#hephestus deity

[w1tchythings404]

Hey there! I'm Samuel! I go by it/itself and star/starself and I'm a witch! I am a minor, so no NSFW blogs! I'm also white, so any speak of closed practices is NOT appropriate for this blog!

Occasionally, I'll post something about my deities. I am eclectic in the sense of I believe every God can and does exist, though I only worship and work with a few.

DNI under cut!!

______

These include:

Apollo

Artemis

Hades

Persephone

Loki

Freja

Hermes

Aphrodite

Satan

Asmodeus

Belphagor

Leviathan

Lucifer

Beelzebub

Mammon

Posidon

Hephestus

Thantaos

Demeter

Hera

Hestia

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Of course, this list may add on or off, but these are currently the deities I'm closest to.

DNI: Transphobic, homophobic, endos and their supporters, racists, pro-para, pro-pdf, turigirl, lesboy, m-spec/good faith, proshippers, Harry Potter blogs (wrong kind if magic!), people who take myths seriously, wiccans, abelists, and general bigots.

Everyone else is good! Blessed be, friends!

[okayyeros]

Apollo feels like being smeared in charcoal and paint, taking a deep breath and smelling the oil paint and solvent lingering in the air.

Hestia feels like the end of a college party, when everyone is lying together, slowly sobering up and talking about their hometowns.

Aphrodite feels like taking off your makeup after a long day and staring in the bathroom mirror, truly seeing yourself for the first time in a while.

Hermes feels like people watching on the bus, overhearing all the stories of people you will never meet.

Eros feels like loving something so fiercely, with so much passion, that you don't think you can live without it.

Hypnos feels like waking up from a dream that changed your view of the world, for the better.

Artemis feels like the girls you meet at parties who make sure you have a safe ride home.

Hephestus feels like spending hours meticulously building, with a clear vision in mind, but no proper measurements.

Hades feels like the hot embers burning bright on a fire that is slowly dwindling.

Dionysus feels like teaching young actors the ritualistic traditions of a theatre.

Ares feels like protesters fighting for change with unwavering strength.

Poseidon feels like learning about challengers deep for the first time and feeling yourself get entranced by the duality of the ocean.

[katerinaaqu]

greetings!

kindly requesting some background info and perhaps some linguistic breakdowns on the compound names & epithets of the greek gods.

So far ive come across a fair few (like areia and kronides for aphrodite and zeus respectively) and wondered if theyre tied to certain myths, are markers of where the god is in theogony, or are as simple as greek honorifics.

tysm and have a wonderful day :D

Hello hello!

Oh my this is an amazing question but also so damn extensive! Hahaha because there are countless epithets given to the gods depending on their cult and worship, their attributes or relations even their appearance at times (ex. Κυανοχαίτης Ποσειδών aka "dark/blue haired Poseidon", or Γλαυκόφθαλμη Αθηνά aka "Athena with the blue/gray/bright eyes" or "eyes like an owl")! Only Zeus has a bunch of them! Much more the others! However I will try my best to scrap the surface of their names and epithets here.

For starters the gods, just like the humans in poems and such, bear the names of their heritage or parenthood. So, just like we have let's say Ατρείδης Αγαμέμνων (Atreides Agamemnon) aka "Agamemnon son of Atreus", we have also Κρονίδης Ζευς Kroneides Zeus "Zeus, son of Cronos" [Since whenever you see the ending -ίδης (-ides) at the end of a name means "son of" ]

They also might have an epithet depending on the area they are being worshipped or linked to their birth or residing, for example Κυπρία Cyprian, an epithet of Aphrodite to indicate her birthplace in Cyprus or even Κυθέρεια "From Kythera" for her other elleged birthplace, Kythera.

Gods also bear as epithets names that are linked to the lands they have their temples or sanctuaries in for example Ολύμπιος/α (Olymbios/a)= Of Olympus, Olympic, Πελάσγιος (Pelasgios) [Zeus]= Of the Pelasgic tribe, etc or Delphic (the one in Delphi) etc.

There are so many so I am not sure if I can touch them all but I will sure try! I am sorry if this message is long.

Zeus:

Zeus's name is ancient. In fact it is being rescued from the very first confirmed greek scripture, Linear B as di-wo among others. His worship is indeed linked to the ancient times. Etymologically his name is linked to meanings such as "divine" or "heavenly" among others very freely though given that the actual etymology is rather obscure and Zeus is one of the greatest examples we have in etoimology. I believe comes from an ancient root which means "to shine" According to Burket n Greek religion.

Zeus has a plethora of epithets and some of them have to do with his attributes and links to the sky and weather Όμβριος (Ombrios)= of the rain, Αφέσιος (Afesios)= the one who releases (rain or other weather phenomena), Σκοτίας (Skotias)= the darkening, the one who brings darkness (associated with rain and clouds), Κεραύνιος (Keravnios)= the one of the Thunder, Αστραπέος (Astrapeos)= the one of the Lightning, Κατεβάτης (Katevatis)= the descending one (from the verb "κατεβαίνω" in modern greek which means "to descend" or "to come down"), Κόνιος (Konios)= the one of the dust, Ικμαίος (Ikmeos)= of the moisture, Ευήνεμος (Evinemos)= of the good winds, Νεφεληγερέτης (Nepheligeretis)= Cloud-gatherer (Homeric epithet from greek νεφέλη=cloud and verb αγείρω= to raise or to gather) etc.

Other epitheds include his role among the gods such as: Βασιλεύς (Vasilefs)= King, Ύπατος (Ipatos)= supreme, sublime, the higest of authority, Κορυφαίος (Korypheos)= top, of the top, the highest of all (or linked to the top of Mount Olympus), Ύψιστος (Ypsistos)= the highest of all, the most sublime, the top authority, Θεός Αγαθός (Theos Agathos)= the Good God, Βουλαίος (Vouleos)= of the council, councilor, Κοσμήτης (Kosmitis)= the one who brings order to the world etc. even Πατήρ (Pater)= Father (aka "Father of gods and mankind")

Then we have a plethora of epithets that link Zeus to several things he represents such as justice or giving of goods for example: Ξένιος (Xenios)= of hospitality, Ικέσιος (Ikesios)= of the begging (here the ritual of begging see for example Odysseus begging Arete for heeding his plea for getting him home), Φίλιος (Philios)= of love, of friendship, of kinship, Γαμήλιος (Gamilios)= of the marriage, Καθάρσιος (Katharsios)= the one who cleanses, Σωτήρ (Sotir)= savior, Μειλίχιος (Milihios)= Gracious, merciful, Ελευθέριος (Elephtherios)= of freedom, Πανελλήνιος (Panhellenios)= of all Greece and all Greeks (from παν= complete, all and ελλας=greece), Αρείος (Areios)= of war, Στράτιος (stratios)= of the army, Σθένιος (Sthenios)= of power, Τρόπαιος (tropeos)= of the prices, loot, Σημαλέος (Simaleos)= bringer of signs/omens, Μοιραγέτης (Miragetis)= leader of Fates (μοίρα=fate and άγω=to lead, to bring, to raise)

And that is just a sample! Hahahaha! He has countless names and epithets depending on his worship, his attributes. In Homer he is even described by his appearance or what he wears, for example Aἰγίοχος (Aegiohos)= Aegis bearer (from the myth of Athena and Perseus where Perseus gives the head of Medusa to Athena, by some accounts Athena presents this aegis to her father Zeus). Some of his epithets that connect him to myths such as the attribute of being part of the top of the mountain of course leads not only to his battle with his father Cronos and his dominance over Olympus but also the second defeat of the Titans in Titanomachy where again Zeus defeated his arch-nemesis, Typhoon. His attribute to mount Ida in Crete is possibly due to the fact that he was raised there in secret so that Cronos wouldn't swallow him like the rest of Rhea's children. Multiple myths connext Zeus to sanctuaries such as the one of Dodona where he is also offering prophetic powers, similar to Delphi. Zeus also is connected to South Italy given that it is under Aitna that he trapped Typhoon according to some myths and traditions.

Hera:

Hera is also an ancient deity known already from mycenaean greek as well, written e-ra. Her name is of a little more obscure origins. I have seen people connect her to ώρα (hora) aka "time" or "moment" αήρ aka "wind" or "air" and some others. Plato says it comes from ἐρατή (erate) which means "beloved". Either way Hera has given her name in many figures of mytholgy including the infamous Heracles (Heracles= Glory of Hera).

Just like her husband, Hera has also a number of epithets that connect her to her nature as well as her attributes: Νυμφευόμενη (Nymphevomeni)= married, the one who gets married, Τέλεια (Teleia)= complete, adult woman, Ζύγια (Zygia)= married, of the marriage Ανθεία (Anthia)= of the flowers, Ακραία (Akraia)= of the top, of theheights (title she shares with her husband as well), Γαμηστόλος (Gamistolos)= the one who leads marriage (γάμος= marriage, στέλλω=to send, to lead to) Άνασσα and Βασιλίς (Anassa and Vasilis)= Queen. Βοῶπις (Vopis)= Cow-eyed (Homeric epithet, the one wit the big eyes. Also in Homer she is described as "white armed")

Other interesting epithets of hers are: Αλέξανδρος (alexandros)= protector of men (αλεξ= protect, repel and ανδρας= man, here is used as an epithet not as a name so it is female gender), Ηνίοχη (Iniohi)= of the chariot, the one who leads the chariot, Ὑπερχείρια (Hyperheria)= whose hand us up above. We also have one where she is called Αιγοφάγος (Aigophagos)= Goat-eater (Αίγα=goat and φάγω=to eat), linked to Laconia (Sparta) where Heraclesoffers a sacrifice in goats to her because he had no other sacrifice to give. Other names and epithets link her to specific heroes like Βουναία (Vounea)= of Vounos (a name of a hero) since many heroes offer temples in her name.

She is linked a lot with heroes due to her involvement with them both for the good and for the bad reasons. As charioteer we see her ride a chariot in Iliad as they descend together with Athena to assist the Greeks in the Trojan war. It also seems to be connecting her with her husband as his support and his co-ruler.

Poseidon:

Yet another god we know exists at least since the dawn of greek civilization in Bronze age, having his name engraved in Linear B as po-se-da-or among others, Poseidon is the second most powerful god in Greek olympian pantheon and like his younger brother Zeus is the god of the heavens, he is the god of earth as a living space for humans. His name is linked both to earth and to water since depending on the interpretation one can say his name comes rom "flow" or "earth" and of course one of his most famous epithets as earth-shaker. That is because earthquakes are by n large the former of the landscape.

