#hero in your story

[virtuallyheroes]

(Dang, I need to post here more, lol) New TikTok just dropped! Please give it a look!

Song - "Hero In Your Story" by Vinny Marchi

VRChat World - Furality Luma: Crystal Forest

[sanguinesmi1e]

Danny's human form ages like normal, but his default form as Phantom is still the 14y/o he was at his time of death. Luckily he can change that with concentration, since his ghost form is malleable. But he has to a) have the time to enact the change and b) consciously maintain his form. His superhero colleagues don't know he's half alive, so he's typically got his adult ghost form firmly in place before they meet. While fighting a powerful enemy, Phantom's concentration slips and he reverts to child form. Doesn't matter, it's just aesthetics and the enemy is what's important. He’s equally strong in his 14 y/o form. Except, his colleagues are very concerned to “discover” that their teammate is a child who has been lying about his age all this time. So now Danny has to figure out how to convince them that he's just looked 14 for over a decade now, or bite the bullet and show them all his secret identity. Preferably before they demote him to a team of teen heroes, or he gets forcibly adopted.

[poorly-drawn-mdzs]

An unbothered queen has entered, and subsequently left.

[First] Prev <–-> Next

[avelera]

Laois from Dungeon Meshi legit feels like someone said the generic blond main character guy in a fantasy story can never actually be an interesting character in his own right and Ryoko Kui went, “Oh, bet?”

[nutsack90]

just a normal girl

[promptsforthestrugglingauthor]

Writing Prompt #3006

The hero lunged towards the glass wall, as if the shackles would break this time.

The villain tutted from the other side, gently tapping on the glass. "I thought you were done with these tantrums. I suppose you always were quite brave, which is a very kind way of calling you an idiot. Surely we can break that spirit and get you to learn a lesson for once."

[venixthelorekeeper]

I always say "Hero in Your Story" by Vinny Marchi. Hope this helps :]

sTARDEW VALLEY FANs I NEED YALL well not really BUT WHAT SONG FITS ELLIOT

[apollosgiftofprophecy]

one of the reasons why i love ToA so much is the little bits and pieces of the gods we get to see.

so i guess this is really more of a 'this is why i love the gods so much' rather than my usual 'this is why i love ToA' post lmao

but fr, the gods are just sooooo much more fleshed out in ToA. they're more complex, and have these layers to them that pjo and hoo just Did Not convey (and really, only conveyed those things post publication of ToA, which came with the tools on how to decode the gods and read between the lines).

and i'm not even talking about Apollo here. he is by far the most fleshed out god we have because he's the pov character, but i also mean all 12 of the other olympians - they're just so juicy!!

like okay, sure, in pjo and hoo we get glimpses that Dionysus may care more than he lets on, but ToA CONFIRMS this, but not in an 'in your face' way - but in the 'Dionysus picks at Apollo like a little brother would' way, and in that FIRST interaction between Apollo and Dionysus, we can SEE what their relationship was like!!

Hermes is another VERY layered god, ESPECIALLY with pjo's context. but that context ONLY gains its own importance BECAUSE of the story ToA gives us - we would NOT have 'resigned to fate' Hermes without it. or embittered at his favorite brother Hermes. we love this Hermes eheheheheheheh

Artemis also gains more character, and is no longer just the stoic cool badass #Girlboss she's largely presented as - she's scared, she fears for Apollo, so much so she SPLITS. she comes RUNNING to help him in TTT as soon as she could, giving her a softer side, while simultaneously expands on her previous appearances and allowing us to see how she is unconsciously enabling the abuse Apollo's experienced. LAYERS !! !! !!

DEMETER. OOOHHH DEMETER ILY, IN MYTHOLOGY AND THE RRVERSE. BUT FOR COMPLETELY DIFFERENT REASONS LMAO

we can infer Demeter has basically shot herself in the foot by obsessing so much over Persephone, where she NEGLETS her other kids (ex: Lityerses, Meg). myth Demeter would NEVER but rrverse Demeter is still a fav BECAUSE of how flawed she is.

ARESSSSS do i even need to say anything. we KNOW Ares and Apollo are bros because of how often Apollo takes pot-shots at him in his dialogue LMAO true brother behavior

Hades is a chill uncle with Apollo in particular. i mean. *gestures* he used to purposefully mess up Apollo's aim when shooting for no reason. need i say more?

looking back i'm also a little intrigued by how little Poseidon was mentioned - perhaps lending credence to the idea that he and Apollo grew apart over the centuries?

also Hestia's position as the goddess of the hearth and home calls into question how passive she is on olympus BECAUSE of the shitshow it's become!! she defends it!! what has caused the hearth and home, the FIRSTBORN OF KRONOS, of the ENTIRE PANTHEON to be so stagnant in the face of this toxic cycle? the people want to know and so do i.

