping her discover herself.

Rita and Bob had very little income for the early part of their marriage. They had to stay in a single room at Aunty's house, and although they loved Aunty, it was just too crowded, especially since Aunty and Rita's brother did not approve of all of their decisions. They were judgmental of Rastafari, for example, which had no respect in Jamaica. (Although there is still bias against Rastafarians today, things are a bit better.)

Over the next several years, Rita and Bob moved a few times while continuing to work on Bob's music; they had homes in Nine Mile and then again in Kingston. Rita describes the two of them getting into "love fights" and then making up; they would fight "like children," as she put it, although she was left with physical injuries at times. Aunty warned Rita against staying with a spouse who would hit her. Rita, however, didn't want to leave, partly out of love and partly because she felt that maintaining the marriage was a duty. She also believed she and Bob would always actively choose to be friends, no matter what happened. Bob made up with both Rita and Aunty.

Rita considered different career paths, which included some music, but also the possibility of nursing. On the other hand, Bob devoted himself entirely to music, except for a short time working in the United States. Both Bob and Rita worked in the United States at different times. Neither of them liked it. During Rita's stay in the US, she hated being away from home and felt like she was growing apart from Bob. When Rita got back to Jamaica, she discovered that two other women were pregnant with Bob's children. Though she was angry, Rita decided that because of her spirituality and her continued love, she would remain married to Bob, but would focus on taking care of herself and the children. By now, the family had three children: Shannon (who Rita had before meeting Bob and who Bob formally adopted), Cedella, and David Nesta (better known as Ziggy).

This whole time, Bob had been working on music, with Rita helping when she wasn't away in the US. They had been establishing relationships with studios and selling records, and were seeing some success.

Bob and the Wailers' new producer gave them a house as a space to work and make music. That house was at 56 Hope Road in Kingston, and it's still a famous site today. By the time they got that house, Bob was entirely the one performing with the Wailers, while Rita was mostly taking care of the children. Because of the constant activity from strangers, business dealings, and womanizing that went on at Hope Road, Rita did not want to raise her children there, and she decided to get a government-sponsored house in Bull Bay, another city.

Bob ultimately bought the house in Bull Bay at Rita's request. Rita worked hard on developing her independence while she was raising the children there; she learned to drive and garden, and the garden yielded many fruits and vegetables. Aunty and other friends helped out, too.

Bob financially supported Rita and the children. He divided his time between the house in Bull Bay, the house at 56 Hope Road in Kingston, and tours. Rita and Bob's relationship seemed to be somewhat fluid here; on one hand, Rita describes herself as a "friend" or "sister," and she strongly contemplated divorce. But she also describes how she got a basement studio at the Bull Bay home, and how she and Bob would go down there to make out sometimes, or, more often, to make music. Sometimes, they'd even have little family "events" in that basement studio wherein the children, who were now a bit older and had strong interests in music themselves, could put on imaginary little shows for fun.

Although Bob constantly had girlfriends, he got inordinately jealous of Rita's friend and neighbor, Owen Stewart, known as Tacky. Tacky was not initially a romantic interest. However, Bob assumed he was. One night, Rita informed Bob that she didn't want to have sex anymore because of his constant philandering; she wanted to take a stand. But he was absolutely insistent, arguing that he should be able to have sex with her because she was his wife, until she finally went along with him. Rita comments, "I was almost raped that night."

It sounds like it was rape to me. And Rita got pregnant from it. She and Bob now had another son, Stephen.

Rita and Tacky had by then started having a sexual relationship, which Bob tried to confront Tacky about. One of Bob's girlfriends just happened to appear right while he was talking to Tacky, which was a massive embarrassment and which Tacky correctly used to point out Bob's hypocrisy. Bob stopped arguing, and Rita continued her relationship with Tacky. Rita also had a child with Tacky, a daughter named Stephanie, who Bob adopted.

Life, incredibly, moved on, and Rita suggested to Bob that she should start a juice bar with some of her produce at his Hope Road studio location. Bob agreed, and Rita started the stand that eventually became the Queen of Sheba restaurant. Everyone loved her organic food; Rita comments that Bob was her best customer and PR man.

While running the Queen of Sheba restaurant, Rita reconnected with some friends: Minnie, Judy, and Marcia. Minnie helped a great deal with the restaurant. Rita, Minnie, and Judy wanted to start a Rastafarian women's organization and school for Rastafarian children, while Rita, Judy, and Marcia agreed to sing together at a club. It was Rita's first public performance in a long time.

Right after this, The Wailers broke up. Specifically, Bob signed on again with the same record label and would still work with new singers as "Bob Marley and the Wailers," but the other Wailers, Peter and Bunny, left. They weren't happy with the way the label was headlining Bob. Bob felt deeply hurt by the group's dissolution, but he asked Rita, Marcia, and Judy to come sing backup with him in the studio and on tour.

Bob was paying Rita, as well as Marcia and Judy. But at the same time, Rita got to make music with Bob again, and she loved that. She was very happy to go on tour with him, partly out of a desire to spend time together again - through all the horrible things that had happened, they still loved each other and wanted to spend time together. Rita was also happy to be working on her own musical career. Rita, Marcia, and Judy had named their trio the I-Three, and this would be solid work for all of them.

Rita insisted on getting to be her own separate person on tour, a member of the I-Three instead of Mrs. Marley. She writes about wanting to continue looking after Bob on the road - ensuring his laundry was done and meals were eaten, for example. But otherwise, she stated, she was free to do whatever she wanted on the road in a way she couldn't be at home and wouldn't have been if she were expected to be acting as Mrs. Marley the whole entire time. She also, however, writes about missing her children and her home dearly.

