#hes so incredibly unsympathetic

[evecallum]

*me trying not to laugh* Noooooo don’t smash Karim he’s *snickers* the future of- starts laughing hysterically

[vaguely-concerned]

hearing that krennic is showing up in andor is such excellent news. I for one cannot wait to see him in a breathless race with syril karn for the position of 'most dunkable man in star wars' <3 (syril is incredibly pathetic but he's going to have to pull out some real big moves and possibly a humiliatingly anti-climactic death scene to beat the perfect hilarity and poetic irony of krennic getting blown up with his own weapon of mass destruction after tarkin his 4ever worstie swooped in and stole all his homework to pass off as his own)

PLEASE please let his cape get stuck in a door or something. please let half his lines be bitching about tarkin. please let any temporary wins he might get be only setup to serve him even bigger Ls down the line. I need this

[pj3k]

i love making my mom watch supernatural bc she sees the patterns. day 1 she was on the toxic codependency's trail and by day 3 shes digging into totally innocuous lines hannibal lecter style. and it rules

[inbabylontheywept]

i did wrestling in middle school. on one hand, i was actually quite good at it, which was nice. being good at any sport was a new achievement for me. on the other hand, i was bi, and i was trying very hard not to notice that i was bi, and getting folded into knots by very kind, very muscular dorks made that task somewhat difficult.

adding fire to the problem was that my parents and my grandparents wanted to watch my matches, because they were very proud that their Gangly Nerd Son was actually Sporting, and they wanted to cheer me on. which would've been sweet and all, but if there are four people you do not want there during a key part of your Burgeoning Sexual Awakening, it is your mom and your dad and your grandma and your grandpa.

right? i mean, imagine some guy's got your head in his armpit, and you're going you know, old sweat smells bad, but fresh sweat has a sort of and then you make eye contact with your grandpa in the stands and you remember you're swearing spandex so if you pop a boner people aren't just going to be able to see the outline, they're going to be able to count the veins, and the only way you will be able to restore your family's honor after that would be by moving to siberia and renouncing joy, forever. that, or lift your entire body up by your kneck then twist 180 degrees without paralyzing yourself.

it’s a lot of pressure, is what i’m saying.

still it did motivate me to win my matches really fast. because i was so tall and skinny, i was stupidly good at the double leg takedown, and then once someone was knocked down, i'd just do the half nelson and kind of flip em over for the pin. then the ref would count to three and i’d win. EZPZ.

i had one match where that went great. won in the first ten seconds, sat back down, and prepared myself for a good hour or two of doing fuck all. didn't even feel bad the parents/grandparents were gonna be bored. the matches went up from me in 5 pound increments (i was in the 115 lbs division) and it was going great until we got to the 145 lbs division. the other school's wrestler stepped onto the mat, and she turned out to be a girl so our guy flipped, because for straight guys, wrestling a girl is not a pleasant experience.

i'm not entirely unsympathetic. my experience wrestling dudes was definitely a little traumatic. but also, i dealt. guy could've dealt too. instead, he refused to wrestle, and the coach went - fine. not even worth fighting over.

so he went to the 140 pounder, and that guy said, nosir, my mom said mormons can't wrestle girls. next guy down, 135 pounder, now he knew he could pull the same card and thus did. 130 pounder, 125, both tapped out. he got to the 120 guy, and that guy was catholic, but he said he was considering being mormon, and thus would have to pass. as a precaution.

coach blew up a little at that. he said "is there anyone - anyone - on this entire goddamn team that is willing to wrestle a girl?" and then he pointed at me and said "YOU. MAT. GO."

and i'll be real, if i'd been paying more attention, i'd have pulled the mormon card too, but i'd just been putting all that audio into a buffer file because i was reading, so i was halfway across the mat before i even processed what had been said and by then it was too late to turn back.

still i had a plan. and my plan - my beautiful, perfect plan - was to do what i'd always done. tackle, flip, pin, win. sit down. read. bore my family to death. move on.

i got the first part right. she was bigger than me, but she wasn't taller. just an incredibly stout woman. god built me like a snake with glasses, just as he built her like a combat cube. the problem was the half nelson. soon as she was down, i tried hooking my arm under hers from behind and for both genders, the defense for this move is just clamping your arms really fucking tight against your sides. if you're a guy, that's whatever, but if you're a girl - especially if you're god's chosen combat cube - that pins your opponents hand right against your boob.

so, i got the hook in, she clamped, my whole arm pressed against something soft, my coach was yelling THE HALF NELSON. BABYLON! JUST FINISH IT! FINISH THE HALF NELSON! and i was just trying to press hard enough to finish, when then my brain went

...oh.

and i flipped out. of course i flipped out. i like girls, and touching a boob is an elemental experience, and i was not ready. i was not prepared. i had not committed the sacred rites. i recoiled like i'd just brushed my arm against the surface of the sun, stood up, and backed away. nobody in the room knew why i'd given up. all they saw was me, right about to win, suddenly flailing around and scrambling. so everyone started screaming at me to just get the half nelson again, and i couldn't really yell back there's a fuckin' boob in the way and it was very distressing, and the only way i could think of to make them stop was just doing it over again the right way.

so i did.

i hunkered down and prepared myself for Wrasslin' Attempt #2: The Sequel.

i knocked her down again, EZPZ. i went for the half nelson again, but she knew what i was about to do so she super clamped, and i knew she was gonna super clamp, so i wound my arm back like a pop-eye cartoon punch before swinging my arm through the gap between her bicep and her side, but the amount of time i spent winding back super signalled what i was about to to do, which gave her time to clamp even harder, which somehow redirected the entire force of the popeye punch to the bottom of her bra.

it spat out a single boob the same way an action hero might spit out one single tooth after getting a solid crack across the jaw. as if to say:

*ptooie.* "that all you got?"

i did not actually see this. my experience was that first there was an arm, then there was a bit of boob, but i was braced, i was ready, forward at all costs, tatakae motherfuckers, and then the boob went away, and i didn't know where it went but my team, and the audience, and everyone who was in front of me, they all gasped like i just kicked them in the stomach. except for my coach. he was behind me, and thus one of the four people in the room who did not see the boob. now my mom, my dad, my grandma, and my grandpa, they all got flashed but nooooooo, coach thunderbutt was behind me, and he didn't see shit so he was still yelling NOOOOOO BABYLON WHAT ARE YOU DOING JUST FINISH THE NELSON! GO FOR THE KILL! BABYLON! BABYLON!

but i did not go for the kill. i stood up and she stuffed her boob back real fast, and we just kind of circled each other awkwardly until time ran out and i won on points. that's not technically allowed, but the ref had some mercy on me.

my coach did not.

i barely had time to sit down before he strode over to the bench to chew me out.

"babylon," he said, in that very calm way people get when they're too pissed to yell. "why didn't you pin?"

and i didn't know how to say well coach, i tried, but there was a boob, and it kept getting in the way, and my mom was watching, and so was my dad, and so was his dad, and his mom, and god (like bible god) and that's a can of worms because i'm pretty sure he was already mad at me, and i'm wearing spandex, and i think i might have to move to siberia, so instead i said

"i uh. i forgot how to do the half nelson."

which is actually impossible. forgetting how to do the half nelson is like forgetting how to swallow your spit.

and he looked at me, like i was the dumbest person in the entire world, and i looked through him like i'd just survived my 250th day in a trench at verdun, and he said: fine.

fine.

but we're all going to practice it for an hour tomorrow because you forgot.

and then he left.

and my buddies had the gall to be salty about it. i got so many comments saying "dude, why didn't you just tell him the truth?" and i said "you can if you care so damn much. you could've wrestled the girl too. maybe someone else should do the hard thing today."

but they didn't. so the next day, we did an hour of half nelson drills, and i spent a decent amount of time getting thrown around the mat, and it was pleasant in exactly the way that i hated and the year after that, to the surprise of everyone but myself, i quit wrestling and joined the trivia team.

and if you want more reasons to love my mom, my grandpa joked after the match that i might have to talk to my bishop about it, and my mom told him he would be allowed to make jokes after he stood in front of a crowd of 110 people in spandex underpants while wrestling a woman that was not his wife.

he paused for almost five seconds after that. then he said: aw. hell. sorry babylon.

and i'd have preferred my apology from god, but getting it from him was pretty good too.