Hephaestus is trickier to pin down for me because he has little mention, but there's one SPECIFIC one that has stuck in my brain and its the "apollo missed an entire decade watching Hephaestus's newton's cradle INSIDE HIS OFFICE"

what was apollo doing in his office. and why did hephaestus - notorious introvert - let him stay in there. these are the questions we are all dying to know.

ATHENAAAAAAA !! !! !! !! !! that nod she gives apollo at the end. her bet on his SUCCESS. need i say more? she's bros with him trust <3 add in the mythology and it gets SPICY

Aphrodite is arguably a tricky one to pin down too, and honestly we as a fandom have probably taken more from the mythos to pin down her character than with the others, but she's sooooo interesting too!! the eldest olympian. powerful goddess. extremely cunning and ruthless. and yet she's seen as airheaded and vain by practically everyone.

makes you wonder who else is like that. *quick glance at our favorite god* i dunno who that could be. *whistles innocently*

and do i need to say anything about Zeus? about the tragedy of him falling into the cycle he was meant to break? ABOUT THE TRAGEDY OF HOW HE DEF WANTED TO BE A FATHER BUT HIS PARANOIA GOT THE BETTER OF HIM UNTIL HE NO LONGER WAS ONE??

*seizes you by the shoulders* HOW AM I SUPPOSED TO BE NORMAL ABOUT THIS. HOW.

and ofc. one of my FAVORITE gods...Hera. oh, ho ho Hera. you do NOT deserve the hate you get <3 okay maybe a bit of irritation is warranted because you do pull off risky things in hoo but we stan a goddess who takes charge in this house.

YOU CAN'T CONVINCE ME SHE'S GONNA BE - well, nicer? is that the right word? - BETTER WITH APOLLO POST-TOA. AFTER SEEING EVERYTHING HE SUFFERED? AFTER SEEING HIM SHED THE MASK? AFTER JASON GRACE?

*pounds mercilessly on the table* I WILL NEVER NOT BE ANNOYING ABOUT THEM I LOVE THEM ALL INCLUDING THE BITS OF CHARACTER FROM THE MINOR GODS WE GET TOO!!

[short-wooloo]

i forgot to post this a week ago...

Its 2025 now, which means this year these all turn 15!!

[hellohellowelcome]

Standard shonen endings have rotted some people's brains. I've seen so many dudebros disappointed that Izuku didn't at the very least "bag his girl" as some sort of reparation for losing his quirk. And so much Ochako slander for "ghosting" Izuku for 8 years for being quirkless (not true btw, leak mistranlastion) because she wasn't explicitly Izuku's endgame love interest in typical shonen fashion. I even saw a tweet doing crazy numbers (70k+ likes) suggesting that Izuku should've gotten with Hatsume because at least she spent 8 years working on his suit....? Ask yourself why you feel like Izuku needed a canon love interest post-time skip to be happy. And then ask yourself why you hate women and view them as the MC's "much-deserved" reward for saving the day.

[promptsforthestrugglingauthor]

Writing Prompt #2951

"You can't." The hero's grip was weak against the villain's ankle. More blood outside their body than in, but still trying to save the day.

"I can, and I will. And you know why?" The villain crouched down to their level, pulling their head back to meet their gaze. "You can't stop me. You failed and I won. And now I get to have my fun."

[kikker-oma]

@skyloftian-nutcase I humbly offer you some Abel and Tilieth comfort🥺🥺

I wanted to draw what I hope happens in the next chapter of Blood of the Hero, cus both of these beans need love and sleep and comfort❤️

You also deserve love and sleep and comfort too, dear friend❤️

[bisclavret]

like many who have suffered at the hands of bbc merlin before me, i recently indulged in a thought experiment in which i outlined my own version of seasons 3-5 that stay thematically and tonally in line with the show (except they're less fucking stupid). but then i quickly realized that focusing on details is pointless: all you need is to solve the one Big Problem the show has, and the rest will follow. the problem in question? ✨morgana✨

i like the first two seasons. s1 achieves what it sets out to do and has fun while doing it, and s2, while flawed, sets up a ton of potential that the following seasons unfortunately squander, beginning with the insidious season 3. you can only distract me with cute knights and goblins and fart jokes for so long before i start seeing through you, evil, evil season of television.