Again, Bob and Rita's relationship continued to seem very fluid. Bob would get jealous if he thought other men were involved with Rita; there was even an incident when he came into her hotel room, started shouting when he saw a male friend in there, lifted Rita up off the bed, and dropped her back on the bed. But he also continued to have affairs and children with other women. Rita writes that she wasn't threatened by many of these women because there were so many of them and they didn't represent serious relationships. Rita also felt it was easier to just take Bob's children by other women into her home, and she often had friendships with their mothers. There were a few women who seemed serious enough for Rita to be hurt by their presence, but over and over again, she chose not to worry about it, because she viewed her role as more important.

Despite the difficulties of dealing with Bob's womanizing and being away from home, Rita chose to stay on tour for all those years because she was instrumental in holding together "such a good thing" - Bob's musical tours with the I-Three - and she sensed it was important to people all over the world. She also loved the sense of individual development she got from that time. Rita comments:

Take your troubles to the Lord and not to the people, I'd tell myself. So I did just that---I prayed. And I gave my part, I gave it honestly. I gave my part, from the heart, and I was paid for it. Paid every week, just like everybody else. So I could maintain myself, not just physically, but with a lot of spirit. And on good days, even though I wasn't altogether happy, I felt so independent, thinking, well, now I can do whatever I want, now I can buy clothes and shoes that I like, I can be---whew---just what I wanna be!

During the seven years they were touring (interspersed with time at home in Jamaica), Bob and Rita did have their arguments and fights, but they overall got along well and were still in love, so they solidified their relationship "as man and wife" again.

However, Rita still didn't feel individuated in the way she wanted to, so she signed with a record company named Hansa Music. Bob did not like this because he wanted to be the one to give Rita her big break; he wanted to keep the music in the family. He felt like white people (Hansa Music was a French company) were taking Rita away. But Rita and the record company were persistent, and he finally agreed to cooperate. Rita started working on her own individual music.

Bob had a political presence - people had come to think of him as "the voice of the people," and youth from the ghetto tended to look to him for help. People would come to Hope Road looking for favors and financial help, with which Bob was generous. But a lot of the people looking for help were mixed up with crime. He became anxious, even paranoid, as people sought help with matters that could endanger Bob and the family - people asking to stay at Hope Road to avoid gang violence, for example.

Eventually, the government asked Bob to do a peace concert called "Smile Jamaica" to encourage peace in the population before an election. Bob agreed, because he believed in peace.

Just after a rehearsal shortly before the concert, Bob and Rita were shot in an assassination attempt; Rita was shot in the head but the bullet didn't cause a fatal wound because of her thick dreadlocks, and Bob was grazed across the chest and shot in the elbow, where the bullet remained for the rest of his life.

Bob insisted on doing the concert anyway, with the bullet in his arm. Rita was up there with him, even though they hadn't been able to remove the bullet from her head yet, either.

After the assassination attempt, the shaken family spent some time in the Bahamas, in Nassau. Bob then went "into exile" in England, where he reconnected with one of his girlfriends. Rita and the children went back to Jamaica for school, but no longer felt safe in their Bull Bay home, so Bob bought a three-sister (three-family) house for them in Kingston. Rita and Bob continued to talk almost every day by telephone.

The political situation didn't lighten up - Bob's influence was being tracked in the United States, and this included intelligence agencies monitoring his mail - but he decided to return to Jamaica after about half a year because he missed his home. However, Bob returned to increased political activity, including more people asking for dangerous favors; again, gang members asked to stay in his home and wanted to act as his personal security.

Before what would be their last tour, Rita wanted to get a different house for the children. She and Bob disagreed on the house; Rita wanted a smaller but beautiful house on a hill overlooking Kingston, while Bob had plans to build a mansion he could settle into with all of his children and work on his music. Rita realized Bob was planning much more for himself and the children than for her, even though he also made a bunch of promises about being a better father, friend, and husband after this tour. He was planning to settle down. Rita told him that was nice, but still decided to put her advance from the tour toward the house on the hill.

During this next tour, Bob injured one of his big toes twice, first in 1975 - after which point it never fully healed because Bob would not give it a rest - and then again in 1977, after which the nail fell out and he developed malignant melanoma. He was advised to have the toe amputated. However, he refused, believing he couldn't perform without his big toe, that audiences wouldn't want to see that, and he was told the doctors were lying. He believed the doctors were lying.

They proceeded with the tour. Bob was extremely famous at this point, and Rita felt she was losing him; other people controlled all his time and influenced his every decision, and Bob felt obligated to keep up with all the demands, even at the expense of his own health. Eventually, Bob collapsed and was taken to the hospital, at which point he discovered his cancer had spread to his brain and he had only months to live. Because the diagnosis was terminal, Bob's managers were planning to keep him touring until he died, but Rita was outraged about this and called everyone she knew to insist on bringing the tour to a stop.

Bob did get cancer treatment, first in the US and then with a specialist in Germany. The German doctor, Dr. Josef Issels, managed to keep Bob alive six months longer than the other doctors believed was possible; however, he soon died very young, at the age of 36.

Rita was devastated. As they were both young, Bob's death was the first major loss Rita had experienced.

Moreover, Rita was immediately thrown into managing a ton of issues that had never been planned for. Rita was betrayed and taken advantage of by people who had been involved in managing Bob's finances, and she even ended up on trial because they accused her of misusing Bob's money after his death. However, everything Rita had used the estate's money for was legitimate. She acted according to the financial advice of his manager, and took care of the children, and paid for his funeral, and paid legal fees. Bob also simply was not as wealthy as people believed; his legacy has generated a lot of money over decades, indeed, but at the time of his death, he wasn't inordinately wealthy, or he wouldn't have felt so much pressure to do all that touring.

Summing up their relationship after Bob's death, Rita writes:

I thought Bob did the greatest thing by leading me to find myself. ... 'You are what you are, you are black and you are beautiful.' And I know there are many, many others who learned that same lesson from him.