[day-mark]

yup. that’s why dream saying he could be friends with punz again if we weren’t mean to him makes no sense. because if fans being mean is the only thing in the way, punz doesn’t actually like dream at all or want to fix their relationship. it was prob some bullshit he told dream instead of the truth (which is that he just doesn’t like him)

yeahhh 🫠🫠

the whole thing makes me really sad honestly and i cant blame dream for thinking that way (whether he was told it or not) because the alternatives make even less sense. like what, punz secretly hated him for Years and talked kindly about him unprompted and treated him like a friend but actually no, it was all fake and hes always had a this brewing vitriol? even i dont fucking believe that.

like punz supposedly held a grudge and felt threatened (which even dream said he didnt believe i think lol) for years and only now talks about it and isnt willing to work things out? it makes absolutely zero sense to me, the way hes behaved makes no sense to me. i do think that him having his own allegations against him played a massive part in him throwing dream and george under the bus, but even then im so ??? about it. obviously dont know how close they really were behind the scenes but it legitimately felt out of character to me (yeah im being parasocial and coping probably 😔).

i cant say id ever seen him as that much of a clout chaser where he would be willing to completely abandon two of his best friends of years just because he thought his career was doomed.

[chanafehs]

My Veilguard review:

Note - I will be honest in saying this is very long and very negative. If you enjoy this game please don't let me be the one to ruin that for you and skip on this post. I will be discussing spoilers. This is just my opinion so please don't crucify me for it.

I think my thoughts about this game were shaky to begin with as I had been exposed to different spoilers and information before the launch. I wasn’t actually expecting this game to be amazing but as someone whose favorite Dragon Age game is Dragon Age 2, which is arguably the weakest in the series (until now), I still went in with the impression I would have a good time regardless. I did not have that at all, in fact towards the end of Act 2 and the beginning of Act 3 all I wanted was for the game to be over. 

The problems for me really started right in the beginning with the Inquisitor character choices and their characterization. No choices for your Warden, no choices for your Hawke, and only three choices for your Inquisitor out of the dozens you made in Inquisition. The romance option just felt like a very polite way of asking if you romanced Solas or not, especially after completing the game where your non-solas romance will only get one letter for you to read, outside of that, the Inquisitor will not even mention them. Disbanding the Inquisition meant basically nothing and vowing to stop Solas felt like it had little bearing on what my Inquisitor said when she showed up. 

The time frame to make Dragon Age 2 was just over a year and somehow included more choices from Origins than Veilguard did with over ten years of production. That is the information that's been banging around in my head throughout this entire game. In Dragon Age 2, we get the consequences of our decisions with Alistair’s fate and we get extra dialogue concerning Isabela/Zevran/Leliana/Anders/Nathaniel + some sidequests. Veilguard couldn’t even give us so much of a mention of our Inquisitor’s friendships and the consequences of those friendships outside of Solas. The Inquisitors themselves are locked into one personality type as well, and regardless if you choose to stop Solas or not, they are very amicable toward him. 

During the second cut scene you get with the Inquisitor in Dock Town, they will go on to ask you about your progress and then go on about Solas. Mind you, my Inquisitor is extremely unsympathetic to Solas and I chose the option to stop him no matter what, so why is it that every time I speak to her, she keeps trying to ask me if Solas is being genuine and that he was her friend? That doesn’t sound like someone who has vowed to stop him. They will also try to draw parallels between you, Rook, and Solas. Even at the end of the game, they will still try to appeal to you to see reason with him. That is essentially all the Inquisitor is there for. Incredibly frustrating. 

Throughout the game you will get missives from the Inquisitor detailing the devastation that is being brought to southern Thedas and every letter feels like more and more of an insult. To keep it short: Southern Thedas as we know it has been essentially wiped out. I think that deserves more than a footnote in some missive most players aren’t even going to see.

So the setting we spent all three games in, that we saved countless times, had our companions and protagonists die for, gets demolished in the background where we cannot see it. Skyhold had to be taken back from demons and whoops, that's not actually something you can do anything about. Nothing the Warden, Hawke, or the Inquisitor ever did mattered at all and it renders everything from the previous games absolutely irrelevant. 

With that aside, the companions are also another issue for me. I found myself having trouble getting attached to any of them and every single time I recruited one I had the internal question “Why are you even here?” None of their companion quests really tie into the story at large, save maybe Harding and Davrin, and they are incredibly boring save for a few cool moments.

The main appeal of Dragon Age for me is the companions, it’s why Dragon Age 2 is my favorite of the series. Despite the overused environments and the rushed production I still had a great time with it because of the companions. I was actually eager to do the companion quests and learn more about them and how they all fit into the main narrative. Even characters I didn’t like, I still understood why they were important to the story. Like I can’t stand Anders but I know why he is there, he has a purpose.

Every companion is painfully amicable towards you even if you decide to be “stern” towards them. I found myself not caring what dialogue option I chose about them because it made absolutely no difference. There is nice, funny nice, and gentle parenting. That is really all you have to work with in terms of the dialogue wheel. It was more difficult to get disapproval than approval and I can probably count on my fingers every time in this game I actually got companion disapproval. There is only one companion in my playthrough that became hardened, Lucanis, and it had virtually no impact on his character other than the fact he leaves for a couple of saves and comes back to kissing your ass. 

Something I actually really liked about BG3 and the previous Dragon Age games was working for your companion approval - this meant actually learning about your companion and what made them tick. If you don't understand them well enough you get disapproval, when you actually listen to their ideas and thoughts you get approval - there is an active effort to get these things. In Veilguard this does not exist and you are essentially promised approval no matter what, meaning there is no encouragement to know who these people are if they're just going to support you regardless.

I have to agree with the Skillup review they made about this game saying that every dialogue option feels like it was made with HR in the room and I one hundred percent agree. This is not how real people talk to each other. This is how teachers talk to toddlers when they want to explain the virtues of sharing toys with their classmates.

It felt honestly insulting at times to be treated like I don’t understand the concept of bigotry, I still have no idea what they were trying to go for with this, like were they trying to appeal to a market of high school boys who hadn’t discovered what empathy was yet? There is zero trust in the player and every dialogue and decision you make in these moments feels handhold-y and preachy. Like Pixar levels of life lessons you learn.

In the moments where I had to settle arguments over coffee and companions not respecting each other's interests, I could not honestly believe this is the same universe with Loghain Mac Tir, Meredith Stannard, fuck even Corypheus. Humor has always existed in Dragon Age and I love the comedic banter between the characters but it was always humor that served as an escape from the oppressive and dark situation around you, here the dark and oppressive situations feel like an escape from the unrelenting friendliness and tone deafness of your companions. 

The companion I probably had the most issue with was Taash and the way they were handled. I’m not going to get too deep into the Bharv scene because even thinking about it makes me cringe but If someone messed up my pronouns and then immediately dropped to do pushups I am most definitely killing us both. Isabela’s explanation is extremely preachy and she proceeds to do the exact thing she says she hates about people messing up pronouns. Anyways. Moving on. 

Taash I think is a good example of how to not write a multiethnic character. I don’t expect a white person like Trick Weekes to understand the first thing that comes with being multiethnic or having strict parents that intersects with that identity but it is most definitely not whatever the hell this is. 

The only thing I can offer here is that as a multiethnic person (my father is Palestinian and my mother is mainly Irish and Seminole) is that there has never been a point in my life where I felt like I had to choose what culture I am let alone give that choice to someone else in my life I just met.

That’s not what being multiethnic is. I do not have to choose between anything - I am whole and I don't need to cut myself into halves and quarters to be accepted.

It also feels subconsciously like you are supposed to choose Rivain as the Qunari are depicted as bigoted and oppressive as they always have been in this game. Knowing all of this really tainted my experiences with them as a character and I understand a lot of other non-binary individuals love the representation they brought on that level but personally, I’m just tired of “queer representation” always coming with racist undertones. Again, this game feels like it always had white queer people in mind, not lgbt poc. 

