#hebe king

[bluupxels]

idk no one seems too happy about that

[azenzeph]

2024 request strem done!!! Thank yall so much for request an d be in g pa ti en t

[peachesofteal]

The Acheron

An Ichor Veil (of Flower Kings) masterlist

Ghost/Soap/female reader 10.6k words - AO3 Warnings-tags: 18+ MDNI. Modern retelling - Greek mythology AU. Hades and Persephone. Two Kings of the Underworld. Abuse (by reader's mother). Bad BDSM etiquette. Dom Simon Riley. Switch John MacTavish. Impact play, spanking. Ichor (blood) play. Non-con voyeurism. Kidnapping. Submissive reader. Reader is named Persephone but has no physical characteristics. Alcohol. Praise kink. Biting. Anal play. Subspace. Dubious consent. First they're sour, then they're sweet, then... they're sour. Tags are for your health, not mine. .A meeting, a trick, a meal.

Hebe’s is humming.

You nod to her through the crowd, a gaggle of mortals waiting at the counter, the line of them moving swiftly as they order their pastry-coffee duo for this dreary, rain slogged morning.

Her perpetually young face lights with exuberance once she spots you, and you can’t help the smile that fights into place at the sight of her. Hebe is a cherub. Soft, curved for ages, like she had been sculpted by her father himself. Today, she’s dolled up in tones of pink; pink lipstick, fuchsia stained cheeks, magenta streaks in her otherwise dark, tightly coiled hair that sits at her shoulders.

For a while, before you were brazenly corrected, you wondered if maybe your mother wanted Hebe as a daughter, instead of you. A perfect picture of untouched purity and power, an eternal cupbearer, worshipped as the goddess of Mercy. She was sweet, like her famous Portokalopita, orange syrup cake that drew a group of wanting mortals at the door every morning. She’s a stunner. A mountain of sunshine, a ray of positivity.

Sometimes, you hate her for it, even if she is one of your best friends. 

Something about her cheerful demeanor can dig at you, scrape along the sticky matter of your brain, gnaw at the soft bits that you’re still trying to protect, tender pieces that match your heart.

You follow the hall to the back room, where bookshelves taper off and large floor to ceiling windows flank the east and west sides to allow as much light in as possible. There are others here, a few mortals curled in overstuffed armchairs, books and cappuccinos in hand, light jazz soothing the atmosphere through a few hidden speakers. Healthy clematis blooms along the stair rail, purple blossoms disappearing into the second floor, where more reading rooms wait, books and plants boundless inside Hebe’s.

A place for everyone. 

You feed the clematis a little spark of magic, enough that the vine stretches, shivering and sprouting more flowers. “Aren’t you stunning this morning?” The plant curls around your fingers eagerly, imbued with the essence of power, drinking up the magic drops you encourage into its cell structure. “So healthy and strong, you’ve recovered so well.”

“Good morning.” A wraith of a voice whispers, and you catch the iridescent flicker of a cloud, of Nephele. The clematis will need pruning soon, probably next week, or maybe you can make time in the next few days, you don’t really have too much going on, just your birthday, and that delivery to Hera- 

Ghostly fingers stroke the inside of your elbow, and the cloud nymph regards you with an insightful expression. “Earth to Seph.”

“Sorry.” Your apology is meek, and she shrugs.

“I asked what you’re doing tonight?” Oh.

“Dinner… with my mom.” She nods, and says nothing, jaw clenching, apologetic grimace lining her lips.

“And Friday… Aselgeia?” The club. Your muscles tighten. It’s been over a year since you’ve been to Aselgeia, the club of many vices, the ones where mortals and creatures and gods all mix interchangeably, chasing their own pleasure. The memory of last time heats your spine: A private room. A black chair. A stranger swinging a paddle towards your bare-

Nephele coughs.  

“Yeah, definitely.” You put the box down that you’re carrying, twelve small pots containing strings of pearls, all crossbred to produce different colors, emboldened by their proximity to you in the Greenhouse for these past few months. They’ll sell well, you have no doubt. “I’ve got a few more boxes to bring inside. Don’t supposed you could do something about this slag weather we’re having?” You gesture, and she snorts.

“Hebe says they’re fighting. Probably looking at weeks of storms.”

“They’re always fighting.” You whisper it, even though most know the truth. Zeus and Hera were explosive. Tumultuous. Which is fine, you suppose, for a private life. A public life, however, one that belongs to the Golden King and Queen, should probably be a bit more… restrained.

After all, why should you and everyone else have to suffer because Hebe’s mom and dad can’t get along? 

“I’ve got a lot of cataloging to do, so I’ll catch you around. Text me after dinner tonight, if you need to talk.” She finishes quietly, kindly, but without encroaching, and you squeeze her hand with affection.

“Thanks, Nell.”

The final two boxes stack comfortably for your dash inside. You're eager to get all the plants settled so you can get back to the Greenhouse, slink away to your personal temple, your place of refuge, somewhere quiet to prepare for your dreaded birthday dinner in peace.

“Hello.” A male voice calls, accented so strangely it’s impossible to place. He waves, trying to flag you down.

“Hello?” You turn, nearly stumbling back at the sight of him.

Who is this? 

He’s stunning. Brilliant blue eyes study you from a mountaintop, taller than you by more than a head or two. His hair is short on the sides, but long in the middle, a fashion of mohawk you’re unfamiliar with except for in Hoplites, warriors who sacrifice themselves for the sanctity of the state. He’s broad, built like there’s a Herculean amount of muscle underneath his immaculately tailored midnight black suit, and his cheekbones complement the razor edge of his jaw, framing a full set of dark, plush lips.

He looks like a dream you’ve never had. A fantasy that failed fruition.

Fairer than Adonis. Brighter than Apollo. 

Butterflies kick up a fluttering frenzied in your belly.  

“Sorry to bother ye, I’m looking for Hebe’s?” Ah. You smile.

“You’ve found it. This is just the backside. Front door is around the walk to the left.” He steps closer, and you’re about to introduce yourself when you hear the whinny of a screech owl’s tremolo, a tinned melody that whistles past your ears.

Olympus tilts. Axis trembles. And so do you.

The stranger is keen, and glances around. 

“Everything okay?”

“Yeah, I um… it’s just that owl, I swear I saw the same one a few days ago… I didn’t think they were too common around here.”

“Dinnae think they are.” His eyes twinkle, celestial light that has you drifting, floating through time and space into starlit irises. The air turns heavy, hot- fresh fired bricks weighing down your chest, and everything spins, day turning to night, night molting black, deep hues of purple and blues streaking past your vision, spinning like moon, twisting you up until your balance is faltering, and you sway. “Whoa, hey.” Fingers fold over your arm, surprisingly cool, chilled, and it pulls you back into your body, spine uncurling, brow smoothing.

“Sorry, I…”

“Ye alright?” He’s still holding your arm, directing you to a bench, relieving you of your box in a swift motion.

“Yeah, sorry… I… I skipped breakfast.” There’s no other explanation, right? The handsome stranger tsks.

“Can I get ye somethin’? Maybe from inside?”

“No!” You blurt, horrified. Hebe would have a cow if she thought you were feeling faint or had skipped a meal. She takes caring for her loved ones far too seriously. “No, I’m almost done, and then I’ll be on my way home. I’ll eat there.” He raises an eyebrow, completely skeptical. “I swear.”

“Alright then. Let me help ye with the rest at least?” He’s standing with a hand extended, and you track the veins on the inside of his wrist until they disappear beneath his t-shirt, golden, tawny skin just barely allowing them to be seen. You wonder if it’s mortal blood that catapults through his body, or the rich, golden ichor that also spills from yours.

“Sure.” He lifts the box, gesturing for you to grab the other.

 “I’m John, by the way.” John. It simmers in the front of your mind, stitching itself into the fabric of your magic.

“Persephone. My friends call me Seph.” Bold. Too bold. 

“Ye’re Demeter’s daughter.” He comments, and you blink, fresh wave of regret curdling the sourness of your stomach.

“Yes.” Fool. Give your name to a stranger, and this is what will come. “Do you know-“

“Only in passing, dinnae worry.”

“Who said I was worried?”

“Ye wear yer emotions plainly.” Your cheeks burn, embarrassed at the blatancy of his statement. “It’s refreshing. So many of us, we play too many games, hide our true selves.” Us. Golden ones. Gods. 

“You’re Cloaking.” You intend it to be a statement, an observation, but with a tight jaw and frowning brow, it’s an accusation.

“Aye. Wouldnae want to scare ye away, would I?” What? Your steps slow, gait pausing in concern. “Sorry, ah. Bad joke.”

“Oh, that’s alright.” He carries the boxes to the door, setting them down carefully, and then rising back to his full height. You swallow the lump in the back of your throat.

“Well, John,” you say it with a hint of sarcasm, and it conveys your doubt. That’s not your real name, is it? “It was nice to meet you.” You extend your hand, expecting a shake, but he holds it with both of his, back bowing, lips softly pressing the skin of your knuckles, tender touch making your knees weak, your heart swooping and swooning.

“The pleasure was mine, Persephone.”

“Have you given anymore thought to your role in the coming year? Your presence at harvest, or planting, would do-”

“I haven’t.” The wine is too oaky, so earthy it takes like dirt, the opus of your mother’s existence, and you swallow it down in silence.

“Persephone.” She chides, like she has a million times before. “If you just tried, a little harder-“

“I am Spring, mother. Life. Rebirth. Fertility.” You ignore her wince. “But that doesn’t mean I’m well suited for crops, and grain, and harvests.”

“It means exactly that. Otherwise, the Greenhouse would not exist.” Her knife slices into a bloody piece of meat, red dripping down the sterling to her fingertips. “Why must you fight your destiny?” Your mind wanders to your visitors the other day, the sisters. The Moirai. Does she know? Is that why she’s saying this? Did she send them? “You spend so much time actively trying to deny me, holed up with your flowers and silly little house plants-“

“It is you who denied me.” Her eyes narrow. “You who didn’t want me to become a fertility goddess, who wanted me to be some weapon of green light, to be the spitting image of you. You raised me to be a threat!”

“Is it so wrong, that I did not wish for my daughter to become a common whore? That I had hoped to prevent her becoming such a failure? That I dreamed of her becoming so much more than… what sits before me now?” The words do not shock you anymore. You’ve grown to expect them.

That does not mean they do not sting.

“It is wrong that you kept me locked in this house, away from the world, until I was too strong for you to control.” You spit, fork clattering against your plate. Rage sears white at the edge of your vision, overflowing bouquet of flowers in the center of the table blooming into massive blossoms, edges of petals beginning to curl inward.

“Control yourself.” She warns. “Or I will do it for you.” Your pulse thunders. The air in the dining room crackles.

You do not relent. Rationally, you know you should. You know this will only end one way, that this will sever another tie to your past, to your mother, one you won’t be able to repair… but you can’t stop. The magic itches under your skin, screaming.

The ivy that covers the outside brick shatters a windowpane above her head, springing through the opening like a virus seeking a host, sticking to the inside wall. Glass falls to the floor, rain pelts the roof.  

“Persephone.” Shining silver spools, churning across the table, through the air until it takes form-

The Whip.

Your mother’s favorite.

It licks your skin, your fingertips, your knuckles. A different touch, from the reverent kiss you received only hours ago. It cracks through the air like the lightning.

“That’s enough.” She vows.  

You will not cry. You won’t. You won’t let her get to you like this anymore. You’re a woman now. An adult. You’re not a child, you’re not, you’re not- 

She sighs. Your fingers clench the stem of the wine glass so firmly you think it might shatter.  

You finish your meal in stiff silence. Its heaviness droops all around you, blanketing the entire table, your fork, the distance between you and your own mother. It’s an eon. A millisecond. Never enough because you always crave more. More space. More time. More distance. Her eyes spark, anger burning hot behind them, but she says nothing.

When she’s finished, she rises from the table without another word, disappearing down the hall.

Happy Birthday, you guess.