Rita went on to carry Bob's legacy forward, keeping his music alive. In 2000, Time magazine awarded the "Song of the Century" title to Bob's song "One Love" and the "Album of the Century" title to Bob's album "Exodus." Bob's children now have musical careers, which Rita has nurtured.

Rita was able to set Aunty up, eventually, with everything she wanted, and Rita's father came home to spend time with his many grandchildren. Eventually they both passed away, and as keenly as she felt the losses, Rita was able to lean on her friends. Rita also had one more daughter named Serita with Tacky.

Over the past few decades, Rita has continued to pursue her dreams and live an incredibly active life. She has continued to promote Bob's music, but also moved to Ghana and started a nonprofit called The Rita Marley Foundation, caring for infants and the elderly. She has done a great deal of humanitarian work.

Worth noting that Rita structured this book so it ended with the same idea with which it started:

So I started to sing, as he told me to do, and just as he said it would be, everything was all right. Rastafari!

The Big Picture

The way I see it, a big part of No Woman No Cry is about identity and individual will. The concept of identity is in the ways we're defined by our connections, from intimate connections to large-scale social contexts, and in the ways we're defined by our own choices. It hit me with almost every chapter how strong Rita's individual will was while at the same time being interconnected and interdependent with so many other people in her life, and, of course, being shaped by her race and Jamaica's status as a colonized nation until 1962.

This book is also a study in the complexity of human connections - particularly, in how it is possible to meld hopes and dreams with another person's, and to unreservedly lean on other people, without losing one's sense of self. Rita and Bob chose to marry because they had mutual dreams; Rita chose to stay with Bob, though, because of the way she personally wanted to live. And she simultaneously pushed for her independence, which in the end was the thing that allowed her to do so much of her own humanitarian work and carry on Bob's legacy, too.

This pattern, wherein individual will and relationship connections mutually strengthened each other, carried out with all of Rita's close friends and loved ones. I'm thinking especially of Aunty - Rita and Aunty clashed a great deal in Rita's youth, and yet, each valued their family connection as much as their own individual will. They stuck together despite the friction; Aunty helped raise the children, and later, Rita was able to provide Aunty with a comfortable life. That in turn was possible only because of Rita's insistence on making her own choices while Aunty insisted on continuing to provide support.

Hand-in-hand with the concept of identity is memory. This is, after all, a memoir. Its very purpose is to solidify memories, to put them in the form of a book and to help other people understand Rita's life with Bob. When Rita explains her motivations in writing, she's giving her individual will, her choices, a material presence in the world. Although I don't believe Rita comments on this in the book, I'm imagining that the act of putting her memoir in writing helps solidify her power over the narrative of her life; by writing out our stories and the thoughts that inform them, we can illuminate the power our own choices have.

Another theme running strong throughout No Woman No Cry is faith. In high contrast to the themes of The Crow Road, Rita Marley's faith doesn't hold her back; it gives her strength and connects her to others. "Faith" for Rita means Rastafari. It helped her connect with her inherent worth as a black woman, and it helped her see her own success as part of a better world overall. Rita shores up her faith against the oppressive, authoritarian nature of colonialism. For Rita, faith isn't something that subdues her with dreams of another world; it's something that moves her to act in this one.

The book opens and closes with assurances that Rita should just keep moving forward (singing, in her case) and everything will be all right. That's also faith - the belief that she will succeed if she just presses forward, even if she's not sure how that can happen. Her spirituality allows her to tap into this, but it isn't specific to a particular belief system. It's just about being willing to believe, time and time again, that one foot in front of the other will ultimately lead somewhere good.

Altogether, I believe No Woman No Cry was on the Good Omens book club list because No Woman No Cry centers the depth of the human experience: the things that make us who we are, the ways we connect with other people, and how we can figure out where we belong.

[childlikegoblinqueen]

Micro Writing Notes. and preview…

In the present, Hunter realizes how important it is to stand up for himself and how this will be key in protecting his family.

In flashbacks, Hunter is trying to prove himself to someone who would never actually accept him.

He’s used to this.

But back then there was the question of owning up to one person who definitely had something to say about the everlasting oath he’d made with Hermoncules.

“YOU DID WHAT?”

Okay. Willow – no — his girlfriend – no. The Captain was mad. Very, very mad.

“I know. I’m sorry. I’m so sorry.” Hunter dropped to his knees, “Please don’t leave me, Captain. I won’t fail you, I promise.”

A soft hand fell on his cheek.

“Hey.” Willow knelt down to his level, “I’m not going to leave you. Why would you even say that?”

“Consequences… “ Hunter whispered. “I made a decision that could affect the Entrails and because of my actions, you would be down a player.” His eyes trailed to the floor. All he could see was his and Willow’s knees barely touching. “Actions have consequences…” he whispered.

Also… Hettie is still missing! 😱

No body = good news? I guess that depends on what you think about Hettie!?

[thecryptidbard]

Back at it with another Ghosts tarot card—this one is Hetty as The High Priestess!

This card is so much about reconciling one’s inner and outer selves, and learning how to effectively express that internal world; one of the things that really fascinates me about Hetty is that she has such a carefully curated Public Persona (largely thanks to her era/class), but also has such a rich interior life with these withdrawn spells where she just stares out of windows contemplatively for hours at a time, which is what really made me see her as this card. I hope that we get to keep seeing her break down the boundaries between these different sides of herself going forward.

The original Pamela Colman Smith tarot card my design is based on can be seen here, and you can see the first Ghosts card I drew, Flower, here in my Ghosts Tarot tag.

[ncisladaily]

Fun throwback to the Season 7 premiere Tweet party!

from Barrett's IG

[demi-shoggoth]

2023 Reading Log pt. 14

Where the hell did November go?