my hypothesis is that if the writers had crafted s3 morgana into anything more sympathetic than a violent half-alive poltergeist that can never be reasoned with because she's suddenly terminally off her rocker, everything would've fallen into place. a sympathetic morgana would've made real, valid arguments against uther (and arthur) that wouldn't just be the ramblings of a woman possessed. her betrayal of arthur would have stemmed from her feeling increasingly morally superior to him because of his complacency in the face of their father's tyranny. under morgause's guidance she would stop believing that arthur is capable of change, and the whole point would be that she might actually be right. arthur would have to actively try and prove her wrong, instead of getting praised for doing the bare minimum because the bar is on the floor.

furthermore, morgana's prophetic dream about arthur and gwen becoming king and queen and her decision to prevent this however she can is a direct parallel to merlin learning about that same prophecy and making it happen by any means necessary. merlin's desires about his and arthur's futures are subtextually fueled by gay love and devotion, so why couldn't morgana's be? why couldn't she properly express her bitterness that arthur gets to be with gwen in a way she can't "took gwen away" from her, instead of suddenly declaring that gwen is nothing more than a servant, after two seasons of demonstrating again and again that she loves, values, and respects gwen more than anyone else in that godforsaken castle?

following this, an angry and emotionally volatile but still sensible morgana asking gwen to stay by her side during the coup of the castle in the s3 finale and gwen going behind her back to help arthur and the knights would've hurt like a bitch. double-sided betrayal! gwen having a real plot! the proper beginnings of a toxic yuri that would shape a generation!

then there's the utter hubris of having morgana shoot arrows at the same civilians she worried herself sick over for 2 seasons — even morgan, her medieval counterpart that was rooted in every sexist trope in existence, doesn't just go around killing senselessly but instead has (often petty!) personal vendettas against gwen, arthur, and the knights. morgana had every right to be sick of the pretensions around chivalry in camelot (she was always quick to mock it, even in s1), and to lash out at the knights and soldiers after years of feeling powerless in a castle full of armed men that blindly followed her oppressor. the show conveniently forgets that morgana was victimized as a woman as well as a sorcerer those first 2 seasons.

but like i said, this is not just about morgana. allowing her to remain a real and multifaceted character even as she betrays everyone in pursuit of her ambitions would've given the rest of the core four more interesting conflict to work with: merlin because he would have to experience real consequences to his actions, arthur because he would watch his sister go against his father (and his knights, and his birthright) and experience some actual internal dilemmas about it, and gwen because she would be forced to choose between morgana and arthur without the pretense that it's an obvious or easy choice for her to make.

even morgause and gaius would come off more interesting as mentors: neither one inherently evil or inherently good, both jaded by events that happened before our protagonists were even born, both heavily influencing morgana and merlin into fulfilling roles that they think are appropriate, but that morgana and merlin may not have chosen for themselves had they not been under their care.

you get the gist. if the show followed its own setup, morgana's mistakes wouldn't lie in cheap and senseless acts of violence but in alienating the people she loves because she is too hurt and jaded to trust them. meanwhile, everybody else would feel guilt over "failing" her and yet they would be too caught up in their own (sometimes flawed!) beliefs of right and wrong to truly see her point of view.

arthur would convince himself it was sorcery that corrupted her. merlin would know that isn't true but he wouldn't be able to argue without confessing everything, which is the defining conflict between him and morgana and it's cheapened when she's just an evil witch caricature and merlin is framed as inherently virtuous in contrast. gwen, too, would become a more active participant in her own life by choosing arthur over morgana and choosing to rule camelot with him instead of just waiting politely to see where things go.

and, of course, uther's downfall and death would be quick, final, and completely earned — when and why did the show even decide he of all people was the sympathetic villain, anyway?

lastly, and perhaps controversially, i think morgana should've learned merlin's true identity by season 4. her being the first of the main characters to find out makes perfect sense considering their shared history and their interconnected and mirrored arcs. even the show seems to agree, considering she does find out a little before arthur. but the narrative itself tried pointing flashing neon arrows towards this way earlier — there is a whole entire episode in s4 where merlin being emrys is repeatedly spelled out for morgana and she still isn't allowed to see it. that episode makes her look like the stupidest person to ever live, which is pretty funny im not gonna lie, but also another frustrating thing in the endless string of frustrating things that make up this show.