In the middle of the night, the Greenhouse is quiet.

Even the plants slumber, most of the daylight seekers, pistils, stamens, all covered by their petals, lying in wait. In the back, you pad along the floor of moss, allowing the tiny tendrils of green to skim along your bare skin, pulling opulent, indulgent specks of power into themselves. Wisteria lines the walls, tiny blooms of purple and white falling like curtains of stars, only parting for the archway that leads to the spring, a small freshwater lagoon that spills from the crust of the earth as hot as tea, bubbling eternally, waiting for you.

Tonight, the water is ethereal. Steam rises from the pool, slicking its stone home, and you bask in it, muscle and bone turning languid, supple in the roiling spring. It’s nearly sublime, almost perfect.

Your mother’s voice still echoes. Even now, hours later, you can hear her.

A failure. A disappointment. 

Your knuckles sting from the salt of the Whip, the silver crust that slices so effortlessly, just as it has since you were a child.

You cried a lot, then.

Now, it’s few and far between. You’ve grown, rebelled, retaliated. You’ve become a lost cause.

Ungovernable Persephone. 

The pain still sits so heavily in the bottom of your soul, a wretched, tangible thing that sprouts blackened vine from the earth and a whole manner of other things.

You eye the marble encasement, the walls that harbor the spring. They too, are black. Born from your rage, your sorrow. Your uncontrollable, ungovernable power that grew from the depths of your despair and built you a temple.

The Greenhouse. Your home.

Everyone called it a wonder. A feat, proof of your power. Trees and vines and branches all twisted together, building a harbor, solidifying your presence, your Golden light.

You took your first offering in this place, the glass for the windows and the roof, the final piece of your shelter from the storm, the first stake of your life as a goddess, your life of freedom.

You left your mother’s house that day, only returning now on occasions. You never looked back.

Though, you can still feel the Whip, can still hear it whirl through the wind against your supine form. Can still feel the ridges of scar tissue that never fully healed.

You could have called Nell. Or Hebe. Or Melia. Anyone of them would be here for you. Would listen. Understand. 

Outside the window, an owl hoots.

You sink beneath the water line, magma rushing over every inch of your body, washing you clean of her, of the Whip, of the wounds on your knuckles.

A trembling fawn. Still to this day. 

A wicked daughter to have, they tell her. A vengeful soul. Rotted to the core. 

Ungovernable Persephone. 

Olympus is buzzing, even on its ninth day of rain. It’s a vibration that all manner of beings can feel, creatures, gods, even humans. The ground rattles like there’s a lightning bolt shoved into the center of the rail system, electrifying the wires and tracks, zinging from pole to pole between the buildings and above the streets where cars putter alongside those who walk to their destinations.

When you were a child, the name of the city was almost dirty. It made your mother’s nose turn skyward, disgust and disdain clear as the day on her delicate features. “The golden city is anything but.” She promised, on her knees before you, gentle hand at your back. “Those who live there are heathens, and naught else. They would seek to destroy you if they knew the truth.”

For many, many years, you never step foot here.

Not until University. Once you graduated, the rope around your neck, the bit in your mouth began to loosen, and you had already lost your taste for the expanse of metropolis, more interested in your own space outside city limits where you could feel your connection to the earth, where you could indulge your power in privacy.

“It’s not the city she fears.” Melia told you one night. “But Aphrodite. Demeter’s worried ‘Di will knock you right off the whole bloody planet.” She peered over your shoulder, catching the gleam of Apollo, his bright eyes tracking her from across a crowded bar. “Trust me. She’s a jealous bitch.” 

Tonight, the city is waterlogged, soaked to the bone, raindrops splashing as you slide from the car to the black door tucked inside a black wall, a soft faced Harpy standing in front of the passage.

“Hebe. Persephone.” She greets, turning to your other companions. “Nephelle. Melia.” You pull your power through the earth that sits beneath cracked concrete and heavy asphalt, spinning your Cloak up and over your body, adjusting your appearance just so. Your mask slips into place, obscuring nearly all your face, both Nell and Melia pulling together something similar.

“Ocypete.” Hebe pauses. “Is there a riddle tonight?” The Harpy grins, flashing rows of too sharp teeth, fine points that can cut the flesh from bone in a clean bite.

“No riddle.” The door creaks wide, and she steps aside. “Enjoy your evening.”

You don’t notice the way her eyes linger after you’ve passed.

Aselegia is one of the safest places in the Olympus. Here, Golden ones must be Cloaked, mortals must be masked, and creatures must go to great lengths to hide their identity. All intermingle with one another, safe in the anonymity. Gods and Goddesses usually choose to mask as well, a practice, you believe, stemming from common occurrences of violent jealousy, an effort to prevent becoming the target of one’s wrath.

The club itself is big enough to get lost in. The first floor houses the lobby, and a set of elevators. The walls are covered in shiny waxed mahogany, red wine rich carpet covering the floor, and it smells different, sweet and smoky, cigars and finely spun sugar. Intoxicating.

The elevators will take you anywhere you have access, and most can visit three floors. There’s a dancefloor on the main level, with a giant bar, private rooms in the wings, bottle service, tables. Very standard. Other floors have gambling tables, quieter music, even a dimly lit pool and sauna.

It isn’t until you get above level three that things change. Endorsements or sponsors are required. Waivers need to be signed. Negotiations begin.

Pick your poison. 

You start on the main level tonight. Melia insists, and you agree, grateful to the Oceanid for suggesting starting slow, the low rumble of nerves still present in your magic, your body. The music thumps, high to low song and symphony synthesized into something electronic, and it draws you into a sway, shoulders against shoulders, hips moving in time with the melody.

“Shots?” Hebe brightens, waving over a cocktail waitress, a pretty thing who eagerly does her bidding, enraptured with the way she moves in the skintight, cornflower blue dress. Her Cloak has disguised her well enough that no one would know who she is, but she does not ever manipulate her body. A cherished rule of her own, you’ve learned.

“You’re beautiful.” The girl coos, and Hebe nods, singing over the explosion of Nephelle’s laughter.

“I know, sweetheart.”

A slick sheen of sweat coats the space between Melia’s breasts. You’re both on the dancefloor, moving with the music, Melia perfectly in time, like she was born to it, and you pull her close, slinging an arm over her neck to whisper in her ear.

“He’s here.” A god’s dark eyes glint in the night, between the passages of writing bodies. He wears a white mask, stitched with the threads of glowing sun, but his obsessive gaze gives him away. He’s transfixed, focused solely on the Oceanid in the middle of the dance floor, and she giggles, turning so that her ass is pressed against your pelvis, her head tipped back on your shoulder.

Her hand extends, an invitation. A request.

He’s by her side within a second.

“Apollo.” You nod, and he barely spares you a glance, too busy cradling his Oceanid’s face.

“You have been ignoring my calls.”

“I’ve been busy.” He tenses.

“You’re still angry with me.”

“Of course, I am.” She rolls her eyes. “We’re here for Sephy’s birthday, not this.” He peeks towards you, sliver of regret flashing across his face.

“I’m sorry, Persephone.” You wave him off, not wanting to be in the middle of… this.

“It’s fine, we’re just… out. It’s not for anything special.” You look away from them, casually glancing around. You look, but you do not see. Not until…

There’s a male, wearing a pitch-black suit. A god? A mortal? He’s taller than anyone else in the room, broadest shoulders and proud posture, everything about him drawing you in, like blood in the water.

The room stands still. Silent. Empty, save for two.

Tempered water like glass, undisturbed. An undertow vicious beneath the surface, unknown to all.

“Hello.” The pitch of his voice is familiar, almost dreamlike, something that’s never been real, yet startling all the same.

“H-hi.” You stammer. His hand reaches, a magnetic force pulling yours from where it’s clawed against your thigh, and he grasps it like he’s cupping a dahlia bloom, a fragile collection of so many petals that make up an entire beautiful blossom, a universe unto itself.

Black leather caresses your skin. Clear, golden-brown eyes pin you in place, anthracite spiking around his pupils in a halo. You cannot see his face, or his skin, only what’s barely visible of his eyelids and dark spun lashes.

Still… 

His beauty is terror. It’s the throat of a lamb, freshly cut. The mutilated carcass of a doe, feeding a forest. Dark. Dangerous. A wolf, circling a kill.

It drags you out into a river, where your feet no longer touch the bottom. It sings to you from the depths.

You cannot tear yourself away.

He does not let go. Even when that same voice fills your mind.

“My darling. You shall rule all that lives and moves, you shall have the greatest rights among the deathless gods: those who defraud you and do not appease your power with offerings, reverently performing rites and paying fit gifts, shall be punished for evermore.” *

Warmth slips from your hand, sand flitting through your fingers, a fleeting touch of comfort and confusion fading into the night.

My darling. 

My darling… 

When the light comes back to you, the male is nowhere to be found. Only Apollo and Melia stand to your side, still in their own world.

“Will you let me take you upstairs then?” He croons, and your heart dances, nerves and anticipation all spiraling together like a sailor’s knot. You know what comes next.

“Only if the girls can come.”

You try to forget the strange encounter on the main level and focus on your needs instead; you’ll know what you’re looking for when you see it, and you say the same to Hebe, too, when she disappears with a male who seemed much too large to not be the son of a giant, leaving you alone on a small, velvet couch, Nell and Melia already long gone. Your second martini sits untouched, and you keep yourself from looking at any one being too closely, lest you get caught staring.

That’s when you see him.

Light blue eyes. Handsomely styled mohawk. Even with a Cloak and mask, he’s hard to forget.

John.

His mask is a red skull, covering nearly all his face, the sculpted brow severe, almost angry.

His eyes glow behind it, locked on yours.

Oh. Shit. You vibrate like a live wire, hanging onto yourself for dear life.

“Hello.” Your mouth doesn’t work. “I’m Soap.” He extends his hand, and you blink. Oh, right. The alias. Because what is the point in all this, if you give your real name?

“K-kore.” You manage to stammer, and the corner of his eyes crease.

“Why are ye here?”

“I’m sorry?”

“What are ye looking for, little goddess?” He still has not dropped your gaze, and you can almost taste him on your tongue, feel him in your mind, your body.

Myself.

Your teeth dig downward, pressing hard before you whisper the truth.

“Pain.” His eyes flash, and then he tugs.

John- Soap, takes you to a private room. You follow, numbly, shivering with a million emotions, stumbling through the chances, the possibilities of seeing him twice, when before he was a stranger.

A coincidence, you decide, putting it out of your mind. You’re dwelling on it too much, picking it apart, riling yourself up… over nothing. Over a handsome god, existing in the Golden city? Like you’ve never seen those before… like it’s so unbelievable.  

“Are ye alright?” He murmurs, stepping up to your back. You can feel the heat of him, his warmth bleeding from beneath the suit to your exposed skin, the dress you chose wholly exposing your spine, your skin.

Your nipples tighten. Your heart races, and your thighs press together inadvertently.

“Yes.”

“Dinnae lie.” He’s gentle in the reminder, and you fill your lungs.

“I’m just… nervous.”

“Ye’ve done this before?” He’s assuming. You nod, quickly, and he motions to a very comfortable looking lounge chair, where you perch on the edge of the cushion. “What would make ye happy tonight?” Anxiety unsettles your posture, and you choke down the embarrassment that tries to claw its way up your throat.

“A… a spanking.” You whisper, pushing flimsy confidence forward. Far away, a piece of your mind, your magic, pleads. It cries, it begs for release. It urges you forward, and you lift your face to his, seeking approval. Comfort.

Reassurance.

The cold hand of doubt rears. It snickers at you. It laughs.

Reassurance from someone, anyone but yourself? Comfort? 

No. 

“Do ye-“

“My safe word is flower.” You spit, motioning to the stool that waits between you.

It’s an act. A song and a dance, something fake and forced. But he doesn’t know that.

He freezes. Thick tension runs the gamut, heavy and exhausting, and you smother yourself, your emotions, your reactions to this very moment.