Poseidon's plethora of names and epithets also link him to that. In fact many of his epithets include the term "gaea" which means "earth": Βασιλεύς (vasilevs)= king, lord, Πελαγαίος (Pelageos)=of the sea (πέλαγος=alternative word for "sea"), Αιγαίων (Aegeaeon)= of the Aegean sea, Προσκλύστιος (Prosklystios)= the one who strikes against (here waves probably?) Γαιήοχος (Gaeichos)= the one who holds the earth, Εννοσιγαιος (Ennosigaeos)= the Earth-Shaker, Εὐρυκρείων (Evrikrion)=wide-ruling (in Homer), Κυανοχαίτης (Cyanohetis)= of the blue/cyan/dark hair (in Homer from cyan and χαίτη which is a word used both for the maine of the horse but also means "hair" in general), Σεισίχθων (Sisichthon)= Earth-shaker (from verb σείω=to shake and χθων=ground, dirt, earth >see also "chthonian"), Ἐπακταῖος (Epaktaeos)= on the shore, worshipped on the shore (επί=upon, onto and ακτή=shore), Ποντομέδων (Pontomedon)= lord of the sea (ποντος=water, sea, μένδω=rule, stand steadfast -among others-), Φύκιος (Phykios)= of the seaweed, Φυταλμιος (Phytalmios)= plant nurturer

Other epithets can be seen as: Ἀσφάλειος (Asphalios)= protector (possibly protection for travelers in the sea), Δωματίτης (Domatitis)= of the house (as protector of kings and families and kin), Ἱππιος (Hippios)= of the horses, Ἱπποκουριος (Hippokurios)= the tender of horses (both these have the word ίππος=horse and the second has the term κούρα= which means "healing" or "tending", see english word "cure"), Ἐπόπτης (Epoptis)=overseer Γενέθλιος (Genethlios)=of the birth (here of the family or of the kin)

So by n large Poseidon is linked to some earthly values as opposing to Zeus who is connected with heavenly affairs. He protects the household and the kin, the partenthood and ansestors among others. Even the fact that his animal is a horse (symbol of status of nobility) plays its part. And of course on myths involving him we do know on the famous del with Athena over the control of the city of Athens but we also know the association of Poseidon with various monsters and monstrous creatures such as the cyclops and more specifically the cyclops Polyphemus. In one essence that could be an indicator of how nature is dangerous for humans who have to struggle their way to live through the unexpected turns of it. As a protector/patron god of Troy he is known for having built the walls of Troy after Zeus punished him for the coup he took part in against him. Poseidon had also sent a sea monster to protect Troy nown as Cytus of Troy, which was defeated by Heracles the first time he conquered Troy.

Demeter:

The other sister of the gods, Demeter also appears as far back as Linear B scriptures at least as da-ma-te with her name being associated of course to the cereal of earth but her name itself has multiple interpretations some of them I see is from a proto-indoeuropean "da" for "earth" and "mater" aka "mother" so in one way "mother-earth" aspect which makes sense given how Demeter is goddess of harvest, of nature, of rebirth of earth after winter and generally associated with earth. Also she is associated with the seasons and their changes. Consequently she is associated with wealth given how wealth comes from cullivating the earth. From the myth of Persephone and her struggle to get back her daughter and have justice for her, made her also associated with justice and law and also of course like many goddesses and gods that have to do with rebirth and the underworld one way or another, is also linked to mysteries and secret worships (ex. Eleusynian Mysteries).

Χθονια (Chthonia)= Of the earth, Χλοη (Chloi)= Green/Grass related, Καρποφορος (Karpophoros)= Bearer of Fruit, Θερμασια (Thermasia)= of the heat/warmth, Πλουτοδοτειρα (Plutodoteira)= giver of wealth, Παναχαια (Panachaea)= of all the Greeks, Ανησιδωρα (Anisidora)= Giver of gifts, Ὡρηφορος (Oriphoros)= Bringer of Seasons, Πολυφορβος (Polyphorvos)= Nourisher of many, Αγλαοκαρπος (Aglaokarpos)= of the Good Fruit, Καλλιστεφα��ος (Kallistephanos)= Beautiflly crowned, Χρυσαορος (Chrysaoros)= of the golden blade (perhaps cythe?) Μεγαλη Θεα (Megali Thea)= Great Goddess, Μεγαλα Μητερ (Megala Miter)= Great Mother, Προστασια (Prostasia)= leading/standing forard, Ευρώπη (Evropi/Europa)= broad-eyed, Λουσιη (Lusyi)= Bathing/Purifying), Μέλαινα (Melena)= Black (associated with both the land when fertile being dark of color but also her mourning clothing for Persephone's loss) also in this manner Κυανοπεπλος (Cyanopeplos)= Of cyan/black veil, For her association with Justice we have: Θεσμοφορος (Thesmophoros)= Bringer of Law, Θεσμιη (Thesmii)= of the Laws, Ερινυς (Erinys)= Fury (Associated with her fury when her daughter was kidnapped) Other descriptive titles: Σεμνη (Semni)= Modest, Ἁγνη (Agni)= Pure, Πότνια (Potnia)= powerful/noble, Ξανθη (Xanthe)= Fair-haired/Blonde (possible description as well as linked to the golden color of cereal), Ευκομος (Efkomos)= Lovely-haired, Ανασσα (Anassa)= Queen

So generally the most famous story of hers is her association with Zeus, the god of justice and heavens thus herself associated with justice and the change of seasons. With Zeus she has Persephone. When Persephone was taken by Hades/Pluto, she dressed herself in black in mourning and kept on searching for her daughter. Her sadness was translated to the change of season, making winter roam the earth. Eventually when Persephone was proven to have eaten food from the Underworld, pomergranate, Demeter demands to be able to see her daughter at least half the year thus we have the change of seasons for Persephone is sad at her daughter's departure in the Underworld, thus bringing winter to the earth. She is also associated with her other brother, Poseidon, through their worship for the fertility of earth.

Hephaestus:

Another Olymbian god is of course Hephaestus who also has a long history since he also appears to the Linear B texts as A-pa-i-ti-jo and known for his protection over blacksmiths and metalworkers and not only. Unfortunately one of his most prominient features is that he is limping (either by birth or because he was thrown off Olympus either by Zeus or by Hera depending on the myth) So many of his epithets reflect on that: Ἀμφιγυήεις (Amphigyiaes)= the laming one or Κυλλοποδίων (Kyllopodion)=the one who drags his feet.

However he has many other glorious epithets about his craft or glory: Αἰθαλόεις θεός (Aethaoaes Theos)= Sooty god, Ἀγακλυτός (Agaklytos)= very renounced (άγαν= very much, κλέος=glory, fame), Χαλκευς (Chalkevs)= the blacksmith of copper, Κλυτος (Klytos)=famous renounced, Πολυτεχνης (Polytechnes)= of many crafts (πολύ=much, many, τέχνη=art, craft), Πολυφρων (Polyfron)= witty, ingenius (πολύ+ φρην=mind) And one of my favorites: Πολύμητις (Polymites)= wily, of many wiles, of many devices [Yup! The god of crafts has the same epithet that Odysseus gets! How cool is that?!]

Now for myths involving Hephaestus and his nature to be a good blacksmith or a cunning fellow come from various myths that involve him binding gods wih invisible or strong chains to name a few we have the famous story where he traps his wife Aphrodite and her lover Ares by binding them on their bed. Or the myth where he binds his mother Hera in a chair and he needs to be made drunk by Dionysus to be coersed to set her free. His nature as a craftsman is connected to the attempt of rap of Athena and the birth of Erichthonius through the Earth/Gaea that gets fertilized with his sperm thus being technically the progenitor of Athens and the Atheneans. And of course the myths that involve him forging various armors for heroes and gods.

Ares:

So Ares is another deity with Mycenaean roots A-re and his name does seem to resemble the term αρά which means "curse" or even "wish" in ancient greek. God of war and courage Ares was not very popular around Greece due to his apparent savagery of character and his connection to war and slaughter and yet he too has a bunch of epithets based on his identity: Θηριτας (Theritas)= Beastly, Ἱππιος (Hippios)= Of the Horses, Αφνειος (Afnios)= Abundant and Γυναικοθιονας (Gynaikothionas)= Feasted by Women. Others such as Ανδρειφοντης (Andrifontis)= Slayer of men, Χαλκεος (Chalkeos)= Bronze or Χαλκοκορυστης (Chalkorystis)= Armed with Bronze, Θοος (Thoos)= Swift, Θουρος (Thuros)= Violent, Δεινος (Deinos)= Terrible, terrifying, Ενυαλιος (Enavlios)= The one sung by the flutes or Warlike, Χρυσοπελεξ (Chrysopelex)= The one of the Golden Helm and more In his case we talk more about epithets that have to do with war and violence which is why he was mostly hated god by the Greeks and represented by the obvious lack of lickiness that Zeus shows for him.

Ares is being connected to various of warriors in mythology and arguably he is responsible for the birth of the Amazons since he fathers many of them. He is also associated to Aphrodite (either as her husband or as her lover) in one way indicating how love or passion are oftentimes reasons for fights and combat). Ares also often gives horses to some strong wariors in myths (thus his association with horses and not just horses of battle). In one essence given how horses are signs of status, could be mythologically winking to the aspect of people gaining status through wars and conquest. Generally Ares is one of the most hated gods due to the aspects of violence he represents (even mythologically is shown as he is one of the least favorite children of Zeus) but his association with Aphrodite and arguably the birth of Eros from their union is to say the very least interesting

Aphrodite:

Aphrodite is a goddess witha plethora of epithets. Her name doesn't seem to be rescued from Bronze Age tablets but of course her name comes from te term αφρός (Aphros=foam) and the verb that means "to rise from" or "to give" or "bring to existence" but there are other theories too that seem to be under discussion. Her epithets of course reflect her notions of love and sexuality but that is not all

Ουρανια (Urania)= of the sky, Heavenly, Πανδημος (Pandemos)= of all people, of all that live, Επιστροφια (Epistrofia)= the one who returns (from verb επιστρέφω which stands for "return" or "turn back"), Αποστροφια (Apostrophia)= the one who reverts (here from aunlawful loves), Κατασκοπια (Kataskopia)= the spying one or even Ψιθυριστης (Psithiristis)= the whispering one So many of her epithets are linked to her lovey nature and to actions of sexuality. Even terms such as Μελαινις (melenis)= black of night (nightly actions such as love), Συμμαχια (Symmachia)=Ally (to love), Απατουρος (Apatouros)= Deceiving one (possible links to affairs), Μορφω (Morpho)= the one of appearances She is also linked to marriage having also the names Νυμφία (Nymphia)= of marriage, Μιγωντις (Migontis)= Unifying one even assciated with Hera by taking her name as an epithet Ἡρη (Iri)= of Hera (aka "of marriage") In Sparta she is worshipped for aspects of war as well thus getting names such as: Νικηφορος (Nikiphoros)= victory-bearer, Αρεια (Areia)= of war Ὡπλισμενη (Hoplismeni)= Armed While from her sea origins we get names such as Ευπλοια (Efplia)= of Fair Voyage, Ποντια (Pontia)= of the sea, Λιμενια (Limenia)= of the port and Ξένια (Xenia)= of the stranger/guest

Aphrodite is also associated like Zeus with her affairs with mortals and immortals alike. She is also the birther of heroes that eventually become founders of cities (like Aeneas) but she is also connected to the aspect of beauty which is very important in ancient Greek spectrum. Arguably her divine origins (either from the birth through the foam of the sea or through the god of Heavens, Zeus) is also associating the aspects of love and passion to a divine level for the ancient Greeks. Her association with war (either through her affair with Ares or by being a war goddess herself for the Spartans) is also associating the aspet of love with war and fighting (ironically we have the modern saying as well "All is allowed in love and in war"). Aphrodite is also associated with the rebirth of nature in one aspect through her love for the beautiful Adonis, who for her sake comes up every spring even if he is dead in the underworld. Her protective nature is also seen when she tries to take her offsprings out of harm's way even at the cost of her own pain (see for example the events of the Iliad) so in a way she is also a mother-goddes even if motherhood is not her ultimate attribute, in my opinion is a very important too.