These kinds of comments are really only made worse knowing what the Qunari take inspiration from - primarily Black and Brown SWANA Muslims. Why should Trick Weekes have any authority over a questline like that is beyond me. 

Also, this sucked. Especially because they said it to Neve too. I don’t really want my non-binary representation sprinkled with Misogyny as well, especially since we can’t really call Taash out on this comment unless you’re playing a woman (as far as I know).

Aside from Taash, I thought the writing around Harding was strange. Don’t me wrong, I love Harding, but I do not remember her being this friendly and people-pleasing in the Inquisition. If you play as a Dalish elf the first thing she says is she’s surprised that you would care about anyone else - there is absolutely no inclination of this kind of perspective in Veilguard. Additionally, despite knowing everything Solas has done and the consequences that had on her ancestors, she still tries to push you to reason with him?

All of her quests about learning about the Titans, experiencing and embracing their anger, and you still want to appeal to Solas? That was another thing I found so weird about this game, throughout the entire story you are being told again and again that Solas cannot be trusted, he is to blame for everything, and will stab you in the back and yet it seems like every companion tries to push back on you if you agree with this viewpoint? 

Also, something I didn't know at this point of the game but I do now is that Solas had killed Varric and she does know this so why is she acting like this knowing Solas had killed her friend who she spent years with?

Genuinely this whole game felt like: Devs: Solas is a villain

Rook: okay understood

Devs: actually nvm you don't understand him if you think he's a villain

The only companion quests I was actually genuinely interested in were Emmrich and his thoughts around death and becoming a lich. Lucanis' quests had the best boss fights for sure. Outside of that, it felt like “Go here with Bellara” or “Go here with Taash” and it got so grating I couldn’t wait for these quests to be over so I could progress with the main story. It felt like an annoying back-and-forth game to finish a main quest just to finish all the companion quests and then go back to the main quest. Like a list of chores to get through before you can have any fun. 

The inclusion of characters like Morrigan and Isabela in this universe was extremely hollow and they do not feel like the Morrigan and Isabela we know at all. With Morrigan there is a bit of an explanation to this with the essence of Mythal however she reiterates that it is still herself and it is only the memories of Mythal that remain inside of her.

In my canon playthroughs of Dragon Age, I romanced both Morrigan and Isabela, so I was curious to see how the developers would address their pasts with our Warden and Hawke. Unfortunately, the answer is that they don’t address it at all. Morrigan hardly mentions her past, leaving us to wonder if Kieran even exists. The game implies that the relationship between Morrigan and the Warden is insignificant; a codex entry oddly suggests, in a very slut-shamey way, that Morrigan had more lovers than there are trees in the forest. Isabela doesn't reference Hawke either, as she fondly remembers Kirkwall for found family and friendship. It seems that if you romanced Isabela or Morrigan, congratulations—your canon doesn’t exist.

I will echo the statement others have made about all the cameos feeling like mascots because that is really what they are. There is no substance to any of them, Isabela only feels like she is there to be a supportive voice for Taash, Morrigan will only really talk about Solas and Mythal-Dorian is the only one who actually gets a substantial quest related to him. I thought he was fine minus the "illegal slavery" bit because what is illegal slavery Dorian. Next up we will discuss legal murder.

Another thing that genuinely broke the immersion for me in this game is how awful the armor is. It is a Dragon Age game so I wasn't expecting Haute Couture but the design is all over the place and nothing looks right. Not to mention the extremely weird orientalist undertones that follow the Lords of Fortune everywhere. The outfit Isabela is wearing is even worse in person and I tried to give this game the benefit of the doubt by thinking we would be getting some underwater mission with her and that would be the explanation behind her bikini outfit - this did not happen.

The belly dancer-esque outfits with the coin-bedazzled turbans were pretty egregious and made me want to limit my time in Rivain as much as possible. For a game released in 2024, I am disappointed we are still dealing with the same Orientalist fantasy tropes. Even the Qunari are more naked in this game than I had ever seen previously. At least DA2 and DAI gave them pants. But hey the Antaam are all blighted and evil so who cares right.

Speaking of the Antaam, a lot of the antagonist motivations for this game genuinely did not make sense to me. The Antaam are suddenly giving up their fear of magic to pair up with...the Venatori? To fight for the elven gods? It honestly felt like they had no idea who to make fight for the Evanuris so they just pulled two of the baddies from the Inquisition and went "We can just use them and call it done". When you press for information on why this is the answer is always a mustache-twirling dialogue about power. Nothing much deeper from that than any of the villains besides Solas. All of the villains, especially Elgar'nan and Ghilan'nain, are extremely one-dimensional and have no motivations other than being evil and striving for power. At least Corypheus had cool lines.

I'm not going to get too deep into lore changes since I know a lot of things happened in the comics, books, and TV show (all of which I did not read or watch) but I honestly do think it's a bad idea to have a "soft reboot" while needing to read several books to understand everything. That's not being welcoming to new players that's homework. If you wanted a soft reboot probably don't start off with half your plot and characters coming from various comics and novels people need to catch up on.

The portrayal of the Dalish in this game is inconsistent. When we inform them that their gods are evil and planning to overthrow the world, they respond, "Okay, heard you." How can they accept this explanation so readily? In previous interactions, Solas shared that the Dalish did not listen to him and even threatened him when he revealed this truth. Yet, when we present the same information, they believe us almost immediately. Is there no pushback or skepticism? The Dalish accept everything about the evil elven gods meanwhile Andraste’s followers remain completely unaffected by these revelations.

I think what frustrated me even more was watching our elven companions express grief and regret over the actions of the elven gods like they had something to do with it, painting the Dalish as adjacent to oppressors when they themselves are oppressed in every way. The only thing that remains consistent is the sad boy Solas act about it.

At the end of the game, two of my companions - Harding and Emmrich- were killed. Emmrich's death was unfortunately overshadowed by a zoom-in on a rock and I had no idea he had died until I got the popup. Still, all I can think about is just going "Rock moment" when he died. I don't really have anything negative to say about Harding's death other than the way she went out was fitting for her narrative. Bellara got blighted and there were no consequences for this and she walked away from it - forgive me but I am still under the DAO impression that if you get blighted that's game over but all the rules about the Blight have been changed in this.

I decided to trick Solas, and honestly, I don’t have anything negative to say about it, except that Solas should have noticed me holding the fake dagger since it was clearly in his line of sight. I liked the idea of outsmarting the god of trickery. While it wasn’t extremely satisfying, but I’m okay with how it turned out.

Even as the credits began rolling I still have trouble believing rook's role in any of this. Just the persistent nagging idea that they really just have no place in this story at all. In the beginning I wanted to see how Rook is looped into all of this and how they become central to the fight against Solas but just like with most of the companions, I have no idea why they are here. This should've been the Inquisitor's story to finish.

I'm not going to pretend that everything about this game was irredeemable and terrible. There were genuinely parts I enjoyed and had a good time with. The romance ending scene with Neve was fantastic, even though it took a long time to get there. Davrin was an unexpected aspect of the game that I actually liked, as I never cared much for Grey Wardens before, but he changed my perspective. Harding's mention of the Inquisition was also very sweet. Although I wasn't particularly invested in Emmrich, I loved the conclusion to his quest when he became a lich lord.

While I'm not the biggest Solas fan, I actually really enjoyed the cutscenes between him and Rook because one of my aims with this game was the ability to be mean to Solas and kick him while he was down. They definitely delivered there even though everyone else kept disagreeing with me.

The worlds are beautiful and the CC is definitely the best we've gotten in any Dragon Age game, I spent probably a solid hour in there. The hairstyles are great and the four unibrow choices? Bioware you shouldn't have <3.

Overall I definitely didn't have the best time with this game and towards the end of act 2 I was incredibly bored and the combat became repetitive and stagnant enough that I turned down the difficulty to get through it faster. I can't see myself replaying this any time soon and I am unsure what my stance on Dragon Age is now, do I Ignore this game ever existed or do I carve out everything I liked and pretend this is the Dragon Age I love? I have no idea, I am disappointed at how this game leaves us off and I really wanted to sit here and say It's good but I can't.

