#hes edgy as hell but hes based on a dream i had where i had albatross wings

[hallowshumour]

Some dragon dude from a dream I had 🌧⚡️🌀

[b4mpyre-k1zz3s]

Hey! Could I request a fic with Bam where the reader is a female skater?

Maggot’s Kiss

Being apart of Tony Hawk’s skate team sounded like a dream to Y/N- that is, until she met Bam, and an innocent thing turns into something darker.

Bam Margera X Fem!Reader

(Fluff, Angst)

2.6k Words

Warnings: Enemies to lovers, jealousy, crude language, very suggestive content, bullying, hate makeouts, nudity, fake dating, flirting, accidental vouyerisim, injury, blood

An: Thank you so much for your request and happy new year!! I decided to combine my love of darker fics and slow burn to create this for your reading pleasure ;) I just love writing banter like what Bam and Y/N have in this fic hehe XD This fic was also inspired by this amazing fic (one of my favorite Jackass fics on this website) by @asskickedbygirl, so please go check her out!! According to one of my beta readers this is one of the steamiest things I have ever written, and that was just based off of the first three paragraphs, so do with that what you will! Anyways, thank you for sending in requests and please keep sending more!! I love to read them and I enjoy writing them even more :)

You hated him. His edgy, crazy, rich boy schtick made you almost embarrassed to be touring with him and the rest of Tony’s team, knowing that no matter what, the spotlight was always on him. It was never Team Adio or Team Element- it was Bam and Company. Every time you saw pre-teens fighting tooth and nail over who got his autograph first or when chicks threw themselves at his feet for a chance to be graced by the presence of his less than average dick (you see a lot being on the same tour bus for two months), you gagged a little. You were seemingly the only person in America that didn’t fall for Bam Margera’s bullshit. Maybe hate was an understatement.

It was the evening before some exhibition you were supposed to do in the parking lot of a mall that you were pondering all of this, seething quietly in the tiny tour bus bunk bed you were trying to get some shut eye in. Trying being the key word, seeing as you weren't very successful at it. Sighing, you wriggled out of your middle row bunk, carefully stepping down and stretching, the claustrophobic sleeping conditions doing nothing for your already not great posture. There was a row of leather seats in the back of the bus you and the guys would usually sit around and play cards in or watch TV when you were on the road that you made your way back to, feeling around in the pitch darkness as a strange chill struck you. The only thing you could see was the glowing, orange tip of a cigarette as you sat down, knowing exactly who it was.

“Close the damn window. S’freezing.” Mumbling, you crossed your legs, tucking your feet into the backs of your knees to warm yourself up. He chuckled, taking another drawl on his cigarette, the embers glowing intensely for a moment before he exhaled, “Might wanna think ‘bout wearin’ a bra ‘round here.” You could practically feel Bam’s eyes on you through the darkness. “I had no idea y’were so fascinated by my tits, Margera.” His last name came out of your mouth like it pained you to say it, acrid on your tongue. Scoffing, you cooed with faux sweetness, sliding closer to him and whispering in his ear, “I-I mean, if you really wanted, y’could give ‘em a feel…” Two can play at that game. Bam found your jab funny, laughing bitterly as he playfully shoved you away, “Oh, no way in hell am I touchin’ you.”

So after a few minutes of small talk, you went back to bed, and so did he, but that exchange didn’t leave your mind. There wasn't an atom in your body that wanted to be felt up by Bam of all people, but you were still pissed that he wrote you off that fast. You saw the girls he took to the bathroom of the tour bus every night and they had nothing on you. Then there was the matter of why he was staring at your tits in the first place. Was he checking you out? Something hot bubbled in your stomach that you were sure was hate at the thought of that. God, it was too late to be thinking like this, you thought, pushing it from your mind and burrowing deeper into your sheets as you tried to get some sleep.

You felt like shit the next day, but the show must go on, three hours of sleep or not. Thankfully, the bus stopped at a Love’s truck stop on the way there- you would be surviving on a gas station coffee and a prayer. Everyone filtered out of the bus, buying snacks and toiletries or whatever they needed. That left you, lingering by the trucker showers with Mike Valley. You split a bag of Hostess Donettes while he waited for his turn, discussing some fight he got into at the bar last night. Smiling, you licked the powdered sugar off of your fingers and joked about it being the breakfast of champions. He laughed, but just as you looked back up from the now empty bag, your eye caught something.

Perfect fucking timing. The door to the men’s swung open at just the right moment for you to see Bam in all his naked glory, thankfully only from behind. It wasn’t rare for you to see him shirtless, especially when you were skating together in the heat of touring season, but you only just now realized how muscular his back was. His tan skin had contours like a bronze sculpture, shitty black fleur de lis tattoos winding down his sides as he toweled away the last glistening remnants of his shower. Before your eyes reached his ass you tore your gaze away, gagging in mock disgust, crumpling up the empty bag and throwing it in the trash.

There was this weird look in Bam’s eye as he handed off the shower key to Tim, taking his place next to you on the beige wall as he pulled his shirt over his head, “You got a little something there.” He gestured to the side of your face and you licked off the remaining powered sugar, cracking a smile as you mumbled, “Oh, fuck off.” Bam held his hands up in mock surrender as you could hear the shower turn on in the other room, the only noise in the otherwise silent hallway, “Hey, no need t’get all defensive! I mean,“ You could feel his long, half-wet hair dangle on your forehead as he leaned in closer, his voice teasing as he reached down to do up his belt, “especially with how you were pervin’ on me in the showers. I’d say you owe me an apology.”

You turned to him, glaring at his stupid grinning face under the fluorescent lights, “First of all, it was an accident. Second of all, I can barely stand the sight of your naked ass without hurling!” He just snickered at your joke that wasn’t even all that untrue as you rolled your eyes to keep them from lingering on the heartagram splayed out on his lower stomach, “And pull your damn pants up. Hope you bust your ass out there today.” Bam shrugged, walking down the skinny hallway, “Sure. Don’t break a nail out there, sweetheart.” That just left you, watching him leave.

The next time you saw pretty boy was under the signing tent, a respite from the blazing sun and asphalt. Your seat just had to be next to Bam, all sweaty and glistening from skating yet somehow not looking as gross as some of the other guys did. MTV star magic, you guessed. You were wondering why the hell you needed to do skate exhibitions in the ass crack of summer when some nerdy looking teen girl handed you a board to sign. Sure, you weren't Tony or Bam, who each had a line of their own nearly twice the size of the rest of the team’s, but you were generally pretty popular. The girl with the glasses was all smiles, leaning in close to you like she was going to ask you something secret, “Hey, I read somewhere that you and Bam, uh- that you had a thing together. Is that really true?”

Bam, who was sitting next to you and well within earshot, scoffed, leaning over with a sneer as you scrawled silver sharpie onto the board, “I’d rather tongue a maggot than Y/N.” You scoffed as you popped the cap back on the pen, “Yeah, the only maggot here’s that thing in your pants.” It was then, as you turned back to the fan who was awkwardly standing there, watching your little lover’s quarrel go down, that you got an idea. A malicious grin spread across your lips as you handed the signed board back to her, “But if you were wondering, I am dating Tim O’Connor. Thanks for being a fan!”

God, if you could see Bam’s face. As much as it pained you to not look over at him, you didn’t, knowing it would be impossible to keep a straight face seeing him all slack jawed. The best part of it was you weren’t dating him- well, not yet, but you didn’t even need to for what you had in mind. Hell, knowing Tim, he’d be game for fucking with Bam any day of the week, even if it mean having to hug and kiss and pretend flirt from time to time. This was the ultimate way to get back at Bam for fucking with you for so long, you thought- your ace in the hole.

You told Tim your plan and he was more than eager to get in on it. You would come up with ideas on the fly whenever you knew Bam was watching, whether it was having you wear one of his shirts on the bus or you giggling when he messed up your hair while you stopped for food on the road, or even the night you shared a bunk- one of your favorites, especially with how pissy Bam looked as he angrily slid the curtain closed on his bed when he saw the two of you. Basically anything you would see in a cheesy romance movie, you did.

But if you thought Bam was a childish asshole before, you had no idea how much worse he could get. No matter where you were, he always seemed to have his eyes on you, glaring under heavy lids across the room. Even though he was still performing well, off the ramps he was this little ball of rage, quietly observing with raised hackles. Gone were the pranks with the team and the playful banter between the two of you. Bam was a tyrant before and even more so now, only a little quieter. He avoided you like the plague, so the only form of communication between the two of you was the sporadic spitting of insults at one another just short of an argument- he’d say something about your appearance, you’d jab at some trick he messed up, and then he’d tell you to fuck off.

His behavior became so uncharacteristic that, at one point, Tony, who was often the only voice of reason, tried to take him to an urgent care because he was obviously sick. Yeah, maybe that’d be a good idea, you thought, a medical professional would probably know how to get that stick out of his ass. No, not in the slightest did you care that you hurt Bammy Boy’s precious little feelings. He was a jerk to everybody, you thought, so he deserved it. It was only after a few weeks of this charade that you started to wonder why the hell he was being such a baby about all this. Bam just seemed to radiate jealousy, especially towards Tim, but there was no way that was the case. It sounded like something straight out of third grade- that boys are mean to girls they like. But, knowing Bam, you couldn’t write that off immediately.

All this tension kept building for a while until it reached a fever pitch. The team had an off day so you all decided to stop by a skate park late in the day to kick back and chill for a few hours before you needed to get back on the road again. The chance to bust out a few tricks without the judging eyes of thousands was a breath of fresh air and everyone was all excited as they filtered out of the bus onto the concrete- that is, everyone except Bam. The little prince of darkness shot you a scowl before he ran off to the bowl with the rest of the guys while you ran off on your own. You were on the mini ramp, enjoying some rare alone time while doing a few simple tricks and thinking about how you could probably run to the Wendy’s across the street to get dinner- one of those baked potatoes would really hit the spot. It was in the midst of that thoughtful silence when you were poised on the coping in a nose stall that the clatter of a board slamming against the ground behind you hit your ears.

You were startled and, turning towards the sound, you felt the ground slip out from under you as you shifted your weight ever so slightly. The world seemed to freeze for a moment as you plummeted to the ground, landing square on the lip with a blunt packing noise, busting your cheek open. The air was knocked out of your lungs as a choked gasp escaped you, reaching up to grasp the raw skin pounded flat against your throbbing cheek bone. Your vision was a blur of orange from the setting sun as you wrenched your eyes open, tilting your head up towards the source of the shadow that looked over you.

“Nice spill.” Struggling to your feet, Bam didn’t even offer to help you, just standing there with his hands in his pockets, watching. Something red hit the concrete when you spit, rubbing off some of the hot liquid from your cheek as your gaze met his, “The fuck’s your problem?” Coughing, your voice was rough, words punctuated by heavy breath as you continued, “You’ve been all pissy for weeks, man. What’s goin’ on?” There was an edge to his voice but he still sounded calm as he reached into his pocket for his pack of Marlboro Lights, still not making eye contact, “Maybe I don’t like seein’ you and Tim eatin’ each others faces- ever thought about that?”

Snatching the cigarette from his fingers, his fingernails painted in that stupid black nail polish he always wore, you growled, “Is that it? Really?” You got all in his angry little face, close enough you could smell the shitty cologne he wore to impress chicks that always made you gag. MTV fuckin pretty boy, always looking his best. Your voice dropped low, murmuring close to his skin, “Maybe you’re just jealous’a him. That he gets to have me and you don’t.” Bam finally met your gaze, staring at you with newfound intensity as the lines between teasing and flirting blurred. He spoke through gritted teeth as he glared down at you bitterly, “Oh yeah? Yeah? You think I can’t fuckin’ have you?” You said nothing, defiant.

Time stood still, but in a second, he was on you. Bam’s hands seized you, tugging you impossibly close to him as his calloused palms traveled up and down your body possessively. It was like something snapped inside of him that was holding him back. You could feel the muscles under his clothes flex as your breath hitched, one of his hands tangling in your hair and pulling you closer. Bam kissed like a starved man, his tongue moving against yours in a lecherous mess of teeth and spit and a little blood on your part. The air swam with a mix of rage and lust as you pulled away from each other after what felt like an hour, catching your breath. Your eyelids fluttered as a weak smile spread across your kiss-sore lips. Whispering under your breath, you leaned your forehead against his, “Holy shit…”

Glancing down at the cigarette still in your hands, you slipped it between your teeth, looking back at him, “Gotta light?”

[mrmurakumo]

I think even after the DLC dropped, my favorite ending based on a “who I vibe” with aspect is still Ranni’s, because at least she replaces the old order with something new.

I sort of understand people being like “nooo she’s gonna plunge the world into darkness and fear, doubt, and loneliness” and think that's a bad thing. While it does sound scary, I feel like her point is that she knows what she’s doing by ushering in some real free will. To a population who suddenly have to realize that they can have real opinions and not parrot the order of God, this is the scariest shit ever because nobody knows what the fuck they’re doing.

It doesn't magically fix every single problem with the Lands Between, but it's at least better than the options of:

Age of Fracture: Uphold the status quo, nothing of actual value changes.

Age of the Duskborn: Uphold the status quo, but hey at least being undead doesn't mean that you are unfairly targeted by the Department of Undead Purification

Age of Order: Uphold the status quo, except Gods are now held accountable for their actions. This is for the people who genuinely think Nito from Dark Souls 1 had nothing to do with the creation of the Undead Curse, and just chilled in his coffin spreading death

Blessing of Despair: Uphold the status quo, except everybody is an Omen now. With the DLC, this could be recontextualized as Dung Eater bringing divine retribution against Marika, considering that the Hornsent laid the curse of the Omen against her for her crimes of genocide. Cool messaging, but "eye for an eye" is less cool when it affects innocent people who had nothing to do with a genocide

Lord of Frenzied Flame: The easy way out, the nihilist’s wet dream. If we can't be the One Great, then we shouldn't be anything at all, why even live at this point. Philosophically, their idea of change by eradicating the entire world is kinda cringe, but at least it looks cool and edgy as hell, and boy I have a soft spot for that stuff

There’s also Miquella’s whole deal, who seemingly wants to change society for the better, ushering in an Age of Compassion so that nobody has to suffer anymore. There's a whole bag of worms discussing Miquella's character arc, but I think ultimately he doesn't understand that Godhood does not fix everything, and that his messaging doesn't mean jack shit when he goes around doing morally questionable things to people, such as robbing them of their autonomy, creating a cult of personality so severe, they will literally suicide bomb you, and other crimes against humanity. Since he is cursed to be a literal man-child, he doesn't know or want to admit this. The whole reason why an ending with Miquella doesn't work is because we don't work with him like we do with Ranni, but we are controlled by him. To be an Elden Ring ending, the player character must have some sort of autonomy, both narratively and in terms of game mechanics. Miquella wants to be the main character to fix everything, and he does not offer a compromise where we work together with him.