Apollo:

For Apollo we do not have a steady association with Linear B tablets for it seems like a name we assume refers to Apollo could be written as "Hyperion" instead. Etoimologically it seems to come from roots that are used later to express a young boy coming of age as mentioned how Apollo is the "ultimate kouros" aka "ultimate youth". Homer also speaks on him as "the one with the silver arrows" to speak on his equipment. His association with archery and music but also prophetic powers earns a series of epithets linked to these;

Θεαριος (Thearios)= of the oracle, Προοψιος (Proopsios)= Forseeing, Κληριος (Klirios)= distrubuter of lottery, Μουσηγετης (Mousigetis)= Leader of Muses, Ἑκατος (Ekatos)= Shooter from afar (aka "archer"), Αγραιος (Agraeos)= Of the wilderness (here "of the Hunt"), Αιγλητος (Egilitos)= Shining For his association with healing and disease and plague we have also: Παιαν (Pean)= of the health, Ακεσιος (Akesios)= Healer, Σμινθαιος (Sminthaeos)= of the Mice [the ancient greeks probably did connect plagues with animals as well], Παρνοπιος (Parnopios)=of the Locsts, Επικουριος (Epikourios)= Helper, Αλεξικακος (Alexikakos)= Averter of Evil, Θεοξενιος (Theoxenios)= God of Foreigners (possibly also linked that he was a protector god of the city of Ismarus that was inhabited by Thracian people), Λυκειος (Lykios)= Of the wolves On myths on which associate him with rescues by dolphins (as well as that the dolphin is one of his sacred animals) he gets the name Δελφινιος (Delphinios)= Of the Dolphin, Ακτιος (Aktios) = of the shore and Επιβατηεριος (Epivatirios)= of the sacrifices before embarking, Πυθιος (Pythios)= of the Python (from the myth that he killed the python at Delphi), Διονυσοδοτης (Dinysiodotis)= of bestowing Dionysus (for his contibution to the deification of Dionysus)

Apollo has a very rich set of myths that is very hard to put them all. But of course his birth that is associated with the island of Delos, the moving island of the prophecy and his known myth of freeing Delphi from the python that was guarding the Castallia fountain gives him the association with prophets and omens. We also know Apollo from the tragic stories of affairs he has with both men and women. Apollo despite the fact that is a very beautiful god is being widedly rejected by his love interests. A known myth is his unfortunate story of Hyakinth too who even if he was reciprocating his feelings, their story ended in a tragedy. In one essence connects his aspect with music and poetry to the tragic aspect of life. He is also associated with the Muses through his attribute of music. His lesser known association with plague and disease and also healing or calling it off can be seen through myths such as the plague of the Greeks in the Iliad and his association with Asclepius and the teachings of healing of Chiron. Of course his association with Archery can be seen in the myths, one of the most infamous was the killing of the children of Niobe who was blasphemous towards his mother.

Artemis:

Apollo's twin sister ironically appears to the tablets of Linear B as a-te-mi-to and a-ti-mi-te (in gen. and dat. respectably) as for her name's origin there are various thoughts some of them that comes from the word ¨αρκτος" (arktos) which means "bear". Either way of course we also know Artemis as archer, goddess of wilderness and hunting and protector of the virgin girls (being a irgin goddess herself). A lesser known aspect of hers is that she is also linked with childbirth and raising children since according to the myth she was born first and then assisted her mother Leto give birth to ber brother Apollo. Also she was often associated with death, especially of women thus many figures in mythology call on Artemis for death. So her epithets also reflect on her roles:

Αγροτερη (Agroteri)= of the fields (here: of the hunt), Δικτυνναια (Dyctynea)= of the (hunting) nets, Φεραια (Pheraea)= of the beasts, Ελαφιαια (Elaphiaea)= of the deer (given that deer is also her sacred animal), Λυκειη (Lykii)= of the Wolves (sharing it also with her brother), Αριστη (Aristi)= the most noble, Καλλιστη (Kallisti)= very beautiful, Ἱερεια (Iereia)= Priestess, Ποτνια Θερων (Potnia Theron)= The leader of Beasts, Ἑκατη (Ekati)= shooter from afar (sharing it with her brother), Χρυσαλακατος (Chrysalakatos)= the golden-shafted (opposing her brother who is "silver shafted"), Ελαφηβολος (Elaphivolos)= shooter of deer, Ἁγνη (Agni)= pure, chaste, Παρθένος (Parthenos)= virgin, Αιδοιος παρθενος (Aidoios Parthenos)= reverted virgin, forever virgin On her attributes on children childbirth and girls we have: Παιδοτροφος (Pedotrophos)= the nurturer of children, Φιλομειραξ (Filomirax)= friend/beloved to young girls, Ορσιλοχια (Orsilochia)= helper of childbirth (since λοχία lochia, means "childbirth"), Ἡγεμονη (Igemoni)= leader (here of dance, from myths that involve dances in wilderness)

Artemis association with birth and labor is as I mentioned above, connected to her myth of birth. She gets born first and then helps her mother give birth to her twin. Her myths connecting her to wilderness are of course connected to the various animals she has as symbols. One myth involves for example the transformation of Aktaion into a deer and her sending his own dogs against him because he saw her naked while bathing in the river. Along with her brother Apollo she shoots the children of Niobe when she claims that she is better than their mother for having more children. Thus she is associated with death especially of females since she infamously shoots the female children of Niobe while her brother shoots the male (from what I remember at least, I could be wrong on that)

Hermes:

Hermes, the messenger of gods and also the sender of souls, the protector of all who travel (including merchants and thieves) also appears in Linear B tablets as e-ma-ha. For the origins of his name I do like the version of ἕρμα (erma)= stone heap. Onc again Hermes as a god that has multiple attributes not only as a god that brings the messages to others but also protect the travelers and interesting the thieves also (Hermes himself starts his life as a thief for he steals the cows of Apollo in his first day! XD) Thus he is also linked to pastoral life and flocks! So we have:

Διακτορος (Diaktoros)= Guide/Messenger, Αγγελος Θεών (Aggelos Theon)= Messenger of the gods, Αγγελος Μακαρων (Aggelos Makaron)= messenger of the blessed (or of blessed news), Χαριδωτης (Charidiotis)= Giver of Joy, Ἑρμηνευτης (Ermineftis)= Interpreter, Ψυχοπομπός (Psychopombos)= Sender of Souls, Κυδιμος (Kydimos)= Glorious/Noble As protector of flocks and merchants we have Επιμηλιος (Epimilios)= Protector of sheep/flocks, Κριοφορος (Kriophoros)= ram-bearer, Βουφονος (Vuphonos)= killer of cattle, Οιοπολος (Iopolos)= Sheep-tending/Shephard, Αγοραίος (Agoreos)= of the Market/Agora As protector of wandrers and thieves we have: Μαστηριος (Mastirios)= Of the searchers, Πομπαιος (Pombeos)= the Guide/the one who sends, Ποικιλομητης (Pikilomitis)= of the various wiles, Δόλιος (Dolios)= Wily/Planning, Κλεψιφρων (Klepsifron)= the one with the thefty mind, Μηχανιωτης (Michaniotis)= Deceiving/Trickster, Φηλητης (Philitis)= Thief, Εναγωνιος (Enagonios)= of th Games, Προμαχος (Promachos)= Champion And one of my favorites: Πολύτροπος (Polytropos)= of many turns/ways [YUP! Odysseus again shares his epithet with a god!]

So yes Hermes very early on is being assosiated with trickery and theft given how he steals the cattle of his half-brother Apollo and then pretends being innocent (also we have the creation of the lyre by him, which he gives as a gift to Apollo) and as a messenger of gods that is constantly moving to transfer the gods' will to humans and other gods, he is always associated not only with messengers but travelers in general (wanderers, thieves, merchants etc) also as a rule-breaker he plays an important part in the Odyssey as he helps Odysseus in Aeaea on his own accord also associated with the thief Autolycus to whom he gives special powers to disguise himself (according to traditions he is also his father). Hermes also has the task to guide the souls to the underworld till the river where they will be taken by Charon or wait for 100 years if they have no money to pay him. Thus later in alchemic traditions he is linked to transformation through death as well and many associated Hermes with Thoth in Egyptian mythology.

Athena:

The oldest and most known child of Zeus in Olympian pantheon is no other than Athena. Her name also rescued from Linear B scriptures as a-ta-na (in fact the full title we have is a-ta-na po-ti-ni-ja =Potnia Athena) an there are various of suggestions on the name's etymology, I believe Plato says that her name deprives from Ἀθεονόα (Athoenoa) which deprives from he word "theos" (god) and "noisis" (mind) so her name says to be "godly knowledge" or "godly mind" (according to Plato's Cratylus 407b, they say the first α is an old and foreign way to spell η so technically he says Α θεονόα would go Η θεονόη aka "the god's knowledge/mind"). Either ay Athena is undoubtedly one goddess with various attributes that are also reflected to her names. Goddess of Wisdom born from the goddess of mind and wisdom Metis and Zeus, being born out of Zeus's head, Athena is goddess of war and war tactics, protector of crafstmen and goddess of weaving and culivation of plants (especially olive), protector of heroes and bearer of the Aegis of Zeus Athena is without a doubt one of the most prominient and mportant characters in the pantheon and some of her epithets go:

Παλλάς (Pallas)= Pallas (Arguably one of her most famous epithets. In Homer is used as part of her name, future writers such as Pindar or Plato deprives from the word "palleis" which means "to brandish" because she brandishes her aegis, others speak it comes from the name of a giantess that she killed but I believe the most beloved version is the one that has her taking this epithet from the name of the daughter of Triton who was her best friend and Athena accidentally killed and she was so devastated that in her mourning she adopted her dead friend's name as her epithet)

Τριτογένεια (Trigogeneia)= Born from the head (τριτύς=head), Κορυφασια (Koryphasia)= of the head, Γλαυκόπις (Glaukopis)= Owl-eyed (also light blue/gray or shiny-eyed), Οξυδερκης (Oxyderkis)= sharp (eyed or witted), Γοργολαφας (Gorgolaphas)= Gorgon-crested, Γιγαντολετειρα (Gigantoletira)= Destroyer of Giants, Αξιοποινος (Axiopinos)= the one of the Rightful Vengeance, Ανεμωτις (Anemotis)= of the Winds, Κελευθεια (Kelefthia)= the one who sends you on the way, Προναια (Pronaea)= the one before the temple, Παναχαια (Panachaea)= of all the Greeks, Παρθενος (Parthenos)= Virgin, Κορη (Kori)= Maiden, Αμβουλια (Amvulia)= Coincilor, Απατουρια (Apaturia)= of the deception, Μαχανιτις (Michanitis)= the one who comes up with plans, Ξενια (Xenia)= of the foreigner/of hospitality As protector of city of Athens we have: Πολιας (Polias)= of the City, Πολιουχος (Poliuchos)= the one who has the city (city-protector), Πολιατις (Poliatis)= City-keeper, Ερυμα (Eryma)= Defender, Σωτειρα (Sotira)= Savior As war goddess and associated with victory and such: Νικη (Niki)= Victory, Αρεια (Aria)= of the War, Σαλπινξ (Salpinx)= war-trumpet, Λειτις (Leitis)= distrubutor of war loot, Ζωστηρια (Zostiria)= gildred (in armor), Σθενιας (sthenias)= of the Strength, Πολεμηδοκος (Polemidokos)= war-sustaining, Ἱππια (Ippia)= of the horses, Χαλινιτις (Chalinitis)= the bridler of horses, Αλεα (Alea)= Escape (of refugees) As protector of arts and crafts: Εργανη (Ergani)= Worker, Παιωνια (Paionia)= Healer, Ὑγεια (Ygia)= (of) Health Also interestingly she also has the title Μητηρ (Mitir)= Mother even if she is not a mother-goddess maybe that is closer related to her association with helping heroes

Of course we know the countless myths Athena is involved in, from her quarrel with Poseidon over the city of Athens and the Gigantomachy where she gains her title of "destroyer of giants", in epic poems she is associating herself with some of the greatest heroes including Tydeus, his son Diomedes, Odysseus and his son Telemachus but also women such as Penelope. Of course her wonderous birth from the head of Zeus is also very important part of her titles. Also her association to her half-brotherHephaestus and their protection of crafts.

