#hes very flawed and i love it

[saturnniidae]

Interesting and, in my opinion, often overlooked thing about Hiccup is how he's like, not really a compassionate person by default. It was learned, not an innate trait like it seemingly was with Valka.

From things said in the first movie, we can presume he's always had a fairly intense interest in dragons, but it was solely with the intention of killing them – and very stubbornly his way at that, considering he hadn't even read the Book of Dragons yet – and it kind of makes sense considering, he's likely desensitized to violence with how often their village was repeatedly burnt to the ground then rebuilt. Like he got excited there was a raid, completely one-track minded on his plans to shoot something down for his own benefit with no regard for the danger everyone (and himself) was in (and yes! This is somewhat selfish, but he was also a child.) Again, a lot of people overlook the fact that while he was insecure about it, alienated by his peers, and looked down upon by adults, Hiccup is still a viking – or at least was raised as one. He still very much held the same, core dragon killing beliefs every one else on Berk did. The only thing that set him apart was his inability to follow directions due to his unwavering obstinacy when it came to doing things his way.

He had every intention of killing Toothless upon finding him, only changing his mind after seeing the dragons fear and realizing they're both trapped by circumstances outside of their control, and even then had no plans of seeing Toothless again after freeing him. He thought he lost his chance at killing a dragon, after uaving the realization he just didn't have the heart to look an animal in the eyes and take its life, he was fully prepared to return to his mundane routine of ignoring what adults want him to do in favor of his own, ironic and futile attempts at making his father proud.

He's never had any kind of 'natrual' connection with dragons, it was something he stubbornly worked towards. Like I said before; he was as set on killing one as any other person on Berk, I just think he had an easier time accepting they were wrong due to spending most of his life as an outcast.

He only went back to find Toothless after his first attempt at dragon training, it was with no intention to get closer, more of an almost childish curiosity, a fascination that grew out of hand, especially after Astrid yelled at him and forced him to confront what he was doing with the question: 'Whose side are you on?"

I know Forbidden Friendship is the moment we all talk about, but I don't think Hiccup and Toothless had any kind of solidified bond until they flew together, and from Toothless' point of view, the realization that Hiccup had now gone beyond just brief fascination and was actually invested enough to help him fly again.

And even then it wasn't until he met that Terror he realized that Toothless wasn't just a one off thing, that most dragons won't attack pointlessly unless pushed to. And even then his relationship with them is still very flawed, and remains that for a long time; I know we're mostly talking about movie Hiccup here, but would the 'do-no-wrong dragon whisperer' that some people act like he is really have trapped that Skrill in a glacier because it was the easy way out? (In his defense he was like sixteen and at least realizes it was pretty fucked up when he was older and did his best to fix things)

It took time for him to get to be the so called 'peace keeper' he is as an adult (though he always seems to prioritize dragons over people, especially Toothless which is a really interesting and fitting flaw but I digress).

tldr; Hiccup was kind of a selfish, maybe even insensitive kid in the beginning, his compassion took time to develop. I feel like people too often forget that, one of his best traits wasn't an innate thing; it was something he worked for.

[vaguely-concerned]

the strength it must have taken for illario to not immediately go full 'lmao since when have you even had a kiss hello lucanis' sibling violence mode during the café talk. inspirational. rook and lucanis really were doing all that right in front of his salad huh

[poorly-drawn-mdzs]

I'm a doctor, not a miracle worker.

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[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[professorjirt]

I’ve discovered my favorite genre of Bagginshield art is where Thorin is a lovesick idiot who is Losing It and Bilbo is unbothered or oblivious to Thorin’s suffering LMAO

[geomimetry]

suggestive monster stuff under the cut

i havent posted art in almost a year and this is what i decide to break the ice with hi

go big or go home amirite

[sixteenthtry]

I know bro wrote this while pushing his glasses up with his index finger and a hand on his hip☝🏻🤓

[dreamofbecoming]

listen i know we all love steve “completely ignorant of queer culture to the point that bisexuality is a surprise” harrington being roasted and educated in turns by robin and eddie, yadda yadda, good stuff. i read “they made a horror version of rocky?” in a fic recently and cackled. also a big fan of “he knew he was bi from the start and just never talked about it” as a trope, love it excellent well done

but what about steve who realizes after starcourt that the most important person in his life now has this thing that’s a major part of her life that he knows nothing about, and what if he fucks it up? what if he says something ignorant or rude by accident, and hurts her? what if he loses her because he didn’t know the right thing to say? what if he can’t keep her safe because he doesn’t know what to look out for? absolutely fucking not, this steve says

and listen she’d never say anything, because she can tell that he can tell how much she likes teasing him and teaching him things, so he plays dumb, and she thinks it’s very sweet. but she notices when the zines she keeps under her bed that she buys at that one secret bookshop in indy when she can sneak away on family trips start going missing, always one at a time, and replaced in a few days with another disappearing. and she finds the new ones he must have gone to buy the weekend she was at her aunt’s house hidden in the back of his closet when she goes to steal one of his sweaters. and she notices when he slips more of her queerer movie recommendations into his personal take home pile rather than the movie night stack when he thinks she’s not looking.