66. New World Monkeys: The Evolutionary Odyssey by Alfred L. Rosenberger. In the introduction, the author laments that there aren’t any good books outlining the evolution and ecology of the New World Monkeys. If that's the case, there still aren’t. This book does alright by the ecology part—it has good summaries of the anatomy, behavior and feeding interactions of the covered monkeys. But the evolution is a mess. Rosenberger’s take on the evolutionary relationships between the animals covered here is iconoclastic, to say the least. He distrusts molecular phylogeny, uses synapomorphic characters that are basically just vibes, and has an entire chapter dedicated to lambasting the idea that any mammals could disperse across the Atlantic Ocean from Africa to South America (the consensus explanation) in favor of a hypothesized trek through Greenland and North America that has no evidence and still requires open ocean crossings. This was an incredibly frustrating experience to read, because there’s enough good content among the dross that I didn’t want to just abandon it.

67. Seaweeds of the World by John H. Bothwell. The weakest of Princeton University Press’ “X of the World” series. For one thing, the subtitle is usually “A Guide to Every Family”, whereas here it’s “A Guide to Every Order”. The book’s general coverage of seaweeds is pretty good—it explains why “seaweed” is a polyphyletic category but still useful in common English, explains the anatomy and the complex life histories of seaweeds. But the actual coverage of groups is lacking. Again, it doesn’t cover every family. And it’s more interested in seaweeds of economic importance than it is in their actual ecologies. Plus the writing is just kinda boring. This is the first entry in this series I do not recommend.

68. Lapidarium: The Secret Lives of Stones by Hettie Judah. Now this is more like it! This book is a series of short essays about stones and their cultural impact. I’m a sucker for cultural histories in general, and this is a very good one. I especially liked that it doesn’t just cover gemstones, as I originally expected, but also stones used in art and architecture, resources like coal, and the use of earthworks in religion. The focus is much more on the culture than the geology, but the book does discuss things like deposition of sediments and how metamorphic rocks yield gemstones in explaining why certain places have certain rocks. The book is also lovely to look at, with minimalist bands of color along the sides of the pages in the hues of the stones covered in that chapter.

69. Monsters and Monarchs: Serial Killers in Classical Myth and History by Debbie Felton. I was excited for this one. I had read Felton’s chapter in Monster Anthropology, which suggested that Greek traveler’s tales about werewolves and the murderous robbers encountered by Theseus in myth were both expressions of cultural fears about serial killers. Unfortunately, that article already covered the bulk of Felton’s actual argument and evidence, and this book is those 20 pages fluffed to 200. The only other really good material is some coverage of the distinction between Greek and Roman attitudes towards law and order, and what “counted” as murder in each society. The rest of it is handwaving and extrapolation from very little data, with just about every instance of mass killing that we have records of, from political uprisings to court intrigue, being taken as the work of a possible serial killer. Plus, the author is a Freudian, so we have to hear about coded references to rape and sexual violence in stories where there really aren’t any. Sometimes a bed where you get your legs cut off is just a bed.

70. Cult of the Dead: A Brief History of Christianity by Kyle Smith. They say you can’t judge a book by its cover, of course, but that title and that cover made an instant sale for me. I’m glad it did, too, because this is a good one. An explanation of the importance of martyrdom to Christianity, it does an excellent job of explaining why, exactly, so many people were willing and eager to die for their faith, and how this persisted in building a persecution complex among the dominant European religion for centuries. The book avers from discussing the present day for the most part, tapering off with the work of reformist Catholics poring over the many, many legends about saints and trying to determine which, if any of them, represent actual historical events rather than religious fictions. Other topics covered include the trade in relics, the role in martyrologies in shaping the modern calendar, and how women could most easily play a role in the Church through the mortification of the flesh. The book is eminently readable and very well illustrated.

[stardreamer28]

spoilers or maybe not lol:

its no secret i hated the wedding lol but the fact we got nallen at the end and chris’ son guesting and nate back made up for it lol. and the 50 ideas we now all have of them on a mission together hehehe.  as much as charlie looked like chris in s1, this kid chip is the spitting image. looks & sounds just like him lol. i kinda called the densi baby but i’m happy for them. though my heart still wanted deeks’ friend ray back (which we were promised years ago) and nadir to see callen ‘cause they had such an impactful episode & it would've made total sense to reconnect. i originally thought since the guy delivering the letter was arabic it’d be from nadir but i’m glad it was from hetty. and understand the possible reasons linda couldn’t be there even though we all wanted to see her. and as they said it was typical hetty & nell to have that side mission hehehe and loved seeing nate back as i apparently missed his appearence last year? oh and i looove arkady flirting with mama deeks!!

[typingtess]

NCIS: Los Angeles Season 14 Rewatch:  “Let It Burn”

The basics:  The team investigates arson at a defense contractor that has the signature of an environmental activist.

Written by: Indira Gibson Wilson co-wrote, “The Frogman’s Daughter”, "Signs of Change" and “Hard for the Money” and was the sole writer for "Lost Soldier Down".  Gibson Wilson played the sleeping Michelle Hanna before Aunjanue Ellis showed up in season four.

Directed by:   Rick Tunell directed "Revenge Deferred", "Se Murio El Payaso", "Where Everybody Knows Your Name" and “Hard for the Money” (co-written by Indira Gibson Wilson).

Guest stars of note: Duncan Campbell returns as NCIS Special Agent Castor from “Of Value”; Justin Huen is Randall Perez.  He was Santo Perez in season two’s “Personal” as the man who shot Deeks.  Ashlei Sharpe Chestnut as FBI Special Agent Summer Morehurst; Romi Dias as Denise Perez, Thal Gondim as Crystal Perez; Brian Leigh Smith as Bomb Tech Aaron Roberts; Rhomeyn Johnson as Terrell and Joe Corzo as Foreman/Michael Duncan

Our heroes:  Are all over the place with Kensi in DC, Callen locked in the office, Sam and Deeks teamed up and Rountree working with an old girlfriend.