I think this game will reach out to and resonate with a different group of Dragon Age fans than me, I just wish I could enjoy it as much as I see other people doing. I was originally going to give this game a 3/10 but knowing you can pet the cats I will give it a very generous 3.5/10.

[edenaziraphale]

There's a lot to be said about the weaknesses and strengths of the writing in Dragon Age games, but for me there's nothing that trumps the way the writers' implicit biases shine through in their treatment of various characters. Anders and Solas showcase the very worst of this. Functionally Anders and Solas could (and I would go so far as to say should) operate as foils to one another. Anders is a victim of decades of abuse at the hands of both individuals and a system that demonized him from a very young age. We are given information about his childhood and time spent in the circle that makes it explicitly clear that Circles are an unjust and abusive system that traumatized him so much that he fled multiple times regardless of the fact that he knew the abuse would escalate each time he escaped. In the end, he chooses to chance death and lifelong struggle via conscription because it is his only shot at escaping his current reality. After that, in DA2, it's made clear that Kirkwall's circle is even worse. Karl is made tranquil, the templars are mad with power, and it's heavily implied that the tranquil are utilized as sex slaves and that some templars may even be selecting mages for tranquility based on their desire for them alone. In the light of all of that, Anders makes a very desperate and destructive choice. Regardless of how players feel about his actions, it's not really up for debate that the context surrounding them creates mitigating circumstances and a sympathetic backing. He was attempting to affect positive change for a group of people facing fates that the game makes clear are worse than death. Despite this, the game's writing treats him as an unsympathetic villain whose actions are not only reprehensible, but completely beyond the realm of human understanding. That dynamic at the end of DA2 carries into DAI. Solas, on the other hand, is on a quest to undo his own actions. His initial construction of the Veil and the problems that it caused can be viewed with (some) similarity to Anders circumstances in that Solas was attempting to right a wrong done by someone else, but the key difference is that, unlike Anders, who was a powerless victim attempting to free other powerless victims, Solas was on a revenge quest to avenge the death of his friend and had an incredible amount of power within the system that he existed as a part of.

His actions had horrific consequences that birthed what is essentially an entirely new existence for everyone in Thedas eons before the start of any of the games. He finds the outcome of his own actions intolerable, and seeks to reverse them. He harms friends and allies to do so, and makes it explicitly clear that he does not care who he harms or what the consequences are to Thedas or the people who live there in his quest to bring back the version of the world that he liked better. Functionally, Solas makes an excellent villain. He stands out from Anders (who operates in his narrative as a symbol of the rage and disenfranchisement of the powerless) as a representation of power and ego unchecked and the damage that they can cause.

Unfortunately, the writing of the game treats him as though he is the tragically complex victim of forces outside of his control when he is in fact the over-powered puppeteer. He is very much the master of his own destiny and he intends to be the master of everyone else's destiny as well by ripping apart the fabric of reality. No character in the series better demonstrates the writer's biases than Varric, who, as a narrator for DA2, essentially acts as the moral arbiter telling players how they should and should not feel about events, explaining what is and is not moral. His reactions to Anders stand out in sharp relief against what we see of his reaction to Solas in the Veilguard releases so far.

To be clear, I don't hate Solas as a character. I think as a villain, he works very well. His complete and total disregard for the wellbeing of others paired with his affect of wise and gentle mage are compelling to witness. His motivations are understandable from the selfish and self-centered core of us as people. He's a fantastic reminder of what happens when we decide that we know what's best with no input from others, when we pursue our desires above all else beneath the veneer of wisdom. He's fun, well rounded, and interesting. He is not, however, a tragic and morally justified sadboi victim of circumstance, and I resent that the writers treated him as though he was.

[mayakern]

If you don't mind sharing, what happened to vanetta's ex Edmund and his new saintess gf?

oh boy, so, a LOT has happened here so BUCKLE UP.

(and here’s a picture of vanetta for context for the maybe 2 other ppl who will read this huge post, which i have tried to summarize)

TLDR: after vanetta “died” and was yeeted into time travel, edmund died and charlotte saved the world. but edmund got brought back… and he came back wrong.

but the full story is so much weirder than that:

the core conceit of this game is that we are time (and place) hopping every time the party levels up, and mostly this is pretty normal—someone who’s from an ancient time visits a future date and finds out their country no longer exists, someone from the future goes to an earlier time and is shocked by the severely lacking technology, etc etc

except for vanetta, who is not from the past or future. she is from a book series. and she has JUST discovered this.

our most recent time hop has taken us to a dystopian capitalist future that takes place in a big mall in outer space (think a combination of tron, zenon: girl of the 21st century, wall-e and other similar media), where our wizard comes from.

and as soon as we materialize there, vanetta is recognized as a “really high quality and authentic cosplayer” of, well. herself. the book series she is from (the briar path) is popular on a level that basically combines twilight, harry potter and the bible all in one. it is fantastically popular, but also pretty old, and also is continually getting remakes and re-releases and right now they are currently making a manga adaptation of it. and it has a very active fanbase that writes a lot of fan fiction. this is, somehow, incredibly plot relevant.

an npc shows vanetta the comic, which currently i think covers 2 of the books in the series, and it shows her being depicted as basically your typical shallow, unsympathetic villainess character. and it depicts her death: the moment when, on the ramparts of the palace she was meant to preside over, she is faced with an angry mob seeking her death on one side and the crown prince (edmund, her former fiance) and charlotte (the saintess, his new woman, who in the fiction of the book was isekai’d into the world of the briar path) on the other side. vanetta climbs onto the rampart and makes a big impassioned speech (aka a villain monologue) about how pathetic and horrible they all are and when charlotte makes a swipe at her, vanetta chooses to let it unbalance her, forcing charlotte to live on with the guilt of her death.

only, the real vanetta doesn’t die. she gets yeeted out of time and space with three other time travelers. and our story continues

anyway, back to present day, the manga adaptation has just reached the part of the series where edmund dies—something vanetta did not know about. but just because he died in the book doesn’t mean he died in real life.

see, edmund had some pretty devoted fans. and one of them, who thought edmund was robbed by the narrative, got into some ancient, evil magics and combining this with the immense power of FAN FICTION, he tried to bring edmund out of the novel and into real life, and in the process ended up fusing with him and also with a force called The Hunger, a roiling miasma of despair that was the ultimate evil in the novels.

and so they all fused together and became a new thing. a god. in fact, our yuan-ti paladin’s snake god. who uhh subjugates and eats all non-snake people. the creation of this god also uhh was a huge cataclysm that basically started the earth apocalypse that lead to everyone ending up in the sky.

vanetta has JUST managed to secure annotated copies of the entire series that include academic commentaries and notes on historical context and the first chance she gets she is reading them so hopefully i’ll get more info soon lol

[ooooo-mcyt]

Grian is the sun in his warmth. He's a natural leader, the creator of the game, the first to win it, someone who's good at taking charge, someone it's easy to just orbit around. He's warm, fun, active at all points. He feeds beautiful things and warms cold hands.

Grian is also the sun in the way he burns. To come too close is often to burn into nothing. To look too long is often blinding. Long told tales warn not to fly too close. Burnt wax and invisible radiation- it isn't intentional, there's no malice in the destruction. He destroys anyway. It's the nature of the sun, to silently poison and burn.

Scott is the stars in how he guides. Company in the darkest night, a steady still light used to navigate the darkness. Scott loves deeply, giving all he has to see the ones who love him succeed. He burns for them, a steady presence, hopeful and certain, you're going to make it, he knows it.

Scott is also the stars in distance. The stars in our sky are a snapshot of time, thousands of years passed and trillions of miles away. As much as he may burn with all the radioactive heat of a star while he can, choosing to die first means Scott has no power over what happens once he's gone. All he can do is hope for the ones he loves to look up, and that the light will be bright enough still to guide them home.