Pain. The desire burns. It pushes you to the zenith, until you’re down on your knees, folding yourself forward.

Pain, to turn it off. Pain, to make it all stop.

Pain, to release you into yourself. 

What matter of creature are you, that you can only feel whole, when parts of you are carved away? 

“Up.” John commands, and you lean back, confused. “Ye’ll do this over my knee.” He bends you, with grace, back towards the soft cushion, laying comfortably, your palms flat.

A hand coasts over the swell of your ass.

“Ye’ll count.” His voice has shifted. Gone is the feather’s edge, now replaced by steel. His accent still rings true, but there’s a firmness to it, a finality. Dominance.

“Yes.”

“Ye’ll tell me yer name, and today’s date, when asked. If ye cannae answer, we’ll stop. Immediately.”

“Okay.”

“I need a yes.”

“Yes.”

“We’ll go to ten, then.” We.

“I can take more.”

“We’ll decide what ye can take, when we get there.” You acquiesce, fingers digging down into the cushion before forcibly relaxing. “Big breath.” He coaches, and then-

The first slap stuns you. Only with his hand, and yet still so much stronger than last time with a paddle. It punches air from your lungs, the noise that rockets out of your throat a mix between a scream and a moan.

“F-fuck.” You croak. “One.” He doesn’t hesitate and rains the next one down on your opposite cheek. Again, it robs you of oxygen. “Two.”

“Good girl.” The praise is very small flame at the bottom of the darkest well. It barely lights the path ahead, desperately trying to catch, to grow, but it’s too easily snuffed out. His palm rubs the base of your spine to the tops of your thighs.

Crack. 

The sting sizzles outward from impact, and you gasp. “Three-“ Another, same cheek. “Four!” The whistle of the swing alerts you a second before the next, and when you shout “Five!” it sounds off kilter.

“What’s yer name?”

“Seph-Persephone.” Raw warmth simmers beneath your dress and underwear, and the fire at the bottom of the well starts to rage, growing larger, eating what it’s been given, hungry, seeking, trying to build momentum. He asks you the date, satisfied at the lack of delay, and swings so high, you can see the shine of his palm from the corner of his eye. Your toes curl.

Whack. Two, too quickly.

“Six!” A choked cry. “Seven.” Your face is wet, saltwater tracing the plush swell towards your mouth and chin. You sniffle.

“I know, I know. Ye poor thing.” He bunches the fabric of your dress, scratching it across your scorched cheeks. “Ye’re doin’ so well, almost there.” The words barely register, only the sentiment cuts through the haze. Your thighs are pressed so tightly together, slick dripping from your cunt, the aching throb of your clit rubbing against your panties. You’re desperate… to be touched, to be hurt, to be whole. You need it. Crave it more than anything else.

He delivers two more strong, healthy, swift blows. Eight. Nine. They enflame you completely, fire burning in the pit of your soul, encasing you in a coffin where no one can hear you, or see you. Safe and tucked away, floating into a dark cocoon of eternal night.

At the tenth, the room changes. The air grows colder, nearly frigid, shadows clinging to the walls, and you barely register being moved, held like a child, tucked into a chest. There’s talking, somewhere, in your mind or maybe behind you, two pitches at war, a dance of wills.

“Beautifully done, darling.” Somewhere far, far away, in the last sliver of your sane mind, you realize it’s a different voice, a voice echoed in gemstones, ruby and emerald and pearl, before that too, slips into space, and you drift deeper inside the luxurious praise. A warm bath. A sunlit meadow with thousands of Narcissus dotting the hill, soaking up every ray. A golden fawn, taking her first steps to freedom.

John’s face looms into your line of sight, maskless, no Cloak.

“We need a yes.” He murmurs, cupping your cheek. “Persephone.”

“Hmmm?”

“Need ye to say yes, so we can take ye home, take care of ye.” The words don’t match. They don’t click, they catch, they bump against each other, trying to lock into place, failing over and over.

“Supposed to go… home with my friends but-“ Your tongue is heavy, weighted beneath a giant sequoia, and you shiver. The chest that your head bobbles on catches, an arm securing you in place. It’s warm, and firm, heavier than a tree. Who…

“Little goddess.” He prompts, and you sigh, already wistfully unaware.

“’kay, yeah. Yes.”

You’re already slipping away when the world goes dark.

Your eyes open to a strange place.

You don’t recognize any of it, from the massive four poster bed with lithe, gauzy curtains drawn closed on three sides, to a fireplace the size of a giant, roaring, sizzling flame burning endlessly in its hearth. You don’t recognize the room, the black marble floors, polished to a brilliant gleam, one that you can nearly see your reflection in, or the vanity, dark oak housing a hand carved mirror. You’ve never seen the ornate stained glass window before, stretching from floor to ceiling, the size of ten men. You don’t know the bed, sized for a king, emerald silk sheets and a matching duvet, with a million pillows that were just cradling your head. The robe you’re wearing matches, the green only a shade lighter, and you tuck it tight across your body, realizing you’re fully nude.

The fire pops. It pushes a gasp from you, caught off guard, and at the sound, another being in the room stirs from the plush rug just beneath the bed.

A three headed dog.

It, they, stare at you, tongues wagging, eyes wide. Jet black fur, darker than midnight, white teeth so sharp they could rip your throat free in an instant.

You’ve seen this dog before… in pictures. Schoolbooks. You know their name.

Cerberus.

Panic races through your veins, ratcheting your heart rate higher and higher, your body and mind separating, all synapses dizzy with fear.

Oh gods. Where… where are you? What happened? You were just… you were just having some fun, at Aselegia, with John… weren’t you? Where…

Are you dead?  

You reach for your power, digging deep, trying to drag as much as you could to the surface-

Nothing.

You bleat, a scared lamb, in panic. It’s a cry. A scream. An awful sound. You need your rage now, but all you find is fear. You cannot reach your power. There is a blackened lock around it, a casing that holds it away from you, out of reach.

Cerberus whines. They hold their position, tail swishing back and forth, and you scramble towards the middle of the bed. Your ass protests, skin warm and tender against silk. Your knees tuck to your chest, and you force your eyes closed, trying to take long, measured breaths without success.

You’re dead, you’re dead, you’re-

The door clicks. John appears, two palms out, hesitant, and cautious. Your voice shakes, no matter how hard you try to reinforce it with iron will. “G-get away from me.”

“Ye’re alright, Persephone. We’d never hurt ye.” We?

“We need a yes.”

“Need ye to say yes, so we can take ye home, take care of ye.”

Something flickers behind him. A figure, a shape of shadow, shifting.

Dark. Dangerous. A wolf, circling a kill.

The male from the dance floor. He wears no mask now, but the feel of him, the threat of his power, is unmistakable… and familiar. You sputter on it, choking on him and John, the threat of their power combined looming, suffocating. “Oh gods.” You clutch the robe tighter. “Wh-where am I?”

“You know where you are, darling.” The other one says, and you moan.

“N-no. I… I can’t be. I can’t dead. I can’t be here… I-“

“You’re not dead, Persephone.” He cautions. “You’re very much alive.” And shaking, alive and trembling so vigorously you can hear your teeth chattering, chest heaving up and down, desperately trying to suck air inward. Cerberus whines again, and he rubs a thumb behind one of their ears. “Easy, Cerberus. She’s alright.”

“I ca-can’t be here. I have to… I have to go home.” The room seems wet, dollops of tears falling from your lashes, sticking to your skin and the sheets. Reality slams forward, rushing right up against your nonsensical mind.

It takes one gentle pulse of their power, to realize the truth. 

Hades. They’re… Hades. They’re Hades and you’re… you’re in the Underworld. 

Beg. Beg them for mercy. Whatever it is you’ve done, you must try. 

“I’m s-sorry. I don’t know… I don’t know what I did but I swear, I’m sorry, I-“ John tries to reach, seeking your hand, but you curl up into a tighter ball.

“Shhh. Ye hae nae done anythin’ wrong, sweet Persephone. Ye’re alright. Ye’re safe.” Safe? Safe in the Underworld? With them? 

Oh gods. You let Hades spank you. 

“You… you tricked me.” You whisper, raw betrayal and pain weeping profoundly in your heart. You trusted him and…

You are a fool. 

“We did what was necessary.” The wolf-like one says solemnly, gaze heavy.

“Necessary?” You squeak. “What’s… necessary about this?”

“We will explain everything, after we’ve eaten. Or maybe had some more rest? It’s the middle of the night, for you.” What? 

“No… I can’t… I can’t stay here. I have to-“

“Go home? So, you can hide away in your temple, kept company only by your plants and the occasional friend you let inside?” You blink, stunned, mouth dropping open.

“How do you... have you been watching me?” The stained-glass window on the far side of the room shifts, drawing your attention, morphing slowly from a tawny blur to a… screech owl.

“Oh, my gods. Oh…” The room shudders. “You can’t keep me here, I have to go…” Wolves circle, flanking where you sit, precarious and hopeless, a hand in front of your body like it will save you. “Please.”

“It’s alright, darling.” The dark one moves, blurred in shadow, magic blanketing you in a warm, comforting hold, heating your bones, encouraging your eyes to slowly shut.

The last thing you see is the ceiling, your body cradled in the embrace of a stranger.

Morning comes slow.

At first, you don’t open your eyes, even though you’ve been long awake.

If you open them, your fear will be real. It will be valid.

So, you keep them closed. Keep them shut long enough you drift in and out of twilight, until someone clears their throat.

Fuck. 

“Are you going to open your eyes?” His voice is ruby and velvet. You shudder.

“Hades.”

“Technically. One half of a whole, but my loved ones call me Simon.” Your brow flexes at that, and there’s a soft chuckle in response. “Will you wake? It’s well past morning now.”

“Are you going to render me unconscious again?” you hiss, cracking an eyelid. He’s sitting in a posh armchair, oiled black leather beneath his black suit, eyes steady on yours. His face is a map of scars, but instead of seeming rough, or out of place, they naturally suit him, complementing his broad jaw, severe expression, perfectly sculpted bone structure. His nose is crooked, like it had been smashed and rearranged once or twice, but still sits as if it was meant to be, and you wonder how anyone could do anything of the like to Hades.

He's handsome, in a way you expect to die from. 

“Only if you cannot behave.”

“Perhaps I could show you how I behave.” You smile with a full set of teeth, words ending in a snarl, and he huffs another gentle laugh.

“I have seen the victims of your wrath, Persephone. I have no doubt you’d strike me down if you could.” You swallow the nausea in your stomach. Your magic. 

“I want my magic back.” You blurt the demand, not even pausing to consider a more tactful way.

“We did not take it, only… bound it, for the time being. It’s still within you, we would never separate you from your power.” He sighs, a golden pearl rocking in his palm, glinting in the fireplace’s gleam. “Contrary to popular belief, we are not a monster.”

“Then let me go home, if you’re not as they say you are.” His eyes harden, face twisting sour, and then… sad.

“I’ll give you some privacy. There are clothes in the closet. Johnny and I expect you for breakfast, and then a tour… if you’re good. Cerberus will show you the way when you’re ready.”

If you’re good.

Cerberus leads you through a maze of decadent marble and arches.

You follow behind them hesitantly, cautious, and they mind you, slowing when you’ve lagged too far behind.

You can’t help it. You’re mystified.

You expected the Underworld to be dark, and dingy. And while maybe it is on the dark side, with glossy, polished marble, giant onyx columns that blot of the sky, and black stone everywhere… when you peek out the windows, you’re gob smacked.

Beneath wherever you are, which you’re beginning to suspect is Hades’ palace, is lush greenery. A verdant, fertile field lays to the south and the east, wrapping around to the edge of a forest, where you can just barely make out a large variety of deciduous trees. To the North, a river winds, separating the palace from a large meadow and… a town? You shake your head, as if to clear your addled mind and cloudy vision. Is that truly… a town? 

“Asphodel Meadows.” Someone says from behind you, nearly jumping you from your skin.

“Fuck.” You gasp, hand clutching your chest. It’s a man, not John, or Simon, but a stranger, clad in all black.