What important things did we learn about: Callen:  Reading the Pembrooke file as part of his library day. Sam:   As a caretaker, he has to think about his father first. Kensi:  School trip with Rosa and 24-other 16-year old girls. Deeks:  Offered a trip to Costa Rica. Fatima:   Sent in the field because Callen had a library day. Rountree:  Dated a coworker at the FBI. Kilbride:  Keeping Callen on track.

What not so important things did we learn about: Callen:  Not training for a triathlon because he as common sense. Sam:    Training for a triathlon. Kensi:  OK with Deeks going to Costa Rica – she might go if he doesn’t. Deeks:  Not going to Costa Rica. Fatima:  Wants to know the Rountree-Summer story. Rountree:  Training for a triathlon and going to Costa Rica.  Kilbride:  Not sure Henrietta is Hetty’s first name.  Not sure he likes her either.

Where in the world is Henrietta Lange?  In the Pembrooke file.

Who's down with OTP:   Deeks is trying to figure out a solo Costa Rico trip, worrying that probably won’t fly with the family at home.  Rountree has an ex in the FBI.

Who's down with BrOTP:  A little Sam-Deeks bonding about traveling away from your family and becoming a detective through videos.

Fashion review:   Callen wears a long sleeve medium blue lightweight hoodie.  Sam started the day in a wet suit and wore a black long-sleeve tee for most of the episode.  He was in a brown one at the end of the episode.  Deeks has a pale blue henley for most of the episode but a baby blue hoodie.  Fatima wears a light gray jacket over a white turtleneck.  Rountree started the day in a wet suit too with too, too tight swim trunks.  Wore a gunmetal grey pullover sweater once he was dressed.  The Admiral wore his uniform – dark blue suit, light blue dress shirt, blue tie.

Music: “From Fire” by Perta is used in the teaser.  Deeks is shooting in the range with The Mighty Mighty BossTones’s “The Punch Line” playing over the speakers.

Any notable cut scene:  Not today.

Quote:   Kilbride:  “We've all done things we regret.” Callen:  “Hetty doesn't seem to be the kind of person to regret much.” Kilbride:  “Don't kid yourself.  Now, she may put on a good front, but Hetty has enough regrets for all of us.  She has done things that most wouldn't to keep the rest of us safe.  Unfortunately, that comes with some very dark, ugly things that you carry with you to your grave.” Callen:  “Well, I'm not sure how indoctrinating children does much to keep people safe.” Kilbride:  “I don't know.  Seems to me you keep people safe every day.  So maybe some good did come of it.  Even if their methods were ethically and morally questionable.” Callen:  “If not reprehensible.” Kilbride:  “I don't always agree with her.  And I usually don't like the way she operates.  Hell, I'm not even sure I even like her most days.  But I damn well respect her.  Henrietta, and I'm sure that's not even her real name, Henrietta has dedicated her life to the greater good.  She has made mistakes along the way just like the rest of us.  But it was always done in the service of this country.” Callen:  “So, am I a mistake or a dark, ugly thing she has to carry to the grave?” Kilbride:  “Only you can decide that, Agent Callen.  But in my experience, the past is a place to learn from, not to live in.”

Anything else:  In the evening, a construction crew is working in a high rise office building.  Mostly drywall.  The foreman is shutting things down for the night.  The workers start toward the door taking their hardhats, tools and backpacks.  One worker stays behind.

The worker starts spreading something on the floor and pours an accelerant on it.  As he lights a good part of the office floor on fire, the foreman returns.  The two men fight until the firebug knocks out the foreman.  The firebug tries to drag the foreman to safety but the entire floor is about to be engulfed in flames.  Leaving the foreman behind, the firebug runs.  A symbol is burned into the floor.

Callen is reading the paper in the boat shed by the coffee table.  Sam comes in from a swim with Rountree in tow.  Sam is thirsty, Rountree is uncomfortable.  He didn’t want to wear anything under his wetsuit but Sam found him swim trunks in the office lost and found.  Rountree is worried they belong to Deeks but Sam jokes they are Fatima’s.

Training for a triathlon with Sam, Rountree wonders why Callen isn’t involved.  Callen explains he has common sense.  Sam disagrees – Callen is afraid of sharks.  Callen isn’t but starts messing with Rountree by mentioning “McMurtry” who was shark bait.  Sam joins in on the fun before showering.

At the firing range, Deeks is shooting and listening to really loud music.  The Admiral arrives, pleased that Deeks is joining him in making good use of the early hours at the office.  Kensi and Rosa are on a school trip which gave Deeks the ability to surf, workout and shoot early in the morning like he did “pre-kid.”  Not that he’s complaining.  The Admiral offers Deeks the chance to attend the NCIS Western Conference.  Honored, Deeks is grateful for the offer but thinks he needs to stay close to home.  He recommends one of the younger agents – perhaps Rountree would enjoy Branson and a river cruise.  Rountree will get the Admiral’s consideration but the conference will be held in Nosara, Costa Rica.  Deeks reconsiders – maybe Kensi would be okay with him leaving the family behind for a few days.  It’s a week so Deeks is torn.

Sam took a long shower and hopes there is some hot water for Rountree.  As Rountree is about to go into the shower area, Fatima and Callen pop up on the plasma.  Sam asks for Deeks who he is told is trying to run a “boondoggle” on Kensi.  Fatima asks for Rountree, who is in the still way too tight swim trunks.  Fatima asks if Rountree is wearing her shorts.  Just kidding, she tells Rountree – they’re Kensi’s.  Rountree hates everyone.

