#hes obsessed with the scripts i have to keep them away from him
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Whenever I say "chewing on this" in the tags, please imagine this is what's happening
#special agent jack bauer#dont worry i stopped him very quickly#but this was too perfect not to capture#hes obsessed with the scripts i have to keep them away from him#or he claws/bites/attacks/loafs on them#the process of making this gif was insane btw#twitter you can just hit the little gif button for a live photo#but here i had to convert it to a video which was a .mov and then convert it to an mp4 to convert it to frames to gif#cool#ok back to script reading after all that#yes thats a rolled up rug tied with a ribbon behind bauer#we are redecorating and ilive on the top floor of a walk up in nyc i have no idea what to do with this thing
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I know I've posted bingqiu actors au before but I'm having thoughts for another one..
Shen Yuan only occasionally acts in things he's interested in.. he'll be like "oh I like this book, they better not butcher it!" and then because his family is rich, he'll get a role. People who have never worked with him before hate him at first bc he's a nepotism baby, but then they see his passion and acting skills and go "Oh nvm, he's actually really good... he didn't have to audition like everyone else because he has connections, but if he had auditioned, we would have picked him regardless."
Then there's young binghe playing a minor character.. he's not an actor, nor does he want to be, but child labour laws say he can't get a regular job and he wants to help provide for his mom.. a 14 year old can't work at a fast food place, but movies do need real children to act in them, so that was the only option he had
Shen Yuan is 19 at this point and binghe ADORES him. He brings him food he made at home and shyly waits with bated breath for Yuan gege to say it's good. Shen Yuan helps him with his homework when neither of them are in a scene, and whenever binghe acts really well and the director praises him, he ignores everyone to run to shen yuan and ask if he did well.
When production nears its end binghe says he wants to keep working with Yuan ge!! Shen Yuan isn't working on any other projects though, and the ones he is working on won't hire Binghe.
Everyone is impressed enough with Binghe to help him stay in the industry though, and get him another minor role, then another, then a somewhat important role, then a co-lead... by the time he's in his early twenties, binghe is a household name, and shen yuan is "that actor most people will recognize but don't remember from where."
By the time they finally work together again it's like
Binghe: Yuan gege!!!! I'm so excited to work with you again!!!!
Shen Yuan: haha you remember me! I'm happy :)
Binghe, who borderline stalks shen yuan: haha yes of course I remember gege :))
Shen yuan still gives him head pats like when binghe was a kid and binghe still clings to him. One time shen Yuan gently pushes Binghe away after a tight hug that's gone on too long and says "okay okay that's enough" and binghe looks CRUSHED so shen yuan feels like the devil and pulls him back into a hug immediately
The movie comes out and it's very well received. Binghes acting was the best it's ever been (since he wanted to show off in front of Yuan gege) so people are very interested in seeing the behind the scenes footage
When it comes out people see binghe being OBSESSED with shen yuan. Whenever the two of them are in the same frame, binghe is looking at shen yuan with the softest most loving expression while shen yuan is yelling at the script writer about fan service. There's about 10 moments when Binghe comes up from behind and grabs shen yuans waist and sets his head down on shen yuans shoulder. When people see binghe saying "gege open wide, I made this just for you!" And hand feeding shen yuan they're like okay yeah there's no denying it anymore.
Then they find out this isn't their first time working together and find old bts footage of when binghe was 14 and following shen yuan around like a puppy with hearts in his eyes and they go holy fuck he's been obsessed with shen yuan for YEARS
The cast all go to an interview
Interviewer: people were surprised to see how close you two are!
Shen Yuan: well it's not our first time working together :)
Binghe: I've been waiting to work with Yuan ge again for all this time :D
Interviewer: aww! Now about rumors saying Luo Binghe is in love with shen Yuan...
Shen Yuan: obviously they're-
Binghe: true
Interviewer: ..... oh my
Shen Yuan: um...?
Binghe: Yuan ge is very well aware of my feelings, I was very obvious
*camera pans over to shen yuan where his face is red and his mouth is wide open in shock*
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kimi ni todoke inspired, but with a twist?? except sukuna is suuuuper into your whole scary/creepy vibes (strange fetish) this is more just rambling, not a proper fic sorry, its a little smutty, scratching and knifeplay involved (he's quite submissive), sukuna's a whole FRREAK
sukuna in college au, where he has a strange infatuation with the horror genre-- has a deep appreciation for scary films, and is a huge nerd in this area, and many of his favourite celebrities are actors and actresses that starred in one of his favourite films. his brother yuuji is also a huge cinema nerd but he's not as obsessed with horror as sukuna is. and frankly, yuuji thinks he's a slight weirdo for being able to analyse them in a very detailed manner, whether it's the jumpscares or how realistic a gore scene looks.
and now this horror nerd discovers someone very noteworthy in his area. there's this semi-famous haunted house that operates year-round nearby his university, which he decides to visit alone, out of boredom.
...the atmosphere is alright. the decoration could use some work. the bloody sheets don't look convincing enough. it's too pink and tacky. the "ghosts" give an effort to try and scare him, but he gives them a deadpan look.
"can you try any harder?" sukuna keeps walking.
next, a man dressed like a typical serial killer walks in holding a real chainsaw. oh, boy. the "killer" walks up real close to him, to his annoyance. he takes the chance to inspect the mask on his face. he flicks it lightly with a finger.
"shit's made out of plastic. do better."
the man revs up his chainsaw.
"ha - that's the spirit." he continues walking.
there's suddenly eerie silence, now that he's almost at the exit of the haunted house. what, did they run out of ideas?
he thinks he catches a glimpse of someone in the corner of his eye. sukuna stops and turns back, but there's no one in sight. that gets the hairs on the back of his neck rising, ever so slightly. he likes that.
he feigns ignorance and keeps heading to the exit, wanting something to jump out at him. he hears little footsteps behind him, this time. he whips around again, but there's nobody.
"you're edging me, are you?" he says sarcastically with a chuckle.
you're hiding in a little pocket area out of view, when you hear the man mention something about edging. great. another fucking weirdo. sometimes, you feel like you should just get a new job.
the third time, you actually reveal yourself and stand still in view when he turns around. the weirdo just stands there and grins at you. the fuck??
oh, sukuna loves this one. you look terrifying. like you came directly from a horror film set. you give him the creeps.
"look at you... a diamond in the rough."
the fuck is this man talking about? you want to tell him to just leave already. but he just continues observing you silently, like someone analysing an artifact. you move stiffly towards him, even while knowing that it probably wouldn't be enough to scare him off.
"your makeup looks too real... do you do that yourself?"
you glare at him. it's part of the script anyway. sukuna chuckles, because something tells him that the disdain in your eyes are real.
"i know, i know. i'll get going. any chance i could get your number before i go?" he asks boldly, hands in his pockets. it's a half-hearted attempt, but he felt the need to really try at least once.
he must be joking. what kind of perverted man sees a woman looking like this and asks for her number? well, he probably isn't being serious anyway. silence permeates the area as you backtrack away from him, deciding you've done enough for your pay's worth.
"running away? a shame..."
you feel odd. many men have seen you and ended up running out screaming. none has ever tried flirting with you while you were in this getup. what a weirdo.
sukuna walks out feeling better than expected. that last section really saved it. not a totally worthless experience. maybe he'll swing by again, just to see you.
except, he doesn't really need to. because the next day you bump into him at uni - and he recognises you instantly, like the freak he is. you try to brush him off casually, but he can't be shaken off so easily. and then sukuna pestering you wherever you hid around on campus became part of your schedule.
"what's your deal? why do you keep following me around?" you eye him suspiciously, when he sits down next to you on the bench, unprompted.
"well, i'm interested in you, for one," he says casually, shrugging.
"listen... if this is because you have some weird horror fetish, then i'm not interested..." you tell him truthfully, shuffling yourself away.
sukuna laughs out loudly in response, which makes you jump.
"i won't deny having unusual tastes, but my interest isn't that shallow. if it were the case, i could probably seduce any other girl and dress her up instead of chasing after you."
well, you guess he's correct about that. you've received a couple of stink eyes from a number of girls after being seen with sukuna so often.
he's an annoying guy - when you ask other peers about him, they tell you he's stoic, mean, and rude as fuck. well, you understand the last two a little bit, but stoic? every time he sees you, he seems like the opposite. he's rather loud and overbearing.
"i'm telling you - you have a talent. why not make use of it?"
he's referring to your future acting career, apparently.
"and i'm telling you - stop with the nonsense! i can't be fooling around with a silly idea like becoming an actor. seriously."
you only started working at the haunted house for some cash. you're not even that into the genre itself. what's with this guy?
"why would it be fooling around? at least give it a try before dismissing it."
this back and forth continues, for quite a while. he even forces you to watch his favourite horror films, "for future reference".
and then he proposes a deal to you. that you try and audition for a small role as a ghost in a film. he guarantees you'll get picked, even though you doubt it. and if you don't he promises he'll never bring the idea up to you again. you decide to go with it, just to shut him up.
but guess what? you're selected for the role.
sukuna shrugs at you with a smug smile on his face.
"see? i'm always right."
he pisses you off.
and he somehow pushes his way into becoming your personal "trainer". sukuna revises your script with you, and gives you feedback on your acting. he sits you down and watches classic horror flicks with you, analysing every scene down to every frame. many things happen the more you spend time with him..... you find yourself getting more and more attracted to this weirdo. this horror nerd.
"are you paying attention? this part is important."
the film gets paused, and you very swiftly, dart your eyes away from admiring his jawline.
"i'm trying... i just can't concentrate. i'm hungry," you lie fervently.
"hungry for what? me?" sukuna grabs your face and makes you turn your head towards him.
"...no? whatever gave you that idea?" you ask, heart hammering in your chest.
"how is it that an aspiring actor can't even lie properly? maybe we need to go back and revise some of your acting lessons."
you know that he's studying to become a film director, and honestly you feel sorry for the future actors that'll be working with him.
"whatever. let go of my face, you ass." you swat his hand away.
sukuna chuckles deeply at you, eyes softening.
"you're lucky that you're cute. how about i give you a kiss? will you concentrate better then?"
"yeah... wait, what-?"
too late though, he's already on your lips. and damn, he's a good kisser. anyways, that embarks the start of your relationship with him. shortly after, the filming process for the short film begins, and it becomes a decent success. you're a little ecstatic. maybe more than a little. you get the feeling that a whole new life is awaiting you.
and your boyfriend is so endlessly cocky about it. "all thanks to me," he says, which is technically correct, but you don't want to openly admit it in front of him sometimes.
and...
occasionally...you do dress up scarily before sex as well. at first, you were quite reluctant and awkward with roleplaying in bed, but after you got used to it, you found that it's hot as hell to see sukuna beneath you, squirming as you press a knife close to his throat, grinding your clothed cunt against his boner, dressed as a terrifying ghoul.
a safe word was established beforehand, of course, just in case either of you suddenly feel like backing out.
you want to keep yourself immersed into the role as much as possible, but it's difficult when sukuna's cock is so big, hitting all the right spots. this time, you're choking him with one hand as you ride him like he's a toy.
sukuna's hands are guiding your hips, fingertips digging into your flesh, his dick aching from the soft pressure you apply to his throat. you look so utterly scary, it turns him on. he'd let you kill him, if you wanted. he fucks into your cervix, looking up into your eyes with a blush on his face, groaning openly at the insane look in your eyes.
choke me harder. scratch me. bite me. he provokes you through his gaze.
you do grip his throat harder. and then you dig your fingernails into his chest, and scrape them down slowly, leaving a trail of red marks down him. sukuna shudders under you and curses under his breath.
"just like that... fuck, baby," he moans, cock throbbing inside of you. your walls squeeze him so good.
he cums the hardest he's ever cum in his life that night - thighs trembling and sweat rolling down his temples, and it doesn't help that you lean down to sink your teeth into the side of his neck while he orgasms.
aftercare consists of him cleaning you up and helping you de-costume. when he's wiping all that dark makeup off your face, he tells you that you're pretty with his soft voice, flustering you.
and of course, vanilla sex also occurs regularly, to get away from that freaky stuff sometimes, with the gentle kisses and tender hand holding, in a missionary position, exchanging sweet, sweet gazes with each other. giving you the princess treatment you deserve for being so good to him.
in the future, you run around and play bigger roles until one of your films become a huge hit, and sukuna finishes his degree to become a famous film director... no surprises there! the best horror actress + the best horror film director goes hard... the two of you are already married at this point.
when the both of you finally get together to make the ultimate film, the internet explodes... sukuna is surprisingly bad at being professional. he's seen often taking care of you rather affectionately around the filming area, personally making sure your makeup is done perfectly, and bringing you food and water as if he's bragging to everyone else about his marriage. and it shows in the way he sugar coats his critique for you, when he has never done that for any other actor/actress he's worked with previously.
if there are some snooty coworkers that try to speak with him about the gap in treatment, he would simply scoff at them and say 'and? she's my damn wife.'
when he's working with you, it's all like:
"cut! honey, that was great, but i think this part can be done a bit better."
but when it comes to other actors:
"cut! what the fuck was that? sounded like you were reading off the damn script. get your shit together."
he's notorious for being relentless, but nobody has anything to say because all of his films climbed to the top of the industry. everyone is dying to score a line or two in his films.
and i'd like to think that sukuna himself dabbles into acting a little as well. there's probably one film where he stars as the killer, and it becomes a classic :) but the one featuring you and him probably becomes both of your biggest hits ✨
oh, and on days where you two finish filming together, he takes you home with his own car, but before that, some freaky car sex probably occurs around some corner with his windows tinted... (he's been hot and bothered the whole time filming, watching you act)
the end <3
Masterlist
#sukuna x reader#jjk x reader#ryomen sukuna x reader#sukuna smut#sukuna x y/n#jujutsu kaisen x reader#sukuna x you#ryomen sukuna#sukuna#nervous about posting after a HOT while
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obsessed with the OG!SQH/SY ship. i am enraptured. obsessed. feral. i gotta ask if you have any more ideas about them?