Dionysus:

Dionysus whose name literally means "Child of Zeus" or even "Young Zeus" is the youngest Olympian and the first one to be born of a mortal woman (Semele), starting from a demi-god and ending up being deified as olympian god. His name appears to Linear B tablets as di-wo-nu-so and is one of the most beloved gods to think of. He has various attributes although he is mostly known as the god of wine and festivities his rich cultural background can be also god of madness and ritual madness and ecstasy, of fertility of nature and the rebirth of it after winter, of theater and of wilderness. From the Orphic traditions he was born once more as Zagreus and killed by Hera or devoured by Titans and thus he was re-incarnated as Dionysus through Semele. His trip to the underworld and his rebirth connects him so with regeneration and rebirth and connects him to Eleusynian Mysteries. As god of madness and orgic celebrations he is also god of theater and culivation of the vine. From the orgic nature of his worship we also have epithets that connect him to the eating of animals, often associated with omophagia (raw-eating). So here are some epithets:

Δασυλλιος (Dasyllios)= of the forests, Λιμναιος (Limneos)= of the lakes/marshes, Σταφυλιτης (Staphylitis)= of the grapes, Ομφακιτης (Omphakitis)= of the unripe grape, Ληναιος (Lineos)= of the wine-press, Θεοινος (Theoinos)= God of Wine, Αγαθος Δαιμον (Agathos Demon)= Good God, Προτρυγαιος (Protrygaios)= the one who comes first for grape-picking, Οινοψ (Inops)= wine-dark (potentially reference to his dark hair according to his descriptions), Κισσιος (Kissios)= of the Ivy, Ακρατοφορος (Akratophoros)= Bringer of unmixed wine, Ανθιος (Anthios)= of the Flowers, Κιστοφορος (Kristophoros)= Basket-bearer (basket both for sacrifices also for grapes), Ερεβινθινος (Erevinthinos)= of the cheakpea, Πατρωιος (Patroios)= Paternal (god), Αισυμνητης (Asimnitis)= Dictator, Πολιτης (Politis)= Citizen Asossiation with sexuality and cullivation: Ανδρογυνος (Androgynos)= Androgynous (sexually), Φαλλην (Phallin)= Phallus, Αυξιτης (Afxitis)= the raiser in size As god of madness: Βακχος (Bacchus)= of the Bacchic frenzy, Ιοβακχος (Iobacchos)= of the bacchic-cry, Ιακχος (Iakchos)= of the ritual-cry, Μαινολης (Menolis)= Mad/Raging, Βρομιος (Vromios)= Noisy (or of the eating), Ανθροπορραιστος (Anthroporrestos)= Man-slayer, Σωτηριος (Sotirios)= Savior (recovering from madness) As a god of orgiac festivities and omophagia: Ταυροφαγος (Tavrophagos)= Bull-eater, Βουφάγος (Vuphagos)= cattle-eater, Μοσχοφαγος (Moschophagos)= calf-eater, Αιγοβολος (Egovolos)= the striker of goats, Νυκτελιος (Nyktelios)= of the night, Λαμπτηρος (Lamptiros)= of the torches/lambs, Ἑστιος (Estios)= of the feast, Μελπομενος (Melpomenos)= Singing From the orphic traditions and regeneration: Ζαγρεύς (Zagrefs)= Zagreus, Διμητωρ (Dimitor)= two mothers (or twice born), Λυσιος (Lysios)= releaser, Ελευθερευς (Eleftherefs)= Liberator, Σαωτης (Saotis)= Savior, Μυστης (Mystis)= of the mysteries, Χθονιος (Cthonios)= of the earth (also cthonic worshipping)

Without any exaggeration Dionysian worshipping festivities are some of the most ancient known n Greece and some of them survive one way or another even today. I have made some answers in regards to the dionysian worshipping process but in general he is associated with myths that involve the inducing of madness in various occasions. His followers satyrs and maenades also are involved in various of myths on their own. Dionysus is also known for being chased by Hera in various occasions and the inducing of madness by her and him being released by Rhea using the stone of Amethyst (crystal associated with wine due to its color). Dionysus is also one of the gods known for going to the underworld and reviving people or giving them immortality (such the reviving of his mother Semele and his marriage to Ariadne), thus associated with Eleusynian Mysteries and rebirth rituals. His status as god was earned from the myth that says that Zeus finished the pregnancy of Semele himself by sewing the fetus in his hip. His association with the vine has also many myths but I like the myth of Ampelos, the young Satyr that was his lover who got killed (depending onthe myth he has a different end) and was transformed to the first vine by Dionysus (or he died because he tried to pick grapes and thus Dionysus naming the plant after him) His association with theater comes from his dionysian celebrations where people wear animal skins or masks and dance in their ritual ecstasy, literally becoming someone else while also dancing and singing as a chorus (choir), thus the association with theater and the ritual offerings to Dionysus before a theatrical performace

***

Sorry I was so late my friend! Your ask was one of the most extensive I ever had and I wanted to include as many pieces of information as I could! And this is but a sample! I will be glad to analyze further specifics you might think you want to hear more and give you the myth behind it if it exists because man this is like a thematic for an entire book I swear! Hahahahaha

Other honorable mentions could be Hestia and Hades

Hades:

The last out of the three great gods including Poseidon and Zeus and he inherits the realm of the dead. In fact oftentimes especially after the 5th century BC the word "Hades" (Άδης) was used to indicate the underworld itself while the god was being referred to with the name Πολύτων which means "Wealthy" or "Wealth" and the name was later taken by the Romans as "Pluto". Hades was a hated god to woship because he was connected to the essences of death which Greeks disliked (in the homeric hymns for instance Hades is often not even named but he is referred to as "The one with The Many Names" The name deprives according to Plato from the word that means "unseen" Due to the fact that he was so feared because of the essence of death, by n large there is no cult for Hades in temples but Hades is honored to funerary rights and necromantic rituals. So epithets and cult names are rather scarce but interesting non the less:

Πλουτων (Pluton)= of the Wealth, Θεων Χθονιος (Theon Chthonios)= God of the Underworld, Ζευς Χθόνιος (Zefs Chthonios)= Zeus of the Underworld, Πολυσημαντωρ (Polysimandor)= The ruler of many, Πολυδεγμων (Polydegmon)= Host of Many, Πολυξενος (Polyxenos)= the host of many, Νεκροδεγμων (Nekrodegmon)= Receiver of the dead And my favorite: Νεκρων Σωτηρ (Nekron Sotir)= the Savior of the Dead

There are not THAT many myths that include him except of course the infamous kidnapping (and depending on source) rape of Persephone which also leads to the change of seasons. In one essence the way that he is worshipped during the dunerals AND is associated with this myth in a way seems to connect together the essences of life and death; rebirth and doom or even marriage and death which often go side by side (see for instance how often women died in childbirth or young). However I love the term "Zeus of the Underworld" showing how powerful he was feared to be. Especially since like Zeus he has a domain that is untouchable by humans (Heaven and Underworld) but I also love how he is known to be also a "Host" to the dead and also a "Savior". That last one touches me really much.

Hestia:

Hestia is one of the siblings born out of Cronus, the oldest one according to tradition. As a goddess she is the goddess of the house and household. She never leaves Olympus and rarely ever leaves the kitchen where she feeds all these endless mouths of Olympian gods and their entourages! Like Athena and Artemis she is sworn to remain a virgin and unmarried. Her worship is really important. For starters the house fire that burns in every Greek House is dedicated to her (her very name means "heath of fire" nowadays)

Unfortunately cannot find epithets as such dedicated to her. She is known as a Virgin goddess just like others before her in this list. She is known as the Goddess of Altars and Heaths. Oftentimes she is not even depicted, possibly to indicate her importance by the absense of image. Her sacred animal is the pig which again is an animal that can give to people pretty much everything from meat till blood till skin and bone.

Of myths again I know only of one, her attempt of rape by Priapus or rather that Priapus tried to sneak on her while she was sleeping, she wakes up and screams and Priapus is scared for his life and runs off. Generally she is worshipped and honored like a good lady of the house. She has altars everywhere (arguably ALL altars are in one way dedicated to her)

[skyloftian-nutcase]

Honestly, I find it very funny that FD says that he doesn't need to eat, doesn't need to sleep, doesn't engage in mating rituals. Because that kinda goes against a bunch of irl mythology.

I mean, just look at Greek mythology. Zeus & Hera are married, Hades & Persephone are married, Hephestus & Aphrodite are married. Not to mention that the Olympian Gods tend to reproduce like freaking rabbits. Especially Zeus, dude could not keep it in his pants. There's also the fact that Hestia is the Goddess of Food who is known to make ambrosia which was known as the food of the gods.

Like, were those declarations strictly a FD thing or was it a statement regarding deities in the world of Hyeule in-general?

Honestly, I can't help but wonder if it's really accurate to classify FD as a God of War. When you consider the Japanese lore behind his mask's name, it suggests that he's more so a God of Protection. A tutelary deity. What I mean is that the mask is referred to as Kishin, which are Japanese Ogre Gods that were inspired by the Buddhist Pāla or Fierce Gods. They were known to be ferocious in battle & very scary-looking, but ultimately compassionate & benevolent at their cores. They were said to exact divine retribution upon those who did wrong to innocents & got rid of obstacles in the way of mortals achieving enlightenment.

It's all very interesting.

I've always viewed the Fierce Deity as a god of protection, a benevolent guardian over Termina who was cursed into a mask with dark magic. He would fight to protect the land when needed and just chill and hang out in the meantime, likely with mythical creatures more than the people, but still be fairly normal in his own eyes. The mask is a prison for him, sealing him there with evil magic of some sort.

Seeing as his mask has a dark aura, and Fierce is really only utilized to fight, and his mask can harm the user, in the eyes of the world he became known as a dangerous god of war and is usually kept at arm's length. The millennia in the mask have chipped away at his memory and his personality, leaving him closed off and aloof, ignorant to much of anything outside of battle, which is the only constant he has left. His cool demeanor isn’t because he’s a mindless otherworldly god, it’s because he’s been alone for so long he doesn’t know how human behavior works anymore.

Fierce has been happy, sad, angry, hungry, sick, upset, etc. He just barely remembers it, if at all. He’s so emotionally disconnected he struggles sometimes to process things. While sealed in the mask he has no physical needs, and he only vaguely remembers them when he’s out, and he’s never out long enough to really merit worrying about it (at least until Link gets the mask). But he is curious and eager to help nonetheless.

[phoenix--flying]

How do come up with place names in your aus (namely your witch hunter and royal aus) I’ve been working on an au myself and coming up with place names has been Hell

I actually just reread the entire witch hunter au bc I'm gonna be so fr and tell you I forgot the kingdom names LMAOO

So, the royal au kingdoms are mostly real places; Delphi, Epirus and Athens are all parts of Greece! Delphi and Athens are tied to Apollo and Athena so I made that their kingdom names. Epirus isn't necessarily tied to Hecate, but it houses the Acheron River and the Necromantiom, a river of the Underworld and a temple for cthontic deities.

Cyprus is also a real place, I tied it to Aphrodite as it is her birthplace!

As for Olympus, Atlantis and Elysium, I mostly took those from their respective areas of rule in Mythology, I just narrowed Hades' down to one specific part (Makes it easier if I wanted to add another cthonic deity as royalty!) and ofc Maia was just named after Hermes mom LOL

As for the Witch Hunter au, both those came from @everythingwasalreadypicked as I am terrible with coming up with shit LOL however I can tell you where they stemmed from.

Diactorus is Hermes kingdom, and is also one of his epithets meaning guide/messenger

Chalceia is Hephestus kingdom, it is a festival for him and Athena!