Fatima starts with the case – the fire.  Global West Ventures, the people who had the office space, are Navy defense contractors.  The symbol burned on the floor was the signature of an arsonist named Randall Perez - O and A – On Alert.  Rountree was familiar with Perez – he didn’t work his case but the FBI was “on alert” for years when it came to Perez.  Perez blew up an oil tanker years back.  Shut down the 405 for a week.

Sam asks about the fire.  The office space was under construction and the foreman, Michael Duncan, died in the blaze.  LAPD thinks Duncan saw the arsonist and the two men fought.  This would be the first time an “On Alert” fire caused a death.  Rountree sees another difference in the fires.  Perez went after companies he thought were hurting the environment.  This was a defense contractor – not the same thing. 

Sam suggest he and Rountree go to the crime scene.  Kilbride told Fatima he wants Rountree working the FBI Agent in-charge of the “On Alert” cases.  Sam should met the with FBI as well.  Callen asks what is his assignment from the Admiral.  The Admiral wants to see Callen in his office. 

Castor bring the FBI Agent in charge of the “On Alert” cases into the boat shed.  FBI Agent Summer Morehurst tells Sam her boss thinks highly of him but not to play Sam in pickleball.  Sam knows her boss – Rashid Perkins – and Rashid knows what Sam can do with a paddle in his hand.  Morehurst reviews Perez’s history for Sam.  He started as a non-violent activist who was creative in his protests.  Trained as an artist, Perez made sculptures out of the plastic straws he found in the ocean.  Sam asked when did Perez change.  After a number of arrests for disorderly conduct at more radical protests according to Morehurst.

In 2017, Perez started setting fires.  It took the FBI nearly a year to identify him.  When the FBI started to close in on Perez, he set nine fires over two months.  He fled to Mexico when the FBI got too close and has been a fugitive for three-years.  This is the first time Perez has resurfaced and Morehurst vows to catch him.

Just after Morehurst’s vow, a towel-clad Rountree walks into the boat shed’s main room.  He’s looking for his clothes.  Rountree and Morehurst call each other by their first name and being the world class investigator he is, Sam deduces the two know each other.  “You can say that,” they both reply simultaneously.

Knocking on Kilbride’s door, Callen has some opinions.  He gets that Rountree has a past with the FBI (oh, if he only knew) and he’s good with Rountree working with them.   Sam, however, does not need to be supervising Rountree’s debrief with the FBI.  “I’m sorry you miss your bunkie but this isn’t summer camp,” the Admiral replies.  Sam is working with Deeks, “poor devil.”  When Callen asks why, the Admiral tells him “that’s what I want.” 

While the Admiral believes it is healthy to question authority on occasion, he’s getting pissed off about it being a regular occurrence.  Passing Callen a large folder, Kilbride shares all he could find on Pembrooke.  Callen knows he overstepped and thanks Kilbride.  Kilbride tells him it isn’t a gift – just a way to keep Callen focused on the job and not a ghost from his past.  This puts a halt to Callen doing his own research.  Callen defends what he does on his own time and it does not impact his work.  The Admiral disagrees – they wouldn’t be having this conversation otherwise.  Calling it a “library day”, Callen is told to do his research in the office and is dismissed.

A properly dressed Rountree returns to the boat shed.  He asks if Agent Morehurst – Summer – set this up.  She knew he was working for NCIS.  Summer replies that if she wanted to see him, she would have called him.  Except she forgot that he doesn’t know how a phone works.  “Ouch, fair shot.”  Rountree apologizes but Summer says “we were a long time ago.”  Explaining that when they were dating, he was leaving the FBI, Jordyn was starting college – Rountree had a lot on her plate.  Fatima pops up on the screen but neither Rountree or Summer notice.  Still talking about their past – they were a couple for three months – Fatima really tries to make her presence known.  Rountree does introductions and it is all very uncomfortable.

Fatima found Perez’s sister, Denise.  She’s lived in the same house for 20-years in Gardena.  The FBI is aware of her.  Summer gets a call.  While she is dealing with the call, Fatima wants some gossip but Rountree shuts off the plasma.  A returning Summer tells Rountree her agents did some digging into the construction firm.  They are a well-run company – no major violations or complaints.  Thinking Perez may see his sister – and his daughter who is living with his sister – Rountree and Summer are having them brought in.

Finishing a call with Kensi, Sam ask Deeks about how he brought up the trip to Costa Rica.  Since Kensi is chaperoning 25 16-year olds in Washington DC, Deeks didn’t think this was the best time to bring up the trip.  Deeks asks Sam if he would go – now, with Raymond living with him.  Being a caregiver, Sam couldn’t go.  He needs to put Raymond’s needs first. 

At the crime scene, Sam sees some differences with Perez’s MO.  The fire was set much earlier in the evening.  Perez started his fires between 2AM and 4AM.  If the fire was started between 2AM and 4AM, foreman Michael Duncan would be alive.  The fire could have taken out the entire building.  Instead, it was limited to the one floor.  Sam wants to see the financials of Global West Ventures.  Make sure this isn’t a set-up for insurance money by using Perez’s signature to distract.

In the boat shed, Rountree is speaking with Crystal Perez, Randall’s daughter, with her Aunt Denise watching out for her.  Rountree is trying to be kind but the Denise talks about all the problems Crystal had in school when kids found out who her father was.  Crystal suffered enough.  Summer brings up that Randall Perez caused a lot of harm.  The FBI and NCIS want to stop him before he takes any more lives. 

Summer asks about Crystal’s life.  She’s a guide at a museum, planning to study being a curator in college.  Asked if she heard from her father, Denise jumps in saying that Crystal hasn’t heard from her father – “he’s dead to us.”  Crystal admits she has heard from her father.  

Denise is surprised and unhappy – Randall is dangerous.  Crystal explains that Randall is sorry – he left just as Crystal’s mother died.  He’s also sorry for what he did.  He’s considering turning himself in.  This catches Summer’s attention – does Crystal know where Randall lives?  She doesn’t.  They last spoke a month ago.  Rountree asks for Crystal’s cellphone number.

