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merp-blerp · 3 months ago

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Gaylor/Kaylor and Oz: Parallels and Theories 🌼🌈❇️

CW: Light Spoilers for L. Frank Baum's Oz book series (books 1-15) and major spoilers for Return to Oz (1985). And this post is very late-stage-Kaylor-specific, so if that's not up your alley, that's chill.

Overblown Analysis Under the Cut ↓

As a huge Oz nerd, I and many others have noticed many Oz media parallels in Taylor's music. I wanted to piece together some I've seen mentioned and some I've noticed myself. More things could pop up as time goes on, so I could imagine me editing or making a second part to this post if necessary.

Part 1: Rainbows 🌈

In the 1939 film, Dorothy's home, Kansas, is portrayed as a dreary sepia or greige color, that way the contrast to the gorgeous technicolor of the land of Oz could be even more effective on the audience. Somewhat surprisingly I guess, this sepia color is reflected in the book, with Kansas being described as "the great grey prairie" and even W. W. Denslow's original illustrations of Kansas being colored in greige; the pages don't include more color until Dorothy is swept into the cyclone on her way to Oz.

So many of Taylor's lyrics describe events turning her world from colorless to colorful or vice versa. "The rest of the world was black and white // But we were in screaming color" from "OOTW", "You showed me colors you know I can't see with anyone else" from "Illicit Affairs", "If all you want is gray for me // Then it's just white noise, and it's my choice" from "BDILH", "Like a rainbow with all of the colors" from "ME!" turning into "I'm just... in shades of greige" from "The Prophecy", etc.

For TTPD, from a gaylor perspective, the sepia and greige theme of the album is supposed to reflect that for Taylor the closet is colorless and sad. It also invokes old Hollywood and how closeting is an old-fashioned practice figuratively and literally. Closeting is a practice based on outdated mindsets and fears and it's been a practice since Hollywood as we know it today was beginning to be established. MGM Dorothy actress Judy Garland was in at least one lavender marriage and might've been queer herself, but the latter isn't as confirmed as other victims of closeting of the time like, say, her husband Vincente Minnelli. Taylor often utilizes vintage imagery in her music, romanticizing it, but the song "TTPD" (and other points in the album) calls her out for it with her lover having to remind Taylor that they are living in modern times despite being held down by old-fashioned ideals. The Wizard of Oz (1939) film is arguably the epitome of old Hollywood nostalgia, so it makes sense for Taylor to use it as a way to tell the story she wants to tell, especially if it's a queer one since Oz is very special to a lot of queer people.

For what it's worth, Ashley Park performed the film's song, "Somewhere Over the Rainbow" on The Drew Barrymore Show in what looks to be the Christian Siriano rainbow dress. Fun! Curiously, I can't find a video of this performance, I just happened to stumble upon this GIF on giphy.com and an article talking about the performance.

As an extra tidbit, in the Oz books, the rainbow is personified in the character Polychrome, the youngest daughter of the rainbow. She happens to be featured in one half of a certain famous quote from The Road to Oz. Polychrome comments, "You have some queer friends, Dorothy," to which Dorothy responds, "The queerness doesn’t matter, so long as they’re friends." This quote is theorized to be the inspiration for the phrase "friend(s) of Dorothy" in queer slang. And it's nice to have a friend like Dorothea, of course. Speaking of which...

Part 2: Dorothy and Ozma 🌪️🌺

Dorothy Gale needs no introduction, but I will give Princess/Queen Ozma one since she's a more niche character. Ozma is the rightful ruler of Oz. The "Wizard", Oscar Diggs, was not meant to rule over Oz. He went to great lengths to usurp the throne from Ozma's father, Pastoria, and hide Ozma away as a baby, dumping her on a witch named Mombi, who enslaves her and disguises her as a boy named Tip so she and others won't know her identity. She learns the truth about who she is and takes back her throne in book 2, The Marvelous Land of Oz (This backstory is why Ozma is a trans icon, along with a sapphic one). Ozma and Dorothy meet each other in book 3, Ozma of Oz, and are inseparable from there on. A common queer interpretation of Oz sees Kansas as like the closet and Oz as being out and free. A part of why the queer interpretations of Oz work particularly well in the books is because in The Emerald City of Oz, Dorothy and her Kansas family move to Oz permanently when Kansas stops being liveable for them. So Dorothy becomes the second ruler of Oz and Ozma's "constant companion" at Ozma's "proposal", as L. Frank Baum describes it. Dorothy is the only person allowed in Ozma's bedroom unannounced, which is cutely domestic. Baum's story and John R. Neil's illustrations of the two often depict them as being very close, holding hands, and kissing. It's not really knowable if Baum intended for it to be seen this way, but many modern Oz book fans see them as a couple.

