#heed my words

[artsy-cupid]

Things I would say to my younger self now that I’m turning 30

No one actually cares about what you do once you get out of school and, even then, no one cares enough to stop you.

People don’t hate you. Sure, they might not like you, but not everyone is going to like you. You’re gonna have to live with that. It’s not that bad a thing.

What you see online is a microcosm of the world. Your experience on the internet is your responsibility to curate and process, and it is a FRACTION of a reflection of the real world.

The awful shit you see in the news is bad and you should stay aware. But not everything is awful; there is still beauty and goodness in this world, there are still people who want to make it better.

Hating things doesn’t make you cool, it just makes you look like a miserable jerk. Enjoy things with your full chest. Cringe is dead, and you’re still breathing.

It’s better to assume ignorance over malice. Someone might not share your ideas because they’ve never been exposed to them before, and a question that may sound foolish may be coming from a place of curiosity and wishing to understand.

The world is a rough place. Don’t contribute to the pain. Put something beautiful into the world instead.

That thing you did all those years ago? That thing you’re embarrassed about still? No one remembers it or cares about it. If they do, fuck ‘em.

[that-homoerotic-blouse]

There is only one thing more devastating than the "I'm ready to go" that the Doctor might say as a farewell and it's Donna begging him "I don't want you to go"

[absentmoon]

redemption arcs are never inherently ooc its just about wrangling them into the right situation

[wrathfulrook]

Drunken hot tips: Blare Bubblegum Bitch while taking a fc5 outpost 🥰

[dragonaqe]

DRAGON AGE: THE VEILGUARD emmrich volkarin

[underscore-jude]

actually pomme having a proper coming out arc alongside the one parent who happens to be the Most Aromantic Being In Existence would’ve been the funniest shit fuck this gay earth

[toastydumpster]

new banner

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[foxgirlfriday]

do not trim your fluffy tail, foxgirls. keep that thing fluffed as much as possible.

Tail barbers

tail barbers that trim fluffy tails???

[hopesallwegotleft]

Chapter 21 — The Vault

[odetojupiter]

this is a surprise to no one but i’m thinking of the twins again. cause i don’t know whether we’re told when tilda developed her drug addiction but considering her erratic behaviour surrounding the twins birth im assuming she was already using prior to the twins arrival. and if she was using before, during, and after giving birth, that introduces so many heartbreaking possibilities for the twins.

this one ran away from me (they say, as tho they don’t always)

i see people saying they just couldn’t take andrew or aaron seriously because they’re five foot even cause that’s a funny height apparently and i just think: did u know a long term impact of prenatal drug use is impaired growth? add that to potential malnutrition and yeah suddenly it’s not that funny anymore. besides andrew being short probably made him seem like an easy target to his abusers which is what made it necessary for him to learn to defend himself in the first place sooo

other impacts of prenatal drug use: altered brain development, cognitive and behavioural issues, damaged communication/language development, newborns can be born addicted and subsequently go through withdrawals (called neonatal abstinence syndrome, which has a long list of symptoms and can cause newborns to be hospitalised or worse). in any context, this is a horribly traumatic thing for a baby to go through but then consider this:

andrew’s brain is already struggling to develop properly thanks to his mother’s drug abuse. and then you add on frequent repetitive abuse including but not limited to several occurrences of child sa. already a 7 year old brain is not wired to be able to cope with that. tie that in with his significant abandonment issues stemming from first his mother and then every subsequent family he stays with giving him up. his own narrative tries so hard to doom him, and he responds to that the only way he can: through anger. violence. how else was he supposed to respond? yes this is more andrew defence bc it seems there’s been a sudden influx of andrew hate and it boils my piss

that brings me to a new point: andrew as a newborn. and his foster family does not want to give him the extra attention he needs as a baby born through prenatal drug use. so they give him up. again and again. so

but to talk about aaron for a sec - not only could he have been born addicted, but being breastfed by a drug user (it’s up in arms whether tilda would breast feed) also has its symptoms - can make the baby sick, can ruin its sleep, cause later behavioural issues and even transfer the drug to the baby. aaron, living with tilda, was also doomed to follow the narrative.