Fatima talks to Deeks – Global West Ventures is flush with cash.  The fire was not for the insurance money.  Sam is checking out the fire inspector’s report.  Thermite was used for the fire, something that is easy to make and transport.  Perez had his own recipe for thermite but tests will need to be run to see if the recipes match.  Nothing about Perez’s recipe was told to the public in the past – a copycat would not know the correct mixture.  Since thermite’s main components are iron oxide and aluminum powder used in bulk, only a few retailers would have them.  Finding where there they were purchased probably leads to the arsonist.

Callen is reading the Pembrooke files and having flashbacks to his oh so happy childhood.

Deeks is looking for footprints in the parking area behind the office building.  He’s a fan of Freaky Phil’s Forensics, leaving Sam worried that Deeks learned to be a detective on YouTube.  Sam is more interested in surveillance cameras while Deeks explains the thermite sticking to arsonist’s shoes if the shoes had deep grooves.  Sam finds some tire tracks while Deeks sees if a footprint belongs to the arsonist.  When the footprint catches fire, Deeks is pleased.  Based on the footprints and the tire tracks, the arsonist got in on the passenger’s side.  This is a two person job.  Since Perez always worked alone, this is looking like a copycat.

Kilbride catches Fatima listening in on Rountree and Summer.  She tries to explain “ghosting” to the Admiral, who knows what that is.  He’s more interested in a sit-rep than Rountree’s past.  A traffic cam caught the car leaving the parking area but the video is too grainy for facial-rec.  The plates belong to a dead man with a different car so that’s a dead end. 

More interesting was a number both the FBI and NCIS suspect belongs to Perez retrieved from Crystal’s phone.  As soon as she left the boat shed, Denise Perez called the same number so Denise has been in contact with her brother.  While the arson is likely the work of a copycat, Rountree and Summer are going to follow Denise to see if she leads them to Randall.  The Admiral tells Fatima to stop eavesdropping. 

Fatima has two stores that have the components needed for thermite with one making a large sale to a company called Core Dynamics two days earlier.  Core Dynamics has no certificate certifying it is a real business and the components were sent to an apartment building.  Sam and Deeks are on their way.

Denise Perez is in a public parking lot when Rountree and Summer pull in with the Land Rover.  Summer is annoyed – she wants to arrest Denise right way for lying to the FBI.  Rountree wants to see how things play out.  A man walks up to Denise’s car – she gets out to hug him.  It’s Randall Perez.  When Rountree and Summer approach, Randall runs and Rountree chases after him.  Denise tries to drive away only to turn around and try to take out Rountree using her car.  Randall Perez flees in his own vehicle.  Denise is under arrest.

At the apartment building, the manager explains he rents out garage space behind the building – www.parkyourauto.com.  Opening the garage that got the components delivery, there is no car but there is a lab set-up.  Sam sees a trip wire that would burn down the garage and cover the renter’s/arsonist’s tracks.  LAPD bomb squad is called.

Summer explains to Denise that she is facing life in jail for the attempted murder of a federal agent while helping a known fugitive escape.  Rountree thinks the judge would be lenient if Denise cooperates.  She’s not in the mood.  Randall did not set the fire.  He believes the FBI and NCIS are trying to pin it on him because of his past.  In his past, Randall believed he was doing the right thing – it is why Denise forgives him.  Rountree asks if Randall had an accomplice.  Two people were involved in the Global West Ventures fire.  Since Randall wasn’t involved with that fire, how could he have an accomplice?

Fatima joins Sam and Deeks as the bomb squad gives the garage the all-clear.  The IED attached to the trip wire probably wouldn’t have done much damage on its own but with all the accelerant in the garage, it likely would have taken out all the garages in the back of the apartment building.  Sam asks why Fatima is there and is told Kilbride sent her instead of Callen.  She has a piece of equipment – a mass spectrometer - that will analyze the thermite mix in the garage.

In the garage, Fatima asks Sam’s opinion of Summer.  Sam thinks she was nice until Rountree arrived.  Deeks is brought up to speed on the Rountree-Summer tea.  Fatima thinks it is like “When Harry Met Sally” mixed with “Love Jones” which means nothing to either Sam or Deeks.  She also says none of this is her fault – Rountree and Summer had their comms on.

The analysis matches the thermite mixture in the garage with Perez’s special recipe.  Deeks finds some maps of Los Angeles and a list of targets.  Global West Ventures was fifth on the list.   There is a health care company, an investment bank and a shoe manufacturer.  Fatima calls in the list to LAPD.

The Admiral has info for Sam and Deeks.  The dead man whose license plates were used in the arson is Christian Navarro.  The plates were cited in two-DUIs before he died.  The driver was Marco Navarro, Christian’s son and Deeks thinks is Perez’s accomplice.  Better news – the burner phone used by Randall to speak with Crystal and Denise was traced to a home in Echo Park.  Sam and Deeks are on their way.

At the Echo Park house, Deeks pretends to be a food deliveryman.  Perez runs and Deeks chases him through the house.  Sam is waiting at the back door.  A handcuffed Perez explains he has been trying to stop Marco Navarro.  He’s been looking for Marco Navarro.  Before he went on the run, Perez asked Navarro to store some of his explosives.  He thinks Navarro had his own mass spectrometer and figured out how to make his own explosives – Navarro is a smart man.  When he heard about the fire and the signature, he knew it had to be Navarro.

Saying they may believe him, Sam asks who would be Navarro’s accomplice.  Perez doesn’t know.  Navarro is a young, brash man who wants to change the world.  They were involved in many peaceful protests together.  He was family, lived with Perez.  When he figured out who Perez was, Navarro wanted to join him in the not-peaceful protests.  Perez pushed him away.  Asked if Denise knew Navarro, she did not.   She lived in a different part of town. 

