#her cat: i can survive in the wild! i will attempt this every time the door opens!
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uglytrannymess · 9 months ago
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I was just beaten, stabbed, and shot all in just the matter of a few days, each day a different incident or attack by an individual in my family and outside of my family by ppl around me, I had to get several stitches in my legs, arms, hands and even some in my face after being jumped and beaten and stabbed, I had a bullet pulled out my leg and my side, I was shot 8 times, 4 times in the legs and 2 times in my right lower abdomen and another 2 times in my left lower abdomen, I been in and out of the hospital including the mental hospital for suicide attempts as well as being harmed by transphobic ppl, I've been struggling paying for costs of a vet visit after my kitten was killed by my moms dog after she had her dog kill her, I've been raped, molested and abused by my family and ppl in my schools and neighborhood and I just get tired of being in this same situation surrounded by poverty, I live in a neighborhood where I'm constantly threatened for being a black trans woman and I have NO ONE TO TURN TO, I've tried getting help finding a new job but it's harder after constantly being fired for molestation at work and sexual harassment and constant work abuse I've been thru whether it was employees or managers targeting me with harassment and bullying within the workplace and it's been hard in general trying to get help with financial situations, paying for medical bills and get med assistance from the government and the city as well as mental health help for therapists, psychiatric help, and safe space havens or shelters, I've also been from mental health facility shelter to homeless shelters and been harassed, abused, raped and molested in EVERY SINGLE ONE, i am currently living in a rundown home surrounded by poverty and bad conditions, rusted bursted pipes, i have no plumbing, no water, no way to get anything to drink, to clean stuff with, i dont have water for dishes to be cleaned, laundry to be washed, or to bathe or shower in or to take a piss or shit in either and there are several dead cats in my basement as well as raccoons from all the holes in the walls, I had to freeze in the winter and was trying to get help from the city with some government assistance and I'VE YET TO GET ANY HELP, ANY THERAPISTS FOR MY MENTAL HEALTH I'M STILL ON A QUEUE, I HAVE NO HELP FOR MENTAL HEALTH MEDS, OR PSYCHIATRIC HELP, I can't seem to afford to get help with much even after succeeding my Gofundme goal because I had to use most of that money for food for me and my cats and keep cleaning products to get my home clean WHICH IS STILL A MESS. so what i need anyone to do for me if yall POSSIBLY CAN, is reblog this as much as you can and please share my links to donation help with pet food, water, meds, med help, mental health help, finding an apartment, getting a bed or mattress, and any daily needs and necessities IF YALL CAN.
My goal is to get at least $2500 to $3000, I know it's alot but rn I need as much as I can possibly get, yall can send anything, nothing is too small it's ALL APPRECIATED. IF PPL CAN SEND AT LEAST 25 OR 30$ EACH IT WOULD HELP OUT SO MUCH, BUT AGAIN ANY AMOUNT IS APPRECIATED. THIS is REALLY IMPORTANT!!....I'M TRYING MY BEST TO SURVIVE RIGHT NOW!
Cashapp: $Slasherstan91
Venmo: Negrophiliac (I know the name's wild 😭)
Chime: $MarsRayL
Paypal: paypal.me/MarsRayL
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tedwardremus · 1 month ago
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Jilytober Dy 15
Prompt: You can kiss me, you know."
Bath time with Harry had become less about getting him clean and more about surviving the aquatic chaos. The toddler had decided that turning the tub into a battlefield was far more fun than letting his father scrub him.
"Come on, Harry," James pleaded, trying to wrangle his squirming son. "Just sit still for two more seconds, and we’ll be done!"
But Harry had other ideas. With a mischievous squeal, he splashed a wave of soapy water right into James' face, leaving him blinking through his drenched glasses. While James fumbled for his wand to clean them, Harry seized the opportunity and made a break for it, giggling wildly as he bolted out of the tub and dashed through the house, leaving a trail of water in his wake.
"Harry! Get back here!" James yelled, skidding across the wet floor in his socks as he chased after his slippery, naked son. Harry’s chubby legs moved faster than James thought possible, the toddler’s high-pitched giggles echoing through the house. As Harry reached the back door, it automatically swung open and the little escape artist darted outside like a miniature streak of lightning.
James cursed under his breath. "Brilliant. Accidental magic. Every. Single. Day."
When James finally stumbled outside, he came to a halt and blinked in disbelief. There, in the middle of the garden, was Harry, proudly sitting in a giant puddle of mud. The toddler smacked the mud with both hands, sending splatters everywhere, laughing like it was the best day of his life.
James pinched the bridge of his nose, trying not to laugh himself. "Merlin’s pants, Harry," he muttered. "You're not even two and you’re already causing enough stress to put me in an early grave."
Harry looked up at him, grinning from ear to ear, cheeks smeared with dirt.
James sighed dramatically and trudged over to retrieve his very proud, very filthy son. "Well, congratulations," he said, scooping Harry up under the armpits. "We’re doing bath time again.”
When they stepped back inside, Lily greeted them with a burst of laughter. "I thought you said you were going to give him a bath, not take him on a mud-splashing adventure."
"Ah, yes," James replied with a grin. "Did I not mention it was a mud bath? Very exclusive, I hear."
Lily rolled her eyes playfully. "What are we going to do with you, hmm?" she asked Harry, lifting him from James' arms and holding him close. She leaned in, attempting to kiss his cheek, but Harry started kicking like an over-caffeinated flobberworm, squirming out of her grasp. Before they knew it, he was off, running after the cat with wild abandon, still half-covered in mud.
Lily shook her head, watching Harry tear through the house. "Honestly," she sighed. "I’m starting to think you encourage this behavior."
"It builds character," James said, winking. Then he leaned in, wrapping his arms around her waist. "But you know, if you’re looking to kiss someone, you can kiss me."
Lily laughed, pressing a kiss to his lips. "I’ll take what I can get, since the other Potter is too busy chasing the cat."
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rogerbarel · 2 months ago
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tell me more about nora (pls)
I will try to provide a reasonable amount of information! 🫡 I don't actually know what constitutes "reasonable," though, so this will probably be an infodump.
Also thank you for being the reason I finally finished her damn portrait. Idk how shading hair works and I'm not finding out today.
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This is Miss Lenore "Nora" Langley, and she's a proud problem.
Nora is 22, 5', and has been a robin for the entirety of the two years she's lived in London.
She's the youngest of four children. Both of her elder sisters married before 24, but no one expects Nora to snag a man anytime soon. They historically find her offputting and aggressive.
Her parents named her after Edgar Allen Poe's Lenore just 'cause they thought the name was pretty, but she hates it. She'd never want to be a helpless, pitiable, dead type of beautiful. If you push the subject, she'll say she doesn't think she can be that sort of beautiful that makes people want to rescue or mourn her. She doesn't have the face or the temperament for it.
She has a complex about being seen as "fragile" from years of people having very strong reactions--from fear to contempt to anger--to her tendency to cry easily at any strong emotion. Even when she can't help but cry, she tries to keep herself in motion because she's afraid of being helpless. She manages to keep it on the down low during her first few days with Crown since she thinks crying is antithetical to her survival here, but she cracks once during a brief hostage incident (Roger's secret event story) and then kinda loses it for an evening after a brush with Alfons's power. Oops, cat's outta the bag!
Nora is happy to be helpful to people who are kind to her and others (she's got soft spots for Liam and Ellis and spends a lot of time with them), and she puts a lot of effort into getting to know interesting people on her work routes, but she's also vindictive and selfish and doesn't care much about being a bad person herself. She's also kind of just a tsundere who can be friendly with most people who aren't Roger or Alfons.
And tbf she's still....... friendly..... -ish with Roger. He makes her mad as hell with his incessant teasing (and she KNOWS he's deliberately trying to make her mad/compete with him BUT SHE CAN'T STOP), but she also thinks he's funny, opts to spend the most time with him, and notices him looking out for her in his weird, "I'm totally just doing this for my own benefit" way. Every time he calls her his dog, she insists that he's the perverted, untrained mutt who can't keep his paws to himself. Unfortunately, she's also laughing while she tries to smack him with his research folders. In other words... she's down bad. Down abysmal. Will NOT admit it until he admits that love is REAL and she was RIGHT and NOT ONLY THAT, but he's ALSO IN LOVE AND OBSESSED WITH HER AND WORSHIPS HER BECAUSE SHE'S THE BEST THING TO EVER HAPPEN TO HIS LIFE AND SHE'S A PURE MAIDEN WHO DESERVES NOTHING LESS. And also because she can't bear the thought of Roger only playing with her for "fun" when she's just miserably, miserably in love.
Uhhhhh other notes:
- (cw for attempted assault in this paragraph) Has a scar between her breasts from an Incident during her early time as a robin. As of the beginning of the game, only the doctor who treated her knows. Through a stroke of luck, she managed to leave the attacker in worse condition.
- Finds the idea of fate boring at best, infuriating at worst.
- Collects interesting acquaintances on her work routes like they're Pokémon. Sometimes loses track of time yappin'. Would love to go to one of Will's Mad Tea Parties.
- Probably delivered mail to Oscar Wilde once. Probably thinks he's a prick. Would be mad to find out his writing is actually good.
- She developed resting smug bitch face specifically to rid herself of resting about-to-cry face.
- Her associated animal is the Luzon Bleeding Heart dove! That's why she has her scar and her red ribbon.
- Roger often compares the default MC to a corgi, but Nora is more like an angry pomeranian.
- Virgin. Thinking about finding God again because every day this shameless whore tempts her, but she CANNOT admit she wants it and thus lose to him.
- Her sanpaku is very important!! It's her charm point imo! I specifically made her the opposite of what I imagined a "cute, endearing crier" to be because I thought that made Roger getting horny about it funnier.
- Has a scowl that can rival Jude's.
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... That wasn't a reasonable amount at all. Sighs. I knew it would be like this. I'm so sorry. I just love her. So much. 😭
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anghraine · 2 years ago
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My mother has been trying to insist that her cat (the beloved but silly and fearless creature who went missing for a couple days last month) is less spoiled than Andromeda, my/my dad’s cat.
For context, she tried to give raw bacon to her cat this morning and he refused to eat it until she cooked it and then hand fed it to him.
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lastoneout · 3 years ago
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While the love at first smile thing is very cute, to me the moment Laventon fell out his crush and fully in love with Cyllene was when she took in her abra.
Like she comes up to him like “I found this baby Pokemon, it looks okay but the mother is gone and I couldn’t just leave it but I don’t know how to take care of it, can you help?” And Laventon wholeheartedly agrees to.
Cue cute bonding over co-parenting her pet Abra. (Also Cyllene had feelings for Laventon at this point too, she just didn’t know how to express them at the time).
Honestly, Cyllene having an abra of all pokemon is such a WILD bit of character building when you break it down because if you've played any game where abra can be caught you know it's OBSCENELY hard to get your hands on one(at least in early game). They always use teleport IMMEDIATELY, and it's like the ONLY move they have, and you don't usually have anything to stop them from running at the point in the game where you first encounter them. I mean ask a lot of nuzlocke players getting an abra is GREAT but also almost impossible. Like some of the games just HAND you an abra because it's just too hard.
And catching enough abra to finish their dex entry in PLA was ridiculous like there are SO many strong pokemon in the areas where abra show up who want to, can, and absolutely will kick your ass the second they see you, not to mention the abra teleport around randomly by default and on purpose if they notice you. You have to sneak through several dangerous ass areas and then up on the abra with like a bunch of jet balls and aim like a boss while praying. So like?? Cyllene my love HOW did you get an abra????
I love the idea of her finding it when it's young and raising it though, especially with the image of just, how matter of fact she is? Like her finding it like "People only help those who help themselves. If you aren't strong enough to survive on your own you will die." *takes it home* and then raising it like "I am not a kind or affectionate person or mother. Life is hard, you will have to be harder. If you aren't you will live a short life and likely die. I love you." *gives it chin scritches and head pats* just total dissonance like that. But ofc the abra doesn't mind because it's basically a cat psychic so it knows how much Cyllene cares even if she doesn't show it the same way other people would.
And...my heart...Laventon maybe already sorta liking Cyllene, maybe saw her smile once or do something cute and was like "oh I like her wow", but then seeing her awkward yet earnest attempts at saving his little abra and all the small, slightly strange and completely genuine expressions of love and affection...and he's like *softly* "Oh..." just full fanfic trope he's GONE just loves her and just loves her more with every day, not in spite of how "weird" she is but because of it....my heart....T_T <3 <3
they co-parent the heck out of that abra tho and Cyllene absolutely complains about Laventon spoiling it but does nothing to stop it.
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tommyspeakycap · 4 years ago
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Can we get baby little Shelby find a bunny and ask Tommy and John to take it home. And get scolded by Polly when they at home? 💕💕
more pre war Tommy fluff ;) 
Bunny
“Tommy!”
The dark haired man’s heart flies into his throat, his mind immediately kicking into gear as he drops the coin he was about to flip. He was deciding whether or not to buy a horse with a new inflow of cash they had recently gotten. That horse is lost the second he hears the shriek that came from somewhere behind him. The heavy boots on his feet make easy work of crushing through powdery snow, but give a very little to prevent him from tripping and slipping; although the fear coursing through him and his extreme haste may well have contributed to his somewhat uncoordinated limbs.
In the maybe a minute that it takes form Tommy to get from where he was to where he had traced his little sister to, a million and one thoughts race through his mind. He fears every worst case scenario his mind can conjure up and immediately blames himself for bringing you out to the country to play in some fresh snow with John and Finn. The air was much clearer out here and so too was Tommy’s mind. He could think, be free of the city smoke and the harsh environment that appears to be tacked to his work in the family business. There was so much pressure on the raven haired bookmaker to uphold his own personal morals while also living a notoriously immoral life. He tried to keep his hands clean, prevent himself from muddying the line between pointless violence and the necessary survival and protection of his family.
So going with his 5 year old little sister out to the county was something not uncommon for him. And the snow had only given him more reason to. He regretted that now.
“What-” Tommy wheezed out, unable to speak for lack of his breath after attempting to run through the deep, deep snow. “What’s happened,” he coughs, “Are you alri-“
“Tommy!” The little girl whispers harshly, waving her hands at him disapprovingly, “Shhhhh, you’ll scare it away!” Tommy snaps his mouth shut, instead opting to take the five year olds outstretched hand and crouch down as she instructs him. On her other side is John; crouched down with one arm around Finn to keep him still. “What are we looking at?” Tommy asks quietly, his neck craned to try and spot whatever his other siblings had noticed. 
“It’s a bunny, Tom. Look.” (y/n) points with her little hand and Tommy follows the general direction in which her hand is showing him. In doing so, he squints and finds his gaze falling upon a small white rabbit sitting picking a blade of grass that it had pulled through the snow. “They want to take it home.” John states, grinning at Tommy something like a Cheshire Cat because he knows for a fact that man isn't able to say no to the puppy dogs eyes of (y/n) and Finn Shelby when they truly wanted something.
“Hm, I don't think so.” He mumbles, trying to keep his eyes off of the disappointed face of his younger siblings. “You know Aunt Polly’ll go mad.” The second he does turn his head to see his youngest siblings gazing up at him in the desperate way he knows always works, he regrets it. “Please Tommy, pleeeease?” (y/n) begs, clasping her cold little hands together and pulling her most convincing puppy eyes Tommy might've ever seen. “Yeah Tommy, please? Pretty pretty please?” Finn joins in, practically bouncing on the balls of his feet in excitement and anticipation at the idea of having the little bunny as a pet. 
“Yeah Tom,” John sniggers, stubbing out his cigarette on the snowy ground. The elder brother puts on a pout to mimic (y/n) and Finn, not serving to make things any easier for Tommy as the youngest two weren't able to pick up on John’s teasing nature and sarcastic reiteration of their words. They took it as encouragement while Tommy knew John would be going home to Martha and his own kids, thus wouldn't have to be on the reviewing end of Polly’s temper. Tommy rolls his eyes and inhales deeply, thinking briefly about how angry Polly would be compared to how much it would make you and Finn giggle to have a pet even if only for a while before Tommy would free it back into the wild and tell some lie about a magic bunny farm. The kids chanting brought his mind back. “Please, please, please!” 
“Alright,” Tommy cuts them off, “Alright. But we’re not chasing it around all afternoon.”
--
How on earth Tommy ended up holding his little sister as he stood in the doorway of the Shelby family home kicking the snow off his boots while said little sister had his big trench coat wrapped around her and her smaller jacket used as a blanket for their new bunny rabbit friend, he will never know. He genuinely felt like if he had been outside for one more minute he would have actually frozen stiff, however it was always his top priority that his littlest sibling was as safe as she could be; so it was suffice to say the idea of her getting frostbite and slash or hypothermia after she insisted on wrapping the little rabbit in her own coat was less than appealing to Tommy, so she could keep his warm winter jacket as long as she desired.