[tabrisangel]

you will be forced to see my genius (SHE/HER FOR NORWAY SHE IS A WOMAN)

[horseonvhs]

Sicko Shock 2 is an audio drama that fully encapsulates much of what it feels like to be On The Computer These Days while also being funny as hell. listen to it if you like thinking about how the content-based, art-as-commodity mode the internet currently operates in influences our behavior and culture at large, and also if you want to hear a bunch of cyberpunks with names like Burt Harddrive and DDOS Gutenberg talk about a guy who goes to the bathroom wrong

Listen to Sicko Shock 2. It's like a great work of art It would whip ass if someone could write up like a review of this or something. or do a fanart. The fanart done so far was so goddamn cool, and I want more Furthermore, listen to Sicko Shock 2

[kattitude130]

happy pride to butch lesbian axl low

[mars-ipan]

Mars i fear i may be dying of the plague. I have coughed blood into my sink twice now and my throat feels like I gave really aggressive oral to a scrubdaddy spongue.

Do you have any priest au thoughts/scenarios/rambles to sooth a troublde lad such as mysrlf🙏🙏

hemo. as a guy who has also coughed up blood somewhat recently. it may be time to go to an urgent care and make sure it’s nothing serious. there’s a pretty nasty pneumonia going around rn and if that IS what it is the sooner you get those antibiotics the faster you’ll recover.

as for priest au stuffs: the election kinda killed my creative flow (we’re ballin but we’re stressed) BUT i’ve been trying to flesh out hajime’s backstory a bit for the the past few days so here’s some bullet point brainstorming on that :D

check under the cut for the goods, as per usual ^_^ tw for mentions of child abuse, and also a general warning for priest au-typical horny talk and homophobia

i’ve been thinking abt hajime’s childhood/past a lot, partially bc i don’t feel fully confident writing him until i have the details of his backstory fleshed out. i think his dad was more of the aggressive “no son of mine” type of homophobic, where his mom was more of the “hate the sin love the sinner” type of homophobic. it’s cliché maybe but like. traditional catholic family values yanno. his family does differ from traditional catholicism in one way though: hajime is an only child.

i don’t think hajime was ever The Manliest Man growing up. yeah he was strong from helping on the farm, but he never felt the need to flaunt his masculine attributes. he never wanted to impress girls, he never initiated an arm-wrestling contest, and once he hit teenagerhood he quit wrestling with his friends altogether. when his friends asked him why he never roughhouses with them anymore, he tensed up and mumbled something about it being “weird” and “immature.”

he showed a lot of delicacy towards nature as well, a trait he carries into adulthood! rescuing turtles from roads, gently rehoming bugs, taking care not to step on wildflowers, that sort of thing. he was teased for this growing up :( he’d be compared to a disney princess and the like or just be called a pussy for Caring About The World Around Him. while he still loves nature and knows there’s nothing wrong with that, he does get embarrassed if his gentleness is pointed out— he’s anticipating some sort of reprimand.

been trying to think about hajime’s gay awakening. i imagine once he hit puberty he started having vague… thoughts. they weren’t attached to anyone but he kept it secret anyways since Lust Is A Sin and Masturbation Is A Sin Too and he’s not interested in growing hair on his palms or going blind (he later finds out that those are myths, but for now he heeds the tales), nor is he interested in the scolding he would get from his parents if they found out. from there we have two main options as i see it.

option A: in a parallel of the magazine he finds in Jabberwock, teen!hajime comes across some sort of gay porn. it’s completely accidental— he finds a mag or some other paraphernalia in a log or something, opens it, Realizes what is is, looks around for witnesses, and quickly stuffs it into his jacket. he’s not even sure why, but he knows he’s curious. as soon as he gets home he hides it between his mattress and his bedframe, and that night, when he’s sure his parents are asleep, he grabs a flashlight and starts to look through it. he doesn’t understand why he’s so fascinated until he realizes: he’s breathing heavily, hot in the face, absentmindedly rubbing his thighs together, and, most incriminatingly of all, he’s the hardest he’s ever been in his life. mortified, he shoves the magazine back under his mattress and tries his best to forget about what he saw, tossing and turning as he tries to calm down and go to sleep.