HELL YEA I DO
- Sy transmigrates as himself/an npc before binghe makes it to cqms, and spends a lot of his time dodging the plot by being a rogue cultivator. Its on one of his plot-avoiding adventures that he runs into og!Shang Qinghua and inevitably gets dragged into the plot (havent decided if airplane joins the world or nah, but if he did then hes obv a different character)
- Sqh originally only keeps Sy around as a source of information to save his own skin and fully intended to drop him at the earliest convenience, unfortunately the wife beam too strong and sqh slowly finds himself feeling protective of this strange man who keeps running head first into dangerous situations for some 'deus ex machina' that'll help them both
- Sqh does think Sy is some kind of seer btw, because how else would he know so much about things he shouldnt? Sy is 100% down to run with that narrative because it lets him get around the system's punishment protocols for revealing too much.
- Sy is ofc not trusting of Sqh at first cuz all he knows about him is the few throw away lines from PIDW, but after he starts to see just how much the man does and deals with Sy does develop a begrudging respect for Sqh
- Sqh keeps Sy on a pretty short leash even after their relationship improves because hes not about to let anyone else get their hands on someone with so much valuable intel, but he does enjoy sicking Sy on both the demons of Mbj/Lbh's court and his own martial siblings (yknow those 'translator' joke videos online where the translator says what the person really means? Thats Sy for Sqh)
- Sy is required to stay mostly quiet about Lbh's whole abyss arc, but he does make sure sqh falls into 'tolerable' terms with the future emperor to avoid the man's scripted end (and if that leads to some mobing content then thats just the way the ball bounces)
- the sect isnt really sure how to handle Sy at first since hes an unknown rogue element, but they eventually find themselves somewhat endeared to the oblivious man thats apparently bonded with the semi-reclusive an ding lord, especially after he 'stumbles' across sqq and lqg in the caves ᕕ( ᐛ )ᕗ
#svsss#shen yuan#original shang qinghua#shang qinghua#asks#shangyuan#idk the actual ship name if one exists
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I really hated being a woman. The incredibly complex, winking social rules of girlishness were impossible for me to keep up with; the cultural obsession with my curves and the assumption that they existed for becoming a mother and feeding an infant made me go to war with my body. I perseverated over my self-image in destructive ways, spent hours bent over the sink picking at pores and lightening my hair. I raised my voice to make it seem more feminine until doing so gave me laryngitis. I practiced swaying my hips and then fumed at the men who noticed. In contrast to all that, becoming a man felt pretty wonderful for a while. After a lifetime of other people projecting assumptions onto me based on a body that I had not chosen, finally I was in control enough to choose something else. Becoming a man, I thought, was the closest thing to being truly seen as gender neutral, since men were the social default. Intellectually I knew that manhood came with its own set of punishing restrictions and damaging hang-ups, but I hadn’t felt them yet. I was too focused on getting free. But then, I started avoiding mirrors. The man on the other side was a perfectly adequate human being, but he always looked dour, and so boring. I hated smiling as him. Tiredness always clouded his eyes. It made me kind of sad to see him, but I could get away with not thinking about it. I didn’t obsess over his appearance the way I had as a girl. I could let a flyaway hair or a cyst on his back just be for days. But I never delighted in seeing him either. When I looked away, and had no confirmation of what he looked like, he became featureless in my mind, and unappealing. In public, my arms and neck felt stiff all the time. I couldn’t walk down the street with ease, or lose myself in my music. I was so conscious of the space that he occupied, hypervigilant against intruding against anyone, and yet insulted when crowds treated me like I was invisible and bumbled into me. My shoulders kissed my ears and my hands and feet felt like solid concrete, too hard to move. I had escaped the dysphoria of being a woman so totally that now I could recognize there was also a dysphoria to being a man. I was suffering from something my friend Jess White had once named bilateral dysphoria, the confusing push-and-pull of being some kind of nonbinary gender in a world with mostly-binary embodiment and presentation options, and almost exclusively binary social scripts.
Full essay is free to read or have narrate to you at drdevonprice.substack.com
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A Game On Red
about: two ferrari boys are madly obsessed with you, they do whatever it takes to keep their pr manager just for themselves warnings: daddy kink, size kink, guys are toxic, reader is innocent, jealousy, kidnapping, primal play, cnc, smut based on these requests: one two info: this was suppose to be one short post but I decided to make it into like two or three parts. It’d be a shame to make one long post taking so long to write since I make extra effort writing this plus not giving you anything to read. Hope you’ll like it the same as me. words count: 2K. Part 1 Part 2 Part 3
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“He thought he could overtake me that easily hahah”
Max was just maxplaining to you about other drivers on the grid. You had to laugh at him for acting like this. He was a literal God out there and he knew that as well. You liked his goofy side and you always had such a nice time with Max having around. As you were smiling at Max and listening to him, you felt this uneasy feeling spreading through your body. As if something was stabbing you in your back. You shivered a little and turned around to see what is it. Carlos was standing there with his arms crossed and determined look on his face, boring his eyes into you like as if you broke an unspoken rule between the two of you. You were looking at him, trying to figure out what this is about, but as you kept thinking about it, by the time his feature changed. A devilish smile displaying his face. You looked at him confused as ever as he walked away from the open space.
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“Where have I put the document??” “YN”
Your arm flew to the side where the vessel was standing, bringing it to the pieces as you broke it with your maneavour. You looked around.
“Charles?” “Can I have a quickie with you cherie?” “Of course!”
He chuckled at your comment and you didn't know what was so funny about it. As you were behind Charles following him to the suite next to your office, you saw Carlos sitting on the red couch in the middle of the room. You gulped slightly from the memory of the previous encounter with him. Carlos could be scary sometimes, you knew that from before, sometimes he looked so mad because of something happened during the race, but the look was never meant towards you. The look in his eyes could do harm. And they did to you not so long ago.
“So, guys, what do you need me for?” “A lot of things actually..”
Charles spoke to you alone, Carlos was just watching you as your wandering eyes find out. His eyes went slightly lower to your hips, just then you realized you're trampling on the spot. You immediately shut that down and placed your hands by your side.
“Dímelo cariño… do you know what is a primal play?” “Primal what?” “Primal play cherie”
You looked at both of them confused. You were lost at what they are asking you. You haven't ever heard that before and you got disempowered all of a sudden. You hated the fact they were talking about something realated to the job since you are their pr manager, and after all of this years of work in this field, you have never encountered such thing. It was embarassing enough for you.
“Why you looking sad cherie?”
You looked up again while hemming the shirt you had on.
“I am?”
You've heard Carlos groaned a little. You jumped on your spot from such sound. It couldn't possibly come out of his mouth. It was so animalistic.
“yes, you are cherie.” “Well.. I haven't heard of it. There is no such thing in my scripts either. Is this something new from the grid?”
They both bursted out loud and laughed at you. You furrowed your eyebrows and felt shame spreading through your body. When they finally stopped, Carlos looked at you again. You hoped he felt pain in the stomach for such hard laughing before.
“I can count on that you wanted to try it out with Max, didn't you?” “W-what?” “Don't play innocent cherie.” “No I-”
Carlos big fist landed on the table next to him startling you once again. You looked at him in disbelief from such behavior. It was your job afterall to untie them from the leash before meeting media. You couldn't let him walk out of there to be seen like this on cameras.
“Too bad for you cariño. We are the ones to have it from you.”
This gaze again. The harsh big brown eyes on your face. You felt your eyes watering . Charles rushed to you.
“Oh cherie, don't cry baby girl. You will like it, I promise.” “I-I sti-ll don't k-know what this has to do with j-job g-guys.” “Well you want us to behave the best right? You might help us with that. So it is kinda your job to take care of it” “Take care of what?”
Charles was out of your sight now and you were looking at Carlos. Trying to find answers in his face but none for your finding. You got a little impatient, you hated to be left out off knowledge. You didn't know what was happening and your vision got black the next second, your breath was caught by the material harassing your nostrils. All you could hear before your consciousness turned black were those words: Poor girl, we will catch you running baby girl..
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Your head hurt like hell. You breathe stiffly and your neck is sore. As you managed to open your eyes, two men in red sitting in front of you, watching you patiently. You spoke but in vain. You hardly could make a sound.
“I've told you to be more gentle with her.” “i can't help myself” “She's tiny Carlos” “oh, I love that about her”
You regained your focus again as those two were whispering to each other. You become aware you are tied up to a chair and having different clothes on. Red dress that give off the vibe the material brightens when exposed to light. Your heels were the same as you remember.
“Guys. what are you doing, w-why I have d-diffe-erent clothes on?” “We changed you cariño.”
You gulped. It meant they touched you when you weren't awake. They've seen you naked. And bare. Most of the time you don't wear panties if not neccessery.
“You have no idea how hard I had to restrain myself from that sweet little cunt of yours.”
You gasped in shock. You thought you're in a nightmare of some sort. Some fucked up dream, this couldn't be real. Just this morning you were getting your nice cup of coffee and heading to work. You've been working for these guys for few months now and they've always seemed so good. And now you look at them with disbelief and betrayal.
“You are sick.” “Cariño..”
Carlos stood up and went slowly towards you. Just now you've managed to see they have changed as well. Carlos had tight material hugging his torso and arms, leaving no imagination to his beautifully shredded muscles on his stomach. You took a look and went right back up to look elsewhere for not wanting to be confronted about this. But it was too late.
“Are you eye fucking me cariño?”
Charles appeared by his teammate's side, looking good as ever. His torso was visible with the shirt unbuttoned at chest with his veiny arms hanging beside him. His long beautiful fingers covered in rigs that made your thighs clench together once again once more. Charles reached his hand towards your face and cupped your cheek. You leant into his touch feeling dizzy. His piercing green eyes looking at you from upper hand and giving you a hard time not to smile at him. He was the cutest to you.
“We had to change you cherie. It's for the game.” “What game?”
Charles walked past you, making him stand in the position right back at you. Leaving his fingers play with your neck and slowly making its way to your collabore. You quietly hissed and felt the warm spread through your body. He rode his finger under the hem of your dress and peaked on your breasts. You stiffed by his approach and looked terrified to Carlos calm look.
“The primal play.” “What?” “You run, we chase. If we catch, we fuck. Simple rules.”
Carlos went closer to you, hovering over you, your eyes right in the level of his crotch.
“Are you trying to tell us cherie, that you are not attracted to us? That you don't want my fingers in your tight wet pussy?”
“I bet she is wet by now.”
Your watery eyes got to their peak and tears were lining down your cheeks. You looked down ashamed of yourself trying to hide from them.
“For hiding will be enough time cariño. Show me those tears.”
He tucked at your chin to pull it up. He was directly looking into your eyes. His big brown eyes warm, giving you some time to breathe and relax as you melt under his gaze. This gaze that was following you all the time since you’ve started working for them. You missed his old self.
“Que preciosa.” He murmured to himself
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You drove a long way from the place. You didn’t know if it was a house or some old tavern, all you knew it has to be away from curious people around. At least that's what you thought, because the boys didn't forget to blindfold you. And you thought if you saw some woman being blindfolded with two men by her side, you wouldn’t let it go. For you right now in this situation, it meant you’re completely alone with them. It must have been dark outside already, you felt the cold creeping in on the seats you were sitting on. You were shivering as you tried to warm up.
“Don't worry cariño. You will warm up enough when running.”
Charles remained silent. You knew he was sitting next to you because occasionally he put his hand on your thigh and caressed your skin. You were happy for such moments. You only knew boys like that, being nice and always treating you with respect. So you were glad it was at least as close as to it as it was before. Your thinking got interrupted as the car started to slow down and your body stretched upwards, expecting that you had already arrived at the place. You heard the click of the belts and at that moment your breath ran out. It‘s happening.
The piece of cloth you had tied around your eyes was torn off and your eyes slowly began to adjust to the environment. It didn't take much time because it was really dark outside. Carlos wrapped his arms around you and looked down on you. He was smiling at you as if he expected something from you and was looking forward to taking everything you had to offer. You slowly turned back to the front where Charles had stood a moment ago.
“You have a choice here.You either play with us and follow the rules Carlos mentioned back at the house, or you will withdraw from the game, but you will have to resign as our PR manager. We just couldn't longer watch you making eyes at next riders anymore. So, what do you choose?”
Charles left you in a state of distress. You barely blinked and perceived the world around you. The thought of losing your job was incomprehensible. You loved your job and couldn't imagine ever getting rid of it. You knew you weren't in a position to explain moral behavior to them right now. It would obviously be useless. They thought that you were way too friendly with someone else and their unreal obsession developed into something like this. Although this was blackmail, there was no other way to deal with it. And the fact that you were excited about the game, you quickly shoved it to the back of your mind, because it was incomprehensible for you to admit that something like that might appeal to you.
You slowly and cautiously nodded your agreement. Charles smiled at you but Carlos didn't share that enthusiasm. He tugged at your arm and looked at you with that look.
“Words cariño”
“Y-yes.”
The game was on.
#charles leclerc x you#charles leclerc smut#charles leclerc fanfic#charles leclerc imagine#charles leclerc x reader#carlos sainz fanfic#carlos sainz imagine#carlos sainz smut
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bad blood
actor!ryomen sukuna x f!reader
**part of my dream girl fic
songs mentioned: bad blood by taylor swift and obsessed by olivia rodrigo
--
--
“are you of the opinion that all PR is good PR?”
sukuna can tell that it’s not the time for jokes. that much is obvious to him from the exasperated looks on everyone’s faces at his ill-timed comment – at nanami pinching the bridge of nose, yuuji shooting him an irritated look (with a whisper of a smile on his face), and his manager shoyo’s eyes pinched shut in frustration.
“i would be inclined to think that, but sukuna is over party trending for the past three hours is giving me a run for my money here.” shoyo responds.
sukuna diverts his eyes back to the television, shoyo’s computer projecting the trending hashtag onto the screen, and his fingers darting to refresh every few seconds with another set of irritating tweet about him. sukuna’s gotten the hint from the first three, but he has a sneaking inkling that shoyo’s doing this part just to rub it in his face – that it’s his way of saying i told you so without explicitly doing so.
shoyo was interesting in that way. managers were interesting in that way.
sukuna wondered to himself how many other careers had these types of dynamics, with “mentors” who served as stand-in parents. telling someone what to do, what not to do – in attempts to guide them from right or wrong – that almost never worked in his case.
his gut instinct tells him that almost every single profession does. but it also tells him that the other managers can’t be half as annoying as the special spot that entertainment managers take up.
at the very least, he can appreciate the take that shoyo has on his position. like a firm, strict father figure. he spares no warmth for him – just the way sukuna likes it.