“Sorry, didn’t mean to frighten you.”

“It’s… okay. I- what did you say?”

“The town. It’s Asphodel Meadows. A place for mortal’s souls.” He bows. “I’m Thanatos.”

“I’m… Persephone.” He smiles, just slightly.

“I know who you are, my lady.” My lady?

“What do you…” words nearly fail as you grapple. “What do you do here?”

“I am a child of Nyx. The god of Death.”

“I thought Hades…”

“They are the Kings of the Underworld. I am the personification, the embodiment of Death.” Oh.

“You reap.” You whisper. His jaw tightens, and then smooths.

“Your escort is impatient. I think he’s probably ready for his bacon.” He eyes Cerberus, who whines, tapdancing on slick marble.

“Bacon?”

“Yes. He’s very spoiled. Eats better than the Kings themselves.” He motions down the hall. “It’s just that way. Lovely to meet you, my lady.” He gives you another bow, and then turns down a corridor, one that had not been there before, leaving you and Cerberus alone in the empty hall.

“I- you too.”

The Kings, as Thanatos called them, are both seated when you push the incredibly heavy door open. At the sound, John rises, Simon behind him, and the three of you stare at one another for a minute, until Cerberus barks.

“Please, sit.” John motions to the only other place set, a third chair between them. You swallow.

“Uh…”

“We don’t bite.”

“Not unless ye want us to.” John smiles, sinfully handsome in the morning light. It streams into the surprisingly cozy dining room through a group of five windows, all facing east, capturing the light of… a sun?

“Is that a sun?”

“It’s a sun of sorts.” Simon offers. “We have a sky, weather. A sun, a moon. Clouds. Everything that exists in Olympus.”

“Are ye hungry?” You hesitantly lower yourself into the chair, surprised at the array of food displayed. “We ah, weren’t sure what ye liked so, got a bit of everything.” Meats, yogurts, sweets, cereal, fruit, anything you could want laid out in front of you, but it’s something so near to your heart that catches your eye. Portokalopita.

“They are Hebe’s.” Simon murmurs.

This is a trick. They kidnapped you. They’re holding you hostage. You have to convince them to let you go. The warning resounds, and your stomach thrashes.

“I want to go home.” You push the plate of orange cakes away, disappointment flickering across John’s face, exasperation on Simon’s. “Please. I… I appreciate your hospitality and you… you bringing me home for… aftercare,” you grit the word, shame rocketing up your spine. This is what happens when you trust. You let Hades spank you, for fucks sake. And then they abducted you. “but I need to go home. The plants, they need me. My friends-“

“Your friends are used to going days on end without contact from you.” Simon cuts you off, and the blood drains from your face. “Are they not?”

“N-no. They’ll know I’m missing, they will.” Lie. He knows. You know they both know, just by the way the regard you. Half pity. Half amusement. It makes your blood boil. “Fuck you.” You hiss, shooting up in the chair.

“Seph-“ John tries to soothe you, calm you, using your nickname like he knows you, and it only makes you more irate.

“Don’t call me that.” You whirl on him. “I trusted you! I don’t even know you and I let you-“

“That is the nature of Aselegia, is it not?” He counters, cutting you off. You gape like a fish. “The anonymity. Dinnae turn it on me now.” His tone melts from ice to warmth, sympathy bleeding from his irises. “I assure ye, we are more than trustworthy. We would never, ever hurt ye. We would never let anythin’ happen to ye. Ye’ll see.”

“Then let me go home.” He shakes his head sadly but says nothing, and rage snaps in your heart like the drawback of a rubber band, stinging and sharp. “What do you want from me?” John opens his mouth, and then abruptly closing it, deferring to Simon.

“You are our guest. We’d like to get to know you. I promise, just as before, you will not be harmed in our care. We will never hurt you."

"How do I know that?" You’re incredulous. “You expect me to take you at your word?”

“Let us strike a deal then.” He declares, and John nods supportively.

Don’t, your good sense screams. Don’t be an idiot.

“What kind of deal?”

“You will stay here for two days, forty-eight hours exactly. We will show you this realm and get to know one another in that time, and at the end, we will reveal the doorway that leads back to Olympus.” You raise an eyebrow.

“Two days? And then I can go home?”

“Two days.” John echoes. Sapphire eyes gleam, and you carefully, quickly, try to pick apart every word in the proposal.

“My magic.” You demand, and they both answer immediately with a resounding,

“No.”

“Why not?”

“Your power is wild, Persephone.” Simon tells you, not unkindly. “We do not know how the Underworld will react to it, and we must think of our residents, all the souls we care for here. We cannot let something upset the balance that is so delicate.” Your mouth goes a little dry. You were expecting more of an answer about control, domineering you, your magic, keeping you contained. Not… care for souls.

“Yer mother raised ye to be her weapon.” John says softly, kneeling before the chair where you sit. His hand rests on the cushion, and you wonder if he means to touch you. “We dinnae regard ye as such, but until we understand ye better, we need to protect-“

“I understand.” You cut him off. You don’t need some forced sympathy, pity, thrust upon you by Hades, of all gods. They exchange a long glance, one that gives you a small peek into their lives, layers on layers of words and sentiment, communicated with a single glance.

Simon reaches for John, pulling him to his feet and into his body, chest to back.

“Do you agree?” Two days. Two days and you can leave. You can do two days of anything. You certainly cannot fight them, or your way out. What choice do you have? 

“Sure.”

“We need a yes, darling.” Darling. The pet name makes your toes curl. You take a big breath.

“Yes.”

The valley outside of Asphodel Meadows is one of the most stunning places you’ve ever been. It’s lush and lively, covered in Narcissus and Asphodelus, like a meadow one could only dream of. You're not sure why it feels so familiar, like the cusp of another life, or a nightmare, but it takes root inside you. You lay in the field of flowers, letting them cover your body, wishing so desperately to touch your magic, so you could truly feel them, the grass and the dirt and the stems here, all things that seem like they’re so full of life, so opposite your expectations of the Underworld.

“Shall we continue?” Cerberus perks up at the sound of their master’s voice, head popping over the flowers to spot both Kings standing on the path, a good distance away. They peek at you, heads tilted, and you sigh. It seems you’ve been assigned a minder, in the form of a three headed dog.

You join them on the road before long, walking silently, sullenly, John sneaking glances at you nearly every chance he gets, and you can pinpoint the heat of his gaze every time, the throbbing intensity of his focused power nearly bowling you over.

“So, there are two of you?” What are you supposed to talk to the Kings of the Underworld about, anyway? 

“Aye. It’s a little-known secret. One realm, two gods to rule.” You frown, perplexed.

“But… you haven’t always been that way?”

“No.” Simon answers. “We were once Golden brothers in battle, long before your time, before becoming this. When we fell in love, our souls split. They merged with our magic, tied us together eternally. Now, we rule as one.”

“So, you’re married.” You deduce.

“In the most permanent way you can think of.” They stop short of a bridge, one that crests high over a roaring river, and Simon gestures broadly. “Persephone, this is the Acheron.”

The Underworld is a place of rivers, you learn. Waterways that hold power, that possess the ability to cleanse you, free you, burn you, punish you. There is a river of fire, a river of weeping, a river to forget.

The Acheron is the river of woe.

Fitting, you think, standing on the bridge. Below, bright turquoise water rushes by, crashing into rock and boulder, each sound more akin to a scream than the thunder of a tributary. Mouths, long and full of despair, wail beneath the current, wraith like creatures with bone white skin and eyes skimming along the top.

You get lost in them. Lost in the irreversible cycle of woe, desolation creeping up inside your own self as you peer down into the depths. Are you not like them? Despondent. Bleak. Isolated. Is that not what you’ve made with your life, what was chosen for you? Hidden away, sharpened like an axe never to be used. Are you not alone, like them? Trapped, like them? 

You don’t even realize you’re leaning forward until pressure rests at your back. “Easy. Dinnae want ye fallin’ in.” John murmurs, stepping away the edge, bringing you with him. Your limbs feel shaky, and you wonder if it’s because you just almost went over… or because you didn’t eat earlier.

“Sorry. I uh-“ you don’t know how to explain it, that feeling. The agony that bubbles up in the back of your throat.

“We know.” Simon regards you with empathy, understanding, and you shake the attention loose, pushing ahead of them, down the bridge and into town, into Asphodel Meadows itself, eager to leave the river and its woe behind.

In town, the Kings are well received. It surprises you, to watch them in the street, welcomed by the souls who live there. They take you on a tour, introducing you to residents, explaining the structure, the magic and the infrastructure that makes it all work. Souls take their preferred form in Asphodel Meadows, allowed to choose for themselves, whatever they feel most comfortable in, and you’re shocked that such benevolence would be bestowed upon anyone in the Underworld.

Why are they showing you this? Why go to such great lengths? What is the purpose? 

“Hi.” A small voice breaks you from your confusion, and you find a small girl at your feet, bouquet of Narcissus clutched in her tiny hands. You crouch.

“Hello.”

“I’m Phoebe.” She giggles, cheeks round and rosy.

“I’m Persephone.” You incline your head. “Phoebe is a beautiful name.” Your heart pangs. She’s so small, so… fragile. How did she die? Where is her family? Is she here alone?

“Thank you, my lady.” She tries to bow, and you rush to stop her, stilling her with a hand.

“Are those for me?”

“They are. Johnny said they’re your favorites.” Johnny? You glance over to where they stand, both turned your way, something unreadable in their reflections.

“Well, thank you. They’re lovely.” She wishes you well, skipping off in another direction, and you meander across the street, unable to hide your quizzical expression.

“Johnny? Not Hades?”

“Ach. The kids they’re… they’re usually a wee bit scared, first thing. It’s better for them, if we’re friends.” He shrugs, but Simon watches him in reverence, pure love and light beaming from his gaze, adoration in every slow blink.

Your heart skips.  

Fuck. 

“Are you not hungry?” Simon muses, walking beside you and John in the castle. Your shoes tap along the way, echoing, and Cerberus barks. John glares at them.

“I… I am afraid to eat here.” They both stop short.

“Why?”

“I have always heard… a myth. That if you somehow find yourself here and you eat, you’ll become trapped, stuck here forever.” Simon chuckles, dry and warm.

“No, darling. Please, we do not wish for you to starve.”

“The legend isnae true. Only by eating whole pomegranate seeds that ye pluck from the flesh of the fruit yerself, can ye become bound to the land. And we dinnae serve those.” He winks, stepping a little closer. “Ye can eat, little goddess. Please. Join us for dinner, we insist.”

“Okay.”

Simon is not at dinner.

John makes no mention of it, and only when you’re halfway done does he offer an explanation, something important that needed to be tended to.

“Ye look stunning.” He hums, and you have half the decency to smile. You chose a dress from the never-ending closet, black to match their suits, for fun. Its back is open, and the front offers a generous view of your breasts, but not quite enough.

You felt like sin. Johnny has been staring like you are. And maybe, you didn’t want sex, but you did want to punish them for their treachery. If only a little bit.

For making you a fool. 

“So, no Simon?” He swallows a mouthful of red wine.

“He apologizes. Somethin’ came up.”

“That’s alright.” You shift, legs crossing. The transition is unintentional, but it draws Johnny’s eyes to your knees, and up. You lift your glass, the largest goblet of red wine you’ve seen, and allow a small river of red to run from the corner of your mouth to your neck. It traces the valley between your breasts, and Johnny growls.

“Persephone.”

“What?” You ask, innocently.

“Ye’re playing with fire.” He grits, the gleam in his eyes one of a predator.