“Right Finn, straight into the living room and not a peep to Pol alright?” Finn nods vigorously in a show of his determination to follow his brothers order as he places the wrapped up bunny into the young boys arms. Finn tries to run as unsuspiciously as he can past Polly in the kitchen to go through to the living room where only Ada sat, reading a book by the fire underneath a blanket. 
“Tommy?” The little girls voice draws an “Mhm?” from him as he battles to get her stiff winter boots off of her tiny cold feet. “What're we going to name him?” She enquires, her voice as inquisitive as any other curious 5 year old is. Tommy hums in thought, tapping (y/n)’s other foot in the way that he does that tells her to put her foot down and lift the other one for Tommy to pull that boot off too. There was a distinct routine between the two that had been established in the last five years of her life with Tommy acting as her primary caregiver.
“I don't know, love. Whatever you want to call him. Just remember to stay quiet about it yeah?” He looks up to see his little sister nodding firmly, placing her finger over her lips just as Tommy had done so many times when secrecy or silence was needed. 
“Alrighty then.” Tommy says, lifting both the pairs of boots easily in one hand and putting them by the other shoes. He moves his hands to under the small girls armpits and hoists her gently back up onto his hip as to avoid her stepping small puddles of water that had collected from the snow on her boots and his by the door. “Shall we go see what your brothers gotten up to with that-” 
“Jesus fucking Christ Tommy.” 
Both siblings turn their heads quickly to face Polly when they hear her speaking with her stern scolding tone turned on. Polly immediately notes how Tommy looks slightly secretive, like he was ready to start either lying or making some form excuse for something for which her niece looked rather guilty. Deer in the headlights kind of expression. “Look, Pol...” Tommy begins, but is interrupted by his aunt firmly shaking her head and marching towards him. 
“I’ve told you a million times Thomas. She’s five. That means you do still need to put her bloody hat on when you take her out in the cold but you don’t need to fucking carry her everywhere.” She huffs, pressing both her palms against (y/n)’s cold rosy cheeks, “Shes bloody freezing.” Her scolding tone never fails to make Tommy feels as though he’s still a young boy who’s been caught misbehaving by his aunt. However now he’s an adult with responsibility for his little sister and somehow, he ends up on the receiving end of that tone far more than the littlest member of the family ever will. Polly peels Tommy’s coat away off the little girl in his arms so she could hang it up to hopefully dry some before he next needs it and (y/n) doesn't mind not wearing her brothers jacket anymore, however the words that Polly speaks about putting her back down only serves to make her cling a little tighter subconsciously. 
“She's only little, Pol.” Tommy defends, “And we had long day, haven’t we sweetheart?” Polly wants to scoff when (y/n) nods her head and offers up that angel smile that wins the hearts of her entire family, but the woman can’t help but smile back and shake her head. “Well,” she huffs slightly, her hand reaching back up to the little girl to to brush the snow off (y/n)’s hair, “I think the very least your brother could do if he was going to have you out in the freezing cold all day would be to put a bloody hat on you.” 
The little girl giggles, flicking her eyes to Tommy to inspect his reaction to their aunts words. 
“Remembered.” He notes flippantly with a grin and Polly knows fully well that it was not remembered because putting a hat on top of that little girls soft locks of hair was something he had never once remembered to do without a reminder since she was merely a little bald baby. 
“Course.” She responds teasingly, “Dinner’s out soon.”
Tommy nods his head before Polly walks away in the direction of the kitchen again, where Tommy had no doubt Arthur is now lingering to pick off the scraps of dinner before its put out on the table for everyone else. 
“That was a close one, Tom.” The little girl on his hip whispers quietly, her wide eyes causing Tommy to chuckle heartily as he takes them both through to the living room to see what Finn and now likely Ada were doing with this rabbit. “Yes,” Tommy agrees, walking into the living room “It very much was. Hello Ada.” Ada immediately rolls her eyes at the sound of Tommy’s voice. 
“Pol’s going to kill you, you know.” She states, standing and crossing her arms firmly over her chest as Tommy sets his youngest sister down on the floor to run over to where Finn sat with the bunny close to the heat the fire was giving off. “Probably.” Tommy nods.
Ada turns away to wrap her blanket around her only sister, the one she had wished and prayed for since she had been merely a little girl herself. Tommy vividly remembers the many occasions when Ada was not only his youngest sibling, but also his only sister and recalls how unhappy she had been about those facts. Finn being born eased only one of those issues, but Ada rested a while for the time that Finn was a baby before again pestering their mother about wanting a little sister again. 
She had been ecstatic when (y/n) was born, and she had been besotted with that sweet little girl ever since. 
“You always forget to put her hat on, Thomas.” Ada chastises, the reprimand drawing a chuckle from her brother who takes a seat down on the couch and crosses one leg on top of the other. “So I’ve heard.” Tommy mumbles under his breath, just loud enough for her to hear and stretch out her leg to kick his when she too sat back down on the couch.
“Twat.” She hisses. 
It was Tommy’s turn to role his eyes at his sisters flippant comment, paying no mind to her words thrown in a light tease that he knew she only ever half meant.
“That’s not very nice, Ada.” 
(y/n) doesn't do so much as turn around when she chides those words in dismay to Ada’s insult aimed at her Tom. There was no hiding how the little girl adored Tommy. “Exactly Ada,” Tommy grins widely, giving Ada the biggest shit eating look he can muster as he tried not to laugh, “And that’s why you're my favourite, aren't you my love?” The 5 year old simply nods her head in response to her brothers words before turning straight back to play with her new pet. 
“Well, she might be your favourite but you certainly won’t be Polly’s once she sees you’ve brought that home. She’ll go mad.” Ada nods her head in the direction of the fluffy white animal in their living room. Tommy shrugs his shoulders indifferently, “They're happy though, aren't they? and quiet. Worth it really.” 
Ada knew very well that Tommy was right, although it was likely that she wouldn't even think to much on that in his vicinity, just incase he even got the sensation that she was thinking he was in the right. They’ve got a big family and a lot of hard work had to go into making business run smoothly to provide for everyone. The younger kids can sometimes go amiss to the elder siblings on particularly busy days. Sometimes playing and talking to them gets overlooked or their clothes go on back to front because everyone forgot they sometimes still needed help with things like that. 
So giving them the simple pleasure of almost a normal childhood - not one living with the Shelby name and subsequently the future of the Peaky Blinders tacked to them - by letting them a pet that they can look after and love on for a few days at least was something Tommy was willing to grin and bare the wrath of Polly Gray for. 
He was a sucker for that little girl, so when she’s happy there are few things in the world Thomas Shelby wouldn't endure to keep it that way. 
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fragilevixenfic · 3 years ago
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My AO3 Fanfiction Links (Current)
“I’ve never really thought about making a “Master List” of my own work but I figured, now is the time to do so. If any of the links are incorrect just let me know. I fix. 
Adding in a “keep reading” tab because the list is starting to get long and intense.
Each fic is categorized and easily referenced. I’ll update as I go.
X Files
Series
Into The Shadows
XII (COMPLETE): A serial killer targets victims and leaves behind symbols of his affection -- but who is his intended target and what will it take to discover the truth? (This has a lot of trigger warnings)
Dance In The Dark (ONGOING Chapters 12/? Posted **UPDATED):  With the continuing murder trial of Miles, Mulder, Scully, and Max are confronted by the VCU with a case that seems to be mimicking the pattern by their, now infamous, psychopath on trial.
Echoes and Whispers
Parallel (COMPLETE):  The aftermath of the three little words that Mulder says to Scully in his hospital bed after being rescued from the Queen Anne as it re-appeared in the Bermuda Triangle...and the strange connection that Scully starts to feel to a memory that Scully couldn't possibly have.
Only The Night (ONGOING):  Mulder and Scully begin their undercover assignment as an engaged couple with the assistance of Skinner at the University of Maryland to catch a serial rapist, putting their newly formed physical bond to the test in this sequel to “Parallel”.
Casefics
Falling Away (COMPLETE):  Kersh’s assignment partially splits the team as Scully goes undercover under the watchful eye of Mulder as they both assist on an operation with SWAT and FBI personnel. (A gift for Greta)
Veritas se revēlet (COMPLETE):  (The title is roughly translated to let the truth be revealed in Latin) An impromptu wild goose chase leads Mulder and Scully to the drifts of a winter-locked Tonopah, Nevada—where a little more than the embodiment of Mulder’s imagination takes shape between the walls of the Mizpah Hotel in the dead of winter. (A gift for @monikafilefan)
She Walks at Night (COMPLETE):  Mulder’s knack for getting himself and Scully into sticky situations leads them to the heart of NOLA at the tail end of Hurricane season after barely surviving a Floridian storm—to investigate a rumor of a notable Voodoo Queen and missing girls trying to bring her back. (A gift for @starbuck09256)
Intrigues in the Dark (COMPLETE):   A string of suicides leads Mulder and Scully to a sleepy, coastal town in Oregon for the second time—on their return to The X File—as tensions run high and nothing is as it seems. (A gift for @admiralty-xfd)
By Light, Unseen (COMPLETE):   A series of re-opened cold case murders with one link…they’d been drained of every drop of blood and wore the same, haunting stare toward the sky with their lips aghast as if they were still screaming. (A gift for @serahsanguine)
Post-Series
A House is Not a Home (COMPLETE):  The mere thought of raising a newborn in a world full of horrors has every part of Scully’s emotional irrationality over firing on a chilly, winter evening. Mulder wants nothing more than to show her that not everything is gray and grim. (for @danceswithcybermen)
Remember the Reason (COMPLETE):  Post Series (Part 1 of the “Little Redhead Series”). Mulder and Scully already knew that life with a newborn would be difficult but the first Christmas with their two-month-old daughter throws every curveball…some worse than others, some more humorous. (For @underworldobsessed)
Confectioners Sugar & Snow Drifts (COMPLETE):  Post Series (Part 2 of the “Little Redhead Series”). Mulder spends the morning bonding with Eliana by having a Christmas baking session while Scully is out shopping for gifts. Messes, mayhem, and a healthy dose of laughter ensue. No moment is ever dull as the snow falls outside.
The Easter Bunny was a Fox (COMPLETE):  Post Series (Part 3 of the “Little Redhead” Series). Scully has to pick up Bill, Tara, and a couple of surprise family from the airport, leaving Mulder alone with their 6-year-old daughter, Eliana, on Easter Morning. All she has for him are curiosities as Easter’s non-Christian ideology unfolds before her eyes…creating the most unique bonding opportunity for a father and his daughter. (For Flicked_Switch)
Angst/UST/RST
Caught in the Rain (COMPLETE):  A dark, rainy night leads Mulder and Scully to a hole in the wall bar where glasses of Scotch and unresolved tension is re-visited.
Or We Can Burn (COMPLETE):  Post Never Again - expansion and continuation of the aftermath surrounding what Scully has been hiding from Mulder.
It Lingers (COMPLETE):  The aftermath of trauma and the lingering effects of Mulder’s risky attempt to recover the truth about Samantha’s abduction leads to a revelation from Scully about her own coping mechanisms and flashes into a past she doesn’t fully remember...and the path to which they lead thereafter. (For @red2007)
Fluff/Humor
Nervous Laughter (COMPLETE):  It’s been two full days since their tender, albeit brief, moment at the stroke of midnight and Mulder decides to be brave and methodical by inviting Scully over for a little movie and popcorn night for a film that has stayed locked in his mind as her favorite—The Exorcist. (This is a gift for @rationalcashew)
Lamplight & Shooting Stars (COMPLETE):  It’s Spring-time in DC and spontaneous, mutually taken vacation time has become a personal mission of Mulder’s to surprise Scully with so much more than an escape from their norm—and the unseasonable, uncomfortable city heat. (For @underworldobsessed)
Into the Nightlife (ONGOING):  A little paid vacation time never hurt anyone, right? (Not giving anything away this time)
Smut
Insomniac (COMPLETE):  Another lonely, sleepless night, another dingy motel, and another town that isn’t home for Mulder…but, something changed, with the last gasp of the air conditioner as his partner, and best friend, chooses to walk through the adjoining door. (Expanded writing exercise)
Vultus in Speculo (COMPLETE):  The last of the paperwork on the Strickland case has been finalized and filed and Scully goes off for a drink at a known FBI watering hole. Mulder is invited but doesn’t show up until after Scully is halfway through a drink—giving him an opening to inquire about a whole lot more than her flirtations with the Sheriff in the booth of a rooftop bar. (written for @msrheadcanon
Phosphorescence (COMPLETE):  Still reeling from their experience in North Carolina, Mulder and Scully take a much-needed excursion to the coast of Oregon, where a flicker of light becomes more than a curiosity in the middle of the night. (Written for @anniexami)
The Darker Side of Love (COMPLETE): Mulder does not want to talk but he does not want Scully to leave, either. (This is for the MSR fanzine vol 3)
Ficlets/Drabbles/Short Prompt Collection
Affirmations and Protestations: “Fluff and Angst” Prompts (ONGOING):  
 Chapter 1 - "You Weren't Supposed to Hear That" - prompt #5, 61, 77
Chapter 2 - "Shout!" - prompt #19, 61 (From Valerie)
Chapter 3 - "Litost" - prompt #1, 85, 97 (From Monika)
Chapter 4 - "Ad Infinitum" - prompt #42 (From Minuete)
Chapter 5 - "Brick" - prompt - After Scully calls Mulder in the ep Emily, she asks him to bring her some things from home. Her journal falls to the floor and Mulder sees some things written about him that she has never allowed him to know. (from Monika)
Chapter 6 - "I'd rather be oblivious" - prompt #46 (from Annie)
Criminal Minds
Angst/UST/RST
Dulce Periculum (COMPLETE):  Maxine and Spencer have continued seeing each other, in spite of the interference brought to the surface by Cat Adams. Spencer continues to work closely with the BAU after it nearly dismantled, with signature members scattering to the winds, leaving behind only a few, including himself, to keep working on their caseload. After a long, intense case, Spencer returns home to a little more than a can of worms. (A gift for an anonymous prompter)
Law & Order: Special Victims Unit
Angst/UST/RST
Chasing your Silhouette (COMPLETE):  They’d learned each other’s quirks and intricacies on the job—but when did it become over the line? When did physicality become a detriment to them once they’ve taken off their shields? When did they realize the line in the sand no longer existed? (This is meant to take place a couple weeks after “Zebras” – had to assume a timeline, I don’t remember actual dates)
Paternity Redux - Time Just Stopped (COMPLETE):  Her strength has always been immeasurable—but sometimes, something has to give and a string breaks. Nothing will ever be the same.“I’m trying my best, that is enough.” - UnknownThis is part of a challenge, to right a series of wrongs in an episode that has perpetrated many a discussion of “What Could Have Been”. WriterKC, Liv.Einziger, JustAnotherBookWorm78, MrsWellRested, EORocks, AlexisDawn, ChriskaPeach, and I have stepped up to the plate to do just that.
Oblivion (ONGOING 9/? Chapters posted ***UPDATED***):   The undercover operation in Oregon takes an unexpected, unpleasant turn for Olivia Benson as an injury turns her life, and career, upside-down leaving her with pieces of her memory scattered in the wind.
Humor
Unlock the Door (TENTATIVELY COMPLETE 2/2):   Olivia returns home from a celebratory series of shots with Kim Greylek and lets Elliot Stabler hear a little more than she ever intended to in the aftermath.
Series
Polaroids and Promises (COMPLETE):   The Special Victims Unit has undergone an enormous amount of changes in the past six months, to the point that they are drastically undermanned—until a transfer from the 13th precinct brings new life, and a little chaos, to the team. Will her addition prove to be a permanent shift or a flash in the pan?
Discarded Dignity (COMPLETE):   Elora continues to gain much-needed confidence as a member of the Special Victims Unit but an arrival booked for trespassing, assaulting an officer, and disorderly throws her progress into chaos as her past jumps to the surface. Will she be able to look beyond the misstep to solve one of the most convoluted cases she’s faced? 
Contract Corruption (ONGOING 10/?):   Dickie Stabler and Justin Andrisani are in over their heads--and the members of SVU and the Organized Crime task force must come together in order to set things right.
Law & Order: Special Victims Unit/Organized Crime Crossover
Series
Words of love, words of lies, words of loss
Age of Regret (COMPLETE):  Elliot Stabler has never been good with words but ten years and a double on the rocks in a lonely room will make a man pour his heart out…in any way that he can.
Infidelis (COMPLETE): Elliot had been haunted by too many ghosts; expectations, fantasies, and a promise that he knew should never be kept. It was time to lay them all to rest. “I do not regret you…I regret what you did to me.” - Unknown
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bilgisticallykosher · 3 years ago
Text
Don't Jump To Conclusions
TS g/t one-shots
I'm in a Sanders Sides g/t server, and sometimes we take scenarios and write on them. I've written a fair amount of stuff on there, myself, and I decided to collect my stuff, and clean it up. This was partially written by @borrowedblue and @andtheyreonfire
Happy birthday, Vel!