morgana learning that merlin has magic would've transformed the source of merlin's anxiety from a crippling fear of being outed someday to the crippling fear of knowing she could out him at any moment. this would make him want to beat her to the punch (perhaps he'd consider killing her for a minute and decide against it because she isn't a cartoonishly insane evil person in my version of events) and maybe he would even feel some tentative excitement at the idea of coming clean, now that it seems inevitable. after all, he always intended to tell arthur eventually! and i think gaius would have to admit outright that he does not want merlin to tell arthur he has magic because he, gaius, simply cannot risk such a gamble. it would be so interesting to see gaius and merlin clash and disagree once it becomes obvious that it's not merlin that isn't ready for the reveal, it's gaius. delicious!

with morgana's knowledge looming, things would inevitably spiral into a magic reveal by the end of season 4. i picture this season as an absolute mess of miscommunication between everyone at camelot, which is, y'know, canon. growing increasingly cunning and vengeful, morgana would use this tension to her advantage, destabilizing the court from the outside while she creates alliances with other sorcerers outside of camelot (instead of living alone in a hovel for no reason — morgana le fay i'm sorry i'm so sorry they gave you agravaine instead of your all-female entourage oh my god).

and here's where the events would change beyond recognition (aka here's where the meta becomes the fanfic i refuse to write). picture it with me: a militia of sorcerers infiltrates camelot and arthur and gwen have to set aside their differences (assuming gwen kissing lancelot and arthur overreacting happens, which it should) for the good of the kingdom as well as for love. picture high priestess morgana in her element, side by side with a bunch of misfit sorcerers that aren't so easily vilified, chopping down camelot's soldiers and knights and assuredly making their way to the newly-minted king.

then, just as it starts to seem that all hope is lost, in swoops merlin (the actual merlin, not his old fart disguise) on dragonback (kilgharrah hates morgana so much i know his sexist ass would stoop to anything to stop her)!!! imagine merlin showing off the extent of his powers in front of everyone and preventing the sorcerers from getting any further, declaring loud and clear that camelot is protected by him, by emrys. imagine that display of power alone being enough to send everyone home.

imagine the loyalties clearly drawn: merlin on arthur's side, morgana on the sorcerers'. imagine arthur, feeling confused and betrayed by everyone at this point, banishing merlin despite everything he's done for him in the angstiest, most emotionally dysregulated scene the show had ever put to screen. imagine merlin starting season 5 free at last but very lonesome, an embittered dragonlord like his father. imagine the absolute mess camelot would become without him, even with gwen — now queen guinevere — there to pick up the slack. imagine arthur actually earning merlin back, finally growing into his role as king as he does so. imagine the reunion.

all this and more could've been not just possible but inevitable if morgana was allowed to remain a complex character that is neither inherently good nor inherently evil: it was undeniably the biased and one-note treatment of morgana's downfall by the writers that set the precedent for literally everything else that happened after merlin chose to poison her. the show wouldn't have even had to jeopardize its tone or the monster-of-the-week vibe, all it would've had to do is admit that even the "good guys" are capable of mistakes and what makes them good is the ability to feel remorse and change for the better. (as opposed to uther, who was miles beyond redemption since way before the pilot and deserved to lose everything and die alone. OBVIOUSLY???)

in a world where morgana remains multifaceted and sympathetic, mordred would get a better arc as well, so if we really wanted to, we could still end on the same tragic note that the show ended on. with so much harm inflicted onto so many innocent people by the pendragons for so long (including mordred and the many druids and sorcerers that raised him), it could realistically end up being a little too late for anything more than one shining glimpse of king arthur and the sorcerer merlin's short-lived golden age before fate catches up to them. glimpsing that reality just to immediately lose it would've been far more satisfying and far more tragic than whatever the writers thought they were doing with all that pointless carrot-dangling.

and finally, an ending in line with morgana's new and improved arc. in this version, rather than bleeding out on the forest floor alone, she would channel the morgan le fay we know from the legends: sobered up by the reality of her brother dying, she would use her high priestess status (and perhaps also her pendragon status) to be granted passage over to avalon alongside arthur on the boat — a one-way ride — just to make sure he gets there safely. this is her penance for the harm she has caused, the same way arthur's penance is to die and leave the true ruler of camelot (gwen) behind to achieve everything he was too slow and indecisive to build while he still had time.

merlin's penance, then, would be to stay behind and watch them cross over without him, waiting and waiting and waiting until they come back or until he can finally join them. which is a bit fucking harsh if i'm honest, so i'd at least make it slightly more faithful to the legends by having him return as an old man and letting him take a long nap under a tree by the shore, his body slowly enveloped by vines like the cobwebbed fisher king in 3x08, never fully sure if he's dreaming or if there really are strange shapes fading in and out of the fog over the lake. still tragic, but nevertheless a little more open-ended and whimsical than [TRUCK NOISES] THE END!