“I’m not playing with anything,” you hiss, slamming the glass down. It shatters, it sloshes, it spills onto the table and into your lap. “You’re the ones playing with me. Kidnapping me, holding me hostage.” Your anger builds, overflowing inside your soul, clawing at the locked box of your magic. Cerberus whines, galloping across the floor and out the main door, but you hardly notice, too focused on spitting as much fire and venom at your captor as you can. “Touring me around the Underworld, making yourselves look like some benevolent, beloved rulers when really all you are… are gods of death and decay.” John stares at you, wild eyed. Your chair clatters to the ground as you stand, fury rocketing through every vein in your body, ichor pulsing beneath your skin. You’re so, so close to your power; you can taste it. Can feel the way it screams, how it howls to you, churning in the depths of your being, rattling the cage it’s trapped inside.

Trapped. You’re trapped. Like always. 

Your vision blurs, and you take a step towards John. It all happens so fast, so lightning quick that it doesn’t even register until your hand is swinging through the air and across his face.

He does nothing. You feel the rumble of his power, pushing and pulling at the seams of your very being, waiting to tear your apart, but he holds himself at bay.

Only watches you with cold, wrathful eyes.

The air chills.

“That’s enough.” Simon stands between your bodies. Power, so potent, so strong, wraps tight, shoving your wrists together, Golden cuffs immobilizing you, holding you still. “You want to be a disobedient little brat, is that it?”

“YOU STOLE ME!” You scream it, raw and agonized. It tries to burst through your skin. Tries to explode your vessels. Your very heart. Your chest heaves, eyes wide, and John flanks you, coming closer and closer until you can feel his heat against your side.

He’s hard.

“What did ye think ye were doin, sweet Persephone? Did ye really think you could strike me?”

You don’t have an answer. Words die on your tongue. Guilt burns. Did you want to hurt him? 

Did you?

The cuffs yank you forward. They singe your skin, dragging you to the table. “What’re you doing?” They drag you across the food until you're climbing on top, until your whole body is prone, feet dangling above the floor, bent at the waist.

“Is this what you wanted?” Simon mocks. Hands grip your hips, and your traitorous body clenches. “This what you need, little goddess? Need to be punished?” Your dress is shoved up around your waist, exposing your skin to the frigid air, and you force away a small moan. “You need your pain, darling?” Yes. Fingers pinch the back of your neck. “Answer me.”

“Yes.” You snap, darting daggers with your eyes over your shoulder. His answer is a chuckle.

“Turn your head.” He hisses, hand on the back of your skull. When you do, you come face to face with Johnny’s hips, the length of his cock freed from his suit pants and bobbing right in front of your mouth.

Oh, gods. 

He strokes it slowly, the pink- nearly red tip oozing pre-cum, long and thick in his fist, his size enough to make your thighs press together, cunt throbbing with delight. Traitor.

“Open, darling.” He smears it against your lips. You tuck them in tight, trying to keep them closed, and he looks over, to the god who stands at the curve of your ass.

Simon takes a handful each of your cheeks, spreading you wide. He kicks your feet too, knocking your legs into an A-frame, fully exposing your weeping cunt.

“She’s dripping.” He announces, a finger sliding through your folds, body jolting with his touch. He circles your clit, barely, not enough, and you whine indignantly. It’s enough to loosen your lips, enough for Johnny to grasp your jaw, shove the tip of his thumb between your teeth, and then pry you open.

Once he gets the tip of his cock against your tongue, it’s over. Salt and earth dab along your tastebuds, and you drool on the table, trying to breathe through his rhythm, trying to focus as Simon tucks a finger into your hole, slowly pumping in and out, occasionally pulling free to swirl it around your untouched rim.

One finger inside you is enough to burn, heat rising through your belly, walls clenching tight, and John groans, pressing into the back of your throat, cutting off your airway.

“So good, all day.” Simon grits, stroking your clit in tiny circles. “Sweet Persephone, and now,” he’s building you closer, so close to the precipice, to the top of the mountain where you’ll hope he’ll throw you off.

But it’s not enough. 

“I know darling, don’t worry. I’ll give you your pain.” He croons. John thrusts hard, drives into you vigorously, head thrown back. There’s a sheen of sweat on his neck, and you watch a slow rivulet dip beneath his collar. He’s so… they’re so…

A hand cracks across the tender skin of your ass, rippling out like a shockwave. You choke.

You clench. The tide rises.

“Fuck. There you go.” Light dances in front of your eyes, small pinpricks of stars, and you gurgle on the dick that shoves down your throat. Another strike, the same side, and you cry out, gasping for air. The tip of his finger gently pushes against your rim, and then it’s replaced with a mouth, a hot, intrepid tongue, swirling around as your hips buck and he plays with your clit.

You’re going to die. You’re going to explode. You need more. 

You try to tell him, try to choke it out around John’s shaft, but it’s like he knows, like he’s reading your mind, and he pulls away to dig his teeth into the plump swell of your ass, biting down so hard you think you’re bleeding.

No. You are. 

You scream.

Rivers of ichor paint your skin. The next spank comes directly over the puncture wounds, and instead of screaming in pain, you moan in pleasure, head held in Johnny’s hands, your face a tool for him to fuck, your pussy squeezing down around the single finger stroking in and out of your body. He swings again, and again, fire lighting behind your eyes, explosions going off one by one, your orgasm cresting, rising in the swell of an enormous wave, and just as you’re about to come, Simon plunges a finger deep into your ass, shoving you off the mountain.

To where they catch you below.

The rest is a blur. John finishes down your throat, salt and sweat and tears all mixing in your mouth, and he moans your name as he gives you a belly full of seed.

You’re limp, floating, drifting higher and farther than you ever have before, not in your body, not even in your own mind. Hardly cognizant when you’re picked up, tucked away in the shelter of a chest and carried down the hall. You close your eyes.

You come back a little bit when you’re placed in shallow hot water, a steaming, rocky pool, your face settled in Johnny’s neck. Cloth and deft fingers rub your shoulders, your waist, anywhere you might feel sore, even the bottoms of your feet.

All the while, they talk.

It starts simply, sweet words that fills you up until you can’t take anymore. “Did so well, darling. So good for us.” John murmurs in hushed tones as Simon shifts you, turning you on your belly to run the cloth between your legs and over your ass. It stings, and you hiss, but you’re soothed with an apology, gentle kisses down your spine, each one pressed with praise.

It’s not long before you’re tucked into bed, turned over on your side, some sort of magic and salve being applied to the bite in your skin. You’re gone now, barely aware, barely awake, but with it enough to catch the little bits here and there.

“-talk about it tomorrow.”

“If they’re from Demeter, I’ll-“ No. Not this. Anything but this. Distress catches in your chest, and fingers stroke your cheek.

“Shhh, sweet one. Rest now.” There’s a little touch of magic, a barely there pulse of power, and you let it take you into the soft comfort of sleep, bedded down like a fawn, cradled between two Kings.

*Hymn 2 to Demeter, line 347

[shanastoryteller]

Pride prompts: something for Greek gods? Any new installments for gods and monsters??

Happy Pride!

❤️🧡💛💚💙💙💜

Hera is proud of her daughter.

It's not what she wanted for her, exactly, but in many ways it is. She'd wanted her daughter to grow up safely by her side, as Hephaestus could not. She'd wanted her daughter to grow into a domain of her own choosing, as Ares could not.

She had wanted Hebe to have a life of comfort and ease, forgetting, in her want, that neither comfort nor ease were something either of her parents had ever fought for.

Hera had given up much in her quest for power. It had netted her exactly what she'd sought and she does not regret it. Not often. But perhaps it was foolish of her to think that a child born of the king and queen of the gods would prioritize comfort.

Eris, goddess of chaos, sacrifices nothing of herself for her power. She claims her domain on her own terms, with the blood of people who don't know what their sacrifice is building, and Hera smiles.

[clockys-soul]

New design for the Old man!

Now snowreapers have antlers and since this dude is like half Snowreaper he gets big antlers!

Some Lore:

Northwind is the oldest surviving wyvern, and the largest Duratus wyvern ever recorded. He was first spotted by the Duratus family when he was already an adult wyvern, and they were fascinated by his status as a wild Hybrid. He was not aggressive and his size protected him from many predators, allowing him to live a solitary life. The Duratus family watched him out of fascination and named him "the Mountain King."

Hebe Duratus, who later became Northwind's rider, went missing during a hunting trip with her father, who was riding his wyvern. Northwind approached Hebe and showed no aggression, allowing her to ride him for the first time on her eighth birthday. He served as her companion and guardian during the war, helping with rescue and defense missions.

But tragedy struck when Odin Fulgur killed Hebe in a panic. Northwind was inconsolable, nudging and chittering at Hebe's body, but she would not move. Ever since that day, he spent his time simply sleeping and lounging in the mountain range near the Duratus castle, with visitors coming to talk to him and even the townsfolk coming to talk to him. He is now known as "The old King of the Mountains," appreciated for his age and gentle nature.

[mydarlingdearestdead]

"Come with me," Apollo's voice was earnest, void of its usual melodic tone, "Drink from Hebe's cup and join me."

"As a... God?" Hyacinth breathed the ultimate word, clasping a hand to his racing heart, "Immortal... Forever alive."

Apollo inclined his head, grasping Hyacinth's waist with sun-warmed hands, pulling him into his bare chest as an intoxicating warmth engulfed the two.

"My king," A vain whisper against sun-toned, freckled skin, "My love... The council's envy."

"Forever." Hyacinth vocalised the unsaid word, exhausted by it's weight on his chest.

"Forever." Apollo confirmed, "An eternity in each other's company." Sweet as the pluck of his lyre, the melody returned.

Hyacinth felt his lips stretch around a weary smile.

As a child, he had heard stories of Apollo. Every youth did; Cautionary tales.

Golden lessons such as the ever-utilised Do Not Steal Sacred Cattle From Gods Unless You Have A Distinct Talent For Creating Musical Instruments and, Hyacinth's personal favourite, Never Run From A God, Should He Pursue You, Unless, Of Course, You Yearn To Spew Sap In Your Old Age.

Though, in moments such as this, Hyacinth could hardly entertain a notion of heeding a single learned moral.

Truthfully, he was contented where he lay, swaddled in not just warmth, but eternal light.

Masterlist

[cheerleaderman]

🎃Can you find the Pumpkin King?🎃

Event Summary

It’s that time of year again in Twst, hearing about what happened last time with endless Halloween ghosts invited NRC to their kingdom to participate in their grand activities.

Their biggest event is to a scavenger hunt to find the Pumpkin King.Everyone has been split up into groups and will start at the castle where the king is supposed to be.Travel around the kingdom solving puzzles, gathering clues and having fun but be warned there are many tricks along the way, you may even see some fake Pumpkin Kings.

Most of the kingdom will be playing along acting worried for their king, providing clues and secrets. Talking to the right person may get you some treasures. Of course having you making you do something for them to gain information.

This year Yuya has been appointed the Pumpkin King. The thing is no one knows what Yuya will look like and their face will be covered. Yuya can also play tricks on teams with what the ghost has given them. Who knows they might just slip under your noses.Once actually found and the group completes the final mission Yuya will lead them to the treasure and the Halloween party can finally start now that the king has returned.

(More under cut)

Rules and dress code.

As this is a Halloween event everyone must be dressed up in costumes. People can choose what costumes they want just No pumpkin themed costumes like a pumpkin witch with the exception of Grim and make sure to keep it appropriate.

No NSFW

Anyone can participate! Ocs and Canon characters by making cards, writing fic, voice lines,Fan art etc.

Make sure to tag me and use the hashtag #Findpumpkinking

This event will last until November 5th when I will spin a wheel and announce what team found the Pumpkin King.