Masterpost | AO3
My Discord, not to be confused with the above g/t Sanders Sides one.
Word count: 3,300
Warnings: Spiders! Spider, anyway. Sentient beings sold as pets, attempting restriction of said beings, mentions of bites, implied past abuse/bad treatment.
-----
Virgil was out shopping. Not for groceries or clothing; he was at a pet store, shopping for supplies for his, let's say, pets. Okay, technically they weren't pets. They were research at the lab he worked at, but he still liked them, even when they did try to bite and attack and hiss at him. His descriptions of such had led people to believe that he worked with cats, but he didn't. 
He worked with spiders. 
Well, a lot of bugs, but he liked the spiders the best. His lab observed their behaviors both individually and in groups to catalog a variety of information. As part of their observations, they needed to keep the spiders in their ideal environment, which included as close to the exact blend of earth as they could get. Unfortunately, they'd run out of their supply today. Fortunately, that sort of stuff was widely available. Unfortunately, they used a very specific brand. Fortunately, they found some in a pet store pretty locally. Unfortunately, Virgil was the one who lived nearest to it, so he was stuck going in and getting it on his way home. What a drag, he had to actually interact with people. 
When he got there, he could see why this was the store that had it. It was certainly… well-stocked. Which, really, was just another way to say "huge." It was like the Home Depot of pet stores; no employees in sight, and aisles in need of some serious maps. But whatever. He at least knew which sections to go past. When he finally got to the specialty mix of dirt, near the back of the store, he grabbed it with an 'Ah-hah!' Then, after his elation had faded, he took in his surroundings a bit more. He looked to his left, and noticed the rescue. 
It wasn't odd for a pet store to have a rescue in it. And despite his surly exterior, well, Virgil wasn't immune to cute fluffy animals. Maybe he just so happened to need to walk back to the registers while passing it by. And maybe while he was walking that way, he'd take a little look. You know. While he was there. 
So, path decided, nodding to himself, he strolled over, bag of soil in hand, and prepared to look at the puppies and kittens. Then he stopped and blinked. There were certainly puppies and kittens, and even a bird there, but there were also some different manner of pets. 
He saw fairies, tiny mers, and all manner of little magical creatures. He walked through the display of cages and terrariums, when one in particular caught his eye. He stared at the sign plastered on the seemingly empty glass case.
CAUTION: I BITE! 
"What the-" he squinted, leaning closer to see if there was anything actually in there. He thought he saw something moving underneath the front of the fake log, and then all of a sudden-
-there it was right in front of him. 
He flinched and took a half step back on instinct, despite the fact that it's in a freaking terrarium, genius, and he took in the creature. It was partly human, but had multiple eyes, and its back half was an abdomen, black with dark blue bands, and had multiple legs. 
A drider. 
It was reared up on its back legs, and it was bearing its (he squinted closer to be certain, and sure enough its human half had freaking fangs), and was generally acting very aggressive.
He thought it- they were trying to puff themself up, emphasizing their eight (eight!!!) limbs, six on the bottom, plus their arms. Their multiple eyes were narrowed, directly at him. They were snarling. 
And Virgil couldn't possibly help but to walk towards the terrarium, warning sign be damned. He sees the spider-person pause, some of the aggression draining out, before they rear back again, seemingly trying to be more intimidating than before. Virgil smirked, fascinated, and sank down into a crouch. He really took in the shape and look of their eyes, and his own eyes widened in response. 
Jumping spider, he realizes, and then, Well, duh, they jumped at you, moron, of course they're a jumpy. He tilted his head a few times, trying to really see the details of the drider, while he had the chance. 
"Woah," Virgil whispered. "You're so cool looking." He watched as they frowned and clicked their mouthparts (didn't look completely like typical chelicara) idly, running their pedipalps over them. They seemed to hesitate, lowering down, and stared at him in a more placated manner. 
Honestly, they were pretty cute. "How far can you jump?" Virgil asked, taking in the size of the enclosure. The creature was watching his gaze like, well, someone who had plenty of eyes, then finally, they spoke up. 
"Far beneath my limit in this facsimile of a proper environment," they crossed a pair of human arms and one set of spider legs. They seemed distrustful, gaze still not fully on him. As though they were apprehensive about his reaction, like it was going to be negative? 
"I'll bet," Virgil responded instead, and he nodded a little as his smile fell into a grimace. "This thing has gotta really suck, huh?" He rubbed the back of his head awkwardly, eyes still flitting over the spider creature's form every so often. They raised an eyebrow. 
"Indeed." Yeah, there was no way they were used to having a normal conversation. They seemed less wary now, but they didn't seem to be holding back their speech at all. Virgil really admired that. He liked that attitude, and that he was the one getting it out of them, and, well, he liked a lot about them. He had...a dangerous thought. 
"What if," Virgil bit his lip, "what if you got out?" The spider huffed, rolling their (well, some of their) eyes. 
"Then I would be able to jump further," they replied, voice clearly dry despite their size difference. 
"No, no," his smile pulled at the corner of his mouth. "I mean. What if you," Virgil hesitated meaningfully, being sure to emphasize the words. "Got, out." The creature's limbs uncrossed. Virgil saw as comprehension dawned. 
"I am," their words were chosen carefully, he noticed. They had been throughout this entire interaction. "Not allowed to leave my enclosure." Their eyes raked over the human's form. 
"What if I got you out?" The spider person chittered, nervousness written on their face. 
"Theft is not an encouraged activity," they eventually settled on. Virgil snorted and muttered 'be gay, do crime' under his breath. "No, I meant like. Maybe, I could, sort of." He paused, breathed in, breathed out, and tried to look as serious as possible. "Take you home? With an adoption fee and everything?"
"I," the drider swallowed visibly, and of course they didn't trust him, they just met him and he doesn't even know their name, or anything, and he didn't introduce himself- "I am unable to survive in the wild on my own," they finished succinctly. 
Virgil hadn't meant that. They might be a drider, but they were clearly still human, especially after the conversation they'd been having, so, was it wrong that he wanted to take them home? He knew that everyone here was raised to live in a home, with a human taking care of them, just like the pets they adopted out beside them. So, maybe they wouldn't mind if he took them home? But, he guessed that their non-answer gave him his answer, then. That kinda sucked. 
"My name's Virgil," he blurted out before he forgot again. "He/him." They stared at each other for a moment. "Uh, what's your name?" He saw them startle, "I mean, y'know, only if you don't mind."
"My name is Logan." They said, voice even, still, but maybe a little less cautious, he thinks? "I… am also male?" And Virgil couldn't help but smirk again at his confused tone. It was sort of adorably endearing. His eyes drifted towards the sign again. 
"So," he smirked a little more. "You actually ever bite anyone before?" Logan rolled (all of) his eyes. 
"Of course," he pointed to the sign. "Otherwise, it would not be stated on my tank." He sounded almost a little proud. He went on, clarifying despite not being asked to. Virgil was not complaining. "Two separate humans, not to mention the time a child opened my tank after wandering away from his parents." His pedipalps whisked over his face, "I jumped just under my potential that day, unfortunately." He didn't sound sorry at all. Virgil's mouth twitched dangerously. "I landed right on his head."
Virgil burst out laughing. Several people in the store turned around to see what the commotion was about. A volunteer in particular hesitated, before starting to come over to the pair. Logan looked smug, Virgil wiped a tear from his eye. 
"Hello, sir, may I help you with anything?" The voice came suddenly from over his shoulder. He just barely suppressed a flinch. 
"Ah!" Couldn't suppress the scream, though.
"You two seem to be getting along!" The volunteer said. "Do you have any questions about him?" The tone of the question was clearly an underlying 'Would you please take him?'
Virgil gave a look towards Logan's direction. He looked back at Virgil. Maybe, Virgil thought, not as hesitant as before.
"Well," Virgil pulled his gaze away, "maybe just a few."
~~~~~
Logan watched the human- Virgil- as the volunteer led him away, and he found himself repressing a pout. He'd been… nice. Pleasant. Tolerable. 
Okay, so Logan had enjoyed his company, and his conversation. It had been quite some time since that had happened with a human. In fact, it had been quite some time since any conversation at all had happened with a human. They never spoke to him directly. Every human he'd ever known had spoken over him, both literally and figuratively. Especially here, where they spoke instead to the volunteers and his general caretakers. 
He exhaled. Perhaps his standards for 'good conversation' had just slipped considerably. As well as his standards for 'acceptable human.' After all, there he was, discussing taking Logan into his home, with someone all-too-anxious to never see him again. Nice or not, he had to be cautious. He seemed like he cared about his opinion, but that was the thing about humans; they were good at seeming. 
He gave up on trying to listen into their conversation. They were far away, and it only seemed to pertain to what supplies he would need if he took him. At the very least, the volunteer was doing their job of explaining his needs. He skittered into the fake log that was in his environment as he considered his future. 
This was not the first time he'd met someone excited to see him, eager to adopt him. It had happened, once before. He'd been much younger then, much more innocent, much happier, much more eager to go into a home with a human family. 
That eagerness and happiness had lasted about a week. 
And, well, that's why he was with a rescue now. 
He considered Virgil. He spoke to him, yes, was interested, but he was still larger; Logan surmised he could easily fit in his hands, probably even only one. He had more legs, and more eyes, and could jump, and had venomous fangs (barely, to a human), but he was still the one with the disadvantage. A severe one. He shuddered from memories he'd considered long in the past. Apparently, they were still with him in the present. 
Likely, he would not get an opinion on who he went home with, anyway. It was why he made it a point to be so aggressive with everyone who came over to him. But Virgil… Well, he supposed he would see, and soon. The two humans were walking towards his enclosure again, this time Virgil had a large bag of items relevant to Logan’s care. 
He poked his head back out, eyes roving over his figure. Virgil smiled at him, one corner of his mouth tugged further up than the other. He turned to the volunteer. 
"Could you, I mean, if there's maybe…" he made a gesture with his empty hand, seemingly unable to finish his thought. "I kinda wanna," he lost his momentum again. He inhaled and exhaled a few times. "Could I just have a minute with him," he rushed out. The volunteer made some sort of face, but nodded, and left. Virgil took a step forward, and Logan met him (as much as he could from within his glass case) halfway, stepping out from his log. He was certainly more willing to be out in the open with only Virgil there. He returned a tiny, if uneasy smile of his own. 
Virgil crouched down again. "Have you really been here for most of your life? Around humans?" Logan blinked. That took some time. 
"Yes," he admitted. "I was abducted too young to learn any survival instincts." He couldn't say why he so willingly told him his past, but Virgil wanted to know, and Logan knew what that thirst for knowledge was like. "How did you know?" He wasn't accusatory, merely curious, undoubtedly as Virgil had been. 
"Volunteer told me," Virgil made a slight face, and Logan wondered what else he'd been told about his past. He was about to ask, but Virgil continued. "Said you'd been waiting here for way too long." There was a look on his face that Logan had only seen on childrens' face moments before a tantrum. 
He believed that Virgil was sad, but he couldn't figure out why. "That you'd been rescued from a bad situation." Ah. "Uh, listen." Virgil brought a hand up, and Logan flinched, but it was only to awkwardly scratch at his cheek. 
He looked at Logan intensely. "I know we've only known each other for a bit, and I totally understand if your answer's no, but." He looked pained. "Um." Virgil coughed into his hand, likely a gesture to fill the silence rather than a violent expulsion of the contents in his throat. "Would you? Like me? To uh? Take you home? Er- fuck." Virgil groaned, clearly frustrated by his own ineloquence. "Would you like to live with me? I could offer you a bigger space than what you've got here, take care of you- that water looks too old to be healthy- and you can decline if you want. I just- yeah," he finished, slumping over with hunched shoulders from the effort. 
Logan considered it. He considered it for a while. He considered the short time that he'd spent with the human, and made his decision. At the very least, Virgil wouldn’t be that cruel compared to his...other options. Logan nodded. The smallest of smiles flitted up onto his mouth, and that was apparently what Virgil was waiting for. He offered him a 'be right back', and went to grab an employee. Logan took in his cage one last time, hope was rapidly raising in him.
Meanwhile, Virgil was paying for his purchases as well as Logan's adoption fee. When he came back, it was with the volunteer, who was carrying a smaller containment box meant for transportation, and something else in the other hand. 
Logan's habitat was opened, and suddenly, the volunteer's hand plunged into his tank, startling Logan out of his thoughts and immediately put him on the opposition, fangs bared and ready. It didn't matter, though. The volunteer was wearing thick rubber gloves, preventing any form of retaliation on the part of the drider, and he was grabbed roughly around the middle. He hated being held, nobody knew how to properly hold him; he wasn't a human infant, why did they insist on holding him that way? Unable to resist, Logan squirmed in the grip of the human, receiving a light squeeze and a pained look from Virgil for his efforts. 
“Now, just to get him all ready for you,” the volunteer chirped, bringing a bundle of rope into view. Logan’s eyes widened, and he started struggling anew.
As if he hadn’t moved a muscle, Logan felt his arms being pinned and bound behind his back, knotted tightly. Logan couldn't move his upper arms. The volunteer had just grabbed a few of his legs between two fingers, Logan was kicking and still trying to bite, when-
“The hell are you doing?” Virgil asked in a tone that was, quite frankly, utterly terrifying. It made Logan shudder, before almost instinctively he stopped his efforts to escape. Was this Virgil's true nature, then? 
"Oh, this is just standard procedure for all dangerous creatures," the volunteer responded. And Logan's head snapped up to the two. His internal organs seemed to quiver, as much as he knew that wasn't possible. Virgil had been upset at the volunteer? "Just for everybody's safety." 
"Well then," his unending glare at purely the volunteer seemed to confirm who his ire was directed at. "I guess you'll have to untie him, because I don't think he's a danger to me at all." The volunteer stared back, and understandably backed down. 
"Well, you're his new owner, so!" And Logan remained untied, minus his upper arms, and placed in the transportation  carrier. Virgil paid the adoption fee, and took Logan by the handle, and he felt a thrill of freedom, combined with an atypical bout of anxiety. 
"Hey," Virgil started, as they were walking out of the store. "There's some more stuff on the shelves that I could get you,"  Virgil rolled his shoulder. "It's not, like, required equipment or anything, but some of it looked like it could be kind of cool?" Logan squinted. 
"Why would cold items be preferable to own?" Virgil smirked and then bit his lip. 
"No, I mean, like." He mulled it over, tilting his head. "Nea- no." He exhaled some air out his nose. "Fun? Awesome?" Ah. 
"I suppose, if you wanted to look, I would not be opposed." Virgil smiled, and for the next half hour, Logan was treated to a trip around some of the aisles. Virgil held up his cage, letting him look at some of the items made for a drider's physical and mental engagement. He let Logan decide entirely what he did and did not want to buy, even though he was sure it was difficult for him to keep lifting the transport box, in addition to being a tedious way to shop. His favorites were a little him-sized version of a 'Rubick's Cube,' as well as a better version of the log cave that he'd grown accustomed to in the store. 
He paid when he got up front, and they made their way to his car, placing his other purchases in the back. He put Logan on the seat next to him, 'passenger seat,' Logan vaguely recalled. He was about to buckle him in. 
"Alright, sit tight," Logan was about to ask what that meant when Virgil gasped. "Holy shit, I forgot about the rope." He dropped to the ground, crouched again, and opened the top of his carrier. He carefully took his fingers and untied the ropes, immediately freeing his arms. Logan rubbed around his wrists on instinct, "I'm sorry! Does it hurt? Are you okay?" Logan looked up at Virgil's earnest, open face, full of concern for Logan, and thought of how he'd treated him this entire time, how hopeful and excited he'd been. 
"Yes," Logan smiled. "I think I will be."
-----
In my mind he kinda looks like this, and check out that cool size comparison chart at the bottom!
My favorite line from the original: I guess there's like normal things there like cats and dogs and birds and like maybe magical-y things like, winged cats and winged dogs and winged birds.
Taglist
@callboxkat @katelynn-a-fan @dwbh888 @royal-stormcloud @thefivecalls @awkwardjester @ollyollyoxinfree @intruxiety @brain-deadx0 @the-grounded-raven @just-your-typical-trans-guy @grouptalekindnesssoul @the-hoely-bleach @anvil527up @fanficloverinthesun @demoniccheese83  @thatgaydemigodnerd @aceawkwardunicorn @lookingforaplacetosleep @mirinda03 @robinwritesshitposts @averykedavra @potatsanderssides @hekking-happy-nonsense @enby-ralsei @star-crossed-shipper  @a-fandom-trashdump @thefluffyotter33 @somehow-i-got-an-account @cottonwoolsocks @idontcareaboutcanon   @starlight-era @kieraelieson  @snowdice @callboxkat @10moonymhrivertam @just-some-gt-trash @evoodo123 @idont-freaking-know
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aceofspadegrass · 4 years ago
Text
Cats Make Great Companions
Character: Last Boss, Cabot
Genre: Fluff. It's just Last Boss being a dork.