“so what are we going to do? can we just ignore it?” sukuna asks.
it’s a loaded question.
what can you do when you might have possibly tanked every attempt at an entertainment career before it even starts?
sukuna’s first manager, starla, taught him three simple facts about the entertainment industry. among other things.
in particular, that the warmth was something that sukuna needed to run far, far away from.
first – attention is hard to attain. anyone can audition to act in a show, but only one person gets picked. you can be the best in the game but it doesn’t matter unless someone looks at you.
second – once you have it, attention is hard to maintain. if someone takes the time to watch, who’s to say that they’re ever going to watch you again? anyone can be a one hit wonder, but it takes greater skill to stay relevant, to keep people interested in what you’re putting out.
and third. reputation is everything. it’s best practice to avoid becoming a contrarian. it’s social suicide to your career.
it seems that sukuna might have nipped the first two in the bud, by accidentally becoming a contrarian. again. after so narrowly missing it the first time.
that’s the thing that’s the most frustrating in his opinion. that sukuna did almost nothing out of the sorts, that he had followed every single prim and proper rule he could have after his first few tumbles – and that this time, he very simply became a contrarian for dumping the wrong girl at the wrong time.
sukuna had made his own additions to the facts as time went on. especially after he was dropped by his old manager, promptly when he turned twenty-three.
lessons that he learned on his own. this situation alone added three to his list.
first – do not date the daughter of an industry titan. who has a loving fanbase that will attack you if the two of you break up.
second – do not crack jokes about good and bad PR when you’ve inadvertently created a mess for almost everyone around you.
and third – tread lightly the week before the biggest break of your career. things move so fast that they’re in absolute shambles before you know it.
“there’s nothing you can do besides follow the script that the PR team gave you. keep questions about aimee to a minimum at the event tonight. deflect to the show and only the show.”
sukuna gives shoyo a mock salute. he still doesn’t find it funny.
in fact, sukuna can tell that he’s had exactly enough for this meeting, marked by the almost immediate exodus he makes from the room, with nanami following in tow. nanami shoots him an apologetic smile over his shoulder as he exits and it’s one that sukuna can appreciate.
“you know, i really do question your taste in women.” yuuji states.
sukuna rolls his eyes.
“you question everyone’s taste in women.” sukuna deadpans.
yuuji gives him a laugh – the one that he had been holding in from earlier – and smacks him hard against the shoulder. sukuna can feel the pressure that he was trying to ignore compounding in his head, as he sinks down into the couch.
“i’m being serious though. i just don’t understand what you see in these girls. none of these relationships really have a fighting chance, which at this point, you almost have to be doing on purpose. i know you’re not that dumb.”
sukuna shrugs. he can tell that he’s being baited into having a conversation, a conversation that he doesn’t want to have, and makes a mental note to yuuji later that he shouldn’t lay it on so thick.
“your point is?” sukuna mutters.
“i’m not trying to make a point. i’m trying to understand why you’re so…so keen on pursing things you know won’t work out. it’s almost like you don’t want it to work out for you.”
“i don’t know what you’re talking about. you sound like an idiot.”
yuuji shakes his head, almost like he’s giving him a sentencing. trying to tell him, making it a point that he’s been caught red handed, that he has to give into the conversation.
“don’t tell me you’re really not trying in earnest because of what happened?”
sukuna can feel his frustration coming to a head, right in the center of his forehead. it always felt like feelings were concentrated there, right in that sensitive part of his head that made him rush to anger.
“it’s not about that.”
yuuji takes the hint. he jumps over the line as often as he can, but won’t push any farther.
“i just think that you should give things a real, earnest try. i know that none of us can really understand what happened, but…but that doesn’t mean that it’s going to happen every time. you…you shouldn’t be happy that you’re not trying to find love for real.”
sukuna clicks his tongue in his cheek.
“and who said i was doing that?”
yuuji sighs.
“you’re always the same you know. you never try for real because you’re scared you’re going to strike out. you….you still…you’re still afraid to pursue someone you actually like because you think…”
yuuji doesn’t finish the sentence. but sukuna knows the answer, because he’s said it before.
you’re afraid to pursue someone you actually like because you think they’ll realize there’s nothing to like about you.
--
--
“do you ever think about pushing yourself creatively?”
you wonder how many times someone can ask the same question, worded differently.
in mimi’s case, you’ve reached a whopping count of six. categorically organized – three times while you were out doing your morning coffee, twice over dinner, and today marked a new first, while writing music at the piano.
each question exactly the same, every response exactly the same.
“no. i want to stay exactly the same for the rest of my life.” you deadpan.
your dry humor earns you a laugh from mimi. in all fairness, it almost always does, because it’s very easy to make her laugh. because she’s a person who is easily pleased, very outgoing, who very simply put, enjoys most things.
“i wouldn’t even be shocked if you said that to me. your google calendar is my very worst nightmare, you know that?”
“my google calendar is perfectly organized. just as it should be.”
“i mean. very organized. i am very appreciative that you’re on time to all of our meetings, which is very rare with your generation.”
“you’re in the same generation as us. you’re not even that much older than me.” you deadpan.
“okay, but being a mother has aged me like ten years. all of my friends do pilates in their free time, make brunch plans for fun.”
“i’m your friend. i don’t do pilates in my free time. and i eat at five in the morning on the dot everyday.”
“yeah. you’ve just take up different odd hobbies, but it’s basically the same thing.”
you scoff, as you flip the page on the stand of the piano.
you wonder how often mimi thinks about that type of thing. the life that she used to live. the fact that you could be doing all the things that she couldn’t necessarily do anymore. it makes you wonder if that’s why she’s so adamant.
“i could be doing drugs you know.”
“you should be doing drugs!”
well, that answers your question.
“i can’t wait to see what your child does in the future. you’ve set such high expectations!”
mimi rolls her eyes. she’s very easily pleased, very outgoing, and filled with an overwhelming well of patience to counteract your stubbornness.
it’s granted that she almost never wins, that your firmness in your decision always stands at the end of the day, but it doesn’t mitigate her efforts to try. you’re betting that she’s going to give her very stubborn daughter a run for her money in a few years when she’s older.
“i don’t mean that you should actually do drugs. or maybe i do. some of my other writers love to drink or smoke weed to get through writer’s block. it just a little shift to push you to some new limits.”
“perfect. i’ll just try to do some ketamine before my next song so that it sounds better.”
mimi sighs.
“i’m not telling you to go do horse tranquilizers. i’m stating a very simple fact, that you tend to gravitate towards what is comfortable for you. in your personal life, in your friends, in your songwriting. you’ve found a sound that you work great with, themes that resonate with people. but you’ve been stuck there, right where you know people want you. it wouldn’t hurt to try pushing the limits here and there.”
you scoff.
“you sound like a shitty inspirational quote.”
mimi shakes her head.
“i often find that stubbornness to approach new things at the end of the day creates a sort of resentment towards anything that stimulates new growth. and keeps you stuck exactly where you are currently. stagnant.”
you don’t like the evaluation. the sentencing that she’s given you, that she’s been giving you for the past few months.
that you aren’t going anywhere.
you not liking it doesn’t make it any less true. but her saying it over and over again doesn’t propel you into doing anything about it either.
“and what if i fail to do this whole moving thing you’re talking about?” you jest.
mimi pinches her lips in a line.
“then it proves to me that you’re just approaching this entire thing wrong. you’re not winning an award, you’re writing a song. it’s not an examination that you’re completing, it’s just something you’re trying to say.”
you give her a dry smile.
“and what if no one wants to hear what i have to say?”
“that’s where you and i will disagree. i fear people are on the edge of their seats waiting for it.”
you snort.
“are you not a fan of me sticking it to idiots like jake nicholson and aimee lynch?”
mimi gives you a smug grin.
“a huge fan. but i can tell that you’ve got something else under the surface that’s dying to be let out.”
“i suppose that’ll just have to wait for today.” you respond.
mimi shrugs.
“i’ll try again tomorrow.” she affirms.
you’re not sure why she tries. you’re still going to say no.
--
sukuna’s manager’s strategy was very simple. all he had to do was save face for a week – a week until the show came out. tell people to watch the premiere on the red carpet, throw in an anecdote about filming here and there, and that was that.
granted, his job wasn’t exactly hard. the ensemble cast did most of the work, satoru’s loud voice combined with how energetic yuuji is, allowed him to slip through the cracks and make it inside the venue without any unsavory questions about aimee.
sukuna looks across the room to where the two of them are standing near the bar, glasses of ice in their hand, satoru no doubt flicking his charm and stupid pickup lines at everyone. he understood the strategy – that sukuna having the opportunity to talk created a greater risk for him to say something he shouldn’t – but it just made the event boring for him.
sukuna hated being on the sidelines.
quite literally the sidelines, because the table he was currently occupying was pushed against the wall. he would retreat back to the main table in the center when the two of them returned, but judging by how loud they were laughing, it didn’t seem like it was going to be any time soon.
“excuse me.”
sukuna’s thrown out of his train of thought by the voice, only to find he’s accompanied by two girls at his side. sukuna inches his glass of soda closer to him, noting the sparky stars gleaming on their eyelids, accompanied with layers of beaded bracelets on their wrists.
fans. sukuna’s found his in.
“can i help you?” sukuna asks.
the two girls look at each other, a nervous laugh escaping their lips, as they squeeze their intertwined hands together. he prays to god they’re not here for aimee.
“are you ryomen sukuna?”
sukuna smiles, looping his elbow across the back of the chair, and smiling. there’s no distaste in their voice – so they most likely aren’t. he’s won.
“sure am. who might you be?” sukuna asks.
“we’re addison and abigail.” they respond.
sukuna uses his free hand, gesturing for them to take the free chairs across from him. he watches as they both widen their eyes, stumbling knees hitting the bottom of the table as he readjusts and leans back.
interviews and networking he wasn’t allowed to do. that much was clear. but talking to fans caused no trouble, and it wasn’t explicitly off limits.
it gave him time to do what he did best. charm people.
“addison and abigail. to what do i owe the pleasure?” sukuna asks.
“we don’t want to take up any of your time.” abigail starts.
“really, we’re sure you’re quite busy. this is a big event and all and you probably have to do interviews and all that.” addison adds.
sukuna grins.
“i’ll always make time for you.”
he watches as their eyes widen, abigail’s lips pinched shut together by the bluntness in his statement, as he lifts his glass and presses it to his lips.
“i have a question.” sukuna states.
“anything!” addison replies.
her response is too fast. so fast that sukuna can almost clock that she’s realized that it’s too fast – that she’s embarrassed at how eager she was to respond. he shoots her a kind smile in response, before leaning forward and bracing his forearms against the table.
“how did the two of you sneak in here? secret boyfriend let you in?” sukuna asks.
the two of them offer him an awkward laugh, slightly releasing their shoulders, as they lift their hands and very adamantly gesture the opposite.
“not at all. we got selected to attend the event through the fan program.” abigail responds.
sukuna smirks.
“here for me?” sukuna asks.
the two of them widen their eyes, almost like they’ve been caught in an awkward situation. because they’re very obviously not here for him.
the fan invites were given for the singers and affiliated studios. and he’d be caught dead before singing live in front of an audience.
“i’m so sorry. i don’t mean to…”
sukuna immediately retreats.
“you do realize that i’m not a singer, right?” sukuna asks.
“what?” abigail asks.
“i don’t sing. there’s no way that you could be here for me.” sukuna clarifies.
the two of them breathe a sigh of relief, abigail giving him a jokingly irritated glare as he shoots the two of them a smile.
“relax. i’m just pulling your leg. it’s all in good fun. we can take a picture and everything, whatever you want.” sukuna responds.
the two of them breathe a sigh of relief.
“really?” she asks.
sukuna nods.
“that’s so sweet, thank you so much. we have a friend who’s a really big fan, so we were trying to get her a signed shirt.”
“a signed shirt it is.” sukuna responds, noting that they reach into their bag with the shirt and marker prepared.
“oh my god. i thought you were….you were going to be a diva or something.” abigail responds.
“me? a diva?” sukuna jokes.
“you wouldn’t believe it. god, some people can be so rude. one time, aimee lynch got us…”
addison’s quick to respond, shoving her elbow into her side to gesture for her to be quiet. sukuna narrow their eyes at the two of them, before rolling her eyes.
sukuna, in the split second, debates if he should respond. if it would go against the deal he made – to be quiet, to not cause any noise – because they could go running and post about it on twitter.
he decides against his better judgment, only because it’s potently clear they’ve been terrorized by aimee before.
“got you kicked out of an event?” sukuna asks.
“yeah…” addison mumbles.
“she does that often. it’s a whole load of shit. i’m glad you’re here.” sukuna responds.
“yeah. we were just really upset because we were actually supposed to meet y/n that day. we had tweeted to her that we got kicked out before we made it to the meet and greet and her team organized a whole like facetime call and sent us merch, but it was super annoying.” abigail responds.
sukuna nods, only because he knows all too well, that it’s exactly in her character to kick fans out of events. their “desperation” always got on her nerves.
“well, i hope you get to meet her tonight. she is here, right?” sukuna asks.
“yeah. she invited us personally since we missed out last time.”
sukuna smiles.
“that’s sweet. i hope you get to meet her later.” sukuna responds.
--
--
there’s a patterned knock on the door of your dressing room. two fast, two slow, two fast. it’s accompanied by the door swinging open and the reflection of megumi standing in the mirror with a cup of iced coffee in his hand.
you shoot him an excited smile, apologetically shooing away your hair and makeup team from the chair, to get up and greet him.