Pearl is the moon in the way she changes. She's adaptable, able to shift easily, changing form. A loyal friend, a curse, something wicked, something that watches- the moon can be many things, depending, and that's one of her big strengths. Pearl survives- thrives- off her willingness to be what she's believed to be, what she has to be. Adaptability and change is one of the reasons Pearl is always one of the last ones standing.

Pearl is also the moon in her loneliness. Isolated through quiet nights with nothing but the howling of the wolves for company. Overlooking a world quiet and still and shrouded in shadow. Even if she longs for company, it's not in the nature of the moon, at least, not when the moon is truly visible.

Martyn is mars in victory. It may not be pretty or palatable for everyone, but there's an empowerment in it. Martyn seized victory, made an ending that was his and his alone. Exactly the way he wanted it. The best kind of selfishness, the kind where you finally get to hold something close and say it's yours, after so long of just playing a role in someone else's story.

Martyn is also mars in brutality. A barren red desert, inhospitable to all but himself. Maybe once it could have held life, could have been something kinder, but now all that remains is harsh freezing dust, brutal and selfish. Mars has no capacity to regret, but still, the rage of dust storms can sometimes feel like grief, or something close to it.

Scar is the earth in his capacity to create. Tending to animals, helping the flowers bloom, building incredible things. Trade and commerce, speech, energy and life. Everything to do with creation, with life, with civilization. The only winner who kept living beyond their victory.

Scar is also the earth in his capacity to destroy. Violence and destruction, dishonesty, injustice. The earth may be the holder of life, but it's also the most common destroyer of it. Earth can be an unforgiving and unsympathetic force, bringing injustice on the shifting of the tides and gathering of clouds.

[littlespoonevan]

Would love to hear more about the Miss Congeniality Au!

ahhh miss congeniality au, my beloved!!!! 💖💗💞💕🩷❤️ truly, truly, truly i feel like this au could be so much FUN if i could find the discipline and motivation to just sit down and write it lmao. but i will say i v much enjoyed fitting all the pieces together for this snippet so here's hoping it awakens something in me askdjhf

i hope you like it 🥰

~

Eddie never imagined becoming a special agent. Then again, he never imagined becoming a single dad either.

But FBI work actually keeps him chained to a desk a hell of a lot more than regular police work used to and the pay’s better.

He’s regretting that decision right about now.

“Eddie, it has to be you.”

He pinches the bridge of his nose, quickening his step even as Chimney continues to keep pace with him.

“It absolutely doesn’t, Chim.”

“The whole office agrees-“

Eddie stops short, whirling around. “Just because the little simulation version of me you drew up on the computer had an eight-pack-“

“My computer does not lie, Diaz-“

“I don’t have time,” Eddie cuts in. “I can’t be away from Chris that long.”

“It’s one week. Less, if you do your job right.”

Eddie makes a face.

It’s the stupidest thing he’s ever heard. A charity firefighter competition that he really thinks sounds a hell of a lot like a beauty pageant. Sure, there’s obstacle courses and stuff to complete but he’s not sure what a speedo competition has to do with being a competent firefighter. The cause is noble, he guesses, but there has to be a better way to raise money than deciding who’s the most specialist firefighter in all of Los Angeles.

Especially when the host – Captain Bobby Nash – is the target of a bomb threat.

It wouldn’t even have landed on their desk if not for the fact that three people with ties to Bobby Nash and the LAFD had received bombs in the mail over the last two weeks.

Athena thinks their best chance to take down the mail bomber is to have someone on the inside, to infiltrate the competition and investigate the contestants while also being the FBI’s eyes and ears throughout the week.

Hen and Chim, of course, volunteered Eddie for the job.

“I don’t like undercover work.” It’s an oversimplified version of the truth – that Eddie hates having to perform for an extended period of time and that this competition sounds like his own personal version of hell. Also, as much as he knows he’s in good shape, he doesn’t actually want people ogling his body for a week straight.

Chim gives him an incredibly unsympathetic clap on the shoulder. “Just use those big, brown eyes of yours and wow the judges with your salsa skills and no one will be any the wiser.”

Eddie opens his mouth to argue back when another voice cuts through their conversation.

“She said yes!”

He and Chimney both look up to find Hen running towards them, a beaming grin on her face. “Athena said yes! Better start practicing your poses, Firefighter Diaz.”

Well, shit.

-

Captain Bobby Nash has got a made-for-TV smile that has Eddie understanding why he got the hosting gig over every other fire captain in LA.

“Special Agent Grant,” he says, shaking Athena’s hand with a warmth to his expression that Eddie doesn’t expect.

Athena clearly doesn’t expect it either because she clears her throat as she pulls her hand back. “Captain Nash. This is Agent Diaz.”

Nash redirects his attention to Eddie, extending his hand once again. “Great to meet you. And please, call me Bobby.”

“You too,” Eddie says, flashing a polite smile and following Athena’s lead to take a seat in front of Bobby’s desk.

“So I take it there’s been some progress in the case?” Bobby asks, settling into his chair.

Athena purses her lips, exchanging a look with Eddie. “Not as much as we’d like. Given that we still don’t have a trace on the letter the bomber sent and the LAFD’s reluctance to cancel the competition, we’ve decided to send one of our agents in undercover.”

Bobby’s eyes immediately flick to Eddie and Eddie feels the ridiculous urge to straighten his posture. “I’m guessing that’s where you come in, Agent Diaz?”

“Not that we want to undermine the integrity of the competition but it will be imperative that Eddie makes it to the final,” Athena says. “It’s the best chance we have of catching the bomber if we can’t determine a suspect before then.”

Bobby leans back in his chair, regarding them both with an unreadable expression. Finally, he cracks a smile. “Well, he certainly looks the part.”

“He gets that a lot,” Athena snorts and Eddie ducks his head to hide the heat in his cheeks. It’s bad enough when it’s Hen and Chim ribbing him; he didn’t actually think Athena ever overheard them.

“Which firehouse is he representing though?” Bobby asks. “All of the contestants have already been chosen.”

Without missing a beat, Athena hands over a file that Eddie knows contains the fake details of his new identity. “Apparently the 133’s entry came down with an awful bout of food poisoning.”

Bobby accepts the manila folder with a faint smirk. “Well, that’s a shame.”

-

“Diaz. Diaz, do you read me? Over.”

Eddie rolls his eyes as he steps onto the bus ready to ship the contestants to the opening luncheon. “Yes, Chim,” he mutters under his breath. “I can hear you; stop yelling.”

“Remember to smile, Eddie.” That’s Hen.

How Athena thought they were the two best suited to oversee this, he’ll never understand.

He scans the length of the bus, looking for an empty seat. The whole place is overrun with burly men in too tight t-shirts talking animatedly to each other. It takes him a second to realise one of the men in question is waving at him.

He’s got curly hair and a golden retriever-esque eagerness to his smile. “Edmundo?” he asks. “From the 133, right?”

Eddie clears his throat and rearranges his face into a smile as he makes his way to the empty seat. Though calling it an empty seat feels generous when the firefighter all but shoves himself against the window to make room.

“How’d you know who I was?” he asks, genuinely curious. They only finalised the details of Eddie’s position in the competition yesterday and they made sure to leave any of his information off the official competition website.

“Oh I did a little deep dive on the other contestants but you were the only one who didn’t have a picture so I figured it had to be you.” He shrugs with an affable charm before offering Eddie a hand. “I’m Evan Buckley, with the 118. Everyone calls me Buck though.”

“He’s cute,” Hen says in his ear.

“Like a puppy,” Chim adds.

Eddie ignores them and shakes his hand. “Uh, you can call me Eddie,” he greets. Changing his last name was necessary; he refuses to go by Edmundo for the next week. It’s only then that he clocks the station number Buck said. “You’re part of Nash’s team.”

“Yeah,” Buck says, beaming with pride. “Bobby’s the best captain ever. You know some of these guys have it out for me because they think he’s gonna play favourites even though he’s not a judge. He’s just the host. But whatever, it’s not a big deal.”

The dejected look that creeps onto Buck’s face suggests it very much is a big deal even if he won’t admit it. Eddie feels a pang of sympathy. The guy seems harmless, even with all the rippling muscles. Then again, he’s not surprised a competition this testosterone-fuelled has people acting territorial.