1.5k words
Tumblr media
Everyone at the beach knew for a fact that the militants weren’t a group to fuck with.
After all, they were in charge of all of the weaponry at the Beach, and unless someone had a death wish (or were simply new to the Beach altogether), nobody messed with them. Some of the militants took pride in the fear they put in others, others a sort of comfort in being the top of the pack.
Others just preferred to feel alive, sword in hand as he sliced down his enemies. The feeling of that sword with him, able to protect him and make him feared and known, it was a wonderful feeling. Before this, he was nothing.
Now he could be everything he wanted to be.
Last Boss was on patrol at the moment, wandering around the sunlit Beach and making sure that nobody was breaking any rules and needing to be disciplined. The rules were simple enough — Do whatever, hand over all cards, and death to the traitors —but people were dumb.
Very, very dumb.
For a world surrounded in life or death situations, people chose instead to ignore it in favour of chasing their own highs, drinking and smoking and partying all day and night. Every night they would be sent away to play games for their lives, and bring back the cards to the leader of this whole place, a man known as Hatter.
Last Boss isn’t exactly that fond of the man’s exuberant personality, but many others were nothing but simps for that man, doing everything that came out of that charismatic mouth.
“ He sounds like he’d make a good partner though, given the right circumstances.” Last Boss mutters into what appeared to be open air, but a faint mew coming from his hood told otherwise. Last Boss nods to himself as a cat pops its furry head out of the hood, peering over Last Boss’ shoulder. Last Boss pets the cat with a finger, the cat purring and nuzzling against the finger. “ Afternoon, Cabot. Ready for patrol?”
Cabot meows once more, and Last Boss continues onwards. It was calming almost to just walk around and not have to do much other than stare at people. A few ignored him, more focused on their own time, and others would glance at him, acknowledging his presence.
Last Boss merely stares back blankly, his tattoos making most everyone at the Beach nervous, like a tiger watching its prey.
He continues to wander, and spots a few Beach members by themselves, talking to each other. They were covered in healing cuts and bruises, Last Boss passing by without a care.
“ That one with the shaggy hair looks like they listen only to country music. Not the good kind either.* He mutters to Cabot, his cat purring against his shoulder. Last Boss doesn’t bother to raise his voice when his trusted companion was right next to him, a furry ear flicking as they continue to walk. “ Did you see the one next to him? The one with the bright pink one piece? Do you think she knows where her eyelids are? There’s a lot of grey above her eyes, and they’re not bruises, definitely. Someone should tell her it smeared. If it smeared.”
Cabot just lets out a short, small meow, Last Boss petting the top of her head as he ends up by the pool. People were outside, either swimming or sunbathing, Last Boss making a quick sweep at the multitude of people. A few were getting it on in the wild, Last Boss pretty numb to the sight after seeing it practically everywhere here. People have no shame, really. Last Boss takes notice of one person underneath an umbrella that looked like she hasn’t showered in ages, but seemed happy enough, talking to another with brightly coloured hair and swimsuit to match. Close friends, most likely.
Cabot meows, Last Boss nodding as if he knew what the cat said. “ I know, right? They should invest in nicer sandals. Who wears high heels like that to the pool? They could slip from the water.” Cabot purrs, Last Boss nodding again. “ Do they wear them to the games? How do they survive? Barefoot? Idiots.” He mutters to Cabot. He could feel people look at him and his cat in confusion, but Last Boss didn’t care if they stared. He can just stare back and they’ll immediately back away. They were terrified of him, and made him feel a bit powerful. It’s nice. Last Boss just continues his round, Cabot chilling in his hood, comfortably vibing.
Last Boss eventually returns to the lobby, making his way back to his room, and passes by someone, who gasps at the sight of Cabot peering out of his hood. “ Can I pet your cat?” The person asks, and Last Boss couldn’t help but stare back at them. Shit, how does one interact with people- The person just looks back, and Last Boss could tell they seemed nervous, but one meow from a curious Cabot snaps them out of the impromptu staring contest, the person looking at the cat in awe. “ You have a cute cat! What’s their name? Can I pet it?” Last Boss just continues to stare, but slowly nods anyways, and Cabot leans over Last Boss’ shoulder as the person reaches up, finger curled to let the cat sniff their finger curiously. After a bit, the cat meows and rubs itself against their finger, the person giggling and petting Cabot. “ Sorry, I just love cats. I haven’t seen a single animal around this place other than at a few games, so I just assumed they all disappeared. You’re pretty lucky, huh?” Last Boss just blinks. Curse his inability to properly interact with people. The other didn’t seem to mind, smiling, putting their hand down. “ Well, thanks for letting me pet them! Bye now!” They wave and scurry away, Last Boss watching them go.
“….. They’re not scared. How strange. It’s nice, I think.” Cabot meows, and casually cleans itself as it slinks back into the safety of the hood. “ Thanks Cabot.”
——————————————————————————————————
The game that night was simple enough, just a three of spades, something that Last Boss and the others in that certain group cleared easily. Last Boss just hangs back and watches as others hug and cheer that they got to live another three days, Last Boss not really caring. Cabot pops out of his hood and purrs, completely okay. Like hell was Last Boss letting his cat get hurt. He couldn’t say the same about others, one of them beaten up rather good due to a lack of mind to clear it fast enough. Their entire appearance was battered anyways, probably from surviving on his own for who knew how long.
“See Cabot? That’s what happens if you can’t adapt. Luckily for the both of us, we can do better.” Last Boss mutters as he walks away and heads back to the car. Cabot purrs and gently paws at the back of his head, which kind of tickled to be honest, Last Boss gently knocking the little paws off to settle in the hood. He sits in the car, already full of other militants and two randoms. He doesn’t know any of these people, so he actively just ignores them as Cabot hops out and rests on his lap, purring up a storm.
“ Did you have to bring the cat along?” One of them asks Last Boss, and they nudge him, Last Boss looking at them with wide eyes as an intimidation factor. They weren’t phased, just scowling at him. “ You could’ve lost that thing in the game, you know. How is it still here anyways?” They ask. Last Boss just slowly blinks, and pets Cabot, who does a stretch, wiggling in that good kind of wiggle.
“ Cabot is a good companion.” “ But you don’t need to carry it everywhere like it’s a toy.” “ Cabot is very comfortable in my hood. It’s secure there.” They just look at the cat, Cabot rubbing against Last Boss happily, and when the cat looks back at them with those feline eyes, they scoff and turn away to stare out the window instead as the car jerks, beginning to drive back to the Beach. Cabot attempts to seek attention from this person, but when they try to push the cat away more roughly than need be, Cabot hisses and swats at their hand, leaving a scratch.
“ Ow! What the fuck! Your stupid cat scratched me!” They yelp, another person snickering quietly. They glare at the person laughing, who just starts making fun of them for getting so riled up over a cat of all things. Last Boss just blinks, then looks to Cabot. He scoops the cat up, whispering. “ Looks like someone’s never made a mud pie to show their parents before.” He says, Cabot just purring some more. “ Don’t worry, you’re valid.” Cabot meows and gets comfortable again as Last Boss sets the cat back on his lap, where he remains the rest of the way back. It was nice, just being here with his cat.
The militants weren’t people to mess with, and that included Cabot. Last Boss couldn’t ask for a better companion.
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lightsonparkave · 3 years ago
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HAPPY TWO-YEAR ANNIVERSARY TO LIGHTS ON PARK AVE! 🎂🎉 In celebration of LoPA’s birthday (August 22, to be exact), all of the prompts from the previous year are up for grabs.
Round 24 will end on August 31, 11:59 PM ET (what time is that for me?).
As always, you’re free to jump in whenever you’d like during the round, a wide variety of work types is accepted, and there are no minimum work requirements. Unfinished works and works for other fandom events are allowed. You can find more information about Lights on Park Ave and the participation guidelines here.
Here are all 149 prompts. Go crazy and have fun! 🎈
ROUND 13: TIME
A quote about being infinite in the present moment from The Perks of Being a Wallflower
“Vellichor,” the the strange wistfulness of used bookstores
“How long is forever?” dialogue from Alice in Wonderland by Lewis Carroll
“Time” - Hans Zimmer (Inception OST)
A quote and gifset from Denis Villeneuve’s Arrival (2016) about the nonlinear structure of time
Agnès Varda’s portraits when she was 20, 36, and 80 years old
A John Irving quote about what time does to the people who matter to us
Ten traveling back to see Rose on New Year’s Day in 2005 before he dies and reincarnates in Doctor Who
Future inventions in 2015 as seen in Robert Zemeckis’s Back to the Future Part II (1989)
A quote about what time does for wounds
ROUND 14: LIMINALITY
A photoset of various liminal spaces
Illustration of a black cat in front of a red-lit house with the caption, “They say no one is living here—but the lights come on, once every year”
A photoset of Victorian-era spirit photography, an art form that attempted to capture the ghost of a deceased loved one
Information on the famous Mojave phone booth, a lone telephone booth in the middle of the desert that received calls from all over the world
Rosemary Ellen Guiley’s The Encyclopedia of Ghosts and Spirits Third Edition’s definition of “witching hour”
Illustration of a ghost train on an abandoned trestle bridge in the Pacific Northwest
A quote by Isabel Allende about spirits coming out at night in the library
Gifset of the spirit world in Hayao Miyazaki’s Spirited Away (2001)
Illustration of a neon roadside sign of a motel that only appears at night by a long-forgotten highway
“Pacific Coast Highway” - Kavinsky
A gifset quote from The Twilight Zone (1959)
Scenery from Twin Peaks season 1 (1990)
A quote about something shifting into a strange, new place inside of a person from Her Body and Other Parties by Carmen Maria Machado
ROUND 15: LOSS
A quote about being lost and found by someone special by Sue Zhao
A photo of the Mildred, wrecked off Gurnard’s Head, Cornwall in 1912
A quote about ephemerality and the beauty of it from Troy (2004)
Two paintings of people visiting ruins by Caspar David Friedrich
A quote about desire and loss by Lara Mimosa Montes
A photo of an overgrown, abandoned conservatory
A passage about what disappears and what remains in ruins from Suicide by Édouard Levé
Dialogue about gratitude for people who aren’t meant to stay in your life but shape who you are from BoJack Horseman
A scene from Fleabag where the Priest chooses God over Fleabag and gently tells Fleabag that her love for him will pass before they part ways
A prayer to St. Anthony, patron saint of lost things, people, and souls
Oscar Wilde’s tomb in Père Lachaise Cemetery, Paris, covered in lipstick kisses from admirers
Photos of a cemetery statue in Austria, wrapped in branches and dead leaves, holding a single flower
ROUND 16: DEVOTION/SERVICE
A gifset of Kevin on the phone, telling Chiron he’ll cook food for him from Barry Jenkin’s Moonlight (2016)
Buttercup’s monologue to Westley about how she would do anything for him from The Princess Bride by William Goldman
Gifs of Merlin saying that he was born to serve Arthur from BBC’s Merlin
An excerpt about giving all of oneself to someone despite what it costs from House of Leaves by Mark Z. Danielewski
A gifset of various times Jaime and Brienne demonstrate their loyalty to and love for each other in Game of Thrones
A gifset of all the different ways Cliff is there for Rick in Quentin Tarantino’s Once Upon a Time in Hollywood (2019)
A gifset of Nadia deciding to be by Alan’s side no matter what in Russian Doll
“Devotion” - Ocean Vuong
A gifset of Bond comforting a traumatized Vesper in the shower in Casino Royale (2006)
A gifset of Sookhee refusing to leave Hideko, saying her job is to look after her in Park Chanwook’s The Handmaiden (2016)
ROUND 17: DREAMS
A dreamscape gifset and quote about repressed thoughts in dreams and the Internet from Satoshi Kon’s Paprika (2006)
A gifset of Mitsuha and Taki finally meeting in their own bodies in a dream from Shinkai Makoto’s Kimi no Na wa (Your Name) (2016)
A quote by Tinker Bell telling Peter Pan where he can find her and where she’ll always love him in Steven Spielberg’s Hook (1991)
The scene where Keating tells his students that poetry, beauty, romance, and love give life meaning in Peter Weir’s Dead Poets Society (1989)
An animated illustration of a storefront called “Hauntings” with a flickering “99¢ dreams” neon sign
Various dreamscape scenes and a quote about ideas being the most resilient parasite from Christopher Nolan’s Inception (2010)
A quote about how all living beings must dream to survive reality from The Haunting of Hill House by Shirley Jackson
A comic about people we love taking turns to visit us in dreams every night
Lovers and Sleeping Couple, two drawings by Egon Schiele
A quote about belief in a better world by Robert Frobisher to his lover, Rufus Sixsmith, in Cloud Atlas by David Mitchell
A quote about the feeling of falling in love lingering when you wake up from a dream in Alexis Dos Santos’s Unmade Beds (2009)
A photo of subway graffiti by an unknown author insisting that they’ll never give up making the world a better place to live in
ROUND 18: PHYSICAL TOUCH
A scene about how to return a stolen kiss from Daniel Ribeiro’s The Way He Looks (2014)
A line about kissing someone the way a flower opens from “I Know Someone” by Mary Oliver
A gifset focusing on showing affection and care through hands from Park Chanwook’s The Handmaiden (2016)
A passage about two people leaving invisible marks on each other through the accumulation of touches over the years from A Single Man by Christopher Isherwood
Two conversations about never being touched before and only being touched by one person from Barry Jenkins’s Moonlight (2016)
Going from yearning to touch someone but stopping oneself to being allowed to touch them from Richard Linklater’s Before trilogy
Moving art of two bodies made of stars and the cosmos embracing
A quote about maintaining sanity by touching someone but being separated despite proximity from The English Patient by Michael Ondaatje
A line about proving that one still exists and is real through touch from On Earth We’re Briefly Gorgeous by Ocean Vuong
Different touches between Villanelle and Eve expressing violence, threat, sexual tension, comfort, and companionship in Killing Eve
A juxtaposition of two scenes from Wong Kar-wai’s In the Mood for Love (2000) of Su Li-zhen rejecting and accepting Chow Mo-wan’s hand
A compilation of marble sculptures by Gian Lorenzo Bernini
Syd (Chris Evans) trailing kisses down London’s back in London (2005)
ROUND 19: IMMORTALITY
James Baldwin talking about how art helps you discover that people before you have experienced the same thing as you and you are not alone
Dr. Brand saying that love transcends time and space in Christopher Nolan’s Interstellar (2014)
Nadia and Alan meeting for the first time as they’re about to die and relive the same day again in Russian Doll
The loneliness of losing everyone by having a long life as expressed by Ten in Doctor Who
The doomed eternal time loop romance of Simon and Alisha from Misfits
A quote by Edvard Munch about becoming eternal through the flowers that grow from his body after death
Nagai Kei recalling the traffic accident that killed him and triggered his immortality, making him one of the rare persecuted humans to possess the power, in Ajin
A collection of moments from Jay Russell’s Tuck Everlasting (2002)
A quote by Mary Wollstonecraft hoping for something that lasts inside the heart
Various scenes with Jack Harkness from Doctor Who
Aya telling Asou-kun to live on and live forever as she nears the end of her life in 1 Litre of Tears
An excerpt about the immortalization of the self through love from “Love of the Wolf” in Hélène Cixous’s Stigmata
A collection of scenes from the Black Mirror episode “San Junipero”
Naoko telling Toru to always remember her and remember that she existed in Norwegian Wood by Haruki Murakami
Dom explaining to Ariadne that he uses the PASIV to dream as it’s the only way that he can be with his wife and children in Christopher Nolan’s Inception (2010)
ROUND 20: POETRY
“I’m Going Back to Minnesota Where Sadness Makes Sense” - Danez Smith
A line about wanting to forget how much you loved someone and then actually forgetting from Bluets by Maggie Nelson
“Perhaps the World Ends Here” - Joy Harjo
“In Time” - W. S. Merwin
“By Small and Small: Midnight to Four A.M.” - Jack Gilbert
“Magdalene: The Addict” - Marie Howe
“Wild Geese” - Mary Oliver
“Morphology 2″ - CJ Scruton
“20″ from Moscow in the Plague Year by Marina Tsvetaeva
“To Hold” - Li-Young Lee
ROUND 21: LONGING
“I Loved You Before I Was Born” - Li-Young Lee
A poem about longing for someone through worlds by Izumi Shikibu
A gifset of Marianne and Héloïse falling in love from Céline Sciamma’s Portrait of a Lady on Fire (2019)
“Make Me Feel” - Janelle Monáe
A quote about living in longing being better than realizing that longing from 1Q84 by Haruki Murakami
“I Want You” - Mitski
Orpheus and Eurydice in Hades - Friedrich Heinrich Füger
Long definition of the word “saudade”
Definition of the word “hiraeth”
“Something About Us” - Daft Punk
Two lines about burning quietly from the poem “The Pillowcase” by Annelyse Gelman
A conversation about wanting each other after decades of separation from Pedro Almodóvar’s Pain and Glory (2019)
A Hanahaki disease mood board
“Shrike” - Hozier
Two lines about wanting someone to return from Herakles by Euripides
“Love of My Life” - Queen
“Eyes, Nose, Lips” - Taeyang
A screenshot of Kathy and Tommy holding onto each other desperately from Mark Romanek’s Never Let Me Go (2010) and a quote from Kazuo Ishiguro’s eponymous novel
ROUND 22: YOUTH
“Perfect Places” - Lorde
A piece about realizing you’ll never be this young again, but it’s the first time you’re this old by Kalyn Roseanne Livernois
A conversation between Neil and Mr. Keating about Neil feeling trapped and unable to live the life he wants because of his father from Peter Weir’s Dead Poets Society (1989)
An excerpt about being too young to know how to love properly from Le Petit Prince by Antoine de Saint-Exupéry
“I Bet You Look Good on the Dancefloor” - Arctic Monkeys
Elio’s father telling Elio not to try to rid himself of his sorrow and pain—and with that joy—which he feels so strongly because he’s so young from Call Me By Your Name by Andre Aciman
A quote about how everything feels final to young people because they’re experiencing it for the first time from Middlemarch by George Eliot
Lara Jean telling Peter that she had to make it seem like she liked him to deal with her love letter fiasco in Susan Johnson’s To All the Boys I Loved Before (2018)
Rue and Jules dancing together and partying it up in Euphoria
“Le Plongeoir” by Laurent Roch
A quote about being pushed into adulthood and not being ready from Norwegian Wood by Haruki Murakami
A photo of a roller rink illuminated by pink and purple lights
Pastel photo series of Coney Island by Mijoo Kim and Minjin Kang
“Hips Don’t Lie” - Shakira feat. Wyclef Jean
“Young Dumb & Broke” - Khalid
Different moments accompanied by the letter to Mr. Vernon at the end of detention from John Hughes’s The Breakfast Club (1985)
Various scenes and a quote about growing up and realizing life isn’t like a fairy tale from Guillermo del Toro’s Pan’s Labyrinth (2006)
Stills of the young lesbian couple in love from the music video of “You Know” - Jaurim
Lines by Effy about her emotional and mental struggles from Skins
Nathan chiding the group for not taking advantage of their superpowers as young offenders from Misfits
ROUND 23: HEDONISM
A passage about giving into passion and losing control from The Secret History by Donna Tartt
“Thot Shit” - Megan Thee Stallion
An aesthetic photoset of the Greek god Dionysus
A quote about living for ecstasy rather than balance from From a Journal of Love by Anaïs Nin
A photo of an anonymous person in nothing but a silk robe and lingerie
A photo of Donatella Versace lounging in a chair, surrounded by shirtless, muscular men sunbathing around her in Capri, Italy in 1994
An aesthetic photoset based on The Picture of Dorian Gray by Oscar Wilde
The music video for “Heartless” by The Weeknd
A plea for summer to never end from Call Me By Your Name by André Aciman
“Plastic Love” - Mariya Takeuchi
A gifset from the music video of “Blinding Lights” by The Weeknd, a continuation of the “Heartless” music video
“XS” - Rina Sawayama
A gifset from the music video of “Body” by Mino
Photos of people dancing at the legendary Studio 54
Photos and a description of the party scene at Studio 54
Chris Evans and Evan Rachel Wood hooking up in a car in the “Gucci Guilty Black” commercial
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sevenkittensinatrenchcoat · 4 years ago
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Modern Munkustraps and Why 2016 Misto Is Boring (And Also Why Tugger Is Less Good Now)
So, yeah, this is a very long, poorly edited essay that is basically just me writing down a bunch of feelings about the Broadway Revival and why it doesn’t work for me. Of course, it’s not the worst thing out there and everyone can like what they like, but here’s one big reason why I don’t like this particular thing.