Put it all into perspective, the world of Elden Ring is kinda fucked up beyond repair due to the order of the world being the way it is. Even the ending that grants the people free will doesn't immediately solve everyone's problems, at least immediately.

At least you get a cool moon sword as a wedding gift.

[tutchando74]

How was the thinking process to get to each of your stories

In Split Drones, I was watching some edits of Murder Drones, when I saw an edit of N in the chase scene in pilot. That's when I thought "What if N had 2 personalities?". Boom. Here it is. Originally that was going to be the only change, but then I decided to do something with it.

I thought of Headache when I thought "What if Murder Drones fandom grows like the Undertale one?". From that I decided to make a story that includes the multiverse and instead of N, I thought of doing it with another character.

Humanity I don't remeber. Probably just wanted to make a human OC.

I remembered Hellsing and how cool that shit was. That's when I came up with Cursed Ownership.

Test Drones. Just wanted to make N, from the Twins, more edgy, but I had to have a reason for that.

After I read the story where N invades a colony and has hallucinations of M, I thought of Marks.

Rescue Drones I don't remeber. Probably just wanted to give N, from the Twins, a break, so I made my characters for it.

A Better place came from a personality swap in the Twins AU, then changed to a Role swap AU, then to what it is.

I read Frankeinstein from Junji Ito recently, so Frainkeinbot came from that.

Another crossover between the Undertale part of my brain with the Murder Drones part. I just thought of Underfell, then came Fell Drones.

I was surrounded by shops, waiting for 4-5 hours, when I came up with the idea of Murder Drones characters taking care of shops.

AEOV came from an idea where Error would go back to his Geno body, but keep his memories from Error.

AU'sed came from the idea where Ink would get a soul in a future, then I said, fuck it, let's give him a soul from the beggining.

After Dream came from the idea of Dream eating the positive apple and suffering a similar thing that Nightmare suffered.

Blind Happiness was just my sadistic side having fun.

Nature's tale came out of fucking nowhere honestly.

Tales from the war came from the idea of having an AU that happened in the war between humans and monsters.

Alphakill happened when I was watching Ultrakill lore videos and I noticed how some of the characters from Alphatale could fit those roles.

Reality Falls came from the idea that after Dipper and Mabel arrived home, they would meet Bill once again, but then changed from that to the Book.

TAFOG came from the idea of the episode where Gumball becomes paranoid with his future.

Monkey wars came out of nowhere.

Inicio came from a moment I was just thinking of the bible and how the genesis says the word was born.

Loop came from the idea of a single scene where Master would call a beast and restart the story.

Layer of Hopelesness came from the idea of hopping through realites.

Brazilian legends came from my love for my culture.

Meaning came out nowhere, just wanted to do it.

Cicle of the broken came out of a funny skit I came up with in my head involving the most deranged shit ever.

Angelic Blood came from the idea of having a angel trapped in hell from Helluva Boss.

Kindergarten Nightmares was heavily based on Little Nightmares.

My Myself came from a video dunking on how bad the scenes the Resident Evil new live action series is.

Why? came from an idea of a huge crossover between villains from different series, where one villain would watch they all die, in the search of a purpose.

Narrated came when I remebered Spamtom NEO and how he is stringed up like a puppet.

Devilish Journey is heavily based on Chainsaw Man.

[qingxin-dream]

Sleepless Night

a/n | just been thinking about some scara hcs regarding his lore & having the electro gnosis. edgy boi just wants some love is all.🥺 (art credits: @/DragonagiaAlice on twitter).

warnings | none

genre | angst, established relationship

word count | 629

pairing | scaramouche x reader

⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩•̩̩͙*˚⁺‧͙⁺˚*•̩̩͙✩

Scaramouche’s arm held you firmly against his torso, fingers grasping your stomach and slightly trembling. Occasionally he would let out a frustrated, tired sigh but never switched positions. Surely it had been hours of laying in bed, and at this point you were practically begging your brain to let you sleep in peace.

A sudden warm, wetness trickled down the base of your neck, immediately causing you to violently recoil from his arms in disgust. Frantically wiping the liquid from the back of your neck, you quickly tried to examine the substance. “What the hell? Did you just slobber all over me?”

Having been abruptly ripped from his dreams, your clearly irritated partner retorted with a rough, sleepy voice, “Absolutely not… You have three seconds to lay back down so I can hold you or else.”

Hesitantly, you returned to him and laid on your back instead. Even with the thick blanket covering you, goosebumps crawled over your skin from the winter winds howling outside. Grumpily, he pulled you toward his warm body, giving you a peculiar look. After a moment, you glanced in his direction to see if he had settled back down after your sudden outburst, noticing the faint reflection of his glassy eyes and wet trail down his cheeks.

“A-are you crying?” you asked gently, eyebrows crinkling with concern.

You expected Scaramouche to snap at you with some witty response, or chide you for having such a stupid question. At least that seemed to be very characteristic of him, always bitter, annoyed, and closed-off. But, you liked to think there was a more sentimental side to him, one that was especially saved for you. The last thing you wanted was for him to bottle up his negative emotions.

“I… I was just dreaming. That’s all,” he responded with a distant tone, retracting within his figurative shell. “You should do the same.”

His chest pulsed with a faint, luminescent purple glow, where you knew the Electro Gnosis resided temporarily. It appeared to elicit more unwanted tears spilling from the former harbinger’s eyes, though it didn’t seem like he was in any pain.

“Does it hurt? Are you sure it’s okay for the Gnosis to be within you? Maybe you should take it out for a little bit—”

“Never,” he whispered lowly, meeting your gaze with desperate irises. “I need it. I need to feel something. I-I can’t remove it now.”

“Scaramouche,” your voice trails off as a whine of worry. He deserves to have a heart, just like anyone else, but the Gnosis may be dangerous to him. Archons knows what you would do if it did irreparable damage to the man you cared so much for. “If it’s consuming you then maybe—”

“You don’t understand,” he growled, sitting upwards defiantly through his tears. “Without it, I am left with nothing but numbness. The Gnosis was meant to be my heart. It’s mine... It’s…”

You shushed him to deescalate his spiraling meltdown, reaching over to rub his shoulders lovingly, surprised to see Scaramouche fall apart right in front of you so easily. He hasn’t ever been this vulnerable with you before, but you were more than willing to be as patient and open as you needed to be. “Okay, okay, I’m sorry… I-I won’t ask again if it bothers you. Let’s just go back to sleep, Scara.”

Even after allowing him to hold you close once more, Scaramouche continued to ramble quietly in your ear. “I can finally feel good things. I can be just like them… I can be upstanding. I can be loyal. I can be joyful… I can be loved.”

Then, before slipping away to his dreams, he softly added in a quiet, pleading tone, “(Y/N)… please, please don’t take this away from me.”

check out my masterlist if you enjoyed, please & thank you

[missdawnandherdusk]

Will You Go With Me?

Neville X Reader

Summary: Ginny turns Neville’s proposal to the Yule Ball, and you go to comfort him finding yourself in quite a situation.

A/n: I have no idea where this came from but boy is it PRECIOUS. It’s soft and fluffy and cute and Neville is just the best. It’s just a drabble so about 1k words, but so precious. 

I was in the common room curled up with a book when I watched the events unfold before me and there was nothing that I wanted more than to curl up in my book and to not witness them.

“So, Ginny,” Neville dared to approach the fiery redhead, “I was thinking that maybe, you know that if you’re uh, not going to the Ball... with anyone yet, maybe that possibly you and I could go... maybe?” Stumbling over his words, he as flushed to the color of her hair, presenting a flower that he had no doubt grown himself. The tangible awkwardness could be cut with a knife.

“Wow,” Ginny stood, flustered. “That’s... totally sweet of you. But uh... someone else already asked me, sorry,” She left quickly after that and Neville sank down to the nearest couch, twirling the flower between his fingers.

I got up, setting my book down. Neville and I never really talked before. He was in some of my classes and when we were paired together, he’d keep his head down and barely say a word. I left something to be desired.

“Hey Neville,” I approached slowly. 

“Sorry I’ll move,” He stood immediately.

“No, wait, hang on,” I reached out for him. “Sit,” I gestured as we both took our place. I... um, just wanted to say that I saw what happened with Ginny and I think it was totally unfair,” His unsteady hazel eyes flashed to mine. “Any girl in the school would be lucky to go to the Ball with a guy as nice as you,” I offered a smile and stood.

“Really? You mean that?” He looked hopeful.

“I do,” I went to go back to my book. To be fair I should have seen it coming.

“Will you go with me?” He offered his flower out, catching me off guard. He asked again. “Will you go to the Ball with me?”

“...Yes.” With a hesitant smile I took the flower he offered.

“Awesome,” The light shining in his eyes was something that I couldn’t dare take away. “I’ll uh... pick you up at six?” I nodded and he left the common room leaving me to my thoughts.

To tell the truth, I never planned on going with anyone to the Ball. I had a few friends who were going, and we were going as a crew. It was easy and nothing to stress about. I looked at the flower in my hands and smiled to myself. Maybe it wouldn’t be so awful to go with Neville. I just didn’t know anything about him.

“Oh, thank Merlin,” Ginny rushed back into the common room. “I’m so glad you said yes. I felt just awful,”

“I... yeah. It’ll be fun,” I smiled. “Neville is a sweet guy,”

It was the next day that I ran into a dilemma McLaggen in the common room. The Gryffindor Seeker had no insecurity as he walked up to me amidst the other students. It had been no secret that McLaggen had been trying to initiate something with me over the past few years. If he wasn’t so egotistical and bigoted, I might have said yes.

“So, Y/l/n,” He grinned. “Go to the ball with me,” He didn’t make it a question. 

“Oh, uh, someone already asked me,” I gave.

“Who? Longbottom?” He laughed. “You can’t be serious. Ditch the nerd and go with a real man,”

From across the room my eyes met Neville’s. In despair, he shook his head and left the common room like a bat out of hell. My heart fell, clearly distracted.

“I doubt that’s you,” I snapped. “Keep dreaming McLaggen. At least Neville was a gentleman when he asked.” I pushed past him and the ruffling that out little scene caused in the common room and went to look for Neville.

The corridor was empty. Looking to the left and right, the cold night gave no answer as to which way Neville went. Muttering to myself, I took a chance of where he might be. Maybe I knew something about him after all.

“Neville?” I asked the greenhouse softly. “Are you in here?”

There was a rustling in the corner. A stool scraping against the tile floor.

“Neville, I want to talk,” I pleaded, making my way over to the sound. I found him hunched over a notebook, focused on the lines his pencil made.

“You want to go with McLaggen,” He didn’t look up. “I get it,”

“No,” I corrected. “Even if I did want to go with the sleaze ball,” I muttered offhand. “I still made the promise to you, and I’m not going to break that promise,”

He finally looked up.

“Really?” He seemed genuinely surprised.

“Yeah,” I smiled, taking the seat beside him. “You have to give yourself some more credit Neville. You really are a sweet guy,”

“You barely know me,” He mumble.

“Yeah... I thought that too. But I found you here didn’t I? That’s gotta count for something,”

“I suppose it does,” Neville smiled up at me. “You really turned McLaggen down?”

“Yes,” I laughed, gaze falling and catching sight of his paper. “Did you draw this?” I was amazed. It was a perfect replica of the flower he had given me.

“Uh, uh, yes,” He stammered, growing red.

“Can I see it?” I asked, raising an eyebrow, delighting in how flustered he always got. He slid the paper toward me, bashful.

“This is incredible,” I ran my finger over the sketch. “What kind of flower is it? The one you gave me? I’m not very good at plant names unless they’re the common ones,” I admitted.

“Anemone coronaria,” Neville said matter-of-factly. “It originates from the Mediterranean and its name comes from the Greek meaning wind. They come in a lot of colors based on what soil you use, I’m partial to the white ones, but that’s just...me.” He caught my eye as he ended, growing flustered again. “Sorry I tend to rant. I know plants aren’t all that interesting,”

“I think they are,” I reached out and covered his hand with my own. “Neville?” His eyes met mine, “Will you go to the Ball with me?”