I’ll spin with the teams that have participants and I will make some kind of drawing for the wining team but what kind will be based on my mood at that time

Pumpkin King

Yuya Florence | Yuya’s Second card [will try to do voice lines for participants on this one]

Teams

Group Jack-o-lantern

Rook, Deuce, Jade , Leona, Ortho ,

Sylvie ( @sherryclover), Hopper O’Latock( @amatsuchan-eiliniel)

Group Skeleton

Jamil, Lilia, Kalim, Vil, Trey

Flori Mohn-Prinz ( @bunniehunn), Reese Kingbit ( @kickasscentral), Yumi Yozakura( @marinahavik), Flurin Prinz( @amatsuchan-eiliniel)

Group Grim Reaper

Sliver, Azul, Epel, Idia by me

Hopper ( @theolivetree123) , Galen Donnelley ( @the-trinket-witch), Swallow Reynard ( @offorestsongs)

Group Witches

Cater, Malleus by @gl00myb3arz , Ace ( @mirioho), Grim , Sebek ,

Sophie ( @gl00myb3arz), Kalmia von viradin ( @skriblee-ksk), Hebe Göttel( @honibumii), Reyu Carrera ( @mirioho) Rebecca ( @0honeybones0)

Group Vampire

Riddle, Ruggie , Floyd, Jack

,Joseph Akaba( @readsrandomstuff67), Yumi Hitsuji( @twisted-wonderland-memories)

Group Werewolf (staff member only)

Sam, Crewel, Trein, Vargas , Crowley

Zayn Weatherwax( @twstinginthewind)

Background

(It’s from nightmare before Christmas)

Will you be able to find the Pumpkin king?

[hermesmoly]

Kinda crazy how more involved Zeus is with Hebe than he is with Eileithyia. Hebe has her father give her two talking doves, was the one who pushed to have her marry Heracles, one of his favorite sons (when Hera wanted Hebe to be married to Dionysus), and not to mention his old job as a cupbearer when Kronos was still king.

Compare that to Eileithyia who. Has nothing except for her role as Goddess of Childbirth despite her helping dad out with Apollo and Artemis

[audreyscribes]

Ω PJO DEMIGOD HEADCANONS: 👑HERA: QUEEN OF THE GODS, GODDESS OF MARRIAGE, WOMEN, MARTIAL HARMONY, AND THE PROTECTOR OF WOMEN DURING CHILDBIRTH 💒

Author's Note: Hi everyone, so some of you have been expecting this. I wasn't lying that I hadn't give it some thought but I didn't write this earlier since I wasn't sure how I could make it work. It might not be what you guys expected but here it is. This is going to be a stretch and please suspend your expectations for this. This is for the anons who asked if I could do Hera. I tried. This is what I came up with. Thanks for reading, liking, and reblogging! I really appreciate it! [PJO DEMIGOD HEADCANONS MASTERLIST]

*Warning: Immense wall of text below [Keep Reading]

I can only see this happening, given that Hera is very loyal to Zeus, and how a demigod child of Hera is born. 

You’re a child of Zeus when the King of the Gods became mortal (SOMEHOW) temporarily and Hera supported him like the loyal wife she is. 

You’re either born like how Athena births her children, where Hera thought about (a) mortal man, or like Hebe (in some mythological records) where she was born from Hera eating a piece of lettuce, from Hera by herself, but was somehow born half-mortal, instead of immortal. 

You were crafted out of clay by Hera? Maybe???

You were born when Hera had become mortal herself (SOMEHOW????), born with Zeus’s help *COUGH*. 

Regardless, your existence or any other demigod child of Hera is unheard of. Like it was not even a thought of possibility. 

No one is sure how to proceed or wrap their minds around your existence. I don’t think you’re told how you were born, but even if you were told, you’re sworn by the River of Styx not to tell anyone except outside a few very selective approved individuals. This is because out of the listed reasons above, only one doesn’t insinuate anything relating to the King or Queen of Gods being mortal; which would reveal a weakness to the two monarchs of the Gods and the harmony of peace among the gods, or indicate Hera of cheating which would break the foundation of marriage and the law behind it. This unfortunately creates a lot of gossip behind your back about your godly mother and you’re the physical representation of it. Something Hestia herself tells you about, in a disapproving way to your godly parent.  

There are immediate renovations to the Hera cabin, mostly because it is not livable at all. You’re temporarily put in the Big House until things are done to the Hera cabin. Annabeth has been given an official ‘pardon’ by Hera because of this, so there’s that? At least.

Annabeth isn’t sure how to interact with you, given Hera’s clear distaste to her, and how you’re her daughter, but at the same time you’re also innocent. 

Percy is also a bit conflicted given Hera was the one who gave him the amnesia and the whole camp Half-blood and Jupiter thing, but he goes about it a bit easier because he knows all about bearing their godly parents misdeeds and grudges and all that. 

On the other hand, you’re living with the knowledge that by technicality, a lot of people could’ve been married under the Ancient Greek laws. For example, Percy and Annabeth could be or would’ve been married when you heard that they were playing hacky sack with an apple and if Percy threw the apple at Annabeth, and she caught it, it would’ve technically counted as “accepting a marriage proposal”, and they were married-

Your mother’s domain is technically powerful and important but at the same time, it’s not very useful to you; considering there’s a lack of married individuals among the campers and the only one who is married is Mr. D, but you don’t dare to. But it’s not like you can do anything anyway since he is a god and you’re just a demigod…that and he’s been avoiding you.

Mr. D just avoids you and you’re not sure until someone tells you that Hera tricked his mother, Semele, into making Zeus reveal his true form to her to prove he was Zeus, evaporating her. 

If Camp Half-blood has the aura of uncertainty, then Camp Jupiter is the opposite. The treatment towards you is the opposite where they treat you with reverence but because Juno is so revered, being her child makes you feel isolated.

The cabins that are at odds with you are the Aphrodite, Zeus, Athena cabins, while the cabins that are more cordial with you are the Hebe, and surprisingly the Ares and Hephaestus cabins. 

At least there are a bunch of beautiful white lilies at Hera’s cabin, making the cabin more of a place to live than a renovated temple. The lilies are there because it is said they were born from her. 

Argus is also your bodyguard for a reason. He was created by Hera for the sole purpose of being a guard and watchman, and considering you are the daughter of Hera, you fall under his duties. Not long after you were born, when you have grown out of the age protection Hera can protect you from, and Hebe when you’re past 8 years old, the monsters start coming into droves. There are monsters immediately trying to kill you, not just fueled because you’re a powerful demigod, but because of also Lamia, who she personally comes hunting for you. This is because Lamia, when she was a mortal queen and had the eye of Zeus, Hera was responsible for killing all of her children and became what she is now, and is also responsible for monsters hunting demigods to this day. Argus is only able to protect you only for so long so sharpen your skills and fight for your life. 

When you get claimed, the world goes absolutely silent. Everyone stares upon the claim mark floating above your head, a peacock, like its a crown above your head. The spread feathers of the peacock does certainly make it look like one. With a crown above your head and a field of white lilies sprouting beneath your feet like a white carpet, it almost makes you think you’re a child of royalty being announced.  But you don’t let yourself be that deluded much longer. They stare at the mark longer than you like to admit, some blinking and rubbing their eyes as if they are seeing an illusion. You already know who your godly parent is, so you know the claim is just a message to Camp Halfblood. 

That you are the demigod child of Hera. A being that has not been thought of to even possibly exist. An impossible existence. 

Yet here you are. And you knew how. And yet you couldn’t tell any of them because Hera made you swear to not reveal that information to anyone outside of a very selected few confidants. If they knew any of the truths, then it would break the balance of the gods and would bring chaos to them; threatening them and you. 

The claim begins to fade, disappearing into glittering lights and as it falls upon you, so do the campers’ eyes. Thousands and thousands of eyes stare at you, not for you, but what you are. 

Argus stands beside you, standing like a guard and his protective stance only adds to the confirmation.

Mr. D drops his can of diet coke and as it splatters across the floor, Chiron finally breaks out of his stupor. He kneels and bows before you, his limbs shaking a bit as he stutters as he announces. 

“The bloodline is determined. Hera, Queen of the Gods, Goddess of Marriage, Women, Martial harmony, and protector of women during Childbirth. Hail, [y/n] [l/n], child of the queen of the gods.”

There is silence before chaos erupts as everything is turned over their heads.

[alneedssleep]

Headcannons about Apollo pt.1 

PSA: This is mythology Apollo stuff but most of this applies to Percy Jackson Apollo as well. 

Apollo loves no sibling more than Artemis, but he is closer to Athena. They bonded over being the favourite siblings, gods of knowledge/wisdom and the fact Athena was somewhat in charge of teaching/raising him when he first came to Olympus. 

Apollo is the only other god besides Zeus to have the epithet ‘Moiragetes’ meaning ‘Leader of the Fates’. There are also only two moments of fate being averted in the entire mythos – once when Zeus swallows Metis and then again when Apollo tricks/convinces the Fates to extend Admetus’s lifespan. I imagine this means they are both capable of altering fate, it is just usually not worth the trouble. 

Adding on to the previous hc, I also imagine Apollo has pure white eyes. As in, no pupils or irises. This is a trait I imagine the Fates share as well. Zeus would as well if he had gift of prophecy, but he doesn’t. 

Apollo has the epithet ‘Lycegenes’ meaning ‘born of wolf’ or ‘born of Lycia’. Both work since his mother spent some time in a form of a wolf while pregnant in some versions and she is also a prominent goddess in Lycia. Lycia is in modern day Turkey, so I imagine Leto, Apollo and Artemis have some Turkish features. Specifically, they all have an aquiline nose (though you also see that in Greece), darker skin and (in the PJ universe aka the modern day) all three occasionally wear head scarfs. Not hijabs obviously since those are religious, but sheer fabric with a bunch of different designs relating to their sacred symbols wrapped around their head and hair. 

Apollo was less of an older brother and more of a parent to Hermes, Dionysus and even Hebe when they were young. It was only once they were much older that Apollo started treating than more like siblings but will occasionally fall back into old habits. 

Hera and Apollo have a better relationship than expected. They, along with Athena, mostly bonded over their shared woes of dealing with Zeus (who is not as bad as PJ Zeus but is still, you know, a king. And kings are rarely great.) 

Apollo is the most all-knowing of the non-primordial gods. He has the domains of truth, prophecy and knowledge and, once he gains the sun in roman times, can also see anything that happens during the day. This makes him stupidly well informed. Even his cousin Hecate, Aunt Asteria, Grandmother Phoebe and Grandfather Koios are not as well informed since they only have the domain of prophecy and, even then, only have a specific kind while Apollo, seemingly, has access to every kind of prophecy. 

Apollo (and Artemis) are Gods of Youth and, in Apollo’s case, he even has an epithet explicitly denoting him as an eternal child: ‘Acersecomes’ meaning one with unshorn hair. Boys in ancient Greece grew out their hair and generally cut and dedicated their hair to Apollo after reaching adulthood. As a result, Apollo not only has long curly golden hair, but is also unable to age any older than 15 since 16 was the age of adulthood back then. I imagine this would be the same for Artemis as well. (If we are including the PJ universe here, then they would be able to age up to 17). 

[bluupxels]

Proud Parents

[superkooku]

Seeing @sarafangirlart 's post about Kaos made me notice a new trend :

It's slightly better than dumb drunk but still removes the best elements about him: the frenzy, the madness, the terror, the liberation. Also, Dionysus participated in three mythological wars (Gigantomachy), two that he led himself (against Perseus and against India).

Dionysus, as the liberator and against inhibiting structures and figures of authority, immediately enters in conflict with every mortal king he meets (Pentheus, Lycurgus, Proteus, Labdacus, Perseus...) and always DISRUPTS the peace when he comes to their city.

He's not like "Hello my friends, can you worship me please 🥺 ?" His punishments are wild, seriously, some Eldritch horror stuff.

Also his great grandfather is literally ARES, I'm not even joking.

He's literally one of the worst candidates 😂.

Also, in Hades II, it's used as an excuse to remove him from the plot, which made me super upset (maybe the worst decision in the game. Right besides wrecking OdyPen).

For the peaceful god/goddess, choose Hestia, Eirene, Hypnos, Hebe, Asclepius idk, some chill deities that don't like to be involved in fights or exclusively helped people or stayed in the corner doing their own thing. Not the god who has crazy beast women as priestesses.