So, I’ve mentioned that, having seen the whole thing, I don’t particularly like the 2016 Broadway Revival of Cats. I adore the cast, I appreciate the effort everyone clearly put into it, and some individual numbers work well enough out of context, but it’s a case of strong parts forming a weak whole.
One of the problems I had with it was with the character of Mistoffelees. It should be clear to anyone looking around this blog that Mistoffelees is my favorite character in the show. I hate insulting any Mistoffelees, which is why 2019 Mistoffelees frustrates me so much. The moment I realized I’d become a fan of Cats was when I was genuinely angry when I learned that Tom Hooper cast a non-dancer as Mistoffelees. Basically, problems with Mistoffelees will motivate me to rant.
In 2016, the problem with Mistoffelees isn’t the choreography. I prefer the original to the new stuff, but Misto’s material was fine. Ricky Ubeda completely nailed the dance part of the role. Broadway Revival Misto is still worlds above Tom Hooper’s Misto in every way. Really, the problem with 2016 Misto is that it often feels like he isn’t there. He has very little presence. His dancing is impressive, and his dynamic with Tugger is cute and fun, but he has no real personality outside of it. I don’t know how he feels about any character other than Tugger. There are no moments that center around him other than his dance solos. He doesn’t seem to have much of an arc when it comes to saving the day at the end. Is he already confident in his magical abilities? Is he still unsure of himself? Is he trying to prove himself? How does he feel about anything that happens to or around him?
As a show with a large ensemble cast, it’s impossible for every single character to feel fully developed. But, in shows/stories with large ensemble casts, there are always a few characters who stand out. Instead of a single protagonist with one big arc, you have several main characters with their own small arcs. Munkustrap is the group’s leader who has to fight to defend his tribe. Demeter has survived an abusive relationship and she confronts her abuser and starts to move on, finding a potential partner who she can trust. In the 1998 film, at least, Mungojerrie has an interesting arc. He used to work for Macavity, but he left. When Macavity shows up, Jerrie’s terrified of him. He knows what he’s capable of and probably witnessed some really messed up shit. But, when Munkustrap is wounded and Alonzo is struggling to fight Macavity on his own, Jerrie is the first cat to join the fight. He doesn’t do very well, but this inspires other cats to help out as well, and Macavity is eventually outnumbered and forced to flee.
Mistoffelees is another character with an arc. He’s coming of age, no longer a child but not really an adult either. He’s trying to prove himself and be seen as an adult. He has magical powers, but he still struggles to control them and doesn’t know exactly what he’s capable of. Outside of magic and dancing, he’s awkward and doesn’t fit in socially with neither the kittens nor the adults.
When Old Deuteronomy is kidnapped, and everything seems hopeless, Mistoffelees really isn’t participating in the action. Although he’s publicly done magic before and other cats have noticed, Tugger’s suggestion that Mistoffelees might be able to help is dismissed by most of the group at first. But, Tugger is completely confident in Misto’s abilities. He’s the first cat to believe in him that much. Tugger hypes up Misto and his confidence builds until he’s willing to try using magic to bring Old Deuteronomy back and succeeds. He’s a hero now, and he’s known to have a skill that no one else possesses. He’s respected by the tribe. As someone who can be consulted in emergencies, Mistoffelees can now be seen as an adult.
Now, Mistoffelees didn’t always have this arc. The Originial Broadway Misto comes across as completely confident in his abilities the whole time. Actors who played Misto in the 80s tended to play him as the same age as Munkustrap, already one of the adults and already established in the tribe. But, starting in the early 90s, some actors started to play Misto younger and less secure. By the time the filmed 1998 production was done, that had become the standard way to play Misto. I think the actors cast in the role wanted to make things more interesting, since Misto getting Old Deuteronomy back is a bit of an anticlimax. There’s a problem. It’s solved immediately. On with the show. But this was a big, spectacle-heavy number near the end of the show. It feels like it should mean something, but it just doesn’t. Old Deuteronomy is easily returned to the tribe and then Memory happens and makes everything else seem meaningless.
But, what if Mister Mistoffelees wasn’t about getting Old Deuteronomy back? What if Mister Mistoffelees was actually about Mister Mistoffelees. Having the song be a moment when a young cat comes of age makes it feel like the song means something, even if the stuff with Old Deuteronomy is anticlimactic. Since it happens late in the show, there’s plenty of time to build up to it. Misto is on stage for most of the musical. His character can be established. We can see him trying to prove himself and failing to socially connect with the other cats. So, when he does prove himself and he does gain the approval of the cats who dismissed him as a weirdo, it’s satisfying. The song has a bigger impact when Mistoffelees is portrayed as a young man coming of age.
So, what does any of this have to do with the Broadway Revival? Why does the title of this essay mention Munkustrap when the essay itself is mostly about Mistoffelees?
Well, it’s because Revival Era Munkustraps have stolen Misto’s character arc.
The Broadway Revival isn’t the only version of Cats to do this. Tecklenburg actually constructs the story around it, making Munkustrap the protagonist. It seems like the changes to Munkustrap’s character started to appear when the show started getting revived. When I say Revival Era, I mean every version of Cats put on after the London Revival in 2014, though there are naturally some outliers. This was when Grizabella was redesigned and rewritten. This was when an attempt was made to redesign and rewrite Tugger, which was thankfully abandoned soon after.
Before this era, it wasn’t really confirmed to the general public that Munkustrap and Tugger were Old Deuteronomy’s sons. They were still often portrayed that way, but it wasn’t something anyone thought viewers needed to know. The dynamic between Munkustrap and Tugger began to change now that everyone was expected to view them as siblings. Tugger, instead of messing with every authority figure on stage, now tends to single Munkustrap out. He wants to annoy his older sibling. The Tecklenburg non-replica didn’t even bother showing anyone but Munkustrap being frustrated with Tugger’s antics. The vibe you get in these productions is that Munkustrap is the older sibling who is left in charge while Dad’s not home and he’s trying to be responsible, while Tugger, as the younger sibling, is constantly messing around and annoying him.
Compare how Munkustrap and Tugger interacted during Tugger’s number in 1998 vs. 2016. In both versions, Tugger crashes the party and Munkustrap is not amused. But, in 1998, Munkustrap stands back and waits for Tugger to basically get all that rebellious energy out of his system. If he has a few moments to run wild, he’ll calm down and act up less later on. So, Munkustrap just waits it out. As for Tugger, he never directly targets Munkustrap when he’s messing with the authority figures. He targets Jenny and Jelly, and Skimble by proxy, but he leaves Munkustrap alone. Both brothers have some silent agreement not to get in each other’s way.
In 2016, most of the moments where Tugger messes with an authority figure have Munkustrap as that authority figure. He’s more focused on annoying his brother than anyone else. He and Munkustrap are sort of bickering throughout the song, with Munkustrap being one of the cats who gets the “terrible bore” line. 1998 Munkustrap wouldn’t do this. He doesn’t get the “terrible bore” line because he’s too mature to insult Tugger like that. Instead, Misto, a more immature character does it.
These two different dynamics imply that Munkustrap and Tugger are in different age groups. 1998 Munkustrap tries to take the high road when Tugger crashes the party and Tugger has enough respect for him not avoid targeting him personally. The only exception is with the bagpipes in The Pekes and the Pollicles, and he was mostly doing that to entertain the others. He starts a dance party and then gets disappointed when it doesn’t work a second time. Munkustrap was already being annoyed by everything else that was going on as well, so Tugger’s antics don’t stand out in that regard. The vibe you get is that, though Tugger does like teasing Munkustrap a bit, they have a mutual respect for one another that they both take seriously. They’re both adults, too mature to bicker.
When Tugger targets Munkustrap with his antics and Munkustrap tries to argue back, they come across like two kids bickering. They both seem younger. This means that, in general, 2016 Munkustrap is played younger than 1998 Munkustrap. 2016 Munkustrap’s arc is about him learning to be a good leader, probably hosting the ball for the first time. He wants everything to be perfect so he can prove himself to his father. His defending the tribe and being willing to give Grizabella a chance are moments when Munkustrap begins to come of age.
So, 2016 Munkustrap’s arc is that he’s a young man, just coming of age, trying to prove himself, and eventually doing so. It’s not identical to Misto’s arc, but it’s pretty close.
And this is why 2016 Misto fails to stand out. Munkustrap’s arc makes Misto’s feel redundant, so he doesn’t have it. 2016 Misto already has Tugger supporting him from the very start and never feels like he lacks confidence. But, with Misto’s arc given to Munkustrap, nothing was put in its place, so Misto no longer has an arc. You don’t have scenes of him trying to appear mature and sophisticated around Bustopher, or his awkward attempt to help Old Deuteronomy and Munkustrap defend the tribe when Macavity’s around, or any of those other little moments that give Misto personality, because he no longer has the arc that those scenes are part of. There’d be no pay-off.
Honestly, the biggest problem with this isn’t that Munkustrap is different, but that his character was given this story and the expense of another character’s arc. Munkustrap already had a smaller arc that took a backseat to his role as storyteller and protector. He’s already the perfect leader, with his only flaw being his grudge against Grizabella. The main thing Munkustrap has to learn is the moral of the entire play. Outside of that, he’s the narrator and the straight man in the more comedic numbers.
This change also isn’t very good for Tugger. Tugger is not really a character with an arc. He doesn’t change any more than anyone else does. What changes, is how the audience, and some of the other characters, perceive him. In his own number, he’s fun, but he also comes across as a bit of a jerk. He doesn’t care what other people think of him, but that means he doesn’t seem to care about upsetting them either. His interactions with his fans sometimes demonstrate this. He just casually knocks over Tumblebrutus and Pouncival, briefly uses the latter as a chair, and then knocks them over again. Tumblebrutus and Pouncival both think Tugger is awesome, so they don’t mind, but that’s not a very nice way to treat kids who look up to you, even if they don’t mind.
But, then we get to Old Deuteronomy. Tugger appears again, interrupting Munkustrap, apparently being rude again, but then you hear what he’s actually saying. He’s also narrating about and praising Old Deuteronomy. At first, it’s kind of funny, because he’s just talking about how Old D got around, but then you get this line:
And his numerous progeny prospers and thrives And the village is proud of him in his decline
When he mentions “numerous progeny” he gestures over the crowd, ending on Munkustrap. He’s one of those numerous progeny, but he never gestures to himself. He never references himself as Old Deuteronomy’s son, but he does mention Munkustrap. This is followed by “and the village is proud of him”. After the “numerous progeny” line, it’s an awkward circle back to the main topic. But, Tugger seems to address Munkustrap as he says this. In his own way, he’s telling Munkustrap that he’s doing a good job and that everyone’s proud of him.
And then, when Munkustrap and Tugger duet, Munkustrap looks so happy about it. He didn’t expect Tugger to behave and he’s thankful for it. It’s a heartwarming moment and it shows Tugger in a new light. He was inconsiderate during his own number, but now he’s showing nothing but sincere respect for his family.
But, Old Deuteronomy is the ultimate authority figure of the tribe. Everyone loves him and he outranks Tugger. Having Tugger be so sincere here, in contrast to his attitude before, is mainly to show just how beloved Old Deuteronomy is. Even a cat who delights in pissing off authority figures has nothing but respect for him. The real stand-out moment is Mister Mistoffelees.
So, after the fight with Macavity, the tribe is in pretty bad shape. Their leader has been kidnapped and their protector is wounded. And, the kittens witnessed all of it. They saw Macavity kidnap Old Deuteronomy while they could do nothing to stop it. Macavity actually attacked Etcetera and Electra, who both tried to stand up to him. Jemima was right next to Etcetera when she was hit. Then, their protector, the strength of the tribe, someone they probably saw as invincible, gets beaten up in a fight. Munkustrap, when knocked unconscious, lands right in front of Electra, the kitten who seemed to have the closest relationship to him. Electra and Rumpleteazer try to wake him up, but they can’t. Mungojerrie can’t stand it and goes to take on Macavity himself.
So, there was a lot of violence and the kittens had front row seats. Now they’re all sitting in the dark with no idea what to do.
Then, Tugger speaks up. Right away, he has a solution. Tugger starts up a musical number and you can see the kittens getting into it like they’re at a rock concert. Not only does he have a solution to the big problem the tribe is facing, but he presents it in a way that distracts the kittens from what just happened.
And this is all without mentioning the subject matter. Unlike Old Deuteronomy, Mistoffelees doesn’t outrank Tugger and he doesn’t have the universal respect of the tribe. Tugger just thinks Misto is awesome and he’s singing an entire song about it. Misto was the cat who casually insulted him during his own number, but Tugger’s ego was unaffected. Tugger responds with absolute faith and support.
And Misto needs that faith and support. Throughout the entire ball, Misto has been trying to impress the authority figures of the tribe. Tugger, with how popular he is with the younger cats, has a lot of influence over the tribe. He’s an authority figure, in a sense. But, he was the only one in that category who Misto not only didn’t try to impress, but straight-up rejected. He doesn’t care what Tugger thinks. With everyone else in his generation either wanting Tugger or wanting to be Tugger, he stands out. Tugger respects that. And, Misto gets the approval he was looking for in the one place he didn’t bother to look. Misto finally getting that approval is what builds up his confidence so he can bring back Old Deuteronomy. And then Tugger gives him all the credit.