[minthe-lover]

Hi, sorry long reply ahead. I despise how lore olympus treats , well, most of its characters/races. But what baffles me the most is how it treats nymphs as second class citizens. The nymphs in mythos ,while not as powerful , were still considered gods/deities. They were literal children of the gods and could be dangerous i. f crossed. I don't see nymphs use any powers as often as the "gods" do. Which is a real missed opportunity. They are basically colorful long lived humans at this point.

And I don't see why marrying one was considered "lower " in l.o because plenty of major gods married them in myth. I don't get the "i have to marry a fellow god" mentality some characters have. Amphitrite was a nymph, one of dubious consent in myth because posiden was gonna start if she didn't agree to marrige (last I checked.)

Hephestus married one after he and Aphrodite split.(slight veer ,I wanna tie in that Aphrodite was always forced to marry Hephestus, she was presented as prize for him. I don't feel sorry for him that she strayed. I actually prefer him divorcing dite then going to marry a nymph later. That could have been a subversion of how sometimes its better to end a relationship and find a healthier one than to try and keep it going. And it could be a critique of forced marriages and why zues [interfering parties] shouldn’t be in charge of them 🤔. I hate that whole , "dite realized ares wasn't good for her, so she left him for Hephestus." modern retelling because it sweeps Hephestus wrongs for the forced union under the rug as well as dite's preexisting relationships. Buuut I digress.)

Metis in some myths is a Nymph. An oceanid if I recall correctly... (ocean nymphs are done so dirty in this comic two, some were changed to flower nymphs for NO reason... rip Leuce, Metis, there's more I'm sure)

But we don't see that, we don't see how strong they can be too. These are mini nature goddesses for Pete sake. What is with the nymph slander in this comic?

And how they are talked down! Amphitrite probably has seen so much slander even from fellow goddesses. And we don't see any commentary on that from her perspective, it comes across as overlooking. Nymphs are fetishized as well as looked down on and it does unaddressed in this comic because its portrayed as a class thing rather than racism... well it could be considered both, but this comic comes across as anti-labor and classiest sometimes.

Why aren't they portrayed with more complexity and power? Daphne is a straight up hypocrite but still looks like a victim by narratives standards. So she isn't called out for her actions while Minthe is.. Minthe had complexity, yet she was still downplayed, victimized, and sympathetic, and rather than play on her complexity, she was villainized ,overly punished, and tossed to the side. I still feel worse for her than i ever will persephone. All nymphs here are accessories and temporary props. Which is sad cus some nymphs were very important in mythos. They're just constant overlooked victims in this work and it crushes me cus their lore is fascinating.

^^^

all great points, I don't have much else to add.

[thea-shame]

Personally I think Hephaestus likes Legos.

[ligbi]

Zagreus

Chthonic deity, Son of Persephone and Zeus, heir to the Olympian throne. A jealous Hera had bitter Titans get past Zagreus’ guards (Curetes) to dismember (sparagmos) the young boy, and Athena saved his heart, which Zeus fed to the mortal Semele who then was the mother of Dionysus. 

early greek myth gantz Listed as powerful god alongside gaia, possible son of hades or hades himself Initiates of idaian zeus know of zag feasting on raw flesh- get the title bakchos Kallimachos refers to dionysos zagreus child of zeus and persephone chthonios No orphic mentions of zag Byzantine works do mentions the dismemberment- secondary development to child of hades perseph Hades may be katacthonios or death alt ego of zeus Dio-child of zeus and mortal semele raised by nymphai this his aunt Orphic theogony martin west dates to 5th century is zeus-perseph dismemberment baby Kidnapped ship dolphin time, madness and vine chopping, got an amphora from hephestus which he gave to thetis who was nice to baby him when he got scared Ariadne- did she die or become god. Eternal mystery. Either way left on dia and possibly marries dionysus. She may have been killed by artemis for tapping theseus. She maybe had hooked up with dio pre theseus back home. If she lives she has a golden crown from grape boi Probably no kids though the stray mention shows up Stupid lost trilogy bakchai pentheus xantriai. Dio maybe have pulled his mom from the underworld and deified her. Bacchaus dionysus bromios. Iakchos procession god may be associated

Classical mythology mark morford robert lenardon Suggestion that zeus' birth story is bastardization of dionysian mystery- raised by nymphs in secret. Baby zeus cries hidden by frenzied music. Bacchic ritual worship included rhea zeus mom Snake zeus and perseph made zag hers had titans rend asunder zeus fed infant heart to semele to make dio- heart saved by athena, titans attacked when kid was looking in mirror or distracted him with toys while wearing chalk on their faces. Semele god called thyone Dio was worshiped and had mysteries alongside demeter-chtonic connection. Connection to mortal orpheus who also ends up dismembered with his head under a dio temple on lesbos (wlw himbo solidarity) subreligion orphism big worship of dio as zag

The glory of hera philip slater Mentions a connection between zag dismemberment and the egyptian bata More mirror attacks, heart rescued by athena

The golden bough macmillan Dio may have ancient connection to agriculture and corn- agricultural gods usually die and come back. Nonnus was the poet who talked about zag, baby had horns, chalk and mirrors, cretan myth by firmicus maternus calles the gods mortal rulers but the murder is the same about with the titans as bribed guards. Mention of pomegranates coming from baby zag/dios blood- get them cthonic imageries When being attacked turned into zeus, cronus, young man, lion, horse, serpent, bull

A dictionary of comparative religion s g f brandon Titans slain by zeus after murder of zag had ashes turned into first humans- orphic idea of humans as divine and not dirty and pure. Zag likely ancient cretan chthonic god, eat raw bull flesh to communicate w/, then dio associations and orphic mysteries Levin-bolts is a fun way of saying lightning

Dictionary of ancient deities patricia turner charles russell coulter Mentions sabizos, armenian serpant god (creator deity?) Or of underworld, barbelo may have been mother, part of the valentinus gnostic set, identified with jehovah

The new century classical handbook catherine avery Had the curetes guard baby zags cradle in cave on crete, titans put gypsum on their faces then played with toys with him before killing him. Zag went through multi transformations- lion serpent tiger bull, before dying athena saves heart

Larousse encyclopedia of mythology Creatan god in origin probably equivalent of zeus, son of zeus and kore(persephone) or maybe demeter, titans dismembered and ate his body from a pot, athena saved his heart, titans slayed by zeus, zags non heart remains became an underworld diety to welcome the souls of the dead

Larousse world mythology Zagreus murdered by titans after being watched by curetes and Apollo, was turned into bull when being murdered in failed attempt to save him, saved heart was reborn as iacchus who led processions of initiates

[w1tchythings404]

I reorganized the altars. Yes there's a filter because my camera is trash in the day lol

Father Hades (left) and Mother Persephone (right)

Brother Zagerus (I believe he and Dionysus are separate)

Lord Hephestus

Loki (the birthday card is from a friend)

Lord Satan

Thanatos (left) and Hypnos (right)

Lady Artemis (Left) and Lord Apollo (right)

Lady Aphrodite (my cat broke the mirror lol. I'm planning on getting a new one soon)

[okayyeros]

eeee I love just doing small things for the gods in my practice!!!!

Thinking of Eros whenever I talk about the people I love

Whispering a small thank you to Hermes when I make my bus on time

Saying something for Asklepios whenever I take meds

Thinking of Dionysus while partying with friends, or while I stare into the ivy and grapevines that cover my childhood home

Dedicating a drawing in class, or a workday on a project to Apollon,

saying a prayer to Hypnos while I make a tea blend for sleep,

cheering for Hephaestus when I make a mechanic right in a project

thinking of Athena while I'm hunched over my computer at 3am researching for no purpose other than the pursuit of knowledge

There are so many more examples, but the point is, that the gods are everywhere. Even if you can't do big devotional acts because of time or energy, just remember that they're also there for you in the small, mundane moments of life.

[legolaslovely]

Helios and Morpheus

A/N: Here is my part of our collaboration for the Durin’s Day Gift Exchange for @linane-art ! Thank you for brainstorming with me and being so supportive and patient. You made this even more exciting than I thought it would be, and let me tell YOU, I was thrilled about it all in the first place. I hope you enjoy it. I am so excited to share it! :)

This is somewhat loosely based on Greek Mythology, AKA it’s an Alternate Universe! Rated Gen. Get ready for some LONGING and some FLUFF.

LOOOOOKKKKKKKK AT @linane-art​ ‘s ARTTTT LOOOOOK AT THE PERFECT BOYSSS!!!! Thank you for giving us SUCH gorgeous works. 

The link for Fili is HERE!! And Kili is HERE!! Please go give @linane-art​ some love!!!!!!

Helios and Morpheus

Tell us of the impossible lovers, O Muse.  Those who defied Fates, Furies, and Almighty Zeus, Who found forever hidden in distance between, Paradise more perfect than Elysian serene.

Tell us of Helios, the God of Golden Sun Who rides in his chariot before night’s begun. His radiance shines as he watches and he waits For God of Dreams, Morpheus, to fly from his gates. 

Perfumed with his poppies and directives to spare, Roused only by his One with the rays in his hair, Morpheus stars in dreams prophetic and divine, Telling his love in sleep, “You are mine, you’re all mine.”

One alone rules the day as sky’s singular light. Another’s domain lies in the darkness of night. As stubborn as star-crossed, fierce as Cronus, they were, Bridging the cosmos for a love that was most sure.

Book I

To those below and above, he was known as Morpheus. To those around him, however- to his parents and his brothers, the Oneiroi- he was Kíli. To himself, he was a dreamer.

One could suppose that’s how it all began.

From very early on in his eternal life, he was known around the cosmos for his talent of deceit. But the true-hearted Kíli only deluded with his physical appearance. With a bit of concentration and a blink of time, he could shift from his godlike form into any other imaginable. Those below often said that no other was more skilled than he in representing the gait, the features and the speech of men, but little did they realize, Kíli could manifest as much more. Truthfully, he just thought the world of men had very tiny imaginations, even in their dreams. 

And so, his talents were put to use. Zeus commended him and dubbed him the leader of the dream makers, called the Oneiroi. He was to spend his nights flying through the world of men, delivering messages from the gods to their pupils through their dreams. Instead of using his skills for amusement, for playing pretend and hiding from his brothers, Kíli- Morpheus- would exhaust himself and his power by playing messenger boy for the King of the Gods.

Still, Kíli learned to have his fun. 

You see, though Kíli was explicitly told what message to send to whom, the how was entirely up to him. He could morph into a towering cyclops and poke the belly of his recipient until he listened. He could make a pit stop in the sweetest dream of the prettiest semi-divine woman and make her fall in love with him just before night’s end. He could even visit Hades to make ghost children into brave soldiers, or Hephestus to take a lesson in sword forging. As long as he delivered his messages on time, he had the power to do whatever he wanted.

But it all ended with the rosy-fingered dawn.

Every night had its end. For others, that was a hopeful thought, even a prophetic one, but for Kíli, it just meant he’s run out of time. His freedom was stripped away by the clouds painted orange. For a long while, some thousands of years, he stomped back through his gates like a tantrum struck child, furious at his forced time-out. He’d grunt at the guards and leap over the Rivers of Forgetfulness and Oblivion, and lock himself in his cave to sleep among the poppy seeds until he received the orders for his next outing.

In the recent millennia, however, he’d been risking everything to hide behind the lock of his ivory gate and watch the black night sky lift and glow indigo, then violet. He’d wait to see the golden chariot cross the cosmos, pulling aside the curtain of night to reveal the bright blue day behind it. He’d heard the stories all his life. He knew what happened in the universe that took his time away from him and turned it into day. But he only recently saw the phenomenon for himself and since then, he never wanted to miss the show.

It wasn’t the glittering coat or glistening mane of the thundering horse that he was interested in. It was the one inside the solid gold chariot that first caught his eye. It was Helios, God of Sun, he wanted to watch because, though he was almost blinded by the sunny halo every morning, Kíli was sure Helios was smiling at him.