“Wh—I—okay,” He stammered, grinning at his lap. “I’d love to,”

.

masterlist

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more like this:

neville dating headcannons

pride and prejudice

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[antihumanism]

When I type everything out as a single run-on sentence I want you to imagine me cornering you off-guard in a crowded room, my empty brown cow eyes staring straight at you and reflecting you--nopony home here, she checked out and hopped away forever ago on the toxic chemical trains and clacking cattle cars years ago--and just, for no reason, I’m here and you’re there pocketed in the corner of a crowded room, and I’m channeling my alternate history past-self who was a preacher that got kicked out of the church for delivering sermons about the impossibility of sin and just ran off to Point Sur with my harem of distractions since I could never stop blessing my congregation saying “Go forth and know that you cannot sin, in the beautiful eyes of God and in my beautiful eyes there can be no wrong or evil” which backfired on me when they started setting fires and it all went to Hell, but I’ve won out over them because the world honored my wishes when I sighed “I should like to start again,” and so I’m here with you and you’re hear with me and I’m saying some insane shit like: “Looking back on Emily’s early works it is easy to see where her later reactionary turn comes from, because, from the start, Alfred Alfer was a story about the fear of castration, I mean, the first video was literally about Alfred getting neutered and escaping into a violent fantasy where he is loved and praised for his violence and the ‘punchline’ establishes the general theme of ‘reality by despair,’ which is to say that Alfred’s clearly dissociative episode is ‘verified’ by his destruction and it is this self-destruction that establishes ‘reality,’ like ‘pinch me i might be dreaming,’ but the pinch is violent and unfair self-destruction as hope is still ripped away, but hope remains, because it is a hope to die rather than be changed by the world, and this theme remains throughout her most famous work (the Alfred’s Playhouse trilogy which cements in canon the jokes of her previous Rise of Alfred cartoon) where Alfred is possessed by the spirits of Stalin and Hitler--a false equivalency made by the authoritarians that have passed for liberals for years--in Rise of Alfred, one would be remiss not to mention the phallic imagery in both the title and the video itself, Alfred is cut loose upon the world by the absence of a Near God or little other by the orders of a Distant God or big Other (in this video played by a droning and irrelevant corporate figure that can offer nothing more than a wall without lead paint that one can lick), and this is the essence of reactionary thought, the idea of a big Other who is totally incompetent yet all powerful and somehow worth respecting and suffering for (King Henry II saying ‘will no one rid me of this troublesome priest’ or the departed Daiymo of the 47 Ronin), the reactionary sees the big Other as a master who can only set the dogs off the chain, the police chief who needs to get out of the way so McBain or Dirty Harry or Paul Kersey (especially in Death Wish III) can do what needs to be done and purge away all the filth and make the world right again (no different than Rambo--even the first movie, which for all of it’s goods part still is  reactionary propaganda bullshit pushing the fascist lies about a ‘fifth column’ that was rude to poor little meow meow war criminals--or modern day fantasies about nuking all of MENA until it glows green (fantasies delivered to raucous applause at Republican presidential conventions); the reactionary is perpetually trapped in this fantasy of destroying the world and escaping into the void of space, freed of the ground where the riff-raff are so they don’t have to negotiate life with their neighbors, and this is true, yes, even of people who spout bullshit about Fully Automated Luxury Communism who only want the right to consume as much as possible free of guilt--a condition they think is inflicting upon them by the big Other--as the Champagne of Shame Socialists of the 60s), and the righting of the world for the reactionary is just that, that the world must be Righted and the reactionary must be loved for all of their violence and because of their violence, for the reactionary finds themselves ever needing new excuses as they open new fronts in their fake, phony Culture War, and that is all they need (excuses), which is why Emily is so obsessed with justifying her edgy shit based on some Trauma (which is handy excuse to do Anything, even Things that Cannot Be Excused like war or self-harm or wanting to be seen), and so here you should already be able to hear so much madness, so many plaintive cries, all aligning around the same point (the trannies in the ‘wrong’ bathroom, the refugees in the ‘wrong’ country, the people in the ‘wrong’ neighborhood, the Jewish Question, etc), and, anyway, so in Rise of Alfred, Emily’s OC directly addresses the audience and tells them that they must love him/her--the castrated bitch desperate to be let off the leash--and in Alfred’s Playhouse she/he simultaneously affirms and denies the nature of a trauma that justifies everything (one is constantly reminded of The Act of Killing where one of the mass murderers imagines how, depending on the editing of the final film, he could be either a woobie or a war criminal) as the Trauma is simultaneously a joke--’sodomized with a popsicle!’--and the alleged real event that motivates her self-mutilation as we’re expected to believe Emily is processing something, but what is she is processing, hmmmm, isn’t that the true spice,” I rail and rave against your poor ear drums as my empty, dead cow’s eyes capture your entire body and reflect it back at you and the ice cubes in my drink pop and shatter and dissolve and as my fist clenches tighter and tighter around the glass containing them and I continue: she’s processing a fear of castration, which is shown clearly in Alfred’s Playhouse where Alfred’s “sodomy” is demonstrated by the sight of his crotch covered in blood (a scene that will be repeated in The Alfred Alfer Movie) but “what is castration,” one might ask, and one can respond “it is the removal of power by the Father,” and this is how we wrap back around to our root in the nature of Emily the Reactionary who believes herself to be deprived of the power she holds by The Bolshevik Jew that has inserted itself between her and the Father and this is the cause of the big Other’s ineffectiveness, and this is also the core of the reactionary as a whole, the reactionary doesn’t want a daddy to control them, but a Master to set them off the chain because they hate the Father who has castrated them, this is the nature of the mumbling corporate manager in Rise of Alfred, but it is also the nature of Alfred herself--and now you may ask if Emily is trans and the answer is I literally couldn’t fucking care less about any question left forever unanswered on God’s Green Earth and you shouldn’t care either--but Alfred the Castrated is also the Father/Mother of Alfred the Dictator, the murderous inner-self that is immune to consequences of the onrushing future (The Alfred Alfer Movie) but not immune to the justifications of the imagined past (Alfred’s Playhouse trilogy), and therefore free to inflict whatever violence that Emily the Reactionary desires, and it is in pursuit of this freedom that the reactionaries set off in the name of New Sincerity (two things to be noted here: (1) the Death of Irony was proclaimed at the birth of the 21st century police state and the new Forever War with all of its genocidal objectives, that is to say, 9/11, and (2) the broken necked coward who complained of American Psycho that it’s author provided no easy outs for easy survival was the one who offed himself while Bateman’s father still lives) and the Talking Cure (i miss who we used to be), and at this you should see me slugging back the whole lukewarm glass in between two syllables and continuing on without pause (as if this dog still has legs on which to receive them in any case), “Emily, like Alex Jones, is so desperate for an excuse because neither of them can accept that they have to be the one that pulls the trigger, like all liars they don’t understand that they have to define reality by action, the answer to what one might do is found in the difference between the types of irony, one type is constantly desperate for excuses (such as the broken necked coward found one day) for violence, and the other irony, the true spice, is the irony that releases from excuses into violence and energy, one must seek not to know or endure but to inflict, knowing that this inflicting was always inevitable, no searching for justifications, instead the answer is to realize that there was never a chain there connecting you to the Master or the present to the past, and the Father/Mother never had the power of castration (the past, after all, is a foreign country bombed and blasted to ruins already and better forgotten), and you can just be fucked up and terrible and do whatever amuses you right now without needing an excuse, and to the extent that anyone should, one should, because that is what fascism needs, fascism needs the need for an excuse and that is the irony of fascism--where the falling angel (the superego) meets the rising ape (the id) in an ego of ultimate violence which seeks only release from both of its creations in an instinctually and totally misunderstood caricature of dialectics--which opposes its opposite irony (the irony without fascism which is the id’s violence against purpose and reason rising free of anything else to obstruct it), and if you let go of that, if you just, ya know, if you just, you just have to cut loose and go and no one can stop you until it is too late, because there’s no Jew sitting over your shoulder to justify everything in terms of opposition or support, not even The Nazarene is real, but do you understand that you’ve always been free to just go? You’re free to go. You’ve been free to go all this time. You never needed permission for this or anything else. You’ve been free to go all this time. You’re free to go. A whole day off. Just mind the mo(u)rning and get on with it.”

[streets-in-paradise]

Let’s talk about the amazingly on spot social commentary on The Boys

Warning: This post contains spoilers from Season 1 and the first three episodes of season 2 of The Boys 

Tags: @nehoymenyoy asked to be tagged. I don’t know if my tags are working well but if they don’t i will send you the link of the post. 

I decided to make this post because i finished all the avaliable episodes of the series two days ago and, having a long talk with my sister about this topic, i tought this is too awesome to not discuss it here. We are both studying in careers of the social field, i'm in sociology and she is in social work. We watched the show together and talking with her inspired my own ideas i would like to share here.

This show was a wonderfull surprise in terms of social commentary. I haven't watched one with such a great commentary since American Gods. In that case i was expecting some degree of progressive commentary because i had read the book previously and i was aware the source material had some, the one added for the series is even better and it was great, but it wasn't a shock to find it. For The Boys i haven't read the comics first and , even when i loved the show for lots of reasons, the amazing on spot social commentary was a hell of a surprise. I have been frustrated lately in terms of the messages in entertaiment products because, even when there is a lot of intention for part of the makers to make more progressive points in their stuff, everything becomes bland marketing to me most of the time. I remember that some years ago media used to came out unintentionally with some really cool progressive messages ( like, for example, " a bug's life" and its anti capitalist message). That stuff seemed soo genuine and today i feel that everytime a product targets my demographic in that sense what they deliver it's soo bland and fake that the progressive intention of the message gets lost in the absolutely obvious intention of selling something to me using my ideals as catch. Precisely this is an important point of critic in this show. I didn't expected at all to get a genuine feeling in the social commentary of a superhero show. I'm not saying that this means i think the makers believe in this (after all, it's amazon), what i praise here is how good they did it. In a time when most productions claim to have a social commentary behind to come out as cool but result in shallow fake bullshit this series has provided me with something that feels autentic. Like American Gods, what i feel the show is trying to tell me actually gets me.

Before starting with the proper talk i want to dedicate a few línes to recommend a few scenes of the show i just mentioned. I was super dissapointed after finding out they will probably end up turning it into more bland fake bullshit for season 3 but, to anyone who likes well delivered social commentary, check on Orlando Jones's scenes as Anansi. He is my favourite character from the show and all his scenes are a blessing. 

I would also want to clarify that this post and the opinions displayed on it are from an anti capitalist, intersectional feminist and latin american perspective. I know the show is very american, the issues it discusses are most of the time worlwide but it has particularities of the american context so i will try to talk only of what i feel i know enough to have a word. I'm argentinian and we have our local versions of some of this problems but i will stay in the series territory trying to be as faithfull as i can to the american reality it gets inspiration from. Also, forgive me for any mistakes on my writing and expresions. English is not my native language. 

Superheros are modern mythology. How would this work in real life?

This is the basic premise of the show’s worldbuilding. The great thing is that this concept is not developed in an edgy, pretentious way. It is serious and painfully real because it’s not only a subversion of tropes, it says a lot of what superheros are to us as a modern times myth. In a superficial view, the world of The Boys feels like what the MCU could have become after the Sokovia accords if they would have been efficiently followed on a worldwide scale.

In that particular universe i use as reference, our superheros are noble and morally heroic individuals.State intervention is the factor threatening to corrupt their actions making them follow the interests of the system. The risk there, along with some very shady violations of human rights to powered people, is having superheros tied to something as unstable as political power. You can fear, for example, what a Trump-like president could do if he had power over the Avengers because, again, the heros are not corrupt, their line of command is. Now, if we strip away all the idealization we had putted on this bunch of powered persons and see them as what they truly are at the end of the day, people like everyone else. Why are we supposed to believe they are immune to corruption? If we also consider the phenomenon of strong privatization of security that has been growing worldwide . Wouldn’t they be more like security workers working for a private contractor? Less like heros and more like private military / security officers?  Now, this is what we are talking about. 

What feels so different from this show is that it assumes a surprisingly realistic point of view on a modern fantasy we are very used to consuming and still constructs a new power fantasy that empowers the viewer. I’ m saying this as an MCU fan, I had grown too comfortable with this optimistic fantasy and this twist from it is brilliant. To put some context on what i want to say here i will try to explain myself first on why i think that superhero fiction have this enormous popularity today and it has become such a huge thing in entertainment. Besides of the obvious reason of big companies producing big exciting action blockbusters for the genre, it’s curious to think on how much these stories gathered a lot of progressive audiences. In past decades action blockbusters didn’t felt progressive, today’s superhero blockbusters were embraced by progressive audiences and this was the start of a twist in general for the media. I think that there is a contextual social reason for this, not the only factor but one i feel is considerable. 

Late Stage Capitalism crushed us, we are so used to injustice and the control the system has over us is so big that we have slowly stopped dreaming of changing it ourselves. Instead, the fantasy of a superhuman who has the power we don’t have saving us from oppression feels really comforting. Captain America becoming such a huge icon in the middle of a time where extreme facism is rising again all over the world, for example. I don’t know much about his comic counterpart but, at least from what i see in the movies, Steve’s ideals feel to me like all those aspects from French Revolution’s  Enlightenment that capitalism dropped away once bourgeois defeated their feudal rivals and capitalism got consolidated, the freedom and equality that feudal lower classes fought for. Today, we feel too small to make a difference so we enjoy the fantasy of powerful persons leading the fight for us. Capitalism feels more unstoppable than ever, it is the only thing who seems strong to remain in a terribly chaotic world. The suffering this cruel system brings to this world is overwhelming, we feel only a miracle can save us now. This is what feeds the narrative of the superhero as modern myth and saviour of humanity.

The Boys tosses aside all our hopes and dreams, presenting us with the most realistic escenario. Superheros are not the miracle we are waiting for, they are humans like everyone else. They are not sacred entities existing beyond our societies, they are part of the system and they insert on it as part of the security industries. They can be corrupted and they work in corrupt institutions in benefit of the ruling class like every other security provider in capitalist societies. They become a new face of the security forces in constant tension with police and military because the myth of the superhero provides them with the public trust those other two forces lost. People lost their trust in cops but they trust sups because they are supposed to be this noble individuals mobilized by their personal feelings of injustice trying to make the world a better place … right? Police are the forces of the ruling class but superheros are supposed to be with us, or at least this is what common sense and propaganda claim, having our hopes as a base to work on. 

For someone so used to the typical superhero fantasy this felt like a slap on my face back to reality. It soo accurate , the system tends to capture any revolutionary input and turn it into profit. Even if the sups could had been a revolutionary factor at the beginning, the most likely thing to happen is for them to become a profitable industry. If we add to this what we already know of the actions of police and military in our real world we have a combo for disaster. The realistic twist is so fresh and painfully real, i can totally see this happening in real life if superheros were a thing. 