So, the audience is introduced to a character who seems egotistical and inconsiderate. But, he’s not. He never was. Tugger does things for the lulz sometimes. He likes to make a scene and he likes to make a mess. But, the Rum Tum Tugger is artful and knowing. He pays a lot of attention to the other cats and he cares about them. He loves his family, he looks after the kittens, and he gives support to those who need it. He’s actually not that different from Munkustrap.
But, the younger Tugger who bickers with Munkustrap comes across as more genuinely immature and it makes the more sincere moments feel out of nowhere. It’s hard for someone playing a younger Tugger to remain in character during the more serious moments. It just feels like whiplash.
Tldr: So, yeah, the point of this very long essay is that 2016 Munkustrap’s character arc, which has spread to pretty much every production of Cats done in the last five years, has the side effect of making Mistoffelees boring and Tugger obnoxious. It’s an alright arc for Munkustrap, but it sacrifices the arcs of other major characters in a way that a show with an ensemble cast can’t afford to do.
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the-werdna · 4 years ago
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Title: Robcina Week Day 2 - Pets
Description: It was only a matter of time, Robin figured, before Morgan would return home one day with a new pet she wanted to keep. He had made peace with that fact. It was just what in particular that she'd found that gave him pause.
Notes: Takes place nine years after the epilogue from Awakening.
Words: 1376
"Can I keep him?! Can I?! Can I?!"
Robin stood at the door, dumbfounded. He glanced back to Lucina, his gaze pleading, only to find that his wife would be no help here. Afterall, she too looked equally at a loss for how to respond to their eight year old daughter coming back from playing with a seemingly newfound pet.
Why couldn't it have been a dog? Or a cat? Or anything normal? Robin wondered to himself. He could have handled just about any animal Morgan had decided to adopt. Something reasonable. Something he could both accept, not to mention expect her to find.
Not this.
So for a moment longer he just stared at Morgan and the creature cradled in her arms. At the baby wyvern, cradled in her arms.
"Morgan… where did you even find that?" he asked, managing to speak after several attempts of opening his mouth only to fail to get any words.
"Outside," Morgan grinned, bobbing her head up and down and looking positively proud of herself.
"I figured that… I meant where outside," Robin prodded.
Morgan seemed to consider this a moment, biting her lip and gazing upwards as if wracking her memory. "I dunno where, out in the woods."
"I…" Robin again found himself lost for words. He didn't know what he'd expected from her answer really. And frankly, this just raised even more questions. There weren't any wild wyverns anywhere in the whole continent, and those domesticated for use by wyvern riders were leagues away.
"So…. Can I keep him?! Can I keep him?!" Morgan asked again, bouncing on her toes while rocking the wyvern chick in her arms. For it's part the little wyvern cocked it's head to one side, it's big emerald green eyes fixed on Robin. It made a sound somewhere between a squeak and a chirp, shifting it's tiny claws to better grip Morgan's arm lest it slip out.
"Well I don't think-" Robin started.
Only for his Lucina to interrupt, giving the exact opposite answer. "I do not see why not. So long as you accept that this is a big responsibility and…" Lucina trailed off, seeing Robin's expression as he stared at her in utter disbelief.
"I…" Robin brought his hands to his chin, forcing his gaping jaw shut. He turned to Morgan. "Sweetie, can you wait one moment here with-"
"Fluffy!" Morgan exclaimed.
"I… whuh?" Robin again was at loss for words.
"That's what I named him! Fluffy!" Morgan announced, holding the wyvern up overhead as if to proclaim it's naming to the entire world.
"Yes, but why would you name it…" Robin stopped himself at this point. This was Morgan they were talking about. Unexplainable actions born out of logic only she and she alone understood were pretty much par for the course when it came to his daughter at this point. For both versions of her.
"Just… wait here with Fluffy. We'll be right back," he told her, grabbing Lucina by the arm and pulling her with him into the kitchen and hopefully out of earshot.
"What were you thinking saying yes?!" he hissed, his voice riding an impossible line between a whisper and a shout. "Now we can't tell her no!"
"I thought it was a lovely idea for Morgan to have a pet. She evidently already is attached to it," Lucina explained. "Besides, the poor thing is without it's mother so we can't just turn it loose on it's lonesome. Also, it is quite adorable, is it not?"
"Well, yeah, it's very- That's not the point," Robin argued, catching himself before he caved into the wyvern's adorable-siren's call as his wife and daughter had. "We could have given it to someone qualified. Like Cherche maybe, or Gerome. Someone who knows what they're doing. And what happens when it gets bigger? We can't take care of it here. Our house isn't big enough for a wyvern."
"Then it can live outside when it gets bigger," Lucina told him, shooting down the argument as swiftly as he made it. "I do not see the problem here. If anything it is a chance for Morgan to learn responsibility in caring for it. And…" Lucina glanced back, peering around the corner of the doorway. From where they both stood, they could see Morgan was cradling the wyvern once more. She was scratching the underside of it's jaw, eliciting happy chirps from the creature.
"Just look how happy she is. Growing up I never got to have a pet of my own. By the time I was old enough, my life had become a constant struggle to survive. Let Morgan have this. Please," Lucina pleaded, turning back to him.
"I-" Robin started guiltily. He sighed, drooping his head. "You're right… just… this is still such a horrible idea… Why did it have to be a wyvern? Why not a puppy? Puppies are nice…"
Walking back to the front entryway of their home, Robin let Lucina take the lead here.
"After much talk, your father and I agreed you can keep Fluffy," Lucina announced.
"Yay! Really, really?" Morgan asked excitedly.
"Yes. But only if you promise to take full responsibility for caring for him. That includes feeding him, taking him out for exercise, and cleaning up after any mess he makes," Lucina told her, giving Morgan her best 'mother look' as she did. Credit where credit was due, Lucina had gotten very good at pulling off that act in recent years.
"Yes! I promise. I will be the best wyvern mommy ever!" Morgan proclaimed. "Come on, Fluffy. I'll show you my room. You'll meet my brother, and my big sister who is also me. And my other big brother who is the first brother too. And I'll make you a bed, and get you toys, and we'll be best friends forev…" the rest of her rambling faded out of hearing as Morgan ran up the stairs to her room and out of earshot, leaving him and Lucina alone on the first floor of their home.
"Shall I write us a letter to send to Cherche? I am certain she would be able to provide instruction for how to care for a young wyvern," Lucina offered, looking to Robin once Morgan had gone. "While I meant every word that this will be Morgan's responsibility, it would be best if we got her proper instruction as to how to rear a young wyvern.
"Yeah… that would probably be a good idea…" Robin agreed. He staggered over to the nearest chair, slumping into it. "I'll see if I can find any books on the subject as well. If Morgan is going to keep it, we better do what we can to make sure-"
Robin froze, a sudden thought born of a long forgotten memory occurring to him then.
"Oh gods dammit! How did we not see this coming?!" he exclaimed.
"What? Seen what coming?" Lucina asked, cocking an eyebrow at the sudden outburst.
"The wyvern. Morgan, the future one I mean. She had a wyvern back in her world. Before she went back in time!" Robin explained, dragging his hands over his face. "I'd bet you anything it was the same one. Well, an alternate version of the same one."
There was a pause, Lucina started laughing, the sound filling the entire room, and now it was Robin's turn to look confused.
"What? Am I missing something…" he started to ask.
"A wyvern. Named Fluffy," Lucina managed between laughter. She steadied herself against the fireplace, nearly doubling over in her fit.
"Yeah, I'd imagine she'd have named it that too. I don't see what's-"
"Yes, and- Don't you see-" Lucina covered her mouth with a hand, fighting to regain her composure. After several moments and several forced deep breaths, she managed to stifle her laughter long enough to explain "This was when she was serving Grima. As his general. With a wyvern of that same name."
It took a moment for it to fully register. Then Robin snickered, covering his mouth with a hand as he tried to stifle more laughter. "Okay, I'll admit. That is pretty funny. Can't imagine Grima would have been happy about that. His most trusted servant, riding her dread steed Fluffy."
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greenninjagal-blog · 5 years ago
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Deja Vu
I spent some time thinking about Remus having the superpower to see the future and this happened, whoops. Might write more if I get some free time.
Summary: Remus sees the future and it often involves Roman’s death.
Words: 2284
Quick Taglist: @chelsvans @faithfulcat111 @felicianoromano @holliberries @jemthebookworm @killerfangirl3 @lunasfriendgabby @never-end1ng-suffering @silverflame-wc @stricken-with-clairvoyancy @thenaiads @treasureofpriam
TW: Death, attempted murder, not being believed/listened to, unhealthy sibling relationships,
Read on Ao3 || My general Writing Masterlist
Remus is eight and only eleven minutes younger than Roman the first time he sees his brother get run over by a car.
He’s eight and only eleven minutes younger than Roman and its the middle of the day in summer and Roman has on bright red sneakers that match his favorite jacket. They’re on their front lawn because Mom said they were being too loud and they can’t decide on a game to play because Roman wants to play Wizards and Knights and Remus wants to play Escape from Monkey Island. Roman calls him a name, a mean one, a childish, dumb, cruel one that would mean nothing in a year, a month, a week, a minute. Remus picks up the ball by his knees and throws it as far as he can, because he doesn’t want to be the wizard who fights the knights again.
The ball hits the ground, bounces twice and drops off the curb right into the street.
And the teenager driving the silver sedan is going twenty over the speed limit because they still believe nothing bad can ever happen to them.
Remus is eight and only eleven minutes younger than Roman.
Roman is on the ground and not moving and not breathing. 
The silver sedan screeches to a stop ten feet past, ten feet too late, ten feet. And everyone is screaming: The teenager who just ran over Roman, the neighbor who had been mowing their lawn, Mom who came sprinting from the house. 
And then Remus is eight and only ten minutes younger than Roman because Roman is dead in the middle of the road. 
That’s the first time.
When he blinks, the vision is gone and Roman is in front of him calling him a mean, childish name and Remus has the ball in his hand ready to throw and a grey sedan is turning down their street going far too fast--
And Remus stumbles back and falls off his feet. His butt hits the ground hard and before he even knows what he's doing he's sobbing.
Roman twiddles over him with a bunch dumb, stupid apologies because he thinks that Remus is crying over name calling.
Not because he saw himself throw a ball towards the road and Roman died, or he threw it softer and Roman was quick enough that he survived to hear the ambulance arrive but not to make it to the hospital, or he threw it towards the house and it broke a window and Remus got grounded, or he threw it at Roman and it left a bright red mark that Remus got sent to his room for, or he dropped it and it fell in the gutter and Roman didn't talk to him for a week--
And Remus doesn't know how to explain it to anyone. He doesn't stop sobbing until Roman is grounded for making him cry and he's bundled under a mountain of blankets with Mom right next to him holding him tightly and whispering softly in his hair. When Dad comes home and joins the hug, he asks Mom what happened and she can’t answer any better than Remus can.
They talk about keeping an eye on him, about doctors, and therapy and the words quite literally go over his head. Every time that Remus closes his eyes sees the bumper of the grey sedan, and his head echoes with the sound of his brother’s body hitting the ground again and again and again.
He’s eight and only eleven minutes younger than Roman when he first sees his brother die. 
There’s no explanation for it. No reason why. But it happens again and again and again: Roman goes running around the pool and slips on the concrete turning the water red, Remus gives him a playful shove off the play set and he hits the ground just wrong enough that he never gets back up, they leave their shoes on the stairs one time too many and Remus finally knows why Mom is always so insistent that they not do that.
Mom and Dad take him to the nice doctor, who tells him these pills will help him get better.
They don’t.
Even though he wishes they would so badly. He clings to the hope that every time they change the number of pills or the amount of them or the type of them that he’ll stop seeing his brother die or get hurt or cry.
(Its not just his brother: Dad falls off the ladder while putting up Christmas lights, Mom gets scared by a spider and hits her head on the cabinets, the next door neighbor and his wife get into a fist fight, his teacher chokes on a sandwich,---)
By the time he’s ten he knows the truth: He isn’t going to get better. There are no magic pills that will save him, no amount screaming or crying or begging that will make the visions stop coming, nothing.
“Remus!” Mom cries frustrated, when he won’t let her leave for work on time because there’s ice on the deck and she’s going to fall. “You’re too old to be doing this!”
Too old to be crying about every time his family gets hurt, too old to be worried about things that can happen, might happen, won’t happen. He’s too old for anyone to believe him when he says he knows whats going to happen.
In the middle of the night, he wonders what will happen if he runs away.
And that’s when it starts: the vision of Remus in the pajamas he’s currently wearing packing his dinosaur bag with t-shirts and pants and Roman’s jacket and sneaking down the stairs only to be caught by Dad who was up for a midnight snack; the vision of him in the pajamas he’s currently wearing packing his dinosaur bag with t-shirts and pants and Roman’s jacket and struggling to get his window open, which wakes up Roman who starts crying loudly and Dad comes running; the vision of Remus packing nothing and running down the stairs to hug Dad; the vision of Remus rolling over and going back to sleep--
That’s when it starts to make sense.
Remus is ten and eleven minutes younger than Roman when he realizes he can pick and choose what vision he wants to happen of the millions of ones he can see all in his head in that instant. 
When Remus pulls Roman back before he gets scratched by the neighborhood wild cat he smiles and tells Roman, “I’ve seen it before!”
“Oh! Like Dejavu,” Roman says and Remus doesn’t correct him.
He stays closer though, watching and wondering what happens if “x”, and preventing bad things from coming to them. When the seventh grade bullies coming looking for them, Remus convinces Roman to follow him to the theater room to hang out; when there’s the pop quiz that no one studied for he memorizes the answers from the version of reality where he steals steals the smartest kids paper; when it snows Remus doesn’t shove a snowball down Roman’s back because he knows that it will cause him to get sick.
“Hey Roman!” Some kid in eighth grade says during lunch, “Wanna hang out?”
And Roman who is fourteen and only eleven minutes older than Remus grins brightly, “We’d love to!”
And Remus sees every version of how the conversation goes: Every version where that nameless senseless kid shrinks back and awkwardly admits the invitation doesn’t extend to Roman’s crazy weird brother, where Roman gets angry and mad and destroys his own reputation, where Roman falls to peer pressure and admits Remus is pretty weird---
“Nah!” Remus says before anything can actually happen, “I don’t wanna hang out! Ro, you go ahead.” (Because he’s seen ahead and knows that Roman comes back bursting with excitement and happiness and really thats all Remus has ever wanted for him, isn’t it?)
Even if the whispers through the highschool begin because of it. Remus can take a few rumors, a few snide remarks, a few isolations, to make his brother happy.
“He’s on drugs you know,” One girl says once Roman is out of earshot. Always out of earshot. “Totally crazy.”
“The way he looks at everyone is creepy.”
“Sometimes he acts like he already knows what people are gonna say and its annoying.”
Remus never felt the need to experiment with his power that much. 
“Just leave me alone, Remus!” Roman yells when they are seventeen years old and only eleven minutes apart.
“I’m not gonna let you go to that party!” Remus yells back.
“You don’t control me!”
“You’re going to do something stupid!” Remus snaps back, “You’re going to get drunk, and then drugged and then--”
“I’m not gonna get drunk! I’m not even gonna drink!” Roman throws back.
“Yes you are!” Remus snarls because he’s seen it time and time again, the way that Roman loves attention the way that he becomes pliable the second an older boy looks at him and compliments his hair and the second he’s convinced to have just one drink. Remus has seen the way his own knuckles look bruised and broken against the skin of those college kids that had looked so cool, the way that metal handcuffs feel as he’s loaded into the back of a police car with the sounds of two ambulance sirens wailing over the music.
He’s seen this, seen the way it ends if Roman goes to the party with or without Remus.
He’s always been able to see the way it goes.
“Shut up!” Roman yells.
And that--- that is not what he’s supposed to say.
“Shut up, Remus!” Roman yells, again. “You’re just mad because I got invited and you didn’t! I’m sorry I have friends, Remus! I’m sorry they like me more than you! Maybe if you weren’t such a freak you would have been invited too!”
Remus doesn’t know what to say. It feels a lot like he was shoved on stage without being told what show they’re preforming.
Roman shoves by him, which is not something that Remus saw him do in any of the visions. Why hadn’t he seen this version of the future? Why wasn’t this going as expected?
“Roman--”
Roman whips around to face him, and his red in the face, bursting with angry and emotions and Remus feels himself get angry too. 
“I don’t need you!” Roman spits like hellfire is in his veins.