Book II

Helios was happy. Though others often wondered how he could be.

Those above pitied him for his status. It was unjust for the God of Sun- the deity of something as important as creation, light, and life- to be considered a minor god. He would never see the world below from the peak of Mount Olympus. He couldn’t watch the measly humans through the silver, puffy clouds. Sure, he had his own clouds to peer through way up there on his own throne, but they weren’t as pretty as the ones that surrounded Mount Olympus. Not at all. Helios only had regular clouds. What a shame.

It may have been that those below pitied him even more than the Olympians. Helios was alone. Yes, he had power, eternal youth and breathtaking beauty, but he’d never share any of it with anyone. How sad! To spend the light of day watching the world below, only to be so distant from it. Poor, lonely Helios.

Solitary and depressed, but never forgotten. For who could forget the sun?

In return for his service and out of their pity, the gods above gave him the most beautiful land to shine on and watch over. Artemis kept her trees tall and her meadows vast so long as Helios kept them green. Demeter graced the farmlands, encouraging crops to grow up to the light of his rays. Even Poseidon, grateful for the glimmer of warmth Helios left on his sea, returned the favor and controlled his waves whenever the halo of sun crossed the sky at day’s end.  And sometimes, Zeus would throw some thunderbolts and give Helios a day of rest when he especially deserved it after weeks and weeks of impeccable radiation.

Helios was the only being who couldn’t understand the world’s view of him. Between those generous gifts from the higher gods and the worship and prayers from the humans below, how could Helios ever be unhappy? In his opinion, he had it made. 

Because he was a minor god, he didn’t have to deal with the problems of Olympus. He was glad the fabricated kidnappings, adulterous adventures, and cannibal snacking rituals were kept way over there on that mountain and his warm, serene hours were spent way over here on his very own throne. He shined his brightest on his own. 

Still, that didn’t mean he disliked watching the humans from afar. On the contrary, he adored them.

He smiled down on them as they wept in his name. He peeked through the dreary, grey clouds and gave them warmth as they built his temples stone by stone. Attentively, he watched as they danced and sang for him, begged him for his blessings and thanked him for his creation. In their words, he was gracious. He brought joy to mortals. Again, their words, not his.

He was given all this simply for being beautiful. He was pure light. He ruled the sky for thousands of years and was grateful, never wanting any change.

Then, as randomly as an autumn leaf falls to the ground, his lands brought him something new. Or rather, someone. As Helios crossed the sky and brought the dawn, he looked down on his endless estate and spotted this someone watching him. It was not a farmer, nor a thief or human forced to wake before the day. 

Instead, it was clear this Dark One enjoyed the night. He stood unshrinking from the black sky and smiled at Helios, clearing any blame for his bringing the sun. This someone, this Dark One was happy to make his sacrifice to Helios- a ritual the Sun God had never enjoyed until now. Now, it was a gift.

Never in his eternal life had Helios pulled on his steed’s reins to slow the sunrise. It wouldn’t work. His chariot would plow on with its duty with time warping speed, never paying a hair’s attention to the Dark One in the shadows. There was no time. Dawn must come.

With that, Helios crossed the sky, eventually losing sight of his someone below. When he leapt from the gold to gold, from the chariot to his throne, he searched for the Dark One, but his own light stole the shadows and his someone was nowhere to be found. His passing eras slowed to hours. During the time of his reign, he watched the humans find Aphrodite, Hestia, and Hera and when the night came, he himself found his Dark One waiting for him every morning.

Book III

Morpheus had the ability to enter the dreams of any and all. He could punish the dastardly with nightmares so garish and haunting, his victims would change their ways in the morning. Or he could gift the selfless with visions of peace and profit, the lonely with companionship, or the sick with health. Over the span of his existence, he’d delivered messages and prophecies to billions- humans and gods alike.

Tartarus, he could even sneak into Zues’ dreams and feel the power of the King’s Thunder if he felt like it. But Kíli valued his immortality too much for such a thing.

Bottom line: Kíli could visit all who dreamed. Which was everyone. Or so he thought.

It was really just his luck that the one he so wanted to meet- and even eavesdrop on if Kíli was honest- was out of his reach. Contrary to popular belief, the sun never slept and neither did the god who powered it. 

He didn’t understand why. What did Helios have to do during the night? Where did the Sun God even go when darkness came? Wasn’t there time for the Golden One to rest?

Kíli was determined to find out.

When darkness came on the Winter Solstice, the longest night, Kíli flew as fast as he could to the dreamers through the lower lands. He delivered a curse here, and a revelation there. Then, dressed in his best disguises, he climbed up to Mount Olympus to greet the two gods he was meant to visit. His foretellings were clear and concise. There was no time for any mix ups or confusions which, despite Kíli’s best intentions, were a common occurrence with drowsy recipients. 

After all his duties were finished, he tumbled down to his gate with time to spare. There, hanging onto the delicately etched ivory pillars, he waited alone. The night hours he so treasured ticked slowly past- slower than ever before. More than once he leapt from the ground, wings waving and flapping when he was sure he saw a speck of light coming from the east. But he realized his eyes were only playing tricks on him in his anticipation, and eventual boredom.

Still, he didn’t leave his post.

The sky remained dark for so long, Kíli was sure he’d gone blind trying to make the smallest stars into the golden halo he longed to see. He wondered why nothing was happening, why the blanket above wasn’t lifting to indigo, then violet in preparation for Helios. Had something happened to the Golden One? 

He panicked. 

It was unbelievable. 

For ages, Kíli wished for eternal night and cursed the morning Sun, and now all he wished for was the scalding rays to burn his skin. He’d welcome such a painful end if he could see the Sun God one last time.

Then, there was light. 

Real light, nothing Kíli’s eyes or drowsy mind could create. This was it.

His waving wings let him hover just above the ground, his bare toes dipping into the tall grass. He had to be careful, he had to time it right if he wanted a chance to speak to Helios as he crossed the sky and brought the dawn. If his actions weren’t perfect, his flesh would sizzle and leave his bones unsheltered to melt in a matter of seconds. Helios’ light was his end. So he must stay in the shadows.

After such darkness, Kíli could only see a white blur crossing the sky, but after years and years of watching the sunrise, he knew well how Helios’ shining steed cut through the night like a rapier. He raced up to meet it, his every muscle jolting in tandem to flap his wings with enough speed and precision to shoot him to a height that took his breath from his body. There, on the level, he waited.

That was his mistake.

The chariot barreled toward him with such graceful speed, its very own wind left Kíli reeling through the air.

       “What are you doing?” He heard.

He found his balance and his rhythm and darted from the heat on his back. It singed the very tip of his wing, but with the breeze of his flight, the fire and pain didn’t travel upwards. So he flew on, grabbing hold of the chariot’s edge.

       “No!”

Kíli realized, but it was too late. Of course the gold of the chariot would be as blazing as an open flame. He hissed in pain, but flew on until he matched Helios in his flight.

He called the Sun God’s name, letting it grace his lips for the first time. “Helios!”

       “Are you daft?” Helios cried, yanking on his reins with a force that turned his knuckles white, but the horse didn’t slow.

       “I’m Morpheus!”

Helios laughed. His eyes sparkled, glittering like the brightest stars in the sky, like the loudest, most dazzling thunderbolt Zues ever threw had been captured inside the golden head of this god.

Kíli knew Helios was beautiful. He knew of the creamy skin, the aureate halo, and the smile as curved and irresistible as cumulus clouds. But he didn’t know of the blue eyes. They struck him and slowed him down.

Still, before he burned, before he circled back and raced to his gates, flying through without a look back, he heard Helios yell something to him. He saw Helios smile at him, as he’d seen every morning for hundreds of years. But this time, his Sun was close enough to touch.

Book IV

Helios’ days were all the same. It was clockwork and routine- the paths he took to and from the farthest corners of Poseidon's ocean, how long the trek took, when and where he’d begin and end. He knew what he’d see along the way. There were never any surprises because nothing was ever different. 

At least that was the case until Morpheus loomed by his gate for the first time. His first appearance had been unusual and indeed gave Helios pause at first, but even that had become something expected after thousands of years of his Dark One’s presence. 

Morpheus flying to his chariot before dawn, however, that was unexpected. A surprise. Even a fright to Helios that jarred him like nothing else he’d ever experienced. It left him with so many questions. Helios wasn’t used to having any such thing. He was the Sun. He had all the answers. He was the steadiest thing in the cosmos. He was arguably the most dependable god.

But now that Morpheus had flown to him, Helios was unsure. He sat in his throne and glowed dimly over the day, diverting most of his energy to all the questions now crowding his headspace.

Why, he asked. 

He’d spent his eternity thus far watching all beings under his light. They were predictable. He was never surprised by their actions. And yet, Morpheus, God of Dreams, left him flabbergasted without a single answer as to why he’d risk his life to speak to a god in the opposite domain. What was the point? What did he want to say? Wasn’t he terrified?

But Helios’ most important question was: Had Morpheus heard him?

He hoped so. For when he wasn’t wondering and pondering, Helios was dreaming. Well, he guessed he was dreaming. He’d heard his humans talk about it in his temples, running to his altar after a night of his blessing their sleep and revealing himself to them in a vision. It was as if they’d truly seen the god, Helios, and had even spoken to him, though it was obvious such a thing was impossible. Helios never strayed from his post.

But he dreamed on with his eyes open and his rays shining. Just before his mind’s eyes were wings twice the size of Morpheus’ body and black as the fur of Cerberus. He even went inside his fantasy and touched the wings with his fingertips, leaving them with what he hoped was a pleasant warmth. As his dream Morpheus leaned into his touch, even closed his eyes to it, Helios’ halo shone ever brighter to the lands below. 

Then, as if clouds filled the sky, more questions would clog Helios’ mind and his rays would dim as he asked himself why.

So the day went on, sunlight ebbing and flowing until his steed grew agitated. Sparkling hooves stomped into the ground, the glistening tail swished and the impatient head bobbed, strong neck arching tight in anticipation. Dusk was approaching, as was Helios’ long ride. But even after his exhausting day, he leapt into his chariot, ready to work through until dawn when he’d see his Dark One again.

       “Come to me tomorrow,” he’d said. 

He hoped it with every glittering speck of himself.

The reflection of his chariot shimmered in the ocean below as he passed through the sky. His steed took him past mount Olympus and over the thatched roofs of Corinth, then Larissa. He passed wide meadows and gentle creeks, waiting patiently for the chance to fly over Morpheus’ gates. Though the Dream World spanned much of the Underworld, Helios knew exactly where the horn entrance would appear at the break of dawn. He knew where Morpheus would be. 

Morpheus.

It left the great Sun God trembling, for he was aware of the danger his Dark One faced. If all didn’t unfold perfectly, Morpheus would be no more. And it would be Helios’ fault. Even in all his uncertainty, he was sure of that.

Leaning over the side of his chariot, Helios kept his eyes glued to the ground. He stayed low, remained as dim and cool as he could without giving himself a mortal chill. He waited. All things familiar glowed underneath him until the horn gates of Morpheus’ Dream World glittered in his rays. But Morpheus wasn’t leaning on the post. Instead, he was already flying through the air to meet the chariot. Helios’ gut sunk.  His Dark One was wasting his energy. He should have waited! 

It was too late now.

As Helios’ golden horse loped on, quickly surpassing Morpheus’ own swift speed, Helios reached out with a cool hand and dragged his Dark One safely into the seat of his chariot. Then he slid to the opposite side, pulling his limbs as far from Morpheus as the chariot allowed.

The two gods stared at each other. Morpheus was squinting at him, even in Helios’ dim light.

       “You told me to come back to you,” Morpheus said. “You told me to return at dawn.”