Naturally, there's the theory that Taylor's song "Dorothea" is about Karlie, as well as the fact that Karlie dressed up as Dorothy for Halloween 2023 and did a partly-Oz-inspired photoshoot in 2010, among other Oz-themed things. Also, after the first book, Baum had a falling out with Denslow and appointed a new illustrator, John R. Neil; Neil's design of Dorothy sports a blonde bob, which reminds me of the "Karlie Kut" a bit, even if that's coincidental. Since the Karlie as Dorothy theory is pretty well established, I want to forward a theory about Taylor taking on the role of Ozma.

For starters, Taylor wears a gingham green dress in her music video for "Karma (ft. Ice Spice)" as she skips and sweeps down a yellow brick road in red shoes, looped braids, and lemon beret. This outfit is a bit perplexing, as while it seems very Dorothy-inspired, it actively makes itself just different enough from how Dorothy is illustrated in the first Oz book and seen in pop culture. It could be suggested that this is for copyright reasons since 1939 Dorothy is not in the public domain yet and using that likeness would require making a payment. However, thanks to the book specifically describing/illustrating Dorothy as wearing blue and white gingham and pigtail braids, these features can still be used, as all of Baum's Oz novels are in the public domain. Oddly, the only potentially copyright-able aspect of Dorothy's costume is the one that Taylor kept, the ruby slippers exclusive to MGM's '39 film, since in the book Dorothy's shoes are silver. So why were all these unnecessary changes here?

My main theory is that Taylor is subtly invoking Ozma in a way that would still be recognizably Oz-ian, as I don't think most people would catch on to the Oz reference if Taylor dressed as a more accurate-looking Ozma. Hence why the gingham and red shoes are present even though Ozma is never described as wearing anything like that. Ozma is often depicted in long flowing white or green dresses. And while Ozma's hair is usually free in Neil's illustrations, her hair is sometimes tied into a bun, and Taylor's looped braids seem to be in the same family as a bun (I don't know how else to say that, I hope you get what I mean...). The lemon beret is hard to explain. As far as I know/can recall, lemons have never played a major role in any Oz media, so my guess is that the hat is meant to match the yellow brick road or maybe slightly invoke the fighting trees from the film and book. Since Taylor's outfit is similar but not the same as Dorothy's, it could be interpreted as Taylor dressing as someone adjacent to Dorothy, or a friend of Dorothy's, and Ozma would definitely fit that title. Ozma is also a fairy, so this also lines up with my Taylor is the beast to Karlie's beauty theory, since a fairy is a creature. And as the small, coincidental cherry on top, Ozma was originally described as blonde like Taylor in the story's text, despite the fact that Neil always drew her as a brunette. Dorothy's appearance outside of her clothes is rarely if ever given, that way anyone could see themselves in Dorothy, her design not mattering too greatly. The only clue to her physical looks is in the illustrations, but the consistency changes over the Oz series when it comes to Dorothy's design, so again it doesn't matter. Kind of like how, whether a song has male pronouns or not, it’s always describing Karlie, the "design" of the muse not mattering. And it actually does make some sense for Ozma to have the ruby slippers, even though she never had them in the books, but more on that in the next part. If Karlie is Dorothy, Taylor is Ozma.

An alternate, more flimsy idea is that Taylor is dressed as Dorothy in her green dress returning to the Wizard with the wicked witch's broom as proof that she melted her. However, this doesn't quite work for me personally, as in the film, Dorothy never got a green dress from the Emerald City. And while book Dorothy did get a "green" dress, she never had to bring the witch's broom to the Wizard and her dress wasn't actually green but white; it only appeared green in the Emerald City due to the green spectacles everyone was tricked into wearing by the shamming Wizard. And of course, book Dorothy's slippers weren't red like Taylor's, but silver. Maybe I'm being too particular, but to me, the details of the two titular versions of Oz make this idea weak.

Another idea is that Taylor is dressed as an amalgamation of Dorothy and the witch, which is definitely an interesting thought. In the 1st book, both Dorothy and the witch have no magic of their own and need to obtain magical items, like the silver shoes or the golden cap. But the difference is that the witch uses her power to do evil while Dorothy doesn't know the power she has, even by the time the shoes get her to Kansas again, as they presumably could do way more than that. The idea of Taylor combining the two is interesting, but again the red shoes put me off.

I think the Ozma theory works the best (and I think it's the cutest).

The story of Ozma being unrightfully taken from her throne and hidden away from everyone and herself reminds me of many stories told through Taylor's music. Lyrics like "I (I) don't (don't) like your kingdom keys (keys) // They (they) once belonged to me (me) // You (you) asked me for a place to sleep // Locked me out and threw a feast (what?)" from "LWYMMD" and trapped imagery in MVs like "Willow" feel somewhat reminiscent of that story.

