but people don't know that you're far more protective of him, and fiercely so. you know how his past lovers have hurt him, how they've used him. you see how people can be cruel to him just because he's a little eccentric. and when people try to put him down, you can't help but want to fight back.
and satoru, he's just...so flattered. it actually makes him a little flustered.
he's so used to be being the protector, he doesn't know how to respond when somebody stands up for him.
so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-
but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again
(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)
i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)
weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon
(which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( )
AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward
but i suppose i was very wrong with that .__.
right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)
not to make angst out of a fucking gag but also thinking about the silly au rei in the final episode makes me think about how different rei would be if she didn’t have literally the worst dad ever. like, no, she probably wouldn’t have been the upbeat adhd whirlwind in the high school au lmao. but it does just make me think. because while all the pilots lives are incredibly marked by trauma, rei's the only one to have never had access to any sort of normal life. her entire personality and worldview is shaped from being isolated, groomed, and taught to see herself as a tool and not a person. and then i just get so sad that she never had any chance of a normal life where she could discover herself and what she is. she went from being abused and manipulated by gendō (which is made even worse with the implications certain scenes leave about their relationship) to becoming god. she never had any chance of living a normal life. and just like. fuck.
hey everyone, i won’t be as active for a while. got home last night super late after being on the road for 20 some odd hours. dealing with some family things and as an older sister, my priority of taking care of my siblings comes first before anything else. being on here is amazing for me but i don’t think i’ll have much time for it. reminder to please treat those in your life who are battling addiction with patience and care. i lost my older brother (sweetest person i’ve ever known and he remained that way up until his last night) to suicide and alcoholism, trauma and ptsd, depression and his feelings of hopelessness. talk with the people you care about. another of my siblings is dealing with the same and i refuse to let it escalate to such a terrifying end twice in less than a fucking year. remind the people you care about that there are beautiful things to live for. show them kindness and love. there is all kinds of misinformation out there but know this, you can make a difference for someone. don’t let them suffer in silence.
I’ve been wanting to draw him like this ever since I first saw him smile, but my will to draw eluded me until now! This started off as a doodle, so, please excuse the messiness. I drew this to de-stress.
“Fire” Red belongs to @creatively-cosmic. They have a blog called @themissingnumbers, which is really good! Go check it out if you want to see more.
how would dabi react if his s/o got sick? like just a cold or a fever so nothing major but i image our poor baby would freak out 😢
- 🥛
dabi x fem!reader
he wouldn’t let it show openly, if not for the frown that makes his forehead crease and the worried gaze that only you can detect, but inside dabi is worried sick because the fever doesn’t seem to want get down despite you taking your medicines, staying warm and resting. he didn’t knew anymore what to do honestly, the sight of you in pain or unwell was genuinely hard to bear for dabi.
as he sat at your bed’s edge he took the thermometer and saw that the temperature was still at 39.7 degrees he looked at you pale; after tucking you in dabi glanced at the clock on the wall seeing that it still took some hours before you could take your medicine, so he grabbed the glass of water on your bedside table handing it to you saying that it’s better to keep yourself hydrates.
when he sees that you can’t even stand properly, dabi moves right beside you and puts an arm around your shoulder helping you slowly to raise your upper body, then he brings the glass to your lips and watches carefully as you drink it making a relieved expression afterwards as the cool beverage soothes your burning throat “you’re sweating, i think it’s better if you dry up and change your clothes.”, he advises moving the blanket and standing up so you can get off bed more easily. he holds out an hand for you to take so to help you stand without falling and starts undoing the buttons of your pajamas’ blouse, you start burning up for another reason and grab his wrists looking up at him flustered while telling the boy you can do it alone, he refuses saying that you’re to weak to even stand properly without having your legs shake like the ones of a newborn deer. so in the end not only dabi has changed you, but he also dried your body with a cool towel and finally put you to bed, demanding gently for you to take off the cold patch attached to your forehead to replace it with a new one.
after he feeds you some porridge and gave you your medicines, he changes into some spare clothes left here after his many visits and then tells you to scoot over so he can get in bed with you resting an arm onto the cushion for your to rest your head on, while his other one is around your waist to hold you closer. his eyes fixes into yours intensely and with worry shining into their depth “if there’s anything wrong or you feel any discomfort, tell me right away okay?”, you nod while looking at him mesmerized by that side of your boyfriend before snuggling against his chest as he rests his chin on top of your head and fall asleep like that.
Anastasia the Musical sucks so bad. They really said "We're gonna cut the best song from the movie - just axe the absolute banger that is 'In the Dark of the Night' - because we are being SERIOUS and GROWN-UP now. We are A Big Historical Realism Musical Now. This is FOR REAL, okay!? We don't have a SILLY villain like Rasputin! We have Gleb! [Please Just Clap.] We are HISTORICALLY GROUNDED. -- Anyway, here's a musical unironically glorifying the Russian monarchy~~ 💖😌💖😌💖😌💖"
I hope you don’t mind me asking, but what’s the deal with Mitch and his dad? Last night prompted a lot of Mitch Daddy Issues Marner comments and I was kinda lost. I know he started hockey like. Ridiculously young and there was one video I saw where he mentioned something about like a hockey deal with his dad where he was like yeah I won’t get into that and it had iffy vibes but?