she doesn’t notice when he drives to indianapolis after she tries to explain to him why she can’t just ask out a cute girl, tries to impress on him the fear attached to every moment of attraction that he simply has never had to feel, but later she finds a crumpled receipt from a diner in one of his jacket pockets when she’s looking for his keys, and the address is across the street from the bar the gorgeous woman at the bookstore told her about, the one she memorized the address of but hasn’t worked up the guts to think about visiting, and she knows he must have gone looking for a place like that, must have been trying to understand, must have been scoping it out to make sure it was somewhere she could feel safe, after she told him she never had.

so when eddie nearly pops a blood vessel when they clock each other and she mentions that steve is the only person she’s ever come out to before, her hackles come up. because she gets it, she does, he’s only known king steve until recently, so it makes sense that he would be afraid, be concerned for her safety.

but steve is her person, and no one- no one- has ever made her feel as protected or as cared for as he does. no one has ever tried as hard to understand her, no one has ever put so much work into making her feel safe and seen and loved. and she thinks maybe even if no one else ever does, that’s ok. because she has steve, and more importantly steve has her, and that means no one gets to question his ally credentials in her presence without a dressing down to remember, no matter how well they mean or how recently they helped save the world.

(and maybe she’s not as surprised as she could be when he figures out bisexuality all on his own, because she’s been reading all the same pamphlets he has, after all. and she’s seen the way he looks at eddie, i mean come on. maybe no one else has noticed, but then, nobody knows steve harrington like she does.)

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[lazylittledragon]

Your novel excerpts are incredible and I would love to see more. The warmth and care you put into it shines through and I just want more of it!

On a side note, incredibly unfair that you can draw AND write so masterfully. A true power house, haha.

aaAAAAA THANK YOU SO MUCH :'DDD

as a treat you can have some more akdffd

if the main plot is 'Fantasy Murder Mystery' then the biggest subplot is probably 'Snow is Not Doing Well'

[gunsatthaphan]

🤓🚩🫶🏻

[sludgekludge]

what even was the point of wanting to make helluva about 'messy romance and complex characters' if they can't commit to that at even the most basic level. the narrative will just decide that a character has done wrong without explaining what or how, it'll completely ignore or justify legitimately dubious things, it's so desperate to tell you exactly how to feel about certain characters...

stella's dialogue is so cartoonishly on-the-nose evil and she has no actual motivations. none of stolas' mistakes are acknowledged until now, 2 seasons in (and even then, they're trying to justify them), half the stolitz-related conflicts are almost comically childish. blitz yelled at stolas, which is mean. instead of looking at this with nuance, blitz is in the wrong, and stolas is not. there is a wrong party and a right party, every time. there are no shades of grey.

where's the complexity? these characters range from cardboard to slightly thicker cardboard with maybe a drawing of a frowny face on it, except the frowny face changes colours every time you look at it because the writers worship inconsistencies.

[salty-an-disco]

I disagree with Narrator in a very fundamental and philosophical level, but you know, even if I agreed 100% with his worldview and the reality he wants to bring about, I’d still think he’s wrong for taking matters into his own hands and changing THE VERY FABRIC OF REALITY affecting people in the entire universe, simply because HE thinks he knows what best for the world.

Like– that’s why I find him so fascinating, it’s not only the fear of death or disgust towards the very concept of change (tho that is very funny and interesting in its own right), but the utter arrogance to champion himself Savior of the World without EVER considering that maybe– just maybe, people might not agree with what he plans to do.

Like. Hubris indeed, and he even has the gall to say, “you can still do what you must and kill her” when we call him out on it. Like. Wow. I want to study this guy under a microscope.

[poorly-drawn-mdzs]

He was just being a silly little guy!

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[backjustforberena]

Watching the HOTD fandom turn in on itself and I'm just here, enjoying my flawed, complex, glorious middle-aged couple who just love one another:

[recent-rose]

intrigued by the idea that jayce dooms viktor to become the herald because he loves viktor too much to let him die. but mage!viktor could also choose not to save jayce from the storm in order to save himself from that fate, and yet he too loves too much to let go of jayce. endless cycle only broken by their choice to go together.