Taylor isn't any kind of genderqueer as far as anyone publicly knows for sure, but Taylor definitely seems to have no problem with aligning herself with masculinity and taking on male roles. Take things like the wonderland photoshoot (Lordy! 🤭), Taylor semi-confirming she's Folklore's JaMEs, "The Man", "Peter", and maybe etc. Ozma being a girl but forced to present as a guy for years could be seen as similar to Taylor having to paint some of her songs about women as being from a male perspective, or some songs never being officially said to be from a male perspective being assumed to be so anyway, like "Question...?"

One more small parallel between Taylor and Ozma: Ozma is often pictured as wearing two poppies, one on each side of her head, seemingly in her hair or connected to her crown. Reminds me of "Say a solemn prayer, place a poppy in my hair" from "The Great War".

Part 3: Return to Oz 👠

Return to Oz (1985) is an unofficial sequel to The Wizard of Oz (1939) made by Disney. It takes the stories of The Marvelous Land of Oz and Ozma of Oz and combines them into an original story. At least in America, this is the only feature-length film to feature Ozma and attempt to vaguely adapt the novels more closely. (Context for RTO photos in the image descriptions, which is the case for every image and GIF on this post because why the hell not)

Return to Oz adds a setting that wasn't featured in any of the Oz books: a mental hospital. Aunt Em and Uncle Henry, concerned that Dorothy isn't sleeping and won't stop insisting Oz is real, send Dorothy to a mental hospital in an attempt to get her help (not out of malice). As we know, TTPD features the theme of asylums prevalently. The treatment chosen to help Dorothy is electroshock therapy, similar to Taylor receiving electroshock therapy in the MV for "Fortnight". In "Down Bad", Taylor says, "They'll say I'm nuts if I talk about the existence of you", just like how Em and Henry thought Dorothy needed psychiatric help when she talked about Oz being real.

When Dorothy stays over at the hospital for treatment, a character named Nurse Wilson (Kansas doppelganger of Mombi) escorts her to her room; Nurse Wilson wears a black dress very similar in style to Taylor's black dress from "Fortnight".

When the power goes out and the electroshock therapy isn't given a chance to begin, a fellow patient revealed later to be Ozma helps Dorothy escape the asylum by freeing her from the bed she's strapped to and bolting with her. Ozma and Dorothy slip into a river while running away, in which Ozma finds an abandoned chicken coop for Dorothy to ride through said river to Oz, Dorothy fearing Ozma drowned during the process until the end of the film. This is similar to Taylor and Post Malone's character escaping the asylum after Post cuts the power in "Fortnight". Ozma unstrapping Dorothy from her bed is similar to the nurse who unchains Taylor from the bed in "Fortnight", theorized to be played by Karlie herself. And Ozma finding the coop for Dorothy to ride away on is reminiscent of Taylor clinging to her piano in "Cardigan". Clinging to something when in rough water is common imagery, so it could definitely be coincidental, but I thought I'd mention it.

In this film, Ozma is trapped in a mirror by the witch Mombi, reminiscent of Taylor depicting herself as trapped behind glass closets in numerous MVs. After Dorothy saves Oz, she is the one to free Ozma from her glass prison by touching her hand and guiding her out of the glass, similar to Post and Taylor in the last scene in the "Fortnight" MV. Ozma in the mirror behaves like Dorothy's reflection, which reminds me of Taylor having Post's tattoos when she wipes her face in the mirror as if to say she's a reflection of his character.

Dorothy gives Ozma the ruby slippers before leaving Oz (Disney paid for the right to use them). That could help to explain why Taylor wears the ruby slippers that Ozma never had in the books if she's truly dressed as Ozma. And notably, when dressing up as Dorothy for Halloween, Karlie wore a full Dorothy costume, except for the ruby/silver slippers, arguably the most important part. As if Karlie was in "Kansas" and gave Taylor her shoes.