“coffee? for moi?” you ask, exaggerating every syllable.
megumi rolls his eyes, placing the cold cup into the palm of your hand, as you shoot him a smile.
megumi hates when you exaggerate the syllables – which is precisely the reason that you do it. you have an inkling that he secretly loves it, because he’s a secret fan of your antics.
“figured you needed it. you look like a hag.” megumi responses.
you snort down a laugh, as you take a sip from the overly sweet coffee.
“hag is a new one. you’ve always had such a way with words, my love.” you joke.
you return back to your chair, gesturing for him to take the free one at your side, as you reach for your phone and read through the last texts you got from mimi. all confirmations – that your guitar and band have arrived, that you’re all good to go at the end of the hour.
“is romeo here?” you ask.
you can see megumi’s irritated expression out of the corner of your eye, accompanied with a pink flush that creeps up his neck.
“what’s his name again? yuki?” you joke.
“yuuji.” megumi corrects, his voice almost stern.
“okay, relax. pipe it down three notches, juliet.”
megumi lifts his hand, awkwardly rubbing it against the back of his neck, as you drop your phone in your lap and narrow your eyes at him.
“what did he do today?”
“you don’t care.” megumi mumbles.
“and that hasn’t stopped you from telling me in the past.”
everyday, for the past eight months, you received a barrage of texts from megumi. ranging across every emotion in the human bandwidth, but always about the same thing.
his new co-star. how great his hair look, what text he sent him that morning, how his skin looked perfect in the light. you would nip that type of dialogue from anyone else in the bud. but megumi wasn’t anyone else.
“but you’re asking. which means you can’t complain, because you basically warranted it out of me.”
you roll your eyes.
“yeah, yeah.”
“he got us matching pins for press this week. they’re like little cartoon versions of us. but he also got one for our other co-star nobara, so it doesn’t really count.”
you shrug.
“but he still got you one. so it does count. that’s cute.” you respond.
“but she has one too.”
“but did he give it to you as a group or individually?” you ask.
“individually.” megumi responds.
you smile.
“exactly. it means something different when it’s individually.” you respond.
“you’re delusional.” megumi responds.
you roll your eyes.
“you could benefit from being a little delusional, drama queen.”
“and then when we were coming here, i was telling him that you were going to be here and he got super excited. he remembered that i always used to get you coffee before your first show so he actually stopped our car and made sure that i was able to get some from you since you’re performing tonight.”
you grin.
“not technically my first show, but i appreciate the effort. I love him already. especially if he’s so passionate about my caffeine addiction.”
“it’s from his coffee shop that he works at with his brother. they used to work there together when they were younger and like…he was telling me all about it. how the two of them used to work there after school and that the owners were like their second parents. they almost went down under a few years ago but they both had enough acting money so they invested. he was even introducing me to them and shit. like fully introducing me to people he views as family.”
you nod.
“wow, juliet. when’s the wedding?” you ask.
“shut up.” megumi responds.
“but really, that’s actually very sweet. he seems like a great guy.”
“he is a great guy. he wants to meet you too, you know?” megumi responds.
“that would be against your better judgment. i’m going to tell him all about your little crush. and propose marriage on your behalf like you’re my property in the 18th century or something.” you respond.
“your jokes never get funnier.” megumi deadpans.
“and yet you’re still here.”
“his brother is here too. the one who used to date aimee.”
you widen your eyes.
“poor guy. it’s probably a blood bath out there for him.”
“he made it through press unscathed, but they’re telling him to keep a low profile. but yuuji’s all worried because he tends to get erratic and take things into his own hands sometimes.”
“what are they saying again?” you ask.
“fans are mad because the report that went out said sukuna dumped her or something.”
you snort.
“is that even bad when she was like basically cheating on him the whole time?” you ask.
“don’t think he knows that.”
you shake your head.
“really?”
megumi shrugs.
“i get the impression he didn’t care about the relationship too much.”
you nod.
“well, then my song won’t hurt his feelings too bad when he finds out they used to date.”
you push up out of the chair, gesturing to your outfit as megumi gives you an approving nod. you link your arms together, pushing out of the door onto the floor of the venue, and continue your conversation in lowered voices.
“do you want me to punch jake?” megumi asks.
“and ruin your pretty little baby hands? i would never.”
megumi rolls his eyes, as the lights dim, and the two of you direct your eyes to the stage. it’s a long introduction, all of the producers and affiliates taking the time to thank everyone for attending. you’re performing at the end of the hour, which gives you enough time to zone this out and focus on the song.
“our very first performance is from one of our affiliates at dancing lady studios – aimee lynch with guest star jake nicholson.”
you and megumi widen your eyes as you turn to look at each other, as you all but crush megumi’s arm in your grasp. the two of them walk out onto the stage – and you note that her sparkly silver is almost identical to the outfit you had been wearing on tour for the past few months.
and that jake’s using the guitar that you gifted him on his birthday.
you know she’s doing it on purpose. that she knows that about you – that you’ll connect dots and draw conclusions – to exactly what she’s trying to do.
piss you off.
Did you think we'd be fine? Still got scars on my back from your knife So don't think it's in the past These kind of wounds they last and they last Now did you think it all through? All these things will catch up to you And time can heal, but this won't So if you come in my way, just don't
Oh, it's so sad to think about the good times You and I
megumi leans down, voice quiet as he whispers in your ear.
“this is going to do rounds on kids bop.”
you snort.
“they would be so lucky.” you respond back.
'Cause baby, now we got bad blood You know it used to be mad love So take a look what you've done 'Cause baby, now we got bad blood (hey!) Now we got problems And I don't think we can solve 'em You made a really deep cut And baby, now we got bad blood (hey!)
“did you know they were going to do this?” megumi asks.
you shake your head.
“there’s no need to worry. i’m always prepared.”
--
“unless i’m not mistaken, you didn’t catch any strays tonight. how can one be so lucky?” shoko jokes.
“we can’t all be the chosen ones.” sukuna responds back.
“the night is still young. a girl can only dream.” shoko responds.
sukuna rolls his eyes before smiling at her and trying to shake shoko’s grasp off of him, as he turns his attention back to the stage. with the event in full swing, he was allowed to return to the central table, only because the group of them around him to keep track of him.
shoyo’s doing, he was sure.
but he’s sure that shoyo was somewhere fast asleep in his bed right now, having the most restful nap he’s taken in months. sukuna’s inclined that he’ll feel the same way tonight when he goes to bed, with the promise of no scolding from his team since he did, in fact, not catch aimee’s wrath tonight.
it was attributed to someone else tonight. he’s not exactly sure who, but at this point, all he can do is be thankful that it wasn't him.
“who were you talking to earlier?” shoko asks.
“fans who got invited to the event.” sukuna responds.
“poor girls. they got assaulted by the smell of your cologne and had to lose brain cells by talking to you?” shoko jokes.
sukuna scoffs.
“that already happened when you walked into the room. don’t kid yourself, ieiri.”
“you should learn some manners. is that any way to talk to a woman?” shoko asks.
“can you guys shut the fuck up?”
shoko and sukuna turn their heads to the left to find satoru standing there, eyes razor focused and glued to the stage.
“what stick is up your ass?” shoko asks.
“it’s y/n’s turn to perform.” satoru seethes.
shoko snorts.
“don’t tell me that your dream girl is in attendance? how are you even standing straight right now?” shoko asks.
“pure adrenaline, bitch.” satoru responds.
sukuna and shoko widen their eyes as they share a look – a quiet communication that satoru’s being more erratic than normal and to leave him be – as they turn their attention back to the stage.
the bright lights shine red on the stage as the visuals go up, a twisting and turning illusion against the back screen. there’s a rising platform in the center and all he gets a glimpse of are sparkly star tights.
La-da-da-da, da-da-da, la-da-da-da-da La-da-da-da, da-da-da
If I told you how much I think about her You'd think I was in love And if you knew how much I looked at her pictures You would think we're best friends
'Cause I know her star sign, I know her blood type I've seen every movie she's been in and, oh god, she's beautiful And I know you loved her, and I know I'm butthurt But I can't help it, no, I can't help it
I'm so obsessed with your ex (uh-huh) I know she's been asleep on my side of your bed And I can feel it I'm starin' at her like I wanna get hurt And I remember every detail you have ever told me So be careful, baby
I'm so obsessed with your ex (ah) Yeah, I'm so obsessed with your ex (ah) La-da-da-da, da-da-da
sukuna can feel his heart pounding in his throat. he grabs yuuji by the shoulder, yanking him close from the fabric of his shirt, and whispers.
“who is that?”
“were you born under a rock? that’s y/n.”
sukuna watches as you skip around the stage, bathed in the dark red lights surrounding the stage and the visuals with you in the background.
maybe sukuna was born under a rock. he was one thousand percent sure that he would remember something like this.
“the guy that was up with aimee earlier. she’s jake’s ex-girlfriend. they were singing about her.” yuuji whispers.
“is she singing about aimee?” sukuna asks.
yuuji nods.
“they have some weird twisted history. especially with jake, i think. him and aimee have had eyes for each other since like…forever.”
he watches as you walk over to the left side of the stage, crouching down into the view of the camera and right across from where jake and aimee are sitting, irritated looks painted on their faces.
sukuna notes that you're looking right at them. full blown, direct eye contact.
Is she friends with your friends? Does she give great head? Do you think about her? No, I'm fine, it doesn't matter, tell me Is she easy-going? Never controlling? Well-traveled? Well-read? Oh god, she makes me so upset
I'm so obsessed with your ex (ah) She's been asleep on my side in your bed (ah, whoa) I'm so obsessed with your ex (god, she makes me so upset, ah) I'm so obsessed with your, with your ex
sukuna’s frustration compounds again.
because he can’t simply understand how he’s the one getting publicly punished, when aimee’s been in love with some other guy the entire time. and that knowing her, she most definitely leaked the news about how she was blindsided on purpose, just to ruin his career.
“if i was y/n, i’d just punch them both in the face. then start dating one of her boyfriends or something.” shoko states.
the idea comes to sukuna almost instantly. and he makes a mental note to apologize to shoyo later.
--
when you get off the stage and retreat back to your table near the wall, you quickly scan through your texts from mimi.
[mimi]: Three versions slated for release. Could potentially block you getting the #1 spot.
[mimi]: Fingers crossed, but things are faring over well. People love the song.
[mimi]: Obviously.
you set the phone face down at the table and sink down into your chair. you don’t even get a second to think because before you know it, someone’s slid into the chair right across from you, hunched forward into your space over the small chair.
pink hair, arms littered with tattoos. there was something oddly familiar about him.
“you’re just the girl i wanted to see.” he states.
you narrow your eyes at him. you’re unsure which one he is. producers trying to poach for their studio, people looking to network, or the perverts that somehow get let into events like this.
“is that right?” you ask, tone dry.
the guy offers you an over-eager nod, accompanied with a glimmering smirk.
he’s attractive and you can tell from the look on his face that he knows it. for some reason, you’re almost positive that he makes sure of it. toned muscles, hair so perfect that it has to be styled. to the point where it feels calculated.
you lean forward, placing your cheek in the palm of your hand as you smile right back at him. he leans forward almost immediately. it was almost too easy.
“i don’t think we’ve ever met before. i’d think i’d remember that.” you respond.
“only in my dreams.”
you fight the urge to scoff. you’re sure that one worked out well for him in the past. It's the only reason someone would say something so corny and mean it.
you hold your hand out to him, noting that he extends the handshake for far too long.
“y/n.”
“ryomen sukuna.”
that’s where you knew him from. this was megumi’s co-star. romeo’s brother.
“from jujutsu kaisen, right?” you ask.
sukuna gives you a glimmering grin. you note that he has a dimple on the left side.
“know everything about me, don’t you?”
you snort.
“sure do. you’ve got me all figured out, sweetheart.” you deadpan.
sukuna leans back, narrowing his eyes at the comment. you can tell that he’s rethinking what to say next.
“i know about the show because of megumi.” you clarify.
“we go way back.” sukuna responds.
you lean back against the chair and cross your arms over your chest. you've got him right where you want him.
“really?” you ask.
sukuna nods.
“when did you meet him?”
“elementary school. he was always the quiet type.”
sukuna pauses.
“speaking of types, what’s yours?”
you fight the urge to laugh. there was no way he could truly be this forward. but then again, you figure his deep urge to get back at aimee right now was probably inhibiting his good judgement at the current moment.
“why do you ask?”
“you’re a smart girl. i know you can figure it out.”
you take the bait.
“i’ll give it a shot.” you respond.
“that’s my girl.”
you smile before leaning forward to make sure that he hears you properly.
“your name is ryomen sukuna. indie actor for the most part, but you recently got signed on as part of the lead ensemble for mappa’s new show, jujutsu kaisen. you’ve gotten pretty far considering all things, which i’m sure comes as a byproduct of the whole charm bit that you do and from what i’ve heard, some pretty decent acting. and while you’ve done mostly well, you made the brutal mistake of becoming a social pariah by dancing with the tabloid devil, aimee lynch. you’ve ended up on their bad side and now, in some weird type of way – i’ll admit, i’m not exactly sure how – are trying to elicit my help to get you back in people’s good graces. by lying, of course.”
you watch as sukuna’s eyes widen, before he leans back, his cheeks the slightest shade of pink as he swallows hard. and you give him your sincerest smile before pulling out your phone and digging for the photo in your favorites.
of you and megumi in grade school, standing hand in hand.
“i think i’d remember if the human version of pinkie pie from my little pony was running around my elementary school, sukuna.” you state.
and shockingly enough, he only gives you a smile in response – like he’s almost delighted by the fact that what you've just read caught him in a lie– as he sticks his tongue in the side of his cheek and makes a clicking sound.
“got me all figured out, don’t you dollface?”
“you’re painfully obvious, like most men. i’ll see you around, sukuna.” you respond, as you turn on your heel to walk away.
but he’s almost too fast with it, slithering his hand down from your elbow to your wrist, pulling slightly to beckon you to turn back. and he gives you an…a more earnest smile this time as he raises your knuckles to his lips, and leaves a kiss in between the pointer in the middle.
“that’s a promise, sweetheart.”