We have already introduced ourselves in the world of this story, let’s check on the first main character this series introduces to us. Hughie Campbell, a college age guy who works in an electronics store, lives with his dad and has the most boring average life you can imagine. This guy who is too afraid to ask his boss for a pay raise changes overnight when a superhero kills his girlfriend in front of him and the big corporation the asshole works for covers up the whole thing. The “average guy becomes a hero” trope is not new at all, but the use it has here feels fresh because it is not there only to feed the male geek power fantasy. Hughie is not a geeky average guy only so geeky average guys can identify with him in an action series full of geeky references,he is not there to be the nerdy guy from Robot Chicken. Hughie’s characterization makes a point for everyone. The smallest most unimportant person, the one who can't even stand up for themselves in everyday situations, can make a change. Remember Samwise Gamgee fighting Shelob in Lord of the Rings? Hughie killing Translucent gives me that vibe. If we consider the point i already stated about superheroes being there when we feel too small to fight back injustice, this is the exact opposite. This is a fantasy that gives us the power, makes us think in our own strengths. Hughie is standing up for himself for the first time in his life and he inspires us to fight for our rights. 

Pharmaceutical,Security and Entertainment industries and their business system : Superheros as lab rats,elite security forces and celebrities. 

This part of the post is the hardest to write and the most exquisite. There is so much to talk about about this system Vought shaped tying these three billionaire industries together. The first thing i want to mention, as a point to start, is Butcher’s ramble over the teddy bear with a camera inside in his meeting with Hughie. Perfect introduction for the character with a delightful moment of commentary. In our current societies people live in constant fear for hundreds of reasons. Fears over street crime had skyrocketed all over the world even when crime is not growing uniformly in every country and that accelerated the privatization of security, fears of parents over the strangers they leave they kids with when they are not home inspired products like the one mentioned in the series’s moment, fears on the effects of processed foods are an impulse for the diet industry and i could keep naming lots of other examples. Fears, and the emotional response they trigger , are the base of profitable businesses. 

I had been reading some authors that describe this stage of capitalism as an emotional one. Capitalism preached science and rationality during the past century but today its base of support is an emotional one. To excite the sensations of the people as consumers, to eliminate rational criticism, to push anti popular agendas through emotional excitement and mass hysteria. To cite another example that you can consider bounded to the series, Right Realism in Criminology is now almost common sense and there are people who keep asking for harsher punitive systems. This ideology, with the help of media panic, goes straight after their feelings and fears of being victims of violent crimes. Rational thinking is not the area of discussion, the base of the argument is on fear and pain. Fear of being potential victims, pain shared with the victims thinking in solutions that sound more like revenge than justice. 

Going back to my point, in the world of The Boys this type of punitivism seems to have succeeded even in a greater way than in our current world because it has superheros as backup. If real life harsh punitivism feeds on fear and a wish for social revenge, in this world it has the positive emotions supes inspire on people as a trust certificate for the persons who may not feel that way. They are loved and worshipped celebrities, their faces are everywhere, they have thousands of fans… who would see flaws in what they do? Can you imagine a world in which we worshipped cops and soldiers like we worship celebrities? This is it, people put their blind faith in them because most of them seem to be their fans. Even the people who are against brutality in the actions of security forces would end up trusting them because they are famous people. Our culture has taught us to make ourselves blind to the bullshit we see on the celebrities we love. Fans have a strong emotional attachment to their favourite celebs and this can turn into emotional manipulation in this context. If actors or singers in real life can have a fanbase that forgets to see them as human people how would these actual superhumans not end up being worshipped as gods? 

There has always been military propaganda in entertainment but this marriage between the industries through superheros is far more sinister than that. It makes you think about the unfair amount of credibility we put in celebrities. The plane crash scene of Homelander and Maeve it’s even more devastating looking at it from that perspective. Those persons had their full trust in them and they were safer with the terrorists. Can you imagine being a Homelander fan and dying there?  That’s horrible, the last thing you get in your life is the biggest disappointment ever from someone you trusted and stanned. 

 Speaking of Homelander, he is a right wing wet dream and one of the best villians i had ever seen, he makes me feel sick with how fucking despicable he is. His character is an excellent point to start the ramble on the third wheel of this corporate nightmare. Superheros are products of the pharmaceutical industry, injected with a drug since they were babies. In his particular case, he was raised like a lab rat and the series is realistic even in this detail. The lab rat kid with superpowers is another common trope that we see pretty often and here it also gets twisted. I’m thinking for example on Eleven from Stranger Things, she has been raised by abusive scientists who treated her as an experiment, yet she is this sweet kiddo who has a hard time socializing. Instead, Homelander is a monster without conscience or mercy and seems to be severely affected by his abnormal childhood. Brilliant, he is the ultimate product of this corporative triangle and depicts everything that's wrong with it. 

The cycle is pretty clear: drugs create them, they play their role in security and their media notoriety justifies their actions. As it is shown in season one,  the security aspect of the corporate complex represented mostly in Homelander’s actions craves to grow bigger and get supes into the military since, in the startpoint of the series, they only work with cops. Since the industry feeds on fear and Vought seems to have a monopoly in the production of powered persons there were no threats big enough to justify the intervention of superhumans in wars. Dismissing the importance of this monopoly for the company, Homelander suministrates the drug to terrorist groups in an attempt to create the first super villains. This is a perfect analogy of how the american war machine works. There is no way for terrorist groups from Third World countries to get access to sophisticated war technology without help from the ones who wield that power better than anyone. The first mentions of the supe terrorists reminded me of when i was in my course of worldwide history in college and i learned there how most of those famous names in middle eastern terrorism were actually friends with the CIA before at some point. Here in South America we have other history regarding the style of USA intervention, the Plan Condor dictatorships in the 70’s and early 80’s. I was just starting my career when I had a month of history classes about the Middle East and, being pretty ignorant on the matter, it shocked me the way in which the US villainized people they used to work with. I think the series makes a great point with this part of the plot because it hints something of this war mechanics. 

Gender politics of the series: a surprisingly complex approach on the topic of sexual assault ,a realistic critic to bland white feminism and the empty cashgrabbing ways in which mainstream media adapts feminist discourse.

This topic was even a bigger surprise for me. I wasn't expecting such an interesting approach of gender issues, mostly because this is the area in which media wannabe woke messages had become more dissapointing to me lately. Specially in a show about superheros, i wasn't expecting to get very interesting points.

I will start talking of the portrayals of sexual assault. We have two sexually assaulted characters in the series, Starlight and Becca. First, i think it is great that they didn't used the "rape as character development" trope. Actually, it's cool how they mock this conceptions. When Starlight saves a woman from being raped on the streets or when she makes a public statement about her sexual assault it's the people behind her, building her public image as a character, the ones who push that trope. In the first time their great character development idea is to sexualize her outfit, after the second event mentioned they literally push her sexual assault as development. I love how the public relationships team acts oftenly in a men writing women way, serving as mirror for the most common mistakes of writers on pop culture products when they write female characters.

Going back to my point, i like the effort they putted into portraying differences in both cases. Homelander is the typical portrayal of a rapist, a narcisistic monster without remorse, a deranged son of a bitch. The Deep is also a piece of shit, but of a different kind. There is a phrase that feminists of my country had popularized " los violadores son hijos sanos del patriarcado" ( it means, the rapists are healthy sons of the patriarchy. It tries to explain they are not crazy individuals who act outside societal circunstancies), the Deep reminded me of that.

He is not crazy, he is an insecure guy with a super fragile ego who abuses women for power. Insecurity on men under patriarchy tends to become bashing of women. This is not a black and white portrayal of a sex criminal, it is surprisingly complex. Of course,his actions were unexcusable. He will never repay what he did to Starlight and other women before her but he has chances of working on his issues and, eventually if he trully wants to get better, stop being the scumbag he is. He is not a deranged criminal whose only fate is to be neutralized for the safety of others.

I think this is important because, at least in my country, i had seen people using sex offenders as an example of why countries without death penalty should implement it. I don't support extreme autoritarian security measures and it makes me sick to hear that there are people claiming those as solutions in the name of women's safety. I like the approach they took to portray The Deep as the piece of shit he is but still showing the complexity of this issue instead of going for a more traditional dichotomic way.

Back to the mocking of mainstream media's attempts of adopting a feminist approach i mentioned, the season two got even better at this commentary on the "Strong Female Character" trope with the introduction of Stormfront. She is the literal embodiment of what shitty marketing says an empowered female character must be and has the biggest "I'm not like other girls" complex ever. That interaction she had with Starlight in "pink = bad, pants = cool" mood was super annoying and blaming her for the assault?? Freaking disgusting.

Honestly, i hated her soo much even before she showed her true colours completely. Stormfront represents everything i hate in Hollywood's feminism and the crappy meaningless messages it's pushing lately. She reminds me to all the fake "woke" advertisements i had seen on tv, like a Carefree (pads brand) advertisement that pissed me off last week because with the slogan " self trust is beauty" it portrayed girls who wear make up as fake and insecure.

Now, speaking of that particular scene of her killing Kimiko's brother. I felt literally sick, even sicker than in every Homelander scene. This bitch is worst than Homelander because at least he gathers a public that serves to his views. If you ever need to provide someone with a proof of why intersectionality in feminism matters use this racist bitch. Horryfying racism hidden behind the progressive mask of a bullshit privileged version of feminism, the thing i hate the most. She has a strong nazi terf vibe. I think she absolutely applies as mirror of critic to stuff like Rowling's terf nonsense. 

The introspective look this series has regarding the multiple issues on today’s attempts of gender approach on media entertainment surprised me. It’s everything i would had wished something to point out but nobody seemed to have the guts to make it happen because, as i already said, the current trend is what it’s being focus of critic here. 

I will end this now, i feel there is plenty of more stuff to talk about but this post is getting very long and, if i get more ideas i want to discuss, i can always make a second post. As i said before, this expresses my humble opinions and i’m open to hear different interpretations that can enrich my views. 

Thanks for reading this extra long ramble. 

[jupitermelichios]

10 Manga Recommendations for Quarantine (or any other time)

People seemed to like my previous recs, so I thought I’d do a few more while so many of you are stuck home with some free time to kill. I don’t read a lot of manga these days, and my tastes are somewhat ecclectic, but hopefully there’ll be something in here for you.

20th Century Boys - Naoki Urasawa

Kenji didn’t like that a new doomsday cult had started recruiting in his neighbourhood, but he wasn’t going to do anything about it. As least until a letter from an old friend leads him to realise that the cult’s symbols and mythology are based on a children’s story. A story he and his friends made up thirty years ago. Now he must track down people he hasn’t seen since middle school as he desperately tries to remember which of his friends knew the story... and figure out which of them is leading the cult.

This isn’t just the best manga I’ve ever read, it’s one of the best stories full stop. Even if you think you hate manga, I urge you to give this a try.

Claymore - Norihiro Yagi

Claire was never supposed to be a Claymore. But when Theresa of the faint smile saved her life as a child, she knew there was no other path for her. With few of the supernatural powers granted to her sisters, she struggles to survive as a monster hunter in a brutal world where death is always waiting.

This was serialised in Shounen Jump originally, and it shows in places, but mostly this is a compelling drama, with some of the most startlingly beautiful and horrible monster design in all of fantasy and scifi.

Drrr!!! - Ryohgo Narita (illustrated by Akiyo Satorigi)

Nothing in Ikebukero is quite what it seems. The Russian Mafia sell the best sushi in town, demons are haunting the chatrooms, there’s a new gang on the streets, and if you’re really unlucky, you might just meet the Black Rider. They say its bike whinnies like a horse. They say it killed three men who tried to kidnap a girl. They say it has no head. They say... that it just wants to do the job and get paid like everyone else.

Drrr!!! is an experience. It blends fantasy and realism in ways I’ve very rarely seen done, and delights in subverting your expectations. Characters who appears to fit into archetypes any manga fan will recognise never turn out to be quite who you think they are, just as the story never quite goes where you expect it to.

Petshop of Horrors - Matsuri Akino

Do you want a protector? A companion? A friend? A lover? A child? Whatever you need, Count D has the perfect pet for you (even if they don’t always look like animals). Just remember to read the small print, very very carefully.

While there is, sort of, an overarching plot, these books are portmanteu horror in the old style, a series of barely connected unsettling stories strung together by a shared narrator and a handful of recurring characters. Spoopy more than genuinely spooky, and occaisionally surprisingly touching, this is a great series to dip in and out of.

Death Note - Tsugumi Ohba (illustrated by Takeshi Obata)

“Let's just say this: you will feel the fear and pain known only to humans who've used the notebook. And when it's your time to die, it will fall on me to write your name in my death note. Be warned any human who's used a Death Note can neither go to heaven nor hell for eternity. That's all.“

One of the very rare examples where the source material does live up to (almost all) the hype. Clever, dark, surprisingly apolitical, and just the right amount of very very cheesy.

Tokyo Ghoul - Sui Ishida

Keneki Ken was an extremely ordinary guy, living an extremely ordinary life... right up until the girl he fancied tried to eat him. Now he’s part of the world of Ghouls, struggling to hold on to what’s left of his humanity as all his old moral certainties are stripped away from him. Ghouls are people, they have hopes and dreams and loves and they deserve the right to live just like anyone else. It’s just that to live, they have kill humans.

Did you want to be cool and edgy as a teenager but you never quite had the guts to do it? Congratulations, Tokyo ghoul is for you. Think of it as emergency rations for your inner Goth.

Black Cat - Kentaro Yabuki

Sometimes a family is a legendary hitman on the run from his past, his mysterious boyfriend, a recovering child soldier, and the bisexual thief who keeps inviting herself into their lives.

Okay technically Train and Sven aren’t a couple. Technically. Rins is canon bi though so that’s cool. This book is a lovely little time capsule of the days when shonen manga was inexplicably full of bounty hunters with bizarre superpowers going on wacky adventures, and I love it for that. Plus it’s full of that good-good found family trope and we could all do with a bit more of that in our lives.

Beauty Pop - Kiyoko Arai

Kiri Koshiba is no ordinary teenager. She has a secret, something she hides from even those closest to her. The only ones who know about her special abilities are those she rescues. You see Kiri is secretly... really good at giving haircuts.