Dorothy chooses to return home in the end, but Ozma gifts her a way for them to communicate: through her mirror. This way Ozma can watch over her and when Dorothy wants to return to Oz, Ozma will make it happen. I've mentioned the parallels with the glass closets, but this also reminds me of "A tiny screen's the only place I see you now" from "Dorothea". In the book and '39 film, Dorothy uses her shoes to get back to Kansas, but in RTO, they are presumably going to be used to get Dorothy back to Oz when the time is right. So maybe after Taylor potentially comes out she will use Karlie's ruby slippers to sweep into the rescue and save Karlie from Kansas/the closet and back to Oz/freedom with her. Outside of RTO, it could also work the other way, with Taylor using the shoes to go home, especially with all the lyrics Taylor's had about returning home to/with her lover. Kansas doesn't represent anything bad in the original story, so it's possible that Kansas isn't a debilitating cage/closet, just home where you feel safe with the ones you love. Ozma also encourages Dorothy to keep their communication secret. Dorothy wants Aunt Em and Uncle Henry to know of Ozma, as she calls for Em to come and look as soon as she summons Ozma. But Ozma seems to see it as best kept quiet, no exact reason given to the audience from what I can tell, but it's understood by Dorothy and Ozma themselves. Pretty similar to Kar and Tay maintaining their closet for reasons we gaylors don't fully get to know, at least not yet.

(I didn't know where to put this little factoid, but in this film, the only times Ozma really smiles is at Dorothy. It's not important, just a bit cute and sad.)

And as a bonus for you Spade riddle fans out there, when Dorothy meets Ozma in the hospital, Ozma gifts Dorothy a pumpkin because "it's Halloween soon". The pumpkin is a Kansas doppelganger to an Oz character called Jack Pumpkinhead, who calls both Ozma and Dorothy "Mom" because Dorothy saved him from Mombi and Ozma built him and brought him to life. A bit reminiscent of Karlie and Taylor having Levi and Elijah if you ask me. I'm admittedly not a huge riddles person because it goes a bit over my talents, but I think they're intriguing and I'm curious if the riddles and Oz/RTO together would mean anything.

There's debate on whether Post's character is supposed to represent Taylor working with herself to get free or Karlie. I think it could be either or even both in a convoluted way. I like both theories. If "Fortnight" is based on RTO, the roles of Ozma and Dorthy seem switched, with Dorothy rescuing Ozma from the asylum. However, the tattoo mirror scene suggests that Taylor is mirroring Post's character, or playing him, and if that's Karlie, maybe the MV could be seen as Taylor playing Karlie in a sense since they're "twins" whose pasts are "parallel lines", while Post is either playing Taylor or Karlie; they are one and the same. The MV is really interesting to ponder in general.

Part 4: Miscellaneous Oz Connections ❇️

Lightning round (filled with tons of reaches)! ⚡️

In the "ME!" MV, Taylor and Brandon running up to the green building with a rainbow beam on it whilst in green marching band outfits looks similar to Dorothy and her friends running toward the Emerald City in the '39 film.

The all-pink soldiers in the marching band scene of "ME!" remind me of Glinda's all-female red army in the books.

In "loml", Taylor sings "The coward claimed he was a lion", a reference to the cowardly lion.

The men in the "ME!" MV falling from the sky with umbrellas reminds me of Dorothy and her cousin Zeb falling through the sky with an umbrella down to Oz in Dorothy and the Wizard in Oz.

Taylor might've been in a Wizard of Oz play at her school in 2006. The linked post doesn't give too much evidence admittedly, but I think it's worth saying that the play at least happened at her school.

I wasn't sure where to put this mini-analysis, but I think it's interesting that Taylor associates Dianna Agron with Wonderland and Karlie with Oz and the differences that could suggest. Alice and Dorothy go through similar adventures, but the two go about them very differently. Dorothy adapts to Oz very quickly and loves it there, enough for it to be her second home. Meanwhile, Alice certainly doesn't enjoy Wonderland as much as Dorothy loves Oz, itching to get out and stay out. Dorothy is very active in her role, making friends and changing Oz forever, while Alice passively goes through the motions and lets things happen before escaping to the next thing. It seems like Baum wrote the Oz books to give children lessons on friendship, feminism, and more, while Lewis Carroll wrote the Alice books with the exact purpose of saying nothing and giving birth to the genre of "nonsense writing". And Wonderland is definitely a dream in the original two novels while Oz is a very real place in the books. I know the associations seemingly have to do with the muses’ actual taste in fairytales, but I wonder how the differences speak to the story Taylor’s spun in her music about them. Assuming both Oz and Wonderland are freedom to some degree, does Wonderland being temporary speak to Taylor and Dianna as a couple, while Taylor and Karlie are still ongoing IMO, just like the Oz book series to this day (Canonical Oz books are still being written by different authors. There’s 40+ of them)? Is there something in the fact that Alice’s Adventures in Wonderland is an English fairytale and The Wonderful Wizard of Oz is considered the first American fairytale, and Karlie convinced Taylor to stay in America and live in New York rather than London where Dianna was? Do Alice and Dorothy’s different reactions to their discovered worlds speak to how both Karlie and Dianna feel about closeting vs being out or maybe how they feel toward Taylor in some way? I genuinely have no clue, but it's some interesting food for thought. (This isn't Dianna, Swiftgron, or Alice's Adventures in Wonderland slander btw, I don't know enough about Swiftgron besides the basics to do that.)