--
--
next part linked here
an: hi!!!! welcome back to the dream girl universe - I thank you for your patience <3 i'll be using the old dream girl taglist, but let me know if you would like to be taken off!!!
taglist: @porridgesblog @platrom @k0z3me @sugu-love @yihona-san06 @bsenpai @sweetenertea @skzismyhome @mykyoon @violetmatcha @rebeccawinters @shotenvinsoot @itzmeme @gojoswifeyyys-world @cutiejg @chilichopsticks @timmytimmytuckyy @dreamxiing @mamamamamarga @skunabby @meisque @hoseokslefteyebrow @thepurpleempath @shrimphutao4ever @monic19 @najaemism @haitanibros0007 @catobsessedlady @luvs4kim @ri-sa20 @thejujvtsupost @invisible-mori @satoruslipbalm @kyo-kyo1 @telepathicheartss @huhsthccvjh @sxnkuna @w31rdg1rl @lilalia3945 @multiplefandomthings @shotovhs @voids-universe @timetobegone @deeeeexx @livelovelaughisagiyochi @pelicanpizza @cowgirlikets @jeon-blue @phantomasmaniac @yoontaedotin @cowgirlikets @estrella-novella @theauthorunicorn @catastayy @ryumurin @kindadolly @th0tformikasa @r0ckst4rjk @you-always-made-me-blush @leave-rae-alone @lemonnotade @firelordazulaaaa @stuffeddeer
#seeingivywrites!#dream girl#sukuna#sukuna x you#sukuna x reader#sukuna x y/n#sukuna fluff#sukuna angst#ryomen sukuna#ryomen sukuna x you#ryomen sukuna x reader#ryomen sukuna x y/n#ryomen sukuna fluff#ryomen sukuna angst#ryomen#ryomen x you#ryomen x reader#ryomen x y/n#ryomen fluff#ryomen angst#sukuna ryomen#sukuna ryomen x reader#sukuna ryomen x y/n#sukuna ryomen fluff#sukuna ryomen angst#jjk#jjk x you#jjk x reader#jjk x y/n#jjk fluff
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[contains spoilers]
I'm an eternal digger of good narrative techniques. A decent story becomes great in my eyes if the narrative is done right. And it's one of the hardest things to do really, since there's no one-size-fits-all rule for what technique works well with a particular story and what doesn't. One of the primary reasons I keep obsessing over Lovely Runner is its' narrative technique. In all honesty, if it had a linear, singular narrative, I would not be hyperventilating over it on a constant basis (I still would just a certain amount, because both Byeon Woo Seok and Kim Hye Yoon deserve awards for what they are doing). One reason it has managed to knock it out off the park and take the top spot in my forever-favorite list is how wonderfully well the narrative is done.
The primary perspective used in this show is Im Sol's. It's through her we're introduced to the story. Her perspective gives shape to the plot, the characters, because we learn things through her. Her perspective is absolutely critical for exposition. Without her thoughts and way of viewing things, you would never realize why saving Seon Jae means so much to her, or why she would bend the rules and bulldoze ahead when it comes to his safety (exhibit A, her leaving home on the day of the accident, despite knowing about her fate). She'd rather have him alive than have him in her life. Without her narrative, you'd think it's really all about a fan saving her idol (thanks to everyone who'd rejected the script listening to that pitch by the way, I'm grateful we have BWS and KHY as the leads because of that, I would not change it for anyone else). With Im Sol's perspective, you realize, she is not just a fan: she's an ardent admirer, a cheerleader, a well-wisher, a protector, an invisible friend trying to support her friend any way she can, someone who respects Seon Jae, sees him as an idol but also as a human, someone who wants to give back to him the same kindness, empathy and love she had once received from him over a radio call. To her, Seon Jae is first a guardian angel and then an idol, the angel who changed her view of life, made her appreciate things even amidst all that could be wrong with the world and her life. He saved her. Not just on that day at the hospital but every time she struggled and faltered since then, he was there, as invisible as it may have been. So this time, she wants to save him, no matter the price.
Then comes Seon Jae. Oof. If Im Sol's perspective gives the story its beautiful, beautiful shape, Seon Jae's perspective breathes literal life in to the body of the story. The show wouldn't be what it is today if not for his perspective. Without his view into things, Im Sol appears as a fangirl going to extreme measures to save her idol, clinging onto him like a monkey (yes I mean the poster) embarrassing the heck out of herself, making you cringe (in a good, enjoyable way) throughout. Then you reach the end of episode 2 and it knocks the breath out of you because WHAT DO YOU EVEN MEAN. It all clicks.
All this while we kept thinking Seon Jae was caught off guard and just kind enough to tolerate her antics, and maybe he'd slowly fall for her now, only to realize we were completely oblivious to a whole different side of the story. If Im Sol's narrative draws you in and keeps you hooked, making you root for her to succeed, it's Seon Jae's narrative that makes you irredeemably fall in love with them and sincerely, genuinely, desperately hope they get their happy ending together after all the storm.
And the motifs. Walking/running, for instance. I'll focus on just one scene here. I recall seeing a bts where KHY is discussing the OG 2008 accident scene, and it explains how she has to slow down, while running away, for just a moment, only to be hit by the taxi driver. Have you ever been in a situation of absolute panic, desperation and stress, then suddenly found a familiar face or a name or a thing you could connect to, and felt a wave of relief rush through you? She sees Seon Jae, a person who is calling out her name. Even if she didn't know him back then, the fact that he knew her (and that he had his uniform on), gives her a sense of safety she badly needed that moment. That momentary relief, so visible in her features, then overtakes the crippling fear she felt running in the middle of nowhere with no one in sight in the dead of the night. Her body, already exhausted beyond anything, responds to the relief she feels for those few seconds, slowing down her steps.
And that is when she is caught off-guard and hit. That also might have added to Im Sol's anger at the hospital when she is screaming at Seon Jae, her internal anguish that if only she had not paused seeing Seon Jae, and kept on running, then maybe she wouldn't be hit, wouldn't fall, wouldn't lose her ability to walk. It's one thing to have tropes and symbolic things, but it's a very different thing to know how to use them effectively so they elicit very specific types of emotions/reactions out of people. Lovely Runner excels in that. All kdramas more or less have 'things' that take on different meanings for the couples/viewers. It's the way motifs are used to narrate the story in this one that has me going back over and over again to all the episodes aired so far. These are not just their 'things', these are 'things' that drive the plot forward, tell you about their characters, their personal motivations, what they mean to each other and so much more.
This is getting longer that I intended it to be so will end with this. I feel valued when watching Lovely Runner. And I've seen people saying the same thing. It feels like they respect your critical thinking skills, and your ability to infer, so they don't spoon-feed you everything from the get-go, and you can't predict much despite it being primarily a rom-com. You'd be pulling your hair out (again, in a good way) trying to figure out what they will show next, and you will be somewhat or very far from the truth, which will compel you to think further about the story, the characters, long after an episode has aired...I can't remember the last time it happened with a drama. I love this storytelling.
#Lovely Runner#Byeon Woo Seok#Kim Hye Yoon#Sun Jae#Im Sol#Seon Jae#선재 업고 튀어#kdrama#kdrama recommendations#east asian drama
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Skyfall: All things End
So I was listening to Skyfall on loop cause it reminded me of the spoilers I've seen about Sylus' myth, and because I've been reading angst lately:
Mc has been reborn, but her memories went to someone else, that someone else is... well, you.
You've always been creative as a child, great at telling stories and even better at singing thanks to your family. You've dreamt about those moments since you were 12, always thinking those were just dreams, leftover from your wild imagination, even if they crushed your soul in the process with how vivid and realistic they were.
You grow up to become an actor, singer and songwriter. The songs are filled with themes of mystery, violence, fantasy, obsession and references to a forbidden love that ends much too soon after the death of a lover. The details change, but the story is always the same.
A woman, reborn time and time again, sometimes powerful and feared, others afraid but determined, many variations that lead to the same outcome: she encounters a man. He's the opposite of what she is or stands for, born as each others enemy. Sometimes it starts rough, both at each other's necks, sometimes it's just one of them who wants to kill while the other is simply entertained by the attempts. There's times when she'll be afraid of him, but will still stand her ground, others where he's her subject, even if under a leash.
On each one, they learn and become stronger, reaching the same level of power and growing comfortable with each other, only for it to be all ripped away.
Sometimes he dies, sometimes it's her.
You've started to gain traction after your last album. The songs are a little bit more hopeful and empowering, but they still carry the hints to the pain. You're in the middle of an interview, talking about your inspiration when you talk about your dreams. You mention considering the idea of making an album for a movie centered on the dreams, how you've gone back on your dream journals to organize everything and the fact that you're halfway through.
The interview ends with you talking about who you would like to cast for the male lead, if the choice was on your hands, and that's when you mention the man. You give chopped up features, mentioning how you've never fully remembered his face, only his voice and height. You end up describing the up and coming actor named Sylus without being aware of it.
The internet goes crazy with it.
They keep mentioning it even after your tour and next thing you know, it's no longer an idea, but a full sized project. Of course, Sylus said yes– or his manager did, who knows– and when you meet him, your world shifts on its axis. It's him, the man you've been dreaming of, the voice in your dreams you started using in your head to encourage yourself. He's real and alive.
You have no time to recollect and center yourself as he approaches along with his manager. You recognize her too, she's the woman you've seeing in your dreams. Great to finally meet the lovers, you think bitterly.
You're tense and jumpy, but you manage– through internal screams and tears, but you manage. He offers nothing to you as both of you read the script and exchange comments on scenes, and the concoction of emotions inside of you leave a sour taste in your mouth.
Does he remember? Doesn't he suspect you? Their past lives are detailed in that script, and somehow you know every detail without being her. Does he know you're the one who wrote the script? He has to, that part of the interview was the most popular, it made rounds on the internet for a while.
Why won't he say anything?
You feel more conflicted each time you see them interact, and it's even worse after you and Sylus start getting closer and comfortable with each other. Bitterness, happiness, sadness, hope, dread. Those are the emotions that you stew in. You use them to write on restless nights, songs filled with despair and yearning alike. It's harder to keep the facade the longer you go.
You don't explode, that would be a lie, you simply break during a particular scene. You can still tell between reality and fiction, but your heart doesn't. When you're acting the scene in which you loose him, holding him in your arms as you wail, you bring everyone to tears with you.
Everyone congratulates you after the scene.
"Your acting was great," says a background actor.
"That scene will surely get you an award," whispers your manager.
"It gave me full body chills!"
You smile and say your thanks, try to be humble even through the numbness of it all. There's a difference in Sylus' behavior after that, you can't pinpoint what it is, but you can guess what the reason is.
The curtain is about to close, so you pay no mind to it, you've accepted your fate, even if it hurts like hell.
@leighsartworks216 @comatosebunny09 seeing you guys being angsty rubbed off on me, so I'll thank you for inspiring this mess of an idea
Read more here
#I continued playing Skyfall as I wrote this and got carried away#haha oops#love and deep space#love and deepspace#sylus#love and deepspace sylus#sylus love and deepspace#lnds sylus#l&ds sylus#sylus l&ds#lads sylus#sylus lads#s:ate
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Drabble Idea: Judge Crane decides to give his obsession a third option. Death, exile, or…….
You know he would use his position in order to get his crush all to himself while Gotham burns.
YES OMG SOME LOVE FOR JUDGE CRANE he's so underrated and I actually lost it when I saw the movies in theaters and he popped up <3 like omg look it's my husband
warnings: coercion, ownership, threats of noncon, yandere vibes
"You can't be serious," you mumbled, but you knew he was-- Dr. Crane wasn't an especially humorous guy, that whole death by exile bit from earlier notwithstanding.
He still smiled at you, though; "It's your choice."
"Well, it's not much of a choice, is it?" you scoffed.
"It's a better choice than anybody else got," Jonathan shrugged, "if you do choose exile, I'm sure these guys would love to give you a nice send-off-- right, boys?"
You didn't even have the heart to look back at the thugs who had dragged you in here, but you heard them chuckling and mumbling amongst themselves. Crane had made his message clear, and you let out a sigh of defeat. "Fine," you said.
"Fine?" he repeated. "What's that mean, you'll just die?"
"No, I--"
"You know, you said once you'd rather die than marry me, do you remember that?" He laughed. But that was years ago, when your father tried to set you up with him because he was a respected doctor and you were a nice young socialite-- it was more about rebellion than anything else then, but learning about his insanity and criminal activities wasn't exactly changing your mind.
"I was wrong," you admitted, "alright? I'm sorry."
He smiled again, a little more sinister than the last time. "Then you can wait for me with the others... sweetheart."
~
The huddled mass of the 'arrested' dwindled through the day, executives and politicians dragged up the stairs to meet their fate as determined by Crane; soon it was only half or less left behind, with you simply counting the minutes until you'd be taken-- you couldn't imagine what life would be like with Jonathan, and for now, you tried not to.
He came for you at the end of the day, standing above you and smiling down as you stayed sitting on the ground, leaning against a pillar and waiting for whatever he asked you to do. "I'm not sure what I'm supposed to say," he admitted as he stared at you. "Hi honey, I'm home or something?"
"You don't actually sleep here, do you?" you frowned.
"No, no-- I believe in work-life balance," he shook his head; then reached his hand out to help you up. "Come on, let's go home."
Though you hesitated, you took his hand and let him help you to your feet with a wince.
"Are you alright?" he asked, seeing the pain on your face.
"They kinda roughed me up," you admitted quietly, though your breath caught when Jonathan pulled you closer.
"Poor thing," he mumbled, petting your cheek briefly, holding your waist a little tighter. "And having to sit on this hard floor all day-- you must be sore, hm?"
You nodded slightly, though you felt strange talking to him like this-- like it was a normal conversation, and not something you had to do to keep yourself safe. If being with him could really be considered 'safe'...
"I can write you a script if you're in too much pain," he offered, "but I think you just need some rest: somewhere warm, a nice big bed..."
He leaned in closer as he trailed off, taking a deep breath beside your head as he rubbed your back. Though he must have noticed the way you tensed up and nearly pulled away, it didn't deter him.