“They just want an excuse for when you beat them in the first round,” Eddie says, mostly to fill the silence but also to get this Buck guy to stop looking so downtrodden.

He definitely doesn’t expect the way Buck’s whole face lights up in awe.

“You think I’ve got a shot at making it to the finals?”

The earnest hopefulness in Buck’s voice catches Eddie off guard and Hen and Chimney in his ear don’t help.

“Aww Eddie’s making friends!”

“Forget friends! Eddie, he’s cute; keep flirting with him.”

Eddie bites down on the urge to tell them to fuck off and makes himself smile at Buck instead. “’Course you do. Some of these guys are lucky they even made it this far.”

Truthfully, Eddie hasn’t even taken the time to look at anyone else on the bus all that much yet but the words tumble out of his mouth without permission. And in the face of Buck’s delighted grin, he can’t find it in himself to take them back.

“Thanks, man,” Buck says bashfully. “Hey, you have anyone to share a room with at the hotel yet?”

“Please tell me there’s only gonna be one bed,” Hen squawks gleefully in his ear.

“Uh I don’t know. Are they assigned or-?”

“They figured since most of us know each other we could pair up however we want but- um…” Buck trails off, making it clear no one has offered to share with him and well, it seems like he knows a lot about the other contestants. That could be good for Eddie. To get information and close the case. Obviously.

“Yeah, man. We can share.”

“Awesome!” Buck declares, slumping more comfortably in his seat and bumping his shoulder –probably accidentally – against Eddie’s. The bus gets moving then and Eddie takes the opportunity to scope out some of the other contestants.

It’s unlikely their suspect is another firefighter but not impossible.

“So how come I’ve never seen you at a scene before?”

Eddie blinks, redirecting his attention to Buck who’s looking at him curiously.

“Oh uh, I just transferred in the last couple of months.”

“From where?” Buck’s expression doesn’t look suspicious and Eddie has to remind himself not every conversation with a stranger needs to be an interrogation.

“Um, El Paso,” he says, immediately cringing on the inside. This man does not need to know any of his real life personal details.

But Buck only smiles again. “Cool. I’ll have to look out for you on calls from now on.”

And it’s not said flirtatiously or anything like that but Buck looks bashful again and Chimney is cackling his ear about how, “Eddie’s got a fan,” and Eddie’s stomach does a strange, traitorous flip.

But this is fine.

Everything is fine.

It’s just-

It’s going to be a long week.

-

[kanonavi]

Spoilers for Simulanka Day 3

There's a conversation that I've had with friends from time to time about the fact that the world of Teyvat is, at its core, incredibly kind. Shockingly so, even for most fictional stories that aren't directed towards children. Even though the traveler has faced many antagonists on their journey, the people around them have always banded together to overcome those challenges. Even when people are hurt it's very rare for anyone to die, and many of the antagonists in question aren't pure evil and have their own reasons for taking the actions they take. They may not always operate on the same morality as the traveler or the player, and they might not be "good people", but they still believe that what they have to do is right, or at the very least necessary.

To put it more simply, Genshin is filled with characters that are made to be liked. Not every player will like every character, but very few of them are actively trying to work against you, and even when they do there's still something there to like. Except for like, Il Dottore, but he's likable for how unlikable he is (I have to say that or my Dottore enjoying friend will be sad lmao).

I got to thinking about this when playing the last part of Simulanka because it was a reminder of how, despite the kindness that they've been shown by Teyvat for the past three and a half years, the traveler's morality is still shockingly black and white in many situations.

We see this the most in how they interact with the Fatui. The Fatui, particularly the Harbingers, have cause a lot of damage in the past, but a lot of the grunts are just ordinary people following orders. the commission line in Mondstadt with Viktor, Golden Apple Archipelago 2 and The Chasm come to mind for times when we've interacted with Fatui grunts in a way that really humanizes them and shows that a lot of them really are just people doing a job. Some of them have just been surveyors or low-level guards, but the traveler and Paimon treat them like they're cartoon villains until proven otherwise (and sometimes even after proven otherwise).

The way that they acted towards Simulanka Durin before the party gave him their blessings also seemed to reflect this, especially in comparison to the other party members. Wanderer was obviously the most sympathetic to Durin, since his memories were like looking into a mirror for him, but Nilou, Navia, and Kirara all stepped forward to give Durin their support while the traveler was still showing doubts. They were thinking about how the residents of Simulanka might not forgive Durin, or how his form was too big and scary to coexist with everyone, which was an incredibly unsympathetic outlook even though they were ultimately able to change Durin's form.

It honestly reminds me a lot of how the traveler treated Scaramouche/Wanderer in Inversion of Genesis, like he was a person to be kept the company of only out of necessity as a means to keep him under control, even after Nahida said that she trusted him. Even though something did go wrong at the time, it still showed that the traveler's suspicion and distrust of Scaramouche was strong enough to outweigh their trust of Nahida, despite Nahida having proved herself many times to be wise and worthy of trust in the past. That mistrust and even disdain for him even carried over into when he reappeared with no memories, as the traveler was forcefully adamant that he needed to reclaim his memories and atone, to the point that it seemed like they were being a little bit mean about it.

It's arguable that Scaramouche deserved that treatment, since he was kind of a little shithead who caused a lot of harm in the past, but the traveler was also witness to how deeply he was hurt and manipulated in the past, and therefore would have some kind of understanding of why he turned out the way that he did.

Despite the traveler's usual helpfulness in Simulanka, Nilou, Navia, and Kirara all feel like contrasts to them. Nilou's whimsical outlook and positive mindset allowed her to grasp the magic of creation and even gave her the initiative to try and change Durin's form with magic in the first place. Navia is used to taking care of "the little guy", as it were, through the Spina, and was therefore willing to listen and empathize with the toy people who didn't want to undo the power of prophecy. (With those guys also being called "conservatives" or a "conservative radical" in English, that doesn't really have a good connotation depending on your political leaning, but Navia listened to them anyway). And with Kirara, while I haven't played her little sidequest yet, the description of her outfit described how the little cat burglar stole and returned the emotions of the cats that they hadn't been given when they were created, casting her in the role of someone who can understand the balance that anger, sadness, and pain bring to happiness.

The three of them, as well as the Wanderer, all carry Teyvat's fundamental kindness with them, and it was then coaxed out of the traveler only when all of them had already stepped forward.

It made me wonder if this is some kind of lesson that the traveler has to learn before reuniting with their sibling, that they need to be more willing to put their trust in people, or at least be more understanding of others. While the abyss twin hasn't divulged too much of what they've learned yet, they've made it clear that there are lessons that the traveler needs to learn about the world before they reunite. While that likely has a lot to do with various truths about Celestia and the sky being fake and all that, perhaps they're hoping for their sibling to learn that at least in Teyvat, sometimes people who cause harm to others are simply trying (or have tried and failed and lost hope) to find a path towards co-existing with others.

Since the abyss twin is supposedly born of Teyvat as well, perhaps they've already understood that part of this world from the very beginning and are waiting for their sibling to catch up.

[our-happygirl500-fan]

In a lot of iterations of TMNT Leonardo always seems to have a strong moral compass & the same possibly seems true for Leo in Rise as well as he often seems mindful of the safety of civilians 

Raph: Alright you incredibly, unusually buff book worm! Give us the little guy and you’ll walk out of here with your horns still attached

Leo: Shouldn’t we also stop him from creating crab men?

Leo: I say we revise Raph’s plan to make sure this guy doesn’t get mutated

Leo: Hey April, cool if you don’t, but do you still have that Orb with all the people of New York in it?

Leo has often expressed concern for the wellbeing of strangers throughout the series, when April & the Turtles first encountered Draxum it was Leo who said that they should stop Draxum from mutating people & Leo later actively tries to stop the soon to be Bull Hop from getting mutated in Bug Busters.

In the episode Anatawa Hitorijanai, Leo is also the one that expresses concern over the fate of the people of New York even though the family already has a lot to deal with, with the Shredder.