In Conclusion 🌼

I have no way of knowing if Taylor has even read the Oz books, seen Return to Oz, and knows all this information, but I think it's fun that these connections are there. If there are more connections you thought of or ones that you think I missed, let me know!

Thanks for reading!

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quirkle2 · 2 years ago

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Warriors smiles. It's bright and wide and warm, relieved and watery and wobbly, and he feels like his body has just been recreated. The mourning over losing his only family to portals and fate ebbs from his chest, escapes through the laugh he lets out, incredulous and elated, maybe slightly hysterical, but Legend lets one out that sounds much the same, so he feels a bit more justified in it.

Instantly, the present burn in his chest snuffs out, smoke in his lungs and soot on his bones, and the hello, good morning, I love you, wants to pour out of him like water to a rickety dam.

piece to accompany a wip fic of mine, cinnamon

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necrotic-nephilim · 4 months ago

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i recently remembered DickTim Week 2024 is happening very soon and i looked at the prompts again to see if i could get anything out for it and. the Hades & Persephone AU prompt for day 1 has got me really thinking so here's a vague concept i plan to write.

i've been pretty burnt out on modern Hades & Persephone retellings because of how they always seem to fall into the same generic "innocent wide-eyed girl runs from her evil mean mother into the arms of a dark mysterious man because actually she went willingly and chose to marry him" which has gotten repetitive for my tastes. (for clarity i don't care if this retelling is your cup of tea personally, so long as you're not actively trying to rewrite the original myth and claim untrue things about it, if this is your favorite flavor i sincerely hope you enjoy the buffet i just have little interest in it since it feels overdone for me and exhausted of it's supposed commentary atp)

but? but. biblically accurate Hades & Persephone AU has me all kinds of interested. because wait listen so hear me out right. Hades!Dick and Persephone!Tim, obviously. i feel it'd be more loosely inspired by with themes and imagery (though playing with death and nature powers could be interesting, i haven't decided) rather than explicitly making them gods and all. but. something dark and fucked up where Dick and Bruce are especially estranged. maybe to do with Jason's return, maybe to do with them just clashing and having their usual explosive arguments. and Bruce knows the peace needs to be kept, if he and Dick are at odds then everyone starts to pick sides and things just fracture so he needs a peace offering.

and the peace offering is Tim.

Bruce (the stand-in for Zeus) offers up Tim. agrees to have Tim move to Bludhaven and be Dick's... whatever Dick wants him to be. knowing that with the implication comes the likelihood of Dick grooming Tim. and Tim has no real say and is hesitant to put up a real fight. he doesn't want this, he knows what this is going to imply Dick will do to him, but he also knows if he says no things have the possibility to just... fall apart. so he's the unwilling bride, dragged off to the metaphorical underworld (Bludhaven) with Dick, away from his family, his friends, the life he built.

and on the flip side, i think weirdly enough, your best pick for the Demeter stand-in is *Jason*. just, hear me out on that. not necessarily on the side of it being motherly, but on Jason being just estranged enough from the Batfamily to be the one willing to call it out for being bad and wrong and raising bloody hell to get Tim back. maybe it's because Jason wants Tim for himself, maybe it's truly out of a concern for Tim to have autonomy, i'm toying with the idea of it primarily being Tim's POV and him genuinely not knowing which of these is true. (and the truth possibly ends up being a complicated middle ground) and because i like Helena, i think you can use her as the Hekate stand in, the one who strikes a tentative alliance with Jason and tries to go find Tim and bring him back. Tim stuck with Dick, getting groomed and hyperaware of it, possibly even getting fucked the whole time as well, knowing he can't go back without causing massive issues for Dick and Bruce because well, Bruce did promise him to Dick. so he has to adjust his whole life, try to figure out being a vigilante in this new city with Dick breathing down his neck the whole time.

and then much like the ending of the myth, a sort of compromise is struck that's a shaky deal for everyone involved. Tim is put on an essential timeshare, going back and forth between Gotham, where he has friends and family and a support system, then getting dragged right back to Bludhaven with Dick in this brutal cycle that he slowly gets used to and stockholm'd into even liking it. Dick isn't so bad, once he gets used to the quirks of their unbalanced 'relationship'. the sex is even something he can adjust to as well. not quite a happy ending but one that sits in this realistic grey area that becomes Tim's life.