"I'll be good to you," he promised, "if you just behave. You don't need to be so afraid of me."
But you could hear the excitement in his voice; he liked that you were afraid of him. Finally, he had the power over you that you'd denied him all those years ago. No matter how sweet he promised to be, one way or another, he was going to make you pay for that.
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— cabin down below
dieter bravo x actress!f!reader
rated e - 1.8k
tags: cabining, co-stars-with-benefits, mentions of alcohol, references to sex and horror films, implied paparazzi trying to catch them together, oral sex
ahh nervous to post this (first time writing for him!) but excited about this gorgeous moodboard I recieved for Summer Lovin’ 24! 🏕️💖 thanks so much for hosting @pedgito, @amanitacowboy, and @chaotic-mystery!
Dieter really can talk you into anything.
The official table read is on Monday, scenes due to start shooting soon after. You really shouldn’t be thirty miles out of town right now - leaving the comforts of your apartment and the air conditioning of the limo, to hike another mile into the forest.
But you’ll trade the luxury for a chance to spend time with him. An old spot, he said. His dad’s cousin’s place, bought it off him when they needed the money. Been in the family for years.
“You gotta immerse yourself,” Dieter had told you, his arms spreading wide, “What better place to practice lines than here?”
It’s your first time in a movie with him. You’re not sure if he’s really a method actor. Equally not sure that it’s needed for a movie called Campground Carnage II - or if the city just seemed a little too loud, a little too busy.
Deep down, you hope it might just be an excuse to get you alone.
You'd be pretty alright with that.
It’s been hard to sneak around Los Angeles. There’s cameras everywhere. An obsession with one Dieter Bravo - the current hottest, most eccentric star.
You’d met before his last big break. Reading lines for Covert Affairs, but they had passed over the mutual chemistry for an actress with a little more weight to her name.
He had gotten the part, and you had gotten his number. Two desperate hookups when you both ended up in Vegas at the same time.
Only to come back together a year later.
“Long Island,” He had smiled, when he saw you, “Good to see you again.”
You had been surprised he remembered you, much less the drink he had bought. Enough alcohol in both your systems that you would’ve forgiven him if he had.
Not that you would have, though. Not with that mouth of his.
Something that you’re thinking about now, as the trees clear. The cabin tucked between them - a peeking sliver of a river cutting through the terrain behind it.
A cozy little thing, not much bigger than the apartment you’re missing. Built with thick wooden logs, two tidy windows out front, the checkered curtain pulled shut.
The key ring twirls on his finger, as Dieter moves ahead to unlock the door.
You can’t help appreciating the view, as he does. This ‘camping’ look suits him. It’s almost enough to make you a little jealous of his ability to look good in anything and everything he throws on.
A tight black tee, the hat that’s pulled down over his messy curls. Featuring an embroidered trout, with “fish want me, women fear me” scripted above and below that he found at a garage sale. Patterned crocs with matching shorts that only reach mid-thigh.
And you're at least 45-percent sure the fanny pack around his waist is filled with condoms and KitKats.
It’s been hard to keep your mind off him, on the drive over. Battering his wandering hands away, with the driver only a few feet from you. Still shy, both enthralled and not used to his open affection.
Trying to concentrate on the script. Preparing to run lines, just in case his suggestion for this weekend wasn’t some kind of euphemism.
But you kept going back to a particular scene. The two counselors - that’s you and him - sneaking off to one of the cabins in the campground.
A steamy encounter involving both the top and bottom of a bunk bed, and a lot of Bravo on his knees. Anything to showcase his physique, you’re already picturing how they’ll stage it with the female gaze in mind.
Bare back, you’re guessing. A hint of ass, but still tasteful.
The scene a fake-out - featuring a jump scare, with the shadow of a person passing by the windows behind you. Tapping into that classic trope - first to fuck, first to die.
Which might be true - if it was his first movie.
He doesn’t actually make it to the end, though. Dieter’s demise coming from a staged accident in the fishing lake, just as the movie lulls into a sense of safely. One final blow before the big reveal.
You know people will be pissed about that. As a fan of the series, even you are a little.
But the thought of having a scene with him - there is a flicker of excitement, that dulled heat in your belly - even though you know that logically, it will all be purely professional.
It’s still fun to imagine.
The door cracks open, but there’s something else with the sound. You frown, your head whipping towards the woods behind you. Searching for the source of the noise, one that sounded a little too familiar.
“Did I just hear a camera click?”
“Nah,” Dieter shrugs, “There’s no way they know about this place.”
"Yeah,” You hum, giving another glance. There’s nothing but the rustle of trees, the rush of the water. A self-conscious laugh, as you head inside, “Maybe I’m immersing myself too much.”
“No hauntings or serial killers here, sweetheart.” He smiles, “But if you’re scared I have a few ideas to get your mind off things…”
The door clicks shut behind him.
Your eyebrow arches, “Oh yeah? Like what?”
Dieter pretends to think, as he advances on you. Hands reaching out to trace up your sides, pulling you flush against him.
“Can think of a scene I’d like to start with,” He husks, eyes darkening, “There’s no bunk bed here, but I think we can make do.
Hunger flares in you, now that you're alone. Your eyes dip to the curl of his mouth, no more than a breath before you’re pressing your lips to his. A rough moan as his hands slide up your back, his tongue already brushing across your lower lip.
Tasting sweet when they part for him, your own moan swallowed as you lose your grip on your bag, letting it tumble to the floor.
It’s always so easy to get lost in him. If you’re not careful, you might just get swept away.
“You don’t want to see what the directors have in mind?” You tease, when you pull back for a breath, “Hold off on that scene until later?”
“No can do.” Dieter groans, as he pulls you back to him, “Not with you looking like this.”
You can’t help the smile, as you start the stumbling journey through the main room, wandering hands and the press of mouths.
His hand grasping your ass as your fingers slip under his shirt - the other reaching for the door he has you backed up against. A creaking swing, as it opens.
Dieter’s hands are at your hips, as soon as the back of your knees hit the bed.
“Let me taste you, baby.” It’s mumbled against your lips. His fingers dipping beneath your waistband. A nail tracing the edge of your underwear, raising goosebumps, “Been thinking about it all day.”
You remember this from before. How focused he gets. Willing to beg, shameless, if there’s something he wants.
And you’re always willing to give.
The bed is soft - covered in worn buffalo-checkered sheets - as you let yourself be lowered onto it. His hands catch your ankles, tugging you down until your legs drape off the edge.
Spread wide, so he can fit between them as he kneels. Batting your hand away as you go to push down your shorts.
“I wanna do it.” He hums. His own shorts already pulled tight, a hand coming to palm himself in anticipation.
Your hips lift for him. Nails bite into skin, grasping fabric and pulling down both layers. Easing them around the bulk of your gym shoes so his palms can press into your thighs, spreading them even wider.
A rough noise, when he sees you.
“You been thinking about this too, babe?” He coos, a thumb pressing against your slit. Rolling against the wet gleam of your center, as it betrays your desire.
You huff, the muscles in your legs flexing. Breath held as your eyes flit up to his, waiting. Watching, as he sucks your slick from his skin with a groan.
“Bet you were. Saw you eye-fucking me in the limo, all while telling me to keep my hands to myself.”
"I-I," You try to answer. To protest - to say you weren't - but his palms are smoothing up your skins. Distracting, as he slowly moves.
Those eyes focused on yours as his head tips. An open-mouthed kiss to your knee, then thigh. Moving up, as your heart races.
Inner thigh, now.
"Dee," There's a buck of your hips, with your whine, “Don’t tease.”
It’s futile, you’re certain. Unable to take what you dish out. But perhaps he’s been pushed too far as well.
“Tell me you need it.” His pupils are blown-wide, drunken already.
It’s easy to answer.
“Please. I need you.”
The next kiss is right against your slit. Messy, as his mouth covers you. Your fingers twisting in the blanket, as your knees press against his shoulders.
He’s too good. Teasing with the wet brush of his tongue. The slow creep of his fingers, the tip of one pressing against your entrance - only to withdraw just as you clench down.
Again, and then again. Slowly sinking into you, one knuckle at a time. Working you open, until you’re stretched wide around three of them - too full to form words.
“Don’t need direction for this,” His eyes flip to yours, a dimpled smile as his fingers sink deep and then curl, “Do I, baby?”
He does it again, as your answer pitches high. Your hips bucking into his touch as his tongue licks at you again. Timing it so that the point of his tongue teases your clit, each time his fingers rub against the spongey spot inside you.
He’s going to make you come. You’re too wound up, too needy for him.
“Fuck, Dieter.” You keen - your leg hooking over his shoulder, “Oh fuck, keep doing that-“
“That’s it baby,” He grins, “Improvise for me.”
It makes you laugh, which has him groaning as you tighten around his fingers. His left hand dropping to push down the waistband of his shorts. Fingers pulling from you only long enough to smear your arousal on his cock, to pump his fist until he’s covered.
It’s then that you think you hear it again. Just as his tongue slips inside you. Another mechanical sound from outside, just barely audible through the wooden walls.
“Dee,” You moan, fingers twisting in his hair. Either to pull him closer or push him away, you’re not sure, “I d-definitely heard-”
“Can’t see in here.” It’s mumbled out, gasped between your thighs.
He’s seen to that, at least. The blinds thick, the bedroom tucked away.
A grin, as his tongue flattens - licking from hole to clit, “Wasn’t planning on leaving, anyways.”
You trust him, knowing he wouldn't leave you vulnerable. The sound in your throat is muffled as your teeth clench, “But they-, what if they hear us?”
It’s only now that his head lifts, those dark eyes blown wide. Paired with a lazy smile, his lips shining as they stretch wide.
A soft croon.
“Then I guess you’d better be quiet.”
Your laugh turns into a soft groan, at the flick of his tongue. Self-conscious perhaps, but not wholly and entirely deterred by the thought of an audience.
Not when you’re with him.
“Keep that up,” You manage - as something molten floods through your belly, “And you might have to help a girl out.”
His weight presses into you as he moves up - heated, bare skin as he settles between your thighs. Dieter’s nose skimming your throat, as his hand slips between your thighs.
Just before his mouth presses to yours, swallowing you moan.
“That, baby… I can do.”
just wanted to try something fun 🏕️ thank you so much for reading! and thanks again for this awesome event!
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bittersweet ~ a yandere!John Wick x fem!reader sunshine/grump coffee shop AU... Part 29 all chapters
WARNING: NSFW, SEXUAL CONTENT, YANDERE SH!T. Plz take care. I luv u all. 😘
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-You dare not put it down on the big tablet on your easel where John will see, but you can’t stop yourself from drawing it out in your smaller sketchbook-journal that is easier to squirrel away under clutter, putting down marks like you mean to exorcise her from your memory. You draw her like a ghost in her field of happy white flowers, and write in the margins in your looping script, I’m sorry. I don’t know how to make him forgive you. You want me to save him but I don’t know how. I don’t fucking know how.
Maybe she’ll actually hear your plea and do something useful about it, like haunt John’s dreams instead of yours.
Maybe you’re losing your damn mind.
You find that either way, you’re not brave enough to mention her to your captor again.
She becomes an obsession, and you keep drawing her in your little sketchbook. You’ve only ever seen one picture of her. It was in the den, but has since disappeared. Still, you feel you know the lines of her face, the brightness of her eyes. You go back to your old fixation with the ladies of Mucha, sketching her out as the Lady of the Daisies with flowing auburn hair surrounded by her stylized flowers and flowing lines.
You strive to cover your true fixation by putting down anything as quickly as you can on the easel, knowing your captor will be by for inspection. You draw sunflowers, your favorite summer bloom, something fun but you can do with your eyes closed with colorful, juicy strokes of oil pastels. You hope to keep John off the scent of the book that holds your heartfelt neuroses that you bury under piles of all your new art supplies and anything else you can find.
It was stupid, of course, to think you could really hide anything from him.
One day you find him in the chair with his legs crossed, perusing your sketch journal with one of those magnificent thunderheads of a frown.
You are certain you are fucked, when he asks, “Is this your idea of a joke?”
Trembling as you imagine what he’s going to do to you for this infraction, you answer truthfully, “No.”
He closes the book with a snap, crossing the floor to stand before you, his powerful body moving deceptively slow, the way a tiger appears slothful in the jungle.
You know he can snap you up with one bite.
You cannot stop shaking, as he peers down that straight nose at you, pinning you with black eyes that somehow burn. He does not touch you, but God. He sees everything. You just know that he sees everything, and you find you are terrified of how he’ll react.
“Have you been snooping through my things?”
“No.” The irony of him holding your sketch diary is not lost on you, but wisely you hold your tongue.
“How did you know what she looked like?”
“You had a picture out of her, ages ago.” At least, it felt like a like a lifetime ago.
“How did you know about the daisies?”
Now you know he’s going to flip his shit. It sounds fucking absurd, even to you. Your voice can barely rasp past what feels like dried twigs in your throat to whisper, “I saw them in a dream.”
You expect him to scoff and call you a liar. But he just searches your face, his eyes a little too wild for your liking. Here we go. He’d been damn near stable the past few days, but surely this will set him off.
You close your eyes, unable to watch the unfolding of your doom. This is it. He’s going to lock you up forever. You’ll never see the light of day again. The trembling in your frame kicks up to ten, and you hug yourself just to have something to hold on to.
When his next question comes, he could push you over with a feather.
“What does she say?”
You shake your head, realizing your cheeks are wet with tears.
“Nothing. She just…offers me the flower.” Going for broke you add, “She looks so sad.”
It is the sound of tearing paper that opens your eyes; with horror you find John making confetti of your art nouveau sketch that took hours to do. However, any protest dies on your lips—if destroying the drawing appeases him, maybe he won’t take it out on you.
Without another word, just a hard look, he stalks from the room.
Only when the sound of his footsteps fade down the hall do you let out the breath you didn’t even realize you were holding, your knees quivering like leaves in a storm.
However, you are not foolish enough to believe you’re in the clear just yet.