Crystal knew Navarro, however.  He was like a big brother to her.  Sam checks with Rountree to see if Crystal had any contact with Navarro but Crystal turned off her phone.  She hasn’t been to work in a week – she quit.  Denise says this is not like Crystal at all.  Deeks asks if Crystal knew Navarro had Randall’s explosives.  She probably did but Randall tells Sam and Deeks that Crystal knew he also regrets what he did.  Deeks asks if he regrets what he did or regrets getting caught. 

In the boat shed, Summer tells Rountree that Crystal’s car was found.  A witness saw Crystal get into a car with a man who looks like Navarro.  The FBI is checking the area traffic cameras for license plates.  Denise told Rountree that Crystal didn’t mention having any new friends or changes in her life.  Summer is confused about the targets Sam and Deeks found – none of them have an environment connection.   Rountree thinks Navarro may have a different agenda than Randall Perez.

Back in Ops, Fatima found a connection to the companies on the list.   All of the companies are major donors to Senator Greg Garrett’s reelection campaign.  Sen. Garrett was responsible for killing an environmental bill in congress.  Navarro wanted the companies to pay.  Garrett is in Los Angeles to tour a warehouse that is part of an urban renewal project but the warehouse is not on the target list.  The warehouse isn’t the target, Rountree and Summer think, Garrett is.  They are going to meet Sam and Deeks at the warehouse.  Fatima is going to update the Senator’s team.

Rountree and Summer meet with Sam and Deeks at the warehouse.  The Senator’s team is evacuating the place but the worry is that Crystal and Navarro had an hour to lay down the thermite and accelerant.  Entering the building, there is no sign of anyone – Crystal, Navarro or Garrett.  Sam and Deeks come across Crystal as she’s spreading thermite outside the warehouse. 

Rountree and Summer find Garrett and his aides.  Navarro opens fire, hitting one of the aides.  Rountree goes after Navarro while Summer gets Garrett and his staff to safety. 

Sam tries to talk Crystal into surrendering as he and Deeks enter the warehouse.

Rountree and Navarro struggle for about a second.  Navarro is apprehended. 

Crystal lets Sam and Deeks walk far enough into the warehouse so she can circle behind them and light the place on fire.  Sam finds a fire extinguisher and puts out the fire.  Crystal, on the run, winds up cornered by Rountree and Summer.  Crystal tries to explain that “we” are not the criminals.  She threatens to set herself and her bag of thermite on fire but Summer talks her out of it.  Crystal is arrested. 

The Senator’s aide is on his way to the hospital but everyone is fine.  Deeks mentions wanting to be a fireman – “mostly for the calendar.” 

At the end of the day, a tired Deeks is complimented Admiral for a good day’s work.  The Senator’s aide only suffered a flesh wound and is doing well.  Deeks says that after “extensive consideration” he’s going to turn down the conference.  The Admiral thinks Kensi would be relieved.  No, Kensi was fine with Deeks going, even thought she’d go if he said no.  The Admiral agrees with Deeks’s decision.  Besides, next year’s conference is in Albuquerque – perfect for Deeks.  Rountree is going to Costa Rica instead.

In the boat shed, Randall and Crystal share a hug before both are taken away.  Summer found the Perez's farewells bittersweet.  The FBI coordinated the farewell and Rountree approves.  Since she saved his life, Summer thinks she’s owed about five IOUs by Rountree.  She’s also grateful that Rountree apologized.  Sam arrives – Summer, her boss and Sam are going to play some pickleball. 

Once Summer leaves, Sam talks about starting their triathlon training at 4:30AM.  Rountree is distracted by Summer’s departure.  Sam thinks Rountree thinks too much.  “Call that woman – call her.”  Rountree chases after Summer.

The Admiral and his large decanter of scotch visit Callen in the bullpen.  Callen has the Pembrooke paperwork all over his desk.  Callen asks if the Admiral reviewed the information in the file.  He did not – he just called in some favors to get what he could find.  “This is your story, Agent Callen.”  It isn’t the Admiral’s place to invade his privacy, though his door is open if Callen wants to talk.

Callen doesn’t talk, he instead shows Kilbride a black and white photo.  It is Hetty and Pembrooke.  The Admiral explains everyone has done things they regret.  “Hetty doesn’t regret much,” according to Callen.  Kilbride disagrees – “Hetty has enough regrets for all of us.”  She has done things to keep people safe.  Dark, ugly things she will likely take to her grave.  Callen asks how indoctrinating children keeps people safe.  The Admiral thinks Callen keeps people safe, if the methods were morally questionable.  The Admiral isn’t a Hetty fan but he respects her.  Hetty is all about the greater good and she made mistakes.  But the mistakes were in the service to her country.  Callen asks if he’s a mistake or a dark, ugly thing Hetty will carry to grave.   The Admiral says the past is something your learn from, not where you live.

What head canon can be formed from here:    A rather generic, and talky to be honest, episode until the very end.  Nothing here wouldn’t have worked in season one, season five or season nine, just switching around the agents. 

Not thrilled with the family reunion at the end.  The foreman doesn’t get to hug his daughter one last time.

The end was very well done.  A quiet scene, really well written and well-acted.  Well worth the ho-hum 55-minutes before it. 

The Rountree scene cut in “Glory of the Sea” really would have helped sell Rountree ghosting poor Summer. 

Hey Deeks – you are going to get a hotel room for the conference.  Take Kensi and Rosa, you surf in the morning, going to some meetings in the morning.  While everyone else goes play golf in the afternoon (I’ve been to my fair share of conferences), hang with the family on the beach.  Life’s good.

Episode number:   Episode eight of season 14.  This is episode number 310 overall.