i will write this, eventually, but i don't know if i'll get to it before DickTim Week ends so by posting the idea i'm essentially putting it out into the world so the peer pressure holds me accountable. i just. really like the potential of making Hades/Persephone AUs as fucked up as they can be simply by adhering to the source material and making it a raw story of being stolen away and forced to like this new home you didn't ask for.

also a less fleshed-out aspect of this idea i have ties into Persephone becoming the Queen of the Underworld when she's taken and how the transition from Kore to Persephone could be reflected in Tim. how he makes the best of the worst situation and becomes something far more dangerous and dark when he's in Bludhaven, possibly takes on a new vigilante name/identity and leans into the worst quirks of his personality he tries to tamper because there's no point in not going full tilt Obsessively Weird if he has no choice anyway and it being one small way he takes back his autonomy, and that inevitably making Dick *more* into him, because he gets to see Tim finally just. let loose.

#dicktim #timdick #batcest #necrotic festerings #necrotic works in progress #dicktim week 2024 #fandom event #this will be written i've just got a pile of things before it.#i'm mostly posting it so i don't fucking forget about it #i'm also interested in some of the other prompts #day 2 is full of goodies. and day 7.#but the other prompts are probably ideas that'll be shorter and quicker #this one i feel. if i rlly fucking ran with it. could go on to be a novella length idea.#idk how long it'll get when i write it #but there will be smut this i promise you #also i'm respectfully begging y'all pls don't do hades/persephone myth discourse on this post #i really *don't* care if you like romantic retelings i promise. they're just not my vibe #and i also promise i am *incredibly* well read on this myth #if you try to give me the “well in some versions-” argument i'm *going* to get incredibly boring with so many sources.#like i will go step by step through every ancient version of this myth.#i save that discourse for spiritual spaces tho so pls don't drag it here i will combust #anyway making jason the demeter stand in is funny bc greek mythos also does do the incest pretty hard #so like. it still works. it's funny #how long will this take i honestly cannot tell you #depends on if i cave and bump it up in the queue bc it's behind like. four fics i'm so sorry.#but you're welcome to send asks or whatnot to shout at me about this idea and 'yes and' me #that applies to any of my ideas anyone is welcome to 'yes and' that shit #it delights me dearly.#my sole hang up on this rn is how godly do i make it. do i give them powers. or do i just make it vaguely inspired by the myth.#both are fun for their own reasons.

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yuriyuruandyuraart · 1 year ago

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happy day

#art #illustration #my art #utmv #cross #cross sans #fem!cross #who's taking this pic? idk you guess >;)#but fr tho hhh i'm so glad it's finally done!!#aughgh i was SO sick today y'all i almost couldn't finish it</3 but here you go!#my last art before i leave for my vacation trip >:'D she looks so good sob sob<3333 #muah muah i'm gonna miss the internet</3 at least i'll go to the beach so yknow- gotta look at the bright side >:')c #take care everyone! i on the other hand am gonna go to sleep early hhh xD

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viperwhispered · 4 months ago

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The 'Anything Goes' Story

So, I was thinking of doing a fun little writing challenge thing, where basically

Y’all give me a prompt

I write a short bit according to that prompt

Y’all give me another prompt to continue the story with

I write the continuation to the previous part based on the new prompt

And so on so forth

Now I know my brand’s basically Jamil x reader, but feel free to throw whatever my way, as long as we're sticking to twst.

A serious LeoVil scene? I’ll make an attempt. Crack (taken seriously or not) Crewel x his furcoat? Sure I’ll give it a go. Just a day in the life of the prefect? Yeah I'll go for it.

Like, I can’t promise to do them well, especially with characters I'm less familiar with, but I will try to do something.

Especially with the prompts after the first one, you can totally take things into a totally new direction with genre, style or character suggestions.

Want me to turn the story into a soap opera? Sure. Horror story? I can try. Pepper in some angst (or humor) in the middle of whatever else is going on? I’m on it. Throw a surprise character (or even oc) my way? I’ll try to squeeze them in somehow.

Basically, this is giving you all free reign to throw curveballs my way and see what a beautiful mess story we’ll make together.

I would ask you to keep the prompts short, like a couple lines at most, since the individual story installments will ideally be about drabble length (unless I get carried away, oop). Something like character(s), scenario, tone / genre, or whatever y'all think would be fun to see.

For starters, I’ll pick the first prompt given as a reply / reblog to this post. For future installments, I’ll probably be posting the continuations at different times, giving folks on different timezones the chance to participate and give a prompt.

Also no two prompts in a row from the same person (if this somehow gets a lot of people onboard, I might increase the limit, but let’s start with that).

If for some reason I’m uncomfortable writing something in a particular prompt (or my head is fully empty), I might veto it and ask the person to modify their suggestion / make a new one. I would also like to keep this story sfw, tho I’m okay going suggestive / violent / dramatic with it.