This is a deeply silly book, full of deeply silly characters, in which hairdressing is treated with the exact same seriousness that sports animes treat basketball or tennis, and reading it just makes me smile. Sometimes when the world’s a bit shit you just want to read about an undercover hairdresser helping girls with their self confidence and giving them rad haircuts.

Bizenghast - M. Alice LeGrow

Dinah Wherever is more goth than you. She’s got the wardrobe, and the doomed love, and non-specific mental health issues. Oh, and she’s enslaved to Bizenghast, cursed to spend her nights laying to rest the unquiet spirits that haunt the graveyard there and if she fails, she’ll loose her life... or something worse.

The first volume is definitely the standout in this short series, with stunning artwork and detailed world building, but all of it is a fun, creepy, surprisingly dark story, full of the author’s love for old school gothic romance.

The Wallflower - Tomoko Hayakawa

Mine Nakahara is concerned that her neice Sunako is never going attract a wealthy husband with a mysterious heart condition if she doesn’t learn not to be such a shut in. So in desperation, she turns to the only obvious solution - give four well-meaning himbos rent free accomodation in exchange for them teaching Sunako to wash, wear something other than sweatpants, and talk about anything that isn’t horror movies.

Sometimes you don’t want drama, or angst, or deep plot. Sometimes it’s enough to watch four attractive and deeply stupid men try to teach the human equivilent of an angry raccoon how to walk in heels.

[rattyarts]

Huge-ask post (I am VERY funny)

Because I have so many questions that can be answered with just text, and I have mentioned my dislike of filling my art blog up with Words Words Words... let’s get them all done in one go!

(You guys can blacklist #rattytalks if you’re just here for the draws, btw)

A shit ton of asks under the cut!

Anonymous said: So for the center of the world, what with it being forcefully PG and all Bad Thoughts TM being prevented, how does having kids happen? Do parents just black out and wake up holding a child in their arms and vague memories of the last 9 months?

Ever seen a movie where they do that “and one day... a baby was born!” thing and a kid just appears offscreen with no explanation?

(This is how it works everywhere, Edgelands included; no one does the do or gets pregnant in this setting.)

Anonymous said: Hello! Quick question, and sorry if you’ve answered this before, but can other elves see the “intangible” bits of one another? Big fan of your work btw!

Nope! And thank you!

Anonymous said: Leopold was in my dream last night but I sadly cannot remember any of it.

I am SO sorry. I will try to keep my stinky murder men out of your head in the future.

Anonymous said: are the floaty bits stuck in one spot, or could the one they are attached to learn to move them around their body as long as its still within a certain distance? like, someone with the Floaty limbs, lets call him Ray, can move his limbs all over his body, allowing him to do all sorts of neat things that others with their attached limbs probably couldn't?

Whatever you want, honestly. As a general rule of thumb I don’t like putting down TOO many hard rules that prevent people from having fun with this setting. (Please ignore and scrap anything you think is stupid, I do this all the time and enjoy keeping this setting inconsistent and contradictory)

Anonymous said: Do elf names work off of Death Note rules, or is it like, if you know one elf’s name, all elves with that name are now unable to harm you? So if all the elf brothers are named Martin, for example, does it only work with blue?

I think it’s prolly just the one! Probably? Idk, might change if I think of something funnier.

Anonymous said: Can elves do magic on themselves or does thst go against the knowing name rule

Most people tend to know their own names, lol. So in my opinion, no, but don’t let me stop you if you got a fun idea.

Anonymous said: Could an Elf stitch on parts from another elf and have them work? i.e an Elf's finds the arm of another Elf. "Hey, free arm, might as well put it to good use", so they attach the arm and now they can give three high fives at once!

Same deal as previous questions, I personally would say no, but I also encourage people to do whatever the hell they want. It’s more fun that way!

Anonymous said: I bet elves are greasy to the touch.

They’re very powdery! Like if you rolled them in flour. And by flour I mean nasty glowing elf dandruff.

Anonymous said: Can elves fly or are their wings just for show?

No flying!!! (Unless you’re a mousefly)

Anonymous said: Something tells me that the elves would LOVE Obatzda.

Had to look that up, but definitely!

no1fan15: Not sure if someone asked already- Does Edgeworld have any equivalent to demons and angels? Like the old rubberhose cartoon kind?

Demons, yes! That’s what imps are: basically any demon, devil, or generic monster, but tiny! Even a couple of pop culture critters in there, there’s probably a very small gillman or robot monster running around there somewhere.

Angels, not so far. 

Anonymous said: How come Margaret hasn't yeeted George's jar into the Edge yet

I’d say being locked in a closet is good enough! (and also I need him for plot reasons, don’t tell anyone)

Anonymous said: If elves have knees bulges in the front then do they have butt bulges in the back?

i do not want to think about elf bulges

Anonymous said: So if you find a baby Therewoof and you say "aw you're so cute", their true name is So Cute?

Yep!

Anonymous said: Since a Therewoof's true name can be something like "cutie pie" or "dingus", does their name have to be spoken with "intent" for it to doggo-fy them? Or do they just have to live with the reality that any casual conversation/flirting can make them lose up to a month to Doggy Mode? My mom has little terrier dog named "Sweetie" so that got me thinking 'bout Therewoof names. & Anonymous said: here's a good question: If someone says a therewoof's true name, but not reffering to them, does it still affect them?

Just saying it will do! It’s based on those old werewolf stories where calling out the person’s name will change them back into a human/cure them, and a lot of the time it was by accident.

(My favorite is the one where they slam the door on the wolf’s tail and then say his name, and the dude ends up with a wolf tail for the rest of his life.)

Anonymous said: Would Seeing eye Therewoofs be a thing?

I... guess? Probably? Since regular dogs can turn into woofs, yeah. You might have to start paying em once they turn into a person tho. 

Anonymous said: Was ChalkZone ever an inspiration for you? Because I just love the silly world of ChalkZone and I noticed getting that same warm feeling when thinking about Edgeworld.

Maaaan, I wish. I’ve only seen about three episodes or so, but it seems really fun!

Anonymous said: So I saw your mimic post, and even though I don't think I've seen any other of your art before I was absolutely HAMMERED with an indescribable sense of slightly unsettling strangeness and comfortable familiarity. Your art feels like something from like, an old point and click computer game I would have had formative memories of before accidentally losing or scratching the disc therefore making me unsure if it ever REALLY existed. Sorry for being weird but I love the wacky nostalgia feel here

Aaaaaah, THANK YOU! That is SUCH a cool comparison and I appreciate!!!

Anonymous said: If the Edgeworld is based on cartoons then is there a Reverse Edge-world that’s based on anime?

Lol, I mean I DID have an anime phase for a while there, so...

caydebug: Man I’d love to see this as a cartoon some day

Honestly, same. Best you’re gonna get is the occasional animatic or gif, tho.

Anonymous said: Does anyone..."go" in Edgeworld? or is it like Pleasantville where bathrooms exist but there are no toilets in them because acknowledging it is yucky?

Oh god I keep getting asked this and have been avoiding it like the damn plague. But... Uh. No. No they do not. I am begging you all not to send any followup questions.

Anonymous said: Have you considered putting computer viruses or illnesses in with the buggymen? Since those are typically called ‘bugs’

Sure!

Anonymous said: are there any limits to what an Animimic could posess? i.e if they were in a costume of a Buggieman with multiple arms, could they control all of them? what about a small Mousefly costume? can multiple fit into one costume like a clown car? and what about in pitch black darkness, where you can only see the lights of their eyes and not their bodies? could one fit inside the pocket of a jacket you are wearing and help you steal things/wield a gun like a living turret?

Since clothing fills into the body type of the intended wearer, they would indeed be able to control all arms/legs in buggieman clothes.

Size restrictions is one of these things I wanna try to be vague about: I personally have been imagining them sticking to hiding in things no smaller than, um. Maybe imp sized, but really, whatever. It’s a cartoon eyeball critter!

You can put multiple animimics in one outfit!

They can move around just fine in darkness without being off screen, yeah!

And sure why not. lol

Anonymous said: I know you have been asked this once before, and you said nah you don't, but with a few more months of worldbuilding, do you have an idea for what could be down the edge now? 🤔

Not really! It’s not super important, honestly. I’d say any fan theory is about as valid as anything else I can come up with.

ps2polpo: I doubt you’ll ever elaborate on The Edge but I like to imagine there’s just one dude there like the Nowhere Man from the Yellow Submarine movie. Mostly cause the thought of someone accidentally winding up there being like “where am I?” And there’s just a guy casually waving at him like a friendly neighbor is funny to me & Anonymous said: The implication that the Edge is the physical manifestation of edginess so there’s probably like, Trevor Henderson monsters hanging out down there.

See above question! Valid! I also accept falling forever, getting erased from existence, ending up in another universe, getting stuck in limbo with thousands of other people, whatever you want, really!

Anonymous said: " he has very few bones and weighs basically nothing, " "Fastball special" trope, but with Leo?

YEET THE NASTY MAN

Anonymous said: did you ever watch dragon tales as a kid? because george and margaret make me think of murderous zak and wheezie from that show, and i love it to bits

I did not, but I would have loved it. Definitely up my alley!

(watched Quest for Camelot a loooot, though!)

Imma go ahead and stop here! There’s more but I’ve been writing for well over an hour and I have things to do. If your question is missing I’m either saving it for later, wasn’t entirely sure how to answer, or it’s spoilery.

Will probably do another one of these at some point!

[felismiscellaneous]

Casonverse Expo

ok so after you see this you Cannot save it. the whole thing about the casonverse is that its solely “oral” and memory based. i cannot write down “rules” to it or anything. this post Will be lost to time and youll just have to deal with that

ok so. we begin. our story. w/ an explanation on how ectobiology has been going on earth c. basically, every once in a while to increase genetic diversity, a babeh between two of the original founders is created randomly, and said founders get to decide if they want to adopt that babeh or not.

now its been a very very long time on earth c and all of these bitches are immortal. yep. every single one. even the non godtiers, they get an immortality boon for winning the game. you know whats also a boon? all of the players getting revived. yep. every single one. because this is my au and i can do what i want.

anyways as i was saying basically at some point a babeh between john and karkat is made and this time theyre like “yeah ok well adopt this one” SO. they be goin there. and the ONE TIME they decide this is the right time the baby is fuckin BROKE. the internal organs of trolls and humans dont mesh very well when the genes are combined in the ectomachine, and this baby is basically just dying very slowly. this baby isssss Casey! well, shes not named that by her parents, but well just call her Casey for now.

john and karkat do their fuckin best to keep this thing alive but her tiny baby body is completely dysfunctional. and doesnt last very long. This is Traumatizing for Everyone Involved. anyways!! a pretty long time after that we have Cason and Jones. they were spawned at the same time. Jones is rose and kanayas horrible ectospawn, and Cason happens to be another equally horrible spawn between john and karkat! they decide to adopt this one, and fortunately it lives. This was Their First Mistake.

but before we get into Cason, lets get into Jones. Jones is,,,, very socially awkward. in fact, she often comes off as creepy to everyone else. this makes her very clingy towards her mothers, who arent That terrible at parenting. theyve got quirks, but theyre good for her. Jones doesnt really have any friends, except this Totally Cool and Not at All Dangerous cult she gets dragged into! this is the second secret shes ever kept from her mothers. the first is that shes the one who keeps bringing snails into the house. Jones likes snails, but shes not good at taking care of them. she just keeps bringing them into the house and feeding them her snack. her snack is rat poison. snails like and digest rat poison safely. snails! she likes them.

ALSO APPARENTLY SHE CAN SEE GHOSTS???? yeah lets get into that. see, Casey becomes a Regular Ghost after she dies. not a dream ghost, just a plain ol ghost. and anyways, shes around the same age as everyone else if not a year older due to Ghost Rules now, and Cason is the only one that seems to be able to see her. and then theres Jones. Jones is absolutely stunning to Casey and yes she falls so hard in dokis. but Jones is trying to ignore the fact that she can see ghosts. it makes her feel like even more of an outcast. ooooo drama! anyways those two have their own background plot going on about fighting eldritch gods or something idk.

LETS GET BACK TO CASON. see. Cason. is The Worst. like, genuinely. ever since he was a kiddo, he was a completely spoiled brat from day one, and spent his childhood Looking Down on People for multiple reasons. for one, hes the son of TWO FUCKING FOUNDERS AND RAISED BY THEM, two he got away with EVERYTHING, and three i think its just in his nature. Cason prides himself in being knowledgeable and better than everyone else, but he is not like Other Egomaniacs((tm.))

Cason doesnt necessarily care about being liked, even if he WAS a great manipulator, or being the best at Everything. he couldnt care less about sports or popularity. all he wants, is Control. just like hes had since day one. This is Terrible for Everyone Involved.

but most terrible for anyone, is Tippie Piyjon. Tippie is terezi and nepetas ectospawn, which, really started it all. now, terezi and nepeta are not horrible people, or even necessarily horrible parents, but theyre just not suited for it. Tippie raised herself on romance novels and the like, especially after being sortve taken in as a goddaughter by karkat almost immediately after she was born. and, because of this, she got to meet Cason very early on. there was hardly ever a day where the two werent around eachother, whether they liked it or not. in school, at their own house, wherever. now, being around Cason of all people all the time, meant you knew exactly how he operated.

and well, Tippie figured that, maybe, if she was just good enough, she could change him. and Cason used that to his full advantage. the two became moirails, which was Fucked Up for Everyone Involved, and grew ever closer. now Cason, being Cason, was Extremely Emotionally Abusive to Tippie. she had to do what he asked, whatever it was, even if it wasnt morally right, she had to stay by his side, she couldnt cry in front of his parents, she had to get good grades so he wouldnt look bad, so many damn things she had to do. even if he never once laid a finger on her, her mental health was, slowly but surely, chiseled down.

every attempt at defying him was met with such coldness, or hed act more warm towards her, so surely she was doing something right and had to keep going. just had to be good enough. hell get better eventually. Cason earns the title of #1 Gaslighter Extraordinare. the only place she found any solace away from him was grubscouts, which she joined on her own terms when she was very young, and at the time was a camp counselor even! this lasted. for so many years.