However in contrast to how Leo is arguably one of the most mindful of the safety of strangers he also seems as though he’s arguably the most unsympathetic towards villains when compared to the rest of his family

Mikey: We haven’t found the armour and we can’t leave him to get eaten

Leo: Oh great, we get to save the guy who once repoed a birthday cake

April: We’ve gotta help him get his friend/ roomie/ it’s complicated back from Baron Draxum! It’s my Birthday Wish!

Leo: You’re invoking B-Day right on him!

Donnie: Ah a moral quandary, do we give the antidote to the villain or-

Leo: Poison? Antidote? Everything he makes is delicious! 

While Leo is often concerned with the safety of strangers whenever one of the Turtle’s villains are in need of help, Leo typically seems as though he’s the one most opposed to the idea of helping one of their enemies which can be seen when Leo was reluctant to save Repo in the episode One Man’s Junk or when he expressed disbelief over April wanting to help Warren save Hypno in the episode Warren and Hypno, Sitting in a Tree.

In the episode Pizza Puffs Leo also demonstrated his reluctance to help villains when he decided to use the remaining antidote to eat more pizza puffs over giving the last of the antidote to Meat Sweats 

At first glance it would seem as though Leo has some sort of ‘black & white’ view on morality where he prioritises the safety of ‘innocent people’ but is unsympathetic towards enemies or evil doers however it’s shown that Leo is not always against helping former enemies.

Leo: You can’t just kick out your untrustworthy criminal brother, he’s family. So whaddya need skin man?

In the episode The Hidden City Job Leo is the one that pushes Señor Hueso to help Capitán Piel even though the last time they saw each other, Leo was actively fighting Piel’s pirate crew, Leo wanting to help Piel seems to go against the idea that Leo is unsympathetic towards enemies which leads to the question on what makes the situation with Piel different than the other situations where one of the Turtles enemies have needed help?

Leo: Wait! I know a brother squabble when I see one and there’s no one better to un-squabble you than moi

Señor Hueso: Aren’t you here because you had a fight with your brother?

The first reason that Leo might be more sympathetic to Piel than he is with other villains is because Piel needed help mending his relationship with his brother Señor Hueso. 

It’s been shown time & time that family is incredibly important to Leo so it could be possible that Leo simply cannot stand the idea of family fighting which made him more inclined to help Piel, it’s also worth noting that during the episode The Hidden City Job, Leo had recently gotten into an argument with Donnie, so Leo might be projecting his argument with his own brother onto Piel & Hueso.

Leo: I freed you from your pirate prison. Your welcome.

Raph: Pirate prison?

Mikey: You portalled us to Tahiti!

The second reason on why Leo might have been more sympathetic towards helping Piel than he is with other villains is that Piel had never actively tried to harm Leo’s brothers.

In the episode Portal Jacked the reason Leo was fighting Capitán Piel’s crew in the first place was that Leo had thought that the pirates had kidnapped his brothers which turned out not to be the case as instead Raph, Donnie & Mikey had been in Tahiti during the events of the episode meaning it’s possible that Leo doesn’t hold the same animosity towards Piel that he would with other villains as Piel hasn’t gone out of his way to bring harm to Leo’s family the way other villains have

So rather than Leo having some sort of ‘black & white’ view on morality where he prioritises the safety of ‘innocent people’ but is unsympathetic towards enemies or evil doers it’s more likely that Leo has the mindset where he wants to protect people but is unsympathetic towards those that have tried to harm his family.

[effloradox]

“Remind me why we’re friends again?” You walk over just as the twins have finished their wardrobe fitting, having finally been allowed past the security Renge hired to protect her precious set. It’s left you in a bad mood, and you’re honestly not sure if it will have even been worth the trouble of getting onto the set in the first place. The twins are clearly unsympathetic to your plight as they respond to you in a teasing tone.

“Aww (Y/N) don’t be like that.”

“It’s obviously because no one else in this school can match your humour.”

“Plus, these outfits make us look really cool.” You take a moment to take in their costumes now you’re up close to them. Renge has clearly spared no expense in any aspect of whatever project she’s trying to make, and the costumes do look incredibly well made. It’s done nothing to ease your concern about the situation though, and you can’t work out why Kyoya hasn’t put a stop to it yet. He clearly knows the poor girl has deluded herself into thinking they’re engaged and it almost seems cruel to let her carry on.

Maybe you’d have a bit more sympathy if she didn’t have to be so damn annoying about running this movie.

Regardless, she’s accosted your best friends (plus most of your other friends) so it only feels right to try and be supportive by watching them fumble their way through their scripts.

“How long until you start filming?”

“We’re the next section.” You let out a soft noise of acknowledgment, taking a moment to try and spot who’s currently being filmed.

“Well, break a leg I guess.”

“Thanks but we don’t need luck.” Hikaru’s comment makes you snort, the faux arrogance is nothing unusual in your conversations. You’re about to reply when someone from the crew comes over to tell the twins they’re ready to start shooting.

You follow them over to the basketball set, huddling behind a few interns and sound technicians. As the director calls action it’s easy to lose yourself in the admittedly good plot Renge and the screenwriter have come up with.

Maybe there’s a career in acting for your friends yet.

series masterlist

[koopageneral]

INANIMATE INSANITY SEASON 2 EPISODE 15 SPOILERS. PLEAASE GO WATCH IT

Omgaaa I need to EXPLODE cuz of Taco’s Tirade. Gonna go on a rant analysing it prty much line-by-line so STRAP IN!! (Shout out to everyone who worked on this masterpiece omfg)

It starts off with what might be considered ‘normal’ Taco. Her making fun of the contestants. There is a little bit of hinting at her sympathy towards the contestants, although it’s incredibly shrouded in her mastermind facade. Calling them ‘pathetic’ and comparing them to blindly obedient dogs with ‘how they run to fetch their sticks.’

We get a little bit more with ‘Sure, call me polemic, unsympathetic.’ It shows how shes aware that she’s a problem, although at this point in the song it’s unclear to the audience whether she’s saying it in a way of ‘yeah call me it cuz it’s true, I don’t care.’ Or if it’s ‘call me these things, yeah, but I’m more than that.’

‘Look at me and all you see is the debris of some defective outcast.’ Feels like it’s getting into the meat of the song, and the episode as a whole, of how Taco has realized how she’s pushed everyone away for the sake of the game. The fact she has her arms tucked away during it gives another interesting interpretation, of it actually talking about before her big reveal, and how she was treated differently because she was, in her words, ‘defective.’

‘A frenetic, antithetic (if poetic) iconoclast.’ Frenetic means wild and energetic, probably, again, referring to her season 1 persona. Antithetic means opposite of something, and iconoclast means someone who attacks cherished institutions. This gets into her want to tear this entire show to the ground for the suffering it’s caused everyone.

‘I wont live in the past. I almost won this game once, you know.’ I’m just gonna parrot what @lemonxlimee said cuz they put it pretty succinctly with two words. Taco. Girl.

Then we get to the lines that got me started on this tirade (Pun intended.) ‘History is rearranged just to credit those who win the glory. So reality has changed in the edit when they spin the story.’ AUGH. Her fucking staring down at the hotel made of the money she spent SO HARD and lost SO MUCH to try and get. I. I want to scream about this. I don’t know how to put my thoughts on this line into fucking words.

‘And we choose to feel this pain.’ Going off the last line, Taco, out of almost anyone in the cast, knows how much you have to go through just to get a chance to win, which goes right into the next line.

‘We lose more than we gain.’ She lost Pickle. You might say that she didn’t actually care, but I’m not sure if I believe that. I feel like she might not have at first, and maybe even never when they actually were playing together. But you can’t convince me she doesn’t hate herself for using him on a plan that resulted in nothing. She also lost Mic, and it’s incredibly clear how much that affected her. That was the straw that broke the camel’s back, and showed her the flaws in this system.

‘I will break this cycle of mistakes unlike all of these snakes whom I call to condemn.’ She is fucking DETERMINED to make everyone see what they’ve sacrificed. She speaks with a level of contempt towards them, yes, but I feel like it’s more her projecting her feelings about the contest onto the contestants.

Then we’ve got MePad being best therapy boy. ‘You are incapable of starting over.’ She wants to be better. But she doesn’t feel worthy.