       “Yes,” Helios said.

Morpheus scooted closer to him, moving his hand to the back ledge of the chariot to pull himself along. “Why-”

       “Don’t!” Helios cried, dragging his Dark One’s hands into his own. “Don’t touch the chariot. It will burn you.”

Morpheus latched onto him. “But you’re not burning me. How is that?”

      “It’s only dawn. My rays aren’t as powerful now.”

Morpheus was watching him through narrowed eyes, taking in his every feature as if he’d never seen another being before. Like he’d only ever dreamed them, and never actually saw or touched. It took every bit of Helios’ power not to shrink from his gaze. No one had ever looked so closely at the sun.

Morpheus reached for him and ran his icy fingers around Helios’ ear, tucking his shining hair around it. “You’re so warm.”

       “Sorry.”

       “No,” Morpheus was quick to say. “It’s pleasant. You feel wonderful.”

Just below them was the shore of the western ocean. Dawn would soon pass into full morning. They didn’t have much time.

       “Why did you come? It was dangerous for you,” Helios said. He shifted in his seat to shelter Morpheus from the light creeping up to his back. They were close now, closer than any two opposing gods had ever been.

       “I’ve spent so long in the shadows,” Morpheus said. “I wanted to feel your light.”

Helios grinned. Everyone in the cosmos wanted to feel the light of the sun. But he’d keep himself from all the world, he’d let it all freeze over if it meant he could safely shine on his Dark One for the rest of his eternity. Just for a moment, he leaned closer to imagine what it would feel like.

       “I wanted to see you, but you don’t sleep!” Morpheus said, bumping the tip of his nose to Helios’ cheek. He jerked away and hissed, rubbing his sizzling face. “You heat up quick,” he laughed.

       “You must leave,” Helios said with a wince. “I can’t slow the dawn.”

       “I know. But here, take this.” Morpheus reached to the nape of his neck and untied the sticky stem of a single poppy from his hair. He placed it in Helios’ hand and folded his fingers around it. “Tomorrow when the moon rises, I want you to smell this. It’s one of mine. Bring it up to your nose and take a deep breath. Think of me and I will come to you in your dreams.”

       “I’ve never dreamt anything before. I’ve never even slept.”

Morpheus reached for him, but stopped himself before he could touch Helios’ scalding skin. He closed his eyes to the blinding shine. “Then I’ll fly to your chariot every day at dawn.”

       “No. It’s not safe for you.” The poppy was wilting in Helios’ hand without its maker. “I’ll do as you said. As long as you will come to me.”

       “I swear it. There’s no place else I’d rather be.” One eye creaked open and Morpheus smiled before it clamped shut again. “You sure are bright.”

       “You must go.”

His black wings rose above the chariot and opened like wide wooden doors before Morpheus blindly leapt from Helios’ side and dove to his gates. There, he disappeared before Helios’ own rays could burn his flesh.

As the Sun God was delivered to his throne, he held tight to his poppy and dreamed with his eyes open about what the night would bring.

Book V

It was rumored Morpheus’ wings had the strength of a thousand soldiers. Though the feathers were lush and silky, the arching bones crowning the tops- extensions of his own spine- were not to be trifled with. How else would he fly through the cosmos from city to city and even to Mount Olympus to deliver himself to the dreams of his recipients? The wings were so robust, so legendary, and yet his flight was as silent as an owl’s, for what good were they if they woke his dreamers? 

Tonight, however, his wings were still. He had his scroll, his list of messages to deliver and beings to visit, but instead of rushing out of his gates to tend to his duties, he stood just past the lock to his Dream World. For the first time in his endless existence, he didn’t know where to go. 

His most important dreamer didn’t have a regular resting place. As far as Kíli knew, Helios traveled in his chariot all through the night, distributing his light around the universe. It would be impossible to pinpoint his exact location, never mind catch up with the soaring chariot. The only thing Kíli could do was wait to be summoned.

Still, Kíli couldn’t even be sure Helios would be able to dream, or even sleep for that matter. His poppies worked wonders on ailing humans, but he’d never offered one to a god before. It was forbidden by Zues. As was his and Helios’ affair. He knew they were treading a very dangerous path.

Usually, Kíli would be terrified of Zues. He would hide in the shadows of his Dream World, only emerging from it to take orders from the King of the Gods. He’d take his notes with his head down and wings wilted, never quite looking the Maker of Thunder in the eye. Every interaction made him quiver down to his soles.

Now, however, with Helios in his sights, he wasn’t scared. It was as if he had a secret weapon that left him powerful and fearless against anyone who stood in the way of him finding his very own Sun. Nothing mattered beyond his One who glowed and lit up the sky, bringing hope to all in his domain. Kíli felt that now.

So he stood at his gates, daring Zues to threaten him or his love and hoping with every inch of himself that his poppy would work. He waited for Helios’ call.

He closed his eyes to listen.

The wind rustled in the grass and tickled his feet. A cat yowled in the dark. The warm stuffy silence of night muddled his mind. 

Then all was clear. When he opened his eyes, Helios was in his arms, asleep.

His plan had worked.

As expected, the Sun God was warm. Kíli had felt this kind of residual heat before when he entered the dreams of sleeping humans who were wrapped up in too many quilts during the night. However, this kind of warmth wasn’t so oppressive. Instead, it was a balmy comfort that washed over his lap and up his arms. Kíli, the God of Dreams who only came out at night, was feeling the Sun for the first time.

Meanwhile, Helios, who never slept and never left his post, conquered his fears and did so for Kíli. He was peaceful. The poppy had worked and it had given him rest. That knowledge only added to the rush Kíli was feeling in his chest as he pulled Helios closer, protecting him, lest he regret placing his trust in his Dark One. 

Though Helios was not shining, not even glowing, Kíli was still stunned by his beauty. It wasn’t dull or dimmed in the night, but magnified. This close and without his rays, Kíli could see his true beauty- the lines in his lips from his own heat and those around his eyes left by his gleaming grin. Even now, in sleep, Helios smiled and Kíli didn’t miss the dimples in his cheeks and how the left one was deep enough to cradle the tip of his forefinger. 

Kíli took this chance to touch the god, not to take advantage of him, but to appreciate him while there was time to be had, while he was unwatched. He ran his fingers through the silky golden hair, down the strong neck and over the proud, smooth shoulders. It electrified him like the night air never could. Then, after what felt like hours of staring and contemplation, Kíli even dared to kiss his Sun’s head. His lips lingered over the warm skin as he held Helios tight to his chest.

With that, Helios sighed. “Where am I?” he asked, working to focus his gaze on the one above him.

       “You are in the arms of Morpheus,” Kíli said, smiling down on him. “Which is to say, you are asleep.”

       “Morpheus.” Helios wriggled closer, wrapping his arms around any part of Kíli he could reach. “If this is a dream, then let it never end. There’s nowhere else I wish to be.”

Kíli hummed. “You’ve come over to the dark side then, hm?”

       “If that’s where you are, yes. I’ll follow you there.”

Like most things in the world of the gods, Kíli’s flowers affected all beings differently. He was happy enough that Helios had fallen asleep at all, so he couldn’t blame the virgin dreamer for his honeyed state. If Kíli was honest with himself, he didn’t at all mind his Sun’s sweet words, though he knew they were coaxed out by the power of his poppy.

Helios sighed again. “I’d follow you anywhere.”

       “You’re quite the romantic in your dreams,” Kíli said.

Helios grinned. It was bright enough to make Kíli’s heart soar, but not to blind him as it had when they shared the sky. 

       “Have I won you over, then?” Helios asked.

       “Do you think I’d risk my life just to speak with you if you hadn’t already?”

       “Twice!” Helios said with a wagging finger. “You did it twice.”

       “Yes, I did. And I’ll do it again every morning hence if it will allow me the privilege of holding you again.”

The Sun God let his head flop on Kíli’s arm. “Now who’s playing the romantic?”

Kíli would do anything to see those blue eyes more clearly, but as Helios talked on, his lids fluttered shut, lashes feathering against his cheeks.

       “I must have- had too much of the poppy. I did as you said, but the first… it didn’t do anything. I needed to see you, so I...” He laughed. “And now I can hardly keep my eyes open.”

Kíli caressed his cheek. “It’s all right. You can relax, I’ll be here.”

Immediately, the Sun turned to sand in Kíli’s arms, burying his forehead in his Dark One’s chest. Again, Kíli felt immeasurable pride. One of the most important beings in the cosmos allowed himself to be cradled and cared for by him. It made him return to his earlier wishes of wanting the night to last forever.

       “Morpheus-”

       “Call me Kíli.” He smoothed the line between Helios’ brows with his thumb as he explained, “It’s the name my mother gave me. Only when Zues gave me the Oneiroi, did he give me the name Morpheus as well.”

       “But that’s not who you are.”

       “No.”

Helios said his name. His real name. A lazy tongue flicked its way through the consonants and soft lips curled around the sounds with a smile. Then Helios said it again. “Kíli.” He leaned into Kíli’s night-cool touch that grazed the rounds of his golden cheeks and the cliffs of his thick brow. It rumpled as he said, “I don’t remember a time when I didn’t empower the sun. I’ve always been in the sky. Alone.”

       “Not anymore,” Kíli said.

Helios hummed and sighed and sank further into Kíli’s arms as if the disease of his loneliness- an ailment he never knew he had- was cured irrevocably. “Kíli. If you are Kíli, then I must be someone as well. Give me a name, Kíli.”

       “Your name is perfect just the way it is.”

He opened his eyes. “But it wasn’t given to me by anyone who matters.” For the first time, Helios reached up to Kíli and stroked his cheek. The touch was long overdue, but Kíli could forgive it because of the tenderness it evoked. He leaned into it, distantly listening as Helios continued. “Call me Fíli. Similar and yet opposite, just as we ourselves are. I’ll be your Fíli.”

Kíli snorted. “I should call you ‘Silly’ instead-”

He squeezed Kíli’s arm and chuckled. “Just give me this.”

Kíli wasn’t in a state to deny him anything. He’d fallen too far too quickly for such things. So he nodded.

       “Will you give me something else?”

       “Anything.”

Ever so gently, Helios- Fíli- led Kíli’s lips down to his own. Kíli gave him his kiss. In one moment everything between them changed. The cosmos parted and opened the way to a new universe of their own, one in which they could live in harmony and without fear, pain, or isolation. After millenia of giving- Fíli giving life and Kíli giving fantasy- they together stole it all for themselves. They gave each other the impossible. 

But Kíli felt himself begin to fade. 

Fíli held onto him like a stubborn serpent.

       “Don’t leave me,” Fíli said against his lips.

       “I won’t. It’s you who are leaving me.”

       “No.”

Kíli chuckled and his cool air blew over Fíli’s face, making him shiver. “It’s not your fault. You’re waking up.”

       “Stop me.”

       “I can’t. Not even you can slow the dawn. But we have forever now, Fíli.”

Fíli kissed him again. Even on the edge of his dream, the sun inside him was rising, leaving his flesh hot in Kíli’s arms. He would be untouchable in a matter of minutes.

       “Will you come to me again?”

       “Every night,” Kíli assured, risking his fingers to feel Fíli’s smoldering cheek once more. “And I will wait at my gates for you every morning.”

       “Not for too long, Kíli. I won’t have you scorching your wings again.”

       “You’re starting to sound more like yourself,” Kíli said with a scoff.

Fíli smiled. “I’m still your Fíli. And there’s still nowhere else I’d rather be than here in your arms. But you’re right, we both must go.” 

Yet Fíli’s only movement was to kiss his Dark One again. Then he watched until Kíli was a blur in the darkness.