Cason is nineteen whenever i depict him, and Tippie is seventeen, but very nearly eighteen. eventually, she cant take it anymore, and snaps at him. usually this doesnt last, and he would manage to calm her down eventually, but shes fucking Tired of it. he hasnt changed. not even a bit. well. Cason cant have that, now can he? the first time he lays a hand on her, he slaps her across the face. Big Mistake. though terrified, Tippie lashes out, and claws Casons left eye out, making a terribly deep gash that would leave him permanently blind in that eye whether or not he got treatment.

this scares the SHIT out of her, and Tippie runs off, for the first time, to her mothers. as she cries, she recounts how terrible everythings been and how she didnt mean it and shes sorry and- theres nothing to apologize for. its very clear, that they shouldve stepped in sooner, shouldve noticed something was wrong. meanwhile, Cason crawls home to his own dads, who are rightfully spooked seeing their son with a horrifically bloody face and a gouged eyeball. they only had a second to try and comfort him, before he snapped at them, showing a bit of his true nature to them for the first time, and also, terezi showing up behind him. after a thorough explanation which was mostly just a few stern, if a little tearful words, Casons parents are completely mortified. karkat quickly kicks him out in an act of raw emotion. no chance to grab clothes, or for john to interject, Cason is left outside, alone, and with absolutely no power left. what will he do?

theres also other characters but theyre like babies so they dont have much characterization and also arent very important to the story. but here they are ig:

owen, jade and daves child. hes like, 3. he likes sticks and playing in mud. hes 3 what more do you want from him

siyren, aradia and feferis kiddo. shes like, 6. she likes ballet, arts and crafts, and being snooty

damien, eridan and solluxs kid. hes 10, likes calling people slurs over xbox, and overcompensating since his parents waited so damn long to adopt him after his slimebirth

killer, who named himself, aradia and sollux kid. hes like 11 or something. he likes being edgy and has the same issue as damien. in fact, all but siyren have this issue

toga bitch, who i have currently yet to name, aradia and eridans kid. shes 12. she likes earth rome and chilling in public fountains. a burgundy whose violetkin

wemon wemon, who is also currently unnamed, feferi and eridans kid. hes 13, the oldest. he likes earth lemon demon and horror special effects

carrie, feferi and solluxs kid. shes like 11, likes dance dance revolution and earth 9s

rosie, calliope and roxys bab, whos a baby. jane is also her mom

ben, tippies far future carapacian bf, who likes boring shit like birdwatching and scrapbooking. malewife supreme. a very soft dude, and just wants to help his gf w/ her trauma and join her grubscout troop on earning badges. just a great, if boring guy

notkonyyl, just as unnamed, a notcanadian oliveblood who enjoys going to the gym, frequenting bars, being cool, flirty, and defending her moirail to the death

notkuprum, haha unnamed, is a human, and the moirail to notkonyyl. he likes things like being annoying, flirting with everyone taller than him ((most people)), the nintendo switch, and defending his moirail to the death

[lunatic-fandom-space]

Alright, Period Cramps just set in and Im looking for songs anyway so Im gonna be listening to every RWBY Song (V1-V7) in chronological order and rank them, starting with the worst. Lets go!

Caffeine: Thank god the team with the Nazi-based leader has the shittiest song so far.

Celebrate: Why tf is this here

Shine: Ehhhh. I dont really know why but the vibes were all off, somehow. The fact that really dislike Jaune (and as an extension, Arkos) doesn't help either.

Forever Fall: This song was 5 minutes long and it felt like 20

Brand New Day: I barely even registered that

Fear: not the worst

Lets Get Real: Either Im too tired or the songs are getting worse

War: Im ranking this one higher because it wasnt over 4 minutes

Bmblb: All the love songs are so generic

Dream Come True: Im listening to all these songs in the form of Lyric Videos and the art used in this one made me think 'Oh, a Jaune Song... Great. Well, maybe we'll get Jaune pining after Phyrrah now! Yknow, to balance it out. A cute lil song of him pining for a nice girl might me like him a bit more!' and guess what. It wasnt that. It was another Arkos Song from Phyrrahs perspective. AND this one had unnecessary Girl-Hate towards Weiss! For no reason! The only reason its above Shine is because they atleast got the vibes right this time.

Not Fall In Love With You: I think Im just not a big fan of the love songs.

Boop: It was pretty cute but nothing to write home about

Until The End: slow piano

Touch The Sky: Its not that bad, its just that Im tired and this song is too goddamn long

This Time (From Shadows II): A just fine song for a shitty arc

I Burn: I liked fine, until they started rapping.

Like Morning Follows Night: I thought this was gonna be one of the better love songs, then he started rapping.

Smile: All this does is make me question how Ilia was in the wrong even more. Sounded alright though.

The Triumph: Eh, pretty unremarkable opening for an unremarkable volume

This Will Be The Day: A very promising start! There's honestly not much to say here

From Shadows: It was fine. I liked the overall sound but the lyrics and the singing are just a bit too edgy for me.

Bad Luck Charm: Someone in the comments under the lyrics video said "looks like someone found his middleschool poetry" and honestly, yeah.

I May Fall: Hey, yknow how the FoB was apparently meant to happen in Volume 1? Yeah. Overall, I thought it was pretty alright. (You can probably already tell that Im not too big of a fan of the louder, more energetic songs so far.....

Trust Love: This is by no means a problem I have with only this song, but I hate how theyre all like "oh this isnt some FaIrYtAlE kid, this is real n dark n shit" as if RWBY isnt the least dark and least subversive story Ive seen in recent time

Rising: Alright but unremarkable

Miracle: Another alright but unremarkable one. At this point I feel like listening to these songs is frying my brain

Ignite: I was just gonna say its an alright Yang Song but that rap...

Big Metal Shoe: I can appreciate some fairy tale references

Gold: The chorus got a bit repetitive but I thought it was pretty cute

Home: Another cute lil family song! This one was kinda long though

Lionized: I really appreciate the vibe of this song

All Our Days: Adorable! I didnt really expect a Taiyang Song but this was pretty nice

Sacrifice: Not really much go say about this one, I thought it was fine

Neon: I feel like I just got aggressively flexed on in the nicest, yet most condescending way possible

Lusus Naturae: Very edgy, but in a way that I can appreciate more

Red Like Roses I: I really like the sound of this one! I kinda wish we had more lyrics, but this was the song used in the Red Trailer so Im assuming it was made to compliment the action more than anything. At the start and end there was this series of notes, that Im assuming is gonna be the Leitmotiv? Either way, Im curious how theyll use it

All Things Must Die: I feel like this song is definitely at its best during the slower bits

Lets Just Live: First of all, I cant believe they live-laugh-loved us. They kept mentioning like, stories and how 'this isnt your TYPICAL fairytale', I could practically feel the writers being like "Huh, huuuuuuuh? Arent we CLEVER? Yes we are, yes we are!" But other than it was mostly fine. A bit long, maybe.

Armed And Ready: Pretty alright Yang Song, I felt like it was just a bit too long

It's My Turn: Not much to say, I thought it was a fine Weiss Song

Nevermore: I think its good

Wings: I really enjoyed this song! Caseys voice is lovely and I think its a very good Blake Song

Indomitable: I liked this one, but I feel like its mainly because the line "the spirit is indomitable" reminds of Flame from VRAINS

When It Falls: This song is trying very hard to convince you that RWBY is Dark Now. And given that Im pretty sure this is V3s opening, I guess it fits. Oh well, it still sounded pretty nice.

One Thing: A real slappin song thats going straight to my YGO-playlist as well

All That Matters: Very neat song about Yang's conflicting feelings on Blake's return. Shame theyre literally not conveyed at all in the show.

Die: Very agressive title, but okay. I also enjoyed this one, who wouldve guessed. I love this whole vibe of Desperate Heroism In A World In Ruin, yknow? Its there in Time To Say Goodbye and Red Like Roses II (two of my favourite songs so far) too. Though it is quite dissapointing that the show never really matched it.

Hero: I dont get how people can look at this and go "yeah, Ironwood was clearly always a tyrant who never even remotely cared for others". Also Caleb Hyles my beloved

Time To Say Goodbye: Another very nice song! I also think the foreshadowing in the third verse (yknow the slow one) was quite well done. The only real issue is, that the plot point its foreshadowing is stupid as hell

The Path To Isolation: Why is Weiss a better character in her songs?

Divide: This song is trying very hard to convince you that RWBY is Dark Now pt 2. It is a banger though, so its fine.

Mirror Mirror: Funfact: This was technically the first RWBY-Thing Ive ever consumed! A Youtuber named Strawbelly made a german cover of this song (and the songs from the other trailers, I believe) and it was one of my favourites for a while. Ive also already listened to some of Weiss' other songs and I remember enjoying them too. I can definitely already tell that I prefer Caseys voice in the slower songs, so I really hope this keeps up

This Life Is Mine: Yoooooooooo, Caseys voice was amazing in this one(especially at the very start)! This is one of the Weiss Songs I listened to before I even watched RWBY and what can I say, I loved it back then and I love it now

I'm The One: Oh, this was absolutely lovely. For the first few seconds I thought I wouldnt like this one, but its a banger! I love the lyrics too, theyre very clever I think

Red Like Roses II: DUDE, I adored this! I did not expect there to be lyrics for Summer at all and I was so pleasently surprised! Sandra's voice was lovely, and I really hope I'll get to hear her again. But on a slightly more negative note, I feel like this is really where the whole 'RWBYs Songs Characterize The Protagonists In A More Compelling Way Than The Show Does'-Problem starts.

I originally wanted to write some kind of conclusion but Im tired and wanna read angst fics. Have a good night!

[daleisgreat]

Old Joy

2006’s Old Joy (trailer) is the longest 77-minute film I have ever seen, but I mean that in only the best kind of ways. Director Kelly Reichardt intentionally establishes a deliberate, plodding pace about two distant friends who fell out of touch meeting up to go on a road/hiking trip to find a tucked-away and highly reputable hot springs. The film opens up with Mark (Daniel London) meditating at home when he gets a call from his free-spirited old friend, Kurt (Will Oldham), with an invite for a last-minute weekend trek to discover these mystical hot springs. That opening scene does a masterful job with its minimalist dialog and awkward body language to indicate how Mark is still not quite settling into married life with a kid on the way and comes off a little too eager to jump at the opportunity to get out of the house last minute for the weekend.

The film jumps to sitting in on an extended driving scene with Mark listening to political talk radio, and when he meets up with Kurt is when the intentionally long scenes start to take hold. I like smartly written films with smooth-flowing dialog filled with edgy quips and retorts, but I also appreciate a complete 180 as seen here and in movies like Slacker where the dialog sounds….uncomfortably natural. When Kurt and Mark start off driving, there are many advertent pauses during the conversations where it seems like the two are trying to think of topics to bring up to talk about and catch up. I can 100% relate to that, and it is insanely rare how often I run across that in average big-budget films and pull it off so well like it is done in Old Joy. Highlights from the road trip part of the film include how well shot little moments are like a gas station stop with oblique camera angles that somehow capture the subtle but noticeable moments of the excitement of getting out for the weekend as Kurt and Mark amusingly toss beverage koozies at each other. Watching the pair drive around aimlessly while Kurt tries to remember how to get to the springs and eventually resorting to a makeshift campsite while exchanging philosophical stoner verbiage is another memorable scene of their journey.

I would be remiss to go this long without giving a shoutout to Lucy, Mark’s canine pal tagging along for the journey. In the bonus feature interviews, it was enlightening to hear that it is actually Reichardt’s dog who she had no choice but to include in the film because she could not find a dog-sitter while filming. Reichardt stated she was anxious about how it would work out since Lucy had no film training. Lucy wound up as a perfect third wheel for the adventure. She blended in perfectly, especially with some smart improving with Oldham, where he would instinctually play with her during the hiking spots of the movie. Eventually, the trio found the hidden turnoff to their destination and go on a hike to see the hot springs. The film once again, through exquisite cinematography and intentional drawn-out shots with very little dialog, shows how all the hassle to reach their endpoint was worth it. It is a boldly ambiguous, memorable scene. The film not-so-climatically wraps up with Mark dropping Kurt off, and the movie goes out of its way to capture another little thing so well that few other movies have pulled off in the form of the malaise-filled drive back home and the dread of the return to the normality.