And then MePad’s slightly naive optimism with ‘I do not know who you lost, but is it not possible to get them back?’ He’s programmed to see the best in everyone. He wants things to work out. He doesn’t see how hard it might be to just make things better after a relationship exclusively built on lies.

This naivete is immediately contrasted by Taco’s all-encompassing pessimism. ‘Clear the slate, start again, do you hear how preposterous that sounds? How do you not comprehend that for someone with my monstrous background, the whole slate has fallen apart.’ To Taco, the bridges between her and Mic or Pickle are nothing but smoldering piles of rubble after all the pain she’s put them through.

This contrast is even more stark with the duet of ‘It’s too late’ and ‘It’s not too late.’ I don’t even know what to say about that, it’s pretty black and white.

For the duet, gonna go one character at a time for simplicity. Starting with Taco.

We see taco’s turmoiled feelings on whether she’s to blame, with ‘It’s not I, it’s they who deigned to play.’ Even after all of this internal conflict and deep personal realizations, there’s still a part of her that wants to cast the blame of the pain she’s caused onto the ones she’s hurt.

Another deflection she throws out is, honestly, probably more fair, if still not great. ‘This game, so cruel and inhumane, base and uncouth.’ This really gets into her main philosophy for the episode. She’s afraid to take responsibility, and pins the blame on the show for pitting everyone against one another. I want to make it clear, her point is incredibly valid. We see during THIS EPISODE how much it turns people against eachother. The challenge is entirely built around making the contestants spill their true feelings about each other, and using that to fuel drama. Suitcase literally has to choose between two people she cares about over who she’s bringing into the finals, pitting Baseball and Knife against eachother. While the show is ‘cruel and inhumane’, I don’t think that should just be a het out of jail free card for Taco. Yes, she did it because she felt there was no other choice to win, but she still did horrible things. She manipulated 2 people into actually believing she cared.

‘They’re too afraid to bear the bed they made, can’t bring themselves to face the awful truth.’ This is pretty much just her saying that the other contestants are too blind to see how much pain they’ve gone through to get to where they are.

NOW. Baby boy therapist, MePad.

‘You’re no menace, Taco, how did they hurt you?’ He agrees with Taco on the grounds of how much pain the contestants go through, but he’s just a little more concerned about the tact needed to show them. He knows that Taco wants to change, but she’s afraid to. He knows how much she wants to apologize to the people she’s hurt. He feels that there has to be something external she’s dealing with to have this level of spite in her, even if there isn’t, and all of her hate is towards herself.

‘Please think this through’ is pretty self explanatory. As I said, he agrees with Taco about her basic ideals, but feels like there are better ways to deal with the issue.

‘Feeling double crossed is part of dealing with the loss, yes, but the healing is a process, that’s the truth.’ He wants to see Taco get better, and he’s trying to get through to her about the fact that her feelings are entirely valid, but she has to, at some point, let go.

I also feel like the sound mixing is very purposeful. Taco’s voice rings through clearly, able to be heard without much difficulty. MePad’s vocals are softer, and a little quieter and harder to make out. Taco is so in her own head about the pain she’s gone through, she refuses to listen to any outside voice.

Then we get to Taco trying her best to cover up her emotions again and put on her mastermind persona with ‘I’m turning up the heat to sauté, I’ve some beef to get grilled. But I guarantee that today all the beans that get spilled won’t be mine.’ I love how this foreshadows the challenge, but doesn’t make it obvious.

We see one last crack in her facade in the penultimate ‘I’m fine.’ Again, the ‘mistake’ in this line feels incredibly purposeful. It’s incredibly pitchy and bad, to an almost ear-splitting level. Taco knows she isn’t actually okay at ALL, and has trouble telling such a blatant lie.

And then the last line, ‘now it’s time’, is her fully donning the mask once again, ready to expose the show for what it is.

ANYWAY. Uh. Thanks for reading all this bs. I fucking love this song so much, and I think Taco’s motivation in this episode is fascinating. Any comments or constructive criticism of my analysis is MORE than appreciated, hope you all have a wonderful day/night/whenever.

[thelemonsofpink]

random modern newsies head cannons (with absolutely no evidence or reason) pt. 2

more bc i can!!

Race:

The most aggressive, reckless driver, but is dangerously good at it. Will cut across multiple lanes but has never even scratched a car.

Lied to everyone in his first week of college about his entire life (different lie per person) just for fun. He finally started telling the truth but nobody believes him.

Started a school poker club and promptly got kicked out of it for betting too much, and then winning it every time. (He just wanted a way to make money. The school did not like that).

STEM major. His work is impossible but he never complains about it. Also a dancer (not my hc). He complains about that a lot.

Has worked almost every retail job under the sun. Also complains about that.

Carries around cigarettes for the vibe but rarely smokes them. Just in case anyone else wants one. Has made friends with many random people this way.

Spot:

Brooklyn baby. Cannot drive. Is terrified of it but, when Race tried to teach him, he yelled at everyone and blamed other people for what was definitely his fault. Refuses to admit that.

Played football but seriously injured his knee (explanation for the cane) but doesn't talk about it much. Always comes up with a new reason for the injury that is entirely ridiculous, but since he delivers it with a straight face everybody believes him.

Absolutely no rhythm. Never goes to parties, even though he is in a fraternity (a very chill one, thank you very much). If he's ever at a party, it's because he's a sober contact, and he is the most unsympathetic person when it comes to taking care of drunk people unless it's Race.

Insists on sitting alone in the back of the lecture hall, even if he has friends in his class.

Crutchie:

Also an incredibly reckless driver but HAS gotten into accidents before. (Only twice, both times because he was racing a friend on the highway. Never serious but always stupid).

Very fidgety and usually making noises under his breath/drumming on shit. Drives everybody around him crazy.

The kind of guy to argue with a professor in a lecture, but only when he's sure he's right (which is always).

So many illegal things in his dorm: candles, toaster, air fryer, multiple animals.

Double majoring in a STEM and humanities field, always references one when in classes for the other and confuses everybody, but he sees a connection between them.

I like the idea that he goes to the gym with Albert a lot. (U wld never catch me taking away his disability so in my head he loveeees to bench and is so buff).

Albert:

(a lot of driving hcs. i wrote this in a car). gets so violently carsick. everyone thought he was saying that so he could ride shotgun; they made him ride in the back once and he made them pull over after ten minutes cause he almost hurled. safe to say he is now always shotgun and always playing the worst music.

Played too many sports, got too many concussions, and now is a crazy gym bro.

Peanut allergy. Would rather die than admit this. Has almost died because he forgets to tell servers at restaurants.

Finch:

his shoes are never tied. he never trips over them and refuses to tie them.

has a million weird, artsy minors that sound and should be fake.

floor sitter. is never in a chair.

JoJo:

his shoes are also never tied. he ALWAYS trips over them.

drank coffee, had a panic attack, thought it was a heart attack, and spent an hour in the ER.

also had the same reaction when trying weed for the first time.

Mush:

RIPPING up the dance floor at a party, fully sober too

Everybody's favorite frat bro; super great energy and incredibly respectful

Volunteers at local elementary schools; talks to young children like they're frat bros too.

Blink:

Dorm recluse. His suite mates have called Mush many times just to check that he's still alive in there.

Has no license and hates public transit, so he walks literally everywhere.

[captaincleverusernamehere]

I think that Barsimmeon is so old because he uses NSBU as functional immortality, avoiding dying in the film means being unable to die in real life, and that this is an unsubtle way of saying that if we keep using physical media "we" (this generation's culture and history) can never die.

It's funny to symbolize that with an extremely old white man though. That type of person (especially in a Brennan-run D20 season) would typically be seen as a villain, or at least someone with incredibly unsympathetic and outdated ideals, however in NSBU, he's a main supporter of the ideology that surrounds the season (physical media good, digital capitalism hell bad). Though of course he's going about showing his support for this idea in a very forceful, anti-heroic way.

I'm curious to see to what extent this season ends up agreeing with Higgs/what nuance will be added by the time he explains himself and the whole season resolves.