option B: hajime is really close with one of his peers. they’re childhood friends, and they’ve gotten along great forever. at some point, though, hajime starts feeling weird around him. not BAD weird, but… he’s nervous, and his skin seems to buzz whenever they touch, and his heart flutters when he makes his friend laugh, and… he can’t make sense of it all. not until he wakes up one night from a particularly vivid dream, chest heaving, skin covered in a thin sheen of sweat, and his sheets soiled with the evidence of his subconscious sin. he realizes what’s going on, and his heart sinks into his stomach. he does his best to ignore it, but it haunts him.

we could also combine these options and say both of these things happen, but idk yet. i like the loneliness of the porn but i also like the guilt of having to talk to your close friend and pretend you aren’t feeling confusing and frightening things for them.

hajime lives at home until his early adulthood, when he is Caught. if we went with option A for his awakening, then he comes home one day to find The Porn sitting on the kitchen table, its pages now crinkled from years of viewing, and his heart sinks into his stomach. he’s not sure how they found it— maybe his mom was cleaning his room and lifted his mattress? but it doesn’t matter— they Know now, and he has no way to explain himself.

if we go with option B, hajime is caught with that “good friend” of his. he had snuck in via hajime’s bedroom window, at a time they both were sure hajime’s parents would be asleep. unfortunately, hajime’s dad comes up to his room (hajime never learns the original intent of this visit) and opens the door to find his son, hair and clothes a mess, with the neighbor boy straddling his thighs, hands clearly paused in the middle of lifting up his son���s shirt. it’s silent for a bit, and the tension in the air is so heavy hajime feels like he can barely breathe. still, he breaks out of the stupor first, muttering a quiet “you need to go” to his friend without breaking eye contact with his father. the friend gets the message and bolts, leaving via the same window he came from. hajime is now alone with his father, so guilty and scared that he feels nauseous.

regardless of which of these events occurs, the outcome is the same. hajime’s father responds first, yelling and berating. hajime is terrified— he’s seen his dad mad, but never like this. never shouting obscenities and vile words at him. when told to explain himself hajime stumbles over his words, eventually landing on some variant of “i don’t know.” eventually, his father decides words aren’t punishment enough, and hajime gets the shit beat out of him for the first time in his life. he tries to defend himself, but he’s never been much of a fighter, and he doesn’t want to hit his dad, self defense or not. when his father finally storms off, his mother comes near, her eyes brimming with tears. she holds her arms out to hajime, tells her baby to come here. hajime, aching and bruised and perhaps with a freshly broken nose, collapses into his mother’s arms, silently crying into her shoulder as she pets his hair. she holds him close, rocking them from side to side, before she speaks. “oh, hajime, darling,” she starts, voice thick with tears and love, “i’m sorry. we’ve failed you, haven’t we? that’s why you’re doing this to us.” hajime’s stomach curdles at those words, and he quickly excuses himself, washing the blood off his face in the bathroom sink before he locks himself in his room.

regardless of the guilt he carries— he knew he was sinning, after all— hajime knows he is no longer safe at home. his father had never beat him like that before, and he doesn’t know that he would be able to walk away if it happened again. he doesn’t want to leave his mother, but he could tell that she was disgusted by him, too, her words still echoing in his mind. so, hajime packs as many of his things as he can fit into his suitcase, and the next day he leaves town, never letting himself look back. he job hops for a bit before he manages to get his house in Jabberwock— he got really, really lucky with the price of the property.

hajime hasn’t talked to anyone from his hometown since he left, and while he still has his parents’ landline number memorized, he doesn’t dare call. his dad’s probably disowned him, anyhow. sometimes he wonders how the people he grew up with are doing, but he can’t bring himself to go back. it’s not home anymore.

[chococookiez]

this has 2 saves already even though i haven't talked about it at all so ig there's an audience to throw it out to somewhere . fuck it we ball

WOE. INCOMPREHENSIBLE SLEEP TOKEN INFESTED GABV1EL PLAYLIST BE UPON YE.