i don't know like. full full details either tbh. but there is this vid from when mitch was little and he and his dad were in a local news story and that's one of the first things i ever saw about mitch. i think his dad's just been a pretty extreme helicoptor parent and made disparaging comments about how ppl dont take mitch seriously bc of his personality and involved himself in mitch's contract negotiations w the leafs to a degree that reflected badly on mitch. i think you can tell how there are definitely problems with their relationship in the way he talks about his dad to the media and how his "father" knows not to mention hockey around him bc he doesn't want to hear it... the evolution of that relationship where mitch now no longer wants him involved. to me......... he just kind of seems like a guy that was like way too heavily invested in his young kid getting into this sport and there's definitely something fractured there bc mitch has a lot of warmth for his mom and his brother when he talks about his family, but sometimes his dad is excluded from that. (AND as a purely speculative section to this, it's interesting that mitch finds himself very attached to dad figures on the team like patrick marleau, matt martin, jumbo, muzz, bogo, etc... like clearly there are some Feelings there and potentially a paternal void that he likes to fill by glomming on to men who aren't afraid to give him affection praise and love that he definitely craves.... there's an essay to be written abt this but i'll save it for someone funnier)
I love the vocal nuance in this exchange, but also posting this for my differences posts because this is one of the changes that infuriates me the most. Yuri didn't threaten Ioder, did not threaten him with a weapon, and just said he'd punch him in a lazy, half joking voice (half joking as in, he really doesn't want to hear that - that's just his way of saying so; but that's not the voice of someone who is super angry and threatening).
My other huge grievance is that this is a recurring issue between them in the dub. Yuri is pretty much always vocally rude to Ioder. Ioder has done nothing to wrong him or anyone and has only ever done good for the people where he's able to.
Yet despite Ioder being nothing but sincere, honest and polite with Yuri, in fact even happy to see him here and there, dub Yuri is outright tonally rude to him leading right up this scene where he threatens Ioder in this dark voice. Meanwhile he's actually just supposed to be… lazily telling Ioder he'll punch him in his Yuri Lowell way of saying "I don't want to hear that".
The dub really just wanted to turn Yuri into this dark edgelord and I hate that for my goofy, silly boy.
It's kinda weird to think that stuff you always thought was normal human stuff can straight up just be a sign of a sometimes debilitating medical condition. Especially when you have no way of knowing, because you've always done it and so have generations before you and that's where you learn your definition of normal.
there’s one version of an f/m/m triangle that crops up so often I’m surprised there isn’t at least a tvtropes/vernacular name for it. Miyokichi/Kiku/Shin. Molly/Fitz/Fool. Asuka/Shinji/Kaworu. Futaba/Taichi/Touma. not-really-but-you-could-shove-it-in-here Luthien/Beren/Finrod. Utena/Touga/Saionji is a twisted spun-on-its-head version of it. Specifically comprising:
masculine male character A: either is the protagonist or a character on to which male viewers can project.
female character B: a secondary character and A’s official love interest, often kept apart from A by story/circumstance/gender roles. Shows some resentment of the trials she’s put through by the story in being A’s lover such as being shoved to the side, cut out of his life, or put in danger.
less masculine male character C: another major character, A’s devoted sidekick, feminine and/or conspicuously cold toward women or sexuality, somewhat ill-used by A but not resentful about it, as a contrast to B.
The dynamic is used pretty equally by female and male creators, though probably with different purposes. Outside the story, there’s a clear explanation for how the roles are divided: men are main, women are peripheral. Obviously the female love interest has to be on the margins of the story. Obviously the male main character has to have an ally in-story who can bounce dialogue back. Any human person has to have a best friend (for men, has to be male) and a lover (for men, has to be female). The major character male bestie and the minor character female gf is the minimum character dynamic you need to sustain the main character as a believable construction.
Except within the story, the dynamic begs far too many questions. On B’s part: her other half and love interest uses her for sex once every few chapters and dumps her to go off on another plot-relevant adventure. She’s kept in the dark, talked down to, pushed away, and distrusted. Her place at her sweetie’s side is occupied by Some Dude and no matter how much she puts into their relationship, she’s always going to be a prize for after the mission. Why does she stay with him? What could possibly attract her about this bestubbled grunt machine whose passion for the sword outmatches anything she’s given him?
On C’s part: he gets used as an emotional support crutch, designed to service his best friend’s every need at the expense of his own goals or story. He’s a housewife, he’s a domestic, he does every thankless story task with a smile because he has to provide the exposition/set up the plot/set the plan in action that carries the main male character to victory. He doesn’t have a love interest of his own, meanwhile the most important person in his life is obsessed with a woman he barely speaks to. Why should he care so much about someone who only takes? Why is he committed to this one-way friendship? What does he think of taking the backseat, providing support, submerging his own will for the sake of a person instead of an ideology?
On A’s part: if he’s a red-blooded heterosexual male character who pursues a woman as is acceptable, why does he dig himself so deep in with his designated ally? Through dialogue and because he has to in order to show the audience, he exposes his heart and soul to C and keeps him in his pocket for as long as we are watching, so why then does he cast him aside so easily? He invests the most time and energy into his relationship with C, cultivating love and loyalty there, but he draws the line so firmly in the sand that the audience is sure he’ll never, ever step aside for one minute to follow the friend. Why does he choose a man for his emotional battery? Why doesn’t he communicate with his supposed partner? Why does he choose to use B and C for sex and solace respectively, and why don’t they ever mix?
The gender dynamics wrap around to simple: women aren’t up to being equal partners to a cool guy, so you need a male wife to do everything for you and appreciate the protagonist’s sick abilities. romance with a man is perverse and impossible, so you need a female love interest to prove that the protagonist isn’t gay and fulfil the audience’s needs. But in-between all of that you could ask some interesting questions of the spoke character, A, the male protagonist whose actions are taken as normal. the question being: bro. what’s wrong with you