-Later, there is no dinner. You find the kitchen cold and empty. Not sure what to make of this, you graze in the fridge, before returning to your bedroom. Not sure where John has gotten off to, you shower, then go to bed, finding yourself lying awake in the dark without him beside you, almost itchy without his steady presence in the evening at your side.
Part of it might be that you fear something is brewing, and you can’t stand the waiting…but part of it might simply be that you miss him, as fucked up as that is.
In the end, against your better judgement, you go looking.
You search the house, until the only room that is left is the garage. Silently you open the door, slipping through without a sound. You too are learning how to move quiet as a wraith. The smell of rubber and oil assaults your nostrils. Classic rock is playing low on the radio. In the far bay, the hood of the Mustang is open, and John is bent over inside, wrenching on something and muttering to himself. There is a partially empty bottle of Blanton’s Bourbon on the workbench behind him, and an empty glass.
Unable to stop yourself from committing what perhaps might prove to be suicide, you creep to the other side of the Land Rover, using it as cover as you eavesdrop on this man grumbling to the ghost of his deceased wife.
“What do you want from me? I loved you. I loved you with every fucking fiber of my being, but you left me. I died with you the day you left me, and she is the only thing that makes me feel alive again. I need her, and she never would have come to me on her own. She never would have stayed. She never would have stayed.”
He says this to himself over and over, and it wrenches your heart, because you know it isn’t true.
You think you manage to creep back out again without him noticing, Led Zeppelin on the radio disguising the sound of the door.
When at last he comes to bed and wraps you in his arms, holding you too hard for comfort, you feign sleep, smelling the bourbon fumes on his breath. You can’t help but tense, wondering if he will forget his promise this deep in his cups.
But he just sighs into your hair, crushing you as he pulls you even closer, and you don’t know why it breaks your heart all over again.
#heyyyy it happened!#bittersweet john wick imagine#john wick#john wick x reader#john wick fic#john wick x you#john wick x y/n#keanu reeves x reader#yandere john wick
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Animage January 2025 Issue ft. Hayama Yuki Interview (translation below)
Publication: December 10, 2024
The Informant's Dignity
The Informant who supports the Boonboomgers, with his ability to collect data quickly from all over the world and superior intelligence to formulate strategies and countermeasures against enemies based on said data he collects, is Ishiro Meita.
Although he has immense trust in their leader, Taiya Hando, when they first met, they were enemies. Hired by the ISA, he sneaks into Taiya's house, where he's recruited by him to join the Boonboomgers. "I've fallen for you. That skill of yours, I want to buy it!" These words moved Ishiro so much, that he makes the decision to become Taiya's friend.
As the battle between the Boonboomgers and Hashiriyan intensified, Ishiro investigates the suspicious movements happening behind the scenes of the ISA's Division Director, Tokoyari Eiichiro. He's then confronted by Sutea, a former fellow spy, who received the request from someone else. The fact that someone associated with him was opposing the Boonboomgers, and that the tracking device attached to Sutea was found broken must have cast a dark shadow over Ishiro's mind.
With the current situation of enemies on Earth operating with secret techniques, Ishiro's spy skills gained from living in the underground are sure to be of great help to the Boonboomgers. Don't take your eyes off the Informant's future movements!
-I'll never doubt Taiya-
"Over the course of the year, Ishiro's come to show a variety of expressions."
Hayama: When filming first started, I kept a certain amount of distance from everyone else except for Taiya, often times because the Director asked me to do so. Lately, there have been more situations where he works as a pair with someone, the expression of my lines in the scripts have become softer, and his overall rough vibes have relaxed. I think he now trusts everyone else as his friends, though not as much as Taiya, but I think his participation in the BBG has changed into a goal for the six of them to achieve together. I think that's how comfortable of a "place" Boonboomger has become in his mind.
"What's one thing you consider to be important when playing the role of Ishiro?"
Hayama: Since the start of filming, I've been dedicated to carefully expressing his sense of distance from people. I'm conscious of keeping his distance from anyone he encounters for the first time, and I also put importance on his habit of folding his arms as an expression of being on high alert. This is just something I personally obsess over, but as an indication of him getting closer to a character, I've been challenging myself to change my tone of voice when speaking. He usually speaks slowly, but for those he's comfortable with, while not much faster, he does change his talking speed, and from the very beginning, I was able to create that distinction between Taiya and the others. I've also been slowly working towards breaking his habit of folding his arms, as I've been trying to avoid doing it right away.
"On the flip side, is there anything you became more conscious of over the course of filming?"
Hayama: It was depicted in episode 6, but in the beginning, I didn't know he had a hot blooded side to him (laughs). I took that into consideration and changed my direction to playing someone who's trying his best to be cool. I was conscious of making him look cool in the way he stood and the way he spoke. Also, Ishiro's past, which was revealed in episode 14, was a very important point for me. I don't think normal people would see fish at an aquarium, cry, and be like, "Uwah, they're all living their lives to the fullest," nor would their body and minds be driven to such an point. No matter how cheerful he gets, I keep in mind that there's a depressing back story at the root of him being like that. I was also extremely nervous about the part before entering the aquarium, where he walks around looking unwell, as I thought, "If I mess up here, Ishiro will be ruined forever." I remember very well how scared I was to go to that shoot.
"It meant just as much to Hayama-san as it did to Ishiro, huh? Please tell us what you value when expressing your relationship with Taiya."
Hayama: To never doubt. When I read the scripts for the episodes we're currently filming just once or twice, there are quite a few parts of his interactions with Taiya that left me thinking, "?" When this happens, without fail, I always remember the words Director Nakazawa Shojiro said to me in the beginning, that being, "He trusts Taiya 100%." As depicted in episode 37, despite the fact that Ishiro and Taiya were acting separately, they knew what the other was going to do. Sometimes I have to forcibly convince myself about parts like that (laughs), but I read my lines with the intention of never doubting Taiya no matter what, and I also try to express this through my acting.
"Taiya said, I can tell what Chasshiro's thinking through his eyes."
Hayama: It almost felt like cheating (laughs). When Haruhi and I read the script, we were like, "How can he tell by looking into his eyes?" (laughs). Still, I once again found myself thinking that the words Director Nakazawa said to me weren't wrong.
"In episode 37, the main focus wasn't only his bond with Taiya, but also the appearance of Sutea, a fellow spy."
Hayama: I interpret Sutea as someone who, even in the darkest moments of Ishiro's life, made him see the light, or rather, someone he had a few cranked up moments with. If they had just been on the same mission once or twice, they wouldn't have a relationship where they called each other by their names. At the end of the episode, Ishiro restrains Sutea, but she manages to escape after that. I'm sure it was a sort of "you've lost" restraint, and that in Ishiro's mind, Sutea was the one opponent who could do that (escape).
"What was the most memorable scene involving Sutea?"
Hayama: Before the exchange between Ishiro and Sutea, they had to film the scene where Sutea watches the Robo fight after she frees herself from her restraints, and Director Hayama Koichiro allowed me to observe the scene in order to study. The way Sutea said "Ishiro" sounded alittle sad, which made me imagine that the relationship between the two wasn't just as friends, although I wouldn't say it went as far as love. In the scene where Ishiro leaves after restraining Sutea, the footage was shot from a wide angle, so it didn't show the scene clearly, but when he walked away, Sutea looked sad, as if she was about to start crying. At that time, I was happy to feel that Sutea's Naito-san and I were thinking the same thing about the relationship between Ishiro and Sutea. I've learned alot from Naito-san's performance, and I hope to work with her again someday.
-Ishiro's range that we both created-
"Episode 37 had alot of untransformed action scenes, but both Ishiro vs Sutea, and Taiya vs the fake Ishiro were great because they were fast paced."
Hayama: Asai Kosuke-san, who normally performs as a Suit Actor, was my stand in for the more dangerous scenes, but I wanted to do as much as I could on my own, so I performed most of the scenes myself. I had struggled alot in the previous boxing story (episode 29) that involved untransformed action, so to be honest, I was anxious before the shoot. Furthermore, this time, Ishiro and the fake had two different "hands" (choreography for the sword fight and fighting while moving), so things were already pretty chaotic because of that.
"Sutea's Naito-san is good at action, so there'd be alot of pressure when performing with her."
Hayama: That's true, the speed at which Naito-san learns is amazing! She did all her actions without a stand in, so for me, she's like an almighty being (laughs). For the part where I was facing off against Sutea……I can't really say that I was keeping up with Naito-san, but I had to make it look like we were neck and neck with each other, so it was also tough mentally. Ishiro's a combat specialist, so If I moved too slowly because "action isn't my strong point," that wouldn't be Ishiro Meita. I'd just be Hayama Yuki cosplaying as Ishiro. So, for the scene with Sutea, I had Naito-san practice the same moves with me multiple times, and by taking advantage of the gaps in filming time, I was able to film them. BoonBlue's Suit Actor Yoneoka Takahiro-kun was by my side the whole time we filmed the action in this episode. Just having him nearby made me feel safe, and he also gave me advice like, "Maybe you should do it more like this?," which really helped me out.
"Yoneoka-san is like a partner to Hayama-san."
Hayama: Yes, when a new script comes in, I discuss it with Takahiro-kun by saying, "What should we do here?" and since we're also close in age, we go out for meals in our private time. When it comes to the performance, we both trust and leave everything to each other. Takahiro-kun sometimes does things that he's never done before, and I sometimes hear him say, "Sorry Yuki-kun, I might've been too playful," but he never goes beyond the role of Ishiro. Instead, it's fun to find out that "this kind of Ishiro is possible," and I sometimes wonder if it's "okay for me to be alittle more playful."
"What's one of the most memorable scenes featuring BoonBlue's performance?"
Hayama: In the baseball episode (episode 23), Takahiro-kun said "You may have overdid it alittle," and to be honest, my roll call sounded really silly (laughs), but I was able to use my voice surprisingly easily during the post recording. I was able to reaffirm that Takahiro-kun and I have the same image of Ishiro. From there, I came up with the idea that "maybe Ishiro likes sports," and "If he enjoys doing things with everyone, he must be feeling very comfortable right now." We even found a way to screw around that would connect to episode 41's soccer episode (laughs). It's fun for the two of us to play Ishiro, it really is. I'm glad that Takahiro-kun is BoonBlue.
"Finally, please tell us what some future highlights to look out for in regards to Ishiro."
Hayama: I think that going forward, Ishiro will be faced with more and more situations, ones where you'll want to say, "What are you doing?" But I hope that you won't stop here, and it'd make me happy if you could rewatch episodes again, all while imagining what he's thinking and feeling as you watch. _
Q: What's your favorite manga/anime?
When I was in my fourth or fifth year of elementary school, my father recommended "SLAM DUNK" to me, saying, "This is a manga that teaches you about morality and what makes humans so cool." At first, I watched the anime, where I thought Mitsui Hisashi was just the coolest! I liked Mitsui so much, that I actually started playing basketball. In the end, I didn't become a shooting guard. I went to see "THE FIRST SLAM DUNK" five times because the sounds of basketball in the movie theater was too good (laughs). (-Hayama) _
Emotional Record
Family of Spies Ishiro's parents were also spies. He once said, "I was trained in all kinds of fighting techniques from a young age," suggesting that he had a tough experience as a spy.
Memories In the past, when he was exhausted from his duties, he happened to visit an aquarium that saved his life. He's still attached to the aquarium, so much so that he bought an annual pass.
Fateful Encounter Ishiro is hired by Tokoyari of the ISA and breaks into Taiya's house to find out Bundorio's true identity. Taiya discovers him, but since he was impressed by his ability to break through all the electronic security systems, they become friends.
Becoming No.2 Ishiro becomes Boonboomger's Informant. He was strict with the members, such as being against Mira joining, and tailing Jou out of suspicion, but he began to trust them as they worked together.
Doubting Tokoyari Ishiro is asked by Tokoyari to carry out a top secret mission. The task was to retrieve the Hashiriyan key, known as an Ignition Key, from the Aori family. This incident caused Ishiro to become suspicious of Tokoyari.
Spy vs Spy Sutea uses the power of Camera Grumer to create a fake Ishiro and tries to destroy the system related to Boonboomgers. Ishiro and Sutea, and Taiya and the fake Ishiro face off against each other, with our heroes being victorious.
#bakuage sentai boonboomger#boonboomger#super sentai#ishiro meita#meita ishiro#yuki hayama#hayama yuki#animage#my scans#my translation#tokusatsu#toku cast#super sentai cast#interview#taiya hando#hando taiya#another slam dunk enjoyer 🤝#mitsui is the best character 😤#also yuki looks very cute 😊
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my vampire diaries dr
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·:*¨༺ ♱✮♱ ༻¨*:·
about me:
name: nicole violet evermore
age: 23
birthday: october 1st, 1987
closest friends: elena gilbert, caroline forbes, bonnie bennett
love interests: klaus mikaelson, elijah mikaelson, katherine pierce, rebekah mikaelson
(please note I have no scripted definite relationships with anyone mentioned above! just all potential flings or s/o's)
powers: telekinesis, levitation, and the ability to conjure energy. however, my powers were suppressed at birth by a witch.
I am a phd student at whitmore college studying folklore and mythology with a masters in arcane history and a concentration in mythology in the modern world.
whitmore college is just outside mystic falls, virginia, the small town I grew up in. I live in a small house on campus not too far from elena, while caroline and bonnie both live in mystic falls and work there.
some songs I associate with this dr:
✩terrible thing- AG
✩headlock- imogen heap
✩bitches brew- crosses
✩dead weight- PVRIS
✩snap out of it- arctic monkeys
background info:
(plot wise if you are familiar with the show, this is basically the end of season 1, beginning of season 2)
when I first shift to this reality, it is early september 2010. I have just started my final year of school at whitmore college when things are getting a little... weird. elena gilbert and I are the last remaining two from our friends group still at school, me completing my phd and elena still in medical school when the salvatore brothers start infiltrating our lives.
damon salvatore starts showing up at every turn I make, appearing in classes I have never previously seen him in, and once conferring with elena about this, she says a random guy has been showing up in her classes as well, borderline stalking her. we later discover that it's stefan, damon's younger brother.
upon confrontation, both salvatore brothers admit that they have been following us only because through the grapevine they have heard rumblings of klaus coming back and feared for elena's safety (me... well I'm just kinda there at this point. but they figure if they are also roping elena's closest friend into this it will persuade her to trust them more).
elena and I are utterly confused, but we get caught up to speed quickly as our lives are turned upside and we are thrust into this world of supernatural. elena takes a little more convincing than I, who is floating on cloud nine that the very thing I have spent the last six years studying is actually real.
the salvatore's know nothing about me or the powers I had suppressed at birth, and are more focused on elena being the doppleganger and keeping her safe, and me by association.
klaus and the rest of the mikaelson's end up coming into our lives. klaus quickly becomes very obsessed with me, convinced that I am some kind of special supernatural being that he can use to his advantage. elijah and rebekah end up becoming close to me as well, desperate to keep me away from their brother.