“Yes you do!” Remus shouts back, because he can’t even count the number of times that Roman almost got hurt this week. There’s a terrible taste in the back of his throat, like fresh squeezed limes and hot sauce that makes his head pound. It makes him want to laugh, want to cry, want to pick something up and throw it, but his future visions are all messed up and nothing works--
“You can’t see the future, Remus!” Roman says and it sounds like he’s wanted to say it for a long time.
Remus is seventeen years old and only eleven minutes younger than Roman, when oh. 
When he realizes that he’s far too old to cry over watching Roman die, far too weird to get any friends at school, far too much to keep having Roman believe him when he says anything.
It’s Deja Vu. Its Coincidence. Its a trick and a joke and nothing more than that.
Oh.
Roman doesn’t know a single thing about him, doesn’t know how much time Remus put into making sure everything great happens for him, doesn’t know how much of himself Remus gave up for Roman to be happy. He doesn’t know, doesn’t want to know.
And Remus, with his blood boiling because Roman was his brother and clearly he didn’t feel as strongly about Remus as Remus felt about him, wonders what would happen if he punched Roman in the jaw--
They end up fighting on the floor in the hall between their rooms, Mom and Dad come running and Remus gets grounded while Roman gets to go out to the party with a black eye.
--if he shoved Roman down the stairs--
Roman screams as his arm breaks and he spends the night in the ER, Remus is grounded and Roman stops talking to him for a very long time.
--if he grabbed the snowglobe on Roman’s desk and slammed it into Roman’s head--
He topples to the ground, screaming glass and silver sparkles shatter all around them like pretty little snowflakes, Mom and Dad come running and the screaming doesn’t stop.
--if he fit his hands around Roman’s neck and squeezed and squeezed and squeezed--
Roman claws at Roman’s hands, but he’s too off balance, too surprised, too unprepared. He gasps for air and it takes longer in the real life than it does in the movies for Roman’s pretty brown eyes to roll back in his head and his pulse to flutter to a stop and Remus keeps hold him for three minutes more before he lets go and Roman is… Roman was… suddenly there’s only ten minutes between them, nine, eight.
Remus digs his nails into the doorframe of Roman’s room. He laughs.
“Fine,” Remus chokes on his laughter, his mouth tasting like his own stomach acid. “Fine, go to the party, Ro. I’m done caring.”
“Good!” Roman yells.
The door slams in Remus’s face and he can’t stop laughing about it. He drags his fingers through his hair and laughs all the way to his room, gasping for breath as he empties his backpack of school work and notebooks and everything. 
Remus is seventeen. 
And he runs away from home.
(Part two)
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idkwhoiamanymorebutwtf · 4 years ago
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People are so quick to blame literally everything that happened in Mapleshade’s Vengeance on Mapleshade and nobody else without even suggesting that any sort of blame could be pinned on literally any of the other characters or even that some of the bad things that happened were tragic accidents while also complaining about how none of the villains ever have any moral complexity or gray area and it’s baffling.
Like.
You even suggest that Darkstar, Oakstar, Frecklewish, Ravenwing, and Appledusk were all shitty and played a significant part in the events of the book, that the general society or even warrior code itself being flawed may have contributed to making Mapleshade a villain, or even suggest that the kits dying wasn’t Mapleshade’s fault and people jump at you. Because they cannot fathom that a villain isn’t always just pure evil for no reason with no question or blame on anyone else. Like. The same people who are annoyed at Tigerstar being such a villain stereotype down to literally being born evil.
That book is incredibly interesting because it shines a light on just how fucked up clan loyalism and biases can be as well as showing a cast of characters who all do awful things and all end up suffering in the end because of the society in which they live.
The warrior code and Starclan in of itself is incredibly flawed and this fact easily lent itself to creating this story. It’s easy to say that Mapleshade was horrible and wrong for lying about the father of her kits, however there’s no doubt in my mind on why she would have seen this as necessary. Clan rivalry was at a high at the moment, the book opening up with Mapleshade noting the blind rage and hostility her clanmates showed towards Riverclan cats after their recent battle, now, very clearly clan rivalry to the extent it’s displayed throughout the books is a flawed thing in of itself, think back to the Dawn Of The Clans books and how Clear Sky was regarded for bringing bloodshed into the forest. Think of that battle, of two siblings laying dead, having murdered one another over borders that aren’t really necessary. Think of warriors letting kits of other clans drown because they don’t see it as their own problem. Even now in present time, think about how a cat can lay dying in Thunderclan camp and be ignored completely because they aren’t one of them. Clan loyalism is incredibly dangerous. It leads to death and hatred. Constantly. Even in times of relative peace there’s so much resentment for other clans so evidently present. And during the time of Mapleshade’s Vengeance, tensions between Riverclan and Thunderclan were particularly high. To pretend that Mapleshade had no reason to be terrified for her own safety and that of her kits is ludicrous given the climate in which clan cats live. Lying was not the moral thing to do, and it’s not as if Mapleshade had nothing to do with her own downfall, but do not pretend for a second that the decision would have been easy or clear cut. Do not even pretend telling the truth from the start would have been the right choice to make. Clan loyalism is dangerous. It’s a terrible thing that’s lead to the deaths of countless cats over the years. Cats who didn’t deserve it. The warrior code and Starclan facilitating this is a terrifying, awful thing. Mapleshade lived in an incredibly flawed system that would have persecuted her for falling in love and hated her kits for who their father is, Mapleshade lying in an act of self preservation and protection over her kits was a direct result of the corrupt system she was raised into forcing her hand. What’s more, Starclan choosing to out the kits to Ravenwing and his subsequent decision to tell Oakstar- because the will of Starclan comes before the lives of warriors, every single time- was a further example of this. That small, innocent kittens be punished for a woman daring to love somebody outside her boarders is ludicrous. And Starclan’s wrath did not come from the lies Mapleshade told, but rather the Riverclan blood in her kits veins. This disdain her culture held for Mapleshade and her “half-breed” kits was exactly what forced her to lie in the first place.
I’m going to handle Frecklewish and Oakstar in a different paragraph to my discussion on how the warrior code, starclan, and clan society in general were to blame, because they did have more personal motivations as well and I would like to address that fact. In the end, they were both incredibly upset that Mapleshade lied (or, well, more like omitted the truth, but same principal) about the father of her kits. This was fair. I do not fully blame Mapleshade for this lie. As I said before, I do not dislike Mapleshade for choosing to lie. Certainly it can be said that her decision was morally wrong, however a mother of three choosing to prioritize her and her children’s safety and security over morals in a society that would see them exiled and left to fend for themselves....well, it’s just human, to be quite frank. She was in a desperate situation and people will never be their best selves when placed in a desperate situation, especially when their children are involved. It’s the same reason I don’t blame Leafpool for giving her kits to her sister, even if it meant lying to Bramblestar and the rest of the clan (honestly mapleshade’s lie may arguably even be more understandable than leafpool’s because she didn’t have nepotism on her side like leafpool, mapleshade lived in a time of war against her mate’s clan unlike leafpool, and, well, mapleshade was going to tell the truth eventually once she was sue her kits wouldn’t be thrown out to fend for themselves...unlike leafpool). Frecklewish and Oakstar’s anger was understandable, but that doesn’t make Mapleshade a bad person for the lie. And, well, to be honest, both Oakstar and Frecklewish cross the line into cruelty. And that line is crossed...where their personal anger against Mapleshade meets their clan biases. Oakstar was quick to throw out a young mother and her three small children with nowhere to go. And he did it because she fell in love with a tom across the boarder. A tom who’s clan Oakstar had a bias against. Yes, his personal rage against Mapleshade fueled this decision, but had the real father of these kits been Thunderclan, she never would have been exiled for her lie alone. And his decision to exile the kits as well. Three innocent children who hadn’t done anything wrong. Who he couldn’t be certain would survive with only Mapleshade to care for them. It was because once it was revealed they were half clan, they became other to him. They weren’t people like him. The clans have an us vs them mentality. Oakstar’s decision to throw out three helpless children was because they stopped being ‘us’ and started being ‘them’ as soon as they were revealed as half clan. Not because of his grudge against Mapleshade. The exile of the kits, even as Mapleshade begged for them to be allowed to stay because they were innocent even if she wasn’t, can easily be traced back to, once again, that dangerous sense of loyalism clans have. And then there’s Frecklewish. A lot of what was said about Oakstar can go for her too, except with the added layer of her standing at that riverside and letting the kits drown. Now, she could have stepped in to try and help them. It’s not like she was incapable. In no place during her confrontation with Mapleshade did she say “I can’t swim, idiot”. No. It was “I assumed the Riverclan cats would help them!” and other such statements to imply it wasn’t her business. There’s no doubt in my mind that if those kits really had been Birchface’s she would have jumped in to help them. There’s no doubt in my mind that if those kits had been any Thunderclan cat’s she would have jumped in to help them weather or not there were other cats nearby. Because the lives of Thunderclan kits are her business. And the lives of other kits...well...aren’t. Especially not half breeds. If they were alone, maybe she would have begrudgingly helped out of obligation to the warrior code, maybe she wouldn’t have. Weather or not she would have done the bare minimum doesn’t change the fact that she was less willing to help these kits than she would have been if they were Thunderclan.
Even the actions of cats like Appledusk and Darkstar are in some way related to the unhealthy clan loyalism and biases. Mapleshade was instantly cast out of Riverclan and not even allowed to take her kits to bury while Appledusk was allowed to stay and given another chance. To be honest, Darkstar was harder on her because she was Thunderclan. You can argue that the choice to cross the river was stupid and risky, but honestly, I completely disagree with blaming her for a natural disaster. She was thrown out. Homeless. She didn’t really have anywhere to go. Her only hope was to make it to Appledusk in Riverclan where she could hopefully be offered refuge. Crossing the river, to her, seemed like the only choice she had. Her only option for the salvation of herself and her kits. I don’t blame her for it. I don’t know how anyone can. She was frantic, she was homeless, she was under threat of attack if she stayed in the wild, she didn’t know how to provide for herself, how to provide for her kits. She needed to get to Riverclan, she was panicked in her attempts to do so. I cannot blame her for it. Had the kits survived or had Mapleshade already been a member of Riverclan, Darkstar would have been compassionate as well. Would have shown empathy. As she did for Appledusk. However Mapleshade was other. She was one of them, not one of us. Her blood, her scent, her posture, Darkstar loathed it in the way any loyalist Riverclan cat loathes a Thunderclan cat. Disdain, contempt, apathy at best, that was how a Riverclan cat regards a Thunderclan cat, and that was how Darkstar regarded this grieving terrified young mother, so easily dismissing her. Even Appledusk was deeply influenced by this attitude that’s always infected clan life. I have no doubt he once cared for Mapleshade. I have no doubt he killed off the part of himself that loved her for the sake of self preservation. That he latched onto his clanmates’ perceptions of Thunderclan cats as inhuman enemies. That he chose to love a she-cat within his own clan instead because love beyond boarders is forbidden in every sense of the word. Appledusk was horrible. He was a cheater, he showed no empathy for Mapleshade, he was just awful.  However it’s clear to me that this, like everybody else’s actions within this book, was a result of the horrifically flawed values of the clans, the warrior code, and Starclan. That Appledusk was able to dehumanize Mapleshade in his mind because clan cats dehumanize those who they see as other. That he was able to justify his behavior to himself and other’s due to clan loyalism and bias. That he would have had a chance to be better had his love not been forbidden in the first place. Had his children not been a sin he felt the need to atone for in order to be deserving of salvation from his ancestors and his leader.
Almost every bad thing within this story was a direct result of clan culture and biases. Everyone did horrible things. Oakstar, Darkstar, Frecklewish, Appledusk, Ravenwing, and Mapleshade herself all did bad things during the first half of this book weather it be out of discrimination against the other or self preservation in a world that sees them as the other. Every other clan cat who watched this happen and Starclan itself who facilitated this were just as bad. Mapleshade’s breakdown and the subsequent deaths of Frecklewish, Ravenwing, and Appledusk can all be blamed on this. Mapleshade, even when she killed, did not act selfishly. She was not a true villain until after her death. Mapleshade suffered from a psychotic break in which she became convinced her kits could not enter Starclan until the cats who caused their deaths were dead. This breakdown was completely the fault of the cats mentioned above who allowed their loyalism and biases to cause the horrific deaths of Patchkit, Petalkit, and Larchkit. Obviously murder isn’t okay, however i’d be lying if I said that within the fictional story it wasn’t thematically satisfying that these cats die. It was also incredibly satisfying that Mapleshade go to the dark forest while the other cats involved went to starclan, not because Mapleshade deserved the dark forest more (usually murder would be much worse than what the others did, however since she was suffering a psychotic break at the time circumstances are different than they’d be if she hadn’t been vividly hallucinating that her children weren’t allowed into heaven). Starclan watched this messy, horrific event unfold. And they picked one person to blame for it. They did not reevaluate their rules and systems, they did not even choose to punish everybody else involved for what they’d done (let three innocent kits die and turn away a desperate terrified grieving young mother in need). Starclan chose one cat, the cat who they decided had committed the worst crime, and they said she is objectively to blame for all of this, punish her and we never speak of this again (which is ironically also what a lot of fans try to do, say mapleshade was to blame, nobody else is, punish her and lets move on). People want to blame everything on a single entity they can fight, not on a complex system of societal biases that can make two clans commit atrocities with Starclan’s full support. And the brilliant part of this is that this didn’t fucking work. Mapleshade came back. Again. And again. And again. Progressively getting worse and worse and worse, more vengeful and more dangerous as time went on. Because that’s what HAPPENS when you ignore the bigger picture and pin everything on one person without trying to give it a second thought. The problem isn’t solved. Things get worse and worse and worse. Mapleshade is a bad person now because she was victimized by society and starclan in life, then swept under the rug. She became more angry, less rational, completely focused on revenge. Not because she was always bad, but because pinning big complex issues on one person isn’t helpful. Because that’s always going to end in disaster. Nobody in the clans were innocent and in the end the corruption of the society in which they live ruined everybody and everything. There were no happy endings, not for anyone, and once it was all over it was all blamed on one person and swept under the rug to be a problem for future generations instead without anything actually being solved.
Don’t believe me? Which big characters were fully innocent in the main plotline of the book, then?
Patchkit, Petalkit, Larchkit, and Mylar. Three exiled half clan kits and a loner. The only fully good, kind, innocent cats weren’t part of the larger clan culture and system of beliefs. 
Stop blaming everything on Mapleshade, i’m almost certain the exact reason this book is so good is that it’s not all her fault and that her future character arc of actually becoming a bad person and becoming dangerous to the clans is actually only farther proof of that. Clan society is fucked up, we’ve known that for a while but this book does such a good job of portraying it. The way the system makes it so that nobody’s hands are ever clean as long as they exist within the main system and how the cruelty or apathy of Starclan, The Warrior Code, and Clan Society will corrupt even those who could have been otherwise innocent.
Mapleshade’s story is impressive and probably the only villain I can think of that’s...actually super complex and is bad for reasons other than “am selfish want power am cartoon villain stereotype”.