I have the Criterion Edition of Old Joy, and it has four bonus features totaling about an hour altogether. Daniel London and Will Oldham reunite for the first time since production wrapped in 2006 for a conversation filmed in 2019. They exchange many interesting production stories, with the one standing out the most to me being the warning from the park ranger escorting them to the hot springs on how brave they were to go in there because of all the gunk they have fished out of there over the years. An interview with Reichardt is a must-listen on how she decided to film this movie after taking a sabbatical from filmmaking. An interview with the author of the original short story the film is based on, Jim Raymond, on how he met Kelly and how satisfied he was with her treatment of the adaptation and changes she made for the big screen. Finally, Director of Photography Peter Sillen shares a fair amount of production factoids and insights. This being a Criterion release, there is the requisite booklet included, which has a 14-page essay by Ed Halter that thoroughly dissects the film and its production and the entirety of the 22 page original “Old Joy” short story from Jim Raymond. I accidentally stumbled upon this movie browsing through the latest Criterion releases, and the description of the film made it sound right up my alley by how unorthodox it is. This style of filmmaking may not be for everybody with its different structure and laidback style of dialog from the average theatrical movie. I wound up absolutely loving Old Joy, and was thrilled to hear how this film was a hit with critics and was the catalyst for Reichardt directing more beloved indie films following this like Wendy & Lucy, First Cow, and Night Moves. Other Random Backlog Movie Blogs 3 12 Angry Men (1957) 12 Rounds 3: Lockdown 21 Jump Street The Accountant Angry Video Game Nerd: The Movie Atari: Game Over The Avengers: Age of Ultron The Avengers: Endgame The Avengers: Infinity War Batman: The Dark Knight Rises Batman: The Killing Joke Batman: Mask of the Phantasm Batman V Superman: Dawn of Justice Bounty Hunters Cabin in the Woods Captain America: Civil War Captain America: The First Avenger Captain America: The Winter Soldier Christmas Eve The Clapper Clash of the Titans (1981) Clint Eastwood 11-pack Special The Condemned 2 Countdown Creed I & II Deck the Halls Detroit Rock City Die Hard Dredd The Eliminators The Equalizer Dirty Work Faster Fast and Furious I-VIII Field of Dreams Fight Club The Fighter For Love of the Game Good Will Hunting Gravity Grunt: The Wrestling Movie Guardians of the Galaxy Guardians of the Galaxy Vol 2 Hell Comes to Frogtown Hercules: Reborn Hitman I Like to Hurt People Indiana Jones 1-4 Inglourious Basterds Ink The Interrogation Interstellar Jay and Silent Bob Reboot Jobs Joy Ride 1-3 Justice League (2017 Whedon Cut) Last Action Hero Major League Mallrats Man of Steel Man on the Moon Man vs Snake Marine 3-6 Merry Friggin Christmas Metallica: Some Kind of Monster Mortal Kombat Mortal Kombat Legends: Scorpions Revenge National Treasure National Treasure: Book of Secrets Nintendo Quest Not for Resale Payback (Director’s Cut) Pulp Fiction The Punisher (1989) The Ref The Replacements Reservoir Dogs Rocky I-VIII Running Films Part 1 Running Films Part 2 San Andreas ScoobyDoo Wrestlemania Mystery Scott Pilgrim vs the World The Secret Life of Walter Mitty Shoot em Up Slacker Skyscraper Small Town Santa Steve Jobs Source Code Star Trek I-XIII Sully Take Me Home Tonight TMNT Trauma Center The Tooth Fairy 1 & 2 UHF Veronica Mars Vision Quest The War Wild The Wizard Wonder Woman The Wrestler (2008) X-Men: Apocalypse X-Men: Days of Future Past

[t100ficrecsblog]

an interview with @changingthefairy-tale​

What are you working on right now? Right now, I’m focused on BellarkeFic-for-BLM (I just got an amazing canon prompt I’m really excited to finish). I’ve also been participating in this round of the Chopped Challenge, which has been fun and challenging. In between prompts, I’ve got two WIPs that I’m slowly cranking through. Shoutout to every single reader who’s been incredibly patient while I’ve been so slow on those updates — though, reminder that you can donate to a BLM organization (even a $3 donation works) and request an update to get those higher on my prio list while I’m focused on that initiative.

What’s something you’d like to write one day? My absolute dream job and the ultimate goal is to become a showrunner for a prime time TV show. I love TV shows — I love the way actors and directors and crew take a script and breath life into it, I love how you take a general idea for a story and mold it into something amazing as you go, I love how a series gives a story more time to be fleshed out and explored, I love the concept of a writers room and collaborating on a story. It’s a different ballgame from fic writing (which I do for fun) and travel writing (which I do for a living), but I’m determined to make it happen. JRoth, I’m coming for your job, babe. 😉

What is the fanwork you’re most proud of? I’m still really new to fic writing, especially compared to some of the powerhouse writers in this fandom. And I’m sure one of my WIPs (when finished) will probably supersede this. BUT, my one-shot about Madi calling Bellamy on The Ring (She called you for 2,199 days) is something I’m really proud of. I’m a long-winded writer, so one-shots have never come naturally to me. This one just…clicked. It’s got some good lines in there that I’m proud of, and based on the feedback I’ve gotten, it really made readers feel something and connect to the story. It’s not my longest story or my most thought-out. But it shows my growth as a writer these past few months, and I’m proud of that.

Why did you first start writing fic? I started writing fic as a creative outlet for my writing. My day job is writing about travel and credit cards. And while I enjoy that, it’s just not as creative. My dream is to write for a TV show though, and I was craving a way to flex my creative writing muscles in a low-stress way. I started watching The 100 when it first came out, but I didn’t really get into the fandom until I came back to the show during the S5/6 hiatus. That’s when I started reading fics and reblogging stuff about the show on Tumblr. During the S6/7 hiatus, I had this idea for a Greys Anatomy AU, and my sister (who is also a major fan of the show) was like, “You literally write things for a living. If you want to write a Grey’s AU for t100, there is absolutely nothing stopping you.” I published my first chapter on that The Choices We Make in Dec. 2019, and the rest is history.

What frustrates you most about fic writing? For me, I think that the most frustrating thing isn’t even about fic writing itself; it’s the fact that it’s a side-hobby and not something I can dedicate my full attention to. When you write all day for your day job, then do some for your freelance gig, and then turn around and try to write for a few hours every night for fic… that gets hard sometimes — especially since starting quarantine where I’m not traveling, going out with friends, getting a break from it, etc. Fic writing is a creative release for me, and I absolutely love crafting and writing these stories that involve some of my favorite fictional characters. And I love interacting with other writers and fic readers, I love talking about ideas and exchanging headcanons and fangirling over my favorite writers’ works. But (because there’s always a but), sometimes I just don’t have the mental energy or capacity to write at the end of the day when I’ve turned in 3 deadlines for work. I’ve got all these ideas floating in my head, but only so much time and mental energy I can dedicate to it.

What are your top five songs right now? Oh boy. So I live alone, which means I’ve got either music or Netflix on in the background 24/7 because ya girl doesn’t like silence. I have a different playlist for different moods. I’ll share my fav song from each of those playlists. Lol Fvck Somebody by The Wrecks (On my “Summer state of mind” playlist for when I wanna dance it out in my kitchen like an idiot)

Don Quixote by Drapht (On @talistheintrovert​’s “My Good Bitch Murphy” playlist for when I’m feeling *edgy*)

that way by Tate McRae (On my “Pandemic Jams” playlist bc I like angsty music and this song is a Bellarke MOOD)

Washington on Your Side from Hamilton (On my “Feeding my Broadway Obsession” playlist for when I wanna sing show tunes and plot overthrowing the government)

Tea by Noah Davis (Shameless plug for Noah bc it’s a bop and I literally dated Noah’s older brother in junior high — so proud of this kid for making his dreams a reality)

What are your inspirations (books, songs, other fic, really good cake)? All of the above, except I like pie more than cake. lol But really, I kind of use everything around me for inspiration. “The Choices We Make” is inspired by my love of Grey’s Anatomy. “Intertwining your soul (with somebody else)” is inspired my the first draft of my YA novel (though the setting was adapted to a grounder canonverse AU). “The Day He Shut That Rocket Door” and “She called you for 2,199 days” were inspired by @historyofbellarke‘s headcanons that were brought up in S7 speccing conversations (shoutout to her for enabling my angsty ass). My most recent WIP “There are some things written in the stars” that I started as part of Chopped (but will continue because I’m obsessed with the idea) is inspired by my love of Timeless. And I have an entire Notion database filled with fic ideas — some one-shots and some multi-chapter fics — that are inspired by quotes, songs, conversations with friends, books I love, shows I adore, random HCs that pop into my head while I watch, my own life experiences, etc. I take inspiration in any form it decides to come in. 💕

What first attracted you to Bellarke? What attracts you now? I’m a ho for enemies to lovers — the idea that you can put your worst foot forward and show someone all the ugly parts of you… and that they’ll see that and somehow look past it to see the good stuff too, falling in love with your whole self instead of just the pretty parts. Yeah, it’s my favorite romance trope. And that tension is what originally drew me to Bellarke. Now, it’s a combination of things. I love each of these characters in their own right. I relate to Clarke in a lot of ways, and I aspire to be her level of badass. I straight adore Bellamy Blake (flaws, stupid decisions, and all) and would marry him in a heartbeat if he were real — I’m not even kidding. lol But I also love their dynamic. They are partners, best friends, perfect compliments to the other. They see each other in a way no one else does, and they are the one person the other constantly risks everything for. They are both so driven by their responsibilities to their people, yet that all typically goes out the window the moment the other is at risk. I don’t believe in soulmates in real life, but it’s nice to get to believe in this fictional world that they are just made for each other.

BESIDES Bellarke, what character or pairing do you like best on t100? My favorite character besides Bellarke is John Murphy. His arc has been BY FAR the best on this show, going from that little shit in S1 to this “asshole we love” in the middle to now a true hero in this final season. And through it all Richard Harmon has been amazing to watch on screen.

My favorite pairing besides Bellarke is Linctavia. Yes, that ship is problematic in a lot of ways, but I still loved their dynamic. Lincoln helped Octavia navigate this new world that she was so desperate to be apart of while being mindful of her safety. And I thought they were a good match — he helped tame her fire without putting it out, and she helped challenge the way he was raised. Given time, I think they could have become one of the most stable and loving relationships on t100. Of course, that couldn’t happen because Jason needed Bell’s actions in 3A to have heartbreaking consequences, O to spiral for her own character journey, and whatever mess happened off-screen between Ricky and him. But they still remain my favorite ship aside from Bellarke.

Why did you decide to start writing for bellarkefic-for-blm? The second I saw that Sam was planning on doing this, I reached out to ask how I could help/write/be involved. The BLM movement is so important, and this is an amazing way for me to contribute while pursuing my passions. It’s a way for the fandom to get involved and do something good. And ultimately, this helps organizations that need donations. Shameless plug for everyone to please go check out the Bellarke Fic for BLM page — check out the many amazing writers and artists we have participating, and send in prompts. Most of us are allowing WIP chapter update requests, and there are a number of us (myself included) who are matching donations made! No donation is too small, and you’ll be supporting a movement that is a necessity in the U.S. and beyond.

What’s your writing process like? My mind is literal chaos, so I plan and outline like hell in order to make sense of everything. When I get an idea for a fic, it goes on my Notion database. Within Notion, I write down my inspiration for the idea, and a pretty in-depth summary of where I want the fic to go — dialogue ideas, any feelings/emotions I want to invoke, literally just a brain dump of all my ideas. From there, I’ll arrange that brain dumb into an outline. If it’s a one-shot, I’ll generally write the whole thing in the Notion doc. But multi-chapter fics will get a checklist within Notion for me to keep track of progress, and I’ll actually write the fic in Google Docs. I generally start writing from the beginning of a story, but if I get stuck or have an idea for a later scene, the fact that I’ve outlined heavily allows me to jump around as ideas come to me. I’ll read each one-shot or chapter after I’m done to make sure it flows before publishing. I post chapters for my WIPs as I write them, which I should really stop doing. lol For my readers’ sakes, I should work ahead and publish on a schedule rather than making them wait for my slow ass to finish chapter to chapter. But right now, that’s my process!

What are some things you’d like to recommend? Oh goodness, too many fics to possibly name. Instead, I’ll link to my AO3 rec bookmarks (which isn’t all-inclusive of the amazing fics I’ve read in this fandom, but it’s got some good favs in there) and shout out all of our awesome Bellarke Fic for BLM writers. Y’all should check out their work (and send in prompts)!

Where’s the best place to find you (twitter? tumblr?) I’m @changingthefairy-tale on Tumblr and @changingthefairy_tale on AO3! My ask box is always open for anyone who wants to scream about the show, ask about specs, talk about my fics, etc. Come say hey!

[tarry-a-lot]

French Musical Recommendations?/review (Part 3)

This is a mix between recommendations and shows I don’t like and shows I just know exist but don't know a lot about. Even if I’m not too much a fan of some of the show I would still check these shows out for the fun of it, maybe its not my cup of tea but it is for someone else. Again my French is lacking so if the lyrics aren’t great I wouldn’t really know unless I sat down and read them which I didn’t do.

Robin des Bois (2013): 

what to say about this show... I’ll start with the summary: Robin Hood and Marianne break up pre-show and have their own groups going on. Marianne also has a son with robin but robin has no idea about him. Sheriff of Nottingham starts attacking so Marianne asks robin for help. Also the sheriff figures out about robin’s son and so he imprisons the kid and surprise! there a romance between Nottingham’s daughter and Robin Hood’s son. 

Yep, haven’t seen the show, really don’t mind the plot sounds interesting enough. I’ve only listened to the soundtrack once and all I got to say is that it’s not great. The cast is lovely and look really sweet and friendly with each other, but all the songs really just sound like basic pop. To be clear without understanding the lyrics and just listening to it with not visuals, I found the soundtrack quite boring, so maybe I’m just missing something. My favourite songs are “Le flèche et la cible,” (the piano makes it sound like an anime opening or something, liked the drums too, and the vocals are nice) and “On est là” (it’s a really weird one, I couldn’t put my finger on it but after playing it for someone I got the decisive answer of it is very 80′s, the instrumentals really threw me off but hey it’s catchy). Also some songs had a bass line that also threw me off, just wasn’t expecting it. like the one in “la Providence,” maybe it’s just me. And one last thing about the songs, what the hell is ”Notting hill Nottingham” like that title is also the chorus and I’m just?? maybe if I understood the rest of the lyrics it would make sense? aside from the debatable chorus line, the drums are a blast in this song. Clips and music videos available on YouTube along with a behind the scenes two part video on the official musical’s channel.

Non-Music: well the costumes are ok, don’t love them but don’t hate them either, though friar tuck’s is debatable, from the bits I’ve seen most of the background is done with a screen which is fine, it’s more of a concert style show anyway, I’m a big fan of the ladder trees though, the dancing and acrobatics is probably the highlight of the show (again only saw bits but it looks good)

Dracula l'amour plus fort que la mort (2012): This is different from the Frank Wildhorn Dracula musical, Dracula: A chamber Musical and the Swedish Dracula musical. Unsurprisingly this musical is based on Stoker Dracula telling which I never read so I don’t know how much it follows that text. It was also inspired by the 1992 Coppola film (which again I have never watched). I won’t be too helpful about plot summary but it follows the general novel plot with Jonathan Harker engaged with Mina Murray goes off to Dracula’s castle for work. Things happen, the issue with Lucy occurs then Mina is targeted by Dracula and Harker with the Dr. Seward and Helsing go to kill Dracula to save Mina. There also seems to be a subplot where Mina was Dracula’s lover in a past life, which is shown through dance sequences throughout the show.Music wise it’s mainly rock pop which is up my alley. Personally, just based on music and not lyrics I like “Encore”, “Elles”, “ Le Ciel et l'Enfer” “ La Dernière danse” and maybe “L'Amour et son Contraire”.  The full show is available on YouTube.