(mind you I am trying to finish getting my phd. the loans have been taken out. classes are IN SESSION. and I have vampire's breathing down my neck every second. talk about applying your studies to the real world...)
at some point later in time, I do end up dying with vampire blood in my system, which in turn breaks the suppression on my powers. so not only do I find myself in transition as a vampire, I am now filled with this newfound power and abilities that no one is familiar with.
I did rescript the ages that most every main vampire involved died at (most ages are somewhat unknown in canon in this reality so I just scripted what I felt seemed right) :
stefan salvatore- 23
damon salvatore- 27
klaus mikaelson- 26
elijah mikaelson- 30
rebekah mikaelson- 23
katherine pierce- 24
I am leaving most of this dr up to the universe and what my subsconsious wants TRULY so this is all I have for now!! xx
#nicoleshifting#shifting#reality shifting#shiftblr#shifting community#shifting blog#shifting realities#shiftingrealities#tvd dr#the vampire diaries#dr masterlist
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Dialogue Game - Prompts #13 and #14
#13 - “Why won’t you let me kiss you?” (fitrahgolden) and “Get stuffed.”/”You first.” (Mimix007)
“Why won’t you let me kiss you?”
Kate hates herself for the little shiver that traverses her spine, the way her blood warms in her veins at his teasing smile. She hates Anthony Bridgerton and everything he stands for - the philandering, the privilege, the cockiness. Kate would like to think she’s above it all. But clearly, her lizard brain is operating on its own wavelength. “I would, quite seriously, rather make out with a thornbush.”
That only makes him grin wider, leaning his elbows on the textbook he’s been pretending to read for the past thirty minutes. He’d simply walked up and sat down at her table like he owned it - well, she wouldn’t be altogether shocked if his family had made some eye-watering donation to the campus library - and Kate thought that ignoring him would be the best defense. She should have known better.
“As much as I think you and a thornbush are equally matched,” he muses, and she scowls at him in response. “The lady doth protest too much, methinks. You know I would make you feel good.”
“Get stuffed.”
“You first.”
The knowledge that Anthony has the equipment to back up such a taunt - so says half the students in their English lit class - infuriates her. She could stand to be properly filled up, relieve the stress that’s building in her shoulders, and he knows it.
But she’s not interested in being anyone’s second, or tenth or forty-fifth choice.
So she grabs her laptop and shoves it into her bag, and as casually suggestive as she can manage, says, “Oh, don’t worry about me. I will.”
And walks away, with Anthony gaping at her back.
#14 - “I think I’m obsessed with you.” “I know. You keep smelling me.” and “Okay that’s it I am going to sleep in the bathtub.”/“You're the only source of warmth in this stupid hotel, come back to bed before I get hypothermia." and “Stop looking at me like that.” (Anonymous)
She knows better than to believe anything he says.
Anthony has been her cameraman for six years, and her best friend for nearly as long. There’s no one else she could imagine working with. If he ever left, she’d probably never make a documentary again for the rest of her life.
But as much as she trusts him, he’s also an incorrigible flirt. Kate sees the women (and men) he picks up, sees them disappear into the hotel and emerge in the morning all rumpled and smiling. She’s tried it a few times - picking someone up in a bar in some foreign country, chasing the same pleasure and trying to forget about whoever Anthony is touching only a few doors down.
It doesn’t work for her like it works for him, so she throws herself into work instead. Types up scripts and returns emails until she’s nodding off, touches herself quickly and then falls into a dead sleep.
Kate doesn’t know if that’s pitiful. She thinks she has a life that most people would envy. And when they’re in some incredible remote location, and she gets to experience it with her best friend in the world, and they tell a story that matters - she doesn’t feel pitiful.
Sometimes they don’t get the luxury of separate rooms. It’s not the first time they’ve shared a bed - Anthony, mercifully, refrains from finding a partner on those nights - and Kate feels simultaneously wired and exhausted as she climbs under the thin covers.
“It’s going to be cold tonight,” Anthony says. He’s a bit drunk from dinner, their host serving up a generous amount of vodka. She can smell the bite of it on his breath. “C’mere.”
She doesn’t fight as he gathers her in his arms, pressing his solid chest against her back. It is freezing, and even with her jumper and fleece leggings, Kate feels it down to her bones. Anthony is always warm, somehow, and made even more so by the alcohol. “Thanks.”
He exhales, hot on her neck, and she shivers a little at the sensation. It’s almost painful when his nose nudges against the skin there, and he breathes her in. “You looked so beautiful today,” Anthony says, his hand sliding up her stomach. Kate reminds herself to take his words for what they are: the ramblings of an intoxicated slut who feels entirely too comfortable with her. He won’t take it too far; he never does, always backing away when things get too serious. Even when she wishes he wouldn’t stop, wants to see what might happen if they actually crossed that line they’re always skirting. “I think I’m obsessed with you.”
“I know. You keep smelling me,” Kate says lightly, making it a joke. She could ask him to back off, and he would in a second. But she doesn’t. Because just this little taste of him feels so good, too good to give up, even if it always leaves her starving.
Anthony chuckles and feigns pulling away. “Okay, that’s it. I’m going to sleep in the bathtub.”
Kate grabs his arm and tugs him toward her. “You’re the only source of warmth in this stupid hotel,” she grumbles benignly. “Come back to bed before I get hypothermia.”
She tugs him too hard, or he goes with too little resistance, and he ends up half on top of her. They share a delirious laugh, and Kate feels drunk too, even though she can handle her liquor far better than he can.
“I should have cut you off,” Kate says, running an affectionate hand through his hair. “We’re never going to get to sleep at this point.”
He lifts his head, looking at her directly, and it’s not hard to feel the shift. Anthony’s eyes are slightly glazed, but no longer mischievous. He looks oddly serious, and Kate realizes a little belatedly that her hand is still tangled in his curls.
She goes to move it away, but Anthony grabs her halfway, his thumb smoothing over her fingers. Kate bites her lip, feeling like the ground is crumbling beneath her feet. They’ve never stepped this close to the line. It’s too close.
“Stop looking at me like that,” Kate says softly. He tells her she’s beautiful all the time, and she believes that he believes it in an objective sort of way. But the way he’s looking at her - like she is one of the wonders of the world they’ve been privileged to see together - she can’t handle that. She can’t trust that.
“I always look at you like this.”
“No, you don’t.”
Anthony smiles, and it’s slightly sad. “Yes, I do.”
She can’t believe anything he says. Even if she desperately wants to. “Let’s just go to bed,” Kate says tersely. “You’re drunk.”
“I’m tipsy. There’s a difference,” he rebuts, sounding more sober, all earlier teasing gone. She’s done so many terrifying things in her life - visited conflict zones, stood on the tops of mountains, played with wild animals - but this is the thing that scares her the most. Having an honest conversation with the other half of her soul, a conversation that could shatter everything good in her life. “Maybe I’m just drunk enough to ask you the thing I’ve always wanted to ask you.”
He lets go of her hand only to drift his fingertips along her jaw, tender and reverential. Kate can’t look away from him, can’t stop him. Anthony owns too much of her. She didn’t realize how much, until this moment.
“Do you ever think about it?” he murmurs. “Did you ever want to be the person I took back to my room?”
Kate knows she should say no, but the idea of lying to Anthony makes something heavy and ugly sit in her stomach. She can’t tell him the truth, either, not until she knows it’s safe. “Do you think about it?”
Anthony’s throat bobs as he swallows. “Always,” he confesses, his thumb pressing into her jaw. “You’re always there with me.”
He tips his head, his lips meeting hers, and Kate gives in to it. Lets his hands explore her body, his tongue explore her mouth, lets him consume her. She feels like a glutton after surviving for so long on so little.
“I can’t lose you,” she whispers, curling into him, exhilarated and floating and scared all at once. “I can’t.”
He shushes her, soothes her, kisses her gently. “You won’t,” Anthony promises, imprinting the words on her skin, on her heart. “I’m never going to let you go.”
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HOTD stans: "Ugh those TB fans whining over every change and insisting HOTD is biased against them. Don't they think that maybe the writers made changes just so the story would be more interesting, not because Otto Hightower placed a gun to their head? Don't they see how much more interesting and complex the characters are now than in their fictional history book?"
also HOTD stans: "The Greens are just so much more interesting though. Sorry Rhaenyra, on principle I do support female succession. But you, Jakey boy and the rest of the pot plants just can't compete with Alicent and her poor tortured fucked up kids. They are THE dysfunctional family they are just so much more interesting-"
Wait... you mean ignoring half the cast didn't make them more interesting? Could it possibly be that bias isn't just a case of which side is portrayed as sympathetic, but which side is given attention?
Nah, of course not. I mean, a script direction stating that Jacaerys had already gone through an offscreen identity crisis over his parentage years ago and had come to terms with it? I thought that was so much more interesting than actually depicting it. I'm glad they got rid of Jace being bullied and focused on Aemond instead - it really made Jace a much more interesting character. Exploring the internalised shame of being a bastard, or what it's like to be constantly targeted and bullied by a kingsguard knight whose obsessed with destroying your mother, just isn't as interesting as Aemond being sad he doesn't have a dragon, or Aegon's daddy issues.
Giving Baela and Rhaena no screentime or dialogue? Genius. I'm so much more intrigued now. When they established Rhaena's yearning for a dragon I was worried we were going to see more of her, but to my upmost relief we spent her mother's funeral following Aemond instead. And the writers appropriately only used Rhaena to keep Aemond sympathetic, by having her be the one to initiate the fight instead of him hitting a toddler - once she was done serving Aemond's character we really didn't need anything further from her.
That one-off line about Daemon ignoring Rhaena was sufficient really, no need to explore that relationship any further. Just as there was no need to explore Baela's relationship with Jace, or the girls relationship with their stepmother. Let's go back to how Aegon is so sad that he has to rape women, or Helaena's bug collection. Let's throw sympathy on Vaemond while the female heirs to Driftmark stand silently in the background. Let's fart around in a Green-centric episode with a 100% stake-free race to find Aegon first. Let's throw in a scene of Larys masturbating over the Queen's feet, because the more powerless she is the more we can see Olivia Cooke's beautiful brown eyes weeping. The Blacks certainly don't need their own episode to breathe.
Sure, I did feel bad for book Rhaenyra when she was ordered away to effective exile on Dragonstone by her own father after the fight at Driftmark. And when her father almost called her home again to be his Hand, but then prioritised placating his wife and chose Otto instead. That sure SOUNDS like a compelling father-daughter conflict on paper. Perhaps we COULD have seen the tragic tale of a daughter whose father keeps failing to fight for her and unwittingly sabotages her, as his peacekeeping 'neutrality' effectively chooses his wife over her time and time again.
But I don't know, there was just something about Rhaenyra voluntarily bouncing because 'the wise sailor steers to avoid the storm' that felt much more intriguing than being forced away by her own father. Rhaenyra staying away for years was much more intriguing than her father passing her over as Hand. It really made the moment where Viserys drags his corpse out of bed to defend her stand out, you know? And it let us keep the focus on how Alicent is sad that her husband doesn't appreciate her, because the more victimised interesting Alicent is, the more interesting everyone is!
Daemon bashing his wife's head in with a rock also really made him more grey as a character.
As did Rhaenys slaughtering the smallfolk and championing the Geneva Convention the very next episode. That writing decision definitely had nothing to do with shock value. I mean, when asked why she didn't just end the war there and then we got solid Watsonian explanations such as 'it wasn't my war to start' or 'she wouldn't do that to another mother' (women, right?). That's how you know that creatively it made sense, because they wanted it to happen. Where was she keeping that change of armour?
Who needs Laena matchmaking to secure Driftmark and the Iron Throne for her daughters when she can spend her time wishing for self-immolation? Who needs Laena trying to fly one last time, desperate for that last taste of freedom before she dies, when she can instead kill herself via self-immolation?
Laenor faking his death via the murder of an innocent bystander and leaving the charred remains of the body to traumatise his parents and children (whose biological father has just died in a fire)? That needs no further exploration, I'm sure that didn't psychologically scar Jace and Luke any more than Laena's self-immolation affected her daughters. All that matters is we didn't bury our gays, isn't that great? This way Laenor didn't get assassinated, just his character!
I mean, we could have had Laenor's death be a tragic mystery, with unconfirmed rumours that Daemon had a hand in it. We could have placed the audience in Rhaenyra's point of view, we could have watched her grapple with the doubt, struggle over whether it's a possibility she can live with. We could have had the moment she gets passed over as Hand be the moment she decides to marry Daemon, like in the book. That could have said something interesting about her character and their relationship. But on second thoughts, "we'll fake Laenor's death and then we can be the ultimate power couple and RULE THE WORLD" was much more sophisticated.
Oh, and de-aging Aegon the Younger? Just look at the emotional range on that baby.
The casting for Addam and Alyn too... Honestly, not just their casting, I think overall the decision to cast characters aged 13-15 with grown adults is really going to underscore the tragedy of their stolen childhoods. It worked for Game of Thrones!
Nettles? Don't we have enough black women in the background?
#hotd critical#team black#pro team black#house of the dragon#pro rhaenyra targaryen#jacaerys velaryon#baela targaryen#rhaena targaryen#daemon targaryen#rhaenys the queen who never was#laena velaryon#valyrianscrolls#laenor velaryon
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