[cursecuelebre]

Queen Hera’s About Blog

Just a little cheat sheet of Queen Hera/Iuno’s worship from Greco-Roman paganism

Attributes

Women and Womenhood

Families

Children

Protector of Cities (Argos, Rome, Greek state etc)

Marriage and Virginity

Stars and the Full Moon

Goddess of the heavens

Childbirth

Protector of Young Men or adolescent boys

Goddess of Young girls

Love

Flowers

Widows and Wives

Guardian to all women and Saviour to Women

Fertility

Animals

Cow

Peacock

Cuckoo (Zeus seduced her in the form of a Cuckoo)

Lions

Crane

Hawk

Herbs/Fruit

Pomegranates

Lotuses

Flowers

Apples

Cucumbers

Lemons

Limes

Figs

Lilies

Symbols

Libation bowl

Lotus Sceptre

Chariot

Crown

Family

Spouse: Zeus king of the the Gods his Roman equivalent is Jupiter

Divine children: Ares (war), Hebe (Youth), Hephaestus (Smith God, birthed on her own in some stories), Eileithyia (childbirth) Eris (discord). Mars (In Roman myth Juno went to the goddess Flora to give her a flower to make her pregnant without a male help because it was after Jupiter’s own birth of Minerva from his head. Flora granted her the flower and became pregnant birthing Mars the god of war and vegetation in Roman mythology.

Epithets/Titles

Hera Pais - Girl

Hera Nympheuiomenē - Betrothed bride

Hera Teleia - Adult Women

Hera Khēra - Widow

Hera Aphrodite - of Aphrodite

Hera Gamēlia - Of marriage

Hera Autorôtē - unbulled (virginal)

Hera Zugla - yoked (married)

Hera Hēnioknē - Of the Chariot

Hera Antheia - Of the Flowers

Hera Argôia - Of the Ship Argos

Hera Hyperkheiria - Whose hand is above

Hērion - Temple of Hera

Hēraia - Festival of Hera

Daidala- Festival of Hera

Roman Epithets/ Titles

- Juno Sospita - Armed Warrior (as savior of women and the state as well as protector of young men and adolescents boys).

- Juno Moneta - “The Warner” but it also can relate to mint or money and currency.

[genericpuff]

The Extended Mishandling of LO's S3 Midseason Finale Premiere (Pt 2)

Alrighty, I promised a part two back in the first part of this analysis, but found myself busy with Rekindled and my day job, so I'm finally sitting down and finishing this up. If you haven't read that first part yet, please go check it out!

CAUTION: THERE BE FASTPASS SPOILERS AHEAD!

We left off with Hebe and Apollo roleplaying that one scene from The Lion King, albeit with a lot less sense or nuance. Literally all the "drama" so far feels purely manufactured for cheap plot progression and tension and it hardly feels authentic. But now we gotta talk about the second half of this episode, where we finally address the cliffhanger that the FP midseason finale episode left off on - Persephone causing winter.

And what better way to kick it off than with a completely off-base Persephone monologue?

Now, what's shown here is actually a flashback to the job interview scene from S1, when Persephone asked to see the snow in the Underworld. But it's written as if Persephone has some intimate relationship with snow as a whole, as if she's experienced more than this one time which... she hasn't. There was nothing "romantic" really about that scene following the job interview, she literally just wanted to go out and see something she hadn't seen before.

But that calls into question - why does Persephone constantly act like she has an intimate relationship with snow when it doesn't occur in the Mortal Realm? She even says in the honeymoon episode that it's hot all the time in the Mortal Realm, and the temperature only drops every now and then during rainy days... and she somehow makes this about Hades when it literally has nothing to do with him lmao Persephone monologues are some of the worst /r/im14andthisisdeep moments in the series because she's constantly using word salad to describe feelings we never saw or scenes that never happened.

And this scene is no different. She says that snow is something that's interwoven with her most 'treasured moments' but all the visuals have to show for is that one scene from S1 that, again, didn't even come across as a 'treasured moment', it was just her seeing the snow for the first time, there was nothing 'romantic' about it in a vacuum. All the moments from the series you could call ACTUALLY TREASURED milestones of Hades and Persephone's relationship - and Persephone's supposed "love" for the Underworld - are scenes where snow was completely absent (ex. the scene of Persephone and Hades talking about Sicily in Zeus and Hera's garden, Persephone and Hades spending the night in the cabin during the trial arc, etc.)

But then, to make it even more confusing, she goes on to describe her losing her powers and causing winter a "betrayal". As if the concept of winter owes her anything. As if Erebus owes her anything.

The allusion to Erebus itself in the visuals implies that she feels "betrayed" over this happening, as if it wasn't made ABUNDANTLY CLEAR TO HER that she would have to sacrifice something. She's gone SO LONG without knowing or caring about what she could have possibly given up, that by the time it finally revealed itself, she's acting all shocked Pikachu because there's finally something she can't just have. Everything that could make her seem imperfect has been washed away, from her SA trauma to those pesky green hands. Now we finally ARE seeing her affected by her own choices and she's basically waxing poetic about how sad it is that her actions have consequences.

That said, she does seem to have a moment of self-awareness here... but I can't be confident it will actually amount to anything seeing as how all the past attempts at 'growth' have been overshadowed by her vanity and ego.

This line is really confusing / weird in the way that it's written but I think she's trying to say that the source of the cold is from her, she can't pin it on any sort of 'big bad' like she could with Apollo and Kronos. It's just her.

And again, this could be a moment of realization for her that her actions are her own regardless of whatever she wants to pin it on-

But she rejects it instead. She's still not capable of acknowledging that her choices affect others, that her actions have consequences, that she's finally paying the price for something she knew had a cost.

If this were any other comic, I would accept her rejection of this, I would have confidence in knowing she may recognize it eventually. But this is LO and we're three seasons in, she's technically already gotten her happily ever after in the form of becoming Queen and married to her 'true love', so all of this feels like a very last-minute attempt to paint Persephone as this "struggling" character. But she's not "struggling", she's just finally experiencing karma catching up to her and as expected for a person like Persephone, she's already cracking under the pressure of realization that she can't have everything she wants.

Again, in any other comic, this would feel satisfying or endearing to see her fall on her own sword, but to me it just feels frustrating in the context of LO because we've spent five years seeing her get everything she wants with barely any real struggle that wasn't manufactured - with all of it painted as a GOOD THING - while still getting away with treating the people around her like shit.

And when I say she rejects this concept of having humility, I don't just mean through her monologuing, but also through her actions.

If I were to critique LO the same way I would an actual functional series, I would say that this should be the point of realization, the point where we see her crumble under the weight of her not being perfect, not being able to "fix" everything. It all stems back to her entitlement as a bratty main character, someone who can't fathom not being the main character or the "hero".

Because she's not the hero. Demeter is - or at least, she tries to be.

Again, it's hard to know if this is intentional or if this is yet another attempt to present Demeter as an "overbearing mom", but Persephone here looks and sounds like she's been reduced back to the state of a child crying for her mother in the face of her own failures. Despite now technically being a mother herself (through literal babynapping sigh) Persephone is still not a mature adult. Aging her up 10 years and giving her a husband and baby will not make her an actual functional independent adult who's capable of taking care of themselves or making the right decisions... unlike Demeter who is still, ultimately, more skilled than Persephone. She is an actual experienced and mature adult who's capable of rationalizing and decision making, and knowing when it's time to put aside your ego, walk away and let someone else who's far more qualified take care of things.

What Demeter has is something that one can only gain through true hardship, failing, learning from one's own mistakes, and experience, all of which Persephone does not have because she transitioned from a cage of her own imagination where hard work and responsibility was a virtue, into a gilded cage where true hard work can be passed onto someone else whose efforts she could take credit for while sitting on a throne and buying anything and everything she could ever want.

Despite everything Persephone and the narrative claims to have 'earned', she's still a child. The adults have to take over.

And like a child, she doesn't let them.

This is not an 'anime moment'. This is not a moment of redemption. This is immaturity and irresponsibility in its most visible form for Persephone - refusing to let go of her ego and shortcomings to "prove herself", even if it means making things worse.

And Hades enables it.

I want to make it clear there is a massive difference between not being controlling over someone, and actually enabling them.

This is not some small hill to die on. Persephone is literally causing winter, which could very well kill the Mortals. As we've seen in that prior Hebe scene from the first part of this essay, the snow is showing up in Olympus. This isn't something that's happening in the isolation of this single scene, this is happening everywhere and instead of taking the L, Persephone is trying to make things 'better' by simply 'trying harder' which is just not the solution here, Demeter knows this, but Hades is playing the "girlboss" version of a "good husband" by not even bothering to try and convince her to do otherwise. Hades above everyone else should be the one stepping in because he'd likely be the only one she'd actually listen to, but he's refusing to because he has to be the "good husband" who doesn't control the actions of his wife.

So he flat out enables her instead by not even bothering to try and reason with her, to help her see that what she's doing is not helping. Not even so much as a "Persephone, I know you want to help but it's clear something is wrong and if Demeter can figure out what to do to fix this, we should let her", just him saying to Demeter who wants to stop her that he can't stop her from trying... ignoring the fact that he should at least try.

And that's the difference between being controlling and being an enabler. He's not keeping her from doing something that benefits her and doesn't harm him or others. He's not micromanaging her decisions or trying to tell her she's not capable. Now, don't get me wrong, there are definitely things that make Hades a walking red flag especially when it comes to him being a groomer, but when it comes to directly controlling Persephone, most of the time she's doing things of her own accord convinced that it's "the right thing" (which is still just a side effect of the obvious grooming because I really doubt S1 Persephone would have done this shit lmao).

Here, he's not stepping in to even try to reason with her because "well I'd be a bad husband if I stepped in", completely ignoring the fact that it makes him a terrible person, period, to not at least try to calmly reason with his wife and explain to her that her 'help' is not going to help here. Just like when he rewarded her with sex for abusing a nymph in her own home, he's completely complacent to Persephone's actions and doesn't step in to try and help because, according to Wattpad and TikTok, a "good husband" is someone who looks the other way while his life partner does whatever she wants regardless of the consequences to herself and others. "Happy wife, happy life, who cares if the wife wants to be an actual piece of shit to people if it makes her happy".

And thus she makes things worse in her pursuit of "happiness", while Hades stands idly by, watching it all unfold as if he's just an innocent bystander who can absolve himself of any responsibility in this situation. As if she didn't become this way because she ate the pomegranate to be with him and a part of his world.

Now, there's one other sort-of-blatant smoking gun that I want to talk about that I haven't really seen anyone else mention since this episode went up. Granted, this might be me reading far too much into it, but hey, that's what this blog is for and I think it's something that absolutely needs to be mentioned.

Persephone goes on about how her powers aren't just gone, they've been replaced, all she can create is decay, and more specifically-

Now... think of the context of LO's narrative, what it's told us both literally and through subtext, intentional or not.

What does this sound like?

Hades lost his ability to produce children when he ate the pomegranate. He can no longer "create life".

And now, Persephone is finding herself in a similar situation, unable to "create life" the way she knows how. I'd like to think this isn't literal, but it really feels like there's a metaphorical implication here that Persephone losing her ability to create life is meant to be taken literally, that she not only can't create flowers and plant life anymore, but she's lost her fertility entirely. You can go even further back in this when it was established Persephone didn't eat six seeds, but nine, which originally felt like a weirdly random choice, but now seems intentional. I know some people have theorized that it has to do with her possibly being pregnant, but I don't think that's the case, I think it's the opposite - that the 9 months was a metaphor for the 9 months of childbearing that Persephone can no longer do.

And if that's the case... LO truly is no longer a "feminist" piece of work. It barely was before, but if the point of all this winds up being an attempt by Rachel to give Persephone a "flaw" by taking away her ability to bear children... that'll be a punch to the gut.