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mytwilightimagines13 · 4 years ago
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Amnesia (Book Two)(Part Fifteen)(Alec Volturi)
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The final witness
Then Alice danced into the clearing from the southwest, Jasper was only inches behind her, his sharp eyes fierce. Close after them ran three strangers; the first was a tall, muscular female with wild dark hair - obviously Kachiri. She had the same elongated limbs and features as the other Amazons, even more pronounced in her case. The next was a small olive-toned female vampire with a long braid of black hair bobbing against her back. Her deep burgundy eyes flitted nervously around the confrontation before her. And the last was a young man... not quite as fast nor quite as fluid in his run. His skin was an impossible rich, dark brown. His wary eyes flashed across the gathering, and they were the color of warm teak. His hair was black and braided, too, like the woman's, though not as long. He was beautiful. As he neared the vampires in the meadow, a new sound sent shock waves through the watching crowd - the sound of another heartbeat, accelerated with exertion. Alice leaped lightly over the edges of the dissipating mist that lapped at Bella’s shield and came to a sinuous stop at Edward's side. Bella reached out to touch her arm, and so did Edward, Esme, Carlisle. There wasn't time for any other welcome. Jasper and the others followed her through the shield. All the guard watched, speculation in their eyes, as the latecomers crossed the invisible border without difficulty. The brawny ones, Felix and the others like him, focused their suddenly hopeful eyes on Bella. They had not been sure of what her shield repelled, but it was clear now that it would not stop a physical attack. As soon as Aro gave the order, the blitz would ensue her. Edward, despite his absorption in the coup he was directing, stiffened furiously in response to their thoughts. He controlled himself and spoke to Aro again. "Alice has been searching for her own witnesses these last weeks," he said to the ancient. "And she does not come back empty-handed. Alice, why don't you introduce the witnesses you've brought?" Caius snarled. "The time for witnesses is past! Cast your vote, Aro!" Aro raised one finger to silence his brother, his eyes glued to Alice's face. Alice stepped forward lightly and introduced the strangers. "This is Huilen and her nephew, Nahuel."  Caius's eyes tightened as Alice named the relationship between the newcomers. The Volturi witnesses hissed amongst themselves, including Jane and Alec, but Maeryn did not join them once again. She felt intrigued by the newcomers. So there were more male vampires impregnating female humans.  The vampire world was changing, and everyone could feel it. "Speak, Huilen," Aro commanded. "Give us the witness you were brought to bear." The slight woman looked to Alice nervously. Alice nodded in encouragement, and Kachiri put her long hand on the little vampire's shoulder. "I am Huilen," the woman announced in clear but strangely accented English. As she continued, it was apparent she had prepared herself to tell this story, that she had practiced. It flowed like a well-known nursery rhyme. "A century and a half ago, I lived with my people, the Mapuche. My sister was Pire. Our parents named her after the snow on the mountains because of her fair skin. And she was very beautiful - too beautiful. She came to me one day in secret and told me of the angel that found her in the woods, that visited her by night. I warned her." Huilen shook her head mournfully. "As if the bruises on her skin were not warning enough. I knew it was the Libishomen of our legends, but she would not listen. She was bewitched. "She told me when she was sure her dark angel's child was growing inside her. I didn't try to discourage her from her plan to run away - I knew even our father and mother would agree that the child must be destroyed, Pire with it. I went with her into the deepest parts of the forest. She searched for her demon angel but found nothing. I cared for her, hunted for her when her strength failed. She ate the animals raw, drinking their blood. I needed no more confirmation of what she carried in her womb. I hoped to
save her life before I killed the monster. But she loved the child inside her. She called him Nahuel, after the jungle cat, when he grew strong and broke her bones - and loved him still. I could not save her. The child ripped his way free of her, and she died quickly, begging all the while that I would care for her Nahuel. Her dying wish - and I agreed. He bit me, though, when I tried to lift him from her body. I crawled away into the jungle to die. I didn't get far - the pain was too much. But he found me; the newborn child struggled through the underbrush to my side and waited for me. When the pain ended, he was curled against my side, sleeping. I cared for him until he was able to hunt for himself. We hunted the villages around our forest, staying to ourselves. We have never come so far from our home, but Nahuel wished to see the child here." Huilen bowed her head when she was finished and moved back so she was partially hidden behind Kachiri. Aro's lips were pursed. He stared at the dark-skinned youth. "Nahuel, you are one hundred and fifty years old?" he questioned. "Give or take a decade," he answered in a clear, beautifully warm voice. His accent was barely noticeable. "We don't keep track." "And you reached maturity at what age?" "About seven years after my birth, more or less, I was full grown." "You have not changed since then?" Nahuel shrugged. "Not that I've noticed." "And your diet?" Aro pressed, seeming interested in spite of himself. "Mostly blood, but some human food, too. I can survive on either." "You were able to create an immortal?" As Aro gestured to Huilen, his voice was abruptly intense. Bella refocused on her shield, but Maeryn no longer paid attention. This was something new to her kind, something interesting. And she wanted to know every last bit of it. "Yes, but none of the rest can." A shocked murmur ran through all three groups. Aro's eyebrows shot up. "The rest?" "My sisters." Nahuel shrugged again. Aro stared wildly for a moment before composing his face. "Perhaps you would tell us the rest of your story, for there seems to be more." Nahuel frowned. "My father came looking for me a few years after my mother's death." His handsome face distorted slightly. "He was pleased to find me." Nahuel's tone suggested the feeling was not mutual. "He had two daughters, but no sons. He expected me to join him, as my sisters had. He was surprised I was not alone. My sisters are not venomous, but whether that's due to gender or a random chance... who knows? I already had my family with Huilen, and I was not interested" - he twisted the word - "in making a change. I see him from time to time. I have a new sister; she reached maturity about ten years back." "Your father's name?" Caius asked through gritted teeth. "Joham," Nahuel answered. "He considers himself a scientist. He thinks he's creating a new super-race." He made no attempt to disguise the disgust in his tone. Maeryn shared this feeling. It indeed was disgusting. Caius looked at Bella. "Your daughter, is she venomous?" he demanded harshly. "No," Bella responded. Nahuel's head snapped up at Aro's question, and his teak eyes turned to bore into Bella’s face. Caius looked to Aro for confirmation, but Aro was absorbed in his own thoughts. He pursed his lips and stared at Carlisle, and then Edward, and at last his eyes rested on Bella. Caius growled. "We take care of the aberration here, and then follow it south," he urged Aro. Aro stared into Bella’s eyes for a long, tense moment. Maeryn had no idea what he was searching for in Bella’s eyes, or what he found, but after he had measured her for that moment, something in his face changed, a faint shift in the set of his mouth and eyes, and Maeryn knew that Aro had made his decision. "Brother," he said softly to Caius. "There appears to be no danger. This is an unusual development, but I see no threat. These half-vampire children are much like us, it appears." "Is that your vote?" Caius demanded. "It is." Caius scowled. "And this Joham? This immortal so fond of experimentation?" "Perhaps we
should speak with him," Aro agreed. "Stop Joham if you will," Nahuel said flatly. "But leave my sisters be. They are innocent." Aro nodded, his expression solemn. And then he turned back to his guard with a warm smile. "Dear ones," he called. "We do not fight today." The guard nodded in unison and straightened out of their ready positions. The mist dissipated swiftly, but Bella held her shield in place. She analyzed their expressions as Aro turned back to them. His face was as benign as ever, but unlike before, there could be a strange blankness sensed behind the facade. As if his scheming was over. Caius was clearly incensed, but his rage was turned inward now; he was resigned. Marcus looked... bored; there really was no other word for it. The guard was impassive and disciplined again; there were no individuals among them, just the whole. They were in formation, ready to depart. Once Alec’s mist had returned to himself, Maeryn took off the glove of her right hand, showing her porcelain skin to the sun. Alec did the same to the glove on his left hand and grabbed Maeryn’s hand tightly. It felt good to feel each other’s skin touch one another. Now they could feel their connection much better than before. The Volturi witnesses were still wary; one after another, they departed, scattering into the woods. As their numbers dwindled, the remaining sped up. Soon they were all gone. Aro held his hands out to the foes, almost apologetic. Behind him, the larger part of the guard, along with Caius, Marcus, and the silent, mysterious wives, were already drifting quickly away, their formation precise once again. Only the three that seemed to be his personal guardians lingered with him. "I'm so glad this could be resolved without violence," he said sweetly. "My friend, Carlisle - how pleased I am to call you friend again! I hope there are no hard feelings. I know you understand the strict burden that our duty places on our shoulders." "Leave in peace, Aro," Carlisle said stiffly. "Please remember that we still have our anonymity to protect here, and keep your guard from hunting in this region." "Of course, Carlisle," Aro assured him. "I am sorry to earn your disapproval, my dear friend. Perhaps, in time, you will forgive me." "Perhaps, in time, if you prove a friend to us again." Aro bowed his head, the picture of remorse, and drifted backward for a moment before he turned around. The foes watched in silence as the last four Volturi disappeared into the trees.
Once back in the castle, Jane, Alec and Maeryn made their way towards Jane’s room. Jane was boiling with anger and she threw some expensive vases against the wall on their way to her room. Maeryn and Alec skillfully avoided the porcelain shatters and followed their sister to her room. Once inside, Jane grabbed her pillow and ripped it in half. Alec let go of Maeryn’s hand and pulled his sister in a tight embrace. Jane used her gift on him, but Alec kept on holding her, not once making a sound of agony. Soon enough Jane calmed down, and as soon as Alec released her, she fell onto her bed that was now covered in feathers. She picked one up and studied its form with her magnified sight, seeing every little detail. “Don’t fret sister, there will be a day we can defeat them.” Alec said. “At a moment when they least expect it.” Jane said, slowly grinning again. "We got all eternity to plan it ." Maeryn said to Alec and Jane. Both the twins grinned. Maeryn grinned along, though she could not shake off the feeling that something bad was about to happen.
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pomegranates-and-blood · 4 years ago
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“Freydis.” (Freydis’ PoV)
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νοσταλγία Masterlist
Pairing: None, Freydis/Ivar if you squint, but not really
Summary:  You can sum this up as a canon divergence from 5x03, from Freydis PoV, with the purpose of explaining why Ivar has some of the ideas he has (as a result of their interaction) and why she is the way she is in the story. I wanted to take a peek into Freydis’ head, mainly because the Freydis of the show is not exactly the Freydis I wrote in νοσταλγία. I wanted to explore the night she is freed, and how/why she finds herself in Kattegat after everything that happens, and why she is the way she is, why she believes in what she believes in. I suck at summaries, I know, sorry
Word Count: 1.6k
Warnings: The usual, a lot of focus on slavery tho
A/N: Okay so this is my first attempt at Freydis. I really like her character, even if I changed it a bit, I just hate the ‘I am a God’ storyline so fucking much, so I changed their interaction and, by extension, Freydis’ views on the world and the Gods. I’m sorry if this sucks, I’m trying to find her voice and idk, I don’t think I did very well but I still wanted to try and show you guys how I see/write her.
Please let me know what you think, I know this isn’t as flashy as an Ivar PoV but I hope you don’t hate these, cause I also have Sieghild’s little spin-off to post :)
Taglist: @youbloodymadgenius @heavenly1927​ @toe-vind-ek-jou @xbellaxcarolinax @pieces-by-me
They grab her by the back of her neck, hiss some words she doesn’t hear. She drops the jug she was carrying, pale eyes remaining on the spilled milk and watching it be wasted on this ungrateful ground.
They push her, shove her, to make her start walking. She does. Before long she stands surrounded by walls made of stone, and before a man made of fury.
The man at her side is dismissed by the son of Ragnar, and she watches him leave out of the corner of her eye, imagining for a second a world where she can be the one to stand tall and sentence the unworthy to die.
But the Gods didn’t will it that way, they willed it so that she is the unworthy one, tasked with rising above her pain, above her darkness.
“Slave,” He greets, and the word, the reminder, it brings forth so many memories to the front of her mind, so many scars seem to ache with the syllables of the word. Still, she remains quiet and unmoving, she thinks she even offers a calm smile, knowing she has nothing to fear. It seems to intrigue him, she notices. “You do not seem…afraid of me.”
“No,” She replies after a few moments of silence, almost certain he gave her permission to speak. “I have no reason to.”
“You know who I am.” He states, and she nods.
“You are Ivar,” Is all she says. His head cocks to the side, a question about to leave his lips, and with a pit of fear -a fear she knows she shouldn’t feel- on her stomach she adds, “Ivar the Boneless.”
She almost flinches when he lifts his hand to his lips, sure the order to force her into obedience after speaking without being allowed to is to come, but the man only looks at her, blue eyes curious and calculating.
“We are expecting to be attacked by the Saxons, they have a large army outside of these walls,” He explains, and she knows, she knows like she knows the scars on her skin, what he will ask out of her. “We must ask the Gods for help. Would you be…willing to offer yourself as a sacrifice?”
He asks her to respond, he asks her what she ought to do, like it’s a choice, like people like her have a choice to make.
Her lips part, her breath shakes out of her lungs, her hands tremble. They cannot ask her to make choices, if…if she is free to choose one thing, then…
As her breath quickens, as her chest heaves, she feels the familiar weight of the pendant on her neck, and she is reminded of why she ought to feel no fear.
So she brings herself back under her own control and nods, “I would be honored to give myself to the Gods.”
“You are not afraid.” He states in response, but it is a question.
“I have always known…” Her breath falters, but not her resolve, so she straightens her shoulders, meets his eyes with certainty, “I have always known that pain is the Gods’ gift to us.
She looks down at hands roughened by labor and pain, and is resolute when she continues,
“‘To live is to suffer’,” She quotes, the woman who told her that long dead by now, “It all leads us to Ragnarok, it all leads us to…pain, before and after the wolf breaks free. Pain is a mark of the Gods. And those who embrace the pain, those who are born in it, that live in it,” Her eyes look at nothing, nothing but the memories, the snarling faces, the hurting hands, the broken pieces. “Those are chosen by the Gods themselves.”
Her gaze returns to the man sitting in the makeshift throne, and she is startled by the gasp that leaves parted lips, the unbridled hope she sees shining in wide blue eyes.
“Come closer,” He whispers, and she does, with no fear. His eyes search hers, with a desperation she scarcely saw before in someone not a slave, “What…what do you-…? I don’t understand.”
“I know who you are, what you are; so I know you understand,” She offers a small smile, “I know you understand that some of us are chosen by the Gods themselves to be pushed to the ground, to be broken, to…suffer.”
“Chosen.” He repeats, and his voice shakes.
Hers does not.
“We are chosen, pain is a mark of the favor of the Gods. We are to endure, we are to rise above it, we are to survive, we are to accept the Gods’ gift.”
“I…”
“Those who endure, are rewarded,” She straightens her back, offers a smile cold but true as she raises her chin for what feels like the first time, “I am willing to be the sacrifice. And may Freyja reward me in the life after this one.”
But he shakes his head. Barely at first, as if enthralled, as if shaken, but when she meets his eyes with what is certain to be shock and surprise written all over her features, he takes a deep breath and finds his voice.
“You are free to go.”
“But…”
“You…” He frowns, his eyes fall from hers, look at nothing. She knows that look. But he shakes himself off it before long, and meets her gaze again, “You are a free woman now.”
She learns that night, that being free is a new kind of pain.
They leave her alone and unbound and alone, and she does not know what to do. For a time, she is thrilled in the newfound freedom, terrifying and suffocating as it is, laughing like a madwoman until her throat goes raw, convinced that this is the Gods’ reward for a life of pain, for enduring, for understanding their will. But the night darkens and she has nowhere to go, and her laugh turns into manic sobs even as she covers her mouth, the shadows chase her lonely form even if she is unbound.
They don’t talk about the loneliness of freedom, she realizes numbly in the morning, dress dirtied and hair wild as she sits on the ground, back resting against one of the stone homes of the city. They don’t talk about how terrifying it is to be left alone with your thoughts when you know you are free to do what you will, what those thoughts tell you to.
Her thoughts tell her she wants to burn the city to the ground and also explore every crevice of it, she wants to let the slaves feel the same freedom as her but she also wants to be on the other end of the terrified stare of a desperate thrall, she wants to…she wants to…she wants.
She wants, and she has wanted for so long; but they cannot ask her to decide, they cannot tell her now she has choices to make. She is scared, and the fear that runs through her veins like Thor’s lightning is a new kind that she has never felt before.
Almost twenty years they have told her to want for nothing, that a slave ought to never want. And now she can admit to having wants, and hopes, and…and now the world is at the tips of her fingers and if she just reaches…
But she is petrified, petrified and alone and fearful.
She wonders if this is but another kind of suffering to endure, this freedom.
____
She has learned, in these months of freedom, many new things. She has learned the taste of some strange dried fruits she stole from a merchant; she has learned working while a free woman feels differently than when working as a thrall even if it is the same routine; she has learned the possibility of choosing never stops being suffocating.
She has learned she is lacking many things. She is lacking a name, having long forgotten it and the people that knew it have been dead for even longer; she is lacking anything but the old red and green dress she wore the night she was freed; she is lacking the certainty being bound to servitude gave her.
A ghost has taken her place since that night, she thinks. Or maybe freedom feels like this. This wandering, this fear, this uncertainty.
A ghost that walks the streets, a ghost that still cries during the night clutching a worn pendant, a ghost that, when the ambitions of the sons of Ragnar take them elsewhere, follows.
Because she has also learned that she is utterly and unbearably afraid of being left alone.
An old woman with runes on her skin finds her wandering the streets one morning, the dawn breaking over the distant waves of the city that now has a new King. She smiles at her, like she sees her, like she understands.
“What is your name?” The woman asks, but all she can do is shake her head, eyes wide.
“I don’t know.” She doesn’t know many things.
And when the woman invites her to follow, she does, because she doesn’t want to be left alone but also because she can, because she wants to, because she can choose to.
So before long she sits in front of the fire and a mangy black cat purrs in her lap, the woman’s eyes piercing and calming as they study her.
“You have a home here, if you wish it so,” The old woman says, “But you ought to have a name, child. What should we call you?”
She grabs onto the pendant hanging from her neck, she thinks of the tales she was told, she hears the memories of whispered prayers.
And she chooses.
“Freydis.”
___
Okay, so that was it. I hope it doesn’t suck, and even if it does I would love to hear from you and learn how to improve.
Btw, her views on pain and what the purpose of life is, or life being suffering and all, it was very much inspired on Edith Hamilton’s insight on Norse mythology and its effect on VIkings and their way of life/worldview; all of it, of course, proyected into Freydis through the very poor vector that is my writing lol
Anyways, thank you so much for reading! I would love to know your thoughts on this, an whether or not alternate PoVs like Freydis’ or Sieghild’s are something you guys would be interested in seeing more of. Thank you!! <3
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