Book VI

When Fíli opened his eyes, he was in his chariot. From the look of the waving blue mountains ahead, he could tell his nightly quest was about halfway through, meaning his trusted steed hadn’t even noticed his mind’s absence. After all, the horse knew the route as well as he did. It was an encouraging display that simultaneously left him bitter with disappointment. While it was made clear he’d be able to remain in Kíli’s Dream World for longer nights in the future, it only reminded him how short tonight’s visit had been.

He didn’t want to wait- not for the day to pass or even the night hours to fade before he could see his Dark One again from high above. But alas, even Zues himself suffered from such impatience for not even the King of the Gods could accelerate time. 

What did comfort Fíli, however, was Kíli’s love of the night. Though Fíli was bored by its boring darkness, his love- yes, his love- relished his freedom under the starry sky. It was his time to thrive. Fíli could imagine him, dream of him flying through the cosmos as he leaned back in the seat of his chariot. Maybe one night, the two would cross paths, he thought.

But when he wriggled down into his seat, something crunched. It set off a familiar smell. He reached up, startled to feel something in his own hair, and gently pulled at not one, but three poppies that were neatly tied and tangled together. Kíli must have left them in his golden waves just before he faded away from the dream. Rolling the stems in his fingers, Fíli smiled, bringing too high a dawn for the middle of the night. But he couldn’t help it. These were a promise from Kíli for more nights like this one in a universe of their own. 

They’d make a life for themselves in the short hours before dawn. Helios and Morpheus, known to only themselves as Fíli and Kíli, would love for eternity.

[sigeel]

In your comic are apollo and arty the god/goddess of sun and moon? or does that title go to helios and selene?

In my comic Helios is the brightness and warmth of the sun, and Selene is the full moon.Apollo is more like… a sunflare, a small part of the sun but still a manifestation which I think fits really well his creative energy that comes in bursts.  And Artemis is the phase of the moon (crescent moon), same with Hecate (waning moon)

Let’s say if a God wanted to infuse the moon’s brightness into an object that Hephestus made  they would have to get the blessings of all 3 deities: Selene, Artemis and Hecate.  (if you’ve noticed tiny crescent moon decorations on Olympus, they are tiny lamps that lit up after dusk) 

[flambazz]

Myths: Mount Mayon

Author: Balsam

History: Philippines 

Out of all common geological formations/weather events, especially the ones people have to deal with on a somewhat frequent basis, volcanoes are probably the weirdest. Like, ok, tsunamis are just big splashy water that can kill you. Earthquakes are just whatever primordial deity your pantheon has doing a thing and the planet gets shaky. Thunderstorms? Somebody f*cked around with the sky god and we all get the punishment, or said sky god is having a party.But what are you supposed to do when some random mountain goes off it’s sh*ts  and starts blowing out 5,000 tons of toxic gasses and throws rocks at you? The majority of places basically went “Oh, well obviously this is some kind of destruction god and someone made them upset.” Mauna Kea’s outbursts were explained with Pele’s temper, while in Greece it was Hephestus in his forge doing blacksmith things. And in the 1100s, christians thought Iceland’s Hekla was just a straight-up hell portal. Fun. Not every volcano myth is quite as dramatic or turbulent, some of them even being sweet. And one of those is Mount Mayon, a picturesque volcano in the Philippines which erupted as recently and 2018. The myth of Mount Mayon begins with a beautiful princess being pursued by way too many suitors. This princess’s name is Magayon (beautiful), and she’s the daughter of chief Makusog (strong). She is both beautiful and single until one day she’s at the river for a bath and falls, and is rescued by a dude named Panganoron (clouds) who courts and proposes to her. Makusog is like “Ok y’all have fun being married” and the couple proceeds to be a fairytale couple. However a former suitor named Pagtuga (eruption) doesn’t take the damn hint. And Pagtuga decides that the correct way to deal with Magayon not being available is to kidnap Makusog and try to con Magayon into marrying him so her father isn’t hurt. She’s not ok with this, understandably, so Patuga and Panganoron go to war because of it. What happens next varies from telling to telling, but the short version is that Panganoron wins and while he and Magayon are celebrating, one of the two is shot and killed and then the other kills themself so they can be together.Makusog grieves and buries them together, and after the burial the grave becomes a volcano, specifically Mt. Mayon, and is named after Magayon the equally beautiful princess. The general consensus with this myth is that Panganoron became the clouds surrounding the mountain and Magayon is the mountain itself. This is kind of the immortalized representation of the kind of love they could never actually fulfill while they were alive.

[ladamedemartel]

“I am Cronus’ eldest daughter, and am honourable not on this ground only, but also because I am your wife, and you are king of the gods.”

                                                                                       -The Illiad, Homer

Names

Hera

Queen of the Gods

Queen of Heaven

Goddess of Women, Childbirth, Family, and Marriage

Aurora de Martel (modern persona)

Family

Cronus (father) king of the titans

Rhea (mother) mother of the gods

Poseidon (brother) god of the seas

Hades (brother) king of the underworld

Demeter (sister) goddess of the harvest

Hestia (sister) goddess of hearth and home

Zeus (brother and husband) king of the gods

Chiron (half brother) centaur

Angelos (daughter by Zeus) an underworld goddess

Ares (son by Zeus) god of war

Eileithyia (daughter by Zeus) goddess of child birth

Enyo (daughter by Zeus) a war goddess

Eris (daughter by Zeus) goddess of discord

Hebe (daughter by Zeus) goddess of youth

Hephaestus (son by Zeus) god of fire and the forge

Typhon (son by “virgin” birth) serpent monster

Symbols

Pomegranate

peacock feather

diadem

cow

lily

lotus

cuckoo

panther

scepter

throne

lion

Ancient History

Hera was likely the first deity to whom the Greeks dedicated an enclosed roofed temple sanctuary, at Samos about 800 BCE

Hera detained Eileithyia to already prevent Leto from going into labor with Artemis and Apollo, since the father was Zeus. The other gods eventually bribed Hera with a beautiful necklace that no one could resist so that she would release Eileithyia

In the myth of the birth of Heracles, Hera has someone tie Heracles’ mother’s legs in knots; however he is ultimately born.  Hera then sends two snakes to attempt to kill him, which fails.  Hera makes several more attempts to kill him, though in some accounts, Zeus tricks Hera into nursing him (If someone grabs Heracles and wants to plot, hmu).  She additionally lays down many labors upon him, but ultimately they reconcile when he prevents a giant from raping her.

Hera once saw Zeus transform into a rain cloud and attempted to catch him cheating with Io.  Instead of catching them in the act, Zeus transformed Io into a snow white cow, which Hera demanded as a present, which Zeus gave her. She then tied Io to a tree and set the hundred eyed Argus to guard the cow and keep it from Zeus.  Fear of Hera’s wrath kept Zeus from directly intervening so he sent Hermes to kill Argus, which Hermes did.  Hera then turned the hundred eyes into symbols on peacock feathers and permitted Zeus to turn Io human once more on the condition that he never set eyes on her again.

Hera was worshiped as part of a triumvirate of goddesses: Hebe (the new moon), Hera (the full moon), and Hecate (the old moon).

Zeus proposed to Hera several times.  Then, Zeus turned himself into a bird in order to prey on Hera’s sympathies.  Hera brought the bird to her breast to warm it.  Zeus then took his natural form and ravaged her.  Following this, Hera finally consented to marry him.  

Hera’s jealousy towards all of Zeus’ lovers and children caused her to continuously torment them and Zeus was powerless to stop his wife. Hera was always aware of Zeus’ trickery and kept very close watch over him and his excursions to Earth.

According to the Homeric Hymn to Apollo (6th century BC), Typhon who was the parthenogenous child of Hera, whom she bore alone as a revenge at Zeus who had given birth to Athena. Hera prayed to Gaia to give her a son as strong as Zeus, then slapped the ground and became pregnant.

According to some legends, Hephestus is also the partheonogenous child of Hera **Hephestus players should message me to determine which account they would prefer to use**

Despite the Zeus’ decree that the gods not intervene in the Trojan War, Hera, angry that Paris had selected Aphrodite as the most beautiful, vowed to see Troy destroyed.  Hera then attempted to recruit several gods to the Greeks side, despite Zeus’ decree.  Finally, Hera seduces Zeus, and with the help of Hypnos, puts Zeus into a deep sleep so that all the gods could intervene without fear of Zeus’ wrath for violating his decree.  

In Thrace, Hera and Zeus turned King Haemus and Queen Rhodope into mountains, the Balkan and Rhodope Mountains for their hubris in comparing themselves to the gods.

The nymph, Echo, had been tasked with distracting Hera so that Zeus would be free to have affairs.  Upon learning the truth, Hera cursed Echo so that the nymph could only repeat the words of others.

Modern Persona

Known today as Aurora de Martel, the host of the global phenomenon, “To Catch a Cheater.”  The show centers on Aurora/Hera finding a scorned woman, helping the scorned woman catch her philandering husband in the act, and then helping the woman plot revenge; all in one hour per week!  

Many more tawdry brands have attempted to secure Aurora/Hera as a spokesperson, but she is extremely selective in what she choosing to lend her name and likeness to.

Aurora runs “Ambrosia” it’s similar to Goop, but with a much better name and far better products available.

[alatismeni-theitsa]

@dimancheetoile I will answer in a reblog because I can't answer in a comment. If you wish your name to be removed please tell me. So, my problem is that people take the Greek deities and treat them like wish fulfilment and change them in a way they think it's cool. But these gods come from a culture with certain beliefs and iconography. It's true that the goddess has been depicted *with* horned animals but not with horns on her head. Horns give animalistic nature and the goddess was something above that. Especially in her birthplace, Cyprus, she was deemed the great goddess of everything, of the sky and purity (she was a lone goddess in Cyprian myths, not acompanied by Hephestus or Ares). All of this is more than being offended by a drawing or blog. It's being offended by the fact the Greek culture has become a fashion and at the same time it's not studied or respected. People only take the cool stuff from it and erase Greekness and tradition.

Draw Aphrodite with horns

And with a bubblegum color palette

[polytheism-and-me]

I was meditating earlier and got the strongest feeling that Frigga wanted cornbread, so I made some with dinner and offered a piece to Her. This was really interesting since it was the first time I've ever had a deity ask for something so straightforwardly, which was kind of nice. Hermes has sort of nudged me toward brands of alcohol but I had to already decide that alcohol was what I was going to get before He ever showed up, and it's always much more of a nudging, like I said, than a full-fledged request.

Honestly, the Aesir are just very different than the Theoi and it's been an intriguing journey. I was Hellenic for so long, deities Behaving differently is odd but not unwelcome. For me, I really struggled with developing really deep relationships with any of the Theoi other than Hermes. I felt close with Hephestus and Asclepius but there was still distance there and there. Hermes was, and continues to be, mostly just a constant presence but not well-defined. All in all, the Theoi have just been distant and aloof for me in a way that the Aesir are very much not, which is very refreshing. With the Theoi, if I wanted to do anything, I had to reach out first; it was only Hermes who would show up unannounced. Now, anytime I may talk (I use "talk" loosely here) with one of the Aesir, soon ones I've not spoken to show up, pressing Their way into my life and demanding some attention.

It's... interesting. And kind of amazing. It's kind of even teaching me relationships between the gods. Thor was the first of the Aesir that I met other than Njord (I get the feeling that Njord is not as outgoing or social though) and soon after meeting Thor, Frigga simply showed up without my even asking Her and I got the feeling that it was because Thor was connected with Her in some way. And while developing a relationship with Frigga, I've found recently that Odin has become interested in me and I think this is because of His relationship with Frigga. I've also recently felt Loki poking around and somehow, I find Him connected to Odin.

Anyway, I just find it all really really cool and I'm looking forward to further developing my relationships with the Gods.