Non-music: This show goes hard on edgy imagery. I personally quite liked the general over the top modernish gothic vibe. The dancers are great and quite liked some of the limited palette scene. The opening shadow puppet scene was cool. The only part I really had issue with is maybe the CGI 3d video scene. It was cool at times but the CGI is not great which is not their fault, but kind of distracted me. Also if you watch it there is this scene where Harker is laying in a large Pieta statue (minus the Jesus) and it’s just great. Like edgy church imagery with vampires? sign me up. There’s also this Vampire dream sequence in a bed because of course every vampire musical needs one (Tanz der Vampire if you know what I mean). Harker is in bed and vampire women come out from the bed (the bed itself is a hollow prop where dancers are hiding within and pop out from the holes hidden by the puffy bedding), the bed itself could have been more decorative with posts (like tanz) but still a really cool scene, Almost forgot, Mina and Dracula are played by dancers so they don’t really sing, especially Dracula he does not speak at all. Costumes are fun to look at, some are the best but I appreciated the general look of the show so I’m not that bothered. I strangely grew to like the spiney Dracula costumes, I think the fact he didn’t talk and just danced helped me like the costume more.

Overall, fun show so if pop rock is your vibe this show you should check it out.

Cindy Cendrillion (2002): This show is not good, but I had a blast laughing about it as I watched it so I recommend it. Let me clarify, my dislike is not due to the cast, in general I thought singing and dancing and all that were really good, what gets me is how dated it is now (it is really early 2000’s vibes and some of the plot is debatable). Show is available split into two acts on YouTube.

So the plot is pretty much a retelling of the Cinderella story in a modern early 2000′s setting. Cindy (Cinderella) is the daughter of an recently disappeared Irish pilot. and she lives with her step mother and sisters who are mean to her. She has a passion for dancing the jig, I’m assuming they are referencing Irish step to a certain degree. She goes out in night to dance but her step-mother threatens to kick her out if she doesn’t come home before midnight. A super star named Ricky (Prince Charming) has a Birthday ball and sees Cindy and falls in love. Also Ricky had a model Fiancée Judy who he breaks it off with to pursue Cindy. Spoilers now... Ricky writes a song where one can dance “the jig” to so they hold a competition to find a dancer for it, guess who wins? Cindy.. they fall in love... but Judy realises it’s all over for her and Ricky ands faxes him so mean message then commits suicide by overdosing on drugs. Cindy gets scared and leaves Ricky to Ireland. Ricky tracks her down and they fly away in a spaceship?! honestly this plot is just sure something.

Okay.... um if you read the spoiler section of the summary you’ll know how wild this show is. For those who haven’t warning there is an suicide by overdosing on drugs in the show. Music wise it’s alright, I watched the show but all the songs are quite forgettable because I was so distracted by the plot. Again the vocals are nice so perhaps I just need to listen to audio only, though I’m unsure about some of the lyrics. 

Non-Music: I have so much to rant about this show. First off it’s just weird that her Irish pilot dad keeps appearing in like spiritual form. Also Cindy is not spectacular at dancing, which is hilarious during the jig dancing competition you have actual dancer ensemble members doing cool moves and in general good dancing but at the end Cindy comes stepping around and twirling a bit, the same choreography she does every time she danced the jug in the show and then wins the competition. Honestly, they should of just done full Irish step dancing and had the actress trained in it or to be more practical had a double for Cindy that was obscured to trick the audience into thinking this double was Cindy. The actress was lovely and maybe she can dance but “the jig” choreography was so pathetic compared to the ensemble’s part, even the ensemble part was weird.. maybe I just don’t understand what “jig” dancing is. Also the ending was so random to me, maybe it’s because of my lacking French, I get there were references to space throughout the show but WHAT THE HELL WAS THAT ENDING. Well stage wise it was interesting at parts. I like the large center column piece that had platforms on it that moved around the pillar. Cindy’s love song to Ricky with her in front of a large Ricky Magazine and two screens showing zoom ups on Ricky was weird. Finally, costumes, really dated and tacky but I think they were quite fun. The only complaint I really have is Ricky, he wears this half tank top half leather jacket look, and it’s really a single tiddy out look.

Starmania (1979): Let me start by saying I DON’T hate this show I just know little about it. I’ve watched bits a few years ago and only really recall one song. It’s one of THE French musicals, I mean I wouldn’t know for certain but you’ll see it’s quite popular and covered by newer musicals cast member (like Mozart L’Opera Rock). The photo is from a more recent production which is different from the original costumes. As a show it’s set in a futuristic society so there is some surreal techno outfits and set pieces, which are actually quite cool. It’s pretty much about a gang called the Black Stars who are trying to rebel against a billionaire turned politician Zéro Janvier. There is romance plots, the wiki has more info on that. In general, the singing is great and from the parts I’ve seen it looks interesting despite the show aesthetic being really not my thing. Full versions of the show are available on YouTube, the production done in English is also posted on YouTube. I would say if you are trying to get into French Musicals this is a good one to listen to as well as it’s kind of a classic but I hesitate as the visuals look a bit weird due to the futuristic element (kind of remind me if starlight Express when it comes to costume) but if this isn’t you cup of tea there are plenty of other shows as well.

Résiste (2015): It’s a French Jukebox Musical. It’s one of those one artist jukebox musicals, so all the songs were originally sung by France Gall and written by Michel Berger. It’s about five friends (I think they’re friends), two of whom are sisters. The sisters work with their dad at the family bar/night club. The plot revolves around something tragic happening and the five friends trying to deal and grow from it? (probably something to do with the night club)I haven't seen it so I have no idea what the tragic event is. I didn’t know any of the songs before this musical but it’s quite catchy and fun. Clips of the show and songs are available on YouTube.

[oliveheart-worldbuilding]

Aster, Bee Balm, Daffodil, Dahlia, Laurel, Petunia, Rose, and Violet? I'd also add Gardenia but it's impossible to escape murder cats.

Hi there! Thank you so much for the ask! Once again, I’m sorry for taking so long to answer!

Adding a read more because this one is pretty long.

Aster- Who’s your least favorite character? Why?

This one is a bit difficult for me, I read many of the books a long time ago and I’m sure if I were to read them again my opinion on a lot of characters would be very different. Going only by memory I would say that Bluestar is one of my least favorite characters but then I would have to add many female characters that I now feel were completely mistreated by the authors and whose entire arcs where thrown under the bus in the name of forbidden love or man pain. I never liked Silverstream, but nowadays I know that whom I actually hate is Graystripe. I used to not like Leafpool or Squirrelflight at all, now I don’t. What I’m trying to say is that my opinion changes constantly and a lot. I read the books a long time ago and did so with a completely different mindset (I was 16 when I read Omen of the Stars and oh man was I edgy and stupid back then), most of my opinions nowadays are based on the potential the characters have rather than the actual character. So bearing that in mind:

-Bluestar: I know, I know, a lot of you love her a lot but even after reading people’s opinions on her I just… eh I don’t like her at all. She feels incredibly detached in the first books. To me she always treated Firepaw rather coldly. I know a lot of people talk about Bluestar as if she had become Firepaw’s adoptive mother but I just don’t see it. Reading about her losing her faith was very interesting, so was her crumping mind health but, I just gotta draw the line on how terrible she was to Brightpaw. In this house we love and respect Brightpaw and Bluestar was just very nasty to her. I really didn’t like her novella at all either. Based on her relationship with Whitestorm in The Prophecies Begin I always thought that she might have played an important role in his life after Snowfur died but, it doesn’t seem that way at all? The only moment we see them interact is when she tells Whitekit, in a very distressing way may I add, that her mother is dead and never coming back. To me, she also comes in as selfish and power-hungry, she spends a huge part of the book complaining about Thistleclaw (bear in mind, back then he was only overly ambitious, not a pedophile) and his relationship with her sister, even though she herself is spending time with Oakheart, a tom from another clan. When Goosefeather tells her about the prophecy he never specifies that she must be the one becoming leader, only that Thistleclaw is not meant to become one and yet she goes out of her way to become the leader so much so that she’s willing to risk her kittens’ safety (killing one in the process) just so she can be available for the position. She could have just uuuuhmmmm told Sunstar about the prophecy? Also I’m pretty sure Sunstar assures her that Thistleclaw would not have made a good leader multiple times so… he could have chosen literally anyone else? Rosetail? Thrustpelt? Don’t get me started on the whole Tigerkit dilemma! She chooses to believe Goosefeather prophecies when they strengthen her own personal bias but when she’s told about Tigerkit’s she just goes “aw man Goosefeather sure is crazy hahaha anyway back on me becoming leader”. I don’t know, there’s more to it but this is getting pretty long. Personally she’s just not my favorite.

-Graystripe: He’s a terrible friend, he treats Fireheart like absolute garbage, he chooses a molly he has known for exactly 2 days over his best friend and his entire clan, he leaves Thunderclan to spend more time with his kittens just to abandon them 5 seconds later, and yet the son of a bitch was somehow always meant to become deputy to Firestar??? Just because they are friends??? Dude went against the warrior code, endangered his clan by refusing to fight Riverclan, was incredible close to causing an all-out war with Riverclan, abandoned his clan, refused to see what was wrong about his behavior just because he was in love… How in the f is he a good warrior??? Erins I want answers; this man is garbage. When he gets captured by the humans and comes back to the lake he gets so SO mad at Firestar for not “waiting for him”, my dude you were gone for seasons, you were deputy, you really expect the entire clan to stop working so that you can keep your friendship bracelet position? Everybody thought you were dead Graystripe!! Was everyone supposed to keep vigil forever?? He’s also a terrible father to both his litters, his reaction to being told that Feathertail’s dead is “aw man… she was so beautiful… like her mom…” that’s terribleeee. At some point in Omen of the Stars, after Briarlight broke her spine, Millie complains about Graystripe not helping her at all and then they start fighting about it, Graystripe’s only answer is something along the lines of “yeah whatever dude”. I hate him so much. I stopped reading after The Last Hope, so I can’t talk about the rest but, I’ve seen some parts of Graystripe’s Vows and let me tell I want this man gone for good. He’s lived for too long.

-Lionblaze: He’s the most flavorless character in the history of flavorless characters. What’s his arc? That’s right. He doesn’t have one. I literally have nothing to say about him. How is this character alive and in his way to become leader when Hollyleaf could have been in his place? Disgusting. Also, dreaming about killing your girlfriend and bathing in her blood? Bad. Not showing not even a bit of remorse about after waking up? Terrible. Badly hurting her mentor when you were trying harm her? Just straight up fucked up. He’s badly written, boring and kind of very misogynist at times.

I have many other opinions because I’m a very judgmental person but I’m gonna leave it at that because this is getting very long.

Bee Balm- What’s your favorite novella or super edition?

I’ve only read three! So Crockedstar’s promise I guess.

Daffodil- When did you first start reading the books?

In the summer of 6th grade, that’s when I was… 11-12 years old? I think? So in 2012-2013, I started reading them in Spanish but I read through them super-fast and the translations were super slow to come out so I just started reading the books in English. It actually helped my English level quite a bit! My first English book was The Forest of Secrets I think.

Dahlia- Has any death scene actually made you cry? What was it?

Snowfur’s (Reading about Whitekit screaming at her mother to wake up was super messed up), Yellowfang’s (I loved that old woman. I wish they hadn’t written about her in Starclan, she’s so out of character in later books) and Hollyleaf’s death (yes, first and second time, young me loved her to pieces. I still can’t believe they let her die a second time when Lionblaze’s flavorless ass was right there…).

Laurel- If you could write the books, what changes would you make?

I would contemplate the idea of just, moving forward in time? The warriors’ series feels very stagnant. Young characters die while having no personality at all and older characters from the first series are still alive and very much immortal at this point. We need new fresh blood.

I would just set up a completely new series: maybe the stories of Firestar and his family have been immortalized, maybe they are now revered as gods or something, I would create an actual religion system, one based in nature, the death and rebirth of all things and the need to remember those who have fallen. I would change their entire culture so that elders are more important; medicine cats are not regarded as useless (I’m looking at every character that forced in this position instead of choosing it themselves) and the warrior code actually makes sense.

The setting of this new series would be the lake territories but a long time has passed since the time of Firestar and things have changed a lot. A kittypet joins the clans and through their perspective we see how they work and act, what makes every single one of them different, their culture and laws, etc. It would be a nod to the first series while being completely new. It would also allow to add new characters from the start so they all have personalities and relationships with each other.

I would also contemplate creating one last series set up in the time of the original clans where everything just goes to hell. You guys remember rabies? I want that + Starclan going crazy. A full out massacre of old characters that ends in only a few surviving ones. I want blood, and I want it to be scary. If children can read about Tigerclaw’s horrible death, then they can read what in my opinion would be a zombie/ghost apocalypse. And then I would start anew with this completely new series set up in the future.

I mean, I would rewrite a looooooot of things, but that’s a talk for another day.

Petunia- Which arc is your favorite? Which is your last favorite?

My favorite is The Prophecies Begin when it comes to the plot and the Power of Three when it comes to characters. My least favorite is the New Prophecy.

Rose- Do you prefer traditional naming or creative naming?

Traditional all the way! I like when things have meaning and each name having its own really helps the feeling of there being a pre-established culture! Creative naming just doesn’t make a lot of sense to me in this context but that’s just my personal taste.

Violet- What do you think is the worst trope in the series?

Already answered!

Gardenia- Do you think you’ll ever leave the fandom?

Probs not, I’m in too deep, warriors is always at the back of my mind...