The story installments

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Tag list

@colliope @crystallizsch @diodellet @jamilsimpno69 @jamilvapologist

@lex752 @perilous-pasta @twstgo

If you’re someone who would like to be tagged for this thing (or my writing in general), do let me know!

#ner talks #twisted wonderland #the anything goes story #really curious to see how this goes and if y'all will be into this #there was a fun post I posted some time ago on my main with a kinda similar concept and good examples of potential prompts #but of course I cannot find it now #but hopefully y'all get what I'm getting at here #if y'all want any clarification do let me know!#(tho I am kinda posting this before going to bed so it might take a bit)

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happywitchesofnewdi · 27 days ago

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I sent this album cover to my psychologist friend who knows nothing about Switch and her immediate response was "Ah. Those three are definitely fucking."

#Enstars #natsume sakasaki #sora harukawa #Switch #tsumugi aoba #Polyswitch confirmed? 😂#post by galaxy #Alright destiny here can we talk about this absolutely diabolical album cover for a second??#Like first of all wth is happening with the underwear peek?? Like excuse me??Okay go off switch I didn't know we were entering your hard er #Sora is so cute in this photo I love him. Beautiful boy #But Tsumugi is such a DORK. LOOK AT HIM!!! What kind of face is that?? Bro has been watching too much anime #He looks like p5r maruki trying to be sexy #Y'all know fr I love him tho. Tsumugi my love #Okay I'm done

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ibelieveinahappilyeverafter · 9 months ago

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Okay okay okay, but, because my brain never shuts up and stops with the story ideas

#poll #writing #prompt #listen i know i got polls for mafia princess going on #but i was watching the secret storytime youtube shorts and got Inspired from reading the comments #don't be like me kids #try to focus on one project at a time #original #really tho which one do y'all like more?#i'm kind of here for haunted apartment

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reikunrei · 7 months ago

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i will always be on my high horse about believing henry equals one equals vecna when i first watched st4, and STILL believing he didn't deserve to be trapped in the lab for decades and getting a genuine pit in my stomach when baby henry was strapped down, branded, and visibly afraid/uncomfortable under brenner's care. like idk man it seems like something went wrong in your life if you saw a child pinned like a bug, no matter their supposed circumstances, and thought they deserved it. sounds like a huge moral failing on your part

#especially when he's not even a real person lmao like damn why are you trying to punish this string of text #like genuinely i will always be a pretentious asshole about this LMAO #even when i truly believed they were all the same person i was still like. damn. this Sucks tho #and obviously he's going to be someone who's meant to be sympathized and empathized with #like. BEFORE i was ever part of the fandom AT ALL i was like. oh yeah this is meant to just be sad and devastating and #we're not meant to actually be mad at him. this is meant to be sad. this is meant to be gut wrenching #but instead 99% of people jumped on the bandwagon of 'evil from birth' like wow y'all really are stupid huh #anyway. bye.#i say things #stranger things #like straight up i wasnt even actually mad at him or thought he deserved a horrible death EVEN AFTER he became vecna #like. even AFTER the massacre and the hawkins teens i was genuinely still there like. wow this is sad. what a tragedy #for everyone involved INCLUDING him. bc he was obviously pushed here.

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wordsmithwhumpsandfluff · 7 months ago

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Concussed Oliver (part 2)

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The air in the waiting room felt tense.

Keiko was there before the girls had even gotten Oliver there. About twenty minutes after that, Jordan had the mind to call Isaac and tell him what had happened. The blonde was there in a flash, looking distraught.

None of them were saying anything. Eliana had an arm around Jordan’s shoulders, her lips pressed to the black-haired girl’s temple. Birdie had no fidget toy, so she’d started cracking her neck and picking at the skin on her hands to the point where she’d broke skin and was bleeding a bit, and Spirit had to find a pen for Birdie to click so she’s stop picking her hands.

Keiko was holding Amberlynn’s hand while Amberlynn just stared off at nothing. And Isaac just wouldn’t stop bouncing his foot while his heart raced.

“Oliver Brown?” a doctor said, coming into the waiting room. Eagerly, all of them stood and looked at the man.

“He’s fine,” the doctor said, and all of them sagged in relief. “Tests prove that it’s a mild concussion. He’s resting now. Have you contacted his family?”

“I called his parents,” Keiko answered. “They didn’t pick up, but I left voicemails and texts.”

“Can we see him?” Isaac asked, a bit of impatience in his voice.

The doctor opened a small sympathetic smile. “I can take you to his room now.”

— — —

There was a weird smell in the air when Oliver woke up. It smelled like bleach, and Oliver hated that scent. It just wasn’t pleasant.