That said, if it does go somewhere, maybe the point will be Persephone learning she doesn't need to be able to reproduce to have value as a woman. But considering LO's track record with these sorts of plotlines, I can't be confident in the slightest that's where it'll end up. What I can be confident in is that Persephone will likely not stay this way. Like her green hands, she'll likely get her powers back, maybe after the resolution that she's still a real woman deserving of love even if she can't reproduce. I can't possibly know at this point where it's going, all I do know is that LO hasn't done a great job at resolving these sorts of deeper narratives so this just feels like another dart on the wall of bad ideas. Because it's, again, all being framed through Persephone being the "perfect woman", without there being any actual subtext throughout the narrative to imply that this may be a flawed ideology to have, it's just what Persephone has to be and it's sold in the narrative as a positive.

There's one term to describe this with that's rather consistent throughout LO when you peel back the layers of both the comic and Rachel's past work - white feminism. Despite LO's attempts to be "feminist", it's still ultimately being written through a heteronormative male gaze, that women are only "valuable" so long as they're youthful, that any goals or dreams a woman may have should be dropped as soon as they fall in love with a rich and powerful man, and that "other women" who don't fit into that mould of being rich, white, and heterocis are not worthy of love, empathy, or understanding. It's hard to trust that LO will actually challenge these norms when it's been practically enforcing them for five years.

But ultimately, that's a very loaded topic and right now, we don't know where this is going... I'm just not so sure I want to see it after all the missteps the series has pulled over the past half a decade. Like the miracle of childbirth, it's gonna take a miracle for LO to actually stick this landing.

Now, I'm assuming you read this line of dialogue, and you understood it. Yes? You positive? Okay, great. Why am I asking you this question as if you're an infant who doesn't understand what being "passed out" means? Well, you'll see what I mean in a minute.

Now, again, like with the whole "I can't bring life to anything anymore" thought process I just went through, I can't know exactly what they're trying to do here, but Demeter is fully in the right. I want to make that abundantly clear that Demeter was right the whole time and it's pretty telling that even a lot of the people reading the comic in good faith are pointing this out in the discussion circles they can actually access.

Now, in case anyone hasn't noticed, it's clear that Demeter herself is drawing upon the fertility magic of Gaia or Rachel is just alluding to Gaia for some reason. At first I thought it was supposed to be her form of "wrath" until I remembered that (unfortunately) Eris was the only reason for Persephone's wrath, so this is clearly meant to be some allusion to Gaia. Considering the fertility powers were passed down purely through Gaia and Ouranos, this means Demeter is a descendant of Gaia, which... calls into question Rachel's attempts to "remove the incest" from LO, but that's for another topic.

Either way, Demeter is fully in the right here. Hades is a fucking idiot - a useless lump - for not only enabling the shitty actions of his shitty wife, but for not taking even any amount of accountability for the fact that Persephone found out about the pomegranate through him.

"But Puff, she had to eat the pomegranate to beat Kronos!" Did she? Or was that purely manufactured for Rachel's sake because she just had to have an MCU Evil-Robot-Jeff-Bridges villain despite the fact that this FANTASY ROMANCE series didn't need one? The fact that it was written purely to 'force' Persephone into doing something she already wanted to do was completely redundant, it wasn't a 'sacrifice' she made, it was made pretty clear in Episode 165 that she wanted to eat the pomegranate as soon as she found out about it and while that decision is certainly her own, that does not absolve Hades of responsibility for not questioning his future wife's fascination with it or realizing that he unlocked the inner Pandora's Box of Persephone's mind.

And so, Demeter holds him responsible. As she should.

Okay, you read that, right? But remember that line I asked you about before? We should all know Demeter doesn't mean this literally. We have brains and we should all have a minimum amount of media literacy to understand that Hades was telling the truth when he literally said Persephone was "passed out".

We finish the episode on this panel, which I swear to christ I couldn't tell you in all of my own divine wisdom of the arts what in the world is going on in this panel. I'm literally looking at salad.

Is it Demeter and Persephone? Just some dying plants? I have no fucking clue, your guess is as good as mine.

But we're not done. Because we have one more glaring issue to talk about with this episode, and it comes in the form of an author's note that was inserted at the end of the episode. It is truly, despite EVERYTHING we've talked about in both parts of this analysis, the dumbest, most airheaded and egregiously pretentious thing I've seen in this entire episode.

Rachel quite literally put in a fucking disclaimer telling her audience what Hades already told us point blank in the comic - "Don't worry, audience members, Persephone is not literally dead, it's a metaphor for her spring powers being dead!"

I literally can't even express to you how pretentious and shitty this is of her to do. I can't tell if it's legitimately her thinking her writing is "too smart" for even her older audience members to grasp, or if she just wants to dispel the theories that people would want to make about this, or if she completely misconstrued the criticism about her writing not being "clear enough" and thinks that THIS is what people meant. Pardon my tone because I've kept it together relatively well throughout this post, but this is some 2009-era Fanfiction.net level of author's note bullshit.

If she thinks her writing is "too smart" for her audience to grasp, I'm sorry Rachel, but you're just wrong and this is incredibly shitty of you. You think the 14 year olds in your community aren't also reading other webtoons that have deeper writing than LO? I read Death Note when I was fucking 14 and I knew exactly the point of what the story was getting at by the time it was over, despite all the other stories I read at that age that completely flew over my head. And you think LO is somehow more complicated than Death Note, baby's first introduction to the grey areas of morality and justice?

If she's trying to dispel the theories... that actually holds some merit because not only is Rachel notoriously bad at not letting her fandom just talk about their theories without her swooping in to "um actually" them (even if it means killing the fun of theorizing), but the official FP page on FB was closed to new submissions in the hours following this episode and it since hasn't posted any new content. Is it because people aren't posting? Absolutely not. The mods are quite literally holding these posts hostage through the submission and approval system. People are legitimately trying to submit only for the mods to block it entirely from going through. If this is Rachel's attempts at trying to "protect herself" from the criticism this episode has surely earned, then all she's really doing is punishing her own fans who want to talk about it. It doesn't matter anymore that the discussion groups are finally back from 3-4 months of being shut down over the hiatus, they're still not being allowed to operate. The best there is now is the Discord and it's undoubtedly just as heavy moderated as the FB groups.

And as for the third possibility, this also feels like an attempt at Rachel trying to make her writing "more clear" without actually putting in the work of writing a good story. She's undoubtedly seen the criticisms towards LO as a whole that it doesn't express itself clearly, that it constantly flip flops on character motivations and information that has been established, and that any monologuing that's done implies things or events that we've never seen unfold on screen (case in point, the Persephone monologue from the start of this episode) but she seems to have either misconstrued or ignored the point of that criticism entirely by solving it with a quick and shitty author's note at the end explaining her intentions with a scene that was already clearly laid out to us. Instead of putting in the work to write a concise story to explain the things that are a bit more under-developed, she's slapping in a spoonfed explanation for scenes that literally don't need explaining and that ultimately cheapens the scenes that are TRYING to have impact, bringing them down to the same level of mediocrity as the scenes that never had the impact they intended to have to begin with. "You've killed the Goddess of Spring" was plenty clear after Hades said she was passed out, Rachel. Taking the time to explain it in a note at the end is just sad and it really goes to show what you think of your audience, especially when it comes to how you treat your fans in regards to community accessibility in the official discussion groups.

"The haters" didn't set this comic onto the path that it's on or ruin the fanbase experience, Rachel - you did.

[lunarphoria]

☽☾ Ganymeda - Gladdening Princess ☽☾

Heyy everyone !! Here's a little drawing I made in honor of Lady Hebe <3 I'm sorry that it's on the more simple side ( I couldn't really figure out what to do for the background and kind of panicked a bit ) , but I still hope you enjoy it anyway!!

Here are some things I'd like to mention about the way I depict her :

I believe her to resemble her father more in appearance, but having her mother's " cow-like " eyes , so I tried to make them look big with thick lashes. The little horns are something every child of King Zeus & Queen Hera ( excluding Lord Ares & probably Lord Hephaistos too ? ) shares . I gave her a belt with a Herakles's Knot on it , a symbol of love & marriage which would be ceremonially untied by the groom . Her pitcher features an excerpt from an ancient vase depicting gods of Olympos attending a wedding ( though I found out my colorful rendering really clashes with ancient vases so you can't really see it anymore :') ) . I gave her attire the drooped shoulder since a lot of classical paintings of Lady Hebe ( or her Roman equivalent Lady Juventas) feature it as well , and I think it's fitting for a goddess of youth. The bluish , transparent fabric under the sleeves is kind of supposed to look like water. The chains around her arms may look a little strange at first, but freed prisoners would dedicate their broken chains to her in one of her sanctuaries, and I think it nicely undermines her role as a goddess of forgiveness and mercy as well <33

( divider made by @ / firefly-graphics ) <3

[thequeer07puss]

On Hera and Zeus’s marriage: a rant

I’ve seen a lot people get mad at Zeus because his application of marriage in mythology is a bit more flexible than what we’re used to, while misunderstanding the theological and cultural realities that surround it

The Native Hera and the Foreign Zeus

Long ago, before what is now known as the Greek pantheon was a thing, the Greeks worshipped the goddess now known as Hera, and she was their main goddess. Some time later, another group of people, recognisable as derived from Proto-Indo-European descent through their worship of a sky father (Zeus), either conquered or merged with the existing culture of the time.

These two groups, to avoid too violent of a clash while merging, made their patron deities spouses to make the transition more smooth for everyone, effectively breaking the Proto-Indo-European pattern of sky god-earth goddess duos, while still being present to a lesser extent in the form Demeter’s brief marriage with Zeus.

Divine marriage

Now, we all know Zeus in his myths was quite a womaniser, both because of his function as an All-Father, and as his function as the representation of Ancient Greek patriarchal society where men could have as many extramarital affairs and women could not. Note the fact that this was completely allowed and accepted in Ancient Greece, and that other male deities with known spouses still slept around without their wives getting angry (eg Poseidon and Dionysus).

Why is that so? One could simply dismiss this by saying that Hera is just “being jealous”, but the answer is deeper than the surface level.

The marriage of Zeus and Hera is meant to be egalitarian, meaning that they occupy the same position and receive the same amount of honour in Olympian society, and Hera, as defender and mistress of Olympus, has to constantly check whether or not there is a breach of that egalitarian semi-open marriage or an attack on her honours as both queen of the gods and equal partner of Zeus.

Now, Hera is well-known for her fury against Zeus’s mistresses, and while this may seem funny/tragic to people, it’s not rlly ALL of them that had that treatment. The only ones of Zeus’s mistresses (that I know of) that received any kind of attack from Hera were Leto, Alcmene and Semele. (This ill reputation of Hera as a jealous wife might mostly be due to Heracles, but we’ll get back to him later)

Leto and Semele

Leto was one of Zeus’s previous wives before Hera came in power, and she conceived her children, Apollo and Artemis after Zeus and Hera got married (UPG). Semele was a mortal princess from a very important family line, who Zeus took a liking to and came down to often, even swearing to her on the river Styx to give her anything she wanted. This could tickle Hera the wrong way for 2 reasons: Leto, a previous queen, and Semele, a mortal, may have started to feel proud of Zeus’s special attention, and that their children (Apollo & Artemis, and Dionysus respectively) were destined to eventually enter her home due to them being very important. The first point could just be a reminder of Hera’s supremacy as Queen of Heaven, and sends a clear message: “Just because the King gives you special favours doesn’t mean you are above, or better than me”.

The trials that face Heracles, Apollon and Dionysus (ie madness followed by redemption, Python, and a period of madness respectively) could therefore be tests to prove their worth and proof that Zeus did not waste his time and energy making children unfit to integrate the Olympian family without some pushback. Zeus famously spent 3 days conceiving Heracles, whose famous fate at the hands of Hera could be seen as trials in her honour, as evidenced by his name which means “the glory of Hera”. When he ascends to Olympus, he even goes as far as marrying Hera’s daughter, Hebe.

Conclusion

Hera is not a jealous wife, and her marriage with Zeus is certainly not dysfunctional. They love each other deeply (see: the foundation myth of the Daidala festival) and their relationship is certainly not something to be questioned or made fun of. Honouring Hera properly means honouring Zeus, and vice-versa.

On that note, I wish you all a happy Theogamia.