[mylordshesacactus]

Today on Posts That Will Serve As A Blocklist but whatever:

It's genuinely at the point where people who act all dismissive and superior about the Star Wars animated series, and ESPECIALLY of Ahsoka specifically as a character--snidely dismissing anything that involves TCW-original characters or arcs--are just. Objectively hysterically wrong.

Like.

Phantom Menace released in 1999.

Revenge of the Sith was six years later, in 2005.

TCW started airing in 2008. Ahsoka started existing in the narrative literally three years after RotS dropped.

Even if you start counting as far back as you possibly can, back in TPM (wherein Anakin was an actual baby), the prequel era only existed at all without her for nine years.

Ahsoka Tano has been a narratively significant, load-bearing major protagonist of the Star Wars franchise for, as of this post, sixteen (16) years. Very nearly twice as long as her era ever existed without her! At this point, if you are determined to act like she's some handwavey 'new' star war idea whose impact on the living tapestry of the GFFA can be easily dismissed, that's...

...like, full offense but that's kind of on you, man.

[poppy-s-rampage]

Once a Hero.

-Prologue-

Danny Phantom fought with the knowledge that at any given time he could be stricken dead. With the knowledge that his own parents, the people who brought him into this world, could be the ones to take him out permanently. The Job was already half done after all.

But no matter what, no matter his adversaries, Danny held strong. Despite the constant threat of the GIW and his parents, despites his rogues’ shenanigans and Vlad’s scheming, despite the citizen’s ungratefulness, he held his ground. Always staying true to his beliefs.

Yes, he made mistakes ,terrible ones. Yes, he has done things he would forever be ashamed of. But he never let others take responsibility for his actions. The very proof being his existence as Phantom.

There is no denying it, Danny Phantom/Fenton is a hero.

An existence to whom every victory comes hand to hand with tragedy.

An existence favored by fate.

And fate is known to be a cruel mistress.

~~~

He should have known something was up. It was too good to be true. He should have trusted his instinct. But he ignored it, choosing hope instead of the very thing that kept him alive all these years. All it took was one mistake for everything to domino into a nuclear warhead that quite literally took his everything.

And now, there he is on all four in the middle of a crater of what once was Amity Park and its surroundings. His ears ringing only able to hear the sounds of his own screams.

The once menace, once protector of a city too soon departed wailed in agony. Clutching at his wounds with a strength that reopened his sloppily made stitches. His devastated wails, only interrupted by his sobbed breath and hiccups. His throat was ripped to shreds, tainted ectoplasm pooling into his mouth and lungs while some got projected out with each wail.

Rivers of tears cascaded down his face burning his already bloodshot eyes. His unstable form glitching from ghost to human to something in between.

His once healthy balanced core was now struggling to remain whole. Cracks appearing all over, life and death fighting to preserve their precious Halfa’s existence. Danny felt his body and core beginning to give out. His consciousness finally fading. His body slowly being engulfed into the cold familiar embrace of death.

He fell on his back. His wails dying to choked wet sobs and coughs. Through his tears, Danny could only vaguely see the smoke covered nightsky. Ash falling slowly around him like snowflakes.

He could feel the cold creeping up his limbs then gripping his chest. His already dying heart being embraced by a type of cold even his core couldn’t dream to reproduce. Phantom finally fell silent, his unseeing eyes staring at the starless sky above.

Danny in his last few coherent thoughts felt the pain of his core shattering and reforming itself. It felt like his entire being was set on fire before being melded back together. He felt familiar arms cradling him close to their unbeating heart. The familiar ticking of a clock luring him into a dreamless rest.

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Masterpost!

Chapter 1!

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Author notes:

My brain vomiting this at 3 am. I am sorry for any catastrophic grammar and english, that would be my brain short circuiting from lack of sleep. I intend to hopefully continue this story wherever it may go. You’re welcome to suggest anything or add yourself something to it.