There was a pulsing pain in his head, but not as bad as he remembered it being earlier. Still, his head felt like it was spinning.

When he squinted his eyes open a bit, getting the world into focus, Oliver first noticed that the room was dim but not pitch black. He then noticed that he wasn’t alone.

There was a small sofa in the corner of his room, and a chair beside it. Amberlynn and Keiko were curled up on the chair, and somehow, Eliana, Jordan and Birdie were all squished together on the couch. All of them were sleeping.

Spirit was sitting on the floor, on her phone. And Isaac was on a wheely chair by his bedside, asleep with his arms and head on the bed and holding Oliver’s hand in his.

Blinking a few times, he squeezed Isaac’s hand a bit. The little pressure made the blonde stir and lift his head a bit, blinking sleepily before he realized Oliver was looking at him. Suddenly, the blonde’s eyes widened and he whispered, “Olive?”

Oliver squeezed his hand again, smiling tiredly a bit. “Hi,” he said, his voice slightly hoarse and sore.

Isaac smiled back, looking relieved, and squeezed Oliver’s hand back.

“Hey, Oliver,” Spirit said from where she was sitting, having heard Isaac and Oliver whispering and realizing he was awake. She stood from where she was sitting and went to the opposite side of the bed from where Isaac was. “You gave us quite the goddamn scare.”

Oliver’s smile faltered slightly. “I’m sor—”

He was cut off by Spirit hugging him.

“How long was I out?” Oliver asked when Spirit pulled away, looking between her and the blonde.

“Since, like, five-thirty in the morning,” Spirit said with a shrug. "It’s almost 1pm. That’s why everyone’s asleep.”

“How the hell did you bump your head?” Isaac asked, shaking his head. “You guys were having a sleepover, and none of the girls knew how you rattled your damn brain. So, what happened?”

Oliver said nothing for a second. Then, his cheeks turned five shades redder, looking embarrassed. “I. . . I was dancing to the music that was playing while I took my shower, and I slipped and hit my head on the wall. I didn’t say anything ‘cause. . . yeah.”

Spirit raised a brow. “You were embarrassed about that? Oliver, Isaac is the moron who stood on a cafeteria table in middle school and screamed ‘food fight’, only to get no reaction from anyone. Slipping in the shower is nowhere near as embarrassing as that.”

Isaac shot a glare at Spirit. “Are you ever gonna let that go?”

“Never.”

Oliver chuckled a bit, only to wince when the bit of laughter made his head throb a bit.

“I’ll go find your parents and tell them you’re awake,” Spirit said to Oliver, and the boy’s eyes widened.

“My parents are here?!Why?!”

Isaac scoffed. “Because you busted your head. Duh.”

Spirit squeezed Oliver’s shoulder before walking to the door and leaving. With everyone else in the room still sleeping, it really felt like it was just Oliver and Isaac.

“You feeling alright right now?” Isaac asked. He was still holding Oliver’s hand.

“Yeah,” Oliver sighed, sinking back against his pillow. “My head hurts like hell and I’m wearing a paper gown instead of pants, but I’m fine.”

Isaac wheeled his chair to the side a bit so he was closer to Oliver’s head. Still holding Oliver’s hand with one hand, Isaac used his other to brush Oliver’s hair away from his face. He chuckled, looking at the wall. “Dancing in the shower,” he chuckled. “You’re in the hospital because you danced in the fucking shower!” Isaac began to laugh quietly, shoulders shaking.

Oliver flushed a bit, still slightly embarrassed, but then he also began to laugh quietly.

When their little quiet fit of laughter was over, Isaac squeezed Oliver’s hand again. “Next time, maybe take a bath,” he whispered.

Oliver squeezed back. “Yeah, I think I will. I don’t wanna ruin another sleepover by having to be driven to the hospital in the middle of the night.”

Isaac’s humorous look became slightly softer, and he bent down, hugging Oliver and not letting go. “I’m happy you’re fine.”

Oliver sighed, pressing his temple to Isaac’s. Then he chuckled and whispered, “Hell yeah, I’m fine. There’s no way dancing to fucking Grouplove was gonna be how I go out.”

#I had to end this with Isaac and Olive being fluffy. I just HAD to.🥲#thebrilliantidiots #fluff #concussion #Spirit is my insomniac QUEEN!!#Gonna be totally honest tho -- I've been re-writing this since 3:15pm and it is now 2:28 in the morning😭#Grouplove is lowkey an epic band tho😎#What do y'all think Spirit's doin' on that phone?? Maybe texting a certain someone?/👀❓#I'm gonna go to sleep now before I crash here at my desk. Good night💤😴✌️

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